Simply stunning; the hue of the wood suggests an agedness as though it were centuries old; rather than the expectant lustre of bright gold, the subdued golden hue alludes to the agedness of the British monarchy which is in its second millennium. So then, the beauty of this portrait, the frame; now to everything else.
This photograph deftly betrays both princes’ true posture. Harry a fifth level mature warrior – same soul age and soul type as Catherine, HRH Duchess of Cambridge – is always going to be proud in stature and not given to slouching. William a sixth mature scholar soul and task companion of his wife, Catherine, slouches, partly for towering over most persons at 6.3 feet tall. However, William has hyper-extended knees and as such, his body naturally counterbalances that stance by bearing his head and chest forward and in a concave manner rather than not. Though evocative of regal portraits from times past, in Jamie Coreth’s painting, that posture simply is not innate to HRH Prince William, Duke of Cambridge.
Admiral Viscount Horatio Nelson, Alexander Hamilton, 1st Duke of Wellington, HM King Charles I, HM King George III, HM King George IV, Napoleon Bonaparte & SM Roi Louis XIV.
All these portraits depict the historic figures standing, weight on one leg with the other leg’s foot forward and turned out. It is a commanding position. Of all historical portraits HM King Charles I’s is my favourite, partly because his death was so comically tragic. More than that, Charles I’s swagger and pride remains unparalleled. I am also partial simply because those magical eyes and goatee of HM King Charles I’s are not dissimilar to Merlin, my task companion’s, look during his most recent past life.
Prince William is made to affect this posture; however, it is obviously foreign to his persona. He has a goal of acceptance which is the great goal and such people are always warm and open; however, with a second number of 9, mindset, he is anything but warm. He has unequivocally demonstrated that he is archly bigoted and a rude dismissive snob. To make matters worse, his wife, who happens to be his task companion, also has 9 but in the first/energy body position. Both persons have primary chief features of stubbornness and secondary of arrogance. Stubbornness would most definitely mitigate his being open to anyone when he was born and groomed to be the ultimate snob. Furthermore, persons with a primary chief feature of stubbornness are persistently shit-disturbing, obstreperous and infuriatingly difficult.
Catherine’s resting face as ever is no oil painting. Catherine is possessed of an energy body of 9 and such persons, especially so when born female, are toxic in the extreme. They are also bitingly sarcastic, difficult and unrelentingly unpleasant socially. As a mature warrior soul in perseverance mode with a chief feature of stubbornness, you could not find a bigger shit-disturber and conceited bully. Couple all that with having to be wedded to an equally difficult mature soul and both equally insecure, Meghan, self-made and vastly more intelligent and articulate plus unacceptably of Black blood, did not stand a chance with these two.
This masterful oil on canvas, Paul Emsley, which permanently hangs at the National Portrait Gallery, perfectly captures the essence of who Catherine is; it is full of nuance and dark undercurrents, which readily betray the complexity of spirit that she and every mature soul know during the course of each lifetime. One of the lessons of the mature soul cycle, is having to learn pretty tough life lessons for being spiritually stagnant. The accompanying photograph, taken whilst on royal tour in the Bahamas, March 2022, captures the woman’s true nature. In the case of Catherine, and William, they have been gifted with Prince Louis. As everything is choice; they could have chosen not to have a third child and a third child could have been born to them without obvious mental/emotional issues if during gestation, Catherine was not engaged in such racially toxic behaviour towards the Sussexes. It does the Cambridges no favours that everyone in the kingdom has painted the drama surrounding the Sussexes as though it were completely one-sided and that the Cambridges were not at the very heart of the rift; regardless, how this is all made to seem a one-sided affair, it does still take two hands to clap. Not only is the Cambridges’ conceit encouraged but their glaring stupidity has been exposed, regardless how the British media and society blindly choose to act as though the Cambridges are in no way culpable for or play any part in the affair, at its heart centre this whole mess is all about racism. Since it is too damaging for the Cambridges, just let the Sussexes fuck off and stay gone as this is the only only way to save, in due course, the Cambridges’ reign.
No matter how much these two row in public, which is increasingly ubiquitous, British media simply pretend as though it does not exist. In point of fact, the Sussexes have largely been used as a smokescreen to deflect attention off the Cambridges’ very turbulent marriage. No matter what, at least for now, the Cambridges cannot be seen as anything other than a loving couple, adored throughout the kingdom.
This whole affair has brought to sharp focus how the White tribe simply fabricate reality as they would have it. These past few weeks of watching CNN’s coverage of the January 6th commission hearings on Capitol Hill, the Trumpian perspective is a poignant exposé into the White tribe’s collective psyche. One boldly tells a lie and for repeating it loudly and long enough, it becomes fact. Thriving almost exclusively on negativity, that vile liar, President Trump, was been able to incite an insurrection and for merely being a moneyed White male, he has not only been believed but he has commanded fierce, blindly unwavering loyalty. Though he is as guilty as sin, the Democrats are utterly paralysed with fear to arrest, charge, prosecute and imprison a President who for the first time in over 250 years attempted a coup d’état. Trump epitomises the White tribe’s zeitgeist: at all costs, we win, we are always right and no one gets to be perceived as being better than us; more importantly, we can never be perceived as either being wrong or having failed.
What I love about this masterful portrait, is how cleverly the artist makes a reference to King Juan Carlos, the Bourbon King of Spain, as the nose is decidedly neither the Spencer nor the Windsor nose. As the saying goes, when you know, you know.
This succinct painting is of a gormless-looking Prince William by Welsh artist, Dan Llywelyn Hall, in which the painter masterfully captures the essence of William’s persona. William is neither the swiftest of souls nor the most emotionally august. From his open ridicule of Black culture at the Sussexes’ wedding to sanctioning the recent seating arrangement at St. Paul’s Cathedral during HM The Queen’s platinum jubilee, neither he nor his wife can claim ignorance of racism within the royal family. They are at the very heart of the racist campaign against the Sussexes; nevertheless, within the kingdom and beyond its shores, the golden royal couple are universally deemed a paragon of superior, racially pure virtuousness in a land where the royal propaganda is not dissimilar to the blinding sycophancy afforded North Korean leaders.
In the couple’s 40th birthday portrait, they are seen to be closing ranks, as well they have. More importantly, they are neither looking at each other nor are they smiling as they are deeds done between them and against the Sussexes, for which they would rather remain mum. The Cambridges or for that matter their propagandists do not have the ability to whitewash the truth neither indefinitely nor beyond their kingdom’s shores. True love as alluded in the recent photographic portrait of the Cambridges does not bear tarnished fruit as is obvious with their third-born, Prince Damien. There is a direct result between the Sussexes’ treatment as a consequence of the Cambridges’ machinations and Prince Louis being the damaged goods that he is.
Charles Mingus / Bass
Eric Dolphy / Alto Saxophone, Bass Clarinet
Dannie Richmond / Drums
Jaki Byard / Piano
Johnny Coles / Trumpet
Clifford Jordan / Tenor Saxophone
As ever, life is like a flying dream; if you look down, you’re fucked. Enjoy the ride and fear no one!
Last night, on the eve of HRH Prince Charles, Prince of Wales’s 73rd birthday, I dreamt the most spectacularly lucid dream in long decades. In the evening of Saturday, November 13th, 2021 when I don’t even know the lunar phase and have not audio-cassette recorded my dreams since 1997 when then living in Montréal, I simply had to share this dream. I awoke from the dream being saddened that I had to come to so soon.
HM Queen Elizabeth II
Since then, of course, as of today, September 8, 2022, it is obvious HM The Queen, Queen Elizabeth II is on the cusp of passing, so I reissue this here. Similarly, after having published this in November, 2021, I did recall that there were on a high hilltop a mighty army of bagpipes creating a most glorious sound.
At once I was come to in the most lucid dream set on the astral plane. Astral plane dreams are possessed of lighting that is uniquely found there and nowhere else. Vibrationally, it always feels in such dreams as it does between 0400 and 0600 with the intensity of this magical time being closer to 0500. In any event, I was in the midst of a flying dream above what can only be called the boulevard. It was a street wider than any in the waking state. The focal point of the dream, in this astral metropolis of at least 3 billion souls, was the gates to an ancient church, which was set back from the boulevard at the end of a long narrow straight pathway. It was exactly as the Anglican Church in the parish of St. Anne in Sandy Point St. Kitts. It was a church which was millennia old and all along the path to the foreboding wrought iron gates were clergy – all male – of the Anglican faith. As at the Anglican church in Sandy Point on either side of the pathway between the church and the gates were graves with the most ancient tombstones imaginable. There was a lone grave which was open, the earth on either side black and rich. There were clergymen at the grave concluding their business. As I alighted and took my place along the boulevard, HM The Queen walked alone in a green crew neck woollen dress; it was the same colour as a young artichoke, green fig or green guava. She carried no handbag. There were no corgis; about her neck was a single strand pearl necklace which was so ancient that its nacre had become diffused, time-yellowed and on the very cusp of looking like browning rotting teeth. She was reserved and poised and as the rear of the giant Rolls Royce faced the gates of the church and cemetery, she walked around to the right rear door and entered; her hair here was beginning to grey but predominantly brunette. There was no foot person to open the door. She got in and was seemingly in her late forties to early fifties, which is more in keeping with her soul age, that of being an early mature slave soul.
Myself for not being an astral plane habitué, had the ability to fly on the astral plane and, of course, though the habitués themselves could, they of custom chose not to. I was for being an observer referred to by the habitués as a visitor. On exiting the grounds – just as in the Sandy Point, St. Kitts arrangement, there was a crescent in which the massive Rolls Royce sat with its rear facing the open gates to the cemetery and church. The car carrying the arrivée Sovereign was expected and eventually did turn right onto the ridiculously large boulevard where the astral plane throngs along the boulevard’s route were as claustrophobically packed in as it must have been at St. Paul’s Cathedral for the Duke of Wellington’s funeral. Here the atmosphere was electric.
What had initially drawn me to this marvellous place, was the distant sound of several bugles, playing the rouse. I knew instantly what it meant. On my arrival, there were hills all around this sector of the astral plane metropolis; this seemed to a very layered astral plane London where different epochs in the city’s history simultaneously co-existed. On one particular wooded hill were the largest stags imaginable – they looked almost sentient whilst regally standing in small mobs. They had majestically arrived to the top from the other side, stood there for a long while then en masse sat down to onlook. Along the route, there were the most massive black steeds and when they walked and stood along the route, they were buried in the astral landscape such that the underside of their bellies were submerged.
The arrivée astral plane habitué Sovereign was then taken on a celebratory parade. The wood was an exquisitely polished oak that framed the exterior of this astral plane version of the Rolls Royce that seemed to have been from the late 1920s to early 1930s. On pulling out onto the boulevard the slow-moving single vehicle motorcade turned right and went down to the shorter arm of the boulevard. Along the right, as it were, of the boulevard and on either side were the most opulent, massive astral plane replicas of each and every stately home in England. The closest house on the right on leaving the cemetery was Blenheim Palace This astral plane version was easily 30 storeys tall and at least 15 millennia older than its waking state counterpart; I suppose that they were this massive as they served as suites for past Dukes of Marlborough as with Blenheim Palace. Even the stately houses which were demolished at the end of the empire, which saw families that didn’t marry robber baron Americans to stay afloat, were here represented. Longleat House, Althorp House, Highclere Castle, Knole House, Hampton Court Palace, Kensington Palace, Mapperton House, Waddesdon Manor, Wilton House, Castle Howard, Chatsworth House; you name it, they were all here behind wrought iron fencing and they stood side-by-side without massive ground anchoring each. This astral plane Blenheim Palace counterpart had sapphire-blue cupolas at the towers and center; every astral plane counterpart was here replete with sapphire-blue copulas. The walls of each house on the astral plane was made of marble that was time-yellowed, betraying the multiple millennia it had existed on the astral plane. Just as the skyscrapers on New York City’s Avenue of the Americas from 42nd to 57th Streets are tall and easily in excess of 30 storeys, so too was each of these astral plane counterparts for familiar English stately houses.
All along the route, which was teeming with astral plane habitués, there were different sections that towered up for several storeys. Directly opposite the gates to the church and cemetery from which the astral habitué Sovereign Elizabeth II emerged alone, was regally sat Sir Winston Churchill; he was surrounded by all the astral plane habitué Prime Ministers who had served HM The Queen. Here, there was a section reserved for astral plane-focussed English aristocrats; one recognisable such habitué was Gerald Grovesnor, 6th Duke of Westminster. At no point, however, did I ever see the following habitué relatives, HRH Prince Philip Duke of Edinburgh, HM Queen Elizabeth Queen Mother, HRH Princess Margaret, Countess of Snowdon or Diana, Princess of Wales. Constantly, persons were arriving to take their place, even when the parade was begun. This dream was so vivid, so electric, so lucid that the stimuli was so overwhelming that I times, I had to alight to ground myself. Indeed, at times, it proved laborious to try and fly where the amount of stimuli and the outréness of this astral plane milieu proved overwhelming on my ability to stay aloft to project myself whilst astrally projected into this utterly rhapsodic dream. As this dream was set on the astral plane, there were astral plane habitués here who wore the dress of the age in which they lived when incarnate. I readily assumed that these were past-life personae with connections to HM The Queen from past lives.
As I soared in flight into the astral plane air some three storeys above to get my bearings, I saw a phalanx of swashbuckling courtiers, progressing down the boulevard to take their place. They had all the swagger and style of dress as King Charles I in the masterful van Dyck tableau, Charles at the Hunt, which hangs at Musée du Louvre. They walked down the boulevard which housed the stately houses on either side, and well ahead of the habitué Sovereign’s Rolls Royce, which glided along the boulevard as if in bucolic slow-motion.
Still, there was a section of the immensely long boulevard which seemed as if longer than New York City’s Fifth Avenue, which on either side housed waking state visitors who were in attendance. Naomi Campbell, who was recently made Commonwealth ambassador to replace the Duke and Duchess of Sussex on their departure from royal duties, was here present. She was there in an enclosed section where all the waking state guests were kept. Also notable was fellow supermodel Kate Moss. I found it utterly fascinating to hear Ms. Campbell speaking in flawless Jamaican patois as she was gobsmacked by the beauty of this astral plane ritual. Taking a break from the laboriousness of dream flight in this particular dream, I had sought refuge in the glass enclosed stands where incarnate persons were focussed. These stands existed opposite each other across the ridiculously wide boulevard.
Once returned to flight I soon realised the immensity of the life that HM The Queen had lived. Here along the astral plane boulevard, on which I suppose that the Circus Maximus was modelled, were habitués who had lived during HM The Queen’s long life and reign and who had immensely admired her. These spanned the range of human civilisation with not just every racial stratum of Commonwealth member states but all other humans who had so immensely admired this extraordinary human being. Here were astral plane habitués from the 1930s, 1940s, 1950s, 1960s, 1970s, 1980s, 1990s, 2000s, 2010, 2020s. From her earliest years of being the much admired Princess of York to becoming the young Sovereign and onwards, there were adoring astral plane habitué admirers. Absolutely everyone was here represented. It was simply overwhelming to see so many tens of millions of persons focussed in one place and all experiencing rapture at the arrival of someone in whom they had focussed much of their admiration, respect and love. This was a truly remarkable dream.
Pushing of again and exploring more of the unique dreamscape, I flew slowly in the opposite direction of the habitué Sovereign’s parade down the boulevard lorded over by palatial astral plane counterparts to known English stately houses. In one section there were humanoid creatures whose look suggested that these were animals which were long extinct long before animals were documented in earnest. One particular creature was pure white with liver spots markings. This large-headed male was singing whilst perched on a floating dais. Cloaked in a white ermine robe, the three to four thousand pound male creature sang with a range that went from whale song to counter tenor bravura. His voice was simply healing. Light seemed to emanate from beneath his skin and in varying intensities based on his emotions. His performance was so powerful that I had to alight again just to gather my energy reserves as flying does take considerable focussed energy.
Further along the boulevard, as every corner of the Commonwealth was here richly represented and this was a celebration of the life of the arrivée Sovereign, there were African women in colour garb, singing and dancing with jubilation written all over their cul-de-sac of the astral plane. From time to time, feeling the spirit one or more African woman would step into the boulevard and let their spirit jubilantly soar whilst in trance from singing and dancing their souls out.
The further along the boulevard one explored in flight to the left of the cemetery gates and to which the arrivée Sovereign had yet paraded, I explored whilst flying. Eventually, the lone Rolls Royce would come past a section of the boulevard where the astral plane habitués though humanoid, had heads that were akin to those of many gods from the Egyptian pantheon. Still, there were those who closely resembled Kiwi bird-headed humanoids. As astral plane-focussed dreams go, this contingent of totemic beings was not that unusual a sight. When the arrivée Sovereign’s motorcade of one turned to return and tour past the cemetery, I took to the air again and this time soared higher than usual. This enabled me to fly more swiftly than when lower to the electrically charged activity along the boulevard’s route. I returned to the far end of the boulevard to a stately house which sat at the end. Inside this royal residence, there truly was a battle royal underway. At the centre of this feud was Meghan, Duchess of Sussex. Here, her voice was a booming commanding business. She was powerful and was settling scores. When she spoke, the walls of the stately house cracked, glass and art flew off the walls. Eventually one of the stately house’s cupolas cracked and eventually collapsed. It was a noisy, violent business.
The last time that I had dreamt of an astral plane-focussed dream wherein the past was being prosecuted, involved the recently passed Jacqueline Kennedy Onassis and Maria Callas. That, too, was a battle royal where scores were being settled. That dream is as follows:
*As per the urgency of this dream, I rather suspect that HM The Queen may already have passed by the time of the 2021 Remembrance Service at the Cenotaph; however, London’s hotels would have to be cleared of the Veterans and tourists before the death announcement would be made.
As ever, Life is like a flying dream; if you look down, you’re fucked. Enjoy the ride and fear no one!
Back in May 2018, at the time of their dazzling wedding, many television commentators asked, how is Meghan going to change the monarchy? Well, now we know how… certainly, not as anyone had envisioned. However, the need to demonise, vilify and make sport of being racially predatory, was the singularly focussed agendum of many – especially those of the tabloid press and obviously some royals.
Meghan is a master strategist; like every artisan, she knows how to lay a trap and watch mere fools reveal their hand.
Hey Stooopid! Well, of course, the thick-as-a-plank William would take the bait, which was issued by the Sussexes when speaking with Oprah Winfrey before everyone on either side of the pond. William’s rebuttal, the pissed off double negative uncharacteristic outburst, naturally serves as a validation of whom the Sussexes wished to protect, though, not really. “We’re Very Much Not A Racist Family.” Naturally, he who chose during his gap year to travel to a Catholic South American country to assist disadvantaged persons – persons they were who were not part of the Commonwealth, of which one day he will be king – more importantly, a country to which he travelled where not only was it not a Commonwealth nation but it is also not a predominantly black country.
Really, William, the mother of your closest royal male friend, shows up to your brother’s future wife’s inaugural Christmas lunch at Buckingham Palace and she wears a blackamoor brooch and this is not racist? Certainly, it could not be racist when that male best friend royal’s wife is Jewish and works as an actor in Los Angeles. Nah, there couldn’t possibly be malicious, racially predatory, shade-throwing afoot in such an open display of racism, which you did not object to, especially when it was your supposed much-loved brother’s affianced. For that outburst of William’s to the reporter, the prosecution would say to his colleague, I’m afraid you’ve a fool for a client, to which the defense attorney would not object. If Princess Michael of Kent wore the blackamoor brooch to the Sussexes’ wedding as a result of Meghan allegedly having made Catherine cry, days leading up to the wedding that would be one thing – doing so as a way to put the upstart American in her place. Either way, it would have been no less controversial. Indeed, it would have been more controversial had she worn the blackamoor brooch to the wedding as more blacks with the televised global audience would have been aware of the racist attack than were aware of the Christmas lunch at Buckingham Palace.
For being task companions and both possessed of 9 in their numerology, William as he guilty admitted by his outburst, have been the major racist architects of the Sussexes banishment from court – all of which they orchestrated by having the tabloid press do their bidding and the sycophantic ‘royal experts’ vilify the Duchess of Sussex at every turn. As ever, this being a patriarchal society, thus two prominent women had to be pitted against each other. Catherine, a weak, mousy inarticulate woman was threatened by a self-made woman… a black woman and that simply just could not be tolerated. Of course, Catherine fully empowered as future Queen Consort and future Queen Mother, disinvited Meghan from her sister’s wedding to the exceptionally well-hung, odd-looking billionaire whose father’s legal troubles are not dissimilar to prince Andrew’s. At the short-lived Royal Foundation press conference, Catherine sat there hissing an already full bellied python ready to unhinge, strangle and expediently devour the far too challenging prey that was her brother-in-law’s affianced. At Wimbledon 2019, Catherine much as she had at Ascot was just grinning her best ‘fuck you, fuck off’ mask, telegraphing to her sycophants that the American was truly done and finished. Catherine, energy body of 9 – the fiendish shit-disturber, dominatrix and archly discriminating snob held court and telegraphed much at Wimbledon and Royal Ascot 2019.
Back in March 2017, Harry and Meghan flew to Tom Inskip’s wedding in Jamaica. Two months later, betraying their grudge and racist ill-conceived plan to ban Meghan the American, the self-made black woman from the wedding, the Cambridges devised a scheme whereby Pippa was made to ban anyone who was neither wedded nor engaged to attend the church service of her wedding. Meghan, though, to be bullied and shown by the petty Cambridges that she was not welcome was invited to attend the wedding reception in Bucklebury where there was no press. This naturally was a message to Meghan that she was not going to enjoy a long lasting relationship with Harry if they had anything to do with it. However, there was one glaring omission to their bold-faced lie at excluding Meghan from Pippa’s wedding to the billionaire son of a sexual predator – Princess Eugenie attended the church service of the wedding with her boyfriend Jack Brooksbank. Though at the time, the media lied for the Cambridges by alleging that there was assured knowledge that both Jack and Eugenie had been secretly engaged in December 2016; therefore, this enabled Jack to accompany Princess Eugenie to the wedding’s church service. Time as ever always reveals truth; thus it was that in January 2018, long months after Pippa’s wedding HRH Prince Andrew proudly announced that Jack and Princess Eugenie were engaged. So in Pippa’s aka the Cambridge’s alternate reality, Harry a senior royal to Eugenie cannot bring his lover, Meghan, to non-royal Pippa’s wedding; however, junior royal Eugenie was accompanied by Jack at both wedding service and reception. Damn right, slam the door in her damn face and toss the goddamn flowers in the trash – that is what any self-respecting, self-made woman would do. Americans are no one’s inferior and black Americans definitely do not have time to play Prissy to anyone.
All of this drama has originated with the Cambridges, who for being possessed of 9 and being task companions readily became obsessed with banishing Meghan from court. After having successfully banned Meghan from Pippa’s wedding, Meghan was the last person to be surprised at princess flat-arsed-no-calved Michael of Kent showing up to Buckingham Palace 7 months later, sporting the blackamoor brooch because that’s damn well what Catherine & William would have wanted and directed princess Eurotrash to do. Now it was Meghan’s turn to repay Catherine in kind. Catherine who studied art history at university and who had clearly chosen the bridal party for her sister Pippa’s wedding, felt herself perfectly entitled to insist that Meghan’s flower girls and page boys should follow the royal tradition and be stockinged – her son and daughter were part of the party after all. Finally, Meghan gets what Meghan wants and there was damn well no way after being banned from Pippa’s wedding and Princess Michael’s blackamoor brooch that the Mulroney twins were going to look like blasted little stockinged poufters before the world simply because power mad Catherine knows best. In the end, though Meghan won the day, she broke down and cried after being yelled at and put in her place by future Queen Consort and future Queen Mother over-compensatory commoner Catherine. Catherine first number of 9 (shit disturber, dominatrix), perseverance mode and primary need of power could make the strongest self-made woman cry – especially within the confines of the hereditary system that sees her do as she damn well please without ever being challenged and certainly by über milquetoast William.
There they were sat, William and Catherine, throwing shade at his brother’s wedding before the 2 billion onlookers across the planet… to say nothing of the shrewdly observant television industry insiders across the quire’s narrow history-worn aisle. They betrayed their true nature because this is the bane of whites when being racialised towards blacks: open ridicule without a care in the world is more the norm than not; indeed, without the lightest awareness are they just how stupidly ignorant such behaviour is perceived by all humanity, who happen not to be small-minded bigoted whites. Indeed, smugly racialised are such persons who are possessed of zero awareness of just how stupid they are; alas, such persons never own their racism. It is that fix, like all other addictions, that they simply cannot get enough of. Catherine’s visit to Clapham Common was a PR stunt, which only occurred thanks to the truth of what occurred, leading up to Meghan’s wedding being outed during the sit-down with Oprah Winfrey. Meghan made only 2 balcony appearances at Trooping the Colour and on both occasions, she was relegated to the back of the balcony whilst HRH Prince Andrew, who is not a more senior royal than HRH Prince Harry and wife, was given a front row placement. That was not happenstance; just as it was not happenstance that as the Sussexes were banished from court, HM The Queen’s 2019 Christmas address would feature four sovereigns in a crafty way of eclipsing the much too popular Sussexes then along came the jealous Cambridges with their Bourbon-Bucklebury muggles on parade for Christmas Day service in Sandringham; as ever, there the Cambridge kinder progressed, looking just as lost, stupid and clueless as can be expected of bastardised Bourbon blood. Do you think that after that bit of “Fuck you, one of these things just doesn’t belong here” ploy by the Cambridges (the 4 sovereigns photos and the Sandringham walkabout) Meghan was going to sit there before the Queen, Oprah, and not lob a torch over the castle wall by mentioning the royal’s racist obsession with what intensity of melanin Harry’s children would manifest – to which, of course, William could not keep his damn guilty yap shut.
Diana, Princess of Wales spoke across time to her boys and the message was loudly and deeply embedded into the very fabric of Harry’s being: “If you find someone in life, you must hang on to it and look after it. And if you are lucky enough to find someone who loves you, then you must protect it.” Protecting the love with the soul which previously was the matriarch of the Tudor Dynasty, is a true mark of fealty and valour in love. Who has time to remain at the court of two bullying, grudging, jealous boors, who not only have 9 in their numerological makeup but are also task companions? William is not smart in the least but he is stubbornly rigid and exactingly uncompromising; he is also driven by an equally bullying dominatrix whose remarkable jealously has seen Meghan’s articulate command of the stage, scrubbed from the Internet as was deftly and elegantly on display at the 2018 British Fashion Awards.
Not only has Meghan shrewdly outed the Cambridges for the racist boors that they are, she has also cast a rather unflattering light on racism in American cinema, which must and will change. The small-islanded, arch racism that Meghan for simply being, exposed in the British psyche, will lead to Americans taking action on the constant influx of Britons, jumping the queue into Hollywood and being afforded American awards when Americans find themselves being passed over time and again in favour of Britons as arrivistes in Hollywood suck up and seek entry and access to British aristocracy by tossing Emmys and Oscars at British thespians. Honest to fucking god, why in the hell did Kate Winslet and Emma Thompson, to name but two, get awarded an American acting award when they aren’t Americans and there is a nation of more than 330 million with actors of every range and hue, being passed over time and again in favour of hideously racist Britons. And what exactly does one get in return but stinking arrogance and a complete contempt and disregard for American culture and its people. You never ever hear Britons in American, commenting on race; then again, Meghan for marrying at the very apex of their classist/racist society, exposed Britons for being even more hideously racist than Americans can ever possibly be considered. How is American cinema thriving when the tendency is towards brown-nosing Britons and for what? So many American stories from American civilisation are being eclipsed by these arrogant, archly condescending, cultural boors who can never decade after decade of being in Hollywood, shake that godawful, small-island accent that sounds as though talking whilst juggling hot coals up your flat arse. How much longer is American cinema to be deprived the celebration of Hispanic, Amerindian, Asian, Black and all the other rich cultures, which make up the American quilt, in favour of being recolonised by these racist boors?
What gives this displaced, boorish haus frau the right to go on an American talk-show and bully and belittle Americans? Since when have Americans been tolerated on British television? That’s right, regardless the Oscars and Emmys tossed their way, it has garnered nothing for Americans on the other side of the pond. What exactly do you think that racist boor, storming off set was up to, save looking to be relocated by the Murdoch family to America so he can grandstand on Fox TV, spewing his obsessive, racist hatred for Meghan, Duchess of Sussex day in, day fucking out – God only knows, an American could not have been found to replace Larry King on CNN. For having been there and done that, Piers’ plan in walking off the set of GMB, is to relocate across the pond and continue his racist diatribes with Meghan, Duchess of Sussex in mind; after all, someone has to take up the space recently vacated by Rush Limbaugh on American conservative talk radio. Indeed, Piers is yet another racist, hate-filled white male, who is adored and empowered by the tribe for “telling it like it is…” though perception for such persons is tribal, thankfully for the rest of humanity, perception is entirely a personal matter.
The second photo is a screenshot of ITV’s broadcast of the 2018 Remembrance Day in Whitehall. The red line of the YouTube video passes just below my right ear as I gazed across Whitehall to the balcony where directly opposite stood Meghan, HRH Duchess of Sussex. Ahead, there were persons 4 deep in front of me, I never did see the royal males who stood directly before me, facing the Cenotaph and laying wreaths there. I went home that night and when I got in, I was so overwhelmed with the amount of hatred directed at the Duchess of Sussex from every single person around me that I just silently lay there in my hotel bed and cried. It was the longest release…. I knew that I was crying because the vitriol made me recall the exquisite isolation and pain I knew for living in Winnipeg. Moreover, I recalled at one point as I walked back to the hotel what Diana, Princess of Wales had said in her televised interview with Martin Bashir: “There is no better way to dismantle a personality than to isolate it.” In that moment, I knew that Meghan’s life was not as it seemed; yet, I hoped against all hope that this pang of fear was not true. Yet in the end, we have all come to realise that it was true; this was especially evident when Meghan appeared in the landau with Harry and the Duchesses of Cornwall and Cambridge – she was bloated, depressed and at an obvious low point. What is even more disturbing, is knowing the amount of pain that his mother suffered, William has unrelentingly charged forth with his court of sycophants – blackamoor brooch and all – making Meghan’s life exquisitely unbearable…Can you not just imagine the amount of racially predatory peals of laughter that regularly rang thorough Kensington Palace as Meghan was being further subjected to some hideously racist indignity by obsequious staffers, courtiers, his friends and wife. Why if it were not for a campaign of racist attacks would the Sussexes refuse to move into the refurbished Kensington Palace apartment next to the Cambridges and settled instead on Frogmore Cottage?
One fact has become increasingly clearer, William is HFA. Though he is well-practised to within an inch of his life, beneath that deceptive Neptune conjunct the ascendant veneer are the giveaways; among them, he has a marked aversion for blacks, regardless what his handlers have made him get out there and do – it is after all a job. This explains why he never tours predominantly black Commonwealth nations. It also explains why he goes steely even deadly at times in that manner that is common to spectrum fare and no other humans.
Bully and violently loud to say nothing of stubborn are also marked HFA traits, which he possesses in spades and which are borne out by both his geniture and numerology. There is also that vaguely je ne sais quoi aspect to his totally; it is that babyish quality that all spectrum persons possess and his Neptune is conjunct the ascendant – talk about your loaded piece of burnt toast indeed. As with a preponderance of HFA persons, William’s geniture is marked by a stellium. If ever one needed further proof, his dark Moon conjunction sits at the descendant – Catherine the dominatrix revealed to a T.
All of this racist, immature, destructive behaviour would have, after the Sussexes, more devastated HM The Queen than any other royal. The Sussexes as Commonwealth Youth Ambassadors were going to keep alive The Queen’smost cherished legacy, the Commonwealth. Meghan attended Royal Ascot only once, June 2018. Naturally, her arch enemies, the Cambridges, stayed away so that they could stay at home and watch the procession on TV whilst bitching and ridiculing just as openly as they did Meghan and her culture before 2 billion people at the Sussexes’ wedding. Then there were the Cambridges the next year, 2019, with Catherine smugly celebrating because to that point, it was a done deal, Meghan had cracked and it was just a matter of time before they were kicked out of the Firm and be banished from what was soon to be Wiliam & Catherine’s realm.
Well thank the good lord the BRF and empire has no power over American media and in particular very powerful American media persons who happen to be black. William apart from having a stellium has Neptune conjunct the ascendant opposite the dark moon conjunction which sits squarely at the descendant. William is a weak, deceptive, not very swift eel, who is totally dominated by a unrelentingly power mad partner Catherine (dark moon in Gemini at the descendant). Numbers, astrology and overleaves do not lie…. you can fool no one and William and Catherine will never win in the current power play against the Sussexes for ultimately Americans neither care nor defer to royalty and once a Queen, Meghan is supremely in control and empowered by the supremely knowledgeable Harry born in the year of the Rat.
These are the all-important supporting power hitters who not only know where the bones are buried, they have the emails and texts. More than that, they are all strong, self-made, shrewd, intelligent women and absolutely nothing is more thrilling than the empowering laughter of a strong woman.
As ever, life is like a flying dream; if you look down, you’re fucked. Enjoy the ride and fear no one!
Well, after having been dazzled by Natalia Osipova, there was no doubt what next adventure my soul had to devour. I arrived at Pimlico Station and enjoyed the cool brisk walk to the red and white gorgeousness of the neighbourhood architecture. I arrived at 08:50, a good hour ahead of the opening. I took the time to place my palm on as many of the august sycamore trees in the neighbourhood as I could. There were some high-end cars waiting out front of the Tate Britain Museum to take in All Too Human as yet another jetliner roared towards London Heathrow. Definitely bulletproof, a stately Benz sat closest to the entrance with a smoky grey Bentley, SUV no less, parked furthest of the cars.
Eventually, persons began turning up and the engaging West African security agent who had the same strong, proud, full-lipped mouth as Leontyne Price’s closed one of the two heavy black doors to protect me as I waited outside the main glass sliding doors as a private event was underway — thus one couldn’t be allowed inside. Finally, persons began leaving, one of whom — in a beautifully vivid red coat — was Cherie Blair CBE, QC. She was proud-looking and had the kind of broad body that as I child was so familiar when growing up in the West Indies. She had that air about her that bespoke a life in the public eye; someone made a curt remark and she was quick on the rebuttal. I was much humoured and reminded of Saddam Hussein trading insults with the men who moments later gladly terminated his life.
Finally, it was on to the business in hand and what a beautifully stunning exhibition; one of the best contemporary art exhibitions that I have attended in years. The greatest discovery was the lush, richness of the Lucian Freud still-life, Two Plants. Thoroughly layered, engrossing and lyrical in its deft vividness. I was left teary eyed by its sublime beauty.
Of course, I was moments earlier moved to dewy-eyed focus when drinking in the rich tableau of the portrait of creative artist and true eccentric, Leigh Bowery whom many years earlier I had seen perform in New York City. I was reminded, of course, in Leigh’s passing of the countless many whom I have lost along the way to AIDS.
The poster for the show at Russell Square Tube Station in Bloomsbury. A wonderful tribute to Leigh who covered a fair bit of ground during his lifetime… sweet and blissful dreams be yours…
Naturally, I booked my flight based on two things: one, Giselle with Osipova and secondly, a joint exhibition featuring Lucian Freud and Francis Bacon. For that, I would gladly hop a Tesla to Iapetus. Of course, this exhibition was a pilgrimage of sorts for me and it was a way of paying homage to the artistic accomplishments of cadre mates.
As per the portrait of Lucian Freud above, these two artists are cadre mates of mine and Merlin’s. Lucian Freud is a mature priest in our entity (6). Along with Rudolf Nureyev and Grace Jones, Francis Bacon is next-door in entity 5 of our cadre. Francis is a mature artisan, Grace Jones a mature warrior and Rudolf Nureyev a mature sage… and how. I was thoroughly warmed to have drunk of their spirits.
This particular portrait, Isabel Rawsthrone, I especially loved. Raw, primal and emotionally intense there is something decidedly operatic about the focussed intensity of this portrait. After initially getting over the intensity of it, it proves rather warm and enveloping.
This was a thoroughly arresting and soul-stirring adage; it was a beautiful way to have begun the day’s adventures.
After walking past the noise of the construction/renovations taking place on the first floor — one of the workers was a real pulse-racer, looking as he did like no end of hot, rough sex and in work gear no less! Then it was downstairs to take in the Impressionists in London exhibition. I did not buy the catalogue. I always am a bit put-off by the association of the word “dream” when describing the works of impressionists. There is nothing unfocussed or diffused about dreams. Trust you me, as someone who recalls at least half a dozen dreams on average, oftentimes, dreams prove the most lucid part of any given day. Perhaps, it was all the wine the French impressionists consumed but the maudlin-feeling lighting just doesn’t do it for me… most times.
Having had my fill, off I went from Pimlico to Nothing Hill Gate in the wet snow and made the long trek to Kensington Palace where one of the most glorious flying dreams in this lifetime was set — also, in that dream was a then incarnate, Diana, Princess of Wales with her two beautiful-spirited sons, the future HRH Prince William, Duke of Cambridge and HRH Prince Henry of Wales and Duke of as-yet-known after he marries his beautiful bride, Ms. Meghan Markle — a mature artisan, to his mature warrior and an entity mate of his no less.
On the long trek along Broad Walk in Kensington Gardens from the high street, I enjoyed the look of snow everywhere. The odd flake fell from time to time as joggers braved the fierce wind off the park. One brave soul with a shock of close-cropped red hair, sported the greatest thighs as he jogged strictly in a pair of wrestler’s shorts. He proved warming for my blood, indeed.
As I got towards the edge of Kensington Palace the handsome raven above swooped in from off my rear right and towards the palace. He alighted, cocked the head at me and kept taking to the wind to come closer, all the while fixing me with a hard gaze. “Yes, of course, you can see my heart. Love is the password” I said aloud to the totemic creature as it kept on calling at me and edging ever closer, though, not being confrontational. Satisfied with my password, seemingly, it bobbed and took to the air never to alight again. I rather appreciated the warm welcome.
I loved the sparse beauty of the King’s Gallery at Kensington Palace, which — for me at least — was lauded over by the Equestrian Portrait of HM King Charles I by Sir Anthony van Dyck, who happens to be in entity 1 of my cadre; he, presently incarnate and one of my oldest friends, shortly is about to return from his winter stay at his Acapulco penthouse; I will be visiting him later this spring on the Canadian west coast.
A truly beautifully tailored, handsome suit, this one. I am not a big fashion person — I believe that one is best dressed when naked and preferably tumescent. I did, though, rather enjoyed the movement through the Diana, Princess of Wales exhibition.
A very beautiful second-level mature artisan, she was too.
Having been inspired by Diana, Princess of Wales’ portrait, I made my way to Charing Cross Station in Trafalgar Square and cut across the street where there was a broken water main flooding the street. As usual, Yoda was there doing his routine and, no doubt, earning a pretty quid. I took in the HRH Catherine, Duchess of Cambridge-curated exhibition, which had opened two nights earlier on my arrival. Though, I had stood outside the National Portrait Gallery to catch a glimpse of her arrival, I soon dashed off in the increasing snowfall, if I were to make my Jazz at Lincoln Center performance across town at the Barbican Center. So, having missed seeing her in person, the next best thing was to go gaze at the portrait of HRH Catherine, Duchess of Cambridge. I love it as it is so layered and complex; she is a late-mature warrior soul.
As I move very, very quickly, I was out of there and soon grabbing a take-away fish and chips at Ben’s on Shaftesbury. I then headed back to my hotel, ate, napped and got ready for a night at Royal Albert Hall to see OVO.
Never before had I taken in a Cirque du Soleil performance — I have my reasons… Nonetheless, I just wanted to enjoy anew the ambiance and acoustics of the marvellous auditorium.
The show was no more engaging or exciting than bad bathhouse sex, which if it weren’t so late, one would never have bothered engaging in. A perfectly forgettable tourist sort of thing to indulge when there was no other nighttime entertainment going that was worthwhile. I could have taken in 42nd Street in the West End but I had already seen it at least a dozen times when then living and dancing in New York City in the early 1980s. The idea of taking in 42nd Street was only slightly less irritating than the thought of messy bathhouse sex… options… choices, indeed!
After the show, on the long walk from Royal Albert Hall to South Kensington Station, a young mesomorph asked me for a fag — I don’t smoke — but it was obvious what he was after. He sat across the narrow aisle on the eastbound Piccadilly Line ride and the rest proved a rather memorable night.
The morning after the night before, it was off to Windsor Castle, of which I will next blog.
What I especially love about this van Dyck engraving – one of my favourites – is that the subject, Cornelius, is so august-souled. His look is so kaleidoscopic thereby betraying his reincarnational history. To look at the subject, he could be Tatar, Nepalese, even Inuit… all the lives that he’s lived to date are magically alluded to. Masterful. Stunning. I love it.