Happy Black History Month! Who cares about the Oscars? The most important point of power in all situations is being able to see through to the structure of anything. Those who cannot manipulate real time events to show themselves, chosen, entitled, special, ‘genius’ and all that nonsense will ever cheat, lie and steal. Please do tell in in what other universe would there be a tie between Katherine Hepburn and Barbra Streisand for Best Actress but in this one where the most venal racists run the show and everyone looks like another variation on Jackie ‘blasted god-fugly’ Stallone.
Go on, give each other awards; what does it finally matter when you know nothing of being cool and sophisticated as in those whom you so revile, vilify, loathe, incite others to hate – all the while crying of being victimised. You know… those marvellous people whose spirit you will never crush, despite the attempts of Orly Taitz and the returned de Torquemada – now no less fugly got up in reincarnational drag – Jackson, Woods and Cosby and you just know that the swine has only just begun. They, those marvellous people, who like dreams – wherein only truth and beauty exist – are the ones to have invented Jazz and whose spirit will never be eclipsed by your god-fugly ugliness. Yes, them… they who don’t need awards to show how special, chosen and what marvellous geniuses one so over-compensatorily is not!
Alas, for the truly marvellous people every day of the year is awards season; despite your alarming ugliness, you have positively no power over any of us when we set feet into our homes. There, despite your lunacy, we affirm our creaturehood, our beauty or phenomenalness and we turn on some Jazz which can speak to no one else as it speaks to every last one of us – not you! So while you infest the culture, like some fetid mould – which thankfully are never lasting – just know that the ugliness of your lies can in no way invalidate the beauty of Miles Davis, Duke Ellington, Ella Fitzgerald, Betty Carter, Lena Horne, Anita Baker, Sarah Vaughan, Diana Ross, Natalie Cole… and countless others.
So go on and speciously raise your rear right leg and take to the airwaves claiming, “Jazz has its roots in Klezmer!” Just remember this: forgiveness is the price a damn fool would gladly pay to forget anything. Clearly, you do not know Black people and come November, we won’t collectively have taken leave of senses and do as you would wish… not after Orly… Who cares about the Oscar vote? Our vote is the one that truly matters… Remember eight years ago… “I’m Voting For Her!” We do not forget… where is that displaced haus frau anyway? You know, the one who was partout on TV demanding that the unchosen sheeple, “Vote For Hillary!” followed by that demented laugh of hers… perhaps, she is too distracted these days trying to recall with which hand she ate last night.
Truly empowered are they who always say what the fuck they mean and never leave any doubt as to their resolve.
Incidentally, all the Jazz artists mentioned in this blog, I have to date done their Michael Overleaves. Some are listed in the Michael Overleaves Appendix page those which aren’t were only recently channelled; they are… Natalie Cole, Anita Baker and Lena Horne. Not in the least surprised was I to have found that Natalie Cole is an entity mate. Every time I hear her voice, I am instantaneously catapulted to a groove that I can only call a soul high… So then here are her Michael Overleaves with one of my favourite video performances of hers. Every idiosyncrasy of hers resonates to the very core of my being… God she could represent!
Cole, Natalie 6/2/1950<O>31/12/2015
This fragment was a fifth level mature artisan – 3rd life thereat. Natalie was in the power mode with a goal of growth. She was a sceptic who was in the moving part of intellectual centre.
Natalie’s primary chief feature was stubbornness with a strong secondary chief feature of self-destruction which was primarily internally focussed.
Natalie’s casting is in the fifth position of the fourth cadence in the second greater cadence – she is a cadence mate of Richard E. White (he is in fourth position). She is a member of entity six, cadre one, greater cadre 7, pod 414 – another entity mate.
Natalie’s was a Saturn/Mars body type.
Essence twin for Natalie is a discarnate artisan and her priest task companion was known to her.
The three primary needs for Natalie were: expression, freedom and power.
There are 12 past-life associations between Natalie and Arvin whilst there are 16 past-life associations with Merlin.
*Richard is New York City academician whom Merlin met during the final couple of years of his life. This man had the most uncanny resemblance energetically to Merlin and I only met him a week after Merlin’s passing as he ventured to Toronto; he had previously planned to, to bid Merlin farewell. Alas, unlike Joe Morton who flew in from Los Angeles for 24 hours to be with Merlin, Richard had been too late but came nonetheless; the gesture was truly noble of spirit and was greatly appreciated.
©2013-2016 Arvin da Braga. All Rights Reserved.