Speaking of Weddings: Future Nuptials for Merlin & Me.

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As this November marks the 30th anniversary of Merlin’s passing, rare indeed it is that I should dream of him.  Recently, I remarked to a friend that in all honesty if I were to encounter Merlin a dream at this stage, I would likely be more surprised to see him than not.  Of course, Merlin reincarnated in December 2006 and is female and was born in Holland and will likely have a life that will likely be exclusively focussed in academia.  Alas, with all these glamorous royal weddings of late, Lucian Mann-Chomedy reminded me of that gloriously lucid dream had of Merlin almost a year on from his passing; it was a dream wherein we were man and wife being married – a truly glorious drink for the soul it proved.  

Here then a dream of him and me in a possible future incarnation as lovers yet again.  As ever love endures.  Whilst the Moon transited Gemini and my first house, on Sunday, November 4, 1990, I would have a most revelatory dream.  It would prove a glimpse into the future and probable relations, between Merlin and me, when incarnate together again. 

The dream concerned getting married and as man and wife.  It was the sixth dream that day. 

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Soon enough, I entered this building and there was a wedding in progress.  There was a very dark-skinned Black man.  He was timid and bore an uncanny resemblance, both energetically and facially, to Merlin.  He seemed very much so African.

Then a woman came up and she was much like Dustin Kynes’s wife, Allegra Kynes – a slightly light-complected, big-boned woman.  A take-charge person, she was very much so the leader.  Clearly, she was the one in that relationship who called the shots.

They were getting married.  She wore a gown that was, quite simply, out of this world.  She was an utterly vain woman.  I was quite reminded of myself by her.  I got a strong sense that this was a look into the future, in which Merlin and I were being married, during a life up ahead.

edith head peacock feathered dress

It proved an unusual ceremony.  For one, she was not dressed in white.  She wore a gown that was very expensive.  It was green and opened from the neck down; there, it was tied with a big black button.

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It opened outwards and was very regal, very priestly, in feel.  It was covered from the shoulders on down, to mid-torso, by a very richly dark exquisite sable.

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HRH Princess Michael of Kent at Royal Wedding of TRH Duke & Duchess of Cambridge 29.4.2011.

She had on a large-brimmed hat that was round-shaped.  It was actually like the hat that the new empress of Japan recently wore, at a state ceremony, following the death of Emperor Hirohito.

The ceremony was very Oriental, in fact, but they were definitely Black people.  She had lots of curls that hung from beneath her beautiful hat.  Her hair was very long and gathered up under the hat.

She came up to join him wearing green high heel shoes that matched the green lower part of the regal cape that she wore.  She wore a maxi but it was split in the front, midway up the legs, to just below the knees.

She came regally up the church aisle, going up to meet the man – her groom.  She was alone as she progressed, the length of the aisle, towards the altar.

She joined him and stood up and turned around, doing a little pivot, so that her left shoulder was leading her around.  This movement brought her to face her audience.

When she did, she should though have moved out of the way.  By not having stepped to the side, she had ended up covering the groom.

However, he did not even know where to go.  Totally unaware of this gaffe, she simply smiled at the audience.  She was totally lost in her own world that was saturated with pride and vanity.

As if next to her, I heard her from where I was in the rear of the large church.  She impatiently directed him, through clenched teeth, saying,

“Come on, get beside me.”

However, whilst in back of her, he did not know whether to go to her right or her left.  She snapped at him, still smiling, as he was going to go to the right,

“Come on!”

This was the traditional side for the male but she impatiently snapped,

“Get over here on my left.  I want you on my left.”

I thought to myself,

‘My goodness, wouldn’t they have had rehearsals for this before?’

However, I realised that this woman was so utterly vain that she was being blinded by her vanity.

The dress was simply out of this world.  It was truly an haute couture original, à la Christian Lacroix, with just a hint of ostentation suggesting perhaps John Galliano’s creative genius.

It was covered with peacock feathers that were turned down, with the crowns down and not up.  They were, of course, shaped as though tiny fans.

I thought that direction to the fans an interesting one.  There were, too, precious stones throughout the gown between each plume.  These precious stones brilliantly glistened and added to the gowns dramatic effect.

It was utterly beautiful and utterly expensive.  This was a dress of light-green – olive – satin with matching shoes that you just knew some poor cobbler had to slave over to complete her outfit.  It was utterly expensive.  Utterly beautiful she was.

The cathedral was tightly packed.  Everybody was utterly enthralled by the sight of this beautiful woman.  She was very self-possessed and utterly vain.

She was the kind of handsome beauty that always married wildly successful men.  Her groom was so handsomely dark, strong-featured with a beautiful moustache and a little goatee.

He had a prominent aquiline nose.  Most of all, he had such wonderful, beautiful soulful eyes.

It was so very much so Merlin – the mouth, nose and eyes.  It was the same soul, using the amalgam of all the lives lived to date, to create this particular look.

He was Black with a very Nubian-to-East African look that somehow could maintain the overall physical attributes and integrity of the primary central features of the face, which was Merlin’s, in his last and just-completed life.  That gloriously magical lifetime of Merlin’s, here in fin de siècle twentieth century Toronto, when he and I were together and lovers did shine through.

It was very, very beautiful to have been a witness at this ceremony.

He was so much like Merlin yet so very timid.  Rather than timid, the operative word should be gracious – responsive to her (future my) authoritative self.  Very much the gentleman, gentle-souled and highly evolved was he.

Definitely, this future incarnation of Merlin’s found him being feminine-principled to my strong, take-charge, animus-charged persona though female.   Reincarnate male Merlin was yin to my future reincarnate female yang.  Together, again, we formed a solid and complementary partnership.

Whilst hovering over everyone in the cathedral, I viewed the splendid nuptials and was actually rather taken by the man.  I was, of course, not seen by anyone.

It was a high moment, at the level of soul, for both persons being married.

She did, of course, carry a bouquet in her hand and a very beautiful little bouquet it was.  It was very good to see them both.

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As ever dream as if it is the very last dream your soul will have dreamt for this incarnation…  So go on, take a deep breath, plié, push down whilst mischievously grinning and start having the most fuck-all glorious flying dream ever.  Coz you are more beautiful of spirit than you’ve ever imagined on your better days…  I love you more and please continuing supporting my creative tour-de-force, uplifting dream memoirs!  

 

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© 2013-2020 Arvin da Brgha.  All Rights Reserved.

Earl of Dumbarton.

Earl of Dumbarton

HRH Prince Philip Duke of Edinburgh, HRH Prince Henry Duke of Sussex, HM Queen Elizabeth II, Doria Ragland, Earl of Dumbarton (Archie Harrison Mountbatten-Windsor), Meghan, HRH Duchess of Sussex.  

I positively screamed and then began ululating at the news that TRH Duke & Duchess had been safely delivered of a healthy son.  I broke into tears on watching the BBC statement made by the Duke of Sussex.  Everything about this extraordinary human being inspires nothing but warmth, happiness and compassion from deep within me.  

Henry announces birth

Watching HRH Prince Henry bursting with pride as he announced the birth of his son, Earl of Dumbarton, I welled up with tears and burst out crying.  To me it was a healing moment after I fell to the floor of my Côte-des-Neiges, Montréal apartment crying as he walked behind his mother’s casket almost 22 years prior.  He had made it through alright after all.  

Archie Harrison Mountbatten-Windsor2

Archie Harrison Mountbatten-Windsor, Earl of Dumbarton.  

The night after the birth, at the end of La Boheme, I cried my eyes out; happy at the birth of this wonderful child but also because I had just witnessed one of the best opera performances in long ages. 

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Based on past-life histories of the three persons in this photograph, there is no coincidence with them presenting the Earl of Dumbarton in St. George’s Hall, Windsor Castle.  

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Diana, Princess of Wales’ greatest legacy will always be how handsomely she succeeded at being a great parent. 

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As ever, thanks for your ongoing support.  Thanks for your patronage in the past and do please continue buying my dream memoirs, available online partout!  

 

 

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©2013-2020 Arvin da Brgha.  All Rights Reserved.  

The Markle Sparkle.

The duke and duchess were two hours late for their welcoming ceremony due to the knock-on effect of an earlier delay to their scheduled air service

Meghan, HRH Duchess of Sussex in Valentino Haute Couture in Morocco.  

Many moons ago, in the 80s when living next-door to designer, Alfred Sung on Cabbagetown’s Amelia Street, I was more obsessed with fashion than I now am.  Back then, lots of friends used to bemoan the paucity of black models appearing on catwalks of major house, in particular, Armani.  

In this 1992 Fashion Television feature portrait by Jeanne Beker, the thinking model, Veronica Webb makes passing reference to the paucity of black models in ad campaigns and even walking the catwalks of some houses.  

 

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Then along came a picture-perfect day in Berkshire when Sol shone with rays that sparkled as though laced with diamonds and platinum.  This phenomenal woman, this soul who had previously been Margaret Beaufort, she with an unparallelled sense of theatre, with poise, self-absorption and awareness in the space of a couple of hours proved herself a game changer.  That poise, elegance and revolutionary arrival onto the world stage got everyone to sit up and take notice.  Certainly, Pierpaolo Piccioli took notice.  He clearly thought that if Meghan, HRH Duchess of Sussex were going to favour haute couture in choosing Givenchy for the elegantly minimalist wedding gown then Maison Valentino had to step up and court the Duchess.  

Bored out of my mind, one day, I happened to be tune into a live event on Eva Chen’s IG @evachen212.  It was the Spring/Summer 2019 Maison Valentino Haute Couture show and as Eva shouted and praised the models and creations as they walked, I began crying.  Never had I seen so many black models walking in a show.  Then Naomi Campbell appeared, closing the show and I was simply floored.  Never had Ms. Campbell looked more radiant when walking the catwalk.  There was so much tangible love in the air, in that room.  This was a moment like no other.  There was no denying that Piccioli was courting Meghan, HRH Duchess of Sussex with that show, not just the ubiquity of black models but the number of creations that featured a bateau neckline were clear homage to the latest duchess of the House of Windsor.  

Listen to what Naomi has to say, near the end of the video, when speaking to British Vogue Editor, Edward Enninful.  There was nothing more overwhelming that seeing the response in that salon, from Naomi crying, to the adorably eccentric Reine de Charlemagne, Céline Dion crying her eyes out whilst sitting FROW along with Mr. Valentino himself, Valentino Garavani.  

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Campbell, Naomi 22/5/1970 London, England

Michael: This fragment is a second-level mature artisan — third life thereat.  Naomi is in the caution mode with a goal of rejection.  A realist, Naomi is in the moving part of emotional centre. 

Naomi’s body type is Saturn/Mercury. 

Naomi’s primary chief feature is arrogance and the secondary stubbornness. 

The fragment Naomi is fifth-cast in the sixth cadence; she is a fragment of greater cadence four.  Naomi’s entity is two, cadre four, greater cadre 7, pod 414. 

Naomi’s essence twin is an artisan and her task companion is a sage. 

Naomi’s primary needs are exchange, expression and freedom. 

There are 6 past-life associations with Arvin and 4 with Merlin. 

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Valentino : Runway - Paris Fashion Week - Haute Couture Spring Summer 2019

Naomi epitomises what someone in the positive pole of discrimination looks like.  Of course, she is an artisan soul, which gives her that kaleidoscopic, chameleonesque mystique.  She also happens to be an entity mate of both John Hirsch and George Hawken; this is why George was always left speechless when she appeared on television.  He was bewitched and fascinated by her, which was rare for him where adoring famous persons was concerned.  As the recent trip by TRH Duke & Duchess of Sussex to Morocco revealed, Meghan, HRH Duchess of Sussex certainly took notice of Pierpaolo Piccioli’s homage to her discriminating  sense of fashion and design.  

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As ever, I would be remiss if I did not take this time to state how deeply appreciative of your support all these years I am… thank you.  Here’s to life.   Here’s to you dreaming the most lucid of flying dreams… cause you can!  

 

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©2013-2020 Arvin da Brgha.  All Rights Reserved. 

Rudolf Nureyev & Lee Radziwill

Rudolf Nureyev

These next dreams occurred on my birthday; yes, I am leonine to the core.  It was my first birthday whilst living in Vancouver, British Columbia.  At the time, I was returned to the city after having been off with Frederick Hinneault, my two-spirit lover du jour who introduced me to the wonderful, spiritually evolved world of powwows and more. 

I met Frederick as a result of the dream on summer solstice, 1994, some weeks earlier.  That dream, of course, is shared herein on March 3, 2013.  It was an uplifting dream and one which fittingly introduced me to Frederick. 

More than that, of the six dreams the one of interest is of an astral plane encounter with dancer, Rudolf Nureyev at his Louvre apartments.  This, of course, was dreamt after his passing. 

The dreams were dreamt with focussed abandon on Tuesday – same day of the week as at my birth – August 2, 1994.  At the time, the Moon was transiting Gemini and correspondingly my first house. 

Joop happens to be my oldest friend and the only friend/lover with whom I have never had a fight or falling out which is no small feat when it comes to my thoroughly engaged passion mode which can be intensely overwhelming – what with this being my third life at seventh level mature and the fact that I am a combustible mix of warrior and priest indefatigable zeal… sixth position in third cadence, third greater cadence of entity six and cadre one of greater cadre 7, pod 414… of course, being a sceptic means that I will very callously – thanks in part to my Venus-Uranus conjunction – tell you to go fuck yourself in two nanoseconds – used to be with a cool and cutting look in my 20s; now, I just do so with inordinate impatience or charmed vituperativeness depending on my moody artisan prerogative.  

Obviously, I am reposting these dreams now as a tribute to Lee Radziwill-Ross who recently passed.  Hers was, at least from afar, a truly aristocratic, iconic American life.  

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*At midnight, I took to the pyramid where I meditated for quite some time or at least had intended to.  The phone rang at quarter past as Joop van der Pelster called to wish me happy birthday.

We shared a really lovely moment of great intimacy.  I would then decline returning to the pyramid.  Instead, I took to the bed and continued meditating.

Lying on my back, with lids closed, I felt after some time rather opened up and expansive.  Then my inner vision became focussed and things began unfolding; so, here then is what I experienced.

Again, for the record, I had not done any drugs prior to this experience as I do not do drugs.  Period.

I saw a large container coming, through the air, towards me.  Turning around, it shifted and then opened up to reveal a large tunnel that was yellow-red hot-looking.

Contained in the rust-coloured container, it was a flame of light.  The only way that I can describe the container’s unfoldment is by drawing an analogy to the protective lens panels on the Hubble space telescope opening up to focus on a point in space.

There was something inside the container which had a round aperture.  Growing cautious, I had thought that it was possibly a snake.

However, I then felt myself being quieted into being less hasty to project.  My voice to self, during this interval, was almost like Merlin’s at those times – when he would say or do exactly the same thing and encourage me to be open to potentials.

Thoughts of the container being there to suck away my life-force were, of course, premature.  There was no way to get around the fact that this large container had a magnetic quality to it; it was almost, if you will, a giant vacuum.

I did not have a sense that it was sending me light energies.  Instead of protesting anything, I decided to bleed all the bile within into the container.  The container really did look like a gaping hole.

The mouth kept on shifting; yet, on the inside of the container’s mouth, the light was brilliantly red.  Then I saw some stray wafer thin waves of energy leaving my body.

As though made of solidified carbon dioxide, they slowly radiated outwards.  They left my aura and headed into the same opened up container.  I was pleased to see it and, as it were, decided to go with the flow.

I then focussed on letting all spent energies, which were not of the highest nature, be allowed to become disengaged with my corporeal being and waste away – truly spent.

I thought of all the bile that has collected in my body, from so many clung-to painful life experiences.  Mostly, this had to do with neutralising the shrapnel that had been psychically projected onto me for being here, in this archly hostile place – this racist black hole work environment here in phenomenally beautiful Vancouver.

I wanted all my fears of ill health and lack of certainty to be dissolved; I wanted it discarded into this large container.  This was great meditative and healing work.

The presence – the force of the container was massive.  It was as if a black hole had warped space and bled its way through to being close to Sol.  Thus, it allowed for this energetic work to take place.

This experience endured, for quite some time, without me once falling asleep… unusually enough.  When it was done, I managed to crack my back and got as many vertebrae realigned as when being adjusted by my chiropractor.

This was effortless and really productive.  So relaxed was I that I had even been able to crack my neck.  I felt truly yogic, relaxed and all expansive.  After having manipulated my vertebrae, I returned to meditation and did some deep-breathing exercises.

When my inner vision resumed, everything was completely different.  Now I was instantaneously flooded with a deluge of intense white light.  A container had approach and, on opening up, produced the flood of white light.

This light was so intense, its beauty so uplifting, as to make it almost too sacred as to have been experienced whilst incarnate.  Nonetheless, there you have it, we are here to spiritually get the most out of our journey.

The light was such a glorious experience, its touch a longed for aqueous, silken movement.  Being able to experience this light was so very healing and uplifting as well.  I was really rather impressed by it all such that I simply further let go and fell into sleep.  END.

verandah2

In this the first dream, I was on the veranda of a very tropical house.  It also seemed to have been connected to a back alley.  There was a van coming down the road which was to my left.

As it sneaked along, I suddenly didn’t have a very good feeling about this van and its occupants.  The main entrance to the house was to my right.  The road, on which the van progressed, was a back road.

With the backs of the houses visible as they faced out to the main road beyond, there were larger roads close by.  Though I had no idea who was in the van, I had stealthily ducked out of view at the last moment.

A little while later, in the opposite direction from left to right, a car came by bearing Vanessa Banks-Abella.  There and then she was thrilled to see me and excitedly called out,

“Boy what are you doing up there?  What are you still doing up at this time of night?”

I told her that I was reading over my notes as I tried properly recording my dreams.  Surprised, she claimed disbelief at my still being focussed on recording the dreamtime’s experiences.

“Well wha ah goin stop fa?”

She then asked me to make sure that those kids – hers and others, stayed in the house.  I could see her plainly because the car was a convertible.  She then had to be off for an engagement.

I suppose that the house would have been hers.  I then went around making sure that all the locks on the doors operated properly.  In one instance, one had to push a latch to further secure it from the inside.

When the latch was in place, there was no way to open that particular door.  I had been concerned that the latch was in place once the children were all indoors.

The door had been opened and I didn’t want any of them to get outside then not be able to get back in.  So, for starters, I rounded them all up and made sure that they were inside and left things at that.

Here, too, there were lots of video games both on the veranda, and scattered about the living room.  A very cluttered and noisy affair – Vanessa Banks-Abella and William Abella do have three boys, plus their peers, who were over to hang out.

I enjoyed listening to them noisily.

NEO SHINTOISM

I had an encounter with Isha da Braga, in this the second dream, in which I asked what she had been discussing with Marc-André Viaux.  I wanted to know if he had told her what my HIV status was.

Obviously uncomfortable, by being very evasive, she brushed off the line of questioning.  She said that it would be more appropriate for me to directly speak to him than go through her.

She simply did not care to get involved.  It was obvious though that she didn’t want to have to get involved.  Too, it was obvious from her neurotic unsteady eye movements that she knew more than she was letting on to.

For my sake, I simply did not want to become HIV infected.  I was in my darkened apartment, here in Vancouver, whilst speaking to Isha da Braga on the phone.

I could see her clearly in her Toronto condo as though we were face-to-face.  She could see me too and, for that reason, was avoiding eye contact.  A very lucid psychic connection this was.

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This, the third dream, was set outdoors at nighttime.  I noticed that there was a barre in the middle of the street.  As they drove past, persons slowed down to observe.

I was near the back of the barre and felt really strong.  Not only was my technique good but my breathing was really relaxed and expansive.  I was quite so well grounded.

We had to do the tendus in plié.  Maria de Cortez, the Mestiza, was taking the class as well.  The female instructor told us what to do.  Then she let the left side of her face rub against my right jeaned thigh.

The right foot was pointed in tendu to fifth position in front.  At the time, I was in plié.  She did this out of admiration of me.  I was flattered though concerned that my jeans which were soiled could possibly be a tad malodorous.

She could not have cared less as she wanted to pay me homage.  We then did the battements tendus which incorporated a flick that was reminiscent of a coupé.  Four times this was done, en croix, then repeated to the other side.

Naturally, when we had turned around to do the exercises at the barre, I had end up being at the front of the line.  There were port de bras that accompanied this very rapidly executed tendu exercise.

Maria de Cortez had the port de bras down pat; I really admired her grace and focus.  She and I were the only ones who were confident in our movements.

On the sous-sous to turn around, I then did a passé which I held indefinitely before closing, in plié, in fifth position at the end.  My turn out was rather elastic and supple.

Here, I was wearing a pair of red legwarmers.  When doing the tendus en avant, my arms were up in fifth whilst I looked under the arm.  In second position the head was inclined up and outwards.

En arrière, if the arm was kept in second position, one looked below the arm with head inclined forward and down.  Furthermore, there was the option of holding the arm in second position arabesque.

During the exercise, the instructor walked past and touched my arm when in fifth position.  My port de bras was perfect.  My alignment and posture were perfect.

I felt completely on my supporting leg and properly aligned.  I felt rather elongated and princely.  However, the nature of the discipline was such that she felt it incumbent on her to come by and break me down to size.

It was a way of pushing you to always strive for greater mastery of the technique.  Too, it was a way of her saying that I should not have been so advanced yet.

There was a sense, on a personal level, that she almost resented my refinement.  I could not have cared less; I was too connected to spirit and the light within to have become thrown by her intervention.

She took her leave of me as her tactics were to moot effect.

Rudolf Nureyev in Louvre apartment

An encounter, in this the fourth dream, I would have with a woman who was rather like, Jacqueline Kennedy Onassis.  She was an aristocrat and was quite concerned in nature about being loyal.

She had been the only one to have stayed with Rudolf Nureyev, until the very end, as he suffered from AIDS.  This woman, whoever she was, had been the one to have gotten him to stop being in denial of his illness.

She managed to have gotten him to stop drinking, to excess, as he suffered a breakdown of his character.  He turned into a literal vagabond about his very opulent, finely decorated Paris apartment.

Perseveringly, she had succeeded in getting him to rein things in.  Too, in preparation of his death, she was instrumental in getting him to focus in on his spirituality.

At the time, she was trying to get him sequestered into a place where I was following up on her efforts.  I saw Rudolf Nureyev and he did so look as though he were suffering from AIDS dementia.

Though he was standing up at the time, he really didn’t seem strong enough to be doing anything so taxing.  There was no way to get around that this man was gravely ill.

His face was ashen, gaunt and his sagging skin left his eyes really large possessed-looking orbs.  He wore a narrow-rimmed little hat, from that era in this century, when men customarily wore hats; his hat was not a broad-rimmed affair.

The doyenne went up these stairs, in a very lavish opulent building, that was so very empire and distinctively Parisienne.  The stairs inside the foyer led up to a large museum where there was an art exhibit.

The paintings here were rather large.  I helped her carry him up the stairs.  In a bid to not attract attention, she had turned her back as if looking at a piece of art; it was a tiny drawing.

Lee Radziwill by Andy Warhol

She did not want the public to notice her; she just wanted to be inspired as a way of recharging her batteries.  Rudolf Nureyev was there but by himself.

We had struggled up the stairs, both of us on either side of him, supporting him just ahead of his elbows as his arms were bent at the elbows.  I was across the way from them and being silently observant of them both.

There was a path that one could take diagonally to another wing.  We had silently managed to slip the birdlike yet regal Rudolf Nureyev into the next wing; there, the space was smaller than the previous salon.

The floors here were of a rough marble that made for a noisy gallery as shoes marched across them.  It was though a wonderful light-entrapping interior where the colours were pale and soothing.

Thus the walls enlivened whatever natural light made its way so far indoors.  There was no direct natural light here, however, the soft tones of the walls left the place light rather than subdued.

The museum’s salon was rather beautifully laid out.  As we walked down to another man, I noticed an African man who was clearly an exchange student.

He had some equipment; he was an arts student of some sort.  The gear that he carried was a measuring instrument of some type.  It seemed to be a surveyor’s gear or a mini telescope of some sort.

The aristocratic woman was deeply concerned about this.  She thought that for using the instrument that he would be able to recognise Rudolf Nureyev who was fairly well-disguised.

Lee and Rudi

She seemed too to be concerned that he might just recognise her which she did not want.  She did though seem to be, the more time that I spent near her, to be Lee Radziwill-Ross and not her sister, Jacqueline Kennedy Onassis.

There were times when she seemed to be Elizabeth Taylor.  However, this woman was a born aristocrat and was dark-eyed.  She also spoke fluent French which I don’t think that Elizabeth Taylor does.

Besides, I don’t think that Elizabeth Taylor was that close to Rudolf Nureyev.  This person was an aristocratic arts enthusiast, who was also a patron of the ballet, which sounds more like the Auchincloss sisters, Jacqueline and Caroline (Lee) rather than Elizabeth Taylor.

Besides, these two were so close towards the end because it turned out that they had a soul connection.  Not only did they have several past lives together but it would seem that they shared a close connection that bespoke being cadre mates.

She was in his life to spiritually help him.  She wanted him to become focussed such that he would pass with some degree of dignity and be able to move on.  This was something that one did for being of the same spiritual tribe or, in this case, cadre.

Finally, the African student, a tall East African Nubian, with richly dark skin did not recognise either of them.  He was a deeply introspective Scholar soul who just didn’t focus beyond the object of study which presently happened to have had nothing to do with them.

Both Rudolf Nureyev and his aristocratic confidante were rather pleased that the African had not recognised them and tried to interact with them.  I was rather observant of everything whilst with them.

Though I helped out, I was never intrusive and remained at times as though not a part of their party.  She had needed me to come in, from time to time, and be of assistance but then I had become nonexistent as this was how she was accustomed to relating to help.

Rudolf_Nureyev_Paris Louvre apartment

For both of them, being in this place was like a way of staying grounded and inspired.  What’s more, this museum was connected to where Rudolf Nureyev lived.

This happened to be the case, in the waking state, as Rudolf Nureyev did have apartments which were a part of the Palais du Louvre – the majority of which houses the Musée du Louvre.

This was supposed to be his last visit to the museum.  He had been actually cutting through it whilst en route to his apartments.  This was a section of the Louvre where there were lots of prints and architectural drawings.

These salons, however, were not normally opened to the general public it would seem.  Members of the diplomatic corps, the very wealthy the world over, could be invited to view these exceptionally rare prints.

It would seem that some of them were Leonardo da Vinci prints.  The collection was considerably vaster than the prints that are on display in that wing that is close to the River Seine.

This wing of the museum did feel like it was closer to the Rue de Rivoli.  Including Rudolf Nureyev’s, this would also be the wing of the Palais du Louvre where the exclusive apartments are.

skytrain2

I was hoping, in this the fifth dream, to get directions to some place that I had never been to before.  There was a woman on the phone telling me where to meet her.

She said that she would be at a kiosk by way of the A1, at the Bay department store.  This was here in Vancouver.  I was then over on West Georgia Street, on the south side, east of Seymour Street.

Yet, I never saw her anywhere so soon became concerned.  I could not quite figure out, why she would want to meet at the Bay.  It did though contain the Granville Street Skytrain stop – the city centre’s major hub.

Then I thought that it was by the entrance to the Skytrain; she had said that the kiosk was close to the ‘A’ doors.  She had said that she actually worked at the Bay department store so could meet me there.

I thought that, perhaps, it was at the doors by the Granville Street Skytrain entrance.  There was, it turned out, no kiosk there nor had I seen her at the Seymour Street entrance.  So I returned and went across Georgia to ask further directions.

Later, when she did point it out to me, I saw that it was at the northwest corner of Seymour and West Georgia Streets.  Here, things were set up differently to the waking state.  There was an overhang.

The side of the building, where the display stood, was cutaway and here in the dreamtime painted blue.  Large television screens and other television studio paraphernalia were present.

They were interactive and gave directions to the public.  The woman, who had been on the phone whom I was supposed to have met, I then saw across the street on the north side of West Georgia Street.

There was an island in the middle of West Georgia Street reminiscent of Toronto’s University Avenue.  I walked along the island going westerly and towards Granville Street.

I saw three Black women with long braided extensions who looked rather well turned out.  On seeing them, surprised to see Blacks here in Vancouver, I grew self-conscious.

As compared to being in Toronto, it was such a rare occurrence seeing Blacks locally.  Seeing me, they totally scuffed at the eccentric, outré look of me.  I could not have cared less about their fake-arsed weave-headed self-loathing idiocy.

One of them had blonde streaks in her hair.  Though not High-Yellow they were light-complected and clearly of mixed parentage, perhaps, a generation removed.

All three were of mixed familial heritage in the past, with Whites, and were possibly related.  They were very cliquish that way that young women can be.

I did notice in the blue schemata, over by the overgrowth next to the Scotia Tower, there was an opening where there was more blue.  This opening up which created a break in the Scotia Tower complex does not exist in the waking state.

A guy was there who was genuinely, archly even, eccentric.  This man immediately reminded me of Daryll Newcombe.  On his head he wore a tiny blue and white umbrella.

A striped affair with slats in it, it looked much like a propeller which he could use to take off à la Mary Poppins.  Terribly eccentric, he was and just the sort of thing that one could expect of Daryll Newcombe.

I kept on moving along the island, going westwards, on the wider-than-in-the-waking-state West Georgia Street.

jetty2

Eventually, in this the sixth dream, I came to the end of the land.  I looked out to sea past two jetties that were quite built up.  I was high up from the water and with me was a Black man; he was young.

I rather liked his energies.  One of the jetties doubled as a wharf in this deep-water harbour.  Though it seemed fairly tropical here, I was certain that it was not St. Kitts.

Standing to the rear of my Black companion, there was a wall to my left.  Though not grey out, it was also not bright and sunny either.  The land went out to the left more and formed a peninsula.

I had a pair of binoculars which I used to try and find the second jetty.  I was trying to find the large ship; it was a navy vessel rather than a tourist cruise liner.  The ship was rather large.

However, I couldn’t find the bloody thing to be able to have surveilled the deck of the ship.  All that I could find was the steely grey of the cold-looking sea.  Never did I get to find the vessel with the binoculars.

Soon enough, I was otherwise engaged as a jetliner came into view.  It flew from right to left whilst headed for an airport.  There were times when this place did feel as if some part of Basseterre, St. Kitts.

This was definitely a Tri-Star L1011 aircraft.  Wide-bodied with some red in the schemata worked into the tail and the third engine – which sits atop the back of the fuselage and beneath the tail.

Coming in to land, the plane cut quite a majestic line.  The plane travelled unusually slowly which caused me some concern.  My companion, though, assured me that he was just making its final approach for the airport.  This didn’t seem to be the case to me; for this reason, I asked him when then was it going to deploy its landing gear.

The craft at that point was dangerously close to the ground.  It did eventually initiate the deployment of the landing gear.  Moving away the binoculars, it did seem to my eyes that the flaps had not opened sufficiently to enable the wheels to drop.

Replacing the binoculars confirmed my suspicions.  Still following its progress through the binoculars, the plane then began turning to the left.  It was seemingly a standard manoeuvre at that point in all approaching flights to the nearby airport to our rear.

To compensate for having dipped too much, the right wing sharply tipped – in a bid to prevent it from curving too close to the sea.  With that, the plane went into a sudden nose dive and landed on the shore of a black volcanic beach.

plane crash2

Skidding in the sand, the plane travelled some distance breaking against the wet sand.  The waves were gently crashing ashore; it was not at all a rough sea.  I drew my companion’s attention to the fact that the tide began suddenly changing.

This I pointed out was good as it allowed the plane not to move into the water.  The craft was veering off towards the right, rather than left, wing.  My companion, however, was not the least bit concerned about the plane’s supposed crash landing.

Meanwhile, no one seemed to be the least bit scared.  Too, no one was screaming at the unscheduled landing.  At one point, the plane’s nose fell downwards and kicked up lots of sand as it dug in whilst barrelling its way along the beach.

It was a muddy consistency as the sand was still fairly wet; it eventually covered the entire plane in a wet sheen of black sand.  Ultimately, after having made a sharp left turn facing towards the land, the crashed craft came to a stop.

The rear end of the fuselage was being partially covered by the sea.  Still, the tides receded some more and at which point a group of us began rushing down from the cliff to the shore below.  We were keen to investigate the crash.

Not knowing what next would happen, I hung back as I feared the worst case scenario of the plane possibly exploding in a massive fireball.  A little bit to the rear, and right of the plane the ocean floor dropped off, suddenly.

Beyond that, the ocean had receded to beyond 100 yards.  Stranger still, from beyond the receded cover of the ocean up to the plateau came a procession of persons.

There was no mistaking the fact that they came from the ocean.  The look of these people was decidedly Oriental.  Clearly, they were rushing to the aircraft to try and help pry the bodies or passengers from the crash.

They were there to help out in this emergency situation but there was no getting around the fact that they lived in the ocean.  Though wet, they seemed not the least bit affected by the wetness or the cool temperatures of the water.

From my vantage point, high up on the beach, I saw that the aircraft had opened up an emergency exit shoot.  Instantaneously, all these bodies came popping out of the craft.  This was a horrific sight.  Truly it was.

Everyone in the airplane was doused and appeared as if made from rubber.  Also, one feature that they all had was that their eyes had popped.

Their mouths were wide-open in the same horrific arrested scream as in the Edvard Munch canvas, The Scream.  Clearly, their deaths had been horrific and their final expressions were frozen in death.

Too, from their mouths poured what appeared to be the small intestines, brain matter or lung tissue.  They had vomited a great deal.  Obviously, from this, one could deduce that the airplane’s cabin had suddenly depressurised.

I got the sense at that point, at which I saw it coming down to land, the entire group – passengers and crew – had already died whilst at greater altitudes.  The plane was simply flying itself in on autopilot.

The landing gear failing to deploy was another indicator that the entire crew had died before they had gotten so close to landing the craft.  The bodies were all squashed, and atop one another, as though they had been banged around at high altitudes, during the flight.

It was all very sad.  Then I noticed a stout woman trying to shove her way free of the craft but the listless bodies proved a formidable obstacle.  Eventually, I noticed that there were others who wanted to make their way free of the crashed airline.

These survivors were in a state of shock, not surprisingly, and screaming their heads off.  As a matter of fact, they seemed on the verge of savagery in a bid to shake free of the bloated exploded, rubbery-looking bodies that were piled everywhere and obstructed their escape.

One stout woman appeared to be in the process of being birthed by the clamor of dead rubbery bodies piled thick, pouring through the mouth of the escape hatch.

The look of the piled up bodies was tantamount to toothpaste being forcefully squeezed from a tube.  Once halfway out of this macabre birthing canal, the woman then turned around.

What seemed like a bid on her part to free her body, from the tangle of listless bloated limbs, proved a bid on her part to pull others free who were struggling to make it out after her.

This was quite the grotesque spectacle.  By this time, some of the people began making it onto the beach rooftop from which I had safely been on looking.  For fear that the airplane may yet explode in a sudden fireball, I was still cautious about getting any closer.

The rooftop was not especially large.  A Black woman came out sometime after the stout woman.  She looked completely dazed, and just out of it, as though she were still on the astral plane whilst her body clambered and struggled of sheer instinct.

Truly exhausted, she – like all the others – was covered in a white substance that looked much like rice or stringy pasta.  This was a very lucid experience.  As much as I wanted to turn away, I simply couldn’t.  It was way too garish.

As much as I wanted to turn away from this horrific sight, I was magnetised to its surreal unfoldment.  Truly horrific was the experience vicariously.  Eventually, the Black woman made it from the aircraft and then came up onto the rooftop with the rest of the crash survivors.

Laying there on her side, as though she were looking for the solace of the womb’s protection, her legs were drawn up foetally.  Clearly, she was in retreat.  Too, she was experiencing a great deal of abdominal pains.

I had a glass of ginger ale or some such soda.  Kneeling down before the Black woman, she rolled over onto her back and rocked herself back and forth whilst writhing with pain.

Pandora da Braga was also here, incidentally, as an observer.  She seemed fairly numbed by all the devastation here.  In any event, the Black woman wore a brown floral printed dress that was soaked.

The smell of gastro-intestinal acids was rife and stifled the briny sting of the ocean.  A sour smell it was.  Holding the Black female survivor by the right hand, I bled my very life-force into her and soothed her spirit with the quiet whisper of cooing reassurances.

I told her that it was all up to her that if she wanted to she could definitely survive the ordeal.  Too, I let her know that she was merely in a state of shock.  As we were all right there for her, there was no need for her to panic anymore.

Important too, I thought, to seek out someone who was Black to comfort her.    After all, over the course of her life, the stresses of all-pervasive racism are so Real that her tolerance threshold was already considerably diminished.

She needed not to have been abandoned.  I knew how important it was for her to feel not to be passed over, as is socially customary, in this hour of need.  There weren’t, anyway, White survivors up on the rooftop.

I felt that it was important to stay there and give my support, rather than run off, lending my energies to the others who were exclusively White.

However, there was one woman in all of this who was beginning to go hysterical; her child was being administered mouth-to-mouth resuscitation.

Ridiculously, this idiotic Black woman began screaming at the man to stop kissing her child.  How dare he put his mouth on her child’s?  This was all a part of her denial – the state of shock into which she had been catapulted with the high altitude incident that had led to the crash.

She had had to be restrained.  I gave the glass of ginger ale to the other Black woman and then went over, with Pandora da Braga, to pacify the mother.  The mother wore a brownish-red floral-printed dress.

As the others worked frantically, in a bid to resuscitate her, the child was very limp.  Then she went stark raving mad, all bug-eyed, saying to whomever off in the indeterminate distance,

donna summer2

“I know it, you know.  Ah goin’ sue dey ass!  As soon as Donna Summer announced that we were going to crash, that’s de firss ting ah say.  ‘Ah goin’ sue dey ass!’”

Similarly dark-skinned, this woman so much reminded me of Dian Mason.  She was, in both senses of the word, truly hysterical.  Then she added, licking her lips frantically, and looking so distinctively West Indian,

“Boy, yu wait!  If ah live, ah goin’ sue dey f-ing mudderscunt…”

This woman proved the point of one of the most hysterical dream experiences in ages.  Offering up some reassurance, I told her that she had to calm down and not get herself too agitated.

I told her that she simply had to focus on calming her nerves.  If the child were to survive then she needed to focus instead on the child and not her issues, to which she answered,

“Boy, hush yu damn ass!”

She went wild with rage at my suggestions.  Then she turned on Pandora da Braga and made threats of her whilst insisting that it was Pandora’s fault why all of this had happened.

According to her, it had been Pandora da Braga’s idea that she take the bloody flight.  Threatening to beat her up, she pounced towards an unflinching Pandora da Braga.  And she was a tall woman too, much like Jan Hartley.

With that I leapt in between her and Pandora da Braga, squaring off with her, meeting her eyeball for eyeball as I hissed at her,

“Watch your fucking mudderscunt!”

I was deadly ferocious; my intensity was more than she could withstand.  This diffused and centered her energies; she was the first to flinch then stand back.

There was positively no way that anyone was going to attack Pandora da Braga once I was around or alive.  The tension diffused, I watched her back as she walked away to go look after her daughter.

There was then a woman, down off the rooftop, to the left of where we stood.  Looking down at her intently, she was a somehow familiar Black woman.

It was as though I was supposed to have known who she was.  Perhaps, I had encountered her years earlier in a dream.  Perhaps, she was from another time… another life.

At the time, everyone was laying blame at Donna Summer’s door.  Apparently, the chartered flight had been organised by Donna Summer.  The entertainer was headlining at a resort which was a partly owned business venture of hers.

The discussion was about who exactly was karmically responsible for the crash and the number of persons who had lost their lives as a result.  The woman down below was there to keep score of everything: who had been lucky enough to survive, who had not.

Also, she sought to learn the severities of the injuries sustained by the survivors.  Her record keeping was also on the order of keeping akashic score of who owed who karma in this multidimensional group dilemma of sorts.

She was rather officious and adroit.

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© 2013-2020 Arvin da Brgha.  All Rights Reserved.

Nancy Wilson… and more.

Wilson, Nancy 20/2/1937<O>13/12/2018

Michael: This fragment was a third-level mature artisan – second life thereat.  Nancy was in the passion mode with a goal of growth.  An idealist, she was in the emotional part of intellectual centre. 

Body type was Solar/Saturn. 

Nancy’s primary chief feature was self-deprecation and the secondary stubbornness. 

The fragment Nancy is fifth-cast in sixth cadence; he is a member of greater cadence five.  Nancy’s entity is seven, cadre four, greater cadre 1, pod 129. 

Nancy’s essence twin is an artisan and the task companion a warrior. 

Nancy’s primary needs were: expression, expansion and power. 

There are 10 past-life associations with Arvin and 6 with Merlin. 

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What a truly great voice.  Though over the years, I had attended many Nancy Wilson concerts, one in particular remains the most memorable.  It was the late set at the Blue Note Jazz Club in New York City’s West Village.  A Saturday night performance, it was at the end of the run and Ms. Wilson was in fine form.  With me that evening was Milan Newcombe, the rather eccentric lover of mine who had the most magical residence in Toronto’s Kensington Market.  

Milan and I met about a month before the 350th anniversary celebrations of Montréal in May 1992.  The day of the anniversary, there was a parade through the city’s main artery at night time; quite a unique and spectacular sight.  We stayed that weekend in a loft at the corner of Ontario and St. Laurent Streets and that night, I wore a pair of six-inch, black patent leather Bally talons hauts, a pair of extra short blue jeans that nicely sported the goods, a large, white pirate’s shirt, a confident smile whilst holding hands with the coolest motherfucker I had met since having met Merlin – Milan made a most pleasurable adventure of living. 

Jazz singer Nancy Wilson celebrated her 80th birthday on February 20th, 2017

Having just returned from a weekend in New York City with Manhattan cabaret singer, Frans Bloem, I was crawling the halls of the St. Mark’s bathhouse at Wellesley on Yonge, in a bid to get over decidedly banal sexual relations with Frans.  A great human being to be sure but sex should not be as ennuiyant and tedious as needlepoint.  Well into the late hours, after a few hookups, a long lean body caught my eye as it lay there, waiting to either prey or be preyed on.  

An hour later we emerged into the gritty, callously unforgiving light of daybreak and hopped on our bikes.  Together we rode west along Wellesley, cut through University of Toronto campus and onto Spadina, rode south on said avenue to the most magical lair imaginable.  There above a series of Chinese shops, Milan owned the two storey apartment that was filled with an assortment of Bohemians – or at least trust fund types, bored out of their skulls whilst waiting to collect their inheritance.  

Milan possessed the largest music library, I had yet or since seen.  Moreover, within that library were the most extensive recordings of harpsichord music.  If that were not specialised enough, Milan owned a harpsichord which, after we had riotously slapped, nipple-bitten, punched and me gourmandise his pygmy fin whale schlong: girth and length that makes your upper lip sweat and eyes roll back like Whitney Houston in full song, he would spend the next hour playing what proved the most captivating instrument.  Always at such times, I would become sponge-like and expansive, feeling as though in between wakefulness and sleep with a plethora of the most lucid past-life dreams flooding and surfacing my conscious mind.  Not surprisingly, that harpsichord proved a touchstone to our past-life connections and specifically to the life as court musicians in London, England during the reign of King George III and the Regency when Milan, Merlin and I plus a whole host of others whom I have known in this lifetime were greatly, creatively fulfilled.  

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Newcombe, Milan 08/02/56 Toronto <O> Toronto

This fragment was a third level mature sage – first incarnation at this level, likely to repeat the level – in the passion mode with a goal of acceptance.  An idealist, he was in the intellectual centre, emotional part. 

Milan’s body type was Saturn/Venus. 

Milan’s primary chief feature was impatience and the secondary arrogance. 

The essence twin is a sage, also discarnate.  An artisan task companion he’s got, who is incarnate. 

This fragment is second-cast, cadence sixth in the greater cadence, entity six, cadre one, greater cadre 7, node 414.  Milan is in the same entity as Arvin and Merlin, sharing a strong connection through the arts. 

The three primary needs for Milan were: freedom, power and communion. 

Q: Past lives of note for Milan:

Michael:       This fragment has had many lives in the theatre and in performing, as would be expected, due to his soul age, mature and role, sage. 

He has been a well-known courtesan in nineteenth century France, to a second-in-command lieutenant to Napoleon Bonaparte and was involved in many secretive meetings to which she was privy, due to her ability to keep silent. 

She, however, was found guilty of espionage, at a later date, and hanged, at the age of 24. 

This sage has also performed with students of Hippocrates in the fifth century Common Era in Crete and also became interested in herbal medicine at that time. 

Lives in the performing arts total 24 altogether and have been both notable, such as in China in the eighth century as a puppeteer or in the caves of Borneo when he was a painter of walls with what would be called ancient hieroglyphs. 

This fragment was also present in the sixteenth century in Venice and was a student of a lesser artist, not sure about the name. 

Q: Past lives with Arvin:

Michael:      First of all, let us comment that these two fragments did have an agreement which had to do with the validation of personal expression. 

Number of past incarnations total twenty and include:

  1. These two fragments were present in the “George” life; King George III of England, when the sage was a fellow musician and trumpeter. The sage was competitive with the artisan and envious of the artisan’s natural talents.
  2. They have been married once before officially in an area of the Middle East, eleventh century BCE, when they were in an arranged marriage having to do with land and money exchange. They did get along reasonably well due to the entity connection but did argue.
  3. Makers of small ornamental objects in the first century Common Era, Crete. Both were female and cousins.
  4. These two fragments completed a sequence having to do with abandonment/abandoner in the São Paulo incarnation. The female artisan seduced the sage and then subsequently refused to continue in the relationship which led to emotional turmoil for the sage.

This first part of this sequence took place in the 1300’s in Spain when the reverse occurred but the sexes were the same, artisan still female, seduced by the sage then abandoned. 

Had this not been an agreement, there would have been mindfuck karma incurred. 

(KB: this was an important set of incarnations) 

 Q: Past lives with Merlin and the ET:

This fragment was present in the life aforementioned in the fourth century in an area of Tibet and was the mother of the task companion, former-Merlin but separated when the scholar, former-Merlin, was quite young due to religious training. 

There have been an additional four of note including one in the ninth century in China when these two fragments were enemies and came quite close to incurring karma; through combat, not agreed upon in advance, as well as one in the first century Common Era when they were married to the same male fragment; Common Law, Palestine area. 

This sage has also shared three past associations with Arvin’s essence twin which have included living in a small village in western Canada in the 1400’s both male.  They were childhood friends. 

Additionally they have fought side-by-side “on stage” when members of a travelling theatrical group in northern Italy in the sixteenth century.  The essence twin died of a fall which the sage tried to prevent but was unable to, happened when both were teens.  

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Milan was magical; his home lit throughout by candelabras and the salon an exacting reproduction of an 18th century English salon.  One of the most beautiful things about sleeping over with Milan at his magical lair, was that many were the nights when I would – whilst lying next to him in bed, pleasured and satiated – spontaneously astral project.  During these marvellous OBEs (out-of-body experiences), I would get up out of my body, turn around to look at our smiling pleasured faces harmoniously lying in bed fast asleep, see the cord of silvery white light that attached my astral body to my physical body.  This cord more so resembles a caravan of tiny balls of light that are unbreakable and which attach at the solar plexus of both bodies – astral and physical.  Milan was the most sensual lover and the greatest kisser.  

This song was Milan’s favourite tune and Nancy Wilson his favourite Jazz singer – just as Natalie Cole and Betty Carter mine and John Hirsch was Ella Fitzgerald’s undisputed biggest enthusiast.  Until having met me, Milan had never listened to Jazz or explored the genre.  However, like all persons in the positive pole of their goal of acceptance, he embraced, appreciated and explored the newfound treasure that for him Jazz would prove.  With an intensity never before experienced, Milan insisted on venturing to every Jazz concert imaginable.  To that end, we took several trips to Chicago, New Orleans and, of course, New York City to nurture our souls and forge to greater depths the bond we shared.  Whenever the loving was good and god do I love a cock… especially his – hey, three billion women can’t be wrong, Milan would then play some Nancy Wilson.  Our love faded on my relocation to Vancouver – he hated grey, dreary and rainy weather, I was come undone one early morning whilst meditating in the pyramid in Vancouver, Milan appeared to me and said so long.  I knew that he had died that day – another lover passed of AIDS.  I will ever experience the sweetest memories when listening to Nancy Wilson.  

Sweet and very blissful dreams indeed be yours Nancy: griot, linguist, shaman and truly great performer.  

As ever, thanks for your ongoing support, dream without giving a damn… cause you can and all the more reason to push off and start flying.  

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©2013-2020 Arvin da Brgha.  All Rights Reserved.  

Sing it George!

Benson, George 22/3/1943 Pittsburg, Pennsylvania

Michael: This fragment is a fifth level mature artisan – second life thereat.  George is in the power mode with a goal of growth.  An idealist, he is in the moving part of intellectual centre.

Body type is Venus/Mars.

George’s primary chief feature is subdued arrogance and the secondary impatience.

The fragment George is fifth-cast in third cadence; he is a member of greater cadence four.  George’s entity is five, cadre one, greater cadre 7, pod 414 – this is a cadre mate of Arvin’s and Merlin’s.

George’s essence twin is also an artisan and he has a sage task companion.

George’s primary needs are: expression, communion and power.

There are 10 past-life associations with Arvin and 14 with Merlin.

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Music is a language and Jazz is the language of a people; it speaks to no one else like it does us.  No other music readily restores one’s humanity and sense of self like Jazz does.  Interestingly, when a student at ballet school, I lived the most famous quote uttered by Diana, Princess of Wales in that Panorama interview that she gave to Martin Bashir: “There is no better way to dismantle a personality than to isolate it.” 

That is why during my two hellish years in Winnipeg, the music of Jazz is what saved me.  Interestingly enough, three musicians I looked to during that time more than any others; years later, I would discover that they are all cadre mates: Natalie Cole, John Coltrane and George Benson.  

With the passing of cadre mates Natalie Cole and Roy Hargrove, it is high time to celebrate and pay homage to George Benson while he remains focussed here and now.  

Keep on flying right whether in the most blissful of dreams or the waking state’s unforgiving grittiness… then again, it is also maddeningly beautiful!  

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©2013-2020 Arvin da Brgha.  All Rights Reserved.  

Roy Hargrove 16/10/1969/\/\2/11/2018

Image result for roy hargrove autumn leaves

Hargrove, Roy 16/10/1969<O>2/11/2018

Michael: This fragment was a fifth-level mature scholar – 2nd life thereat.  Roy was in the perseveration mode with a goal of growth.  Roy was a realist who was in the intellectual part of moving centre.

Roy’s primary chief feature was arrogance and his secondary was impatience.

Roy’s body type was Mercury/Lunar.

The fragment Roy is second-cast in the fifth cadence; the fragment is in the first greater cadence.  Roy is a member of entity six, cadre one, greater cadre 7, pod 414 – here we have another entity mate of both Arvin’s and Merlin’s.

Roy’s essence twin is a scholar and the task companion is a sage.

Roy’s three primary needs were: expression, adventure and security.

There are 9 past-life associations between Roy and Arvin and 14 between him and Merlin.

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I have always exquisitely found centre for listening to this recording.  Time seems to drift away and ideas flow with greater ease… indeed, how sweet it is to be richly inspired by an entity mate.  

“I’m in service.  I am here to touch people and make them feel better through music.” – Roy Hargrove.  

Well if that is not validation of being a member of an entity six of a cadre one, I don’t know what it.  

I always good for long days after a concert of his.  A beautiful human being.  

Sweet and blissful dreams be yours dear ennobled entity mate.  

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©2013-2020 Arvin da Brgha.  All Rights Reserved.  

An Awakened Dream Like No Other!

20181118_095725

On the final full day of this trip to London, it was also the 29th anniversary of Merlin’s passing.  I had planned on visiting Spencer House, the Monday evening prior; however, the event which was a ticketed lecture had been cancelled –  this was my only chance at getting to Spencer House.  

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Climbing from the Underground at Green Park, the park was relatively empty and there was a crisp bite to the early morning air as I walked along the periphery of the park’s western edge.  I opted to take that route and be close to the park’s trees than use the suggested route – St. James Street and St. James Place.  The only persons in the park were intermittent joggers, looking fit; strange in November it was to see persons running in shorts.  

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Walking along, I passed a narrow break in the shrubbery; the narrow path that ran beneath on the houses stated that it was a private road and to keep out.  A few more steps revealed the signage; yes, indeed, this was the place that I was looking for.  Turning back, I made for the private narrow pathway and awaited as a tanned, moneyed man approached with a wonderful, happy dog before him.  The fat little thing tried its best to act on his vibes and grumbled; staying my ground, I waited for him to get closer, said hello and asked if this was the way to Spencer House.  

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“Is this the way to Spencer House?” 

“It is a private path…” he replied from behind thicker, darker and more-expensive-than-mine sunglasses, to which I brushed past his American accent by elegantly rebutting, “Thanks, I’ll find my way…”  

Entrance to Spencer House: looking west to Green Park & East.  

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On entering Spencer House, I noticed that the splayed and slightly bloated feeling that began on approaching the stately home continued.  Inside were two men; both were rather pleasant.  We began speaking; for the next half an hour, we warmly visited.  Seemingly, there was a group tour booked and they thought that I had simply arrived especially early.  

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As members for the guided tour arrived, I slipped into the ante room and enjoyed the still-life.  Remarkably, there was a real ease for being in his place, which seemed more than passingly familiar.  Finally, when enough of us were arrived for the tour, a silver-haired lady with clear, focussed eyes entered the foyer, walked up to me and smiling, we warmly greeted.  A group of no more than twenty-five persons, the informal gathering was cosy and engaging.  

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As the tour began in earnest, it dawned on me that this house was remarkably familiar.  There were no doubts in my mind that I had never previously visited it; however, even the tour guide approached me and asked when I had last been to the house.  She was convinced that I had been there before and scoffed at my response that I had never before visited the stately home.  She had done so because I seemed with uncanny accuracy to know which door to next use to progress on the tour.  That aside, the energy between us flowed with the greatest ease.  

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As she spoke, the guide mentioned that Jerry Hall and Rupert Murdoch, who lived in the same street as Spencer House had actually had their wedding reception in the Georgian masterpiece.  As she spoke of the ladder, I suddenly experienced a vision and it was of seeing the room as it looked during Georgian times; however, as in dreams everything was back-to-front from the current life experience.  Indeed, I had definitely been in this room in the past; moreover, I had a rather memorable dream, which was set in this house.  Then as I intently looked to one corner of the room, the rather knowledgeable tour guide announced that in that very corner, Vice Admiral Horatio Nelson loved sitting in that spot as he was a frequent and favoured guest to the house as the 2nd Earl Spencer had been First Lord of the Admiralty.  

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In this marvellous salon is a painting of the Death of General Wolfe… it is even more grand and emotive than the painting of General Wolfe’s death on the Plains of Abraham at the Royal Ontario Museum.  

During that time, as a countertenor with Merlin (then female) my accompanist on harpsichord that I would have encountered Vice Admiral Horatio Nelson, 1st Viscount Nelson.  I have dreamt of this man many times and some were set in the very house where, though it had not been planned, on the 29th anniversary of Merlin’s passing, I was taking a tour.  

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Just before we left the library, the tour guide then announced as she drew our attention outside the window from the library, there on the grounds of Green Park were cattle and other livestock kept.  Indeed, in one such past-life dream, which was set at Spencer House, there was the intense smell of livestock.  For this reason, I had assumed on awaking that this stately home on the edge of vast acreage was situated in the English countryside rather than in London.  

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Definitely, this room – the great room – was familiar; however, somehow, it did not seem as large as it ought to have been.  

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The view from the great room out to the beauty of Green Park.  Suddenly, it dawned on me as I looked out the window that is why on Armistice Day after I left the splendid exhibition: Russia, Royalty & the Romanovs at Queen’s Gallery, Buckingham Palace and cut through Green Park en route to Green Park Station, I felt so joyous. 

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That is why too, for moving past Spencer House earlier on November 11, 2018 and in essence, becoming harmonised with the locale of a past life that I would have such lucid flying dream activity on returning to the hotel that late afternoon and napping.  

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Without doubt one specific dream was centred in this room and there, a play was being staged in the past life dream.  In between acts, one retired to this room from the great room and visited whilst the performers took almost forever at costume changes.  

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This was the setting of great music and laughter; indeed, I may well have performed for the Georgian glitterati on this balcony/stage-like staircase.  

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Lady Spencer’s room.  lovely.  

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The Music Room where 2.5 centuries earlier, Merlin and I were in creative full bloom.  I had a really powerful response when in this room.  I was left teary eyed and on looking in the mirror, I actually saw the outline of my aura; it was silvery as it picked up the stunning sunlight streaming through the windows on either side.  Somewhere in spirit, Merlin was with me and there was further validation that this place, this day… indeed, nothing is coincidental.  

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This room was pure sensory overload.  I felt gay and as though on the cusp of flying.  This visit was more adventure than even I could have imagined.  When the tour was concluded, I warmly parted with the staff and assured them that I would be back.  Then out into all this balmy, glorious sunshine, I headed into St. James Street and made my way to Piccadilly Street. 

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Feeling way too glorious, I decided against using the Underground and instead, headed east along Piccadilly and slipped into the Burlington Arcade’s splendour, browsed then went coffee table book-shopping at the Royal Academy.  Though I hardly had room to pack the six books.  Well in excess of 300£, the handle-barred and zoot suit-wearing poseur – eccentricity is never affected, asked way too condescendingly what did I mean by VAT “dear” and why would I get money back.  You blasted, silly little twit; as I do not gladly suffer fools, I shot back, “Look do us both a favour and go restock these… and try finding a brain while you are at it…” the latter stated whilst walking away from the counter; you’ll get no commission from me.  Who are these people, forever trying so damn hard? 

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With that, it was across the street into Fortnum & Mason to buy more teas and rose petal marmalade and jelly.  From there, further easterly I bopped and grooved in the glorious sunlight and circumambulated Piccadilly Circus and bailed into Coventry Street and into the crowded intensity of Leicester Square. 

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From there, I snuck from the rear of the National Gallery and inside.  

The delightful guide at Spencer House had insisted that I return to the National Gallery before leaving London and catch the Mantegna and Bellini exhibition.  She could not have spoken more highly of it.  I did tell her that I had reservations about seeing Italian art as it was much too ecclesiastic for my liking.  However, since she had been such a gracious host, I decided to just this once to go with an open mind and just explore. 

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You cannot believe how fast, I got out of there.  As I said to the West African museum worker, who asked why I had left the show so quickly, “You cannot imagine how deeply disturbing I find a culture that goes to such great length to never address in their art their savagely ‘civilising’ influence in the world.  It is as though it never happened or they played positively no role whatsoever in the brutal murder, enslavement, extinction of peoples and cultures.  His response was, to the victor go the spoils and the shaping of history in his image; he added that he was very very proud that I am aware, unlike so many of us.  With that, we bumped fists and it was back out into the bright sunlight of this glorious day.  

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Apart from the usual suspects, Yodas seemingly levitating – now there’s a gig! – I made it past a rather engaging African artist who had the soul of a sage if ever anyone ever did.  Being drawn to its beauty, I drew closer to get a really good shot of St. Martin-in-the-Fields and it was then I made the most glorious of discoveries.  

Well, there could be no better way to restore the spirit after the disquiet that I experienced for moving through the Mantegna & Bellini show.  Great art should reflect life, not neatly reinvent and compartmentalise away all that which one would rather not address – likely, though, Bellini had no knowledge of Columbian expeditions to the New World. 

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Presentation at the Temple – Giovanni Bellini c 1460

Certainly, the prominent artists of the 16th century: Tintoretto, Botticelli, Michelangelo, Leonardo da Vinci, Titian were supported by the Church of Rome, which by its patronage of these artists was intent on depicting itself in a glowing ecclesiastical light rather than the brutal realism which afforded it the prominence and wealth it then enjoyed… which endures even now. 

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So with that, richly inspired by both the guitarist and Spencer House and all that it represented, I slipped into the National Portrait Gallery, to drink once more Wim Heldens masterful Oil on Canvas of the collectors Harry and Carol Ann Djanogly – she passed earlier this year.  Satiated of spirit, it was off to grab a bite and then a nap of glorious dream-filled sleep – one of which was a flying dream.  God it felt goodly glorious to have returned in spirit to Spencer House.  

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After having overslept by a hair, it was a mad dash by Underground and taxi make it by mere minutes to Royal Albert Hall.  One of my favourite concert halls, any show would do.  

Ah nothing beats a good old nostalgic adventure.

Interior of Royal Albert Hall.  

Intermission from the stalls at Royal Albert Hall.  

You cannot beat a room full of love and wonderment.  Truly spectacular.  Of course, it goes without saying that Merlin was wild about Jim Henson, George Lucas and Steven Spielberg.  This was a glorious way to have capped off a great trip and to remember the life of an extraordinarily phenomenal human being, Merlin.  

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And like that, the following day, I was returned to Toronto, my art-filled home and this most glorious photograph of the most magical fellow who made life truly a happening, for seven glorious, love-filled and magical years.  

As ever, sweet dreams and thanks for your ongoing support.  

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©2013-2020 Arvin da Brgha.  All Rights Reserved.  

Pilgrimage to Windsor… that dress!

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Aerial view: Windsor Castle, Berkshire.  

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In the mad dash to board the train from King’s Cross/St. Pancras Station to Paddington Station, I boarded the wrong train and ended up losing almost of hour of valuable time.  Nonetheless to Windsor with me, indeed.  

 

 

The ride to Windsor was lovely and it was still well before before 1000 when I got into town.  So nice to know that a flash of the London Pass gets one into the Castle, plus to see the exhibition of TRH Duke & Duchess of Sussex’s wedding finery plus the outfits worn by pageboy, HRH Prince George of Cambridge and the always ‘on’ HRH Princess Charlotte of Cambridge.  

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Next, through the hurdle of being scoured by the most thorough security detail; and with good reason too.  

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The mélange of Chinese, Japanese and Korean dialects made for an interesting symphony of sounds as I made my way past security and onto castle grounds.  

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I am reminded of Vancouver Island by the hearty vegetation down below.  

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Nothing is more refreshing than the smell of moss in cooler weather.  The air is so fresh here in Berkshire.  

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The view from the Middle Ward down to St. George’s Chapel; but that’ll come after touring the castle’s state apartments.  

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The glorious view north across the River Thames to Eton College Chapel… Nothing beats being out on the terrace and looking out to the landscape below.  

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The view along the terrace towards the entrance to the castle. 

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Once inside, of course, photography is not allowed.  This, understandably, is for security reasons; it is after all the Sovereign’s main residence.  Formidable, an entrance indeed.  Touring the state apartments, the progression’s starting point was different to previous visits.  

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Without doubt, I knew that the wedding outfits worn by TRH Duke & Duchess of Sussex would not be on display in the castle’s Green Drawing Room; there is only one door into said room for the public and the other at the opposite end, leads directly into the Sovereign’s private apartments. 

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Furthermore, that single door is too narrow to accommodate persons going and coming into the Green Drawing Room, if they were to enter and exit by said door.  

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Similarly, I knew that the exhibition, A Royal Wedding: The Duke and Duchess of Sussex could not have been held in St. George’s Hall above.  There is simply too much natural light which floods the space; this could actually prove more harm than good – even though it would be best to see the dress in natural light.  Moreover, I did not expect that it would be held there as the space is too large and, frankly, with the amount of racially charged animus towards this marriage, it would likely not draw as large a crowd to warrant being staged there.  Truth be told, there were no Caucasians viewing the exhibit when I moved through it, than there were East Asian and blacks combined.  

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I will never forget my confusion on first experiencing The Waterloo Chamber in this lifetime.  I just felt as though, perhaps, my sense that I had been to Windsor Castle in prior lives or a lifetime was off.  Of course, I would learn that this marvellous salon was installed during HM King George IV’s reign, at which time, I had reincarnated into Barbados, after having been a countertenor at the court of HM King George III and during the early years of his son’s Regency.  

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Then again, those high-placed windows in the Waterloo Chamber would preclude its assignation as the setting for the exhibition, A Royal Wedding: The Duke and Duchess of Sussex.  

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Though noted for its stunning portraits of both HM Queen Elizabeth, The Queen Mother and HM King George VI, this room much like St. George’s Hall has too much light exposure.  

On entering the long narrow hallway with large windows that look out onto the terrace, the River Thames and the north shore beyond, one happens on a wall of linen panels which cover the floor to ceiling cabinets with priceless china from the Royal Collection.  

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Imagine all these iconic moments from the wedding of TRH Duke & Duchess of Sussex on hanging linen panels of more than 8 or more feet tall.  The effect is warm, enveloping and their size deftly impress on one, the uneclipsed love between these two star-crossed lovers.  

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Next, into the grandeur of the Grand Reception Room one slips and with the heavy red curtains drawn, the effect is even more stunning.  The large chandeliers are softly dimmed and handsomely display the bridal garments of the wedding party.  

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The embroidery on HRH Prince Henry, Duke of Sussex’s uniform, to the Queen Mary Diamond Bandeau tiara when seen in intimate detail proved more breathtaking than I had anticipated.  Goodness, even the shoes worn by Meghan, HRH Duchess of Sussex were exquisite.  

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What I found most interesting about the dress was its sheer simplicity.  The dress serves as a foil for the intricacy of the five metre veil entwined with the fifty-three flowers of the Commonwealth nations, along with the state flower for Meghan, HRH Duchess of Sussex’s home state of California.  Not until in the presence of the dress did its simplicity make sense; the dress is masterfully constructed such that its simplicity reminds one that only the expert craftsmanship of a couturier could have designed and manufactured the dress. 

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Yet, there was more to the simplicity of this Clare Waight Keller dress for Givenchy and it was not until moving around it a second time that it struck me; the simplicity of the dress speaks to the recent past of Ms. Markle’s African heritage.  Its simplicity speaks of the history of a people which was erased, wiped out by the terror of having been robbed and enslaved.  

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Yet like the simplicity which belies the masterful craftsmanship of the couturiers who created this stunning dress, there is also greatness to a people though reviled, socio-economically oppressed, criminalised, marginalised and made to feel inferior… the same people whose greatness shrines through in Jazz, for one.  Remarkably, the simplicity of the dress, is like the sheer eloquence with which HRH Prince Charles, Prince of Wales sincerely both acknowledged and apologised for the past, which his society and family had contributed to in the immense suffering of Africans; this he did this past autumn when touring West Africa on behalf of HM The Queen.  

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This was not only not a heavily attended exhibition but, at the time that I moved through it, there was not a single Caucasian viewing the wedding garments.  Though many would like to have you believe that there is no basis in race why they dislike Meghan, HRH Duchess of Sussex, that is just a damn lie.  Naturally, neither medicine nor academia acknowledges the existence of the racial predator as ‘No’ is the most powerful word when dealing with blacks.  Indeed, not until going to St. George’s Chapel after the tour of the castle was concluded, did one see Caucasians in numbers that reflect their proportions in the society.  Indeed, unlike previously, one was being fixed with looks that were charged with racial animus.  

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Though she is now the most reviled black woman on the planet, truth is that the soul who is now Meghan, HRH Duchess of Sussex was Margaret Beaufort, Tudor Matriarch: key figure in the War of the Roses, cousin of HM King Henry VI, mother of HM King Henry VII, mentor, counsel and favourite of her grandson, HM King Henry VIII who was much impressed by her focussed untrammelled ambition, great-grandmother of HM Queen Elizabeth I. 

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Without her drive and singleness of purpose, England may still be a Catholic nation and its language may well be French.  Nonetheless, such is the rabid, irrational tribalism that is racism; her true nature cannot be perceived by the blind who can never see either the links to the past or the bigger picture.  

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In the end, I was much inspired for having made this pilgrimage to see this dress, which in its simplicity symbolised hope, atonement and the love of two entity mates who have known each other in twenty prior lifetimes.  The simplicity of this dress proved an epiphany.  

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Statue of HM King Charles II without whose drive, there would have been no Restoration.  

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View of the round tower on exiting the State Apartments and at the edge of the Quadrangle.  

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Details of St. George’s Chapel.  

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Details… and more details.  

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Even more interesting details…

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Sadly, photography is not allowed inside the chapel.  

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Despite the general seething that being black elicited from most persons here – thanks to HRH Prince Henry, Duke of Sussex having married the black woman, I rather enjoyed revisiting the spiritual home of the Knights of the Garter.  There is a certain warmth and intimacy to the quire’s dark woods that I favour.  

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And like that, another day of adventure was completed.  

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As the train sped back to London, I spotted this queer, though, appealing architectural gem.  

As ever, thanks so much for your ongoing support and always remember to become awake when asleep into the magical realm of dreams.  

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©2013-2020 Arvin da Brgha.  All Rights Reserved.  

 

Royal Wedding of TRH Duke & Duchess of Sussex!

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After having waited months on end, the day of the royal wedding arrived and there was I sporting a killer headache – one of which I have not had in long ages.  What with the inordinate negativity of trolls online and the utterly disgraceful meltdown on the Markle relations on the father’s side of the family, I just wanted the bloody wedding to get going.  Moreover, I was hosting, in my art-filled home, a right English royal wedding breakfast: six different teas, smoked salmon, scones, Johnny cakes (a West Indian variation on scones) champagne, jams including, of course, guava jams.  As busy host, I missed a lot of the goings on as it unfolded live.

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Rising at 0300, I was up and ready, making the first teas as guests soon thereafter began arriving for the 0400 starts of the live broadcasts.  Naturally, we looked at the BBC coverage whilst multiple broadcasters were simultaneously taped: PBS, CBS, CNN, ABC & CBC.  Pandora my lovely sister was in town with her urbane hubby and overnighted at my place so that they would not have to travel far at 0300.  Also present was Dr. Lucian Mann-Chomedy, who left his sprawling mansion atop the hill in Hamilton, to be with me; he is a world-renowned expert on Voltaire.  Eventually, along came siblings Rio, Penina and Isha with legal professional, like Pandora, Hyacinth Fitzroy-McIlroy.

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Though I wanted to take an Advil, I knew that copious amounts of champagne to follow would preclude doing so.  Alas, I drank fresh-squeeze orange juice and lots of water.  Finally, the fare catered by Daniel et Daniel arrived at 0459 sharp – I am better at working magic in the bedroom rather than the kitchen, so why sweat it!

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In between fussing with the catered fare, I caught a glimpse of George and Amal Clooney looking like the power couple that they are.  What a gorgeous colour and her hat was fabulous.  I especially loved the Valentino worn by Sofia Wellesley with her diminutive hubby James Blunt, a man whose devastating wit makes following his twitter account a must.  There was Oprah Winfrey looking regal; she is of course a member of entity seven of cadre one, greater cadre 7, pod 414, which would make her a cadre mate, along with other notables who are also cadre mates of mine and Merlin’s, like: Sir Anthony van Dyke, Sir Peter Paul Rubens, Jim Henson, Vaslav Nijinsky, Rudolf Nureyev, Natalie Cole, Grace Jones, Annette Bening, Warren Beatty, President Barack H. Obama, Joshua Redman, Katherine Hepburn, King Richard I, George Benson, opera singer Maureen Forrester, Painter Francis Bacon, Lucian Freud, Giovanni Canaletto, Camille Paglia, Cassandra Wilson, Art Blakey, sculptor Henry Moore, River Phoenix, Halle Berry, Victor Brauner, choreographer Merce Cunningham, Charles Mingus, Esperanza Spalding, Alvin Ailey, Zora Neale Hurston, Lena Horne, Jazz drummer Tony Williams, Otis Redding, Vasco da Gama, Roy Hargrove, Toller Cranston, Oscar Peterson, Jennifer Holliday, Roger Hodgson, National Ballet of Canada founder Celia Franca, Constantin Patsalas, Charles Baudelaire, Liona Boyd, Tina Turner, Marvin Gaye, Youssou N’Dour, writers Gabriela Mistral & James Baldwin and comic genius, Robin Williams.  Of course, many of these overleaves are to be found across the six-volume opus of Michael Overleaves appendices which accompany my dream-filled, and sex-besotted memoirs a first in all of human civilisation… because someone had to do it first and naturally yours truly has got to represent for the old 1/7/414!  Enough of digressing and coming off like that blasted ham, who in true American fashion, the right rev’ron thinks that his grandstanding noisemaking at the wedding of TRH Duke & Duchess of Sussex was a hit – sorry it was not; it really did a number on my headache.

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I especially loved it when the royals began entering from the Galilee Porch into the chapel and took their seats.  HRH Princess Anne, Princess Royal’s reaction to the guests assembled across the aisle was priceless.  Indeed, Ms. Markle had really sprung the big guns, namely Ms. Winfrey on them.  There sat Oprah at the very back where she got a good view and strategically enough, she uncomfortably sat across the aisle from that flat-arsed, no-calved pretentious bigoted boor, HRH Princess Michael of Kent.  She is such a pitiable lost soul, she with the million and one tiaras (google image her); she and her tiaras, looking like a third-tier drag queen who’s not done too badly for herself on the pageant circuit.  God when will people like her realise that on this planet melanin trumps blood.  Oprah’s presence was a none-too-subtle missive, keep up with the racist charades and there will be an Oprah interview.  Seriously, that Blackamoor brooch last Christmas worn to the Buckingham Palace as Ms. Markle made her debut was as coincidental as if HRH Princess Anne Princess Royal were to have worn a swastika for the inaugural Christmas at Buckingham Palace when Princess No-Calves’ coke-headed son brought along his Jewish wife for the first time.  Poor thing, what was she to do, to look right across the aisle at St. George’s Chapel, there sat Serena, reminding her of one of two of her black sheep named Serena & Venus; to then look left, there sat Oprah, looking as though famished and ready to feast.  Matters not, from here on out the Princess Rhino will have to curtsy to Meghan, HRH Duchess of Sussex.

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Wonderful it was to see Jack Brooksbank greet his mother-in-law, Sarah Duchess of York, who thanks to HRH Prince Henry of Wales’ insistence was invited to attend the wedding of the year.  Whilst many came and went past the tomb of HM King Charles I whose art collection retrospective at the Royal Academy ranks among my favourite exhibitions, there stood George and Amal Clooney holding court; at one point, they were joined by the dashing Dan Snow with his statuesque wife and sister to the very eligible Duke of Westminster who is godfather to HRH Prince George of Cambridge, who looked smart in his Blues and Royals uniform as page boy which smartly matched those worn by both his father HRH Prince William, Duke of Cambridge and his uncle the groom, HRH Prince Henry, Duke of Sussex.

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Loved watching the always elegant Victoria Beckham being greeted with a bear hug whilst in the company of her husband David Beckham and a decidedly matronly looking Sir Elton John and his partner, David Furnish.  Serenely composed was the twenty-three-year-old Indian charity worker, who looked exquisite in her saree.  Though I had envisioned her in saree, Meghan, HRH Duchess of Sussex’s friend, the actor, Priyanka Chopra looked no less lovely in her lilac suit with matching hat.  By far, one of my favourite royals was the very expectant Zara Tindall whose husband now looks even more handsome after corrective rhinoplasty.  Whilst the Chicagoan made an arse of himself in the pulpit, there sat Zara who with a look made us all roar with her wary side eye.  Seven years earlier, I was equally charmed by her beauteousness as she smiled whilst slipping a breath mint as the soloist sang and the bridal party, TRH Duke and Duchess of Cambridge et al, were off in St. Edward the Confessor chapel at Westminster Abbey signing the registry.

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Indeed, Central Casting could not have scripted a more gloriously perfect day.  There is a special magic to the isle of England; it goes without saying that it is vibrationally harmonised with much of the West Indies.  I truly do feel at home when in England; of course, much of that is because I passed a ‘high-point’ life there in late 18th century London and Windsor and as well Merlin was then present with me.  One thing that I have come to realise that many past-life dreams afford one the perspective of the former incarnation.  As a result, as is always the case when happening on a place where I have been before and had past-life dreams thereof, I am always mildly surprised to find that the waking state reality is a 180° reversal of the past-life perspective from the most lucid dreams of questing to previous lives.  For instance, Windsor Castle in past life dreams where there is much wood fire smoke, horse activity and the fashion are specific to that time frame, the castle always sits on the north bank of the River Thames with the majestic Eton College Chapel lording over the southern bank’s landscape, looking pretty much like Valhalla rising from the mist.

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My first visit to London was so thoroughly confusing, everything proved back-to-front as it had always appeared and been experienced in the most lucid dreams.  In such dreams, horse drawn carriages are everywhere with the loud smell of smoke, horse dung.  Strangely enough, in many of these dreams, my breath tends to be foul with drink, though, here in this lifetime, I hardly ever drink.  This past spring, as I moved through Windsor Castle’s St. George Hall, I was surprised to find the ceiling so far removed.  Later, during conversation with a gentle-souled female manager at the castle, I was reassured when she shared that after the great fire of 1992, the hall’s ceiling was raised considerably.  I had a really visceral response to seeing the bullet that felled Vice-Admiral Horatio Nelson; he, of course, has a storied connection to Nevis.  I also knew him in that 18th century past-life at court when then a countertenor and Merlin, then female, was my accompanist on harpsichord.

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There were moments this past March when in certain rooms both at Hampton Court Palace but especially so at Windsor Castle that everything was back to front and I felt what I refer to as being “In-Between” – one does not exactly feel faint but you experience a moment of feeling as though you were vibrationally tuning in between here and elsewhere in time.  Finally, with a second round of tea being served, I was able to take a breather and start looking at the arrivals; currently the minor royals were arriving.  Good it always is to see the gracious HRH Duchess of Kent in a lovely black and white ensemble; I was purse-lipped as she was being helped to her seat.  Finally, a Benz minivan pulled up at the bottom of the middle ward and out sprang two dashingly handsome men, wearing Blues and Royals uniforms.  Straight away, I was teary-eyed; of course, it goes without saying that on occasions such as this, one cannot help but think of their lovely mother, the late Diana, Princess of Wales.

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Champagne nicely chilled was on standby, awaiting the taking of vows to be popped.  I love the fact that Chelsey Davy was at the wedding of her ex, HRH Prince Henry Duke of Sussex, along with Cressida Bonas.  I love this aspect of English aristocratic society; their weddings almost always feature exes… and why not?  Theirs are very tight, limited circles and exes are likely to be, in some cases, godparents.  When finally, I was able to watch the wedding uninterrupted, for having played host the day of, I was truly spellbound and stunned by what an absolutely beautiful wedding it was.

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Meghan, HRH Duchess of Sussex was nothing short of Arthurian as she entered St. George’s Chapel alone.  At once she was magical, empowered; a queen staking her claim both on history and her throne.  Nothing was more beautiful than watching the Mulroney twins in their matching Blues and Royals uniforms, carrying her sixteen-foot veil’s train, which was decorated in the flowers of all 53 nations of the Commonwealth and California’s state flower.  After moving through the gorgeous boughs of white roses and peonies, Meghan, HRH Duchess of Sussex was then met by and escorted by HRH Prince Charles, Prince of Wales, a man with whom one always enjoys the most august dream encounters.

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Seeing the uneclipsed look of love in HRH Prince Henry, Duke of Sussex’s eyes and written all over his face as he drank the intoxicating drink of his bride approaching with his father, no less, made me come undone.  Uncontrollably, I cried out for joy and began crying.  I cried out anew when with a stride no less confident than Queen Maxima of the Netherlands’, the day she walked down the aisle of Westminster Abbey on April 29, 2011 as TRH Duke & Duchess of Cambridge were wedded, Meghan, HRH Duchess of Sussex did an energetic shake of her head as she beamed at her lover, her champion at her warrior-prince.

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At this point, my whole body was awash in glorious ripples of adrenaline as these two souls, who happen to be both entity mates along with HM The Queen, celebrated their twenty-first incarnate relations.  The way that this man looked at this woman with open love for her, was the most soul-warming adage imaginable.  His cheeks aglow, he blushed, smiled and declared his love for his lover for all the world to see.  Long had I forgotten how beautiful it used to make me feel when Merlin would look at me exactly with the same magical glow and twinkle in his eyes.  I was so immensely happy.  The way they chatted, the way he looked at her whilst falling in love all over again, was the most beautiful sight.  Even the way that Jessica Mulroney reached across and rekindled her vows in a touch with Benedict Mulroney was wonderful to have witnessed.

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Uncovering her face of the veil and revealing the Queen Mary bandeau tiara in its uneclipsed glory, just as the first time after they had made love and reaffirmed their soul connection, HRH Prince Henry, Duke of Sussex said a warm, hi; they were two familiar souls, looking into each other and keeping aglow the fire of their unbreakable bond.  Entity mates in love is a most beautiful thing, there is no greater bond.  They way that they looked at each other, spoke to that enduring love that had endured across twenty prior lifetimes.  Now here they are, of choice, he an older soul (fifth-level mature warrior — fourth life thereat) she (mid-cycle mature artisan — third life thereat); there is nothing that this formidable team cannot accomplish.  As it is her third life at the level, expect her to be accomplished, ambitious, daring and a force to be reckoned with.  Like his second-level mature artisan mother, Diana, Princess of Wales, Meghan, HRH Duchess of Sussex has an innate sense of theatre, which was dramatically on display as she walked the aisle to stake her claim on history and validated that she had twice previously been a high-ranking member of the British royal family.  Truly regal was she as she walked the aisle to take her vow and return to life, for the third time, as a member of a much-loved institution, the House of Windsor.

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Seated there in that beautiful blue dress, I was reminded of Lynn Woodman, actor Wayne Robson’s wife in the way that Jessica Mulroney’s smile and eyes warmed me each time.  Of course, horrified was I last summer just before departing for London, England to learn from Xerxes Hamelin, my ex-wife and now transgendered to a bald and bearded marvel of modern medicine that their only son Louis had died at Christmas 2016.  Straight away, all those dreams of Lynn looking forlorn on grey-skied, rainy days and always on a bridge before a swollen river made so much sense.

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Britain Royal Wedding

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Britain Royal Wedding

Britain Royal Wedding

As the service progressed awash in the magic that is evoked by two souls with strong reincarnational bonds, I took a look at the gathered souls.  Loved the look of Sam Chatto, he of the pronounced spiritual focus in this life as he sat two to the left and west of HRH Princess Michael of Kent.  Also, on that upper row was the young Duke of Westminster, Hugh Grosvenor, whose father, Gerald Grosvenor, sixth Duke of Westminster, like HRH Prince Charles, Prince of Wales, was the same soul age and role in essence — seventh-level mature warrior soul.  His older sister, Edwina had earlier been chatting with George and Amal Clooney with her husband Dan Snow as the guests arrived.  Good it was to see the always regal HRH Princess Alexandra whose father, the very dashing HRH Prince George, Duke of Kent after his untimely death may well have recently been Diana, Princess of Wales — this is just a suspicion of mine and not channelled information.  I could not though help but think, whilst watching Meghan, HRH Duchess of Sussex being wedded then later in the evening when emerging with her husband in that glorious white halter neck Stella McCartney dress, that Diana’s soul may well choose to reincarnate to her former son, HRH Prince Henry, Duke of Sussex and his very elegantly stylish wife, Meghan, HRH Duchess of Sussex.

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First Duchess of Sussex, where previously the first Duke of Sussex fervently supported the abolition of slavery, a cessation of the persecution of Jews, now here were these entity mates — HRH Prince Henry, Duke of Sussex and first Duchess of Sussex, Meghan, taking up the noble mantle of HM Queen Victoria’s uncle and HM King George IV’s younger brother, HRH Prince Augustus Frederick to work and help develop the potential of the developing nations of the Commonwealth.  Sadly, for most persons, these two souls chose to be part of the BRF by unique circumstances; when you consider the impact that black Africans have had on the wealth of the BRF and much of West Europe, it would seem fitting to these two souls and those in agreement within the BRF for them to have chosen to be an interracial couple.  Of course, it must not be forgotten that without exception, all Caucasian persons who are gap-toothed were in their immediate past life, black.

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When you keenly pay close attention to HRH Prince Henry, Duke of Sussex’s life, you will see this being validated.  This man has always had an ease and affinity for blacks whether in the diaspora or in Africa.  There was nothing more glorious than watching his soul bleed through its reincarnational awareness, when on a trip to Jamaica, once invited by a young girl to join her dancing to Bob Marley’s soulful singing, HRH Prince Henry, Duke of Sussex danced with an ease that immediately made everyone black warm to the core; in his movement, we instinctively recognised his ‘blackness’ – we were responding to the fact that this was someone whose soul had been black in his immediate past life.  The way that this man slipped into the groove and wind his waist was as groovy as if hearing Marvin Gaye soulfully crooning.

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There is a purity of spirit that HRH Prince Henry, Duke of Sussex possesses, which speaks to the very nature of his soul.  More than that, it does speak to his having inherited his mother, Diana, Princess of Wales’ empathy gene.  For me a man is most beautiful when he openly displays his love for another human being; there is no denying that as they took their vows, here was a man at his most beautiful.  Throughout, there sat Doria Ragland, mother of the bride, a study in dignity, pride and reserve.  Of course, any mother who calls her child ‘Flower’ is a mother who will ever be proud of how her daughter has blossomed into her own woman.  This love saw Meghan, HRH Duchess of Sussex become a woman of substance and a truly dignified human being.

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One interesting to note is how truly simpatico both Camilla, HRH Duchess of Cornwall and Meghan, HRH Duchess of Sussex are.  Of course, the reason for that being, is that they are both exactly the same soul age and both are living their third life at that level.  What that, of course, means is that warrior soul HRH Prince Charles, Prince of Wales will always be warmed by and favour Meghan, HRH Duchess of Sussex.  Though both are mid-cycle mature souls on their third lives, Camilla, HRH Duchess of Cornwall is, however, a scholar soul.  Keeping her grounded and focussed with uncharacteristic drive is Meghan, HRH Duchess of Sussex’s warrior task companion.  That warrior, however, is not her husband, HRH Prince Henry, Duke of Sussex; it does, however, prove grounding for her, to be wedded to a warrior, HRH Prince Henry, Duke of Sussex.

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All warriors live by a very grounded motto: feed me, fuck me but do not annoy me!  To say the least, Lady Kamasutra aka Meghan, HRH Duchess of Sussex is ably qualified to ever keep her husband engaged both physically, emotionally and intellectually.  Warriors make the best of partners because when the love is strong, they are the most loyal and devoted of souls.  Regardless what those on the outside may think – and god has there been a spate of dissenting opinions about their union; fact of the matter is that they are more suited to be man and wife and life partners than most persons in the public eye.

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Without doubt, no one wore a more stylish hat than did Camilla, HRH Duchess of Cornwall.  I also loved the wonderful hats worn by Catherine, HRH Duchess of Cambridge and Lady Kitty Spencer, daughter of Earl Spencer, niece of Diana, Princess of Wales and good friend of Viscountess Weymouth who would have looked smashing had she attended the wedding.  Not wanting to be the butt of every joke, this time around, the Princesses of York wore hats that were demure and understated.  Reminiscent of Jacqueline Kennedy Onassis, HRH Princess Eugenie, soon to be wedded to Jack Brooksbank this autumn, wore a lovely white pillbox hat.  Ever exuberant, it was good to see Sarah, Duchess of York greeting her son-in-law at St. George’s Chapel, though, she did not sit with the royals but across the aisle with the invited guests.  Kudos to HRH Prince Henry, Duke of Sussex for having invited and included her in the Sussexes wedding gathering.

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After that solipsistic buffoon made a point of overstating the obvious – if I were not hosting, I would have readily tossed a box of Kleenex at the screen, it was good to have been wowed by the Kingdom Gospel Choir.  I thought that at least one of the female singers in the front row was a priest soul, along with the choir leader; if not a priest, she definitely would have strong priestly makeup in her casting.  Their presence and performance were one of the many details, which went a long way towards making this wedding one of the most memorable.  Finally, after old windbag’s grandstanding, it was time for the lovely couple to take their vows.  Yet again, I was moved to tears.  Doria seemed at times to be experiencing rapture during points in the ceremony. Britain Royal Wedding

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Like Mr. Curry’s grandstanding, there was also a moment that left me disquieted.  The moment that she entered St. George’s Chapel off the Galilee porch entrance with the other royals, I was disappointed at the sight of Lady Louise Windsor, daughter of TRH, the Earl and Countess of Wessex.  Back in Spring 2016 on a tour of the Bahamas and Cayman Islands, there was Sophie HRH, Countess of Wessex wearing the same dress that her self-conscious daughter wore to a wedding that would be globally televised.  Nothing like human society to straitjacket children into rigid social roles.  It would have done a lot of this young woman’s self-esteem if she had been bought a new dress for the wedding of TRH Duke & Duchess of Sussex.  There is nothing empowering for any young woman, having to wear their mother’s hand-me-downs.

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That aside, there was nothing more glorious than the prodigy, Sheku Kanneh-Mason masterfully weaving his magic on cello.  Later, as the married Sussexes emerged from the beautifully boughed St. George’s Chapel into the crystalline blue-skied day then kissed, the most glorious thing then happened.  As the unmistakably in love couple stood on the lower steps, the gospel choir again began singing.  As if it were not moving to watch, Diana, Princess of Wales’ older sister, Lady Jane Fellowes who gave a reading during the service, there was she bobbing and dancing whilst enjoying the gospel music.  And what glorious music it was too.

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That song, This Little Light of Mine, was a favourite of mine since childhood.  Back on Sunday, August 2, 1964, I had gotten a good spanking, on my birthday no less, from Harella my mother, whom I had always been convinced was not my mother as she was all of forty years old when I was born.  I wanted that day to wear my favourite pair of shorts to church – it was after all my birthday.  However, the shorts were dirty and crumbled and expected to be washed during the week.  Nonetheless, I threw a tantrum and got to wear my shorts after having my naked bottom spanked – therein lay the seed of my crop and riding boot fetishistic sex.  Sitting there in church, which Harella owned, I began singing at the top of my lungs, the song of protest.  Whilst my mother looked at me, utterly sure in her conviction that I was demon-possessed, I looked away and out the door to the east and the mountain ridge in St. Kitts.  Just then, the sparkling sun struck something within the growth of the foothills and it caused a blazing reflection that danced and shone even more blazingly than the sun; indeed, it matched my singing.  I knew that day that my mother would never succeed in having me sublimate my will to her and her mad and make-believe god.

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As the gospel choir sang, I began tearing up again, as the camera pulled a lovely crane shot back from the top of the St. George’s Chapel’s west door, steps and the couple below preparing to get into the landau, beyond lay the lowlands of the magical kingdom.  In that moment, I was suddenly struck by the very real sense of Diana, Princess of Wales.  Yes, indeed, her lovely boys were now wedded and to beautiful strong wives at that.  Her work here was done; now she could fly off as that crane shot implied to the west, the horizon, the astral plane, the future and to lives up ahead.  Diana, Princess of Wales had made a handsome success of life and with both TRH Princes William and Henry fully grown and wedded, her work was done.  Even, HRH Prince Charles, Prince of Wales was every bit a loving, older soul – seventh-level mature warrior and entity mate of king soul and Canadian artist, Robert Bateman.

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Without doubt, this was one of the most glorious weddings in long ages.  To be sure, it is always good to see two souls with an abiding soul connection, renewing and validating the ties that bind and truly matter.  Here’s to TRH Duke & Duchess of Sussex!

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