A Skilled Artisan Weaves Her Tapestry…

The Family of Queen Victoria in 1887. Oil on Canvas 65 x 89 Inches Provenance: Royal Collection Trust

I took the preceding photograph whilst being ravaged by the painting which featured in the exhibition: RUSSIA, ROYALTY & THE ROMANOVS at The Queen’s Gallery at Buckingham Palace when I visited in 2018 on the occasion of the centenary of Armistice Day. 

The Christening of HRH Prince Charles, December 1948. Standing L to R: Baroness Patricia Brabourne, HRH Prince Philip, Duke of Edinburgh, HM King George VI, David Bowes-Lyon, Lord Athlone & HRH Princess Margaret. Sat L to R: Princess Victoria, Dowager Marchioness of Milford Haven, HM Queen Elizabeth II, HRH Prince Charles, HM Queen Mary. 
HRH Princess Victoria, Marchioness of Milford Haven

Princess Victoria, dowager Marchioness of Milford Haven was the granddaughter of HM Queen Victoria by way of Princess Alice of the United Kingdom (1843-1878) and Prince Louis IV, Grand Duke of Hesse by Rhine. Victoria was married to Prince Louis Battenberg, who later anglicised the family name on relocating to England from Germany. The Mountbattens had four children: Princess Alice, mother of HRH Prince Philip, Louise, Queen of Sweden, Prince George Mountbatten, 2nd Marquess of Milford Haven & Prince Louis Mountbatten, 1st Earl Mountbatten of Burma. 

Prince Louis Mountbatten, 1st Earl Mountbatten of Burma, Oil on Canvas.

Son of Princess Victoria, dowager Marchioness of Milford Haven, Prince Louis Mountbatten was the father of Baroness Patricia Brabourne & Pamela Hicks – the most marvellous royal raconteuse; she was wedded to international interior designer, David Hicks whose son Ashley is an equally gifted designer. Pamela & David’s statuesque Bahamian-habituated daughter, India, is mother of four sons and a daughter – also, a designer in her own right; she was a bridesmaid at her godfather, HM King Charles III marriage to his first wife, Diana, Princess of Wales.

Louis IV, Grand Duke of Hesse by Rhine & Princess Alice with their children. Princess Victoria stands at her father’s side

Princess Victoria, dowager Marchioness of Milfod Haven’s mother was Princess Alice of the United Kingdom, daughter of HM Queen Victoria. Princess Alice wears the crucifix and she, of course, did have a trying life; for being a carrier, she did know tragedy, owing to her offsprings’ haemophilia.

HRH Princess Alice of the United Kingdom

Princess Alice was born 25.4.1843 Year of the Horse. 7.2.9 = 9. Strong numbers and the energy body of 7 would leave her ever gracious and socially unflappable. Fourth number of 9 is about disvesting oneself of all prejudicial thinking. 

HM Queen Elizabeth II 60th Birthday Portrait. Michael Leonard. Acrylic on Cotton Duck. 65 x 89 Inches Provenance: National Portrait Gallery, London

On the occasion of HM Queen Elizabeth II’s 60th birthday, artist Michael Leonard painted the official portrait, which is part of the permanent collection of the National Portrait Gallery. HM Queen Elizabeth II 21.4.1926 Year of the Tiger. 3.7.7 = 8.Now let’s explore where it gets truly interesting.

Windsor, Elizabeth HM Queen Elizabeth II 21/4/1926<O>08/9/2022

Michael: This fragment is third-level mature slave –- second life thereat.  Elizabeth was in the perseveration mode with a goal of dominance.  A realist, she was in the moving part of intellectual centre. 

Body type was Venus/Lunar. 

Elizabeth’s primary chief feature was stubbornness and the secondary self-deprecation. 

The fragment Elizabeth is fourth-cast in fifth cadence; she is a fragment of greater cadence six.  Elizabeth’s entity is one, cadre six, greater cadre 7, pod 418. 

Elizabeth’s essence twin is a slave and the task companion is a priest. 

Elizabeth’s three primary needs were: security, adventure and exchange. 

There are 6 past-life associations with Arvin and 4 with Merlin. 

Past Lives of Note:

Michael: Past lives of note include the following:
1. Daughter of Queen Victoria, Princess Alice of the United Kingdom. Devoted servant of the people through medicine (nursing). Health was compromised due to exposure to many contagions.

*There are 4 other past lives of note for Queen Elizabeth II’s soul; however, I have chosen not to share them herein. END.

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As is obvious from the christening photograph from December, 1948, Princess Victoria the dowager Marchioness of Milford Haven was sat immediately beside her reincarnated mother, Princess Alice, who was recently HM Queen Elizabeth II. As for Prince Philip that meant that he married his grandmother’s reincarnated mum, his maternal great-grandmother, Princess Alice. Conversely, King Charles was born to Queen Elizabeth II, his reincarnated paternal great-great-grandmother, Princess Alice of the United KIngdom, Queen Victoria’s daughter.

HM Queen Victoria

Queen Victoria would serve as mum to daughter, Princess Alice who in time, long after Queen Victoria’s passing, would reincarnate as Queen Victoria’s great-great-granddaughter – via Queen Victoria’s son, HM King Edward VII and become the longest ruling Sovereign of the United Kingdom, her late glorious – HM Queen Elizabeth II. Princess Alice’s soul had Queen Victoria for both mother and great-great-grandmother. Both HM Queen Elizabeth II’s numerology and overleaves left her in great stead to complete the task of not just having a strong constitution but being able to honorably serve as no other Sovereign before her has. HM Queen Elizabeth II, when Princess Alice of the United Kingdom was mentored by HM Queen Victoria’s steady example and it served her well when she chose to reincarnate and serve the dynasty in the capacity as Sovereign.

HM Queen Elizabeth II

I have chosen to post this dream of the late Queen, had November 2021. The dream dealt with her approaching passing, which did occur less than a year later. The dream was had in stark lucidity on the eve of HM King Charles III’s 73rd birthday on November 14, 2021. Late last month, November, 2023, I had a rather lucid dream encounter with HLM The Queen, it involved her engaging in needlepoint and being rather contemplative. I have experienced this previously, a famous, departed person engaging in needlepoint; it seems as though it is a form of meditation whilst they actively engage in past-live review of the just completed life. I had just such a dream encounter with Jacqueline Kennedy Onassis after her passing. I think too that these dreams hark back to past life endeavours of such persons, where the life was bucolic and the famous astral plane habituée returns to a pastime that brought that great serenity.

Needlepoint, seems, in that sense, to enhance their spiritual focus. The Queen was alone at night, in a large salon and as I approached, she looked up, smiled and returned to the business in hand. I was suprised to find that her needlepoint was of the most beauiful koi in a pond; I had been expecting it to be a work featuring corgis or at the very least horses. Perhaps, it harked back to a meditative lifetime long ago where she lived a spiritually focussed life at a temple where koi brought her great peace.

Homecoming – Dream of HM Queen Elizabeth II’s Imminent Passing
Tivon Pennicott – Spirit Garden

Young saxophonist, composer, arranger and true creative genius. 

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©2013-2025 Arvin da Brgha. All Rights Reserved.

At Last, The Day Has Finally Arrived.

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With a spring in my step, I came up for air at Piccadilly Circus Station, whistling Ludwig Minkus’ glorious recurrent melody from La Bayadère with thoughts of the astounding Natalia Osipova uppermost in my thoughts.  

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I was returned to the Royal Academy to hunt for coffee table books.  

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More than that, I was on a mission; returned to Fortnum & Mason was I, directed there by the gracious clerk at The British Museum’s Grenville Room.  

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Armed with just over a dozen rose petal jellies, there was no less spring in my step as by now I sang aloud my merry little melody from La Bayadère.  I truly felt as though, on this trip to London, I was lucidly awakened in the most sensual dream.  Dreams so luscious are the ones which cause you to pause, smile and whisper near-mischievously, “Arvin, this is a dream and you’ve earned it.  Now push off and start flying.” 

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At such times, there is no thunder more glorious than the roar of my very soul as I laugh, enjoying my creative soul fulfilling itself.  I was reminded of those early days in our relationship in Manhattan when whilst ambling late at night for staying at Merlin’s agent Joyce Ketay’s Upper West Side apartment, whilst holding hands, I would push down as in dreams but end up doing an assemblé, in place of flying.  His rosy choirboy lips would warm in a smile whilst the ubiquitous fag or joint was elegantly perched between left index and middle fingers. 

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Bailing into to Piccadilly Circus, still feeling mighty spiffy of spirit, I opted against heading back down into the Underground – the place leaves me with sooty phlegm each time nose-blowing.  With that, I bailed out of the Circus and onto Shaftesbury Avenue and made my way to a favourite joint, Ben’s Fish n Chips.  

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There at a cosy table in the rear, I leisurely pleasured myself whilst finally reading the HRH Princess Margaret biography; it is delicious.  

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Blisters be damned, I elected to walk from Shaftesbury Square up to The British Museum and take in more art.  This being a Friday, there were school kids everywhere; my goodness, children have got powerful noise-making lungs!  Then again, what is childhood but play for the soul, which after having recently lived and died is now reborn and gets to celebrate and run up and down in a brand spankingly new and excitingly different body – to say nothing of being in the company of reincarnational travel companions some of whom now you can get a good schtup off of this time around, seeing that last time he now she looked like Quasimodo and even so, you weren’t then same-sexed focussed.  Ha!  

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In the bookstore was a clerk with whom I shared an interesting conversation last winter; he was a dead-ringer for scholar soul, right down to the glasses.  He suggested that I could take refuge in the Japanese wing and avoid the madness that was happily reincarnated souls screaming their lungs out and running hither and yon.  

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Before I could get there, moving around one corner from one gallery to the next, will you look at what I happened on.  

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On seeing it, I was readily warmed of spirit and let out a celebratory, “Yeah, yeah, yeah!”  In that moment, the sense of fellowship and belonging I only ever feel when in Canada for being around First Nations cultures, whether at a pow wow or not, proved the most refreshing drink for my questing soul around a corner in my favourite city, London.  

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Up one elevator, down one corridor then up another elevator and one was then posited into the most serene of galleries.  Now this is more my kind of groove.  

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All this exquisite splendour and not a single recently reincarnated soul running about and screaming way too powerful lungs out for such a tiny body.  

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This proved an interlude of slow-dancing with my very soul… the vibrations here were utterly harmonious with spirit.  

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Photography can never do this masterpiece justice.  

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I am reminded with this gem of the fabulous kimono of Merlin’s hung in our Cabbagetown home.  

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Can you hear my soul purring…

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Phenomenal. 

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My very favourite piece in the gallery; warm, fecund, sensual, curvaceous, feminine, grounding.  It truly is perfection; this after all is what womakind are: perfection of creation – we men just can’t handle it, hence religions which all without exception oppress womankind and tell them that creation is outside of themselves and some warring male god somewhere.  Ha… we men can never endure the pain of labour then get up a completely new aspect of creaturehood – no longer a woman but a mother to whom that child will ever be more closely bonded.  Love this piece.  

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This was the most beautiful adventure… for now, with a couple of coffee table books and toys for kids of a friend’s, I crisscrossed Russell Square Park and slept with my blistered feet raised whilst being held closer in sleep’s warm nurturing bosom and was readily tugged under into the world of lucid, inspired dreams.  

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On a gloriously balmy mid-November evening, I emerged from Covent Garden Station into a sea of humanity filled with love and laughter as the weekend was begun.  As lovers ambled past holding hands, I was reminded then of my life twenty-nine years earlier when the Berlin Wall was being toppled.  I was grateful in the moment because back then, two days before Merlin’s passing, I could not imagine myself being still focussed in this life with so much death and dying around me. 

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Yet, here was I with my happy little lambious (Merlin called me Lamb because I was more 9 parts enraged grizzly than timid lamb) self, in Covent Garden about to see a ballet because Marianela Nuñez, Natalia Osipova, Vadim Muntagirov, Matthew Ball, Francesca Hayward, Joseph Sissens, Steven McCrae, Iana Salenko were part of the most glorious group of ballet dancers.  

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Oh my, look at this; there have been changes afoot since last winter.  

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My pilgrimage to the shrine of high art is finally here!  What’s this, new coat check, new toilets, new dining area… wow! 

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No sooner than was I sat and along came a Jurassic hybrid, no chin, back so long may well have extra vertebrae and a neck that is too thick and long to be on a woman’s body but I am not judging just saying,.. 

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Well I did not cross the Atlantic just for this obstruction and her pheromone were decidedly reptilian.  As Frederick Jones would say, “I’m not havin’ it!” After a few gracious words with the accommodating ushers, my offer to stand through the entire performance seemed reasonable enough. 

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I stood on the steps up to the last row that was more centre of house than my ticket.  I did my best to ignore the chinless spinster who sat at the edge of the row, who promptly repositioned her handbag, as if it were a blasted Birkin!  Naturally, she kept eyeing me.  As I always carry Shaniqua in my back pocket, I was ready to hiss, the minute she stepped out of line.  

During the performance after the Bronze Idol danced his spectacular solo, I lost myself and yelled the loudest bravo in the house and wouldn’t the old bat have something to say, “Be quiet!” to which I leaned in and hissed, “grip harder on your butt plug and shut the fuck up!” Why do people insist on leaving their homes and act as though they are lord or lady of anyone else’s reality.  

Never mind her, the lovely Russian couple who sat in the front row looked back and approvingly yelled “Da!” at my exuberance.  Truly, what a glorious night in the theatre.  You cannot possibly begin to fathom the amount of flying dreams I have had since that night; it is as though, I perpetually am now flying-without-moving.  Of course, I haven’t yet shaken that exquisite Minkus melody from my lips but so be it.  There was something simply transcendent about having experienced the purity and perfection of the Kingdom of the Shades opening of Act III that will ever keep me richly inspired.  

Love is all and whatever it is that makes you want to fly without moving when awake grab on and tightly hold on – drugs don’t do it, they do you!  As ever, come closer let’s have a group hug and a bit of air frottage because life, alas, is the sweetest of dreams!  

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© 2013-2025 Arvin da Brgha.  All Rights Reserved.  

Now There Was A Night In the Theatre.

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Whilst Lucian Mann-Chomedy took in the pre-opera lecture, I sat on a bench in the middle of University Avenue, enjoying a rather exquisite four-cheese macaroni and cheese baked to perfection as I read a very good biography of Tudor matriarch, Margaret Beaufort. Before me was the glass palace to the city’s high arts, beautifully lit. There were no doubt in my mind that I was shortly going to be enjoying a beautiful night at the theatre.

Ticket Onegin

Once inside, I got situated next to Lucian who chatted away in that way that scholar souls tend to drone on about all manner of data that others may find tedious at best but, for having a scholar task companion (Merlin), I have grown comfortably accustomed. Close by, a tall silver-haired man kept on admiring me, even none too discreetly making bodily contact as legs relaxed and splayed open wide; in years past, I would gladly have explored and indulged.

After having made the obligatory Instagram post, I turned off the phone as the house lights faded into nothingness and the magic was begun. Tchaikovsky, you say, how could one go wrong there. The curtain ascended and the most glorious lucid dream this side of the dreamtime then unfolded. The sparse set design courtesy of Michel Levin’s creative genius was both stark and beautiful. Just the right lighting and the desired mood readily effected.

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Leaves leaves leaves everywhere, the lighting of which matched the set and costumes. Last week’s production lacked melody, apart from the fact that Tchaikovsky’s music was well-known, there was nothing to that soulless, dissonant affair that drew you in or proved memorable – save it was really god-awfully bad.

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During intermission, I stepped outdoors into the cool autumn air to return a couple of calls and pre-order an Uber meal. On my return, Lucian rightly so remarked on what a changed vibe there was in the house to the week prior. Indeed, there was stillness that hung in the air after each aria before the house would break into applause.

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The prince’s aria was especially sublime a performance. The familiarity of glorious Tchaikovsky music, melodies long associated with the world of dance were welcome in the world of opera as Alexander Pushkin’s vision was handsomely realised.

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After intermission the stark scene was beautifully animated as chairs, costumes and dancing ruled during the ball scene. The ball scene was dominated by classic Tchaikovsky music that choreographers the past century have relished celebrating in dance.

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In the final act, one of things that struck me was how void of emotion the opera, Hadrian, the week prior was. Watching Onegin’s love finally profess her love for him after all these years, yet, insisting that she had to carry on with her life, her comfortable life and not leave it all for the man who pined for her was truly captivating. Ahead of me, two rows, were a couple of ladies who during that duet looked at each other, one even wiped her eyes.

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This duet totally captured the human condition; it was about love, passion, longing, loss and dashed dreams. We could all relate to it. The passion and emotion tugged at your heart centre. Last week, not only was the music the most irritatingly banal but there was emperor Hadrian seemingly love struck, yet there was never any passion and emotion in scenes between him and Antinous. If you had no clue that this was one of the greatest love stories in gay history, you could be forgiven in assuming that it was an emperor bereft at the loss of his only son and heir, leaving him without the will to carry on. There simply was no connection, between them and by extension the audience… no passion whatsoever. Regardless their homoerotic love, the opera failed to have aroused emotion, passion and thereby causing you to lose yourself and identify completely with Hadrian, Antinous… or both.

That’s what one goes to the theatre for. At curtain call, rather than jump up and flee the theatre horrified as last week, I shot to my feet, clapped and howled my face off. Everyone leaving the theatre was enrobed in warmth and had been inspired to believe anew in love… that’s what great art does. What a truly memorable night in the theatre, this beautiful, passionate opera is with great melodies to spirit you along, long after you headed out into the world in the cool autumnal night air.

As ever, dream with the greatest passion for it is a true love affair indulged with self each and every day. Love yourself with new abandon and push off and start flying because you really are a truly spectacular work of art. As ever, thanks for your ongoing support. I love you more than you know.

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©2013-2025 Arvin da Brgha. All Rights Reserved.