It’s The Brooch, Stupid!

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As the seven-headed Royal Rota beast starts attacking itself at the news that TRH Duke & Duchess of Sussex have laid down the law, which definitely does not include them, they have elected to declare all out war!  Naturally, the American negro whom they spent every inch of broadsheet demonising, vilifying and mercilessly racially preying on, now had to be blamed and attacked.  Never having approved of the black, who ought to have been nothing more than a bit on the side, having married a blood royal prince, the first response comes from that pussy-faced bigot extraordinaire screaming like the closeted cocksucker that he is, ‘Take away their HRH titles!.’  Revoking the Sussexes titles is as good as divorce and finally the royal rota and the majority of racists can have a marriage annulled that they never thought should have occurred.  Too, all of a sudden, they are concerned about the frailty of the indomitable monarch, HM Queen Elizabeth II. 

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By the time that HRH Princess Michael of Kent wore her blackamoor brooch to the 2017 Queen’s Lunch at Buckingham Palace, Meghan, HRH Duchess of Sussex would have regularly been subjected to open racial animus from all quarters within the BRF and the royal households.  Naturally, the ubiquitous garden variety bigots were all emboldened by the race-baiting narrative being driven by the bemused royal rota.  What is their defense for the brooch – Meghan had gifted it to the no-calved freak and insisted that she wear it?  Meghan, HRH Duchess of Sussex makes her Buckingham Palace balcony debut at 2018 Trooping the Colour and she is cunningly eclipsed when it is decided that the four royal colonels who had ridden by horse to and from the palace: HRH Princess Anne, Princess Royal, HRH Prince Andrew, Duke of York, HRH Prince Charles, Prince of Wales and HRH Prince William, Duke of Cambridge are to stand alongside HM The Queen.  

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In the following year, again, the four royal colonels were staged, rather than the protocol of precedence, such that TRH Duke & Duchess of Sussex were again in the back and eclipsed.  More importantly, in 2019, TRH Duke & Duchess of Cambridge were as far away from the Sussexes as possible; this, of course, would only validate the tensions between both of Diana, Princess of Wales’s descendant families.  

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As whites are always readily indignant when denying the existence of racism, the current feverish quarterbacking, addressing every possible reason for the Sussexes’ decision to forge their own future, covers everything except the obvious – the stinking racism within the BRF and the royal households… to say nothing within the royal rota and British society at large.  The obvious assumption is that we owned you people for 400 years.  Of course, we damn well have a right to openly hate you, racially prey on you because we damn well can and are damn well right in our perceptions… most of all, our heritage is above reproach. 

Copping hauteur and curling one’s hideous, thin lizard upper lip aside, selectively and romanticising the past is all well and fine but the reason for damn well hating Meghan and what she represents, is precisely because were it not for those 400 years of making you fabulously wealthy, Britons would be no better off than Albanians.  You can never possibly begin to fathom the degree to which blacks have long ago figured out your own special brand of crazy.  Though superiorly armed; crazy the fuck is crazy.  

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The Sussexes are in the power position, HM The Queen cannot afford the fallout of having the bride of the Commonwealth Youth Ambassador of the predominantly black Commonwealth banished, stripped of royal titles and also removed from her Commonwealth position.  Not only does one run the real risk of many of those predominantly black Commonwealth countries leaving, more serious is the threat of the Sussexes doing a sit-down interview with that other Queen, Oprah Winfrey.  As it is, Britons come off as the ugly racist boors that sadly they are.  Also, if stripped of titles, Meghan HRH Duchess of Sussex would be seen as an admirable American who refused to toe the line and scrape and bow to persons who are bigoted boors, in particular TRH Duke & Duchess of Cambridge.  Meghan does not have to respect Catherine, she did nothing but traipse after/stalk the oaf with limited communication/body language/emotional intelligence until she got the ring and promptly laid down the law whilst rowing and dismissing him during her first appearance on the balcony at Buckingham Palace on the day of their wedding.  

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The fact remains that if HRH Prince Henry, Duke of Sussex had taken a Japanese, Muslim, Chinese, Korean, East Indian or Burmese wife, the royal rota and the British public would not have been so feral with open animus towards any such non-white wife.  To those owed karma, one is always most resently, hateful and obsessed.  Meghan, HRH Duchess of Sussex has been a crucible for that hatred/fear but at the end of the day, the Tudor matriarch did not come back to suffer immolation by rabid racial predators.  Where’s the thriving in that?  And, as she articulately laid bare in her engagement interview, this woman is stratospherically more emotionally intelligent than certainly the Cambridges and all the other members of the BRF, to say nothing of the royal households, combined. 

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It isn’t just enough to be a goddamn token; this is not the frigging 1960s.  Being brayed at and water-hosed by the royal rota, who are now hand-wringing and assuming zero fuck-all culpability, is no way to live.  As Jessica Mulroney so deftly shared on her IG account, “a strong woman looks a challenge in the eye and gives it a wink.”  I will go one further; She winks, smiles then speed dials Oprah.  No one played Margaret Beaufort and no one plays TRH Duke & Duchess of Sussex.  Going forward, no matter what the senior royals do, this is the end result of their racially hostile response to Meghan in their midst…. they know who they are and their actions have betrayed their culpability.  Positively nothing was done as this woman was being lynched; instead, the royal rota and them decided to play central casting and turn Catherine into a star.  Not a damn soul at the Gersh Agency would represent that mousy drab bore.  Once the royal rota get over having been emasculated and eviscerated by TRH Duke & Duchess of Sussex, they can finally go feed on the ruined façade that’s left of the Cambridges’ marriage. 

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TRH Duke & Duchess of Sussex simply did what no one within the BRF had the balls to do: deal with the royal rota’s out-of-control vigilantism.  The royal rota and their legal team have looked at the Sussexes’ declaration and see lawsuits that they can never win and a loss of power, which frankly they should never have acquired.  On the day of their glorious wedding, commentators asked how was Meghan going to change the BRF… not being the royal rota’s bitch is damn well how one modernises the BRF.  You cannot use the royal rota, as the Cambridges have, to wage a grudge match with the more stylish and popular though less senior royals, the Sussexes.  Again, if you are going to play your cunning games via the royal rota, do so at your peril when dealing with an American.  

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The Royal Rota behaved as they did because they knew damn well that there was little acceptance of the black American within the senior royals’ midst.  On the eve of the 2019 Remembrance Service in Whitehall, there were TRH Duke & Duchess of Sussex alone minus Camilla, HRH #Duchess of Cornwall who was a no-show, claiming being under the weather.  The next day, however, there she was on the balcony in Whitehall on HM The Queen’s immediate right, showing no signs of illness.  Just as when she did not want to, Camilla hosted an event in Scotland, rather than attend HRH Princess Eugenie of York’s wedding in October 2018.  

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No other faction would have exerted more pressure on HRH Prince Charles, Prince of Wales to alienate the black American than HRH Prince William, Duke of Cambridge.  He has never his life long, unlike his brother, betrayed being at ease around blacks.  He, along with his inarticulate, insecure wife, went out of their way to make HRH Prince Henry, Duke of Sussex’s wife feel unwanted.  Both possessed of 9s in their numerological makeup, proved themselves petty, grudging and prejudicial in the negative manifestations of the immensely difficult to master number 9.  

So threatened were they by articulate, accomplished, self-made and emotionally centred Meghan, HRH Duchess of Sussex that never once was she allowed to attend a state dinner where she would be expected to wear a crown.  Once and only once did she go on an outing with HM The Queen.  On the official BRF YouTube channel, Meghan’s rather articulate speech whilst attending the 2018 British Fashion Awards was edited to her making the introduction and being thanked by Claire Waight Keller; the entire Internet has been scrubbed clean of her entire speech.  By virtue of the Cambridges’ pettiness, all of a sudden in the past year, Catherine, HRH Duchess of Cambridge has been shoved forward, making speeches and deigning to appear remotely human and speaking to the media.  All indicators are there in plain view, Meghan, HRH Duchess of Sussex has been horribly treated by senior and minor royals alike along with the royal households and none of it was clearly ever challenged by HRH Prince Charles, Prince of Wales who obviously is Prince Regent in all but name.  Bullying Charles, his father, to pose with granny and his darling little twinkle toes, the clearly pussy-whipped, oafish William assumed that Meghan, HRH Duchess of Sussex was prepared to endure a lifetime of BS from the likes of someone whom she obviously dismisses as an idiot.   

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A proud black woman, under no circumstances is Meghan prepared to have her son, Archie Harrison, treated as she has been treated by any royal or hideously racist members of the royal households in an echo of her upbringing around shitty excuses for human beings like Samantha and Thomas Jr. did during her childhood and the moment she became engaged to HRH Prince Henry, Duke of Sussex.  HM The Queen, knew the importance in Meghan, HRH Duchess of Sussex being wedded to a senior royal; it cemented the love and respect the blacks across the Commonwealth bear her.  Be that as it may, as HRH Prince William, Duke of Cambridge could not care less what ‘granny’ wants, he would just as readily dispense with the undesirable ‘negro’ in his family as he would all those blacks in the Commonwealth.  I am sure that he would consider it a good thing if with the Duchess of Sussex’s treatment and ouster, some predominantly black Commonwealth member states were to pull out.  He has never visited any such country and likely never will.  

Everything is a damn choice.  Meghan, HRH Duchess of Sussex clearly sees little difference between TRH Duke & Duchess of Cambridge and Samantha Grant & Thomas Markle Jr., they are bigots not worth associating with.  Of one thing you can be certain, Meghan, HRH Duchess of Sussex will never allow Archie to have contact with his cousins.   HRH Prince Henry, Duke of Sussex never treated Catherine, HRH Duchess of Cambridge differently either before or after she joined the BRF.  I ceased following Amelia Windsor on Instagram when that little half-wit of dubious beauty on attending the 2018 British Fashion Awards failed to acknowledge Meghan’s presence there in her insta-stories, though there were many other highlights of Amelia’s night at the awards. 

With Meghan and Harry’s departure and with the royal rota no longer having direct access to them, it is time for them to start covering the real story in the House of Windsor, TRH Duke & Duchess of Cambridge’s disintegrating marriage.  

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©2013-2020 Arvin da Brgha.  All Rights Reserved.  

Posted in Actors, African Leaders, African-Americans, Africans, American Artists, Americans, Artisan souls, Artists, Authors, Black Americans, Black artists, Black creative artists, Blog, Books, Canadians, Commentary, Fashion, Haute couture, Longreads, Mature soul Artisans, Mature souls, Memoirs, Numerology, Older souls, Performers, Racism, Royalty, Scholar souls, Statesmen, Theatre, Visionaries, Warrior souls, Writers | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

8.1.2020 = 8.9.4 = 3. Checkmate!

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Yes!  That’s how you ride the slithering seven-headed dragon to the hounds!  

Ah, there they are, gliding along in Sandringham, trying to cover Catherine’s brushoff of her nuisance husband, William, during BBC’s A Berry Royal Christmas Special by having the image of wholesomeness.  What affair with Rose Hanbury?  BS!  Come on, you must be having a laugh!  Rose’s husband lives in Paris with his (male) photographer lover, so his being at Sandringham is so much PR pablum.  

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That’s right, bring in the black woman and she can cover those forever impoverished Commonwealth backwater countries that one has no intentions of ever setting foot in, Catherine & William that is.  Too bad, though, that you did not take the time to treat that black woman as nothing more than dirt.  Rushing to DailyMail and meeting with its editorial board to keep dumping on that upstart American.  Why should the Sussexes have done Christmas Lunch at Buckingham Palace in 2019 with Archie in tow, only to have the likes of that flat-arsed, no-calved reptilian freak, blackamoor brooch and all, greeting Archie along the lines, “well aren’t you just the most adorable little monkey.” 

If you think that HRH Princess Michael of Kent is the only open bigot in the BRF or the Royal household then I am sure you also believe that the Prince of Rome really does care about the little people.  Today, 8/1/2020 was a most auspicious and powerful day for TRH Duke & Duchess of Sussex to have launched their new website http://www.sussexroyal.com and to have seized power from the British media.  Indeed, this master stroke by TRHs is a fitting homage to HRH Prince Henry, Duke of Sussex’s beloved mother, Diana, Princess of Wales.  They sought to own, victimise, exploit Meghan, HRH Duchess of Sussex as previously they had Diana, Princess of Wales.  Not for nothing was the soul which previously had been Margaret Beaufort, Tudor matriarch going to lay down and get shafted by damn fools – fools too who new arsenal, which they had not previously employed against Diana, Princess of Wales, race.  

For 14 long and excruciating minutes, Bishop Curry hogged the spotlight; however, in doing so, he also weaved magic that was likely never intended.  Alas, there were in the quire at St. George’s Chapel, the most shrewd strategists you could hope for, American mavericks and a handful of shrewd power players from the Gersh Agency, to say nothing of George & Amal Clooney and as well Oprah Winfrey.  This inevitably gave way to HRH Prince William, Duke of Cambridge revealing what a clueless oaf he is, whilst Sheku Kanneh-Mason performed Schubert’s Ave Maria.  The same oaf who had to be told how to properly sit in the carriage on the day of his wedding, to the same oaf who neurotically brushed the back of his left hand after his crass wife had rudely dismissed him before the world, which of course the members of the Royal Rota chose not to run with.  

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This woman, Meghan, showed her true mettle in slaying that smug dragon, the Royal Rota, which somehow assumed that it was invincible and could exploit, rule and demonise the product of 400 years of enslavement and dehumanisation by the very society which ought to be damn well lucky those enslaved descendants are as forgiving as they are and do not perpetually harbour erotophonophilic thoughts of severed, hateful empty skulls.  No said Meghan, HRH Duchess of Sussex, I will not be racially preyed on, demonised, vilified and made millions off of as were my ancestors.  How she has proven a mirror into which the isle of rabid racist hooligans have had to gaze and runaway screaming.  

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Retaliate by taking away their HRH status and there will be a number of predominantly black Commonwealth nations that will just as readily throw off that final yoke of colonialism.  That is a legacy of which HM The Queen is most proud.  She would do it but it would cost her dearly.  The royals have stood by and done positively nothing whilst Meghan, HRH Duchess of Sussex was being fed on by semi-feral jackals of the royal rota. 

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They were smugly celebratory and began the ousting of the American by the Cambridges’ performance at Royal Ascot in 2019, a performance which clearly had the backing of HRH Prince Charles, Prince of Wales.  The Royals and their courtiers have myopically assumed that the game and the way it is played, is the only way.  Wrong!  At Christmas, the Sussexes were further being sidelined by HRH Prince Charles, Prince of Wales accompanying TRH Duke & Duchess, George & Charlotte of Cambridge to church in Sandringham.  

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There are Americans involved and the Windsors laid themselves bare as they sat across the very narrow aisle of St. George’s Chapel’s quire from self-made power money.  Who are the Windsors to persons like this, who shrewdly see the value and monetary worth in everything.  William to them is just lazy money – he was born into it and beyond that is a fairly clueless oaf.  There sat Meghan, serene, confident on her wedding day as she sat opposite some of the most shrewd legal minds going and they knew her… the Windsors are nothing to such persons.  

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Now that the Royal Rota has been frozen out and its flame extinguished, they can now focus on the business of gossip.  What are they now to do, continue their newfound narrative of praising Catherine, HRH Duchess of Cambridge or revert back to their comfort zone of detesting Kate Middleton?  

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With this release of http://www.sussexroyal.com TRH Duke & Duchess of Sussex have slain a formidable dragon – a hideous though weak seven-headed monster.  This heroic move and act on their part has done a great deal to avenge the pain and injury, which this blood-hungry seven-headed dragon (Royal Rota) enjoyed at Diana, Princess of Wales’ expense.  HRH Prince Henry, Duke of Sussex with his able and reincarnationally accomplished Queen, Meghan, HRH Duchess of Sussex has proven a modern day St. George who together have slain a seven-headed dragon that bullied his mother into her grave.  Go on, try publishing a million photos and print your lies about them now… going forward as of this day, 8.1.2020 = 8.9.4 = 3, TRH Duke & Duchess of Sussex have avenged Diana’s death accomplished in their bold defiance to finally allow Diana, Princess of Wales to rest truly in peace.  

Whatever shall the royal rota do now?  More to the point, does it really now matter?  

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©2013-2020 Arvin da Brgha.  All Rights Reserved.  

Posted in 21st Century African-American Artists, 21st Century American Artists, 21st Century Artists, 21st Century Black Artists, Actors, African-Americans, Africans, American Artists, Americans, Artisan souls, Artists, Authors, Black Americans, Black artists, Black creative artists, Blog, Books, Canadians, Commentary, Composers, Diarists, Fashion, Illustration, Mature soul Artisans, Mature souls, Memoirs, Numerology, Older souls, Performers, Photography, Racism, Reincarnation, Royalty, Scholar souls, Spirituality, Stage performers, Statesmen, Theatre, Visionaries, Warrior souls, Writers | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Finally, The Mouse Has Roared!

What did I tell you?  I done been sermonising up in here all these long months and then the coalminer’s kinder done let it all hang out.  Getting hot under the collar in the kitchen indeed.  

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Now you know, with that one move, all god’s coloured queens done sprained their wrists, hyper-fanning themselves and blew their just-so fascinators clear off their weaved heads, on seeing the crypt-dwelling, muggled mouse-cum-rat roar back.  Twas bound to happen; sooner or later, every rat will resort to cannibalism.  

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Did you not think it weird that Catherine went and sat her post-partum steely self between Lord Porchie’s minor meat-loving dolt and Camilla – the coolest older royal after The Princess Royal.  As William would have had to get up to bear the rings, it is only natural that Catherine ought to have sat to HRH Prince Charles, Duke of Cornwall’s immediate right, rather than two to his left just beyond his wife, Camilla, HRH Duchess of Cornwall despite what protocol dictates.  

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Catherine is both a warrior soul and a 9 energy body to the core.  What’s more, she is a fifth-level mature soul and as there is drama at the mature soul age, it is most pronounced when one is fifth-level mature as that level is synonymous with the fifth role in essence, the sage.  Drama is the hallmark of sages, fifthness brings you drama.  Finally, the little squeaking mouse had had enough of playing nice, metamorphosed, becoming a rabid rat who readily roared.  

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Jo Elvin, Alexandra Shulman, Janet Street-Porter, Lady Colin Campbell, Piers Morgan & Stephanie Powers.  

Whatever shall those silly, ninny-arsed fools do now as they have spent the past year, trying to make you and I see nacre where there was none, in what is clearly nothing but faux pearls from Target!  No matter how the persons above slander Meghan, HRH Duchess of Sussex in their bid to suddenly anoint Catherine, HRH Duchess of Cambridge as stylish, having found a voice that she never had to lose in the first place, to being future Queen consort et tout ça; it is all frigging lies, which were shattered with Catherine, HRH Duchess of Cambridge dismissing HRH Prince William, Duke of Cambridge much as she did on the balcony at Buckingham Palace within mere hours of having been wedded on April 29, 2011. 

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Numbers do not lie and 9 energy-bodied women are all shrewd, rudely dismissive and crass when it comes to letting you know just where they stand; and for being human, there is no reason why Catherine, HRH Duchess of Cambridge would act any differently. 

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These blasted clowns acting as though we have all been somnambulant these past 8 years.  I don’t care if you want to rebrand her as being able to turn her piss into wine, she, as her numbers dictate and as she indisputably chose to lay bare during Mary Berry’s Christmas TV special, BBC’s A Berry Royal Christmas – which only came about because palace mandarins decided that since that American, Straight Outta Compton wrote the foreword to the Grenfell cookbook Together then a cooking special for the TV masses it is – is no such thing. 

True to her numbers, Catherine just had to let there be no doubt that she ain’t nothing but a damn river rat in true Edward Gorey fashion.  And there were her revisionist enablers, thinking that this Christmas TV special, BBC’s A Berry Royal Christmas, will really show up the object of their vilifying campaign, Meghan, HRH Duchess of Sussex as so passé.  And boy did they ever show her up… Catherine that is!   

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That’s right Jeeves, that’ll be two sugars with my Countess Grey.  

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Regardless, Diana, Princess of Wales’ deeply lonely, all scholar souls ever are, emotionally stunted son, HRH Prince William, Duke of Cambridge, does not deserve to be bullied and disrespected.  As has been painfully obvious, this will ever cause him to roam as every emasculating woman has caused her partner to do.  

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Like Vladimir Horowitz and Wanda Toscanini, who were also task companions, this pair of task companions must also get up to the most vicious nagging and rows imaginable.  You can fool no one, most especially older souls than you!

With Meghan, HRH Duchess of Sussex’s appearance at court, Catherine, HRH Duchess of Cambridge has got reason to live.  Life is all competition for warriors; hell Catherine would compete with a damn fly but not before first plucking one of its wings off.  That maniacal angst of Catherine’s is why the soul who was Tudor matriarch, Margaret Beaufort, later HRH Prince Edward, Duke of York & Albany and now Meghan, Duchess of Sussex chose to have nothing to do with the fire-breathing, ape-bat shit psycho holding court at Kensington Palace; instead, Meghan et famille quite rightly so decamped at Windsor Castle’s Frogmore Cottage.  

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Look at the two older children; they are growing up in a household where there is clearly massive strain in their parents’ marriage.  There is a lot of discord and rowing afoot and that is readily discernible in the two older children’s faces.  

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Wanda Toscanini & Vladimir Horowitz.

Horowitz, Vladimir 1/10/03 Kiev<O>5/11/89, NYC

Michael: This fragment was, in his immediate past life, a mid-cycle mature scholar in passion mode, with a goal of growth, a pragmatist in the moving part of emotional centre. 

Vladimir had a Mercury/Lunar body type. 

Vladimir’s was a strong primary chief feature of arrogance and a weaker secondary of stubbornness. 

This fragment was second-cast in his cadence and his cadence is fifth in the greater cadence.   He is a member of entity five, cadre two, greater cadre 14, pod/node 449. 

He and the fragment who was Wanda Toscanini are task companions, both now discarnate.   The fragment who was Wanda was a fifth level mature warrior. 

Vladimir’s essence twin is a scholar and is incarnate on the physical plane, is female, age seven years.  There are plans for them to complete the mother/son monad in Vladimir’s next incarnation, which will probably occur during the third decade of the next millennium. 

So here was an artisan-cast scholar with a great deal of sage energy, most of which was expended in his personal life.  This fragment’s relationship with his task companion was passionate, explosive and mutually satisfying. 

This scholar’s demeanour in public contrasted greatly with his behaviour in his private life. 

It is interesting to note that this fragment has had only one other life as a practicing musician and that was as an organist at the Chartres Cathedral in the early part of the nineteenth century. 

However, this fragment has a long stage history, beginning in Greece during its Golden Age. 

This fragment also built harpsichords during the latter part of the eighteenth century and actually built one for Leopold Mozart. 

As a highland warrior in the latter part of the seventeenth century, this fragment distinguished himself both on the battlefield and in fashioning bagpipes. 

He was an exemplary soldier in many lives and many guises. 

However, the place where this fragment was most at home was on the stage or behind the scenes. 

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Like Catherine & William, Vladimir & Wanda were also task companions and also the same mix of Scholar and Warrior souls.  Both women were/are fifth-level mature warrior souls.  I knew a classical musician in NYC in the 1980s and he knew the couple and said they were the most passionate, loud, argumentative and frankly abusive towards each other couple he had ever known.  This is not uncommon territory for task companions; by its very nature, the relationship is about spurring the other into action.  Warrior females in a relationship where they feel themselves not in control, will engage in bullying to assume power of some sort or power as they so deem it.  Catherine, HRH Duchess of Cambridge’s uncouth display, in public no less, during the Mary Berry Christmas TV special, BBC’s A Berry Royal Christmas, speaks to the great stress that William endures and that Catherine has exercised in her bid to gain control in a position which she clearly perceives as tenuous at best.  

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Recently, I got taken to task about my observation that TRH Duke & Duchess of Cambridge refuse to tour predominantly black Commonwealth countries.  They have recently been to Pakistan and have also to date visited India.  Along with that, they have visited Singapore and elsewhere.  The argument was from my dinner partners that, perhaps, the Cambridges do not tour such countries because they are poorer et al.  If only that were true.  Nigeria is the third most populous Commonwealth nation after India and Pakistan and though Nigeria’s GDP is higher than that of Pakistan’s, the argument that they don’t do poorer Commonwealth nations do not hold up, when they have hopscotched over Nigeria and toured less populous Singapore whose GDP is also less than that of Nigeria’s.  Again, I hang tough, their combined numerological 9s, are precisely why the Cambridges have to date chosen not to tour any predominantly black Commonwealth nation.  That certainly does speak volumes about them and in particular William and his enabler in that regard, Catherine.   

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Demonise TRH Duke & Duchess of Sussex and their family all they want, whilst portraying the Cambridges as the embodiment of wholesomeness and regal class.  Be that as it may, the Cambridges have been fractious where the Sussexes never have been.  No matter how the print medium race-bait the public into loathing the Sussexes, theirs comparably is a happy marriage and that at the end of the day, is why Catherine, rather than Meghan, seethes at having to be touched by her spouse.  Catherine is a toxic 9 writ large and no amount of sugar-coating ya-ya from the DailyMail and its racist trolls will ever be able to gloss over the froideur Catherine exhibited at Mary Berry Christmas TV special, BBC’s A Berry Royal Christmas, towards HRH Prince William, Duke of Cambridge.  

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That is no mouse, it is a damn river rat! So you know, two rats will have a million offspring in a mere 18 months, most of which will be cannibalised to keep themselves fed and nourished.  So very wise of the Sussexes to stay clear of that rabid, to say nothing of haunted, toxic and dense-energied lair where the Cambridges hold court, Kensington Palace.  

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©2013-2020 Arvin da Brgha.  All Rights Reserved.  

Posted in 20th Century African-American Artists, 20th century American artists, 20th Century Artists, 21st Century African-American Artists, 21st Century American Artists, 21st Century Artists, 21st Century Black Artists, Actors, African-Americans, Africans, American Artists, Americans, Animals, Artisan souls, Artists, Astral plane habitué, Authors, Black Americans, Black artists, Black creative artists, Blog, Books, channelling, Commentary, Diarists, Fashion, Longreads, Mature soul Artisans, Mature souls, Memoirs, Michael Overleaves, Michael Teachings, Musicians, Numerology, Older souls, Performers, Photography, Reincarnation, Royalty, Scholar souls, Spirituality, Stage performers, Video, Warrior souls, Writers | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

The Whirling Dervish

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Whirling Dervish

Trevor Leat 

©2012

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4.3.4 = 11 Masterful Numbers.

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Meghan, HRH Duchess of Sussex has the most masterful numbers. She does, indeed, have master numbers: 11. Look at those eyes, the eyes of Margaret Beaufort, Queen Mother, to HM King Henry VI, grandmother to HM King Henry VIII and great-grandmother to HM Queen Elizabeth I. She has staying power, thanks to those double 4s and with an attitude of 3, she is renowned for being most articulate and a skilled communicator of the message.  

There is no greater study of what an attitude of 3 is like than to look at and pay keen attention to the engagement interview of both Harry & Meghan, TRH Duke & Duchess of Sussex.  Attitude of three is about the display of intellect through speech, presentation, phrasing, enunciation, mannerism and control.  You know that beyond that phenomenal emotional intelligence and poise, is a very ruthlessly shrewd operator.  That, of course, is supported by her master number of 11 for a destiny number.  Master numbers usually point to this incarnation being a complement to a prior incarnation in which one distinguished oneself.  Also, it is about the two lives mirroring each other and being two parts of a whole spiritual monad.  Harry Omega to Meghan’s Alpha is a cool study of his knowing exactly who she is at the level of soul.  His role is to lay the foundation so that she can then come through and shine.  

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4 – focussed, solid, self-made, resolute, inner-directed, reincarnated with an agendum.  

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3 – attitude of 3 – gracious living, the great communicator, when one speaks others listen. There is only win-win; failure is never an option for these persons. Incidentally, Ben Mulroney (someone who knows Meghan, HRH Duchess of Sussex) is an attitude of 3, which is why he is a gracious interviewer – non-confrontational. Also, I have noticed that a lot of persons who planned a life in the public sphere, tend to have 9 and 3 in their make up, as in both HRH Prince William, Duke of Cambridge and his lovely wife, Catherine, HRH Duchess of Cambridge. Incidentally, these three persons, Ben and the Cambridges would have been very relaxed in each other’s company and true to her 9 energy body, Catherine would likely have made a dig at her husband along the lines, ‘He certainly has a great head of hair…’ As it is perfectly natural for straight men to be attracted to each other, they would not be human if they did not, both men would have been pleasantly warmed by the other’s make-up with their similar 9 and 3. Catherine and Ben both are 9 energy body; they would have found each other more than passingly fascinating. Catherine is a warrior which means that she will always be steely; as for Ben, don’t know his overleaves but I am guessing that he is more so on the expression axis rather than not – an artisan or sage soul. In my experience, whereas 9 women can be extremely rude and dismissive, 9 men are reserved and not given to readily passing judgment.  Another example of the 9 energy body and 3 attitude in a male is the actor, Brad Pitt; like Ben Mulroney, his is the public persona of the reserved, charming, refined and pleasantly spoken male.  

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There is also the matter of Catherine, HRH Duchess of Cambridge being in perseverance mode, which is as unrelenting a foe as you can ever imagine, on top of which, she is a warrior. This woman was born to be Queen Consort and that’s the end of that; there will be no Camilla rewriting the script. Interestingly enough, both Diana, Princess of Wales’ sons are wedded to very strong women – as well they should be. In both cases, both couples are entity mates, which is as good a partnering as one can hope for. Meghan, however, with double 4s and master number of 11 is here to rule as when previously she had as Queen Mother and Tudor dynasty matriarch.  This is why Harry & Meghan, TRH Duke & Duchess of Sussex are now the world’s most famous couple rather than TRH Duke & Duchess of Cambridge.  

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Not only is 11 a master number but it also leaves all such persons lone wolves – regardless how popular they are. This explains why Meghan, HRH Duchess of Sussex will faster-than-a-sneeze dispense with persons when need be. And yes, she has every damn right to be done with betraying persons who do not know the meaning of family: honour, fealty, discretion. I am, where the master number 11 is concerned, just such a person… 2.1.8 = 11.  Of course, like Catherine, HRH Duchess of Cambridge that attitude of 1 means that I am more inclined to be shy and reserved than ‘on’. At least that was the rule when Merlin was incarnate and we were together. Now, more of the 11 comes to the fore and I simply give two-fucks and sound off loudly and most articulately.  

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Recently, owing to a host of prickly transits, to say nothing of the mercury retrograde, I have found myself beset with some entanglements that have provoked the less polished side of my Venus/Uranus conjunction. This all began around the time that I wrote the blog about that blasted tarbaby frog’s true colours having finally surfaced. I had no less than 8 French Canadians getting up in my business, demanding that I delete aforementioned blog and that these were the indiscretions of youth. Bitch please! After having lived in Montréal for seven years with the best honorary task companion/comrade-in-arms – an equally seventh-level mature soul, though, she a warrior, we gave as good as we got. Of course, said warrior became my wife at Palais du Justice on the eve of Bob Marley’s birthday in 1999. Today, we remain the best of friends and she now he – it is the 21st century after all, has a fully grown beard that’s more than I have ever sported…. alas, I digress. 

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Early last month, I was being regaled by my sister, who lives in Nevis, about my mother’s cousin whose funeral it was that day. She died at age 107 and was attended by quite the turnout with le tout Nevis’ society in tow. Though I have never met her, her great-granddaughter was one of the descendants who eulogised the grand dame; that great-granddaughter is Mel B (Scary Spice) of Spice Girls fame.

Aretha Franklin, Detroit, USA - 31 Aug 2018

I have though several times met my mother’s other cousin, the inimitable and truly regal, Cicely Tyson, wife of Jazz genius, Miles Davis, a man who did not gladly suffer people who hate him or his race…. as well he damn ought not have had to.

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As I entered the little school in my neighbourhood, a spry spirit who always is good for a laugh, beamed on seeing me as he sat on his scooter with equally situated mates and inquired, “And who will you be voting for?” to which I shot back, “You can damn well bet, it won’t be for no blasted, cocksucking tarbaby-arsed frog!” raucous laughter peppered the air as I went in and voted conservative for the first time in my life. Enough of that sissy-arsed twat, who is nothing more than Modi’s pappishow with his displaced femme au foyer, fag-hag frau, Madame Plotte-Visage herself, who looks more and more each day like Tammy Faye Bakker.  You don’t like black people… go fuck yourself… god only knows, you did not invent Jazz!  

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HRH Prince Edward, Duke of York and Albany

Windsor, Meghan HRH Duchess of Sussex 4/8/1981

Michael: This fragment is a mid-cycle mature artisan in the tradition of the deceased mother fragment who was Diana, Princess of Wales — third life thereat.  Meghan is in the observation mode with a goal of acceptance.  An idealist, Meghan is in the moving part of emotional centre. 

Meghan’s primary chief feature is self-deprecation and the secondary, mild impatience. 

Meghan’s body type is Venus/Solar. 

The fragment Meghan is fourth-cast in the fifth cadence.  Meghan is a member of greater cadence four.  Meghan is a member of entity one, cadre six, greater cadre 7, pod 418 — she is an entity mate of both her warrior spouse, HRH Prince Henry of Wales, Duke of Sussex with whom she shares 20 past lives and an obvious entity mate of Her Majesty, The Queen. 

Meghan’s essence twin is an artisan and the task companion a warrior. 

Meghan’s three primary needs are: expression, acceptance and expansion.

There are 4 past-life associations with Arvin and 6 with Merlin. 

Incidentally, this artisan has been a member of the British royal family twice before.  Firstly, as Margaret Beaufort, Countess of Richmond and Derby, she was the cousin of King Henry VI and mother of King Henry VII.  As such she was the matriarch of the House of Tudor.  Her grandson was Henry VIII and her great-granddaughter, Elizabeth I. 

This artisan in that lifetime was involved in the sacraments of the church being included in the newly established college system.  She founded Christ College, Cambridge and was instrumental with the founding of St. John’s College as well. 

Secondly, she was HRH Prince Edward, Duke of York and Albany and younger brother to George III, whose father the Prince of Wales, HRH Prince Frederick died before ascending the throne after George II.  In that lifetime, the artisan (now Meghan, HRH Duchess of Sussex) was interested in military structure.  He, of course, died young of a then unknown illness but which had to do with dysentery. 

Incidentally, in the current incarnation, Meghan, HRH Duchess of Sussex has suffered from gastroenteritis, which is related to the last-life health issues – this is the immediate past life and not that in 18th century when the artisan died aged 28.  

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NPG 224; Charlotte Sophia of Mecklenburg-Strelitz studio of Allan Ramsay

That Meghan, HRH Duchess of Sussex was HRH Prince Edward, Duke of York & Albany likely is the key factor why she is black in this life.  Younger brother to HM King George III, HRH Prince Edward (former life of Meghan’s) was familiar with his older brother’s wife, Queen Charlotte who was, like Meghan, black of mixed race.  By all accounts, HRH Prince Edward was rather popular though dismissed as a frivolous, philandering dandy.  Also, he quite admired and favoured his older brother’s exotic wife, Queen Charlotte ‘the black queen.’ 

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(Lady Chapel at Westminster Abbey where circled in green #6 on the floor plan is the tomb of HRH Prince Edward, Duke of York & Albany and encircled in red #43 is where Tudor matriarch, Margaret Beaufort is buried.  The Lady Chapel is my favourite part of Westminster Abbey.)

Two prior incarnations passed as a senior member of the House of Windsor and in both cases, she ended up being entombed at Westminster Abbey.  The original Tudor matriarch – not just another patriarch.  Yes, indeed, Margaret Beaufort was a real feminist, kicking arse… She came back to be somebody, yet again a feminist… a strong woman and not just another louche royal with an appetite for minor… oh never mind. 

 

                                        (Lady Chapel, Westminster Abbey.)

Meanwhile, the print medium engages in a campaign of race-baiting via clit bait propaganda, masquerading as journalism.  In the final analysis, the retribution for all this, is that HRH Prince Andrew, Duke of York finds himself in a world of trouble, which the print medium cannot ignore since it is the only story consuming all other media.  Besides, when Lisa Bloom dons a double strand pearl necklace – what a hoot – you know she is on the hunt for big game; why indeed settle for trifling fare like Bill Cosby, Tiger Woods and Michael Jackson… indeed, Americans on safari in two-strand pearls.  

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Be that as it may, as is fairly obvious from her current overleaves, Meghan, HRH Duchess of Sussex was born and destined for phenomenal fame on a global scale; her body type is Venus/Solar.  Rare is it that one sees someone with Solar body type.  Famous persons are usually Lunar body type as is HRH Prince William, Duke of Cambridge and as were his mother, Diana, Princess of Wales and his paternal great-grandmother, Queen Elizabeth, The Queen Mother.  Solar body type is merely next-level phenomenon.  Michael Jackson was also Solar body type.  In Meghan, HRH Duchess of Sussex’s case, the fact that she chose to be black has proven a hard pill for garden variety small-minded bigots to swallow.  Whether you accept or not, Meghan, HRH Duchess of Sussex being the legitimate wife of HRH Prince Henry, Duke of Sussex is merely your choice and nothing more.  

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There is a reason why they do not make many public appearances in Britain, the intense hatred towards TRH Duke & Duchess of Sussex and their son, spurred on in large part by venal bigots like Piers Morgan and the gang of racially predatory boors, masquerading as journalists at the DailyMail, is good enough reason.  Yes, they can attend events like the Remembrance Day at the Cenotaph in Whitehall because HM The Queen is there and the security is unparalleled; however, one cannot expect that level of security at each of the Sussexes’ events.  And there are real and dangerous threats that they face; I am quite sure that there are very serious threats made against that family, which no other royal has ever faced, simply because Meghan, HRH Duchess of Sussex is black.  That is why her Smart Works launch occurred on the secured rooftop of John Lewis – these are very controlled locales as is Windsor Castle where recently she met with charity workers.  Why put Archie at risk when Britons have proven so overwhelmingly hateful and nothing more than blood-lusting inbred hooligans?  Sadly, it was infinitely safer for Archie to be introduced in South Africa than to be out and about in London.  Indeed, quite rightly, Archie was presented at court at mature soul slave, Archbishop Emeritus Desmond Tutu – a far more spiritually uplifting experience for a young child, Archie – 7th level mature Priest soul – than being exposed to bigots like blackamoor brooch-wearing HRH Princess Michael of Kent.  

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The treatment of Meghan has done one thing, it is has left me even more impatient with having to suffer the bile that is the racial predator… being around such persons is as repugnant as having to be around persons who cigarette smoke and the fetid stench of their malignant hides as they pollute the fucking air that I have to breathe.  Not a single cigarette smoker has to awake multiple times every night to have a cigarette.  Truly, if they were so dependent on cigarettes that is precisely what would happen; it is a crutch, a very selfish, environmentally irresponsible one at that.  I have been known to use ‘voice‘ on such persons and violently yell, ‘get away from the fucking door’ as I approach and they, like the winged rats that pigeons are, simply are too damn close to a door that I am about to enter… I don’t want to smell like an ashtray, dammit.  If you can sleep a solid eight hours without having to once awaken to smoke a cigarette then you can damn well pass the waking part of your day without subjecting me to unnecessary pollution.  Funny how not one of these persons ever appear on their social media accounts, IG in particular, smoking cigarettes.  Own your shit goddammit!  

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Days earlier en route home with my little suitcase in tow, I got up off the bench to take the Wellesley 94 bus eastbound to my art-filled lair. The bus pulled in and queerly parked, such that the back door was a good three feet away – I have never seen the appeal of metric… nothing beats knowing whether you are dealing with 9.5 or 10.5 inches! Though my suitcase was too heavy, I was prepared to step off the platform to make for the rear doors, yet, the doors did not open. Finally, I joined the Dravidian male who had been waiting to board the rear doors as well. When I got to the front door, noisily pulling my suitcase, I looked up stunned as the doors slammed shut just as I was getting ready to board. The doors then opened after the driver looked at me with a smug smirk, creasing her lizard-lipped face. I got in and as ever, I said thank you. As I progressed towards the double seats by the rear door, the bus suddenly broke, causing me to lurch forward. Taking it all in stride, I opted not to assume anything by this trio of events, which most blacks would see after the third incident as being racially provocative. Up the couple of steps I got with my heavy suitcase; this only made me realise my advancing years as suddenly the urge to pee came on. I had switched from Bleu par Chanel a couple of years back when senior leak suddenly meant that after five minutes Bleu fades and gives way to god forbid that most malodourous of bouquets: loud-smelling, dribbled piss. Now it is Christian Dior’s Sauvage as the scent lingers and dissipates any provoked thoughts of raunchy water sports.  

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Having made my way to the back seat, there were all told less than a dozen souls on the bus. On arriving at the first stop from the station, the driver got up at Church Street. I thought that there must be someone wheelchair bound, trying to board, hence she got from her seat to assist. As I was otherwise engaged in thoughts libidinal and what I’d like to do with that burly mesomorph at work, whose woman just upped and left him, I remained focussed on artisan channels 3 to 5 instead. Just then, I noticed the bus driver step up the two steps and make it towards me, seated at the centre of the bus’ long back seat. Leaning in, her nasty-looking perm straight out of the 90s, she gruffly barked at me in a manner that suggested that couth had ever been foreign to her. “Look, everybody has bad days okay. There’s no need to swear at me.” I said nothing, looking instead past her as the thought occurred to me that the bus was being driven by duppy incarnate. Since my name ain’t Shaneequa, I remained calm and looked up at a face warped uglier by rage, which I also found uncomfortably too close. I was hemmed in. “Get off my bus or I call the police!” As I chose to say nothing or move a single muscle, she got even more incandescent with irrationally unprovoked rage, “That’s it, get off my bus now, I’m calling the police!” As she turned to walk away, it gave a good look at her flat-arsed, no-calved god fugly hideousness and I got up and began making it for the bus’ front doors. As I slowly strode for the front doors, I expertly memorised her bus ID and every detail of her slender hipped, extra-vertebrae-looking alien body and realised that she was likely trans; either way, just then a definite non sequitur. For once, I said nothing on exiting and as I really needed to pee, thought of hailing a cab when noticing another bus directly in back of the scene of my misadventure.  I got aboard, said hello to the driver, a guapo Filipino, and grabbed a seat on the even less populated bus. Also, I memorised the ID information associated with the second bus. On exiting the bus, as per usual, I said thanks and exchanged pleasantries. As soon as I got situated at home, with Buster on my lap purring away, I took to the TTC’s (Toronto Transit Commission) site and chose the tab that allows for filing complaints. In exquisite detail, as well you are aware than I can, I shared what occurred and confidently knew that at no point would any of the bus’ cameras capture me saying anything to the female driver. She is, as per her contract, never to leave her seat nor confront a passenger. I have never seen her since.  

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Well in the grip of Mercury retrograde, I strolled into one of many little joints, which I love frequenting as I like chatting with the proprietors and in the process, giving them my business. On close to a decade of frequenting this particular store, where I picked up a lottery ticket or two, my bike was leaning against the row of sugary treats, I turned just in time to see an old weathered hag out on Yonge Street, beadily gawking in and cutting her hateful eyes at me. Possessed of some right afforded her by god only knows fuck-all whom – the blasted motherfuck, she bounded into the store, well into her ninth decade and looking and smelling of ill-health and poverty, “Get that goddamn bike outta here.” I was wearing my helmet with lights attached front and back in broad daylight as one does. Without so much as missing a beat, I took two steps back from her then launched into her with a ferocity, she likely had never before encountered, which is why she felt perfectly entitled to take such liberties. “Get your fucking ugly arse out of here, go the fuck to Wal-Mart, make your way to the back of the store and tell them I sent your poopy old arse to put a down payment on your fucking casket; you are obviously too fucking poor to afford to die all this time…” Never before having had her racially predatory behaviour challenged, she stood there suddenly catatonic. “Go on, here you go, start that fucking down payment today…” with that, I tossed the few coins in my pocket at her feet and barged on in full throttle loud, vituperative stride. “Pick it the fuck up, high time your fucking ugly, broke arse and casket were lowered into the ground. Come in here opening your motherfucking lizard-lipped mouth, barking at me. Pick it the blasted motherfuck up and crawl the fuck in your casket.” She tried to weakly say something to which I kept up my defense against being racially preyed on, “Shut up and die, go on… scoot. There’s no need for your fuck-all ugly, broke, smelly arse hanging around… get the fuck off the planet.” Never ever during a mercury retrograde will this venus conjunct uranus leo hold his West Indian-rooted tongue when being racially preyed on. Faster than the loudest sneeze, I rapaciously rammed my fist up her rotting arse, yanked and ripped at her calcified soul, pulled it out, wiped arse with it, then slapped her silly in the face with her weak, burnt out soul, before making her gag on a soul being held hostage by her otiose existence.

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I have become so less inclined to tolerate this perpetual abuse which we as blacks far too often stupidly choose to endure on a daily basis, yet, pretend as though it does not exist. There are, though, times when you need to protest. And unlike most blacks, under no circumstances am I going to enter my art-filled lair and talk about low vibrational shit like run-ins with racially predatory boors.  Taking two steps back allows, when using voice, for your rage not to be bounced back onto self.  Two steps back allows you to direct the power of voice to as much of the predator’s aura as possible.  Using voice is a way of focussing the light to cast out the ugly darkness that is the racial predator’s weak, umbraed, vampyric, ill-evolved light.  

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Bond Street to the left, looking north & St. Michael’s Hospital complex on the left.  

Back in 1988 after meeting Wayne Robson’s firstborn, as I moved south down the west side of Bond Street to go visit Merlin at St. Michael’s Hospital, who was suffering his first bout of AIDS-related pneumocystis, I screamed at the top of my lungs at an old Caucasian female, who on noticing me began hurriedly crossing to the east side of Bond, “I don’t want your fucking handbag…” Never ceases to amaze the arsenal of behaviours that non-blacks project onto us as they get their racially predatory fix: sniffing, outright ridicule, dragging feet, yawning, bumping into you, blowing cigarette smoke in your direction, spitting at your path as you are oncoming… those are but few of the passive racially predatory acts one perpetually endures in this society for being black. More often, it is like that act in the convenience store, so racially obsessed that one feels oneself perfectly entitled to project that ignorance in a malicious, accusatory, bullying manner towards blacks. Indeed, ever notice the inordinate number of overweight blacks; they like all persons who were sexually preyed on in their early years more often than not develop eating disorders.  

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With Meghan, HRH Duchess of Sussex’s lynching daily in print medium, social media and just about everywhere else, I have become increasingly intolerant of any and all such BS. Do not because I am black start, apropos of fuck-all nothing, braying about how much you hate and can’t stand that Meghan bitch as if the blasted fuck these arsewipes know the woman.  Out of the blue, someone whom I thought had long made the only logical move viable to her sorry arse and crawled into her casket, called up trying for the nth time to get me to start today and join that pyramid scheme of hers for which she is ever travelling to some rah-rah seminar and on the cusp of getting rich, yet still ain’t and needs you to join this very day; this, I can assure you, is about as appealing as a matchmaking attempt of hers, a few years back, to get me to bed some moneyed old Polish aristo fuck with a micro penis, farts that smell as though a komodo dragon had crawled up his arse and died, killer bad breath and to cap it all off, dentures that bobbed during speech as though a Venetian gondola during a spell of rough high tides. Nah… I’m all about the dharma – here was I thinking all this time that she had been safely call-blocked… well, she is now.  

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Last summer friends called up, demanding to know if I were not going to the Raptors championship parade. Hell no! Crowds you say… not happening. The day of the parade, I kept being called up by excited friends, asking me if I was watching and wasn’t it phenomenal?  Very matter-of-factly, I declared to one, “When these fucking Goys do Yom Kippur, they certainly do know how to go all out.” Of course, after having explained myself days later at a dinner party, the point was well taken. This is a country with soft ethnic cleansing of blacks: negative immigration and population growth, a entrenched history of employment discrimination, which sees blacks being ghettoised in casual positions in the work place, especially at crown corporations (government-owned) – I have worked at two: Canada Post and the Toronto Convention Centre; in the case of the former, I arrived in Montréal from Vancouver to find myself the first full-time black in the work place; as fighting is nothing but foreplay in my books, I organised a lone Haitienne and got her to file a Federal Human Rights complaint which she won. This resulted in back-pay and all the mostly Haitian blacks awarded full-time and back-pay where they had served as casual for 5, 10, 15 years. Naturally, the messenger/lightning rod always comes into someone’s cross-hairs. At one point, where they tried firing me, the local union president told me to go to hell and go back to Canada; thus, I ventured into my firing interview with a lawyer in tow – had never happened before and was not then fired after multiple frantic calls to Ottawa to find out how to deal with him. Before being fired, that blasted porcine pequiste fucker cum union president decided to avail himself of my tax dollars by running in the federal election; thankfully, he did not win but when he tried two years later, I wrote to Jack Layton, who had frequented our Cabbagetown home in the 80s when we lived next door to a rather parvenu and highly snobbish Alfred Sung and informed Mr. Layton that if he did not withdraw that vile racist, my lawyer and I would go to the media and expose him – the letter of course was cced to all the other federal party leaders. In the end, the Bloc Quebecois thanked me for the letter and ran a black Haitienne in the riding from which the NDP union president candidate was summarily dropped and that Haitienne, Ms. Bardot won her seat, only to be replaced in Papineau riding by that blasted, racist tarbaby-arsed frog… but I digress. Two million persons cheering on black excellence when this is a country that actively eradicates any participation of blacks in its cultural fabric – hello JazzFM where you would be dismissed as stupid for thinking that Jazz is black culture. 

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Naturally, as one has to whitewash blacks from any connection to Jazz and the notion that Jazz could possibly be an idiom that is uniquely and distinctly black, there are multiple neighbourhood Jazz festivals in Toronto.  Of course, there is the marquis event, the annual Toronto Jazz Festival where blacks are ghettoised and accommodated by free concerts which feature mostly R&B acts from the 70s, 80s et al.  Keep them poor, miserable and without a lobby or voice, so what if they bitch about it?  We’ll do what Canadians always do, render them invisible, keep calm and carry on looting black culture, whitewashing Jazz of their hated ass being in any way associated with it.  

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Too, there are the Beaches Jazz and Kensington Market Jazz Festivals.  Of course, there are no Country music festivals in Toronto as there is no need to whitewash that idiom and similarly Rock ‘n Roll; however, there is every castoff from Mohawk and Humber College purporting to be a Jazz musician.   No matter how hard you try, you will never vanquish the soul of a people.  Sooner rather than later, blacks will reclaim Jazz and put an end to this egregious whitewashing of the culture, which of late has seen the promotion of desirable non-whites as the new darlings of Jazz.  Honest to fucking god.  

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Sure, there are window-dressing blacks in the TV medium but they are not the norm. Not a single prominent Canadian protested and demanded that the vile racist politician resign when his blackface past surfaced. Naturally, his people stridently argued in his defense. Would that these ungrateful fucks who hold the country to ransom finally fuck off and leave. No one outside of Québec, who does not work in the government, is remotely bilingual. Seven years of living in Montréal made one thing perfectly clear: theirs, by its sheer ubiquity, is nothing more than a northern confederate flag… and they certainly are possessed of unapologetic xenophobia. The only peoples deserving of having a party in the Canadian parliament, which not all Canadians can vote for, are the First Nations and Inuit peoples.  

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Back in late 1982 whilst Merlin and I held up in the Trockadero loft in Manhattan’s Chelsea on Sixth Avenue below 23rd Street, I got in one evening after looking at rehearsals of the Nanette Bearden Dance Company, to find Merlin having dinner and strategising with Jim Henson. As they shared the same agent, Joyce Ketay, they were prepping and throwing around ideas for how to thematically film the series, Fraggle Rock which would be shot in the coming new year in Toronto at CBC’s studios. Merlin had made his favourite dish a chicken paprikash which John Hirsch had taught him. Joining them, I dug in to what was my favourite of Merlin’s prepared meals. I will always remember Jim saying, “first you start with a compliment and then you hang back and listen, listen to what’s said but most of all, what is not said…” Sage advise that I have always followed.

What I love about us artisan souls is that we always reveal our nature and the fact that we input on five channels whenever we speak. Listen to Naomi Campbell in her acceptance speech for the CFDA Icon Award. Straight out of left field in the tenth minute, she remarks, “God my lips are dry… sorry.” No other soul but an artisan soul would shift subjects so abruptly so seamlessly and carry on without so much as missing a beat. This quirk of ours, mine, Naomi, Meghan and every last artisan soul who has ever breathed, makes for a master tactician and someone not easily understood or shaken. With a destiny number that proves master numbers like Meghan, HRH Duchess of Sussex, she is an 11 – she is a diamond through and through and why HRH Prince Charles, Prince of Wales refers to her as Tungsten.  

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Just finished looking at episode two of season three of The Crown in which my favourite British actress, Helena Bonham Carter, did the most riveting star turn for which she is richly deserving of acclaim and an award or two.  Her portrayal of HRH Princess Margaret is powerful, riveting, nuanced, controlled yet on the cusp of explosive fireworks and deliciously complex.  Of course, in the episode, Margaretology, the dynamic of the dull and the luminous, the duality of light and dark was highlighted by HM Victoria and HM Edward VII, George V, George VI who had Edward VIII.  Of course, just as HM Queen Elizabeth II had HRH Princess Margaret, so too did HRH Prince Charles, Prince of Wales have Diana, Princess of Wales.  Of course, though not mentioned during episode two of The Crown there was HM George IV’s shine to HM George III’s lacklustre reign – of course, during that time, both Merlin and I were then incarnate and musicians at court whom were known to both HM King George III and HM King George IV – I was male and Merlin my female lover and harpsichordist.  

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The latest incarnation of this duality is being played out between the House of Sussex and the House of Cambridge.  After 8 years of being the mousy crypt thing, along comes Catherine, HRH Duchess of Cambridge, being touched by her philandering, bland, scholar soul husband – sooner or later, as with Andrew, Duke of York, William’s affairs will surface.  The worlds of theatre and stagecraft are the realms of artisan and sage souls, which Meghan, HRH Duchess of Sussex is (artisan) and an actual trained thespian and a damn good one at that.  So there they are, the grudging Cambridges who seem to think that you can eclipse a light so bright as someone possessed of a body type of Venus/Solar.  Indeed, not coincidentally did the Kingdom Choir sing, This Little Light of Mine as the newlywed Sussexes departed St. George’s Chapel one glorious Saturday afternoon in May, which will go down in history as one of the most memorable and beautiful royal weddings… that entrance by the bride – pure theatre on a global stage. 

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Indeed, Meghan, HRH Duchess of Sussex worked with the Grenfell survivors and added her patronage to the Together cookbook and wouldn’t you know it, betraying their obsessive grudge, along comes the announcement that Catherine, HRH Duchess of Cambridge is to have a cooking show special this Christmas on BBC with Mary Berry. 

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Get out!  Talk about transparent.  There was a newly rebranded Catherine, HRH Duchess of Cambridge stopping to prove herself articulate by putting the gurning on hold, to offer up that mousy little generational, coal-mining muggle’s voice’s for CNN’s Max Foster, to which all god’s coloured queens gave some serious side-eye then sucked their teeth at.  

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Mark my words, within a couple of years of Meghan, HRH Duchess of Sussex having worked in tandem with designer, Misha Nonoo and others on the Smart Works clothing range, a charity to get women back into the workforce, look for an announcement of Catherine, HRH Duchess of Cambridge starting a clothing range likely for children as her area of focus is early childhood mental health development.  Never an original idea but for everything that HRH Duchess of Sussex innovatively undertakes she is heavily criticised in the print medium in particular.  

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Right about now, don’t they just wish that they hadn’t done so much racially predatory lynching of Meghan, HRH Duchess of Sussex?  Right about now, would be a perfect time for Meghan, HRH Duchess of Sussex to come forward, shine and eclipse the horrid spectre of that barrel-hipped Porchester kinder and the serious damage that his lack of stagecraft… to say nothing of knowing of the fact that lying is an art form, which he in all of six decades has failed to have mastered.  But no, there you have it, like her speech at the 2018 British Fashion Awards, the Internet has been scrubbed clean of Meghan, HRH Duchess of Sussex’s shining light, which most beautifully manifests as an unrivalled  intellect within the House of Windsor whenever she speaks.  Silly bald scholarly dud, thinking that by merely choosing to be born first, he therefore is entitled, along with his eight-year crypt-dwelling mouser, to shine brighter.  Please darlings, you are only human after all.  

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A couple of days ago, I took a breather from devouring the new Andrew Lownie biography of Louis & Edwina Mountbatten (masterful fare) to gawk at an article online.  The story was of a DJ who after having made light of HRH Princess Charlotte of Cambridge’s first day at school, he found himself invited to Kensington Palace to meet with the child’s parents.  What he then reported, proved all the validation of the number 9 when negatively expressed.  There was the commoner thinking himself at the palace to be sat and graciously hosted to dinner, only to find himself being berated by Catherine, HRH Duchess of Cambridge for having had the temerity to make light of her child’s awkwardness.  

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Suddenly, Catherine, this mousy little two-dimensional Edward Gorey character of no discernible depth and definitely not a voice, proves monstrously vampyric when not gurning… some surprise that.  Yes, indeed, why pray tell would TRH Duke & Duchess of Sussex want to be around that?  Let someone else stay there in the newly renovated, baronial Kensington Palace apartment next to their in-laws’.  There is no need to be around all that dense-energied, toxicity at the Court of Cambridge, where it is great sport to indulge in playing dress-up – blackamoor jewellery and all. 

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As a child, Meghan, HRH Duchess of Sussex would have been punched, had her cruffy hair pulled and been pinched, kicked, bullied and name-called by both her step-siblings, Samantha and Thomas Jr.; that is precisely why in adulthood they have been so opposed to her success and marriage to HRH Prince Henry, Duke of Sussex.  Their guilt over the deplorable way in which they treated her as child, had them resent and reject her with her global fame.  Of course, she too with a proud black mother, Doria Ragland, and her innate integrity, would never suffer for a moment racially predatory behaviour of any kind. 

(Margaret Beaufort, Tudor matriarch, HRH Prince Edward, Duke of York & Albany and Meghan, HRH Duchess of Sussex.  One soul, three lifetimes passed as a high-ranking member of the British Royal Family in its many manifestations: Tudor, Hanoverian & Windsor.)

Karma 101: the person owed karma will always be resented, attacked and obsessed over by the one who has yet to clear up that karma.  Even when the karma is resolved, there will still be residual guilt and resentment from the one who committed the original karma.  Often, in a family dynamic, the person who owed you karma, though it was resolved in recent past lifetimes, nonetheless, you are thrown together of choice to resume and repair the business of harmoniously getting along ; however, this is precisely what almost never happens as the party which originally owed/created karma still has a grudge and bullies, attempts to undermine or betray the sibling to whom they originally owed karma. 

This dynamic is perfectly validated by Samantha, Thomas Sr. & Thomas Jr. towards Meghan, HRH Duchess of Sussex.  There is no other response that a person with master number of 11 would make as Meghan, HRH Duchess of Sussex has done with both her step-siblings and ultimately with her father who chose to betray her.  Cut out, they are banished and the decision is always irrevocable.  Seriously, regardless who in the Markle family run to the press and slander Meghan, HRH Duchess of Sussex, just know this, if Meghan had suffered an injury that left her addicted to opioids and her life spiralled out of control to living on the streets, not one of these sons of bitches would look over their shoulder.  She would have one rock solid support and that is Doria Ragland.  Fuck the rest of them, that’s how a master number of 11 rolls.  

Like that Sunday in February, 1990 as the archangel herself, Winnie Mandela, descended into hell and returned triumphant, afro and all, with Nelson Mandela by her side, I just had to celebrate.  I am talking about that glorious day, November 27, 2017, when Meghan and Harry walked into the sunken garden at Kensington Palace and announced their engagement.  I just had to have a moment, to rejoice, give thanks and celebrate.  I moved away the coffee table and listened to this very song.  Lips pursed and face reaching way up beyond the ceiling into the very bosom of the astral plane and beyond and perceive without lids open.  

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Rocking steady in one place, I sang along, clapped, covered my teary face with the scarf; it was a joyous day… there was so much healing in this union.  Healing it was which was reflected in the sheer simplicity of the silk double caddy dress, which Meghan, HRH Duchess of Sussex mounted the west steps of St. George’s Chapel, bringing theatre to a royal wedding as never before seen.  Oh happy day indeed.  

So happy too was I later when their engagement interview was aired.  Because no matter what, it is always all about the music when one is black.  At the end of their stunning engagement interview again, I moved aside the coffee table and began standing in the middle of the BOSE stereo’s speakers and had Melba Moore’s very soul sweep over me, lift me up and take me higher.  

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Who cares about the demonisation and lies… all of which have been put in glaring relief with Prince Andrew’s façade melting away and an ugliness emerged which can never be denied or swept aside.  The beauty of Andrew’s supernova is that it demonstrates how utterly fictitious has been the campaign of negativity promulgated by the print medium, especially so as proffered by DailyMail.  In the end, matters not because every day whilst serenely ensconced in my pyramid with crystals, I always take the time to send TRH Duke & Duchess of Sussex loving, healing light energies, for themselves, Archie, Doria and TRH Duke & Duchess of Cornwall.  No amount of negativity which is ever based in fear can ever conquer love no matter from whence it comes; unconditional love matters and it buoys them up, keeps them focussed and secured against the harm of weak, ugly of spirit others.  

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©2013-2020 Arvin da Brgha.  All Rights Reserved.  

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See You Soon… 30 Years On, Merlin’s Magical Departure.

 

Almost instantaneously, as the Moon transited Leo in my third house, my lungs besottedly drank the warm and dank, dark air.  Thus I effortlessly drowned into sleep.  Whilst wintry winds howled outside the window, this cold early Saturday morning – November 18, 1989 – my lucid focus seamlessly shifted into the dreamtime. 

I readily knew that I was dreaming. 

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Here, just as moments earlier whilst awake and meditating, Merlin was uppermost in my thoughts.  I could sense his presence.  The shift from one dimension to the other was seamless.  Lucidly self-aware, I was immediately come to in a dream that was set in the bedroom where I slept.

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I was in bed with the artist Olaf Nordstrom – a source of loving support at present in the waking state.  I was lying in bed, leaning on his bony chest, as he sat up in bed.  It was obvious from his body language that he did not want to be in bed with me.  I felt a still and quiet vibration to this dream.  The moment was truly serene and peaceful.  This was not a sexual or post-sexual interlude.  We were both reflective.  It was obvious that we were on the cusp of something momentous.  It was the sort of vibration that signalled that something extraordinary was about to unfold.

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Olaf behaved as if he was uncomfortable being there – it was a grave moment.  He wanted to be there, however, to merely lend his support.  It was obvious that he was wary of my clinging.  Clinging, however, was not my intention.  The moment together was brief – just a preparation for things to come.  With that we parted.  It was time to get up and participate in the events of whatever was to unfold.

This dream was possessed of inordinate lucidity; its every detail and nuance my faculties absorbed with acuity beyond the norm.

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In the second dream, this cold Saturday morning, I found myself in the familiar territory of the Cabbagetown streets where we lived.  I went into a store which does not exist in the waking state.  It sat just south of the Pet Menagerie store, on the east side of Parliament Street, between Amelia and Winchester Streets.

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It was a tailor’s shop that carried rather high-end fabrics.  I was there to pick out some fabric because I had a definite idea of what I wanted to wear to Merlin’s funeral.  I knew that the only way, to get the look that I wanted, was to make the outfit myself.  The kindly, gracious salesman was trying to get me interested in a rather conservative plaid fabric but it simply was not to my liking.  My aversion was not because it was plaid; rather, the tone was too sombre.

He was not insistent but let me know that it was appropriate.  However, I would have none of it; I simply did not like the fabric or the colours.  I simply was not going to have it.  Unable to make up my mind and not wanting to make a decision about fabric, as there were so many ramifications to what it all meant, I left the store stepping into the light of day.  It had been a very dimly lit, nicely wood-panelled, stately shop.

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Once outside, I became acutely aware of Merlin.  I was now returned to the yard of Cabbagetown’s 20 Amelia Street, where we lived, and Merlin was present with me.  Thoughts of Merlin, on leaving the store, had me immediately posited in the front yard of 20 Amelia Street where I happily joined him.  We were watering the lawn even though it was wintertime.  Next door at 18 Amelia Street, where at this point Club Monaco designer Alfred Sung no longer lived, there were lots of potted plants hanging from the lone, purple-leaved, sugar maple tree.

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Merlin was telling me to water the plants.  He then began telling me, rather matter-of-factly, that I had to start taking care of the apartment – I had to make it a home again.  Merlin asked me to start preparing things.  He meant that this was not the time for procrastination.  Of course, moments earlier in the prior dream, I had been procrastinating when down on Parliament Street to pick out fabrics to wear to his funeral.  By avoiding the matter altogether, I had chosen instead to forego the purchase.  As Merlin spoke to me, I became so aware of him that I completely became self-aware – both in the dream and in my sleep whilst in bed at 20 Amelia Street.

I was standing there very intently looking at Merlin.  He, too, was very intently looking at me.  Whilst we were unflinchingly looking into each other, I thought aloud with quiet resignation, ‘Merlin has died.’

I knew, too, that Merlin had heard my thoughts in the dream.

At that moment my sister Pandora da Braga, with whom Merlin enjoyed the best relations of anyone else in my life, suddenly became a presence in the dream.  She never fully became physically manifested but her energies became overwhelmingly strong.  Her energies were just to my rear as she played a loving and supportive role.

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Suddenly, introspectively, I recalled a dream which I had had earlier in the week.  With everything moving so quickly, in the waking state – with little time to collect my thoughts, let alone overlong time to record any dreams- it had slipped by unrecalled on awakening.  However, now it was not merely being recalled, it was being relived in its entirety.  I stood there and as I recalled the dream, rather seamlessly, I actually entered the dream which was being reanimated as it was being holographically recalled.

Within the reanimated dream being recalled and relived, I was again on the lawn at 20 Amelia Street in the warmth of the Sun’s rays.  Just as in today’s dream, I was on the front lawn facing due north and the house with 18 Amelia Street on the left to the west.  As Merlin and I were visiting in the outer dream of today, I had turned my body.  Being in the same physical position had triggered the recall and reanimation of the dream from the past week.

To my left, I saw an incredibly ancient-looking, wise being who progressed across the lawn.  The slowness of his progression was so measured that one’s experience of time, in the reanimated and recalled dream, progressed outside of time itself.  It was simply magical to experience the progression of the very ancient and mystical being.  The millennia-ancient figure progressed across the lawn, of 18 Amelia Street, heading towards our home at 20 Amelia Street.  The being was male and small in stature; he was hobbit-like.  His head was large, disproportionately large, compared to his tiny, frail-bodied frame.

He could not have been more than four feet tall.  His head was absolutely massive.  His forehead arched up and was high like an African’s.  Too, his head was elongated in the back, reminiscent of Pharaoh Akhenaten’s skull.  More striking than the majesty with which the august being progressed outdoors, towards our home at 20 Amelia Street, was the look of his face.

It was simply magical.  From beneath the translucent skin, soft yellow-white light escaped revealing his very visible aura.  Nothing but pure love, along with the same nonjudgmental look that ever peered back from Merlin’s eyes to mine, radiated from this being.  The love radiating from the being towards me was awesome, immense – intense.  The great being’s progress was purposeful.  He was on a mission; he was unstoppable.  The process had begun.

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I was struck by the uncanny resemblance, which the face of this being bore, to the planet-being in the skies of Sandy Point, St. Kitts in a momentous dream during September 1983.  It was a dream whose potency and beauty would lay unfathomable for years to come.  The being progressed as though levitating mere millimetres above the rather zingy, extra-green grass of the lawns at both 18 and 20 Amelia Street.  Though he did not pause as he progressed, the radiant being did turn and look at me.  As though he was familiar with me, he acknowledged me by slightly nodding.  However, he continued on towards our home.

He moved past me as I stood there, still and silent, drinking in the majesty of the experience.  At soul-centre we were familiar to each other.  I knew him.  He knew me.  I stood, alone and awestruck, in the front yard being refamiliarised by the vibration of his beauty as the effect of his potent powers spatially affected the dream.  As he moved past, I was reminded of the film The Dark Crystal, by Jim Henson – with whom Merlin had worked, directing two episodes of the Fraggle Rock television series in its inaugural season.  This movie would for several months, after we saw it together in New York City, be our favourite film.

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Thereafter for several weeks, whenever we looked at each other – even when not being intimate, we had hummed at each other as the rival beings in the film did when communicating.  The being here was much like the good beings in the Jim Henson film The Dark Crystal.  The being progressed up the few stone steps, to the wooden veranda at 20 Amelia Street, and began making his way inside the house.  As I watched him ascend, from the lawn to the veranda, it was clear to me that he was levitating.  Though it was a dream and I too could have levitated and flown, he though had a power which surpassed mine.

This august-souled, mystical being clearly originated from a dimension which vibrationally and spiritually was of a higher plane than the astral, where the dream occurred, and the physical in which I am incarnate.  Indeed, the same physical plane from which Merlin was rapidly taking his leave – it was that discernible.  The moment the mystical being entered our home, being lost to view, I came to from the inner holographic dream which was a recall and reanimation of a dream that I had experienced within the last week.  As I came to, I was about to go indoors to see what had become of the being that had clearly entered our home.

It was then, having returned to being fully focussed in the outer ‘shell’ dream of today November 18, 1989, that I saw Merlin anew.  He was standing at the front door looking out at me.  I stood there, in the front yard, transfixed whilst the bright daylight bathed my body throughout.  The look on Merlin’s face was purely transcendent.  He was perfectly still and perfectly radiant.  Merlin stood in the midst of a nimbus of dazzling, blue-white light.  As he lovingly glowed out at me, this splendid light only intensified.

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Merlin was transformed and as his face lovingly lit up, at me, the light grew to more completely envelop his body.  Whilst lovingly glowing at me with the warmest, most familiar knowing smile, Merlin slowly brought his right hand up with the palm facing me and more completely smiled.  The radiance of his smile soon became lost in the glow of his aura’s light.  The nimbus, enveloping his transformed body, radiated even more intensely at that point.

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I was blown away.  Arrested, I readily knew what I was experiencing; I could feel it.  I knew that across dimensions, in the waking state, Merlin had just died.

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However, as is my wont, I protested.  I dropped the hose which was still bleeding its nurturing water onto the frozen, wintry lawn at my feet.  I stood – paralysed.  Determinedly, I then bolted for Merlin.  I headed up to the veranda as my lover, as my mentor, as my friend stood transcendent in the doorway to what had been the most beautiful sense of home ever experienced.  “Merlin!” shrieking in protest, I yelled out his name.

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(Detail of oil on canvas by my sister Pandora of Toronto’s Mount Pleasant Cemetery where Merlin is buried.)

Suddenly, the thunder of my protesting breath abruptly drew me from sleep.  I sat upright in bed, my arms outstretched and beyond, after having crashed back into my body and no longer astral-projected.  From the foot of the bed both cats – Zora and Whoopi – knowingly, silently looked up.  I was arrested by the frozen horror-struck face staring at me from the mirrored closet doors across the room. 

In the near-darkness of the bedroom, a few rays of early morning light made it past the blood-red, velvet drapes heavily hung at the windows.  Those rays starkly cast light on how horribly desolate my life now was.  Merlin was gone.  His spirit had taken leave from this world.  It was that discernible as my world, my very universe, had experienced a massive vibrational shift. 

I had been abruptly displaced from the astral plane.  I had been lucidly dreaming a dream within a dream.  I was being told so long as Merlin, transitioned from incarnate to astral plane habitué, bade farewell to our magically glorious union on the physical plane.  I was heartened by the peace and knowingness in his transcendent face because I knew that it was a, “See you soon…” parting, for now. 

I knew that there would be dreams aplenty up ahead.  Just as he had pledged, he would magically weave in his indelible promise to me, before departing from the physical plane.  There was such a cold silence, a stinging finality to the moment, as I sat there in bed.  After having looked back at myself, silently waiting, I placed a call to the eighth storey nursing station at Wellesley Hospital. 

I was immediately aware that the tone of the nurses, with whom I was by now long-familiar, had changed.  In very little time, it was official… Merlin had indeed passed.  Truth be told, it was not a surprise; I could sense it on awaking.  He simply was not there.  As always, I had reached out to sense him on awaking – his energies – just blocks away at Wellesley Hospital.  Now, there was nothing. 

Then, as if needing further proof, I thought about Merlin calling each morning.  He would do so, to lovingly say hello and thereby, to lovingly wake me up.  Merlin would then lovingly ask for a call-back, after I had audio-recorded the dreams.  Merlin had, thus far, not called.  Once again, I saw the stillness of my reflection across the room.  I knew then, really knew…  Merlin was gone.  

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As ever thanks for your ongoing support but if you really want to make me levitate then do buy my books!

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© 2013-2020 Arvin da Brgha.  All Rights Reserved.

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The Lady Eve 2.0.

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As only Preston Sturges could have envisioned, at last we have got ourselves a remake.  Would you believe it, a long-running romcom at the Buck House Theatre stars two rather convincing incarnations of Barbara Stanwyck and Henry Fonda in Sturges’ The Lady Eve.  In this eight-year production, Charles – the slow, doltish oaf is played to uncanny perfection by the follicly challenged Duke of Cambridge.  In the role of Jean: acerbic, sarcastic, bitchingly fierce is the chain-smoking, bulimic, coalmining kinfolk, Catherine – the fair, suddenly and compensatorily beloved… to say nothing of reconstituted Duchess of Cambridge.  Look at them deplane; make no mistakes about it, they are hissing at each other.  Now as then, Catherine is just as dismissive of William as she was for all the world to see, within two hours of having said, “I do” at Westminster Abbey as they stood on the balcony at Buckingham Palace; yet, body language and lip-reading experts – so beloved by trash like DailyMail – were strangely never consulted.  They rowed and she hissed and dismissed the dim-witted oaf, within mere moments of finally having made him all hers.  

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My what an uncanny resemblance she bears the Duchess of Cambridge.  Of course, she was conveniently dispensed with by Catherine after recently marrying.  Naturally, such a move would nicely cover the obvious reason for her having been sacked as she was yet another of William’s conquests, right under Catherine’s nose.  He is a scholar soul and it is 99.99% probable that he was bedding Catherine’s staffer; it would of course be a way for him to act out the fact that he has no power in their dynamic/marriage.  She is a warrior and he is a scholar.  Catherine’s first number is 9; her energy body is all about being number one… Perfection is hallmark.  All energy body women who are 9s have these traits in common; they are rude, blunt, callous, will openly editorialise in front of anyone and everyone.  They tend to have a mannish quality to them for being so fiercely competitive and of course, this is why she is known as sporty Kate.  

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As a warrior, Catherine has zero percent of the allure and mystique that all artisan souls innately do.  As much as William is unbridled in his open animus towards Meghan, HRH Duchess of Sussex, none of it would take place if Catherine, HRH Duchess of Cambridge were not intimidated and challenged by Meghan.  The vile media lynching of Meghan is purely for the sport and empowerment of Catherine.  Nonetheless, she can run out there and cock-suck all she wants every mic in sight, Meghan will always stratospherically soar above her.  All artisans come prepared: to know the structure of a thing, anything… is to know its weakness and therein lies an artisan’s power.  William is stupid and Catherine is wooden and a mousy little dud for whom a mic is but kryptonite. 

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Go on, Meghan, start graciously, articulately, engaging in a display of that most rare of assets that you possess in spades… intellect.  During her ITV documentary with Tom Bradby, those were the eyes of an eagle, capable of flaying your very soul without so much as a second thought.  She knows, understands and controls the camera and its power.  She was born to be exactly where she is.  That interview presented someone far more emotionally intelligent and complex than we have ever seen representing the House of Windsor to date.  She was even more subtle and complex than Diana, Princess of Wales during her Panorama interview with Martin Bashir.  Truly, it is artful stagecraft what this woman does.  Like Diana before her and every artisan soul, she is completely misunderstood.  Where most souls have a plan B, all artisans know that there are 24 other letters in the alphabet for a reason; you need plans A to Z.  During that interview with Tom Bradby, Meghan showed strength, vulnerability and shrewd unbridled power.  She spoke to all her detractors both in the media and within the firm.  These are the palace mandarins who somehow think that she is not following the script; these tools who somehow think that just because the Cambridges are in the direct line of succession, therefore no one must outshine them.  

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In a scene that was truly incredulous, to say nothing of tedious, there was Catherine, HRH Duchess of Cambridge being vocal – rather than articulate – and speaking to the media for the first time after 8 years of marriage.  There, too, was HRH Prince William, Duke of Cambridge having to idly standby as never before he had and listen as she takes the spotlight.  This is the palace mandarins’ feverish re-branding of the wooden, mousy broodmare.  Yep, William looks pleased as punch at having to listen to his bullying wife takeover… seriously.  Like Charles before him with Diana, Princess of Wales, William has no intentions of living through a marriage with someone more popular than himself.  I feel sorry for the Cambridges because as much as they are hamstrung by their 9 energy, they are also at the mercy of the palace mandarins who tell them that this is what they have to do.  They are being galvanised into action where previously they had not been.  It is ridiculously risible to suddenly have Catherine out there, making speeches and engaging the media because as Meghan deftly demonstrated in her one-on-one interview with Tom Bradby in the gardens of the residence in Capetown where they stayed, she is a commanding master at self-expression, possessed of a most winning personality and is clearly nine-parts intellect.  image

Here is Catherine, sporting a hairstyle in which she essentially is wearing blinkers; this betrays how controlled and reined in she was, going into the marriage.  Of course, she has remained that way, to some degree, though she has definitely remained the dominant partner.  Catherine knows that her husband basically is stupid and uses her 9 energy to keep him in line and feeling imperfect – that’s what 9s do.  His out, naturally, for being a scholar soul is to seriously play the field as he damn well pleases.  

She is desperately having to perform and as a 9 body-energied person, she knows only too well how utterly imperfect she is at speaking up and being articulate or rather attempting to be articulate.  She is all about grinning and condescendingly making mere mortals aware of their every imperfection – that’s what 9 energy in the first position does.  Of course, 9 in the second position leaves William predisposed to being discriminatingly prejudicial in the negative expression of that number.  Certainly, this has been validated by the fact that in 8 years, they have yet to tour any predominantly black Commonwealth nation.  I can assure you, if they were to, there is no way Catherine and William would be donning the national costumes of the locals in say Nigeria, Kenya or South Africa.  What makes this even more bizarre is the fact that William proposed to Catherine whilst holidaying in Kenya, yet the couple have never once seen a reason to return to Kenya on tour and giving a speech about what a special place the country holds for them as a couple.  Truly bizarre.    

 

A few weeks back, in part of her childhood mental health campaign, which it goes without saying, is truly both admirable and commendable, Catherine sat clasping her hands whilst a little black girl in London on a charity visit was presented to her.  She smiled and she did that thing that all 9s do; she perceived the little girl as imperfect in some way and never once reached out to her beyond a guarded smile and never once touched her.  She would sooner have petted a dog in that situation than the black girl.  Meanwhile, there was she leaning in, touching, stroking and doing all that which 9s do when they have decided that you not that imperfect after all.  

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As captured above, Catherine at Royal Ascot 2019, on the eve of the announcement of the dissolution of the Fab Four Royal Foundation.   She was smug, obstinate and celebratory of her/their coup (the Cambridges).  I have known five persons with the same numerology, one of them even born on January 9th, though different year.  They are all as though carbon copies of each other for 9 when negatively expressed, leaves such afflicted women toxic and given to being obstinate, shit-disturbing and jealously petty.  No matter what you may think, the architects of the current hysterical animus towards TRH Duke & Duchess of Sussex are none other than TRH Duke & Duchess of Cambridge.  Catherine is a warrior soul and they are fiercely competitive by nature; a warrior would compete with a rock if said warrior felt that its place as number one were remotely threatened by said rock. 

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So there was Catherine with her whimpy almost regurgitated can’t-find voice, giving her first TV interview in the 8 years that she has been married.  By so doing, she has given the plot away; we now know how truly shallow and grudging the Cambridges are.  Good god, you are future King and Queen Consort, leave the American whose gift of speech and eloquence, you will neither match nor surpass.  Just for being heirs does not mean that the Cambridges must be the most popular or that a lesser royal must not be seen to have more mass appeal than the über-flaneur quintessence of all things bland, TRH Duke & Duchess of Cambridge.  None of what William has done has been done without being prompted by 9 energy body Catherine. 

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I would not in the very least be surprised if Catherine were to turn up to the 2019 British Fashion Awards and deliver a speech, thereby further reminding the heavily sage and artisan soul audience what a mousy little yawnfest she is.  Of course, she has never graced the awards before but that Meghan did and was such a success, you can bet that the Cambridges will insist that it is Catherine who should rightly attend the awards.  Catherine is like one of those gorgeous actresses from the silent movie era who when the transition to talkies occurred, proved such a fright that there went her career.   What possible interest does she think, eight years on, could anyone have to listen to what she has to say.  During the CNN interview with line-toeing Briton, Max Foster, Catherine’s; voice faltered and sagged, the longer she weakly carped on.  You can bet your last pound sterling that William laid into her about how poorly she performed.  

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No matter what these two do and how they get the world to hate Meghan and Harry, one thing will never change: the Sussexes are a couple in love – their marvellous adorable son is a true testament of that love.  This is why they hold hands and are so openly affectionate.  Charles was not in love with his clueless new wife, which is why they never held hands or openly expressed their love, which in either case is perfectly human behaviour after all.  Too, we know from their rowing on their wedding day that Catherine dismisses her husband as a fool and he has steadfastly rebelled by ploughing anything that moves.  

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The more these two, the Cambridges, sat by idly and said and did nothing as Harry and Meghan were lynched in the media, the more they exposed themselves as the grudging architects of the mob scene.  This truly primitive stoning of the Sussexes, is the work of a couple of 9s, who happen to be not just entity mates but task companions at that.  All this nonsense about Catherine having found her voice and her new regal style are like being black and having to watch frauds like Diana Krall be lauded as Jazz greats.  One also ought to be damn well wary when it is embittered souls like Alexandra Shulman suddenly singing Catherine’s praises as fashion doyenne after 8 long boring years.  This is the same Alexandra who was ousted at British Vogue by Edward Enninful, which likely means she has more than an axe to grind as the fashion bible has become more inclusive and reflective of British and world society.  

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Harry channelling his past-life inner Snoop Dog; pass the Courvoisier!  

If Harry were to have remained a bachelor for another decade, none of this sudden need for the Cambridges to express public affection and for Catherine to have developed a fetish for cock-sucking every mic in sight, would be taking place.  Joy Elvin, Alexandra Shulman all lauding the old sodden driftwood as never before, is a right case of the emperor’s new clothes.  Well darlings, just as Hollywood was not impressed by her in 2011, so too were Elvin and Shulman nowhere to be found singing La mouse’s praises.  Go ahead, no matter how she preens and engages in mindless, mousy drivelfests before every available mic, including one proffered by a biased Brit, CNN’s Max Foster, ain’t nobody gots time for that cold, leftover side order of chitlings.   

 

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This is the beauty of the artisan soul’s mind on display.  After a winning tour de force presentation of self, in which both TRH Duke & Duchess of Sussex lay their souls bare with absolute candour, the upshot of which was that William, architect of the Duchess of Sussex’s lynching in the media, especially at that vile rag, DailyMail, was made to do a mea culpa turn in the media, expressing concern for their mental well-being.  This coming after the British tabloid rags never ever once mentioning what a formidable asset Meghan, HRH Duchess of Sussex is to the firm with her stellar intellect and the fact that this woman is the most articulate, camera savvy, emotionally intelligent member of the British Royal Family that there has ever been.  This showed in spades in her engagement interview in November 2017 with the BBC and again, in her interview with Tom Bradby at the end of which, TRH Duke & Duchess of Sussex turned around and launched their lawsuits against the media – as well they damn well should!  How could you go on and on ad nauseam about this woman and never once mention what an articulate asset to the BRF she truly is.  It is the goddman elephant in the room; they never ever can criticise this woman’s intellect or her commanding stage presence – the gift she has for communicating the message.  And then there is Catherine…  Ha!  Then when they were all wondering if Meghan was too fragile and mentally exhausted comes the One Young World Summit at Royal Albert Hall and like Diana Ross, Meghan, HRH Duchess of Sussex comes through moving to the stage from the audience in a bit of stagecraft that had triumph written all over it.  Indeed, this was the same Royal Albert Hall where last year, thanks to the race-baiting gutter journalism at the DailyMail, TRH Duke & Duchess of Sussex were booed as they took their seats.  This past week as she confidently strode through the audience at Royal Albert Hall, the message was plain and simple: they don’t call me Tungsten for nothing!  Just when you thought that you had that woman figured out, she goes and pulls a fast one – exactly as every other artisan worth their salt would.  

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Just like Andrew’s minor meat proclivities, the Cambridges were exposed for the pivotal and venal role in the Sussexes’ lynching in the media that they have played. There was William having to appear in the press, expressing concern for the Sussexes’ well-being.  Of course, for so doing, Catherine and William were readily exposed for their role in the media lynching of Sussexes and in particular, Meghan.  How anyone can find fault with someone as gifted at communicating the message as Meghan, HRH Duchess of Sussex, truly is beyond me?  Regardless how they jeer and celebrate, like Catherine at Ascot in 2019, they will never eclipse the light that is the Sussexes’.  I have often wondered if the Cambridge’s vindictive campaign were not rooted in the past.  Who knows, perhaps, Catherine – who is the real power behind the sabotaging of the Sussexes – was King Richard III, who was maligned and pilloried by Meghan, HRH Duchess of Sussex, the former Tudor matriarch, Margaret Beaufort.  Then again, perhaps, William had been Richard III and as the Cambridges are task companions, it would be so like the dominant partner, warrior soul Catherine, to mete out justice as she sees fit.  This is mere conjecture on my part as I have not done the past-life overleaves of either senior Cambridge – similarly, I have never seen the need to do the overleaves of the Cambridges’ children.  The Cambridges are not a couple in love; William settled in the end when no aristocratic woman would want to pass a life, having to babysit his damaged – to say nothing of oafish – persona.  As Catherine is the power partner in their task companionship, they both merely chose to have William reincarnate into the House of Windsor’s direct line of succession so that she, if indeed she were Richard III, in the past, have access to the throne and avenge herself of Meghan, who was then Margaret Beaufort. 

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Then again, maybe Catherine was no such person in a past life and simply possessed of a spiteful persona that is more than a little prejudicial – their recent dress-up parade in Pakistan certainly would not have been indulged in when visiting any predominantly black Commonwealth culture.  In any event, as Diana, Princess of Wales is likely soon to reincarnate, I am sure she is finding all of this drama rather intriguing and the Cambridges truly venal.  Either way, as Andrew eventually has been exposed, so too will Catherine and William be fully exposed for what they are.  

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That face of hers when not fakely grimmacing that fuck-you smile is such a hard, miserable sight; it truly captures who really is behind the Sussexes’ lynching and all because, one must not be more popular than moi.  Well damn girl, you only had 8 years to open your damn mouth and say something remotely intelligent, to say nothing of charming.  

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Though the neighbouring apartments at Kensington Palace were prepared for the Sussexes, quite rightly Meghan and Harry saw fit to move to Windsor Castle and set up their offices at Buckingham Palace.  Regardless the cultivated face the Cambridges show the public, at heart centre, they are a very petty, mean-spirited partnership.  The Cambridges embody the negative aspects of their 9 energy to the max – prejudicial and hypercritical… to say nothing of hyper-cynical; these are not persons that one would want to be around overlong.  Though Meghan has been described as a con and a fake, hustler, social-climbing blah blah blah, all for being black and accomplishing the unthinkable, the true Lady Eve is Catherine, who with her mother, preyed on blithering William like a famished eagle a mere lamb.  

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©2013-2020 Arvin da Brgha.  All Rights Reserved.  

Posted in 21st Century African-American Artists, 21st Century American Artists, 21st Century Artists, 21st Century Black Artists, Actors, African-Americans, American Artists, Americans, Art, Artisan souls, Artists, Astral plane habitué, Authors, Black Americans, Black artists, Black creative artists, Blog, Books, Cinema, Commentary, Fashion, Film, Jazz, Longreads, Mature soul Artisans, Mature souls, Memoirs, Michael Teachings, Movie, Numerology, Performers, Photography, Racism, Reincarnation, Royalty, Scholar souls, Singers, Stage performers, Video, Warrior souls, Writers | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

The Essence of Royalty.

Bravo… to hell with the media grudgefest, lies and click-baiting, racially predatory attack blogs, masquerading as journalism.  This video is the quintessence of what royalty represents.  Royalty in its purest form is not about ruling; rather, it is about being in service for the higher good for everyone in the realm and beyond.  

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Both the Duke of Cambridge and the Duke of Sussex are the most noble complement of their parents.  At the heart of their lives was/is service.  Diana, Princess of Wales got out there and she humanised royalty, she taught the world this most incredible, sublime lesson: royalty serves you the realm.  HRH Prince Charles with his Prince’s Trust has raised more than a 1£B, all in service to the realm.  

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Both princes with their wives continue and are a handsome evolution of the service for the higher good to the realm begun by their uneclipsed, charismatic mother and ennobled soulful father.  In co-operation with the NHS, their work for the Every Mind Matters mental health campaign is the most poignant example of what their lives are focussed on: service to others.  Royalty is not a soap opera to be preyed on by the vultures of the print medium and elsewhere in a vulgarly greedy grab at ad revenue at the expense of creating divisiveness, strife, pain, anger, racism, classism, sexism and even death threats.  

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In the modern age, indeed, the second Elizabethan Age, it all began with the most remarkable sovereign.  The most accomplished sovereign, HM Queen Elizabeth II, for whom expanding that need to give back and to be of service to the realm has seen the Commonwealth expand to 53 countries and territories during her reign. This video proves a handsome complement to the work that three generations of Windsor royals have devoted their lives being focussed on being in service to the realm.  Hip hip!  

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©2013-2020 Arvin da Brgha.  All Rights Reserved.  

Posted in 20th Century African-American Artists, 20th century American artists, 21st Century African-American Artists, 21st Century American Artists, 21st Century Artists, 21st Century Black Artists, Actors, African-Americans, American Artists, Americans, Artisan souls, Artists, Authors, Black Americans, Black artists, Black creative artists, Blog, Books, Fashion, Mature soul Artisans, Mature souls, Memoirs, Michael Teachings, Modern Artists, Older souls, Performers, Photography, Racism, Royalty, Spirituality, Stage performers, Statesmen, Video, Writers | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Surprise! The Predator Blames The Victim…

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After a royal tour of Africa, the adorable famille Sussex, returned home and got down to the business in hand. Naturally, the venal hate-mongering, bullying, racial predator, Piers Morgan, had nothing to vent and spew the usual hatred about. Then like fresh meat, he pounced at the announcement of legal action against he and his venal, racially predatory rag, DailyMail.

I am so happy that Piers Morgan has blindly engaged in his campaign of open hatred towards Meghan, HRH Duchess of Sussex. Now it has gotten to the stage where an American does what can be expected of an American; she sues. Americans are not bullied! What Piers and his arrogant island of boorish prats have not realised in all this time, is there has already begun a campaign of retaliation against their bullying of Americans. The British media and public campaign of racially predatory bullying of TRH Duke & Duchess of Sussex has been unrelenting from the word go and has continued unabated.

Little has Piers Morgan and his ilk realised that the 2019 Academy Awards was American retaliation. After all these years of watching Brit after migrant Brit waltz in and grab another Oscar, which is not an international competition; the Oscars are not the Cannes Film Festival – it is an American award. That’s right, finally, the people who built America, blacks, were finally being acknowledged as never before. There was Barbara Streisand handing off the Oscar to a fellow New Yorker from Brooklyn, Spike Lee. For the first time, there was a record number of blacks who won Oscars. Even in costume and design, there were black winners.

So there sat that thoroughly effete prat bore, boor – take your pick – Richard E. Grant, virtually knighted in British media as winner of the Best Supporting Oscar for 2019; it had not even occurred to the migrant Brit colony with their superior-than-thou attitude that something as absurd as a black male American would win the best supporting actor award. Why would a black American win over a Brit? That’s right, if you don’t play nice and quit bullying Americans then it is time you start selling your Beverly Hills estates and adapt by moving to that beach ghetto Malibu because Brits acting as though the Oscars were a colonial offshoot of the BAFTA has run its course.

Guess who yachts with David Geffen? That’s right, there are no Brits and Oprah is infinitely more powerful than racist boors like Piers Morgan clearly appreciate. That’s correct, they all have money and they are all Americans and they do not like being bullied. The age of being wowed by The Queen, The English Patient, My Fair Lady, Downton Abbey, The King’s Speech, The Madness of King George has finally run its course. Thanks to you Piers Morgan, the Americans have seen your true visage and like the wizard’s of The Wizard of Oz, they are not only not impressed they are also not having it. The sea-change is well and truly begun. Yes, indeed, stop with the can’t shake snobbish accent and decamp where you belong. It is an American industry and an American award; in the Age of Trump, it is high time that you were exposed as what you truly are, the ugly migrant, who must no longer be suffered.

Here is where you truly lost the plot, Lara Stone was burnt at the stake – during which time, of course, little predatory racist boor, Piers Morgan said nada… zilch. Yet, in all these going on 24 months not a single migrant Brit in Hollywood or elsewhere has passionately spoken up in Meghan, HRH Duchess of Sussex’s defence, with the exception of Sir Elton John. Meghan, HRH Duchess of Sussex has the deep-pocketed support of the likes of the Clooneys, David Geffen, Oprah and the major players in Hollywood who happen to be American and matter. It is grossly racist and absurd to sit by and do nothing whilst this human being is being lynched for merely being black.

Well, then, since you feel so passionately about it, why pray tell do you deserve to be considered, let alone nominated and more egregiously awarded Oscars season after season, after blasted motherfucking season. You are a gross displacement of what a truly civilised society resembles and how it behaves to ‘others‘ in its midst. Just think of it, TRH Duke & Duchess of Sussex toured Africa and there they met scores of elevated, remarkable human beings on an order, which you can never match in the British Isles. Stellar exemplary human beings, like Archbishop emeritus, Desmond Tutu, Graca Machel – persons who thanks to their nobility of spirit successfully vanquished the racial predator in their midst.

Yes indeed, Piers Morgan, run off at the mouth all you want and incite the mob to racial hatred, time and again. Like every predator, sexual or racial, your first response when the prey fights back, is start blaming the victim. No woman ever sexually preyed on, goes out asking and looking to be preyed on by any sexual predator. The woman, the victim, is not the problem; she has not brought it on herself. A woman is not raped because she wore suggestive and provocative clothing; a woman dresses to please no one but her damn self. She does not get dressed, thinking: how am I going to attract animus from a sexual predator today? Similarly, Meghan, HRH Duchess of Sussex and no black person anywhere goes out of their way, looking to attract racially predatory boors, so that they can somehow feel victimised.

Fuck you, Piers cowardly-chicken-shit-arsehole Morgan, you are the victim of your own racially predatory obsessions, which has resulted in your being sued and they, TRH Duke & Duchess of Sussex for being entity mates and for her being American with a very powerful cadre of supporters will plough your fucking idiot, smug arse under. You will never again work in America when they are done fucking retaliating and defending themselves against being lynched, slandered, and made subject of ridicule, death threats… all thanks to your vile, stinking racially predatory, incendiary braying, masquerading as journalism.

Americans are going to teach you a very callous lesson that they hold sacred above all others: Freedom is not free, you dumba$$ bitch!

You, like that ghetto of migrant Hollywood Brits said and did sweet dick-all when HRH Prince Andrew, Duke of York was exposed as a sexual predator; if you truly cared about the monarchy then you would have been even more livid in defence of your institution at Andrew’s obvious culpability… there is also the very real matter of the Cambridges’ tattered marriage, which you and others from Joy Elvin to the palace mandarins are eager to reinvent.

No one cares at this point, Catherine was too bone idle and downright maudlin to make speeches, too bone lazy along with her arrogant husband to undertake royal duties so begged off claiming, Hyperemesis gravidarum – meanwhile 2/3s the world’s women have to walk with gallons of water on their proud head for miles whilst pregnant. Just imagine if Meghan, HRH Duchess of Sussex got up to their stunts and engaged in the wilful idleness that the Cambridges have?

Catherine is great, she is a warrior’s warrior and she is at her best each year at handing out shamrocks, being on guard at Armistice Day ceremony in Whitehall. Clothing is uniform for a warrior; it is not fashion. Fashion is not a way of exuding their inner magic as with artisans like Meghan and Diana, Princess of Wales. I will never knock Catherine for her athleticism and her right saturnine bearing; it is the essence of who she is.

This absurd pitting women against women is just drunken idiocy. Stop suddenly talking BS about Catherine being a great speech-giver. Bullocks! She is not, never has been and never will be. Stop trying to eclipse Meghan’s innate commanding stage presence and gift for being on and engaging an audience. It is not a competition of Duchesses; Meghan is supremely gifted at uplifting, inspiring and empowering womankind for speaking and so eloquently, representing her uneclipsed light. She and her husband are doing the work of upholding HM The Queen’s greatest legacy, the Commonwealth.

In the meantime, the days of Hollywood being obsequious towards migrant Brits in their midst have run their course – just as much as you are going to be rudely awakened, jousted and ploughed under for fucking with Americans. Americans are no one’s damn fools, as you shall yet learn.

The Sussexes are making a valid and real difference in the world where it is sorely needed; you, Piers Morgan on the other hand, are merely being yet another white male arsehole. There is nothing either unique or noteworthy in so being. You sadly are far too common place and that is the real problem in this world. You are a fucking otiose boor to say nothing of bore and high time, you were handed your arse like that damn audacious prat, Richard E. Grant, who sat there and heard his name not called last February at the Oscars.

TRH Duke & Duchess of Sussex are not victims; they were never in the business of affording you or any other media racist predatory thugs, the power of their time and shortly, you are legally going to get your just dessert just as that other pariah, Jeffrey Epstein was served. A pity you know nothing of Margaret Beaufort… all you saw was some damn black bitch, who does not belong and you intended like every sexual/racial predator to put her in her place and rape her of her power. More fool you, indeed…

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©2013-2020 Arvin da Brgha. All Rights Reserved.

Posted in 20th Century African-American Artists, 20th century American artists, 20th Century Artists, 20th Century British artists, 20th Century Jewish Artists, 21st Century African-American Artists, 21st Century American Artists, 21st Century Artists, 21st Century Black Artists, 21st Century British Artists, Actors, African Leaders, African-Americans, Africans, American Artists, Americans, Artisan souls, Artists, Astral plane habitué, Authors, Black Americans, Black artists, Black creative artists, Blog, Books, Commentary, Diarists, Eminent World Leaders, Fashion, Longreads, Mature soul Artisans, Mature souls, Memoirs, Michael Teachings, Old souls, Older souls, Performers, Photography, Racism, Royalty, Scholar souls, South African Artists, South Africans, Spirituality, Stage performers, Statesmen, Theatre, Visionaries, Writers | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Jessye Norman 15.9.1945 ✟ 30.9.2019

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Tonight my home is awash in the music of Jessye Norman… this brings me inordinate comfort at this time.  Sweet and truly blissful dreams dear ennobled soul.  As I am unable to do little else, owing to being emotionally overwhelmed, I pause here to republish this blog of earlier this year.  So very glad that I was able to attend the Glenn Gould Prize Gala this past February.  

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As I work 7 days a week, I was debating whether or not to attend the Twelfth Glenn Gould Prize Gala at the Four Seasons Centre for the Performing Arts.  That morning en route home from some errands, I discovered that someone had jumped from a neighbourhood condo.  I got in and realised that there was no more feet-dragging; to hell with being dog-tired.  I got on the phone and called up Lucian Mann-Chomedy and said, “My darling, we are going to the Jessye Norman Gala!”  As ever, always positive, Lucian chimed in, “Oh my, oh yes, how lovely.  Well, I’ll be both honoured and delighted.”  Indeed, life is for living!  

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Merlin and I met Friday, October 1, 1982 in a Hell’s Kitchen Walk-up, the following Monday evening, on his return to Toronto, Merlin called up crying.  The man whom he had spent so much of our first evening together speaking of, had died; Glenn Gould had died.  For the seven years that we were together, Merlin listened to Glenn Gould’s interpretation of J. S. Bach’s Goldberg Variations at least thrice weekly.  Indeed, the first gift I purchased Merlin, was a recently released recording of the Goldberg Variations at Christmas 1982: I think that it is safe to say that that gift sealed the deal, I was a keeper for sure.  

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As I had waited until the last minute to get seats, I was sat in Ring 4 rather than the usual Ring 3.  This, alas, was my view of the stage and of course, the butterflies are from the set for Atom Egoyan’s masterful staging of Mozart’s Cosi Fan Tutte, which the moment I saw the set, I began chuckling to Lucian on recall of Tracy Dahl’s unsurpassed performance as Despina.  

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As I was too busy trying to throw something together for Instagram, I was heard gasping when it was announced that the head of the Glenn Gould Foundation’s Jury this twelfth prize was none other than the actor, Viggo Mortensen, who then walked out onto stage.  He, indeed, who in a few days time will be attending the Governors Ball where he may or may not be holding an Oscar.  

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Out onto the stage arrived the Twelfth Prize Laureate, Jessye Norman.  Truly, it was a shock to the very core to see Madame being ushered out in a wheelchair.   Suddenly, I was reminded of the events of earlier which caused me to rush home and purchase two tickets for the event.  That aside, there was no greater joy than drinking of her soul’s inspiring beauty.  

This beautiful gala was so filled with touchstones for me, none more so than the moment that bass baritone, Ryan Speedo Green was in full song.  When he sang, “Aprite un po’ quegli occhi” from Wolfgang A. Mozart’s Le Nozze di Figaro.  

Yes, indeed, this marvellous aria’s orchestration included a harpsichord.  Straight away, I was teary-eyed as memories of the truly eccentric and delightful Milan Newcombe readily surfaced; Milan will ever remain a lover like no other.  

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During the intermission, I ran into two old friends not seen in at least 1.5 decades; we spoke of nothing but our surprise at Ms. Norman’s entrance.  Life really does march full speed ahead.  

After the intermission, it was the announcement of the Glenn Gould Foundation’s Progidy Prize with the recipient being none other than, Cécile McLorin-Salvant, the most fabulous Jazz singer on the planet.  Is this not an evening to remember during Black History Month indeed.  

This stunningly unforgettable gala was closed out by the final recitalist being the divinely gifted soprano and Glenn Gould Foundation Prize juror, Sondra Radvanovsky in full song, singing Verdi.  

The gala concluded with Ms. Norman returning to the stage and singing a duet with Cécile McLorin-Salvant.  This was a moving, emotionally intense evening and my life was greatly enriched for having chosen to attend.  The gala was nothing short of magical.  

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As a tribute to this marvellous evening in the theatre, I will include herein two dreams, which were originally audio-cassette-recorded in the 1990s.  Before each deam, one of Glenn Gould, the other Jessye Norman, I will include each individual’s Michael Overleaves.  

GG

Gould, Glenn Herbert 25/9/32 – 4/10/82, Toronto

This fragment was a sixth level mature artisan in the repression mode, with a goal of growth, an idealist in the moving part of intellectual centre.
He had a Mercury/Saturn body type.

Glenn’s primary chief feature was self-destruction with a secondary of arrogance.

Glenn was third-cast in his cadence and his cadence is fourth in the greater cadence. He is a member of entity four, cadre five, greater cadre 17, pod/node 819.

This fragment has an artisan essence twin who was alive during Glenn’s life but there were no plans to meet. This fragment is still incarnate on the physical plane.

The fragment who was Glenn has a scholar task companion, who was in a previous life, Carl Philip Emmanuel Bach. They were not incarnate at the same time.

However, the fragment who was Glenn was exerting considerable influence on Carl Philip Emmanuel.

These two fragments had many lives together, once as luthiers, three times as court musicians, nine times as brothers of the cloth, twice as brothers in the flesh, as well as completing several important life monads, including student/mentor and master/slave.

In the immediate past life, the fragment who was Glenn had as his three primary needs: security, communion and exchange. Only the first of these was ever even partially satisfied.

So here we had a warrior-cast artisan who had seriously conflicting overleaves and a primary chief feature of self-destruction. He had a goal of growth but a repression mode which would not allow him to flourish.

He had a need for communion, but was sexually ambivalent and socially inept. Undeniably, he had great talent but took no pleasure from performing in public.

This fragment has a great deal of scholar energy that was used in the immediate past life to enable Glenn Herbert to painstakingly examine and interpret the works of Johann Sebastian Bach.

He was very interested in form and structure for all of his adult life. This fragment was, unfortunately, the victim of a severe obsessive-compulsive disorder, also for all of his adult life, which worsened considerably during his third and fourth decades.

This fragment did not, as popular wisdom teaches, retire from public life because of any strong beliefs in the recording industry. Glenn Herbert retired from public life because he could no longer bear to be in crowds, even if he was distanced by a proscenium.

Needless to say, this fragment did not complete work on his fourth internal monad.  

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A Glenn Gould

Astral Plane Glenn Gould Recital!

 

Nothing is more uplifting than finding oneself at a great musical performance on the astral plane.  This dream was about being richly inspired and by Glenn Herbert Gould, no less; it was truly marvellous an adventure for the spirit.

The dream occurred, on Tuesday, October 6, 1992, whilst the Moon transited both Aquarius and my ninth house.

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I am in France where I leisurely browsed through a store; perhaps, it was somewhere in Paris.  It seemed here like at nighttime.  Whilst in one corner of the store, I noticed that there were all these big slabs of cheese in packaged containers.  There was a woman coordinating the display of the cheeses.  Sometimes the cheese was being grated and other times not.  There and then, I decided that I was going to buy one slab of the cheese that was packaged in a rectangular box.

The cheese was about an inch thick and about eight inches long.  The cardboard box that it was in was white and almost like the size of a box of Cream of Wheat.  Surprisingly, the box was rather heavy.  Though not unlike cheddar, it was a dark cheese.  The smell of this cheese was really hard – quite the bite to it.  It had seemingly been opened for too long as parts of it was growing hardened and turning colour.  I knew straight off the bat that I wanted to have some to take home with me.  

So, off I went to purchase the slab that I liked.  Everyone here was, of course, speaking French which I quite so understood and liked.  Interestingly, I too was speaking very competently in French.  It was obvious that I was not too heavily accented as the others were pleasant-enough with me.  

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The second dream had me leaving the store; I then found myself hovering in the air.  Whilst in flight, I went into a building which had a green – oxidised-copper – roof.  It was part of a long set of buildings that had very, very tall stone chimneys.  These were chimneys that were not unlike the ones at the Palais du Louvre.  As a matter of fact, the building was similar to the Canadian Parliament buildings though it was not those buildings.  

This complex was considerably longer.  These were a series of complex buildings.  Here, I was easily thirty storeys up whilst in flight.  I looked down at the complex which at maximum could not have been more than five storeys tall.  After having contemplatively observed the complex for awhile, I began very slowly gliding down through the air.  I intently studied a procession of persons, way below, who were bailing out of very large buses; they were, as a matter of fact, tour buses.  

This was all happening in a courtyard-like area and away from the bustle of the street.  I next noticed some men who appeared; they seemed, in their long, flowing white robes, to be priests.  They were not Arabic or Muslims in caftans; rather, they were definitely Whites.  The buildings here were long on the order of Palais Richelieu in Paris.  When I finally alighted, we had to go through this incredible entrance.  

This led into a wonderful sandstone building; it was very modern with a neo-classical design.  On the order of being imposing, the door to this place was massive.  They seemed to be the doors to a temple.  To get to the entrance, there were many steps which one had to climb.  On entering, off to the right, there was a passage that one could take.  

An aisle led along another passage; it seemed illumined by a skylight.  The priestly men had all entered before me.  They preceded a procession of adherents who had come to partake of some ritual.  I had gone to explore, off to the left, because it was the wing of the building that had reminded me of the Palais du Louvre.  Going there, I wandered about being fascinated by the place.  

Some women were posing for artists in this particular wing.  They wore modern garb but were very exceptionally beautiful.  What was most intriguing about their look was that it was exactly as they would have appeared on the finished canvases.  They were very nubile young women; they had to hold their poses for interminably long periods.  Here several kids kept on going through the place; they were seemingly art students.  

They were all very North American, middle class with their loud, snobbish bourgeois affectations.  Right away, it was obvious that all the muses were still virgins.  Theirs was an innocence that could never be affected.  They were all teenage girls whose bodies were very voluptuous and full.  These were not skinny people at all.  There was one point at which one girl was holding different poses.  Each girl would be painted by from three-to-five artists, at a time.  Thus every pose would be captured from different perspectives.  

At one point, they told her to take a break; they then reverted back to an earlier pose.  This was so that they could return to that work and put some more work into finishing it up.  When she changed the pose, she had also turned some 180 degrees.  This particular model, whom I was studying, wore socks with Oriental-looking sandals.  Inside her socks she kept little items of hers.  Whilst she was making the transition, she simply reached up her foot and pulled up her right leg to reach down into the socks.  

Hers was a pair of blue-coloured socks – pale blue.  To just above the ankles was the extent to which the socks rose.  Looking at her, she took out something from about her ankle which looked like a wafer.  Not the least bit self-conscious, she ate it at once; it seemed like a chocolate wafer which she favoured.  She seemingly needed it to get an energy boost so that she could stay focussed on the tedious work that she did.  After having found it all very interesting, I moved on sufficiently knowledgeable of the goings on here.  Walking along a corridor, I ended up going into a room where everyone was very strange.  

A guy there was a lot like Galen Shim – my very beautiful, Hong Kong-born, Eurasian friend.  He reclined on a bed with his head close to the door.  When I came in, I noticed that he was naked.  When giving him a massage, I began by oiling his body.  It was quite fragrant oil.  Rubbing down his body, I began working on his toes and feet.  Afterwards, I got up to leave but he very silently began coming with me.  So out we went and joined the procession of persons; among them this time were several kids.  Mostly, they were teenagers – amongst whom I did not want to be.  

Galen or the guy who seemed like him, here the guy was not wearing glasses as before nor would Galen for that matter, and I kept walking through the place.  Pretty soon, after we had left the noisy kids, we started hearing the most beautiful music.  This was one of the rare times that I found the music of the pipe organ to be beautiful.  Within the complex, we happened on this wonderful cathedral inside which were most of the people from the procession.  On entering the structure, it seemed more like a concert hall.  We soon learnt that the hall was specifically built so that only Johannes Sebastian Bach’s music could be played there.  

Never before had I heard classical music sound so beautiful.  We stood there transfixed whilst listening together.  Who then should I notice way at the front of the hall, at the pipe organ that sat high on the dais-like stage, but Glenn Gould.  I could see his right profile as if in close-up.  My god, this was rapture and then some.  He was playing with such rapt abandon that I steadied myself and whispered more to myself than to Galen, “My god, what an incredible dream to be having…”  

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There seemed to be a skylight on the side of the high-ceilinged nave.  Instead of there being stained glass windows, windows for that matter, there was only intense light raining down through what seemed to be a skylight system.  The centre of the halved skylight was a wonderful neoclassical, oxidised, copper-looking, greenish flying buttress.  Here the look, though modern, was more in the style of Islamic mosques or even Moorish architecture rather than the classic Gothic signatures.  

A series of the most intricate and complex circles intertwined, like some riotous jungle vine, in the cathedral-like, concert hall’s stonework.  Breathtakingly beautiful it was.  I stood there, just inside the entrance to the hall, on the left of the wide aisle.  This was a very wide-bodied structure.  As you progressed down the aisle, there were different levels where one could go up and sit.  These were either on the right or left.  The central aisle was covered by the most beautifully designed red carpet.  

This place was considerably wider than Notre Dame Cathedral.  Unlike the Parisian Gothic structure, it was not a darkened affair.  Here it was very intensely bright out.  The light coming in on the right and left side of the flying buttress-like, central girder fell through a slightly frosted glass.  The light was an intense – almost aquatic – blue.  Interestingly, there were no beams or columns, supporting the unusual central, flying buttress-like beam.  For looking at the light, one became slightly languorous.  I felt paralysed with pleasure; there before me, down the massive hall, sat Glenn Gould.  

He wore the most thick-fabricked garb; it seemed from an earlier age.  All the men in the white gowns were up at the front.  They were all transfixed – as well they should have been.  Though I love Johannes Sebastian Bach, at the time, I had some reservations as I am not especially fond of pipe organs.  I suppose that it is because it has always had too many religious associations during my childhood.  The persons attending the concert were there simply to recharge their batteries.  They seemed, all of them, as if not quite in their bodies for being so transfixed – they were otherwise-engaged.  

Eerily, I had a sense that these were all persons who were between lives as is Glenn Gould.  They were in a form of processing, a form of deep meditation on the order of sleep, as they prepared for the next incarnation.  This fugue was the most complex music imaginable.  Indeed, the music seemed designed for those between lives.  The fugue was composed for astral plane habitués who, sans bodies, could best endure the music’s intensity.  Getting a sense that I really shouldn’t be there, plus the fact that I finally couldn’t get into the pipe organ, I started taking my leave of the place.  

Galen, or the person who seemed a lot like him, and I then went out front.  There we waited for the specific tour buses to show up and take us away.  Whilst I waited with Galen, or the person who seemed a lot like him, I was joined by Pandora.  It seemed that most of the people who were here were very young-souled.  They seemed to be on a pilgrimage, like visiting the original Gohonzon in Japan or going on the Hajj, at Mecca.  

As the pipe organ played, I could hear in the tone of the place a faint whisper from the men in white robes.  Their thoughts, it turned out, could be telepathically heard.  Even earlier, when I had been hovering in flight high above the complex, I knew that this was more so a political institution rather than not.  This was a structure which was just as colossal as the temple at Karnak and considerably older.  This place was mind-bogglingly complex and massive.  The temple was posited directly in the centre of it all.  

Just like La Chapelle in Paris is comparably dwarfed, by its surroundings, so too the massive concert hall-like temple was dwarfed by the complex.  This architectural marvel was simply soul-inspiring.  Whilst all the buses were waiting, I took to one of the buses with Pandora.  I had gotten impatient waiting to be assigned to one.  We spoke in French because everyone else here did the same.  This was not unlike a Parisian bus – the seats all faced each other.  Seated close to the front, we were on the left side of the aisle behind the driver.  

As though getting close to Saint-Sulpice Métro, I got up and said goodbye to Pandora.  I wanted to get off there then walk back to her rue de Grenelle apartment.  Pandora planned to go out then come home later so had asked me to wait for her at her place.  Here it seemed as if nighttime coming on to dawn.  Speaking guardedly in French, I made sure that I was speaking properly and not just fumbling partout.  Really, I rather enjoyed this experience of being together with Pandora.  

I was very serene enjoying the very beautiful experience.  Galen, or the person who seemed a lot like him, had silently slipped from my side when Pandora came and joined me.  

*Of course, it would turn out that the person in question was Louka Duplessis and not Galen.  I would meet Louka, who accompanied me in this dream, the day following this dream.  Just prior to meeting for the first time, it is not uncommon for me to dream of persons who will prove important in my life experience.  

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Jessye Norman

Norman, Jessye 15.9.45 ✟ 30.9.2019,  Georgia

Jessye is a first level old priest in the passion mode, with a goal of rejection – functioning for the most part in the positive pole of discrimination, a spiritualist, in the emotional part of intellectual centre.

She has a Jupiter/Saturn body type.

Jessye’s primary chief feature is arrogance, with a secondary of stubbornness.

This fragment was third-cast in her cadence and her cadence is fifth in the greater cadence.  She is a member of entity five, cadre six, greater cadre 33, pod/node 212.

She has a discarnate priest essence twin whom she did know earlier in this life but this fragment died in Vietnam.  She has a warrior task companion and they have worked together and continue to do so occasionally.

Her three primary needs are: freedom, expression and power.

The warrior energy gives Jessye tremendous organisational powers and her stubbornness has enabled her to stick in there when the going got very rough many times.

Jessye is a warrior-cast priest who has been a spiritual rebel in this life.  This is, by the way, not the first time this fragment has sung professionally.  This fragment was a well-known castrato in seventeenth century Italy and performed many times before the crowned heads of Europe.

Jessye has great need to serve her concept of the higher ideal and has done so admirably by combining the folk music of her people with her operatic repertoire.

She performs well, as do most entity five fragments.  This fragment has always enjoyed her work.  Singing has been an extension of her inner spirituality.  It is, in fact, a form of meditation for her.  

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Now that’s a Hollywood wife!

Jessye

These rather lucidly awakened dreams were experienced with an intense sense of wonder and joy, on Monday, July 2, 1990.  At the time, the Moon transited both Scorpio and my sixth house.  

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This first dream found me in a very busy place.  When going south towards the Danforth, it was not unlike being on Broadview Ave.  It was at nighttime.  I came there and found that there were tons and tons of Black people.  Even so, it seemed like Toronto and at Broadview Subway station because there are all these streetcars there.  One of the streetcars was improperly parked, as a result, it was going to go and turn around.  

Waiting for it to do what it had to do, there was another streetcar out in the street.  It was really more like a red-rocket streetcar.  It was not like one of the newer ones.  Everyone here was Black.  There were no Whites or other non-Blacks that I saw.  Everybody was in the street which was very jam-packed.  They were getting ready to cross, after the streetcar had passed, to go in.  

There was now a system, where you paid your fare aboard the streetcar, so that you did not have to enter the front doors of the station on Broadview.  When you got aboard the streetcar, it was mandatory that you pay a fare.  So it did not matter whether you paid a fare at the proper entrance or not.  There were many people queuing up to get aboard a streetcar.  

Passing these people who were seated there, I went through the proper entrance.  One of them seemed like Gabriella Vartan and they were talking about me.  I came around and began going down the steps, into the nether regions, en route to the trains.  There was this little old lady who was taking her time, holding up things, so I pushed her to my right.  I made my way down then had to go around taking another flight of stairs; I then kept on going.  There were a whole lot of levels to this subway system.  

When I got down, there was this little cul-de-sac where there were these Black guys – homeboys – hanging out.  However, they were not Black American.  I found one of them very attractive and smiled at him.  He, however, was very homophobic.  He went running upstairs to go call the police on me.  The train then came into the subway and it was a very, very large train.  It towered very high to the ceiling.  It was like an Amtrak train which seemed like a double Decker train.  It was mostly silver, however, it turned out not to have been double Decker.  

When it stopped, I began running full speed because I did not want the guy to come back and board the same car as me.  I ran to the front of the train only to find that one couldn’t board there.  Instead, one could only enter this train where the cars joined each other.  You could enter the front or backdoors of each car but not the front ones of the first car.  It was very sleek, round and Deco like a train from the 1930s.  The whole place did have a feel of the ‘30s to it.  It was very neo-Gothic like the Chrysler or McGraw-Hill buildings in New York City, or for that matter, even the Empire State Building.  

It was reminiscent of very early in the twentieth century which was all about great architecture – of things being large, mammoth and spiralling upwards, too, things getting faster and faster.  That sense of adventure about the wonderful world of commerce that one had created.  It was that time when people had not yet begun to see, as we now know, the consequences of things being bigger and better and faster and all the effects on nature.  I got onto the train heading, again, towards the front.  Somehow, I felt relieved because I had lost the guy.  I was there and noticed a stout man who was either High-Yellow or, perhaps, even White.  

The people here were very strange because they were just rather unusual.  Even though they looked White, they seemed more bronzish, actual bronze, than the pinkish tonality of the waking state.  This was not a place that I knew.  It was very otherworldly here, I soon realised.  I did not get a seat and as I stood there I then noticed a woman.  She was standing at the very front of the train.  The train progressed with unusual speeds, I immediately noticed.  When the train had shaken, the stout man had tried to brace himself by putting out his foot that was already out in the aisle.  

In the process, he had stomped me and I had had to pull my foot out from under his and pushed his away.  He wore business attire, a suit and tie, as though en route to an office job.  The woman who was standing up was playing on a wooden flute-like instrument that was less than a foot long.  However, the thing about all this was that she had unusually short arms.  They were fully functional hands with tiny little fingers that nimbly danced over the valves of the wooden, wind instrument.  Her arms were like a Thalidomide-damaged child’s.  

Then I noticed too that there were other people on the train, about three or four musicians, practicing as well.  I soon realised that everyone on board had some sort of physical deformity.  They were just ill-proportioned people with torsos that were too long or arms that were too short.  Arms too long or what have you, moreover, this also applied to the legs.  The most pronounced cases were always the musicians like the female flautist – two or three of the other musicians were male.  

Someone else who was on the train began laughing and, out of nervousness, I joined in.  The person was laughing at the woman.  She, however, hadn’t paid them any mind.  Nobody else was paying people, who were laughing, any mind.  They did not see anything wrong with the people who were being laughed at.  I then got off the train and was out in this concourse area, where the trains arrived, before I went upstairs.  Before I would go upstairs I saw this child seated in the middle of this white blanket that seemed more like diaper material than flannel.  

The child wore a salmon-coloured merino.  He had little, white, cloth diapers on.  The infant had, again, very unusually, unusually short, short legs that made it look almost like a child because it was seated upright on its bottom.  However, it had a very big torso – matured, such that the child seemed like a very big, big child for its age.  Its head was very large with a very developed large and soulful-looking face.  At the time it made me thing of Jake Hudson.  Jake does have a very large head and face.  I was trying to connect with him.  He reached out his short little arms, crying out and said, “Dad, I want to go.”

There was this youngish man, who was blond like the child, and he seemed not unlike the guy Olaf Knight.  He picked up his son and used the blanket, on which the child sat, that had these straps and put him around his shoulder.  Like an African mother would, carry her child when in the fields, thus he was carried on his father’s back.  He walked off with the child, who was holding on to him, except that the child was really an adult male.  It was all very strange here in this otherworldly place.  

I ended up coming upstairs and going out in the outdoors.  There were people here – again, mostly Black people.  I was talking to them when I heard the strains of Richard Strauss‘s Four Last Songs beginning.  I beamed and excused myself from the people, with whom I was interacting, and went running off up this plaza.  It was a clay-tiled plaza and when I got there, I saw the symphony.   I went and sat in lotus position and sat very close to the front.  There was a gathering of persons in a semicircle and I was, as a matter of fact, the closest to the stage.  

The stage was above on a dais and it was edged by old gold juniper.  The juniper was really, really nice and quite fragrant, refreshingly so, to the smell.  Along came, from around a corner walking, Jessye Norman – the high priestess herself.  She had been preceded by her divine voice’s magic.  She was, of course, singing Four Last Songs.  She wore a beautiful, beautiful, glistening black dress that seemed almost organic with a life of its own.  It was twinkling on and off but the lights were lifelike like fireflies.  

They were sequins but they seemed, somehow, to be organic.  It had hues of gold, silver, bronze, and dark green hues like pine and blue hues like lapis lazuli.  It was very, very intensely rich a fabric.  She started singing the first song, Frühling, and it was very hauntingly beautiful.  She saw me and beamed down at me.  It was so connected between us.  I was so enthralled and overpowered; I was quite smitten by her.  I thought very rapturously awakened,

‘Yes!  I’m having a dream of Jessye Norman.  So very good to see her again, my god here she is and performing Four Last Songs.’  

She then came almost to the lip of the stage and stopped as though about to sneeze.  Then she held her breath and started laughing because it was so hysterical.  The look on my face was one of being truly horrified for her.  This had actually caused her to crack up.  Then she began singing again and began making gestures for me to move or be removed.  I was stunned and thought this some sort of betrayal.  

‘Why is she snubbing me like this?’ I wondered.  Then these two huge, burly guys came to eject me out of the area.  As I was leaving, I could hear her starting to sing again.  I was very, very upset.  

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I was, in the second dream, in this large house that was a very many-storeyed place.  It had many apartments.  I came out and it had a very slanted roof that one could go out onto.  This roof was, however, very dangerously precipitous.  I was looking about and thinking of Carl Leroiderien because, somehow, someone was talking about him.  This White man was talking to me and telling me that Carl had been enquiring after me.  

He then went on to ask me if I smoked dope which I denied.  I can’t think of it doing anything for me except, perhaps, to make me sneeze at the most.  Sometimes if mixed with hashish, I then got a massive headache.  “It doesn’t do anything for me, I don’t really like it.  I don’t see the point to it and I don’t smoke it.”  

At the time that he was saying this, we were climbing some very, very steep stairs.  Then at that point, after she had given her performance, I encountered Jessye Norman again.  She was seated on a bench and called me over.  She said hello very warmly and apologised saying, “I hope you weren’t upset.  You realise that it was a misunderstanding.  I wasn’t laughing at you; it’s just that you don’t seem to realise where you were.  

“You were, well there are certain degrees of protocol and you were ahead of the dignitaries.  And you shouldn’t have been so close to the stage because one of the reasons why your nose started bleeding was, in this dimension, if you’re this close to the stage… when I’m singing, when I hit certain notes it can shatter your eardrums but also shatter your mind.  

“So you see it was very crucial that I get you out of there.  Also, I was having a very bad allergic reaction to the plants at the edge of the dais.  They made me want to sneeze.  It wasn’t at all you or exclusively you.”  In having embraced me thus, she was being most healing.  I did, in fact, have quite the nosebleed.  As I was being hustled out of the place, by the burly guards, it was then that I realised that my nose was bleeding.  

At the time, I had thought it strange.  As this dream progressed very lucidly and linearly, there was no point at which either burly guard had so much as touched me.  I was so upset.  It was so very good, after the fact, to have had her explain as she did.  

*This dream really does validate the notion that all persons encountered in the dreamtime, without exceptions, are separate entities and not figments of one’s imagination.  END.

When I was being bounced by her, I was so stunned, upset and humiliated.  Had she not explained as she had just done, I would have awakened from this dream with a totally different perception of events.  I had also no way of knowing that she was having an allergic reaction to the juniper which, at the time, I found so wonderfully soothing.  What’s more, I hadn’t a clue that I had thrown the Chi of the place by having disrespected protocol.  

I would never have thought that my nosebleed was due to her singing.  In fact, it is possible that I could have awakened and not recalled that, indeed, I had had a nosebleed which I had totally forgotten until she had mentioned it.  Jessye Norman has indeed straddled, with great élan and diplomacy, many a dimension with great frequency and fluency.  

I then began holding her hand and told her that there were times that I had dreams of her, in which there were sometimes cetacean-looking creatures that came and did formations around her as she sang hyper-dimensionally.  She was just enthralled and pleased.  She squeezed my hands and laughed a healthy, really wonderful laugh.  She was quite smitten by me and encouraged me to write it all down.  

Her eyes here were so very large, soulfully dark and focussed right into me.  It gave me a high just to have experienced them.  I was wearing, when close to the stage, a satin merino-like shirt.  So at the time of being bounced out, I had passingly thought that I had been dressed too scantily for her liking.  

In any event, it was quite interesting.  

a madonna mtv 1990

This third dream was truly hysterical.  It seemed like on Eglinton Avenue East, between Yonge Street and Mount Pleasant Road.  It was at nighttime.  There was a lot of goings on.  Shirley MacLaine was there, Warren Beatty and Madonna Ciccone, as well.  Warren Beatty was the man of the hour and the centre of everybody’s attention.  He had a great deal of sexual energy and magnetism.  He had been performing for the camera and for everybody around.  It felt very staid to me though.  

One very interesting thing that happened was that he had been heavily drinking and, whilst laughing, had bent forward.  He then began uncontrollably coughing and was holding his chest and faking a massive heart attack.  Next thing you knew, we were in a very crowded area and it turned out that he had not been faking the heart attack.  He had a very, massive, massive heart attack.  He was dead just like that.  He was gone within moments.  It was just incredible.  Shirley MacLaine became utterly hysterical.  Her bawling was like from some Greek tragedy.  

She went into a trance-like frenzied state and began calling on astral guides and her Pleiadean guides.  Pulling out a very impressive clutch of crystals, she threw herself onto him and tried healing him of death.  She was placing them all over his body – at the chakras and elsewhere.  It was too humourous for words.  Meanwhile, as Warren Beatty died, Madonna came rushing up to the scene.  It had all been too late and they couldn’t rush him to a hospital.  There was no way that he could have been revived.  

They had been out in some desert area having a big party; there were no doctors around.  There was nothing that they could do; he couldn’t be saved.  He was dead… he was gone.  Shirley MacLaine started cursing to the gods, saying, “This is so unfair.  He hasn’t even been able to make the sequel to Dick Tracy.  And right when he’s at the top of his career this is happening?”  

“Well you know this will really immortalise him now.  Definitely, this is great publicity, right at this point in his career.” someone had dryly said who was not attached to his whole entourage.  I had heard this but Shirley MacLaine hadn’t heard it.  Madonna came and whatever she thought about I could telepathically hear it.  Her immediate response was, ‘Oh shit!  This is just going to fuck up my goddamn career.  If only I’d gotten a child by him.  Shit why did I have to have that abortion of his child.  Shit!’  

She was thinking fast.  She was someone who knew how to manipulate the media.  She was really pissed off because it would have meant immediate Hollywood sainthood for her, were she to go on and have Warren Beatty’s only child, after he had tragically died.  She was really pissed off because this was media manipulation beyond her wildest schemes, ‘I’ve got to get him out of here.  I’ve got to have the best genetic engineers flown in immediately…’  

I was stunned when I read her thoughts because, of course, she intended to harvest his seed and impregnate herself and then have a premature love child of Warren Beatty’s.  I was stunned by this woman’s phenomenal megalomania.  ‘During the autopsy, I’ll have his sperm taken out and I’ll have it copyrighted.  It’ll be my possession.  I’ll have it engineered so that I’ll have a child… a son.  God we can even have twins…’  She, all the while, was cowering over his face… kissing him and doing the wailing widow number, ‘…Can you imagine, Madonna?’  

She privately squealed to herself – unaware, of course, that she was broadcasting to someone like me.  She was so triumphant at having had that idea because all she knew was that people who so loved Warren Beatty would take to her now.  She was insecure as to whether or not she would endure through time.  However, with this, she knew that she would automatically become iconic.  She would become truly the virgin mother!  She would be actually giving birth to some dead man’s child – he of course being, Warren Beatty.  It was destiny.  After all, she was ‘the’ Madonna.  

She had this flash that this was why she had always been so drawn to crucifixes.  She was going to capitalise on the whole drama by making sure that it would be a son.  Of course, not to be outdone by that old, other Holy Mother with the virgin birth, she would eclipse that Madonna by having twin sons.  Again, La Stupenda squealed with delight to herself.  I passingly wondered if I were the only one to be privy to her thoughts.  Then I realised that from my detachment, as everyone bawled and was truly horrified as though these were Olympians and not mere mortals, that I was the only one.  

‘What could be better than having two Warren Beatty lookalikes crawling around the planet and who were his twins?  And his only heirs!  With today’s genetic engineering it will be a great coup.  ‘Think of the press!  I’ll be guaranteed perpetual immortality.  I’ll be iconised for all history…’  I thought then and there, ‘My god, this woman is monstrous.’  

In any event, the funeral was upon us and by some strange quirk of the dreamtime, I was very much so a part of the funeral.  I was as though a fly on the wall, as it were, and aren’t you lucky?  Why, was I participating?  I do not know?  

In any event, I was dressed to the nines.  I had on a wonderful, lace outfit with a mantilla with my veil covering my face.  I was part, somehow, of the funeral party.  It turned out that Warren Beatty had had five wives and, at the point at which he died, his fifth wife was a High-Yellow woman.  She was part Black, part White, partly Latina.  He had had all these wives.  They had always been paid and kept to remain silent.  They were never brought out in the public or media.  It was one of Hollywood’s biggest secrets.  

People, obviously, never knew about it.  It had never once been spoken about.  There was an interesting turn to all of this… I had been going along Eglinton East on the south side.  It was as though I was going towards Yonge Street; however, it was not Eglinton Avenue East.  Madonna was going to be late because, luckily, it was that time of the month for her.  She was off having herself impregnated, by way of a turkey baster, with Warren Beatty’s frozen sperm – the planet’s most expensively rare caviar fertiliser of sorts.  

I was attending the funeral with a short woman who was the fifth wife’s mother.  She seemed a lot like Sybil Ben-Daniel and wore a brown coat over her dress.  I walked with my right arm embracing her as she was on my right.  I had burly bodyguards all about me, before, beside and behind me.  They were real Mossad-goon-cum-Wrestlemania types.  My pants were those flare-legged Giorgio Armanis that allowed me to stride throwing my legs.  

There was a lot of train to them and I had such utter style.  I had enormous energies about me and great flare.  My eyes were bedazzling even though mantilla-veiled.  They were what were, of course, fuelling my high spirits.  The onlookers were lapping up my entrance; I felt wonderful.  We then went into the church and the mother was talking about, “We want the money to go to the Church because the Church is really the staple of society and civilisation.  The Church does so much good.”  

I just decided to let her babble on and kept my tongue in check.  However, I cussed her under my breath saying, “You demented old fool.  What Church are you talking about?”  

The church had a metallic-silver front and it looked not unlike York Cinemas on Eglinton Avenue East.  It was not a very big church on the inside.  As we got inside, I turned around and hissed at one of the bodyguards because he had earlier stepped on my train.  Of course, we were surrounded then by the paparazzi and the little people.  His Bigfoot’s footprint was there on the pant’s train.  I reached back and slapped his face real hard, calling him a fucking asshole.  

Of course, I knew that it was safe to do it here because everyone here knew, only too well, that side of me.  However, I couldn’t wreck my public image doing so outside.  As we got closer to the church, I began striding firmer with each step in anticipation of getting his oafish arse.  I was really careful not to show that side of me when in public.  I started going down the aisle and there at the end was Warren Beatty’s corpse in the open casket.  It was a pure black casket that glistened.  It was a dark black wood and a really gorgeous casket.  

Escorting the mother-in-law, I came all the way down the aisle.  I decided that I would go into the first pew on the right.  The first pew on the left actually went further down the aisle and did go past the casket.  It held men in white flowing robes; they were priest of whatever denomination this was – very cream, ivory-coloured and obviously very Catholic.  I went and sat down and immediately behind me was the fifth wife’s family.  They were very Hispanic-looking more so than Black.  They were very handsome in that family.  

I turned around and smiled at one of the men and the energies coming from them weren’t as I had expected – I had thought that they would hate me.  I knew Madonna; I was apparently part of her hangers on.  Somehow, I had known her through dance.  I thought that, for that association, they would hate me.  However, they displayed no such hostilities towards me.  

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Finally, the fifth wife came and was walking very slowly, regally.  She carried a globular bouquet consisting of tiny, little white roses that were sprinkled in amongst some baby’s breath.  There were one or two little red roses as well.  She wore a white, lace outfit.  Deliberately dressed as though attending her wedding, she was not though veiled.  She came down to the casket and knelt before it, like Jacqueline Kennedy-Onassis at the rotunda, staking her claim on history by her performance.  

She sobbed in a controlled breath and then got up and walked around to the right end of the casket.  Facing the church, she was now behind it and up on the altar.  She was before the pews on the left side of the aisle.  She knelt down again and this time began wailing and ululating.  She was doing ritual port de bras with her torso and head as well.  She kept on holding on to the bouquet.  

It was a very Latin; a very emotional display; definitely, not Jacqueline Kennedy-Onassis.  It was very soulful and moving.  One really felt for her.  Finally, Madonna made her entrance and began slowly progressing down the aisle.  There was utter silence in the place because everybody was thinking, ‘Oh dear, poor Madonna was slutting with Warren Beatty at the point of his death.  Here is the fifth wife and is she going to create a scene or not?’  

Well, of course, she is.  The fifth wife is Latin so, of course, there will be theatre.  When the fifth wife had been crossing the casket, I took in her body which was very wide-beamed.  I knew then, in a flash, that she was pregnant with Warren Beatty’s child and four months pregnant.  It was clearly no Immaculate Conception as per Madonna’s little trick.  She was a very big-boned woman.  She got up when Madonna entered the church and stopped crying.  

Madonna saw her and avoided her glance as I turned and watched this fascinating bit of theatre unfold.  Everyone was really excited at the potential fireworks about to go off.  She started coming down to confront Madonna.  I immediately and intuitively knew that there was a gun inside the bouquet that the fifth wife so firmly clutched.  Positioning the gun, the fifth wife began holding the bouquet to her stomach.  Madonna, staying her ground, kept on proudly walking down the aisle.  

She wore black; it was an outfit that was not dissimilar to mine.  She wore a short veil and not a mantilla like I did.  She came walking down towards the casket staying closer to the left pews.  The fifth wife came around the right side of the casket and was walking down the right side of the aisle looking at Madonna.  She had a very, very vexed and determined – an almost trance-like, expression of self-absorption on her face.  All the energy in her body was directed at Madonna.  

When she was about five feet away from Madonna, she held up the bouquet and callously said, “I’m going to blow your fucking brains out!”  It was filled with so much venom that it reverberated throughout the very high-ceilinged-though-tiny church.  It was also very Gothic an interior.  Madonna stopped truly catatonically horrified.  You could see it beyond the veil.  She had no entourage or bodyguards.  She showed up alone, so confident was she of the coup that she had just scored at the geneticist’s.  

She was so flustered that she gallantly stuttered back, “I dare you…”  She was very nervous and said very quickly with a weak, little laugh.  She was also vamping à la Breathless Mahoney – the character she played in Warren Beatty’s Dick Tracy film.  She was, however, visibly ashen.  Madonna was visibly shaken with fear.  

Those persons in the left pews automatically screamed out and crouched down for cover because the fifth wife had held up the bouquet in both her outstretched arms like the gun that it so obviously hid.  “Come on.  You wouldn’t want to do that.  That’s just stupid…” Madonna bravely said. “…You can’t do that.  Besides Warren’s already dead.  What are you trying to prove?  You can’t do this to me!  Don’t be stupid.”  

The woman, however, started slowly walking towards her not buying her bullshit.  At that, Madonna turned around and started to bolt and she fell down over her long-trained dress.  She had already made it to the back of the pews on the left.  She was much too vain, to run outside and possibly be murdered in front of the little people.  So she got up and began running around the far side of the pews.  Of course, as she ran away, the fifth wife could easily have shot her in the back. 

Then Madonna got really pissed off, stopped against the far left wall of the church, holding out her palm at her attacker saying, “Stop it!  You don’t want to do this.  This is stupid.  You can’t kill me.  I’m Madonna!”  She was just winded; the expression on her face was unbridled rage, fear, terror, chutzpah, all in one.  Then the fifth wife pulled the trigger, which was the only sound in the place, releasing the magazine.  

Madonna cried out and began pleading with her.  It was truly a spectacle.  It was really pathetic.  The fifth wife then pulled on the trigger and there was a loud plopping sound.  Everybody just screamed and the place became flooded with blinding blue light.  It turned out to have been an older-model camera and the flashbulb from the camera as it went off.  

Image result for large old flashbulb paparazzi camera

At that, the fifth wife laughed this loud, truly callous, heavy-from-the-womb, ripe, wicked, vindictive, victorious-all-in-one laugh.  It echoed throughout the church.  When her echo collapsed, as Madonna stood there truly disempowered, the fifth wife uttered in a weary breath, “I always said to Warren that you’re an ugly slut.  This picture will prove it.”  

At that the fifth wife turned and came and sat down on the pew next to me.  Her Latina family members were just going wild clapping and hysterically shrieking.  Now that’s a Hollywood wife!  Poor Madonna was still standing there involuntarily shaking.  She was holding her chest and gasping for air like an asthmatic.  Her left hand placed on her chest, with her right hand holding on to the pew, thus she stayed her ground.  

Although her hand was on her chest, she was being most clever.  However I knew that really where it should have been was at her pussy because what the fifth wife instinctively knew, as did I, was that she had just miscarried.  Madonna was profusely bleeding.  Poor Madonna was so humiliated.  The look on her face was truly sad; she was sweaty and runny-nosed.  She soon collapsed and had to be taken away.  Of course, she would be beaten out of having Warren Beatty’s heir by the fifth wife.  

The whole thing was so funny and hysterical.  I was so stunned that the fifth wife was going to pull this stunt.  I really thought that it was a gun; I had, at least, gotten this flash that it was a gun.  The idea to have a bolt release, affecting a gun, was truly ingenious.  The picture turned out to be truly horrific.  It was all a joke being played on Madonna by Hollywood’s film elites who could not have cared less about her and her parvenu ambitions.  

The whole affair was so very wickedly political.  The whole thing was so hysterical.  I wondered as to what next was going to happen.  Is the fifth wife going to come forward and produce the first Warren Beatty heir – the true child?  A child that would look like Warren Beatty – more like a child of the future being of multiracial heritage and a bronzed version of Warren Beatty would the fifth wife bear.  

What then will she do about Madonna’s copyright of Warren Beatty’s sperm?  Will the fifth wife, for producing the heir, win the legal rights to them and have them destroyed if she chooses to?  Will this not, in fact, begin a Pop Religion rivalling the King, Elvis Presley’s, if Madonna had won custody of the sperm and gone on to impregnate herself and bear those miscarried twin sons because of her bonds to Warren Beatty and his two pseudo-virgin-birthed children – sons at that?  

Truly, this is iconography for the new millennium, indeed.

*A very, very interesting dream.  Certainly, that I would be dreaming about these people is interesting enough.  I don’t pay much attention to any of them beyond the passing.  I had seen Dick Tracy three weeks ago.  That the whole thing would evolve the way it did was rather insightful.  I was totally surprised, as much so, as was Madonna in the church.  

I really did think that she was going to be shot.  I thought that it would be so messy.  You know, I just did not want having anybody’s can’t-wash-out bloodstains on my Giorgio Armani pants.  A truly, truly funny dream this was.  

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*What can I say, dreams are purely experiential.  I dream it and awaken, immediately bringing forth the dream experiences, committing those experiences to audio-cassette tapes. I rather enjoyed being alone and visiting with Jessye Norman in the earlier dream.  Clearly, those dreams were set on a parallel Earth in another dimension and one in which the mostly Black population is differently proportioned than we humans of waking state Earth are.  

On the eve of the Oscars, I thought this a fitting offering.  I could never have fathomed the outcome of the fifth wife’s agendum until it unfolded.  Ingenious, to say the least, was her use of the bouquet.  As ever, sweet dreams and don’t forget to push off and start flying… and so what if you bump into a wall, just attempt doing so again and this time believe that you can effortless transcend the barrier.  Perception is, alas, everything.  

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As ever my dear sweet ennobled friends, I am ever grateful for your continued support.  Please do spread the word, far and wide about this happening dream joint on the cosmic wide web.  Always remember to push off and start flying… I love you more.  

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©2013-2020 Arvin da Brgha.  All Rights Reserved.  

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