Go In Peace: Energy Transference with Recently Departed Famous Entity Mate.

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*Since having posted this dream blog some years back, I was always fascinated why I was simply summoned to be with the actor, River Phoenix when he passed. I did mention that sense of feeling strong resonance at the time of cadre mates’ passing. This dream was a poignant example of being called into action, to be of service to someone with whom I have a strong and connected soul bond that spans multiple past lives.

This was something that I felt at Natalie Cole’s passing and, of course, she proved to be an entity mate. In the case of River Phoenix, whose overleaves I will include here and which can now be found in the revamped and tidied up Michael Overleaves Appendix page, not only is he also an artisan soul but he happens to be a greater cadence mate of mine. This dream would not have occurred if we did not share this very strong bond; as a result of my cardinal casting, I am often called into action in dreams such as this one when entity and cadre mates pass on.

Read these dreams anew and do enjoy!.

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Whilst the Moon transited both Gemini and my first house, I would be transported to a cul de sac of the astral plane wherein I am not frequently focussed. It was Monday, November 1, 1993. At the time, as now, I did not own a television and hardly looked at it. Also, at the time, I hardly listened to radio or read newspapers et al. I was also much removed from most daily chatter as I had been off sick from work but did go in to participate in the annual Halloween costume competition which the year prior I had won when dressed in full drag and looking hotter than even Tina Turner herself in my high heels. The above photo of yours truly was taken at Halloween 1993, the day prior to this dream.

Thus it was that I would fall into sleep and immediately be summoned to be in service to the higher good. What is really interesting about the experience with the famous actor encountered in these dreams, I rather suspect that he may be a cadre mate from the tenor of the dream encounter. Too, there are a number of famous persons in my cadre and he seemed vibrationally not dissimilar to them.

That being the case, this likely explains why I was called on to be of service at the time. I am said to be rather cardinal in casting, which is clearly reflected in yours truly being inordinately gifted when it comes to fathoming the depth and breadth of the dream realms. Too, as these dreams were clearly focussed on the astral plane, naturally, there was dream flight. More than that, whilst focussed on the astral plane in the dreamtime, one did encounter at least two, possibly three, extra-human species.

As there is flight and levitation in these dreams, I pray that they will richly inspire you. Fly my darlings, fly, don’t even for a second doubt, just melt into a mischievous plié and start flying – cause you can… cause you are magic incarnate!

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A woman and I were together, in this the second dream, above the Arctic Circle. This woman did remind me of the woman, who had earlier been in the previous dream encounter with Niles Ben-Daniel and seemingly his lover. I was not fully certain that this woman was one and the same as, the one posing as Niles Ben-Daniel’s lover, in the prior dream. She had a couple of siblings whom she had asked to find out what time it was.

Here, they kept time quite unusually because there was no tundra about. They, as a result, kept sundials. They grew their grass such that they were able to tell from Sol’s shadows what time of day it was. Their sundial was a natural phenomenon which used the rugged flat landscape for keeping time. Standing there, I faced due north. Sol was still in the sky, but low, and at the two o’clock position. Sol was red and potent; it was almost serene-looking.

Over time, they had planted a hedge of Chinese boxwood, which stood a foot tall. From it were a series of radial-like spokes radiating out from the centre. All told, there were twenty-four spokes; of course, the spokes lined up with each hour of the day. Even in the wintertime, the hedge though submerged maintained an imprint of itself above – in the snowed and iced over terrain. It was quite nude (barren) landscape here. Sol’s shadow was presently pointing directly at the ten o’clock position though it clearly wasn’t. Ten o’clock could also have been four hours past midnight.

I decided that it had to be around four, in the morning, which is why Sol appeared in the sky where it was. This was the time of year when Sol never sets which made it difficult for me, a novice in these parts, to readily get my bearings. Quite a strange phenomenon because my body felt nocturnally phased, yet, there in the sky was Sol as plain as the Moon. She wanted to know what time it was because she was getting ready to go down south to the ‘Southland’.

She also referred to it as, ‘the land of the setting summer Sun,’ which did make sense. She had said all that in her Inuit tongue, yet I had been able to follow perfectly well as though she had been speaking English. More than being with her, rather, I was there as an observer and took in the minutiae of this unique culture. Certainly, we were keenly aware of each other and that we were both gifted telepaths.

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Next, in this the third dream, I was in a crowded interior. It was a waiting lounge in a large depot that was not unlike New York City’s Grand Central Station. A sandy marble, time-yellowed hue, the walls here were the same colour as at Grand Central Station. A high-ceilinged cavernous place it also was. The main hall had several wings that adjoined its considerable length. Here, there was natural light coming in from the bathysphere-like windows that sat way up the walls and close to the ceiling.

In that sense, this was not unlike the grand hall in which I walked with Merlin during which we encountered the exalted magus on September 4, 1988. I was seated on these large wooden benches that were old, comfortable and looked not unlike church pews. Semi-circular in shape, they gave a sense of inclusiveness to them. All around me exclusively were men. This place seemed, if you like, some sort of way station. One guy there was very slight-bodied, young and naïve-looking.

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Looking at him, he wore a navy-blue track suit. He came over to sit next to me, eventually sitting on my right. Patting him on the back, I told him that it was really good to see him. I wished him a safe passage and asked that he go in peace, “Have a safe passage. Go in peace and do have a good journey…”

Of all people, it was the actor, River Phoenix – he recently overdosed on heroin, early on Sunday, October 31, yesterday. This was a very vivid dream. I was quite lucidly awakened. Feeling great compassion for his tragic departure, I thought to be of comfort to him and to uplift his spirit in whatever way possible. There and then, I realised that this was a place where persons who had recently died came whilst in transit to their final destination as returning astral plane habitués.

*This, of course, did not surprise me. Right away, I was reminded of the sense of mammoth dimensions that also exemplified the architecture of the train termini, where I had run into Merlin in that momentous dream on Friday, July 9, 1993. END.

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Seated there, next to him, I exclusively turned my focus on him. I then began doing an enormous amount of energy transference, thereby healing his spirit, before he could move on. Who cares the attachments to this man, in the waking state? I have never followed his career but here, in his astral plane hour of need, we were souls and healing is the most generous gift of love. After having left his life in such a dissociate state, River Phoenix needed to be made more whole.

This is why he had seemed so naïve and as if in a daze. He saw me and purposefully began walking towards me. God only knows what he noticed in me that was different to the others. Until he was about two feet away from me, I for one had not realised that it was him. By that point, he had already been intent on coming to sit with me. He clearly needed my services.

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Phoenix, River 23/8/197031/10/1993

This fragment was a second level mature artisan – third life thereat. River was in the observation mode with a goal of growth. A realist, he was in the intellectual part of emotional centre.

Body type was Lunar/Mercury.

River’s primary chief feature was self-destruction and the secondary stubbornness.

Casting for River is fifth-cast in second cadence; he is a member of greater cadence three – greater cadence mate of Arvin’s. River’s entity is six, cadre one, greater cadre 7, pod 414.

River’s essence twin is an artisan and he has a sage task companion.

River’s primary needs were: exchange, expression and power.

There are 18 past-life associations with Arvin and 16 with Merlin.

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At the level of soul, I could not have cared less who he was; his energy body’s vibration needed a good deal of realignment before he could move on. He chose me and I gladly obliged his wishes. When patting him on the back, I was keenly focussed on sending him a great deal of near-aqueous blue-white light. River Phoenix was saddened. Rather, he seemed to be in a state of shock, though, not horrified or enraged. There was just a degree of resignation as he came to terms with where he was at. When it was all over, in the brief moments that it took to lay my hand on his back, he got up to get going.

He was obliged to take his leave and move on. He seemed here truly dazed. Perhaps, these were residual effects of his having passed in a heightened soporific state. Seated there, I felt completely drained of my very breath itself. I was left feeling so overwhelmingly sad and strangely alone. Another guy had sat down, on the other side of me, whilst I energetically focussed on River Phoenix.

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I can’t, for the life of me, say whether or not the guy had ambled up to join us seated there or if he had simply materialised – on the astral plane – for having just projected himself into our midst. Looking Hispanic, more than anything, this man had yellow-coloured eyes. Absolutely bewitching they were. He wore cream-coloured jeans with matching cream-coloured jacket. There was a lot of black in the clothing. This was in the style of Hip-Hop fashions.

He was a very sensitive man with a Hispanic accent and was slightly older than River Phoenix; he was about 24 or 25 years – at least he looked about that age. His hair was thick, black and curly. By way of conducting focussed energy transference, my function here was to provide counsel. I would simply tap into their vibration and, by way of their chakras, realign their energy. All of them seemed to have passed suddenly, completely unexpectedly. Thus they had a great need to become assimilated to what was clearly an unexpected turn of events.

They needed immediate supervision and companionship, until having become further acclimatised. Meanwhile, the persons around me were all being counselled by others – who were more solid-looking – whose role was like that of mine. I was, like all the others, a guide, companion and energetic facilitator to the arrivée habitués.

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Architecturally, this place was so immensely massive. It was also more ancient by at least 30 millennia than the rise of the Roman Empire. Clearly, there is no way to get around the fact that this was an astral plane experience. There was also no way to get around the fact that the first man, with whom I worked, was the actor, River Phoenix. What was really impactful for me was that River Phoenix, like all the others, had absolutely no emotions. He was in a place of total detachment.

Though a sudden departure from the life being lived, his soul consciousness was totally matter-of-fact about the situation at hand. The past, his recently accidentally concluded incarnation, was concluded and behind him. Period.

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Whilst we were all there, we were caught in some commotion when a Black guy appeared. He wore a blue jean jacket and wore on his face a flesh-toned fabric mask. He looked as though he had been in a burn unit at a hospital, I assumed, after having suffered massive burns to more than 95% of his body. It was the mask used for allowing skin grafts in such instances to take without becoming infected. My sense impression of his situation was that he had been in a violent car crash which turned into an explosive fireball. He had survived and was in hospital, for a while, undergoing massive skin grafting surgeries.

He also wore dark shades. The moment that he appeared, everyone instantaneously freaked out. All that one could see, was his mouth and nose; the image was upsetting, menacing. Right away, we all began fleeing that section of the grand hall. His arrival was simply instantaneous. He had simply manifested in plain view. When he came through, he brought with him a great explosive energy and immense suffering. This is what had upset the Chi in the place; it was quite an impactful energy wave that accompanied his manifestation. On closer inspection, I realised that he had not been a burn victim as he was still brandishing a large semi-automatic weapon.

Clearly, he had been holding up a business and got himself shot to death in the process. Thus, as is, he instantaneously appeared on the astral plane. The energy around his death was+ so immensely violent, as he went berserk, that it proved rather jarring for the rest of us. His body was violently sputtering away, as though, still echoing the massive volley of bullets that were being pumped into him. No doubt, a battery of over-armed police officers were only too happy to waste yet another ‘Black’ male.

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We all immediately started bolting because here was he, suddenly arrived and carrying a weapon, on the astral plane to which all these arrivés were not yet fully acclimatised. There was a group of urbane Gays over to one side who kept to themselves. The Gays went truly berserk, fearful of him, as this man was clearly a zealous homophobe. That too was the other thing about this place; one was able to accurately ‘read’ a person on their arrival.

As I sat there on the pews doing my energy work with River Phoenix, most of the light flooding the hall came from off to the right and rear. From the inner hall, I went bolting along with everyone else and took cover. The armed Black man had manifested across the hall from me. Making my way from what I thought previously was the main hall, I ended up in a grand hall that was easily seven times larger than the atrium in which I had been counselling River Phoenix and then the yellow-eyed Hispanic.

As everyone else had been bolting in that direction, I made a left turn. From the main hall, I was now in another atrium; this one, however, was considerably darker. This one was several storeys high with the same colour schemata as at Grand Central Station. Though there were no discernible floors as such, at each storey there were landings. I would then bolt down to where all the other Gays were ahead of me. In a bid not to be captured by this guy, who had no awareness that he was now dead and on the astral plane, I leapt over the railing and down onto the escalator where the Gays were.

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As they were all still clambering down the steps, this was not the greatest idea on my part; it was a truly chaotic scene. Deciding against pursuing the herd mentality, I willed myself from amongst them. With that I began levitating, above them and shot upwards, flying up into the nave of the towering complex. Goodness, this place was immensely massive. Soon enough, the man came to where we had been and made for the stairs from which I had just taken off. Being sufficiently distracted, I knew that he wouldn’t be able to either hear or see me way above him.

Too, he wouldn’t think to look up and see me. I flew in such a way that I progressed around a corner which took me into another wing of the massive complex. Here, there was a balcony whose wall was such that it had an indentation in the shape of an inverted top hat. Thus, the balcony was as if wrapped inside the hat. Hiding out in the cover of the balcony, I peered out – from time to time – where I saw others on lower balconies who peered up at me.

Others were off to the right in the inverted balcony. They discouraged me from coming because they thought that, somehow, my movement would attract the newcomer with semi-automatic weapon. They were of the impression that he was, in the first place, out to get me. All around, this whole episode was terribly unpleasant. It had all the chaotic madness that must surely exist, at present, in the streets of a war zone like Bosnia or Croatia.

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Deciding against hiding out, I sought to be rid of this place altogether. With that, I began flying upwards towards the very ceiling of the grand hall. The ceiling was as if a force field and not a physical construct. Thus, without incident, I was able to will my way through its parameters. I was truly relieved to have made it out of there. One had the sense of leaving one dimension and moving on to another, whilst seemingly clearing the grand hall’s ceiling, and into the next dream experience.

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Next, in this the fourth dream, I was outside where I immediately encountered some young teenage females. All were sarcastic, bitchy solipsistic twits. They were on an empty city street. Racy-edged, in the extreme, were there. Especially for feeling the enervation that I did for the massive energy transference work that I had undertaken with River Phoenix, I really did not care to be around these people’s energy.

At the time, I was still in flight but had slowed down, hoping possibly to interact with them. Finally, I had no time for them and their bullshit. No need to be around their imploding energy. Without haste, I flew on and went onto a side street. There, I saw a really large building from which there were some persons presently exiting.

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It was as if one were looking outdoors, due west towards Fifth Avenue, in Manhattan. A young couple came from the building and entered a car which looked like a Bentley limousine. A massive stately old car it was and looked every bit as though it had been made from lead. A large structure stood to my left as I watched them drive away towards what seemed to be Fifth Avenue.

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Looking to the structure, I realised that the structure was in fact St. Patrick’s Cathedral which, of course, meant that I was at 51st Street at Fifth Avenue. Naturally, the car made a left turn and went south down Fifth Avenue. Here it was nighttime with lots of snow in the street, the sidewalk, and covering just about everything. The car wanted, once on Fifth Avenue, to go westwards along 50th Street, but couldn’t because that street runs easterly one-way.

There was also too much snow jammed there in the street. So, in the end, the car went down to the south end of Saks Fifth Avenue to try and get onto 49th Street. Here in the dreamtime, contrary to the waking state arrangement, 49th Street flowed easterly. This made me realise that its attempt to go along 50th Street was not bizarre. I guess that they then intended to go easterly along 49th Street, over to Park Avenue then up 57th Street, make a left at that street, to try and get across town that way.

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I figured that that major thoroughfare would not be impassable. I was keen to find out who was inside the car, which was a very regal, stately affair; they were a sophisticated well-bred couple. I was more intrigued by the car because it was mostly glass, with the rear windshield arching up to above their heads, as they sat there exuding their exalted classism. The side panelling on the outside, and where the rear windshield met the roof, was all solid gold. Atop the roof there was a beacon like on a taxi cab, however, it was made of solid gold.

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Really, it was more a coat of arms than anything so crass as a taxi’s beacon; this was a truly luxurious-looking vehicle. As I inspected it, I had been in flight hovering a couple of floors above it. Rising in the air, I began speeding down on the east side of Fifth Avenue over St. Patrick’s Cathedral. When I got over the cathedral, I noticed that – unlike its waking state counterpart – this one had flying buttresses. Though it was very dark out, as though the dead of a Dark Moon night, I noticed that there was activity atop the cathedral. There were things there which I found immediately intriguing.

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Abandoning my pursuit of the Bentley landau, I slowed down, coming closer to observe what was going on atop the cathedral’s roof. There, I saw wonderful fowl; there was a whole array of them which were quite large. One species was white with lots of black specs throughout its body. They were all on different ledges on the flying buttresses. All of them had nests that they were tending.

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One of the nests had 8 large speckled eggs inside. There was, however, no fowl tending to this nest. Flying slowly, within ten feet of the buttresses, I inspected everything with a keen eye. This was so very astral plane in focus. Considering that I had previously been counselling River Phoenix, who had recently passed, it made sense that I should be on the astral plane. In any event, the rooftop was pitch-black and covered in tar. The masonry here was also much blackened with time’s passage. Too, there was a lot of moss covering every available nook and cranny.

I suppose that this replica of St. Patrick’s Cathedral needed to exist, here on the astral plane, to provide some sense of continuity to the dearly departed recent arrivés of the Catholic persuasion. Here on the astral plane, this St. Patrick’s Cathedral was considerably larger than its waking state counterpart. As well, it was millennia older than the Roman Coliseum. The older dead moss had left the structure blackened – along with the centuries of pollution and soot caked on in layers. Naturally, in order to get up to the roof of the nave, I had had to rise higher and beyond the buttresses.

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Once higher in the air, I saw down between these two buttresses a group of Whites. They were dressed in animal skins and were, in the true sense of the word, barbaric-looking. They had not yet fully developed the ability to speak; thus, their speech consisted of a series of barks and grunts. Quite hirsute, they were obsessively fearful. Huddled on the top of the structure, they proved a smelly lot.

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Everything was quite ancient and scorpionic-hued. As well, there was a tribe of black-furred monkeys with some red in them. The Barbarians also wore a skin that had a reddish hue to it which was seemingly a doeskin. Theirs was, as well, a tawny reddish complexion. On noticing me, the monkeys went wild, climbing up to the tops of the buttresses; frantically, they pounced and screamed up at me. Goodness, they had such large vicious-looking teeth; thank goodness they could not fly.

Mildly horrified, I simply levitated higher into the air and stayed clear of their none-too-evolved noise. Exceptionally tiny, they were also very intelligent-looking. Truth be told, they looked much more evolved intellectually than their simian cousins, the Barbarians. Goodness, they were feisty and noisy. Wanting to investigate everything about the queerness of the sight of me, they were truly inquisitive.

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Going higher, I reached to the top of the nave where I noticed a couple lying there. They were lying on their backs. Looking not unlike the sphinx’s, theirs were the most abnormal-looking skulls that were splayed and large. Their clothing was unusual-coloured; however, on closer inspection, it turned out to have been their skin. Basically, their skin was as if a floral-printed fabric. Very brightly coloured, their skin was an interesting sight… to say the least. They lay there, looking not the least bit surprised at the sight of me. They also seemed not inclined to do anything but enjoy themselves in repose.

They seemed so mysterious. Looking down, I alighted to investigate. I spent some time looking down at their feet where their skin was also uniformly distributed. I had wanted to leave but decided to head in the opposite direction; as they lay there, their feet were in my way. I didn’t want to have to upset or interact with them. They seemed alien, in the true sense of the word, but were not in fact to be disturbed. Silently, they lay there and directly looked at me. One had the sense that they could have turned deadly in a femtosecond and gone at me like a cobra on the attack. They had very cool eyes that were powerful, truly scorpionic. Theirs were the kind of eyes that were beguiling but utterly untrustworthy.

*Their eyes much reminded me of that dream encounter with Lars Gamst, set in the British Isles some centuries back, wherein we encountered a litter of oversized cats, which turned out to be not only psychic but also feral. This was back in the summer of 1988 – before recording the dreams on audio-cassettes. END.

Soon enough, I flew away from there because this was much too astrally focussed an experience. I might add, as dreams go, it was one that was very much so real and quite layered. It was simply much too intense; so, with that, I withdrew being energetically focussed therein.

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Hope you enjoyed having taken this groovy little trip with me… Go on, hop to it, start flying. I love you more.

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©2013-2020 Arvin da Brgha. All Rights Reserved.

Dreamquest: Past Life As Welsh Warrior-King, Merlin (female) also Present.

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The dream was the first that day and occurred in the B sleep cycle, on Thursday, June 25, 1992, whilst the Moon transited both Aries and my eleventh house.  As with all past life dreams, this was inordinately lucid, all my senses were piqued.  Of course, there was the sense of being locked in – not being able to change the outcome of events as they unfolded.  

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A marvellous hall at nighttime where I was with a companion progressing through the place.  I don’t quite know who it was that accompanied me.  Then I wandered off and was with myself.  I rather relished having done so.  On the right side of the wall, it was rather dark and dimly lit by candlelight or torch flames.  There were all these books everywhere.  They were of brown-covered, time-faded colours.  They were in the fantasy genre.

Immediately, I was intrigued and got excited when recognising some as the same ones that I had bought before.  Sadly, I had never gotten around to reading them.  Interest peaked in me because I wanted to see what the covers of the books were like.  As a matter of fact, one of the books was opened.  Almost every one of them was opened.

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Somebody had been reading them but hadn’t finished doing so.  Whoever had been reading these books would, as a matter of fact, then turn them upside down on the ledge of the fragile-looking bookcase.  Each night before going to sleep, this was the habit which the reader employed with the books.  I progressed down the length of the shelf leisurely perusing their covers.

There was one there which stood out and immediately appealed to me.  It was brown-covered with a young, handsome man on it.  Another had a man with a dragon in the image.  It was in the fantasy genre and terribly scorpionic in tenure.  Its sensibilities were terribly medieval.  As I kept walking along, I came to this one image on one of the walls.  It was of a very large tapestry.  Immediately on seeing it, I stopped dead in my tracks because it was readily recognisable.

It was something for which every residual resonance harked back to a former lifetime.  It was a stunning tapestry.  It was, as a matter of fact, quite large.  On the bottom of it, there was this writing in red that was very Gothic.  Arcane writing it was.  Though it seemed to be in Latin, I was more so of the impression that it was in arcane Welsh.  There were lots of Ws in the very long words.

I tried my best to read and interpret what it was saying but couldn’t quite make it out.  It did have something to do with a particular event which was depicted as having occurred in the year 1209 or earlier.  The writing was at the base of a stump in the tapestry.  It sat there, a stone outpost that appeared on closer scrutiny, more so like a crypt.  Whilst facing the tapestry, I looked at it and keenly recorded every lush detail of the very real experience.

The head was of this very princely man who was bearded and luminously silver-haired.  He wore a long, flowing, white robe and as one looked at the wall, which was on my right, so too was the tapestry’s actions in that direction.  As he lay there on this large, stone slab, the head of the man was plainly visible.  His head was to the left of the tapestry.  The robe that he wore came and hung over the edge of the stone slab.

The fabric beautifully cascaded over the edge and down to the floor.  It was a wonderful, beautiful, shiny, white robe.  The threads in the tapestry were such that the light striking it, from the room, caught and imbued it with a handsome glow.  There was a woman there in the hallway, where the tapestry hung, who was dressed in medieval garb.  Her arm outstretched, she was looking up with great yearning.  The left arm on her heart, the right stretched up over the head of the prostrate ruler.

Supplicating the gods as it were, she was arched backwards.  She was mourning.  Her mouth torn-open birthed her bloody pain.  She was wailing.  All of this left one feeling such gravity at the sad state of affairs.  Behind her was a large, brawny, warrior-like man.  Basically, her arm was outstretched to block him off.  He carried an upraised sword.  He wore gold chain-mail.  Experiencing this tapestry was very painful.  I just couldn’t bring myself to look at the face of the prostrate ruler.  Immediately, as I looked away, I was instantaneously made aware that I was participating in the action being depicted in the tapestry.

I was caught up in a re-enactment of the tapestry.  Rather, it was a reanimation such that I was reliving the events depicted in the tapestry.  There I was, of all things, lying on the slab.  I was, in fact, the princely leader.  As I reclined there, I immediately became familiar with the body.  Large, mid-aged and overweight, I immediately became fully synchronised with the princely body’s every nuance.  Also, I was instantaneously reminded of that large body which I had ensouled in that dream recall of that past life in Roman times.  In that past life dream, I was murdered at the baths by my very shrewd wife’s centurion guard-cum-starfucker-stud agent.

In between feigning wailing at my loss, the woman was now leaning over me and whispering to me.  Straight away, I realised what was afoot.  I was not yet dead and she knew it too.  We were trying to affect a faux death.  This is why I was covered in all that heavy material which would easily disguise my shallow breathing.  I was supposed to be faking being dead.  Lying there, there was a commotion outside the large, heavy, wooden doors to the damp, empty room in a stone, fortress-like dwelling.  Where it was seemingly at nighttime, there was a great deal of light coming through the high-placed windows about the room.

The man outside the door, who had been shouting in a violent display of temper, barged in and commandingly approached the cold slab on which I laid.  I remained catatonic truly overcome with fear.  He was a very large-bodied, brawny, hirsute study of Sagittarian, Martian energies.  There was a dense concentration of warrior-spirited drive in his body.  On his waist he carried his sword and was one impatient, disgruntled soul.  He wore a chainmail suit of dull gold or bronze.  When he walked there was all this noisy clanking from his armour, chainmail and sword.

He was bearded and much younger than I.  He was long-haired, handsome, like a fierce warrior, with jet-black, glossy hair.  His mouth was youthful, full and beautiful.  His was the intensity of unbridled fearlessness and sheer, brutish force.  He was cool and deadly.  On seeing him, I was immediately filled with fear.  My pulse uncontrollably raced.  All I wanted to do was get up and bolt.  However, I could not have.  Approaching, he began talking to the woman in this strange, archaic, Aryan tongue.  Basically, he was refuting the news that I had died.  In essence he was saying, “He isn’t dead.  Are you trying to fool me?”

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He had the most powerful, booming voice whose echo slapped the damp chill out of the room.

“Look at him!  He should have been dead a long time ago!”

I guess that he was my heir and was quite upset and wanted to claim the title that I had which, of course, was his by birth.  Although he was my son or heir, at the very least, I had a mortal and ultimately fatal fear of him.

“Damn you!  You should have died a long time ago.  Why aren’t you dead yet?”

Then he suddenly stopped as it dawned on him that I could be faking it.  He barked a loud breath of impatience and immediately drew his sword.  At that the woman cried out, tossing herself at him, asking,

“What do you think you’re doing?”

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With the most ferocious force, he brought down the sword vengefully attacking my body.  The sword entered my stomach like an intensely hot spear.  Simultaneously, it had struck my left hip as they both stood to the left of me – as indeed, she was standing in the tapestry.  When he smote me the blade came down and hit me on the hip but then he moved it by thrusting it into my stomach.

Turning and twitching, I rigidly nudged my head to the right in pain.  As he triumphantly laughed, the loudest most vulgar laugh erupted in the hall.  Naturally, had I been dead there is no way that I would have moved.

*As I slept here, I had a corresponding cramp in my stomach.  It was of a sharp, stabbing pain.  This correspondingly made me simultaneously turn away to the right in the waking state.  This was a very, very, vivid dream.  END.

My sense of smell was quite piqued and there was no way to get over my being alive in this experience.  It was very damp with a foul odour of agedness in the air.  My stomach was convulsing and there was a taste of blood in my mouth mixed with the loud smell of faeces in the air.  The woman, my companion, cried trying to explain that I had only recently died thus it was a nervous twitch – a nervous reaction if you like.

She was not very convincing to which he shot back, “Ha, well then if he is dead…” he began walking around her forcefully approaching the head of my body, “…he won’t mind having his head removed!”

All that I could see, from beneath my quivering lids, was her reaching up and lunging as she bawled aloud, “Noooo!”  She reached up her hand and I tried to throw open my lids terror-struck.  However, when the sword crashed down into my neck severing my head at the spinal cord, I swiftly felt a loud thud.

At that there was this immediate abortive blank.  It was abrupt and with great finality.  Gone was the woman’s horrified scream in mid-breath.  I could feel the contact of the sword on my spine at the point of decapitation.  This was, in fact, rather traumatic because abruptly and with great force my life was ended.

*At that point, the moment of blank displacement, I was slapped back into my body instantaneously awaking.  Finding myself fully awake, I was in the midst of raising my head off the pillow as I slept on my back.  When I heard my infamous neck injury snap and being aggravated anew, I had not yet sat up in bed.  I collapsed back into the pillow stunned and short of breath.

It was all so overwhelming that all that I could do was just relax.  I dissolved in a silent, teary cry.  It was the only way to address the tense rigidity that my body had become.  As I laid there it was extremely hard to simultaneously cry and breathe.  I had no desire to get up.  I was simply resigned with sheer exhaustion and the weightiness of having re-lived a traumatic end-of-life experience.  This was a past life which undoubtedly was in the early part of this millennium, in Wales.

This obviously was, from every richly detailed nuance of the very intensely lucid, progressional experience, a slice of a past life.  What was really impactful, even more so than the beheading, was the moment at which I saw the tapestry.  It was immediately familiar and infused with a certain validity which couldn’t be denied in any way.  I wanted to run, to not see it, on first contact with it but was incapable of doing anything.

The tapestry depicted the slaying, of the aged leader, as being a pivotal moment in that realm’s history.  I did not get the sense that the man was my son but rather my usurper.  Regardless, I was rather afraid of this man.  This dream was much like so many others that relate to matters of trauma which resonate to the level of soul itself.

I can remember thinking at the time of that dream of Francesca and of the one with Merlin, in which he collapsed a great deal in that life in Spain with the Ludnezes and I protested by saying, “I want out of this dream, now!”

It does go without saying that as Merlin is a scholar soul, the upturned, unread books – which were brown-covered and time-faded – were a residue of his true soul in essence and agedness of soul.  After all, it was Merlin who nightly read several books, one of which he would conclude.  Until he was prepared to return to one of them to conclude the following night, the others were kept upturned or down-turned about the apartment.

In the event that they were to be accidentally closed, there were even times when he would wedge a piece of pretzel in between the pages.  Of course, I was in the habit of going around and closing the books when cleaning house.  Merlin, time and again, expressed displeasure at what he saw as interference.  I would never mischievously close the books that he had kept opened about our home.  Alas, such is wedded bliss.

Every detail in these dreams was so richly realised and resonant.  There was no way that Merlin could not have been instrumental in this past life revisit and reanimation.  I am confident that Merlin was crucial to the invocation of this past life milieu which awaited my arrival.  Of course, thanks to the jarring vividness of the decapitation, I abruptly awoke.

However, I still felt as though I needed to dream on.  I knew that there was more yet to come.  Despite Whoopi having leapt from the bed anticipating being fed, I chose not to get from bed and do anything.  I would much later after this dream learn, from Mathilde Duchenne’s channelling, that Merlin and I are indeed task companions – he a seventh level mature scholar to my seventh mature artisan.  This validation only made the dream of the library, of much loved books, that much more relevant.

Obviously, that dream set in late-twelfth, early-thirteenth century Wales involved both he and I.  I don’t, however, know whether he was the large-bodied woman who pleaded for me not to be killed or whether he was the Sagittarian-Martian energied usurper/heir who came to make sure that the job was done and I was truly dead.  It was all very lucid and like every reincarnational dream one was incapable of affecting change in the outcome of events.  One was, as it were, simply along for the roller-coaster ride.  END.

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As ever, straighten up and fly right, all the while singing, vocalesing and having a merry old time of it… because you are special and I say that you are damn well worth a flying dream.  Thanks for your ongoing support.  

 

 

 

 

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© 2013-2020 Arvin da Brgha.  All Rights Reserved.

An Incredible Baby Boy!

HRH Prince Henry, Duke of Sussex announces the birth of his son.  

Henry announces birth

Lips trembled and I came undone whilst watching this beautiful spirit revealing his sheer delight at becoming a father.  As a last-born, I always more readily identified with this man rather than his brother.  

Archie meets HM

Archie Harrison Mountbatten-Windsor being introduced to his great-grandmother HM Queen Elizabeth II whilst his grandmother, Doria Ragland, his great-grandfather HRH Prince Philip, Duke of Edinburgh by his enraptured parents, TRH Duke & Duchess of Sussex.  

Doria Ragland

Doria Ragland, grandmother of Archie Harrison Mountbatten-Windsor, Earl of Dumbarton.  This woman has the most exquisitely beautiful papaya-seed succulent, ensouled eyes.  

The wedding of Prince Harry and Meghan Markle, Pre-Ceremony, Windsor, Berkshire, UK - 19 May 2018

Meghan Markle en route to be wedded and pronounced, Meghan, HRH Duchess of Sussex.  

There is a reason why there was so much beauty and love overflowing at the marriage of TRH Duke & Duchess of Sussex, for less than a year later they would give birth to a most remarkable older soul.  Before getting to that, I still think that the best dressed woman at their nuptials was the dowager Duchess of Westminster who looked for all the world as though she were merely traipsing about her lair in her favourite muumuu.  There was something so disarmingly unpretentious yet elegant about the look and air she projected.  

Harry May 12 2019

At once delicate and vulnerable; it is so immensely satisfying to see this young man flower into the true essence of his being.  

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As Meghan possessed of a true sense of theatre, she who was formerly Margaret Beaufort, entered and strode the knave of St. George’s Chapel alone… a Queen returned, she joined her lover and invited us in to share in a love that was tangible, real and undeniable.  

Sussexes2

Less than a year later, the love blossomed into the most beautiful, magical flower.  

Archie Harrison Mountbatten-Windsor2

There he is, Archie Harrison Mountbatten-Windsor, of all the senior royals he would prove the oldest soul.  This young man will prove a most uplifting member of the British Royal family.  

Earl of Dumbarton

Mountbatten-Windsor, Archie H. 6/5/2019

Michael: This young fragment is a seventh-level mature priest – second life thereat.  Archie is in the perseveration mode with a goal of stagnation.  A, realist Archie does not yet have a centre. 

Archie’s, as can be expected, does not have chief features. 

Archie’s body type is Venus/Mercury/Mars. 

The fragment Archie is second-cast in the second cadence.  Archie is a member of greater cadence four.  Archie’s entity is five, cadre six, greater cadre 7 pod 418. 

Archie’s essence twin is a priest and the slave task companion is likely to be known at a later date. 

Archie’s three primary needs are: exchange, acceptance and communion. 

There are 6 past-life associations with Arvin and 7 with Merlin.  ­­­­­­­­­­­­­­­

This fragment does have a facilitating agreement with the father, HRH Prince Henry, Duke of Sussex to be his son; he also has one with the artisan, his mother Meghan, HRH Duchess of Sussex and it is that of parent/child.  All three, along with HM, The Queen are of course cadre mates. 

We would say that this inspirational fragment is likely to have some notoriety as would be expected and can serve to inspire others to cross perceived boundaries. 

The higher ideal has to do with unification. 

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HRH Prince Charles, Prince of Wales his paternal grandfather has to date been the oldest-souled senior royal.  Like HRH Prince Charles, Archie is a seventh-level mature soul; however, whereas Charles a warrior soul is an ordinal fragment, his grandson, Archie is an exalted fragment for being a priest.  Priests are the feel-good great souls.  I rather suspect that this man will go on to have the same inspirational effect as have Barack H. Obama, Nelson Mandela and Martin Luther King Jr. all of whom are priest souls.  

Of course, President Obama is a young-souled priest, whereas both Martin Luther King Jr. and Nelson Mandela were both sixth mature priest souls.  Archie is an older soul than the latter two mature-souled priests and like both, his role will prove rather uplifting and inspirational to blacks globally.  Indeed, there is no happenstance that as TRH Duke & Duchess of Sussex departed St. George’s Chapel in the Ascot landau, after their nuptials, the Kingdom Choir sang, This Little Light of Mine.  

All priests have one thing in common; they have the most radiant, magnetic eyes.  You never forget their eyes; indeed, their inner beauty of spirit is more readily reflected in their eyes than with any other role – at least, that has been my experience of priest souls.  Priests constitute roughly eight percent of all souls in the cosmos.  They are greatly motivated by a sense of justice and are in the world to both inspire and promote harmony.  With his father’s double sixness, Archie, born a six day, is well equipped to inspire and empathise with the needs of many.  He is, like his father, greatly gifted with the ability to inspire others.  Archie also happens to be a cadre mate of both his parents TRH Duke & Duchess of Sussex, plus his paternal great-grandmother, HM The Queen.  

One thing is guaranteed, as the only priest soul who is a senior royal*, Archie is going to be a standout like no other.  This is a family of slaves, scholars, warriors and artisans.  I think that his parents’ open and abiding love speaks to them serving as parents to this rare soul being born into the BRF.  In a way, he is the perfect maturation of the qualities that his paternal grandmother embodied; Diana, Princess of Wales with her inordinate empathy and compassion gave birth to a deeply empathetic warrior, HRH Prince Henry, Duke of Sussex, who in turn has fathered the very embodiment of all the higher ideals that both mother (Diana) and son (Harry) have represented.  

*As I have not had channelled the Michael Overleaves of the three children of TRH Duke & Duchess – HRH Prince George of Cambridge, HRH Princess Charlotte of Cambridge and HRH Prince Louis of Cambridge, I do not know if any of them are older souled than HRH Prince Charles or Archie.  I also do not know if any of them is an exalted role – King, Priest or Sage, though, none of them strike me as any of those three roles.  

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On another note, what more proof does one need that Diana, Princess of Wales had greatly succeeded in being a parent.  

Mr. & Mrs. Thomas Kingston

Third royal wedding in twelve months, featured the handsome Lady Gabriella Windsor – look at that neck! As always, one looks for the notable sartorial moments.  

Middletons

Carole Middleton wearing the best hat and outfit that easily surpassed the Catherine Walker ensemble which she wore to her daughter, Catherine, HRH Duchess of Cambridge’s wedding and her outfit at the royal wedding of TRH Duke & Duchess of Sussex last year.  

TRH Prince & Princess Michael of Kent

Look, as we West Indians always say, ‘there is always a but’ her blackamoor brooch notwithstanding, I am always a sucker for a woman with a prominent forehead and HRH Princess Michael of Kent has always been a favourite of mine.  

mother & daughter

I definitely did not like her lilac outfit at the wedding; the mother of the bride looked infinitely more elegant in what she wore later to the reception.  

HRH Princess Anne The Princess Royal Lady Frederick Windsor HRH Prince Henry Duke of Sussex

HRH Princess Anne, The Princess Royal, Lady Frederick Windsor and HRH Prince Henry, Duke of Sussex.  

Hands down, Lady Frederick Windsor was the best-dressed lady at the recent royal wedding – that hat, those feathers that soothing blue… perfection.  

TRH Duke & Duchess of Kent

HRH Princess Marina, HRH Prince George TRH Duke & Duchess of Kent.  

Without doubt, the most handsome Windsor male of the past century.  Of course, that tiara was worn this past weekend at the royal wedding of the Mr. & Mrs. Kingston. 

HM The Queen

HM The Queen at Lady Gabriella Winndsor’s wedding.  

HRH Prince Philip Duke of Edinburgh

HRH Prince Philip, Duke of Edinburgh at Lady Gabriella Windsor’s wedding.  

James Middletonx

James Middleton attending the recent royal wedding at St. George’s Chapel, Windsor Castle, Berkshire.  

james middleton

There is no stronger validation for the fact that all gap-toothed Caucasians having been black in their immediate past life than this photograph of James Middleton.  James is a spitting image of a black Haitian former coworker in Montréal.  Same vibe, same eyes and the exact same teeth.   Jean-Yves was a pretty laid back man who loved fishing and riding donkeys in his native Haiti.  One gets the same vibe of James; his is a look that I have seen many times throughout the West Indian community – laid back men with the same gap-toothed smile.  Moreover, his smile is exactly like that of a voluptuous woman who lived in Sandy Point, St. Kitts when I was a child; who knows, perhaps, James is her reborn.  

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Here’s to love!  Here’s to this beautiful dream called life.  Here’s to HM The Queen.  God Save the Queen!  

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Most of all, thank you for your ongoing support, happy to have you vicariously along for this most lucid of flying dreams.  Be well as ever, and don’t forget to push off and start flying for magic is the stuff of the sweetest dreams.  I love you more.  

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©2013-2020 Arvin da Brgha.  All Rights Reserved.  

Past-life Dream Set at Spencer House.

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These dreams are from the upcoming third volume of my dream memoirs.  I share them here and now as within there is at least one dream which is set at Spencer House, which I finally visited in this lifetime on the occasion of the 29th anniversary of Merlin’s passing.  

The dreams were recorded on audiocassettes over the course of a decade following Merlin’s passing as he had requested that I stay tuned on his passing as he intended however possible to get through to me from the other side.  250 audiocassette tapes later, at the end of that decade in among them were the most glorious dream encounters with Merlin on his passing.  These dreams in their rich pandimensioality were dreamt in lucid astral plane realism in late October 1991.  

As this is an excerpt from the as-yet published third volume all the dreams are in italics and everything else in normal script.  Observations after the fact about dreams are not in italics and conclude with END at the end thereof.  At the time, though I did not know it, the dream was set at Spencer House.  

great_room_primary

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Before ecstatically flying off in search of lives up ahead, it is oftentimes good to know where one has been.  These next dreams occurred during the second or ‘B’ cycle of sleep and dreamtime that day.  Prior to sleep, I had been meditating with crystals in the pyramid and was inordinately focussed in my intention.  After having adequately fortified myself, I was clear in my intentions to dreamquest in search of past lives.  Thus, I would vicariously revisit two past lives which were complementary.  During the first life in question, I was male and Merlin was then present with me and female.  We were musicians at the court of King George III where also present was the Prince Regent and future King George IV.  The second life seemed to have been longer-lived and in that one I was female.

The dreams of both lives overlapped and it was good to have acquired the past-life information of those lives through Michael channeller, Sarah J. Chambers.  Of course, there was a dream of a third past life, it was that of my immediate past life.

painted_room

This having been the first dream, it was an extremely involved odyssey.  A dream it was in which I had gone off to a performance, at nighttime of course, but it was as though it had been onscreen.  Before the performance had begun, there had been a comedian onstage.  There had been many wings to this performance because it had been set in a house.  In fact, it was a period piece.  The people who had been watching this had been, as it were, very much so out of time.  This was set in the late eighteenth century.  There had been a very nasty racist, in fact, send-up of ‘the savages in the jungle’. 

This was all in British accents and very eighteenth century language. 

*As I had meditated before sleep, I had opened myself up to experiencing insights into past-life reincarnational monads.  As it had turned out, I would end up gaining much insight to my reincarnational past.  This was set in the parlour of a very affluent Georgian residence.  There was a white comic onstage, not unlike Tom Kneebone — who was possibly one of the most loathsome pieces of bigoted shits that I have ever met.  Otto Dix arsehole that he is; Tom was a vile, pinched, sphinctered nobody-arsed faggot.  Whilst looking at the comic onstage, I realised that one of the reasons why I loathed Tom Kneebone — on meeting him — was because he bore such strong resonance to the past.  The comic was uncannily like Tom Kneebone.  By that I mean that my visceral connection to the very racist performer was because, he was me in a former life in Britain — lived at court as a white male performer.

Of course, it was not Tom Kneebone but he had the same racist, pinched, WASP lack of tolerance and awareness as the Otto Dix arsehole — such an ill-evolved piece of shit that one.  END.

The comic was entertaining the guests in this salon.  He was doing this whole thing about, ‘the Pickaninnies’, ‘the darkies’.  Also, he had had to have an accompanist to show the ‘natives’ and their gargantuan, elephantine dicks.  Clearly, from the way that he had been holding it, the cock had not even been yet erect.  He was all bulging eyes that had rolled with wide-opened mouth.  Everyone was just spellbindingly charmed by his wicked witticism.  I, however, had not been in the least entertained by it.  In fact, I had felt greatly embarrassed to have seen him. 

This was like having to have faced embarrassing skeletons in one’s reincarnational closet.  After his routine, it then led into this performance that they had been putting on.  In point of fact, the performance actually was quite funny.  Everyone would leave the salon and then come back in but they would all have on Regency dress and wore makeup specific to that era.  At one point, all the women had come back in.  From where I had seen the performance, through an open door, there were people off to the left in a smaller room who were not performing.  They were crowded around on divans.  There was a large open space on the floor where the exquisite rug sat. 

There was one woman there who had had a bad sniffle; she had kept on sniffling and was near consumptive.  Why does she not just get up and get lost?  I was quite impatient with her.  At the time, I was closer to the main players.  These were people who had been sitting in the salon in front of me.  There was a whole cluster of them immediately before me and to the immediate right of the large white doors that led you from room to room.  Exiting that particular room into which I had looked, where the performance was taking place, were more doors.  The door half, which was close to us, was open and served as the wings to the stage. 

Up in front of the mantelpiece was where the performers had come on to perform their scenes.  They were quite funny.  There were parapluies that had wonderful little floral designs on them.  The performers were made-up in such a way that their faces looked like bouquets that resembled large English white and faded yellow roses — very oversized roses.  The faces of the persons were very much in keeping with the zeitgeist of the late-Georgian era.  This was the look that was proper in that time.  As a result, the souls that had been incarnate at that time, were wearing those faces.  At two separate occasions, everybody seated in the salons had had to get up and leave then come back in. 

The last time that they had come back in, all the women were dressed in long, flowing tangerine-coloured dresses that had dragged on the floor.  All the dresses had little flowers on them.  The tangerine colour was muted by a sheer fabric of white silk overtop the tangerine bodice.  The silk had left it a seemingly faded colour.  All along the grid patchwork were these tiny roses that were the colour of the fabric underneath the tangerine-coloured material.  The look was very beautiful.  As they had spoken, there was wonderful repartee going around the room.  This one woman was croaking away, saying, “Oh why don’t they go to church, anymore? 

“Doesn’t anybody go to church anymore?”  She had gotten up, going around the room, to make the point.  She had then come back and sat down on the arm of the chair.  Her husband was very stout and he had remained seated there in an armchair.  One chap, who was on one of the chaise longues where some of the other spectators were seated, was bantering away.  He was very dynamic, in a sage-souled sort of way.  The costume changes between sets went on almost forever; at such times, the salon would become abuzz with lively discussions about whatever socially or politically was au courrant.  Of course, that had meant anything that was superficial and that they, at their level of society, had found très amusant. 

This particular costume change was quite long and some of the players, who were going to have been participating in the next piece, were seated on that particular chaise longue.  They were talking, amongst themselves, when this one man had said, “Well, I certainly hope that you don’t go, looking like that…”  His was a very cutting double entendre because, though the dowager was quite the frump, it was really a comment on her horrid-looking face; this, in an age, long before plastic surgery could have come to the assistance of women of her class.  The woman’s face was very puffy and dowdy and, also, full of makeup. 

She, so without a clue, had replied, “Well, what’s wrong with me going like this?” 

“In a dress, there is certainly something wrong going like that.”  This was very, very witty racy banter and much filled with double entendres. 

The poor frump was daft and had not quite gotten it.  She was wonderfully being sent up by everyone.  “Oh dear me, I never quite seem to know what to wear.  The fashions changing all the time, I can hardly ever keep up…” 

This had only made for more cutting, though hushed, laughter.  I do not even know but it was at this point, as she had spoken, that I had seen her in close-up.  I had wondered if, perhaps, she were not Francesca — the name of a past-life of mine lived in Georgian England.  Just as in that last dream encounter with Francesca, during the onset of menopause, I experienced the same visceral connection with the subject.  Then, as now, I was seeing her face in keen close-up.  Now, I was experiencing her at a much later stage in her life.  She was a late septuagenarian.  Still, though, she was very much so into the heavy makeup but at this point, she had suffered from senility and was pronouncedly neurotic. 

Afterwards, everybody had looked out at me and asked me if I had ever seen the performance presented like this before.  One of the things that they were talking about was an expedition that had just returned from, ‘Deepest, darkest, Africa, in the Jungles.’  This was, in fact, a production of Romeo and Juliet that had been set in colonial Africa.  They had openly wondered, specifically of me, if I had ever seen so racy a production.  All these people were very sophisticated, sagely persons, of whom it was safe to say, they were all very much so artisan-like — in essence, they were the glitterati.  More to the point, they possessed goals of discrimination and predominantly were in repression mode. 

“Well actually, I had seen the original classic production.” 

“Yes but have you seen any modern updates of it?” she had asked, by which she meant a production from the Georgian era. 

“Well, no.  Well I did but it was when I was at school, in Sandy Point.” 

Of course, they did not get it at all and found my accent far too queer for words.  Besides, it was all very post-modern as far as they were concerned.  At that point, the lights in the salon went down, in this beautiful, large high-ceilinged place.  A movie screen then appeared and Diana Ross was going to be the mother to Juliet and the Juliet was a beautiful, beautiful, long-haired High-Yellow heroine.  She had seemed East Indian but was not.  She had gotten up and gone running to the window because Romeo was calling her.  Clearly, it was a filmed version.  She was wearing a black and white checkered dress that had no sleeves. 

The dress really was more like a jumper — an A-line dress.  She was so gorgeous; the young actress was stupendously radiant.  Presently, she was praying and the camera was a slow, sweeping crane shot that had kept on rising up and away from her left profile.  Filled with so much earnestness in her face, she was quite beautiful.  A teenager, she was quite the stunning little actor.  The actress was not Diana Ross‘s daughter, Tracee Ellis Ross but someone who had a stunning High-Yellow resemblance to Diana Ross with those stunning eyes and with very, very gorgeous long, long wavy hair.  To just above her arse, her hair was thick and beautifully cascaded down.  She was very gorgeous. 

When she had run to the window, she was as if a ballerina by the way that she had held out that beautiful, delicate tiny face.  An exquisitely beautiful face it was that sat on that long neck of hers.  Looking out the window, she had dreamily called down, “Oh Romeo.  Romeo.  Romeo.”  Truly, it was sheer spellbinding magic. 

A Brimstone Hill Sandy Point Panorama                                       

In this the second dream, I had gone off and was walking in Crab Hill, Sandy Point.  Whilst there, I had seen these unfamiliar persons.  One of them had had one of the most interesting faces.  She had a very unusually large face and very beautiful teeth that were somewhat compacted.  She was very lovingly dark-skinned.  She was unusual-bodied; her head was very, very large and her body, in comparison, very squat – unusually so.  To be precise, her body was like a dwarf’s.  Her legs were very stubby and bulky. 

My goodness, this woman could run.  She had had a great deal of physical power.  A lot of Earth planets that were fixed, to be sure, were part of her makeup.  I found it very, very interesting to have watched her.  On having passed her, I had said hello and noticed that she had shut her eyes.  That was when I had realised that this woman had almost never looked at anyone.  Then, finally, I had commanded her attention and directly looked into her eyes.  To have looked into her eyes was tantamount to looking into her soul. 

Her eyes were so large.  Hers were as if seeing, up close, the eyes of a giant cetacean.  Yet, these stellar eyes were on a human face.  These eyes were extremely large with the lids half-collapsed over them.  The brown of the eyes was dappled and mixed in with some blues with little streaks in the blues.  Talk about beauty.  Nonetheless, they were very, very old-souled and very, very powerful eyes.  At the time, I had thought of how much they reminded me of the eyes on the totemic cranes that I have seen throughout my life. 

She had just laughed and turned her head away.  She was a woman of substance and great grace; not unlike Jessye Norman°, in that sense, was she.  I had specifically focussed on her right eye.  Hers were not unlike the dappled blue-green colour that Owen Hawksmoor°‘s eyes take on, of course, when he is wearing his coloured contact lenses.  However, her eyes were quite gorgeous.  Predominantly brown but there were lots of brown and red streaks in the white of the eyes.  These were from very large bulbous blood vessels.  The whites of them were very white, almost caramel-coloured on closer inspection, from the timeworn passage of their agedness. 

Boy, this woman had a lot of strength of character in that body.  Hers was a solid, solid body.  Following after this guy, I had then come back over this little barbwire fence.  We clearly, I realised, cannot go getting ourselves scraped.  As we had been passing, there had been a window to our right that had looked into a house.  Whilst looking at the screen, on which Romeo and Julie was supposed to have been playing, we had gone and sat down.  Protesting, I had said that this could not have been the case because it would only have meant that I had missed so much of the performance.  In all this time, of having gone and wandered off, one would have missed too much of the production. 

At that point, there had been someone on the screen performing a Shakespearean soliloquy.  This clearly was an updated version of the text.  I had started watching it and got back into the film.  The one thing that I had not liked about it, was that there had been lots of flies on the set.  After having been made uneasy by the bugs, I had gotten up and walked about for a while.  When I had gotten back into looking at the production again, it was as if looking at it from the Georgian salon again.  However, now it was slightly different.  To myself, I had remarked that it had seemed so much like Toronto. 

That was because this production, like Toronto does in summertime, had all these damn flies.  All the people around me in the Georgian salon had not gotten what Toronto had meant at all.  As well they understandably would not have, they had looked at me very strangely.  There were flies in the air which I had kept on swatting out of the air.  There was a whole scene in progress, when I had decided that I would just have to have seen the production again or, perhaps, get it on videocassette.  At that point, I had simply missed too much of the production.  I had realised, too, that I could easily have seen it when it made it to the Revue second-run cinemas about Toronto.  At that point, I had turned and left. 

*This heavy-lidded young girl could well have been me, Theresa, in my immediate past life.  That life was lived in Brazil and I had a goal of dominance.  Of course, on Tuesday, September 17, 1991(39), I would dream of Theresa in her adult years.  Similarly, she also could have been Merlin reincarnated.  In December 2006, Merlin was reborn female in the Netherlands; however, at the time of the channelled session, the female reborn Merlin’s ethnicity was not shared.  Thus, this could well be Merlin reborn in early 21st century Netherlands about whom I was dreaming.  END.

I had next, in this the third dream, been up on this rise with Isha where she and I had been doing something.  We had discussed the fact that I had needed more money.  I had told her that my PIN number, for some bank card that I had had, was 8411.  She had called up the bank and was being pushy with them.  Isha was telling them that she had been very ill and incapacitated.  For being bedridden, they would therefore have to let her have the money in cash with me acting on her behalf.  She had assured them that I would be right over and to let me have the funds.  As she had spoken on the phone, this black woman and her white husband had come by. 

The man wore glasses and they were, very much so in love, embracing each other.  There was a little girl with them to whom I had meltingly said, “Come here sweetheart.  My goodness!  You have American money and you have a 10.00$ Canadian note there, I see and a 20.00$ too.  Why don’t you let me have an American bill?  And some of those Canadian bills because you’re not going to need the Canadian bill.” 

“Why?  It’s my money.” 

“Okay then, fine.  Come on over here and give me some sugar,” I tried charming her as she had been off to my left.  On having wrapped my left arm around her, I had kissed her on the cheek saying, “Return the kiss, please.”  We had kissed and had done so, on both cheeks, in the French style.  I had looked down at her parents and they were quite sweet and in love.  At the time, I had been thinking of Pandora.  I could not, though, have made out the mother’s face all that well from the table; I had been seated there with Isha.  A square, black metallic affair with a glass top the table proved. 

As a result, the table was covering the face of the woman and I could not make out who she was.  At the time, I had thought of Pandora and her present beau.  This child had then appeared but it was like a doll; she was so tiny and was, in fact, as if a pygmy.  She proved to be Barry Thomas‘ younger sister.  Every time that she had bawled, her neck had extended and craned up into the air and was pinkish-coloured like a white doll.  She, though, was actually a black baby — you could tell from her facial features.  She was very much so alive but she was in this rubbery body that was like a doll’s.  I had put her up on a mantelpiece to sit because she had been so damn noisy and obstreperous.  

Penina had come and disputatiously confronted me about what I had done to the poor little girl.  Whilst Isha had been on the phone, I had gotten up and gone to take a pee.  On entering into the bathroom, I had been shocked and horrified.  On looking in the mirror, I had noticed that Isha had cut my hair.  I had let out the most enraged scream, “Isha!  How could you do this to me?”  What had happened, was because of the way that I had been lying on my back, she had managed to cut off all the hair on the side of my head up to the top and on the other side as well.  This was the most ludicrous haircut. 

In the back, leaving the length in place, my hair was still long.  “I don’t want my hair looking like some bloody Mohawk warrior’s,” I shrieked.  To have seen the roots of my hair, which were unpermed, I was truly pissed off.  Having my hair chopped off, was not something that I had wanted and I definitely did not want this frigging fascistic cunt fucking with me.  I had been truly incensed at her.  Truly enraged, I returned to confront her and found her lying down in bed.  Immediately, she went on the blind defensive, “I don’t see anything wrong with it.  Besides it’s already done and you might as well cut off the rest,” she had laughingly dismissed me. 

“Isha how could you do this?  This is exactly like when you destroyed my writings.” 

Impatient with her indifference, I had launched through the air at her and begun beating the living shit out of her: hitting, slapping and kicking her.  Grabbing anything that I could find, I had beaten her with it.  All the rage that I had felt at her, for destroying my writings back in the mid-eighties, had come flooding out. 

*Back then, when she had been confronted, she had launched into a clawing defensive attack on me as we rode home in a blinding rainstorm from Solomon King‘s wedding in Rochester, New York.  END.

Earlier, I had gone to get my brush, to brush my hair and, on not having found it, had borrowed hers.  On brushing my hair, I had noticed that the brush was really scraping my scalp.  On having looked at things in the bathroom mirror, I had been left horror-struck.  On seeing what she had done, I had sucked my teeth and decided then and there to kick her arse.  I had known then and there that this would not have happened had I taken her to task, blow-for-blow, back in 1985.  Also, I had seen this brown bag, a large, black canvas bag and a shoulder bag — they were all mine.  In the travelling bag were these two tickets because I was going to be travelling.  I had really been upset and pissed off at Isha as she had laid there under green sheets. 

Penina had come into the room and tried intervening on Isha‘s behalf.  Penina had tried to get me to accept the fact that what had been done, was final and to just get on with things.  That had only more infuriated me.  Turning on her, I had screamed, “Oh Penina, why don’t you shut up?  You’re so damn stupid!  Of course, you would agree anyway.” 

This woman had then shown up who was Jewish and it had turned out to have been, Ariel Gothberg.  She had worn this dark purple turtleneck bodysuit — over that, she had worn a brown very, very thick, woollen jacket.  The jacket had lots of gold zippers that showed down the front and the length of it.  The jacket had no collar.  On either side of the sleeves, there were gold zippers that went midway up the arm.  There were two on the breast, one zipper each, over each breast for pockets.  They had little golden tassels that held the zipper.  The outfit was quite nice and was in brown and black. 

Ariel Gothberg had looked quite smart.  I had asked her what she had thought of my hair looking like that.  “Well it’s your hair and it’s natural.  I think the natural version looks kind of nice, anyway.  Well, you’ll decide what you have to do with it,” she had then gone off, up these stairs.  Yeah, right; fuck you, you bitch, I rudely dismissed the thought of her.  Whilst there, she had joined two or three other smartly dressed persons.  I had come around and begun leaving then went out into the outdoors.  There, I had stood by a shed whilst talking with somebody about things in St. Croix, U. S. Virgin Islands.  Just then, a large plane had gone by directly overhead. 

At the time, I had thought this plane too unusually close to the ground.  We also were close to the ocean.  The building was a long white shed, like a greenhouse, beyond a sandy slope.  Generous clumps of long grass held the sand from drifting too much.  We were standing just beyond a stand of palm and sea dates trees.  The ocean was rather tranquil and gently breaking.  The ambiance here was rather beautiful.  I had then seen a large plane come by that was like an American Airlines plane; except, on the back of it, it had had this large caboose. 

This was a large unusual extension that had flared out.  To say the least, this was most unusual and there seemed to have been no exhaust.  The bottom of the craft was very silver.  Also, there were the red and blue stripes along the sides like an American Airlines carrier would bear.  However, nowhere were there any demarcations, indicating that it was an American Airlines craft.  Unusually so, the craft was very long.  Long and sleek, like a Boeing 727, except that it had had no mid-fuselage wings;  way at the back of the plane, there were some smaller wings.  As it effortlessly sailed through the air, I figured, oh dear no, it is going to crash.   

As it had flown by, it had bizarrely veered off to the left and head first.  Next, it had shot up into the air and then come down.  I had screamed aloud, horrified for the passengers aboard.  Immediately, of curiosity, people had begun running towards its obvious crash site.  To check things out, I had gone running around the corner of the building.  There was smoke in the air but it was general pollution from the community; also, there had been no smoky fireball as with an obvious crash. 

“Oh dear.  I think it crashed…” I had helplessly said to a man who had reminded me much of my uncle Michel King, rather than his brother Marcel King°

 “No, it didn’t,” he had confidently said.  Another plane had then come in and that was when I had suddenly remembered that I had had a flight to catch.  At that, I had gone running, hurrying out of there, and gone around the building.  This was a wonderful large hangar-like building.  In this building, there were many persons.  I had seen several travellers there.  Once outside, I had had to go up an immensely long flight of stairs to have gotten up to where the plane was.  On the outside, it was a pure white aircraft with two propeller engines on each its wing; the propeller engines were running at the time that I had arrived. 

The wings were extended; they were actually quite long.  I had demanded that they cut out the engines so that I could safely make my way to the man who had been at the gate.  He was an older, dark-skinned man in uniform.  He could have been Egyptian, Hispanic, East Indian or Arabic.  I had had to pay him to get aboard the plane and it had come to 14.00$ for the flight.  Incidentally, as he told me that, I had recalled that the PIN number was 8411, which coincidentally does add up to 14.  I had given him a 20.00$ bill.  He had told me not to worry, that it was already running late, and assured me that I could get my change on board the flight.  I had boarded the plane which, oddly enough, was unusually low to the ground.  On having entered inside the plane, it was as though you were outside again and had to go up a further flight of stairs — just like the ones that had earlier gotten me to the tarmac. 

A truly dream surreal moment this proved.  Penina had been concerned because, on this flight that had just come in, there was supposed to have been a little boy that we were supposed to have met.  He had been coming from Nevis.  I had told her that I still was really frigging pissed off — at having had my hair cut off by Isha — and could not have cared less about any little boy.  So we had gotten into the plane and it was again unusually interiored.  There was a wide enough single aisle with all the passengers in seats that had faced each other.  This had immediately reminded me of when I was a child, prior to having taken my first flight, I had always envisioned the seating arrangement on board an aircraft to be like this.  There are, of course, no such seating arrangements in conventional aircraft. 

As we had moved down the aisle, we had passed a number of little boys.  There was a little boy on the right of the aisle and I had thought that, perhaps, that was him.  However, we had gone down with Penina having followed after me.  There were, incidentally, lots of potted plants here on board the highly unconventional aircraft.  The aircraft was white-interiored, as outside, and there was a lot of sunlight coming through the top of the aircraft which was completely glass-topped.  The ceiling was really like a long trough in a greenhouse because there was a drain in the ceiling that had run the length of the aisle.  Lord knows, we were definitely well beyond the Kansas City city limits.  Also, it had been very humid inside the craft. 

Many, many potted hibiscuses were present and some of them were in bloom.  Just where the stem had exited from the pot, one plant had fallen over and broken.  On righting the pot, I had felt for it.  The plant had sadly kept on dangling over.  I had called the boy’s name which was something like, ‘Orello’, to which he had immediately answered an alert yes.  He had been way in the back.  I had pointed him out to Penina and told her to go and take care of him.  Furthermore, I had told her to get off the plane with him because she was not supposed to have been travelling anyway. 

I had then gone up to the front of the craft and there I noticed that there was a large opening.  Here at the front of the craft, it was as though one was in a hangar or large indoor room.  Whilst other people were lost in reading, what had clearly been scripts, there was a girl doing some homework.  The studious girl was very stout and wore a school uniform.  Early teenaged and definitely black, she was very light-complected.  A tall, gangly white male had come in; this man was very much so old.  He was incredibly gentle and soul-soothingly so.  He was as if a gardener or caretaker. 

He had sat next to me and warmed me further when he asked, “Do you have piece of paper, please?  Just something to write on.” 

“Well, I don’t even know…” I had really wanted to help him out and been of service to him.  He was so sweet-spirited like Catherine Angelica (‘Lica)  or as Elizabeth Bowes-Lyon°, Queen Elizabeth, The Queen Mother seems — that kind of evolved grace of spirit.  I could not immediately find anything and, in the meantime, the girl had not been prepared to part with any of her school paper.  There, I had told him, pointing in front of me to a little desk on which were some clothes and my bag.  I had gotten out my bag and started talking to him.  He was very, very wonderful and very old-souled in feel.  He was very healing to have been around.  He had reminded me of James Tramble or Merlin’s guide as I had seen in those dreams — the tall shaman. 

He had commenced writing on this piece of paper and he had asked me my name to which I had replied, “Arvin da Braga.” 

“Oh really?” he good-naturedly replied.   

I had then given him my statistics.  Continuing on, told him that I was born on August second, nineteen sixty.  We had talked on some more and then he had asked, “And what about your friend?” 

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“Oh Merlin?  Merlin Ben-Daniel.  Merlin B.”  When he had asked me my name, I had initially said, “Arvin M.  M, as in Merlin, spelt ‘lin’ not ‘lyn’ and which, incidentally, was my lover’s name.  Merlin; spelt the same as my middle name.”  As we had spoken, I had grown more and more intensely lucid and light-headed; it was as though I was channelling.  “Merlin B.  B, as in Bechbache, which is his mother’s family name.”  We were talking about Merlin and he was doing this write-up about Merlin and me. 

He had then turned to me and said, “Well anyway, I’m leaving you now and I want you to write this down.” 

“Is it a number you’re giving me?” 

“Just some important information.  But you must remember it and you must never forget it.”  What he had said was, “Proper posture leads to purpose and prosperity in time.”  He had said it with the greatest enunciation and slowness. 

There was a woman who had stood out in my mind as he had spoken.  She was very much so like Francesca who was down below and outside an opening in the airplane.  She was inside the building at a window, looking up at me and saying, “I will be with you, don’t worry.  And I’ve remembered it.  I’ve recorded it.  And I’ll keep reciting it to you if you need me to.” 

The gracious gentleman had then left.  His was not unlike the yogic centred serenity of Yehudi Menuhin.  At that, I had had a sense of motion and that we had travelled.  The sensation was not for very long but you just knew that we had covered massive distances in what had seemed a mere breath.  As I had watched him write with the greatest of care, he was right-handed.  At one point, he had stopped and disruptively said as I had spoken of Merlin and me, “You’ve a very distinctive accent and it’s so layered.  You can see so many languages in it.” 

“Well, yes that’s because I’ve lived all over the place, actually.  My upbringing was very middle class in the West Indies with maids, in fact.  I like speaking this way because it’s who I am.  It’s about intellect.” 

“Right you are,” he had said whilst warmly smiling. 

We had then gotten to where we were going but he was no longer with us.  We had deplaned and come down the flight of stairs.  Everybody had gathered about this courtyard and was walking around.  Most people who had deplaned had been white.  All the kids were in the rear and we were separated — the kids and I.  I had then left everybody and started walking ahead because I had wanted to go and get Penina.  She had shown up and was running to go and get Orello now that he had arrived.  She had on this long, floral-printed dress that had proven to be a jumpsuit that had turned into culottes. 

Her outfit was brown, yellow and green which were all one-inch slats of colour.  The jumpsuit was a predominantly off-white, faded yellow number that had these yellow, brown and green horizontal slats that were crammed together and haphazardly spaced.  They had created a wonderful motif on the fabric.  Somehow, it seemed that I was supposed to have been deplaning.  Seemingly, I had to get aboard a larger plane and continue on with my flight.  For having interacted with Penina, I had missed the connecting flight.  This had mightily upset me.  Initially, when she had come aboard the first flight with me, I had turned to her as we had progressed down the aisle and asked if she had remembered to get all my bags. 

A second flight, not unlike an American Airlines carrier, had come in through the air and landed.  This had proven my signal, to have started moving and get aboard the initial flight.  When I had deplaned, I was supposed to have gone to another flight.  For some strange reason, everybody was marching in a circuitous route.  They had gone down this street and turned off to the right; they then had gone down this wide boulevard into another courtyard.  That courtyard had contained another plane which one had to board.  A sareed, East Indian woman had looked back at me and energetically said, “Hurry, hurry, hurry because the engine has already started.” 

“Don’t worry…” I had evenly replied.  She was a really sweet gracious soul. 

You could have seen the engine and when it had started, the wing that had been turned horizontally then swivelled and turned to the vertical position.  This was set in a compound that was surrounded by a large white fence.  Going up to the courtyard, the steps were white and the interior of the building and all the low-lying buildings around were all pure white.  The look was that of permanent whitewash paint. 

“…I’m coming.  I’m supposed to be on this flight,” I had called out. 

When I was making my way there, there was a large wooden gate that had a glass in it.  One of the things that had kept me distracted, was that I had gone into this room, where Penina had been and wanted to look at the Romeo and Juliet drama again.  Instead of having been able to get it on television again, there was a video music station on.  The music video was set in a large room.  Irene Cara was singing a song in said music video.  Natalie Cole° was there, as well, as some other black entertainers.  She was in a living room in that segment of the video, which was for a love song.  Natalie Cole was participating in the video but not singing.  Irene Cara had worn a black tunic overtop black narrow-legged pants. 

Natalie Cole had worn black and white; they were very much so enjoying themselves.  Soon, I had caught myself when being distracted and had gone running out of the place.  I suddenly remembered the petite, beauteous East Indian woman; she had a striking resemblance to the author and socialite, Geeta Mehta.  She had been telling me that I was supposed to, in fact, have been getting onto the other flight.  So off I had gone, running down the road; it was a narrow stretch of earthen road.  Even though it had long been closed, I had opened the door to the craft.  The stewardess was slowly closing the door when I had leapt through the air and pulled it forcefully open.  At the time, the engines were already running — all of them. 

They had had to stop the engines so that I could make my way past them and safely get aboard the flight.  I had shown her my ticket and very cleverly said, “Here’s my ticket.  I’m supposed to be on board this flight; thank you very much.”  Again, the interior was much like a waiting area and a greenhouse at that.  There was a sense, once again, of light coming through the glass-topped ceiling of the craft.  The craft’s interior was all whitewashed.  There were lots of persons, mostly guys, standing about.  The first thing that I had noticed, was that they were all dressed in white and were dressed in clothing from another age. 

They were dressed as in the latter half of the eighteenth century — the age of Wolfgang A. Mozart§.  I had passed the flight attendants; they were off to my left and up towards the cockpit.  There was the familiar large open area, as well, off to the right of the skylight.  There was a narrow door that had gotten you back to the main cabin of the plane.  The 18th century persons were in the open, which had an earthen floor.  Here, it was very humid and damp.  These were all young and white males, who wore white clinging tunic that went down to just below the knees.  They wore tight breeches, really tight, with white stockings that came up to above the knees. 

They wore white shoes; large ones with white buckles.  Large-sleeved white shirts, most of them, although some wore shirts whose sleeves were those of the conventional style of the waking state.  They were, all of them, very young and very dark-haired.  These persons had the faces that were exactly peculiar to their age.  The hairstyles, the makeup and the expressionism; it exactly was what the aristocrats of late eighteenth century Vienna looked like.  On having entered this craft, I had immediately noticed that there were little rooms as in a salon in eighteenth century Vienna.  There were these white doors with glass panes for two-thirds of them.  There were little concert hall boxes that were set up; all this occurred inside the cabin of the plane no less. 

I could distinctly have heard the engines whirring away, outside the craft, whilst drinking in this most unconventional of plane interiors.  We were going to take this flight and whilst in flight, there would be a performance.  Everybody was an actor and like that man on the chaise longue, with the wicked tongue, also very much so sage-souled.  I then went and took my place.  There was a box where the performers would sit, as in an opera house, but it was on the ground.  This was not a Boeing 747 series type airliner.  The opera house-interiored craft had been lined with red carpeting and red velvet.  The seats were all one embankment and quite plush. 

There was a doorway there with a man who had been crouched down.  He was dark-haired and had a mole just below his left eye.  He was most handsome and looked like the soulfully august aristocrats, of the court of King Joseph II of Hapsburg-Lorraine, in the age of Wolfgang A. Mozart.  His face was very, very unusually large.  He had worn a ponytail that was tied back with a black ribbon.  Just inside the door to my right, he had been crouched down.  I had looked off and on having seen him, had smiled.  He had looked up at me and was quite smitten by me. 

I realised that I had found my place and had come in to the box to sit.  We were obviously about to witness a drama that was clearly Romeo and Juliet that was set, in the Mozartean era, in the city of Vienna, Austria.  I had gotten so energised for having been in the company of these people, whom clearly I had known at the level of soul, and thus had squealed and laughed aloud.  Also, my response was in anticipation of the great fun that we shortly would share.  At that, I awoke in bed. 

*I was not chagrined to have awakened at that point.  Already, I had been refamiliarised with all these persons.  There was something very much so familiar about the handsome-moled man.  We did look at each other as I took my seat and I was passingly reminded of Merlin.  Beyond the eighteenth century energetics that he wore in that life, he was familiar, intimate and a companion.  That was all I had needed of the very layered, very enriching and very, indeed, pandimensional aspects of this dreamquesting odyssey into a past life.  This was very real and I was very much so in my element.  That dream initially was definitely set in the Georgian era and the people there were all familiar.

They were all white and very much so alive.  I guess that this was an astral plane projection in time, to experiencing aspects of past lives.  I was able to have used the astral plane, to have transited the spiral arms of time and enter two different time frames in which I was clearly incarnate.  Also, it was very much so the eighteenth century and the height of the colonial era.  Here was someone who had just returned from an expedition to deepest, darkest Africa.  Down to the accent and the language as it existed then, they were very much so British.  The most important insight that I learned, for having revisited that lifetime, was the lasting effects of racism to which I was exposed, engaged in and was much informed by.  To say the least, in this life, I am truly repulsed by racism’s ubiquity and its effects.

This explains why I am so passionately impatient with and can see and understand, so clearly, my hypersensitivity to racism.  I see it for what it is and where it comes from.  The second flight’s exposé into Mozartean Austria was, I am certain, more about getting insights to a past life of either Merlin’s or someone with whom I share as strong a soul connection.  Perhaps, it was someone on the order of my essence twin.  I am not convinced that this was Merlin, in a past life, even though I did not see the eyes in close-up.  I knew them not to be his eyes.  The eyes are always the dead giveaway in these instances.  Though packaging changes from life to life, the eyes do not; except to change colour and grow older and softer with the reincarnational maturation of the soul, the eyes are always recognisable as self’s in past life dreams.

**Further insights that I would like to add at this time, I do believe that the latter dream of the Mozartean era, harkened back to when Merlin and I were incarnate together, again lovers, and were court musicians.  This, however, was during the court of one of the English rather than Austrian monarchs.  During the reign of George Hanover, King George III, which was during the 1700s to early 1800s, Merlin and I were then incarnate.  Also, the Prince Regent and later King George IV was also familiar to both of us.  The latter monarch would have been instrumental in the flourishing of the arts, which is why Merlin and I had creatively blossomed in that life.  King George IV, when the Prince Regent and during his brief reign, had been a great patron of the arts — life at court would have been artistically fulfilling and that it clearly was.  In any event, I also sang during that life.  Usually, my performances were to smaller audiences of aristocrats; Merlin, then female, played the harpsichord and was my accompanist.

I guess that the Francesca lifetime could have been a complement to that lived at court during King George III’s reign — whose father was rather German and caught up in the Austrian succession intrigues during the early 18th century.  There was a late Georgian to early Victorian sensibility to the first dream; it featured a septuagenarian Francesca who rather than me in a past life, was Merlin when a harpsichordist and my then lover.   These are insights gleaned from Michael Overleaves by Sarah J. Chambers who, prior to passing in 1999, channelled the Michael.  What’s more, at that time, also present and likely participant in this dream was the Duke of Bronté.  Of course, said duke was also the 1st Viscount Nelson, none other than Vice Admiral Horatio Nelson.  Naturally, in the late 18th century, Horatio Nelson had spent much time at court whilst trying to get  himself positioned after the American war of independence, which left the admiral and many others out of work.  At the time that he spent at court, both Merlin and I, knew and socialised with the young, dashing admiral – the 2nd Earl Spencer was the Lord of the Admiralty, which would have made him an invaluable contact to Earl Spencer and a frequent guest to Spencer House.  No doubt, it was his tales of his adventures and especially his time spent in Nevis that served as a source of wonderment for me.

As Merlin and I were then cohabiting as lovers and professional associates, it is likely that I then expressed some interest in going off to an exotic isle like Nevis.  Indeed, perhaps, the reference to deepest darkest Africa was really to the West Indies.  Either way, it is obvious that the fascinating Duke of Bronté, Vice Admiral Horatio Nelson planted a seed, which would lead to my choice to reincarnate three lifetimes later in Nevis.

***I should also think that the man with the extra-large head and the striking, large mole below his left eye, should have been more readily discerned.  Merlin’s dear friend, the actor, Joe Morton°, is the one who would fit this bill.  Indeed, Joe does have just such a large mole below his left eye.  The only difference between these two — Joe Morton and the moled actor in the dream — was their disparate races.  The white male’s in the dream was the exact same large mole at the exact same position as is Joe Morton’s.  Further, this Caucasian male’s teeth exactly were like Joe’s as they are in this lifetime.  Again, apart from their disparate races, there was one other difference between Joe Morton and his past-life counterpart.  Joe’s mouth and lips are bigger and fuller respectively and Joe’s comparably was, to say the least, a more elastic and expressive face.

To say the least, that was rather insightful a past-life dreamquest.  Joe, of course, is in the fifth/sage position in his cadence which not surprisingly would leave him inclined to being so sage-like and regal in essence.  Naturally, this regal energy is due to the power mode energy, which innately infuses all fifth-cast fragments, especially in cadences 1, 5 and 7.  Joe, of course, is in the first cadence in his greater cadence.

****I should also like to add here that the large-moled gentleman may well have been in London; at that the time of mid-to-late 18th century, there was a large Austro-German community in London.  King George III was, of course, German.  At that time that Merlin and I were then incarnate, we were rather familiar with one such German patron who happens also to be an entity mate, Arianna von Reinhard.  Wealthy, the German patron of the arts very likely could have funded a trip to Austria and German, during which time Merlin and I could have been on a concert tour to royal courts of those countries.  Who knows, perhaps, at that time, we even met and attended concerts for stellar creative genius, Wolfgang Amadeus Mozart§.  END.  

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At the conclusion of audiocassette-recording these dreamquests to past lives, in late October, 1991, I got about the business of choosing an appropriate musical complement.  Naturally, I would end up playing some Joseph Haydn° symphonies.  Back in 1987, whilst being a muse to Olaf Gamst, I was introduced to Joseph Haydn in great detail as he was a composer whom Olaf favoured.  When sitting for the artist, often were the times, when he would play selections from his formidable Haydn collection.  Without doubt, I would come to favour Haydn’s London Symphonies.  That is why, I had crawled through a couple of secondhand record shops in a bid to build my own Haydn collection.  To that end, I got out an old recording from 1977; it was still in fairly good condition.  Released on the Philips label, Neville Marriner conducted the Academy of St. Martin-in-the-Fields.  

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For the rest of the day, I repeatedly listened to Symphony No. 104 in D Major Op. 21 ‘Londoner’.  This symphony truly made my spirit soar and allowed me to remain resonant with the past-life to which I had so lucidly dreamquested.  

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As ever, thanks for your ongoing support, sweet dreams and my dream memoirs, the first in recorded human civilisation can be found online at Amazon and wherever discerning bibliophiles satisfy their insatiable need.  

ASVMOA II

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©2013-2020 Arvin da Brgha.  All Rights Reserved.  

An Awakened Dream Like No Other!

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On the final full day of this trip to London, it was also the 29th anniversary of Merlin’s passing.  I had planned on visiting Spencer House, the Monday evening prior; however, the event which was a ticketed lecture had been cancelled –  this was my only chance at getting to Spencer House.  

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Climbing from the Underground at Green Park, the park was relatively empty and there was a crisp bite to the early morning air as I walked along the periphery of the park’s western edge.  I opted to take that route and be close to the park’s trees than use the suggested route – St. James Street and St. James Place.  The only persons in the park were intermittent joggers, looking fit; strange in November it was to see persons running in shorts.  

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Walking along, I passed a narrow break in the shrubbery; the narrow path that ran beneath on the houses stated that it was a private road and to keep out.  A few more steps revealed the signage; yes, indeed, this was the place that I was looking for.  Turning back, I made for the private narrow pathway and awaited as a tanned, moneyed man approached with a wonderful, happy dog before him.  The fat little thing tried its best to act on his vibes and grumbled; staying my ground, I waited for him to get closer, said hello and asked if this was the way to Spencer House.  

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“Is this the way to Spencer House?” 

“It is a private path…” he replied from behind thicker, darker and more-expensive-than-mine sunglasses, to which I brushed past his American accent by elegantly rebutting, “Thanks, I’ll find my way…”  

Entrance to Spencer House: looking west to Green Park & East.  

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On entering Spencer House, I noticed that the splayed and slightly bloated feeling that began on approaching the stately home continued.  Inside were two men; both were rather pleasant.  We began speaking; for the next half an hour, we warmly visited.  Seemingly, there was a group tour booked and they thought that I had simply arrived especially early.  

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As members for the guided tour arrived, I slipped into the ante room and enjoyed the still-life.  Remarkably, there was a real ease for being in his place, which seemed more than passingly familiar.  Finally, when enough of us were arrived for the tour, a silver-haired lady with clear, focussed eyes entered the foyer, walked up to me and smiling, we warmly greeted.  A group of no more than twenty-five persons, the informal gathering was cosy and engaging.  

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As the tour began in earnest, it dawned on me that this house was remarkably familiar.  There were no doubts in my mind that I had never previously visited it; however, even the tour guide approached me and asked when I had last been to the house.  She was convinced that I had been there before and scoffed at my response that I had never before visited the stately home.  She had done so because I seemed with uncanny accuracy to know which door to next use to progress on the tour.  That aside, the energy between us flowed with the greatest ease.  

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As she spoke, the guide mentioned that Jerry Hall and Rupert Murdoch, who lived in the same street as Spencer House had actually had their wedding reception in the Georgian masterpiece.  As she spoke of the ladder, I suddenly experienced a vision and it was of seeing the room as it looked during Georgian times; however, as in dreams everything was back-to-front from the current life experience.  Indeed, I had definitely been in this room in the past; moreover, I had a rather memorable dream, which was set in this house.  Then as I intently looked to one corner of the room, the rather knowledgeable tour guide announced that in that very corner, Vice Admiral Horatio Nelson loved sitting in that spot as he was a frequent and favoured guest to the house as the 2nd Earl Spencer had been First Lord of the Admiralty.  

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In this marvellous salon is a painting of the Death of General Wolfe… it is even more grand and emotive than the painting of General Wolfe’s death on the Plains of Abraham at the Royal Ontario Museum.  

During that time, as a countertenor with Merlin (then female) my accompanist on harpsichord that I would have encountered Vice Admiral Horatio Nelson, 1st Viscount Nelson.  I have dreamt of this man many times and some were set in the very house where, though it had not been planned, on the 29th anniversary of Merlin’s passing, I was taking a tour.  

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Just before we left the library, the tour guide then announced as she drew our attention outside the window from the library, there on the grounds of Green Park were cattle and other livestock kept.  Indeed, in one such past-life dream, which was set at Spencer House, there was the intense smell of livestock.  For this reason, I had assumed on awaking that this stately home on the edge of vast acreage was situated in the English countryside rather than in London.  

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Definitely, this room – the great room – was familiar; however, somehow, it did not seem as large as it ought to have been.  

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The view from the great room out to the beauty of Green Park.  Suddenly, it dawned on me as I looked out the window that is why on Armistice Day after I left the splendid exhibition: Russia, Royalty & the Romanovs at Queen’s Gallery, Buckingham Palace and cut through Green Park en route to Green Park Station, I felt so joyous. 

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That is why too, for moving past Spencer House earlier on November 11, 2018 and in essence, becoming harmonised with the locale of a past life that I would have such lucid flying dream activity on returning to the hotel that late afternoon and napping.  

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Without doubt one specific dream was centred in this room and there, a play was being staged in the past life dream.  In between acts, one retired to this room from the great room and visited whilst the performers took almost forever at costume changes.  

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This was the setting of great music and laughter; indeed, I may well have performed for the Georgian glitterati on this balcony/stage-like staircase.  

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Lady Spencer’s room.  lovely.  

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The Music Room where 2.5 centuries earlier, Merlin and I were in creative full bloom.  I had a really powerful response when in this room.  I was left teary eyed and on looking in the mirror, I actually saw the outline of my aura; it was silvery as it picked up the stunning sunlight streaming through the windows on either side.  Somewhere in spirit, Merlin was with me and there was further validation that this place, this day… indeed, nothing is coincidental.  

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This room was pure sensory overload.  I felt gay and as though on the cusp of flying.  This visit was more adventure than even I could have imagined.  When the tour was concluded, I warmly parted with the staff and assured them that I would be back.  Then out into all this balmy, glorious sunshine, I headed into St. James Street and made my way to Piccadilly Street. 

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Feeling way too glorious, I decided against using the Underground and instead, headed east along Piccadilly and slipped into the Burlington Arcade’s splendour, browsed then went coffee table book-shopping at the Royal Academy.  Though I hardly had room to pack the six books.  Well in excess of 300£, the handle-barred and zoot suit-wearing poseur – eccentricity is never affected, asked way too condescendingly what did I mean by VAT “dear” and why would I get money back.  You blasted, silly little twit; as I do not gladly suffer fools, I shot back, “Look do us both a favour and go restock these… and try finding a brain while you are at it…” the latter stated whilst walking away from the counter; you’ll get no commission from me.  Who are these people, forever trying so damn hard? 

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With that, it was across the street into Fortnum & Mason to buy more teas and rose petal marmalade and jelly.  From there, further easterly I bopped and grooved in the glorious sunlight and circumambulated Piccadilly Circus and bailed into Coventry Street and into the crowded intensity of Leicester Square. 

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From there, I snuck from the rear of the National Gallery and inside.  

The delightful guide at Spencer House had insisted that I return to the National Gallery before leaving London and catch the Mantegna and Bellini exhibition.  She could not have spoken more highly of it.  I did tell her that I had reservations about seeing Italian art as it was much too ecclesiastic for my liking.  However, since she had been such a gracious host, I decided to just this once to go with an open mind and just explore. 

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You cannot believe how fast, I got out of there.  As I said to the West African museum worker, who asked why I had left the show so quickly, “You cannot imagine how deeply disturbing I find a culture that goes to such great length to never address in their art their savagely ‘civilising’ influence in the world.  It is as though it never happened or they played positively no role whatsoever in the brutal murder, enslavement, extinction of peoples and cultures.  His response was, to the victor go the spoils and the shaping of history in his image; he added that he was very very proud that I am aware, unlike so many of us.  With that, we bumped fists and it was back out into the bright sunlight of this glorious day.  

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Apart from the usual suspects, Yodas seemingly levitating – now there’s a gig! – I made it past a rather engaging African artist who had the soul of a sage if ever anyone ever did.  Being drawn to its beauty, I drew closer to get a really good shot of St. Martin-in-the-Fields and it was then I made the most glorious of discoveries.  

Well, there could be no better way to restore the spirit after the disquiet that I experienced for moving through the Mantegna & Bellini show.  Great art should reflect life, not neatly reinvent and compartmentalise away all that which one would rather not address – likely, though, Bellini had no knowledge of Columbian expeditions to the New World. 

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Presentation at the Temple – Giovanni Bellini c 1460

Certainly, the prominent artists of the 16th century: Tintoretto, Botticelli, Michelangelo, Leonardo da Vinci, Titian were supported by the Church of Rome, which by its patronage of these artists was intent on depicting itself in a glowing ecclesiastical light rather than the brutal realism which afforded it the prominence and wealth it then enjoyed… which endures even now. 

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So with that, richly inspired by both the guitarist and Spencer House and all that it represented, I slipped into the National Portrait Gallery, to drink once more Wim Heldens masterful Oil on Canvas of the collectors Harry and Carol Ann Djanogly – she passed earlier this year.  Satiated of spirit, it was off to grab a bite and then a nap of glorious dream-filled sleep – one of which was a flying dream.  God it felt goodly glorious to have returned in spirit to Spencer House.  

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After having overslept by a hair, it was a mad dash by Underground and taxi make it by mere minutes to Royal Albert Hall.  One of my favourite concert halls, any show would do.  

Ah nothing beats a good old nostalgic adventure.

Interior of Royal Albert Hall.  

Intermission from the stalls at Royal Albert Hall.  

You cannot beat a room full of love and wonderment.  Truly spectacular.  Of course, it goes without saying that Merlin was wild about Jim Henson, George Lucas and Steven Spielberg.  This was a glorious way to have capped off a great trip and to remember the life of an extraordinarily phenomenal human being, Merlin.  

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And like that, the following day, I was returned to Toronto, my art-filled home and this most glorious photograph of the most magical fellow who made life truly a happening, for seven glorious, love-filled and magical years.  

As ever, sweet dreams and thanks for your ongoing support.  

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©2013-2020 Arvin da Brgha.  All Rights Reserved.  

The Day After the Night that Was.

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By now the effects of the stewed fruit at breakfast has seen my waist shrink; I am grateful.  The morning after the night that was, I am still elated and humming away that catchy melody from Ludwig Minkus’ greatly composed ballet.  

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After breakfast I decamped at Leicester Square where it was time to enjoy the bright, cool sunlight and catch a movie.  The Vue cinemas are rather interesting; I was keen to know if I would have a repeat of what had transpired last winter. 

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Back then, I was upstairs at the same cinemas watching, Darkest Hour, which proved a real tour de force performance from Gary Oldman.  Sat in the back row, soon I became bloated and expansive.  Though not the least bit drowsy, I felt wide-open and lucidly self-aware.  Next, as the film progressed, I watched as several pure white humanoid forms simply stood up and walked to the sides and quite seamlessly walked through the very real walls of the cinema.  

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One of the things that Merlin and I always loved doing, was seeing a film during its opening weekend.  Naturally, so close to the anniversary of his passing, I was keen on seeing a film.  J. K. Rowling is among my favourite contemporary writers and having seen the first film in this series, it only made sense to go.  

 

 

Whilst waiting for the cinema to open, I caught a series of items; all are favourite actors of mine, especially Sir Kenneth Branagh.  

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The first screening of the day was a special affair with about one third of the theatre occupied.  A lovely Chinese couple sat to my right with their precocious son of about ten years stuck between them.  We chatted briefly and I thought it so strange that conversation with strangers is almost unheard of when attending a Canadian movie.  

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I emerged into the crisp Saturday morning in Leicester Square a bit teary eyed as thoughts of Merlin at one point during the film overwhelmed me.  It was after all the eve of his passing some 29 years earlier.  

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Slipping inside this tiny joint – I always favour hole-in-the-world, ma-n-pa joints, I got a couple of really good slices of pizza whilst pouring through the Times of London.  There was conversation close by, which struck me as interesting; it went from Theresa May and Brexit to Meghan, HRH Duchess of Sussex.  I soon realised that both persons were openly criticised chiefly for being women; in the case of the Ms. May, she is dismissed and not taken seriously chiefly for being female.  As for Meghan, like every woman who marries into the BRF, she is readily reviled, though, some of this has bordered on racial hysteria and seriously threatening.  

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In a bid to cleanse my very soul, after all that, I slipped from Leicester Square for the uplifting sophistication of the National Gallery where I deftly moved through my favourite salons with usual mercurial speed, taking the time to pause and admire the key works of art that bring me the greatest pleasure.  

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Well, after all that art, it was time for more prowling the decidedly unCanadian wintry streets of London.  Along Shaftesbury, I strode my Crockett & Jones booted and blistered feet into Neal Street where my favourite hippy-dippy (as Merlin would remark) New Age store, The Astrology Shop in Covent Garden.  Though, it most definitely does not have the best choices, I still love the feel of the place and their sagebrush collection is second to none.   

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Along with marvellous pieces of crystals and a wonderful Citrine, I really connected with this gorgeous agate ring.  The moment that I saw it, I really resonated with me and it felt so right. 

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After a rather warm conversation with a green-eyed, redhead, she was fascinated by my custom Reuben Mack messenger bag.  

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I then headed back to The British Museum for more shopping.  As it was the weekend, there was now a sizeable lineup to gain entry.  As though my impatience with crowds were not enough but soon, I had two Torontonian women doing what Canadians do best; they spent much of their time gawking at me, talking about me and cultural appropriation for wearing the custom Reuben Mack messenger.  Standing there in line, I was reminded of what petty, small-minded bigoted jackasses the average Canadian can be and god do they love being openly racially predatory towards blacks. 

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Never once had I experienced a scintilla of racial animus from a Briton or for being in London to that point; there you have it, the land where racism is enshrined in law: employment equity law of Canada: All employers must employ, Caucasians, First Nations persons, Disabled persons and visible minorities and therein is the framework of Canada’s own form of Apartheid – state sanctioned racism.  All employers, in particular crown corporations (government agencies – federal and provincial) employ visible minorities to the exclusion of blacks and if and when they do employ blacks, they then hire blacks only as casual workers which means they are not entitled to benefits, pension and guaranteed hours.  

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So smugly established is this state of affairs that the current prime minister refused to attend the 50th anniversary of Caribana – the nations West Indian community’s gift to Canada on its 100th birthday in 1967; however, he attends ever Gay pride parade in the same city as Caribana, Toronto, and has repeatedly been to India, to dress up and act a right clown because who gives a damn about blacks in Canada.  As one friend said, blacks over the past three decades have become as marginalised as First Nations persons.  But enough about aggressive young souls and their racialised worldview.  Meanwhile, as they were openly rude towards me whilst queueing to enter the British Museum, I grabbed my phone and pretended to film them to which one of them suddenly became enraged, demanding that I not film her…  You have to laugh or truly you would go mad.  In any event, I got the feisty Buster a nice but scary Egyptian stuffed cat – he is actually afraid of it.  

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On my return to the hotel, a couple of blocks from The British Museum, I slumped into bed and decided that my aching feet needed a break from the rest of the day’s planned events.  To that end, I stayed in that night rather than return to Barbican Hall to catch a celebration of the Windrush Migration.  At that concert were to have been Calypso Rose and The Mighty Sparrow; though it had been years since last seeing either performer, I just was not into it.  Moreover, I wanted to take the time to be with myself and reflect on the eve of Merlin’s passing some 29 years earlier.  

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As ever, thanks for your ongoing support and ever remember to push off and start flying.  

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©2013-2020 Arvin da Brgha.  All Rights Reserved.  

Pilgrimage to Windsor… that dress!

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Aerial view: Windsor Castle, Berkshire.  

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In the mad dash to board the train from King’s Cross/St. Pancras Station to Paddington Station, I boarded the wrong train and ended up losing almost of hour of valuable time.  Nonetheless to Windsor with me, indeed.  

 

 

The ride to Windsor was lovely and it was still well before before 1000 when I got into town.  So nice to know that a flash of the London Pass gets one into the Castle, plus to see the exhibition of TRH Duke & Duchess of Sussex’s wedding finery plus the outfits worn by pageboy, HRH Prince George of Cambridge and the always ‘on’ HRH Princess Charlotte of Cambridge.  

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Next, through the hurdle of being scoured by the most thorough security detail; and with good reason too.  

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The mélange of Chinese, Japanese and Korean dialects made for an interesting symphony of sounds as I made my way past security and onto castle grounds.  

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I am reminded of Vancouver Island by the hearty vegetation down below.  

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Nothing is more refreshing than the smell of moss in cooler weather.  The air is so fresh here in Berkshire.  

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The view from the Middle Ward down to St. George’s Chapel; but that’ll come after touring the castle’s state apartments.  

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The glorious view north across the River Thames to Eton College Chapel… Nothing beats being out on the terrace and looking out to the landscape below.  

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The view along the terrace towards the entrance to the castle. 

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Once inside, of course, photography is not allowed.  This, understandably, is for security reasons; it is after all the Sovereign’s main residence.  Formidable, an entrance indeed.  Touring the state apartments, the progression’s starting point was different to previous visits.  

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Without doubt, I knew that the wedding outfits worn by TRH Duke & Duchess of Sussex would not be on display in the castle’s Green Drawing Room; there is only one door into said room for the public and the other at the opposite end, leads directly into the Sovereign’s private apartments. 

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Furthermore, that single door is too narrow to accommodate persons going and coming into the Green Drawing Room, if they were to enter and exit by said door.  

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Similarly, I knew that the exhibition, A Royal Wedding: The Duke and Duchess of Sussex could not have been held in St. George’s Hall above.  There is simply too much natural light which floods the space; this could actually prove more harm than good – even though it would be best to see the dress in natural light.  Moreover, I did not expect that it would be held there as the space is too large and, frankly, with the amount of racially charged animus towards this marriage, it would likely not draw as large a crowd to warrant being staged there.  Truth be told, there were no Caucasians viewing the exhibit when I moved through it, than there were East Asian and blacks combined.  

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I will never forget my confusion on first experiencing The Waterloo Chamber in this lifetime.  I just felt as though, perhaps, my sense that I had been to Windsor Castle in prior lives or a lifetime was off.  Of course, I would learn that this marvellous salon was installed during HM King George IV’s reign, at which time, I had reincarnated into Barbados, after having been a countertenor at the court of HM King George III and during the early years of his son’s Regency.  

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Then again, those high-placed windows in the Waterloo Chamber would preclude its assignation as the setting for the exhibition, A Royal Wedding: The Duke and Duchess of Sussex.  

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Though noted for its stunning portraits of both HM Queen Elizabeth, The Queen Mother and HM King George VI, this room much like St. George’s Hall has too much light exposure.  

On entering the long narrow hallway with large windows that look out onto the terrace, the River Thames and the north shore beyond, one happens on a wall of linen panels which cover the floor to ceiling cabinets with priceless china from the Royal Collection.  

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Imagine all these iconic moments from the wedding of TRH Duke & Duchess of Sussex on hanging linen panels of more than 8 or more feet tall.  The effect is warm, enveloping and their size deftly impress on one, the uneclipsed love between these two star-crossed lovers.  

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Next, into the grandeur of the Grand Reception Room one slips and with the heavy red curtains drawn, the effect is even more stunning.  The large chandeliers are softly dimmed and handsomely display the bridal garments of the wedding party.  

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The embroidery on HRH Prince Henry, Duke of Sussex’s uniform, to the Queen Mary Diamond Bandeau tiara when seen in intimate detail proved more breathtaking than I had anticipated.  Goodness, even the shoes worn by Meghan, HRH Duchess of Sussex were exquisite.  

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What I found most interesting about the dress was its sheer simplicity.  The dress serves as a foil for the intricacy of the five metre veil entwined with the fifty-three flowers of the Commonwealth nations, along with the state flower for Meghan, HRH Duchess of Sussex’s home state of California.  Not until in the presence of the dress did its simplicity make sense; the dress is masterfully constructed such that its simplicity reminds one that only the expert craftsmanship of a couturier could have designed and manufactured the dress. 

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Yet, there was more to the simplicity of this Clare Waight Keller dress for Givenchy and it was not until moving around it a second time that it struck me; the simplicity of the dress speaks to the recent past of Ms. Markle’s African heritage.  Its simplicity speaks of the history of a people which was erased, wiped out by the terror of having been robbed and enslaved.  

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Yet like the simplicity which belies the masterful craftsmanship of the couturiers who created this stunning dress, there is also greatness to a people though reviled, socio-economically oppressed, criminalised, marginalised and made to feel inferior… the same people whose greatness shrines through in Jazz, for one.  Remarkably, the simplicity of the dress, is like the sheer eloquence with which HRH Prince Charles, Prince of Wales sincerely both acknowledged and apologised for the past, which his society and family had contributed to in the immense suffering of Africans; this he did this past autumn when touring West Africa on behalf of HM The Queen.  

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This was not only not a heavily attended exhibition but, at the time that I moved through it, there was not a single Caucasian viewing the wedding garments.  Though many would like to have you believe that there is no basis in race why they dislike Meghan, HRH Duchess of Sussex, that is just a damn lie.  Naturally, neither medicine nor academia acknowledges the existence of the racial predator as ‘No’ is the most powerful word when dealing with blacks.  Indeed, not until going to St. George’s Chapel after the tour of the castle was concluded, did one see Caucasians in numbers that reflect their proportions in the society.  Indeed, unlike previously, one was being fixed with looks that were charged with racial animus.  

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Though she is now the most reviled black woman on the planet, truth is that the soul who is now Meghan, HRH Duchess of Sussex was Margaret Beaufort, Tudor Matriarch: key figure in the War of the Roses, cousin of HM King Henry VI, mother of HM King Henry VII, mentor, counsel and favourite of her grandson, HM King Henry VIII who was much impressed by her focussed untrammelled ambition, great-grandmother of HM Queen Elizabeth I. 

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Without her drive and singleness of purpose, England may still be a Catholic nation and its language may well be French.  Nonetheless, such is the rabid, irrational tribalism that is racism; her true nature cannot be perceived by the blind who can never see either the links to the past or the bigger picture.  

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In the end, I was much inspired for having made this pilgrimage to see this dress, which in its simplicity symbolised hope, atonement and the love of two entity mates who have known each other in twenty prior lifetimes.  The simplicity of this dress proved an epiphany.  

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Statue of HM King Charles II without whose drive, there would have been no Restoration.  

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View of the round tower on exiting the State Apartments and at the edge of the Quadrangle.  

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Details of St. George’s Chapel.  

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Details… and more details.  

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Even more interesting details…

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Sadly, photography is not allowed inside the chapel.  

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Despite the general seething that being black elicited from most persons here – thanks to HRH Prince Henry, Duke of Sussex having married the black woman, I rather enjoyed revisiting the spiritual home of the Knights of the Garter.  There is a certain warmth and intimacy to the quire’s dark woods that I favour.  

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And like that, another day of adventure was completed.  

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As the train sped back to London, I spotted this queer, though, appealing architectural gem.  

As ever, thanks so much for your ongoing support and always remember to become awake when asleep into the magical realm of dreams.  

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©2013-2020 Arvin da Brgha.  All Rights Reserved.  

 

Shopping @ British Museum.

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On the occasion of HRH Prince Charles, Prince of Wales’ 70th birthday, the sunrise was the most glorious display of apricot orange, manseport orange and blood orange tonalities.  So ravishing was it that I had to get up from the breakfast table in the hotel and take a few shots, threw them up onto Instagram feed, where other Londoners whom I follow also featured the glorious sunrise.  

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HRH Prince Charles, Prince of Wales by Ralph Heimans,  Charles @ 70.

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Charles en famille… beautiful.  

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HRH Prince Charles, Prince of Wales @ 70.  

Though the plan this day was to go out to Richmond and visit Hampton Court Palace, as I had develop not one but two blisters – one per foot – I decided to postpone it until the weekend.  

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I always love the look of this stately edifice that looks as though it would be right at home in India, I turned and took a few shots as I entered Russell Square park.  

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Lovely, what was even more glorious was the sound of leaves sounding like crisp, ruffled bedding as I confidently strode through the park.  

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Though in the upper teens, I enjoyed the sight of four guys in their late 20s rushing through this fountain in Russell Square; the water must have been freezing.  They certainly appeared to be having great fun.  

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Yes, I was come to pass yet another glorious visit at The British Museum.  With each visit, there is always some new discovery.  Walking along, en route to the gift shop, I was stopped by a man named Felix; he complimented me on my Dorothy Grant messenger bag and as we began speaking, I soon recalled a dream had more than two decades earlier when then living in Vancouver. 

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Felix was the subject of the dream and twenty-three years earlier, I had been the one to walk up from behind and stop him, engaging him in conversation.  As you never want to come off sounding like you are on really bad drugs or a cheap player, I resisted to urge to share having previously dreamt of him.  

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What coffee table books to buy this trip.  I had been en route to the bookstore, after abruptly taking leave of the stately Grenville Room.  I had discovered a piece of jewellery, which I had previously dreamt of.  I knew straight away that I wanted to have it; however, the Dravidian sales clerk incredulously replied that they were for display purposes.  I had asked him to open the case so that I could inspect the exquisite amber necklace.  Naturally, he by his response implied that I could not afford it and was likely a damn thief.  

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From there, I went to take in the Elgin Marbles and enjoyed seeing them yet again.  The crowds, though, were a bit distracting.  Feeling unresolved about the matter and because I really wanted to look at that amber necklace, I returned to the Grenville Room Gift shop.  

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As I approached, a pleasantly smiling clerk whom previously I had not noticed, came from the entrance to the gift shop and said hello.  He diplomatically asked if I had found everything that I was looking for; as it was not worth wasting time on a petit clerk who did not matter, I told him that there were a couple of items that I wanted to take a look at.  A more gracious host there could not have been. 

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In the end, I got the necklace which came pretty close to the one in the dream, which to make that dream come true, I was intent on gifting it to the ever elegant wearer in the dream.  This man spent nearly forty-five minutes, finding five sets of earrings to go with the lovely necklace and finally we narrowed the choice down to two pairs; he even got a small light so that the amber earrings chosen would be the closest match to the necklace. 

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A font of information and anecdotal gems, he then insisted that I go and tour the King’s Library, which I had previously never toured.  Yes, indeed, knowing what a rascal his son was, HM King George III had his entire library donated to the British Museum so that HM King George IV on his passing, would not go selling off his father’s priceless heirlooms to buy furniture or whatever else.  

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As the sales clerk, with a more than passing resemblance to milliner Stephen Jones escorted me to the Grenville Room’s rear entrance into the King’s Library, the Dravidian who had thrown so much shade my way and not served me, I paused to look at, then dismissively down at the floor with the British Museum bag with more than 500£ of sales and its commission, which he had allowed his stupid ignorance to steal from himself.  Yes, indeed, I promised the bald pleasant clerk that I would return to Fortnum & Mason and hunt down some rose petal jelly.  

After an initial tour of the King’s Library and a lunch of too much pasta with two glasses of prosecco whilst charging my phone, I then returned and took this video.  Clearly, from all that huffing, I had too much to eat.  Finally after more than six hours at the British Museum, I ambled out into the late afternoon and enjoyed walking about Bloomsbury.  

As ever, thanks for your ongoing support and happy holidays… here’s to your every dream coming true.  

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©2013-2020 Arvin da Brgha.  All Rights Reserved,  

Oxford Circus. Pimlico. Barbican.

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Bright and early Tuesday morning and it was off to Oxford Circus in search of more art.  

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No faking this; the hustle is fucking real. 

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As I poured through this joint, I recalled my advice to the London cab driver whilst crawling along Pall Mall two days earlier.  

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Well if Daddy Warbucks’ little girl ain’t toothless, what is one to do but vacuously laugh with every breath.   

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As though I had just walked in on the most malodorous dump, I was out of this dive in a New York minute.  

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As I came up out of the Underground, I felt as though I had just endured a room whose stench was dirty ashtrays, liquor and coffee.  Once at Hyde Park Corner, I made it to Apsley House, only to discover that it was not open during the week.  Took the time to breathe the crisp – though not cold like Canadian – air with Hyde Park’s trees’ transitioning foliage predominantly apricot-coloured.  

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Vauxhall Tower (St. George Wharf Tower.)

Arrived at Pimlico and the air was comfortably cool; so nice to have a brilliant sunny day for a change.  Nonetheless, you can bet your bottom dollar that I was protected by my extra thick-lensed black shades. 

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After working almost exclusively at nighttime and since before that when in the theatre, I have developed a genuine sensitivity to sunlight.  You cannot convince me that we are not much too close to Sol for comfort.  So to Tate Britain I was returned.  After the scam that was the Klimt / Schiele, I was not rolling the die on Turner Prize 2018.  

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I went into this exhibition with zero expectations.  Like the British Museum, I love the gift shop at Tate Britain as opposed to Tate Modern’s.  I was on the hunt for unique gifts to purchase; this ticketed event was a gamble.  

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You cannot begin to fathom the degree to which I was wowed by the breath of this artist’s genius.  

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Remarkably, there was no end to this genius’ vision.  

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There is, throughout his art, movement and fluidity with the greatest grace and attack.  

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This is a colossal retrospective and his talent was unmatched.  

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The sensuality is breathtaking.  

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Every painting was a newly discovered masterpiece.  

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The breath of his work is astounding.  

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What a truly marvellous discovery.  

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His work left everyone moving through the exhibit in a state of harmony.  There was such peace and serenity in each salon and every salon had some wow moment masterpiece.  

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One key element of his art was that each work was hung in the spot-on perfect frame.  

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Masterful!

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For me, Edward’s genius epitomises where dreams and genius merge and produce the most uplifting art.  

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Quite simply, there are no words.  

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Besotted.  

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The moment that I laid eyes on this tableau, I immediately thought of Francis Bacon.  

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Breathtaking…

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Now, this is Art,  Next-level tapestry.  The fluid sensuality is overwhelming.  

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This is everything.  

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I would gladly have paid thrice as much to view this exhibition.  

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This was like nothing I had seen before and it far exceeded anything that I had expected.  Truly beautiful.  After dining on a late lunch in Pimlico, it was back to Bloomsbury for a nap before heading out into the evening.  

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Though I was rather looking forward to hanging out at Ronnie Scott’s, the idea of listening to Charlie Parker and John Coltrane (an entity mate) being butchered by some Israeli appropriationist was not exactly high on my must-do list.  

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Happy was I to be in the comfy seats at Barbican Centre Cinemas to watch a LIVE relay from Covent Garden of that evening’s performance of La Bayadère, which at week’s end I would be attending.  By far, this was the most glorious of cinematic experiences.  I could not believe the sight of Natalia Makarova when she appeared on screen. 

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She was now full-bodied as we mostly get on ageing.  Last time that I had seen her was during a class we took together at NYC’s Harkness House ballet school during summer 1983.  That late spring was the last time that I had also seen the ballet live; it was May 19, 1983 and my favourite dancer, the dimpled, shy and oh so sweet, Fernando Bujones was dancing the role of Solor.  

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As ever, thanks for your ongoing support and dream as lucidly as you want to… 

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©2013-2020 Arvin da Brgha.  All Rights Reserved.  

When Things Don’t Go to Plan.

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Just another hotel that looks onto Bloomsbury’s Russell Square

Monday morning, November 12, 2018 rolled around with me being a bit on the antsy side.  Just a couple of days before leaving on the trip, I received an email notice that a talk and drinks scheduled for that evening at Spencer House had been cancelled.  That being the case, I emailed, called and prevailed on each day Ronnie Scott’s Jazz club in Soho to try and get my reserved seat for the Tuesday evening show, moved up to Monday evening instead. 

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Finally, the night before, I got a human rather than no voicemail or no email replies from Ronnie Scott’s.  Incredibly, the rep did not know the number for box office and let me know that the Monday show was booked and I could not change my itinerary.  Trying to reason with her proved a nonstarter.  If I could be missing for my reservation on Tuesday, so too could someone booked on Monday be missing which means that I could at the very least stand in the back of the club and sip on a drip.  Nothing doing.  Monday came and passed and not box office nor anyone ever once answered the phone.  

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One of my favourite journeys when in London is to get to Piccadilly Circus and head towards Burlington House.  There, one is always going to be wowed by great art – this trip certainly delivered,  

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This, without doubt, is the show that I came to London highly anticipating.  What I had not anticipated was the sheer scope of the exhibition.   Certainly, it was a welcome change after paying to move through the Klimt / Schiele exhibition.  One thing that struck me, which always occurs regardless which museum or which continent, whenever there is an exhibition of non-white art alongside another of white art, the latter is patronised by a ratio of three to one,  

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Franz Hauer 1914  Egon Schiele

To be sure, the space for the Klimt / Schiele was much smaller than the ten salons for the Oceania exhibition – the same salons in fact which were used for last winter’s, Charles I: King and Collector.  Indeed, there is a certain appeal about being able to view art this up close and intimately.  Nonetheless, the crowd here was predominantly older – the diapered set and they of course can be expected to have little relish for adventuring beyond that which is deemed art or superior.  

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Nude Self-Portrait 1916 Egon Schiele. 

Naturally, not having read up on the exhibition prior to arriving in London, I had assumed that it would be paintings of both artists in the exhibition.  As it turned out, my weak vision could not fully appreciate these drawings and the cramped quarters was no good for my usual wariness of crowds.  

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Female Bust,1916 Gustav Klimt.  

Thoroughly underwhelmed more than not, I made my way in search of the Oceania exhibition.  Imagine having made that treacherous trek all the way up those potentially slippery metallic stairs, only to have been left none-too-inspired.  Oh well, too many old fossils in too tight a space pour moi-meme.  

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Straight away, I was soothed, uplifted and engrossed by the fecund richness of the blue-interiored salons.  Where months prior were hung van Dycks, Rubens and a most memorable Tintoretto, now into these large magical ten salons, I slipped lucidly awakened with wonder.  

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Here, in this marvellous exhibition, the worlds of dreams and spirit were fully realised.  I was in awe, inspired and fully engaged for moving through, as though in a lucid dream, salon after salon of this mammoth, breathtakingly beautiful exhibition.  

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Papuan soul canoe.

Steeped in animism and ancestor-worship, these beautiful cultures of the South Pacific (Oceania) speak to me.  Naturally, much of this is due to strong resonance, owing to past-live memories.    

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What I found rather interesting about this exhibition, is how locals reacted to the art and artefacts on display.  They were actually deferential, which is worlds removed from the usual open ridicule and vile remarks made by persons when touring the Barbara and Murray Frum African Art Collection at Toronto’s AGO (Art Gallery of Ontario).  Indeed, days later, I would be reminded of how archly racist Canadians currently are and with a smugness that defies reason.  

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This exhibition is handsomely curated and the show was staged with the greatest sensitivity and respect for the cultures represented.  Rather refreshing an approach.  

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Marvellous.  Powerful and so like the totemic masks of West African cultures.  

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I especially loved this sculpture and found it vibrationally rather powerful.  

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Sublime.  

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My attempts at capturing this marvellous piece proved frustrating as a German couple who were close by were slow to move along; my impatience is of course legendary.  

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Beautiful textiles featured in the exhibition,  

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Positively love this Papuan mask.  

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Star map for navigating the seas of Oceania’s cultures.  

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August.  Regal.  There is something deeply astral about the cultures of Oceania; these are cultures which are firmly grounded in the worlds of dreams and spirit… indeed.  

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Wow!  This is what I came hunting for; I was most definitely greatly inspired.  What past-life dreams are yet to be triggered by this lucidly awakened journey through Oceania and my own reincarnational past.  

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Hands down, this was my favourite piece in the exhibition; it seemed like some interdimensional craft for travelling between distant worlds and galaxies as is only now possible in dreams.  The lines are so amazingly elegant and masterfully executed.  Phenomenal.  

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What a wonderfully uplifting exhibition!  Bravo!  

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The view on exiting the Royal Academy’s Burlington House.  

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Just look at the view across Piccadilly from the Royal Academy…  Fortnum & Mason.  Well, off we go for some retail therapy; on crossing the street, I delightfully hummed the most memorable melody from La Bayadère.  

Oh look, way below that famous Fortnum & Mason blue beckons.  For now though, I made another feverish perusal of my email.  There is nothing from Ronnie Scott’s and the hotel has emailed to say that they have not received word from them nor have they called back.  

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A gourmand’s wet dream.  

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Art whilst shopping… truly civilised.  

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A trip to the basement and my favourite Jamaican clerk was not on duty.  I did though meet a lovely, lively West African who much reminded me of the spirited gardener in the dreams of July 9, 1993, which proved one of the most beautiful yet of this incarnation wherein I travelled and had the most lucid astral plane dream encounter with Merlin in the afterlife – it will appear in the sixth and final volume of my dream memoirs of Merlin and me, Merlin and Arvin: A Shamanic Dream Odyssey, which will prove human civilisation’s first dream memoirs when fully published.  20181112_124934

Thanks to the West African clerk and how beautifully she spoke of the Canada’s Weston family, who own Fortnum & Mason, I was sold.  To hell with dropping money at Ronnie Scott’s when they could not be bothered to accommodate me.  With that, I had a couple of signed copies of Tom Parker-Bowles’ recently published cookbook, Fortnum & Mason Christmas.  For good measure, it is always good to have wonderful fragrances.  

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On getting outside, whilst prowling Piccadilly in search of the Herrick Gallery in Mayfair where a Nevisian artist was having an exhibition, the skies opened up and delivered a monsoon deluge, which readily reminded that this truly was the age of climate change.  The Herrick Gallery was a beautiful affair; however, I had arrived a day early so there was nothing to see as large canvases were being unwrapped and hung.  Getting into Green Park Station, I ducked in to use the toilet and was reminded of 28 years earlier, when you didn’t then have to pay to use the facilities.  That day, in the heat that was London in July, an old, homeless black woman sat on one of the toilets in a stall, which like all the others had no door affording privacy.  She seemed utterly otherworldly and just as removed.  Certainly, she was impervious to the bacchanalia afoot; a tall East African with the most massive cock to that point seen, was actually charging various denominations based on what the throng of near-ululating size queens were prepared to do to that unrivalled wunder schmekel of his.  

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Onward, the journey continued.  The next stop was Westminster Station where my main focus was touring the exquisite architectural gem that is the Lady Chapel at Westminster Abbey.  Built by King Henry VII as Lady Chapel and deemed as the ode to the Virgin Mother, I rather suspect though that the Lady in question is his mother, Margaret Beaufort.  Hers is the only effigy that is not marble but distinctive bronze. 

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(Though photography is not permitted, I managed rather skilfully to have captured a shot of Lady Margaret Beaufort’s bronze-effigied tomb whilst in the spectacular Lady Chapel at Westminster Abbey)

Of course, that soul is now incarnate and though the most reviled black woman on the planet at present, I have every conviction that Meghan, HRH Duchess of Sussex will just as nobly distinguish herself as when a key figure during the War of the Roses, mother of King Henry VII, grandmother of King Henry VIII after whose coronation she died days later, and great-grandmother of Queen Elizabeth I.  She who founded Christ’s College and St. John’s College at Cambridge University and for whom Oxford University’s first college to admit women, Lady Margaret Hall is named.  Indeed, Meghan, HRH Duchess of Sussex has been a feminist for some time.  

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A lone shot of Westminster Abbey from the quire, looking to the altar before being approached by security and asked to cease doing so.  Before departing I took the time to pause at the three wreaths in the stalls of Lady Chapel, which is the spiritual home of the Order of Bath.  In recent months, three knights of the order had passed.  

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The view from the Cloisters from Westminster Abbey, to the courtyard fountain and the grandeur of Palace of Westminster’s Victoria Tower to the rear.  It was also a chance to wait out the downpours.  

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Excitedly the dash back from Westminster Abbey to Westminster Station on the Circle Line was one filled with giggles as I tried to avoid being dowsed by puddles as traffic sped past.  Next stop, Mansion House which eventually led to a break in the rains as I emerged from the Underground.  

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Look at that, the monsoon had eased up and there was even sunlight trammelling the dome of St. Paul’s Cathedral.  Always, it is good to mount the steps to this grand shrine.  

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As it is the season of Remembrance, it was time to pause and pay homage at the tomb of Vice-Admiral Horatio Nelson whom both Merlin and I knew in our past lives in London when musicians at court during the reign of HM King George III and the Regency of HM King George IV.  

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The Earl Jellicoe. Admiral of the Fleet.  Love that there are actual poppies on his tomb.  

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Arthur Wellesley, Duke of Wellington.

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One of the sights whilst ambling after yet another tour of St. Paul’s Cathedral.  

With that, it was back on the Underground and a return to Bloomsbury, where dinner and dream-filled sleep awaited.  

As ever, dream as though every moment is a dream memory of a past life (this one) for you in a future incarnation.  See it, experience it fully – without bias – appreciate it and be richly inspired by it.  Again, I can never say enough how deeply appreciative I am for your ongoing support.  

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©2013-2020 Arvin da Brgha.  All Rights Reserved.