As only Preston Sturges could have envisioned, at last we have got ourselves a remake. Would you believe it, a long-running romcom at the Buck House Theatre stars two rather convincing incarnations of Barbara Stanwyck and Henry Fonda in Sturges’ The Lady Eve. In this eight-year production, Charles – the slow, doltish oaf is played to uncanny perfection by the follicly challenged Duke of Cambridge. In the role of Jean: acerbic, sarcastic, bitchingly fierce is the chain-smoking, bulimic, coalmining kinfolk, Catherine – the fair, suddenly and compensatorily beloved… to say nothing of reconstituted Duchess of Cambridge. Look at them deplane; make no mistakes about it, they are hissing at each other. Now as then, Catherine is just as dismissive of William as she was for all the world to see, within two hours of having said, “I do” at Westminster Abbey as they stood on the balcony at Buckingham Palace; yet, body language and lip-reading experts – so beloved by trash like DailyMail – were strangely never consulted. They rowed and she hissed and dismissed the dim-witted oaf, within mere moments of finally having made him all hers.
My what an uncanny resemblance she bears the Duchess of Cambridge. Of course, she was conveniently dispensed with by Catherine after recently marrying. Naturally, such a move would nicely cover the obvious reason for her having been sacked as she was yet another of William’s conquests, right under Catherine’s nose. He is a scholar soul and it is 99.99% probable that he was bedding Catherine’s staffer; it would of course be a way for him to act out the fact that he has no power in their dynamic/marriage. She is a warrior and he is a scholar. Catherine’s first number is 9; her energy body is all about being number one… Perfection is hallmark. All energy body women who are 9s have these traits in common; they are rude, blunt, callous, will openly editorialise in front of anyone and everyone. They tend to have a mannish quality to them for being so fiercely competitive and of course, this is why she is known as sporty Kate.
As a warrior, Catherine has zero percent of the allure and mystique that all artisan souls innately do. As much as William is unbridled in his open animus towards Meghan, HRH Duchess of Sussex, none of it would take place if Catherine, HRH Duchess of Cambridge were not intimidated and challenged by Meghan. The vile media lynching of Meghan is purely for the sport and empowerment of Catherine. Nonetheless, she can run out there and cock-suck all she wants every mic in sight, Meghan will always stratospherically soar above her. All artisans come prepared: to know the structure of a thing, anything… is to know its weakness and therein lies an artisan’s power. William is stupid and Catherine is wooden and a mousy little dud for whom a mic is but kryptonite.
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Go on, Meghan, start graciously, articulately, engaging in a display of that most rare of assets that you possess in spades… intellect. During her ITV documentary with Tom Bradby, those were the eyes of an eagle, capable of flaying your very soul without so much as a second thought. She knows, understands and controls the camera and its power. She was born to be exactly where she is. That interview presented someone far more emotionally intelligent and complex than we have ever seen representing the House of Windsor to date. She was even more subtle and complex than Diana, Princess of Wales during her Panorama interview with Martin Bashir. Truly, it is artful stagecraft what this woman does. Like Diana before her and every artisan soul, she is completely misunderstood. Where most souls have a plan B, all artisans know that there are 24 other letters in the alphabet for a reason; you need plans A to Z. During that interview with Tom Bradby, Meghan showed strength, vulnerability and shrewd unbridled power. She spoke to all her detractors both in the media and within the firm. These are the palace mandarins who somehow think that she is not following the script; these tools who somehow think that just because the Cambridges are in the direct line of succession, therefore no one must outshine them.
In a scene that was truly incredulous, to say nothing of tedious, there was Catherine, HRH Duchess of Cambridge being vocal – rather than articulate – and speaking to the media for the first time after 8 years of marriage. There, too, was HRH Prince William, Duke of Cambridge having to idly standby as never before he had and listen as she takes the spotlight. This is the palace mandarins’ feverish re-branding of the wooden, mousy broodmare. Yep, William looks pleased as punch at having to listen to his bullying wife takeover… seriously. Like Charles before him with Diana, Princess of Wales, William has no intentions of living through a marriage with someone more popular than himself. I feel sorry for the Cambridges because as much as they are hamstrung by their 9 energy, they are also at the mercy of the palace mandarins who tell them that this is what they have to do. They are being galvanised into action where previously they had not been. It is ridiculously risible to suddenly have Catherine out there, making speeches and engaging the media because as Meghan deftly demonstrated in her one-on-one interview with Tom Bradby in the gardens of the residence in Capetown where they stayed, she is a commanding master at self-expression, possessed of a most winning personality and is clearly nine-parts intellect.
Here is Catherine, sporting a hairstyle in which she essentially is wearing blinkers; this betrays how controlled and reined in she was, going into the marriage. Of course, she has remained that way, to some degree, though she has definitely remained the dominant partner. Catherine knows that her husband basically is stupid and uses her 9 energy to keep him in line and feeling imperfect – that’s what 9s do. His out, naturally, for being a scholar soul is to seriously play the field as he damn well pleases.
She is desperately having to perform and as a 9 body-energied person, she knows only too well how utterly imperfect she is at speaking up and being articulate or rather attempting to be articulate. She is all about grinning and condescendingly making mere mortals aware of their every imperfection – that’s what 9 energy in the first position does. Of course, 9 in the second position leaves William predisposed to being discriminatingly prejudicial in the negative expression of that number. Certainly, this has been validated by the fact that in 8 years, they have yet to tour any predominantly black Commonwealth nation. I can assure you, if they were to, there is no way Catherine and William would be donning the national costumes of the locals in say Nigeria, Kenya or South Africa. What makes this even more bizarre is the fact that William proposed to Catherine whilst holidaying in Kenya, yet the couple have never once seen a reason to return to Kenya on tour and giving a speech about what a special place the country holds for them as a couple. Truly bizarre.
A few weeks back, in part of her childhood mental health campaign, which it goes without saying, is truly both admirable and commendable, Catherine sat clasping her hands whilst a little black girl in London on a charity visit was presented to her. She smiled and she did that thing that all 9s do; she perceived the little girl as imperfect in some way and never once reached out to her beyond a guarded smile and never once touched her. She would sooner have petted a dog in that situation than the black girl. Meanwhile, there was she leaning in, touching, stroking and doing all that which 9s do when they have decided that you not that imperfect after all.
As captured above, Catherine at Royal Ascot 2019, on the eve of the announcement of the dissolution of the Fab Four Royal Foundation. She was smug, obstinate and celebratory of her/their coup (the Cambridges). I have known five persons with the same numerology, one of them even born on January 9th, though different year. They are all as though carbon copies of each other for 9 when negatively expressed, leaves such afflicted women toxic and given to being obstinate, shit-disturbing and jealously petty. No matter what you may think, the architects of the current hysterical animus towards TRH Duke & Duchess of Sussex are none other than TRH Duke & Duchess of Cambridge. Catherine is a warrior soul and they are fiercely competitive by nature; a warrior would compete with a rock if said warrior felt that its place as number one were remotely threatened by said rock.
So there was Catherine with her whimpy almost regurgitated can’t-find voice, giving her first TV interview in the 8 years that she has been married. By so doing, she has given the plot away; we now know how truly shallow and grudging the Cambridges are. Good god, you are future King and Queen Consort, leave the American whose gift of speech and eloquence, you will neither match nor surpass. Just for being heirs does not mean that the Cambridges must be the most popular or that a lesser royal must not be seen to have more mass appeal than the über-flaneur quintessence of all things bland, TRH Duke & Duchess of Cambridge. None of what William has done has been done without being prompted by 9 energy body Catherine.
I would not in the very least be surprised if Catherine were to turn up to the 2019 British Fashion Awards and deliver a speech, thereby further reminding the heavily sage and artisan soul audience what a mousy little yawnfest she is. Of course, she has never graced the awards before but that Meghan did and was such a success, you can bet that the Cambridges will insist that it is Catherine who should rightly attend the awards. Catherine is like one of those gorgeous actresses from the silent movie era who when the transition to talkies occurred, proved such a fright that there went her career. What possible interest does she think, eight years on, could anyone have to listen to what she has to say. During the CNN interview with line-toeing Briton, Max Foster, Catherine’s; voice faltered and sagged, the longer she weakly carped on. You can bet your last pound sterling that William laid into her about how poorly she performed.
No matter what these two do and how they get the world to hate Meghan and Harry, one thing will never change: the Sussexes are a couple in love – their marvellous adorable son is a true testament of that love. This is why they hold hands and are so openly affectionate. Charles was not in love with his clueless new wife, which is why they never held hands or openly expressed their love, which in either case is perfectly human behaviour after all. Too, we know from their rowing on their wedding day that Catherine dismisses her husband as a fool and he has steadfastly rebelled by ploughing anything that moves.
The more these two, the Cambridges, sat by idly and said and did nothing as Harry and Meghan were lynched in the media, the more they exposed themselves as the grudging architects of the mob scene. This truly primitive stoning of the Sussexes, is the work of a couple of 9s, who happen to be not just entity mates but task companions at that. All this nonsenseabout Catherine having found her voice and her new regal style are like being black and having to watch frauds like Diana Krall be lauded as Jazz greats. One also ought to be damn well wary when it is embittered souls like Alexandra Shulman suddenly singing Catherine’s praises as fashion doyenne after 8 long boring years. This is the same Alexandra who was ousted at British Vogue by Edward Enninful, which likely means she has more than an axe to grind as the fashion bible has become more inclusive and reflective of British and world society.
Harry channelling his past-life inner Snoop Dog; pass the Courvoisier!
If Harry were to have remained a bachelor for another decade, none of this sudden need for the Cambridges to express public affection and for Catherine to have developed a fetish for cock-sucking every mic in sight, would be taking place. Joy Elvin, Alexandra Shulman all lauding the old sodden driftwood as never before, is a right case of the emperor’s new clothes. Well darlings, just as Hollywood was not impressed by her in 2011, so too were Elvin and Shulman nowhere to be found singing La mouse’s praises. Go ahead, no matter how she preens and engages in mindless, mousy drivelfests before every available mic, including one proffered by a biased Brit, CNN’s Max Foster, ain’t nobody gots time for that cold, leftover side order of chitlings.
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This is the beauty of the artisan soul’s mind on display. After a winning tour de force presentation of self, in which both TRH Duke & Duchess of Sussex lay their souls bare with absolute candour, the upshot of which was that William, architect of the Duchess of Sussex’s lynching in the media, especially at that vile rag, DailyMail, was made to do a mea culpa turn in the media, expressing concern for their mental well-being. This coming after the British tabloid rags never ever once mentioning what a formidable asset Meghan, HRH Duchess of Sussex is to the firm with her stellar intellect and the fact that this woman is the most articulate, camera savvy, emotionally intelligent member of the British Royal Family that there has ever been. This showed in spades in her engagement interview in November 2017 with the BBC and again, in her interview with Tom Bradby at the end of which, TRH Duke & Duchess of Sussex turned around and launched their lawsuits against the media – as well they damn well should! How could you go on and on ad nauseam about this woman and never once mention what an articulate asset to the BRF she truly is.
It is the goddamn elephant in the room; they never ever can criticise this woman’s intellect or her commanding stage presence – the gift she has for communicating the message. And then there is Catherine… Ha! Then when they were all wondering if Meghan was too fragile and mentally exhausted comes the One Young World Summit at Royal Albert Hall and like Diana Ross, Meghan, HRH Duchess of Sussex comes through moving to the stage from the audience in a bit of stagecraft that had triumph written all over it. Indeed, this was the same Royal Albert Hall where last year, thanks to the race-baiting gutter journalism at the DailyMail, TRH Duke & Duchess of Sussex were booed as they took their seats. This past week as she confidently strode through the audience at Royal Albert Hall, the message was plain and simple: they don’t call me Tungsten for nothing! Just when you thought that you had that woman figured out, she goes and pulls a fast one – exactly as every other artisan worth their salt would.
Just like Andrew’s minor meat proclivities, the Cambridges were exposed for the pivotal and venal role in the Sussexes’ lynching in the media that they have played. There was William having to appear in the press, expressing concern for the Sussexes’ well-being. Of course, for so doing, Catherine and William were readily exposed for their role in the media lynching of Sussexes and in particular, Meghan. How anyone can find fault with someone as gifted at communicating the message as Meghan, HRH Duchess of Sussex, truly is beyond me? Regardless how they jeer and celebrate, like Catherine at Ascot in 2019, they will never eclipse the light that is the Sussexes’. I have often wondered if the Cambridge’s vindictive campaign were not rooted in the past. Who knows, perhaps, Catherine – who is the real power behind the sabotaging of the Sussexes – was King Richard III, who was maligned and pilloried by Meghan, HRH Duchess of Sussex, the former Tudor matriarch, Margaret Beaufort. Then again, perhaps, William had been Richard III and as the Cambridges are task companions, it would be so like the dominant partner, warrior soul Catherine, to mete out justice as she sees fit. This is mere conjecture on my part as I have not done the past-life overleaves of either senior Cambridge – similarly, I have never seen the need to do the overleaves of the Cambridges’ children. The Cambridges are not a couple in love; William settled in the end when no aristocratic woman would want to pass a life, having to babysit his damaged – to say nothing of oafish – persona. As Catherine is the power partner in their task companionship, they both merely chose to have William reincarnate into the House of Windsor’s direct line of succession so that she, if indeed she were Richard III, in the past, have access to the throne and avenge herself of Meghan, who was then Margaret Beaufort.
Then again, maybe Catherine was no such person in a past life and simply possessed of a spiteful persona that is more than a little prejudicial – their recent dress-up parade in Pakistan certainly would not have been indulged in when visiting any predominantly black Commonwealth culture. In any event, as Diana, Princess of Wales is likely soon to reincarnate, I am sure she is finding all of this drama rather intriguing and the Cambridges truly venal. Either way, as Andrew eventually has been exposed, so too will Catherine and William be fully exposed for what they are.
That face of hers when not fakely grimmacing that fuck-you smile is such a hard, miserable sight; it truly captures who really is behind the Sussexes’ lynching and all because, one must not be more popular than moi. Well damn girl, you only had 8 years to open your damn mouth and say something remotely intelligent, to say nothing of charming.
Though the neighbouring apartments at Kensington Palace were prepared for the Sussexes, quite rightly Meghan and Harry saw fit to move to Windsor’s Frogmore Cottage and set up their offices at Buckingham Palace. Regardless the cultivated face the Cambridges show the public, at heart centre, they are a very petty, mean-spirited partnership. The Cambridges embody the negative aspects of their 9 energy to the max – prejudicial and hypercritical… to say nothing of hyper-cynical; these are not persons that one would want to be around overlong. Though Meghan has been described as a con and a fake, hustler, social-climbing blah blah blah, all for being black and accomplishing the unthinkable, the true Lady Eve is Catherine, who with her mother, preyed on blithering William like a famished eagle a mere lamb.
(L to R,) Yonge Street Mask (George Hawken Lithograph 1971), Pink Chair (George Hawken Lithograph 1990 of yours truly; there are only three copies in existence) Woman (George Hawken Lithograph 1980) Sockeye Salmon (Bill Reid Lithograph 1991), Four Standing Figures (Henry Moore Lithograph 1978)
Buster is a really keen familiar. Recently, someone of dubious intentions visited my home; needless to say, I had dreamt of the encounter days prior. As he spends long hours therein, Buster came from the pyramid and promptly hissed at the individual then returned to the pyramid where no doubt, he communed with his Egyptian ancestors. He only ever enters the pyramid at the eastern corner and when meditating will face one of the four corners in the sphinx position and remain thus for long hours.
Buster loves that duvet; therefore, year round I have to sleep with one. Now that it is summer, I avoid roasting beneath the down duvet by having the AC on high 24/7. Bad carbon footprint; then again, I don’t drive.
Camilla, HRH Duchess of Cornwall. HRH Prince Charles, Prince of Wales. Doria Ragland. HRH Prince Henry, Duke of Sussex, Meghan, HRH Duchess of Sussex, Archie Harrison Mountbatten-Windsor, Earl Dumbarton. Jane, Baroness Fellowes. Lady Sarah McCorquodale. HRH Prince William, Duke of Cambridge. Catherine, HRH Duchess of Cambridge.
As I stated to a dear friend, “Doria is all the Queen they need in that photograph!” Not for a second do I buy the notion that HM The Queen stayed away because, when it is all said and done, she does not approve of Meghan, HRH Duchess of Sussex. Her Majesty also did not attend HRH Prince Louis of Cambridge’s christening last year.
It is so immensely satisfying to see HRH Prince Henry, Duke of Sussex matured into fatherhood and his numerological double-sixthness is validated by his open warmth, love and protective care of both his wife and his beautiful baby boy.
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Archie, a seventh-level mature priest soul; he is infinitely more evolved than either his parents, or the Cambridge’s for that matter. He is, though, the same soul age as his paternal grandfather, HRH Prince Charles, Prince of Wales, however, Charles is a seventh-level warrior to exalted role priest, Archie. This man is going to perform a rather dynamic role within the history of the House of Windsor.
Much has been said about Prince William’s demeanour in this portrait. Without doubt, both the Cambridges attended Archie’s christening with an agendum of their own. I don’t know if William put his wife up to her power play but I do know this, it was decidedly vile and you can bet your bottom dollar that none of this went unnoticed, nor for that matter will it go unchallenged by Meghan – she who was Margaret Beaufort in a past life.
So, William threw shade. Quelle surprise ça. William does as William does. Born on the summer solstice of 1982, he has a geniture that is most unique; it comes with an intense stellium. That is not necessarily a good thing; with so many planets closely concentrated, this gives him a tendency towards short-sightedness and in his position as future Prince of Wales, he takes very seriously his role as future king and acts autocratically at every turn. He did not invite his aunts to the christenings of any of his three children. William did not invite, Sarah, Duchess of York to his wedding. After the birth of his firstborn, he decamped at the Middletons in Bucklebury and avoided his father, the future king. As with most people with a numerological attitude of 9, which is the hardest number to master, he does things more often than not for spite.
Of course, he could not be more different to his brother, HRH Prince Henry, Duke of Sussex who is born in the year of the rat, like his father and his paternal great-grandmother, Queen Elizabeth, The Queen Mother. Rats, I am one, are deeply loyal and will always be inclusive of family to the point of appearing sentimental. This would be especially pronounced in a rat like Harry who is a warrior soul and such souls are deeply loyal. So, too, is HRH Prince Charles, Prince of Wales a warrior soul and also, HRH Prince Philip, Duke of Edinburgh a mature warrior born in the year of the rooster like Meghan. Warriors forget nothing and do not readily forgive insults – a pity William in his myopic blissfulness remains unaware of this.
Saturday, for Archie’s christening, true to his warrior/rat spirit, Harry had his beloved mum’s sisters present at the christening just as Jane, Baroness Fellowes read scripture at his beautiful, historic wedding to Meghan, HRH Duchess of Sussex. Every rat would do exactly the same. Well there were TRH Duke & Duchess of Cambridge smugly telegraphing their ennui for all the world to see. As a warrior soul, I would not have expected such a gutter snipe move on Catherine’s part on Saturday.
As this was Harry’s firstborn’s christening and he was so deeply bonded to his mum, Catherine who had never worn those earrings of Diana, Princess of Wales’, to any of her three children’s christening, rather than loaning the earrings to Meghan by way of affording them to Harry so that his lovely wife could wear them as they would mean so much to Harry as his mother had worn them for his christening, instead, there sat Catherine feigning hauteur whilst smugly smiling to those in the know. Indeed, this was Catherine’s star turn, which was just as vile as HRH Princess Michael of Kent’s infamous blackamoor brooch outing in December, 2017.
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Positively nothing that these courtiers do is happenstance. In essence, in wearing those earring of Diana, Princess of Wales’, which she had worn to Harry’s – and William’s for that matter – christening, Catherine was in effect saying to Meghan, HRH Duchess of Sussex, as much as Harry would like for you to have them, seeing as you are straight outta Compton, there is no guarantee that you’ll return them. No matter, as long as I wear them, Diana’s spirit will be present. This was a very cruel and low blow and not the sort of dirty pool that warrior souls engage in. I am betting that William put his wife up to it; however, as Catherine’s right eye has become increasingly pained and umbraed in the past few years, she is clearly deeply stressed by the pressures of being married to William, who also happens to be her task companion. Notice the way that Catherine, HRH Duchess of Cambridge wears her hair at Archie’s christening; the high headband, with the hair fully pulled back and the headband ruby-coloured to best set off the pearl earrings, worn by Diana, Princess of Wales at her sons’ christenings. With the headband, there is no chance of Catherine luscious main covering the pearl earrings, the choice of which are to telegraph much to those courtiers in the know.
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Catherine’s right eye since HRH Prince George of Cambridge’s christening in 2013, has become pained, saddened and distant. I also suspect that she may have become anorexic from the stress of being wedded to William who as a scholar soul is void emotional depth and can be expected to be keenly spiteful.
In this clip for William’s christening, at the five second mark, Diana, Princess of Wales turns to the left to look and speak to Charles who wanted to mop up William’s dribbling and it is then that you see that Diana is wearing the same earring. It is not lost on me that clearly Diana is being rude to Charles when he offers to wipe away the dribble. Of course, William was christened on August 4, 1982; it was Charles’ beloved grandmother’s 82 birthday, which is precisely the sort of gift that a rat would present his much loved family member. Ironically enough, on that day, it was Prince Charles’ future daughter-in-law’s first birthday, the admired and adored Tungsten.
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At all three christenings for her adorable children, Catherine did not wear those earrings of Diana, Princess of Wales’. I am sure that if she wanted to, William would have decided against it as there is nothing sentimental about him and scholars by their nature are not given to being sentimental. Three different earrings for all three children’s christenings. I think that it would have been especially cruel if Meghan had thought to ask her husband, Prince Harry to request those pearl earrings that Diana wore to his christening, only to have William veto the request then turn around and have his wife parade them at the christening – this of course would play beautifully to those courtiers like the Michaels of Kent et famille; it is precisely the sort of petty spitefulness that would have made Meghan put her foot down and insist that they relocate to Frogmore Cottage and away from the vipers’ nest that Kensington Palace so clearly had become for the Sussexes.
Of course, wearing the earrings would be seen as further rejection, coming so close on the heels of the disbanding of the Royal Foundation. Not to worry, as an American and Black American, you can bet your bottom dollar the very shrewdly canny Tungsten will have a rebuttal. Besides, who is Catherine to Meghan, she is a mousy little thing, who did not walk the aisle at her wedding alone; indeed, how Meghan must sniff and look sideways from beneath raised, bored brows every time Catherine has to go gag on a mic as William pushes her to be more relevant and not be eclipsed by the Compton interloper. As for William, Meghan is likely little bothered by a petulant, spiteful man-child, who has to be told not to sit with his back to the horses on entering the open landau on his wedding day.
Just as including his aunts, Harry would have thought to have his wife wear the earrings that his beloved mum wore to his christening. This is the sort of warrior/rat thoughtfulness that saw Prince Charles salute his beloved grandmother – another rat, though, a second-level mature slave soul – by having his firstborn christened on her 82nd birthday.
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HM King Henry VIII’s ruthlessness was the result of having been mentored and much loved by his grandmother, Margaret Beaufort – Matriarch of the Tudor Dynasty… kingmaker. Well, that soul who was then Margaret Beaufort is back and did not return to be anyone’s pushover, as her entrance unaccompanied at her wedding in May, 2018 demonstrated. A mean-spirited move, it most definitely was on the part of both William and Catherine by having Catherine wear earrings, which I am almost certain, Harry would have requested of them that his mother’s pearl earrings be loaned to his wife as a continuation of that rat/warrior reference and homage to both history and his beloved mum. Naturally, such a request would have been a perfect opportunity for William to have been callously spiteful as he has proven time and again with others – Sarah, Duchess of York, HRH Prince Charles, Prince of Wales, his father.
Naturally, the media did not portray Catherine, HRH Duchess of Cambridge as having been duplicitous by having worn the earrings that Diana, Princess of Wales wore to Harry’s christening. Why on earth had it never occurred to Catherine to wear those earrings to any of her children’s christenings? Just imagine if Meghan had done any such thing, it would have garnered an excessive response of outrage on the online tabloid portals with their legions of bigoted trolls.
Indeed, lynching Meghan is now big business, just imagine, even that Trenchtown jagabat came yammering that can’t-shake mid-Atlantic accent of hers as she opined on both Meghan and Diana, Princess of Wales. Running off at the mouth as though she knew Diana, Princess of Wales. Would that she would just shut up and crawl into her casket… I want a damn good return on that godawful, and justly pulped, ode to specious slander – a copy of which sits in my library, awaiting her exit. She no more knew Diana, Princess of Wales than she does or ever will know Meghan, HRH Duchess of Sussex.
At the end of the day, the real masterpiece, worth more than a gaggle of Vermeers, is the product of the love that Harry and Meghan share; it has resulted in the most beautiful baby boy, Archie, the Earl Dumbarton.
Diana, Princess of Wales & HRH Prince Henry, Duke of Sussex.
On the eve of what would have been her 58th birthday, I share a dream encounter with Diana, Princess of Wales. At the time of the dream, July, 1996, Diana was then incarnate and would be dead less than 14 months later. The dream suggested Diana, parenting a male child of mixed race heritage. Naturally, at the time of the dream, she was not then yet involved with Dodi Al-Fayed. Years later, whilst living in Montréal and transcribing the 250 audiocassette recordings of my dreams which spanned a decade, I happened on the dream. By the time of the transcription, Diana was dead and so, on poring through the dream I thought that the male child in the dream to whom Diana seemed a mother, must have been a child of hers and Dodi’s.
Fast forward twenty-three years from the dream in question and I am beginning to think that this exceptional male royal child was actually a dream of tuning into a future in which Diana was serving as protector of her beloved son’s own baby boy, Archie Harrison. The skull of the baby boy in the dream who seemed like a son of Diana, Princess of Wales’, is exactly shaped like that of Archie, Diana’s grandson by way of her son, HRH Prince Henry, Duke of Sussex with his black wife, Meghan, HRH Duchess of Sussex.
Alas, another dream encounter with Diana, Princess of Wales. This one would involve moving into a probable reality scenario which may well have eventualised had she not tragically died thirteen months after having had the dream.
*Then again, it may well have been tuning into a future which has now come to pass wherein, the interracial Sussexes have a male firstborn. END.
As with the dream of July 9, 1993, in which I would have a most rapturous astral plane encounter with task companion, Merlin, here too there would be lots of train travel. This means of transportation, I have come to realise is employed by the soul when one is questing and traversing the astral either to past, future or probable timelines.
In this case, I had clearly dreamquested to a probable and non-too-distant future for Diana, Princess of Wales. Sadly, it was not to be. Obviously, in this probable near-future astral plane dream, Diana, Princess of Wales was fulfilled and had gone on to start a second family and was mother to a rather precocious son; a son whom I might add was clearly at least fourth level old-souled.
At the time, it was Sunday, July 27, 1996 and the Moon then transited both Capricorn and my eighth house. The house of death wherein is posited my retrograde Saturn, gave interesting insights to things as they might have unfolded as others’ agendum precluded Diana, Princess of Wales’s life becoming more of an inconvenience.
*Then, too, as time has unfolded, this rather prophetic dream was actually tuning into a probable reality which has become the collective future of human civilisation and one which we enjoy today. Here’s to TRH Duke & Duchess of Sussex and their incredible baby boy, Archie Harrison. END.
Of course, at the time of these dreams, I was then resident in Vancouver’s West End. The dreams were audiocassette-recorded on tape two hundred and seventeen and to be found in volume XXII of the dream opus.
There was much sturm und drang in parts of the dreams as it mirrored the vicious tectonics, long after Merlin’s passing, being played out legally and otherwise with persons whom I am so glad to be finally rid of. Chief among them that STD-riddled, dominatrix poseuse and fag-hag to boot, who quixotically saw herself cast into the world to play Merlin’s protector and saviour – the dreams of lost village idiots… indeed.
At the end of the day, Merlin never liked her and rightly so considered her a damn idiot. At his passing, he had nothing to do with her; hence the fool spent the next two-plus decades being bedpan-changer of Merlin’s betrayers – a poor play at atonement that.
Enough about knock-kneed caribou roadkill; the journey endures. Besides, the bond with Merlin could never have been successfully broadsided.
Come now my magical darlings, mischievously sport that wry smile known only to kindred spirits, slip into a luxurious plié, take my hand and let’s have ourselves a delicious group flying dream. We are better for sharing this journey together; for your support, I love you more.
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Whilst heading down a street in what was undoubtedly Toronto, in this the first dream, it was then daytime. The street seemed like the one just around the corner from the Underground Railroad Restaurant, on King Street West, to the west of Sherbourne Street – Frederick Street. Going down Frederick Street’s incline, I noticed along a back lane that there was a large building. Too, I noticed a great many persons from past workplaces. The building seemed to be an annex to the main workplace as I had known it.
One of the first persons whom I recognised was Milton Bloomfield. He was wearing a pair of dark blue slacks and powder-blue short-sleeved shirt. Excited to see him, I bounded over and went around to the back entrance. Immediately, I began seeing persons whom I had completely forgotten about. Indeed, some of these persons looked as though they were definitely astral plane habitués. In particular, one old White male had that outré habitué look to him. I was simply astounded to have seen some of these persons. Truth be told, I had not thought of so many of them long in ages.
‘How quickly we do forget,’ I thought.
Such a very pleasant discovery of things past, it turned out to have been. That aside, I resumed my search of Milton Bloomfield in earnest. Again, I saw him in the distance. This time he was walking away from me without having noticed that I was there. In the end, though it would have been nice to have interacted with him, I just didn’t see the point in going after him. On going around another corner, since I was amongst persons from the past, I had thought to go in search of Yaramé Snead. I went over by some machines which no longer exist, in the waking state, seeing that she would shortly have shown up at the start of her shift. I then saw her at a desk working away and hurried over to be with her.
Stooping down to her left and rear, I playfully called out hello to her. On turning and seeing me, her reaction had been low-key. I was surprised really as I thought that she would at least have been her usual boisterous self. Her hair was beautifully braided. Frankly, I felt putout as she seemed not the least bit pleased to have seen me. With that, not wanting to be more of a seeming bother, I wrapped up the visit. Since she had declined to have become engaged, I just couldn’t be bothered to have invested much energy in the encounter.
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Part of the focus of this the second dream, a man and I were together and seemingly were lovers. Tall, he was a redhead; as such, he represented one of my more choice sexual partners. Somehow, this man was in showbiz. We were definitely lovers. Whilst looking at TV Rosie O’Donnell had made remarks about him that were rather cutting. Initially, I had thought that her remarks had been about Xerxes Hamelin. The joke had been a crude remark wondering as, to which sex Xerxes Hamelin was.
This was in reference to her having breast reduction surgery. As I did not appreciate the crass put-down of Xerxes Hamelin, I would abruptly take my leave. I then went indoors of a house which, here, was like moving from the veranda indoors of the Crab Hill house. A few persons were inside the house as I ranted, vowing to get that fat ugly dyke, Rosie O’Donnell. There also was much laughter as I added,
“And we all know that I’m wicked enough, to do just as I say. But first we’re going to sue her frigging Mickey ass.” But my lover didn’t want to go through with it, he was a showbiz lawyer. Snapping at him, I said,
“I won’t hear of it. I will not be cutting him or her any slack. Get her fucking ass! There is no way that that no-classed fool is going to insult Xerxes Hamelin and get off lightly. End of fucking discussion. We sue! During the show’s rehearsal when that joke came up around the production meeting table, she could have had the decency to say, ‘no way, I’m not doing that kind of humour’. Obviously, she fucking well didn’t.
“It’s not about the fucking money; she will learn a thing or two, when I’m done with her fat-retaining, tired-looking ass.” What really amazed me was how lucid and lived-in, in the body, I was. I was really killer mad and out to do battle, “There is positively no way that she’d have gone out there and made disparaging remarks about Jews. And if you can’t knock the fucking Jews, you sure the fuck can’t haul your tired grey arse out on a stage to knock Blacks. Just stop and think about it. If a Jew would have her head in a nanosecond, then so the fuck will I.”
After that, we went off together. My lover was ever quiet and reserved whilst I did much of the talking. In that sense, he energetically was much like Merlin. However, it definitely was not Merlin.
As we walked about, we ran into Diana, Princess of Wales, who had a little child on her hip. One had the sense that, after having divorced HRH Charles, Prince of Wales, she had gone on to start another family. Definitely, this third child of hers was a son. Apparently, she had always wanted a little girl but here she was with a dark-haired bouncing boy. Obviously, from the looks of things here, Diana, Princess of Wales was going to have more than one family.
One interesting feature was that the boy was born with almost a full mouth of teeth. I mentioned in passing that I guess if you end up grinning as much as she does, it would not be surprising to have newborns appear grin-ready. Too, the child was already able to say some words at birth. The child was exceptionally intelligent. The young son’s most interesting feature was that even at less than six weeks, he was able to follow conversations.
The eyes on this child were exceptionally old-souled and wise. Not the feigned coyness of Prince William was his demeanour. We were in a huge stately Bentley whilst the child sat on his regal mother’s lap. Diana, Princess of Wales sat on my left with my lover, a showbiz lawyer-celebrity, seated next to me. My lover was of British birth; he was a well-placed Londoner and terribly well-off at that.
He was part of the few in whom Diana, Princess of Wales confided and had done so during her divorce proceedings with the Firm. From the Bentley, we got into another car. Although he really didn’t need it, the precocious son was travelling in a basket here. This child perceptively was quite advanced for his mere few months of life. He represented hands down a case for reincarnation.
Though he could talk, especially for someone less than a year old, he was still rather stubby and full of baby fat. I took the rather self-aware child from Diana, Princess of Wales and headed for the car. I then didn’t know whether she would be sitting in back of the car with us. Considerately, I had opened the front door for her but she told me that it wasn’t necessary.
She then went into the back of the car at which point I returned her son to her. In all of this, the precocious son hadn’t uttered a word of whiny protest for having been separated. He had simply looked me in the eye whilst studying me and not, god forbid, because of something as absurd as my being Black. This woman, his mother, was rather a genuinely sweet-personalitied soul. Not your typical animus-charged, parvenu, New World wealthy snob, like heaven only knows so many North Americans, was she. After we had taken off, I had mentioned that I had heard Prince William – who now was much taller than her – was very well-hung.
Furthermore, he loved roughing it with all the little willing boys at Eton. This supposedly was hot gossip in those circles and which both my lover and Diana, Princess of Wales thought hysterical. She expressed great pride in having produced such a fine stud for the Firm. She mentioned that he had to start his studding practice sometime and far better that it be at Eton than with too many willing little girls the world over. Clearly, Diana, Princess of Wales had no desire to turn grandmother just yet. She was a very funny person with a distinctive snort-like giggle.
We then went into a store that was called something like Mayfair & Browne or something along those lines. A small, high-end department store it was.
*The warm blues here would suggest that it was, in fact, Fortnum & Mason. END.
Afterwards, we had attended the opening of Parliament where Queen Elizabeth II had naturally been present. The Queen had asked the House of Lords to stand and, at that point, they had drawn some heavy red drapes. At this point, there were rituals of an occult nature which were being performed. This had been the custom for centuries and had been nobody’s business. The few priests, who performed the rituals, spoke in an ancient tongue; olde English and Gaelic it would seem.
As part of the ceremony, the queen adopted a raspy, adversarial and tyrannical tone. She snapped at them as they spoke to her. Of course, this was to validate her absolute power as monarch. She had spoken by using the same ancient tongue as they had. Quite illuminating was all this for me. From where we all sat, the monarch sat opposite us at the far end of the stately hall. On the right was the House of Lords.
On the left, was the House of Peers where things were even more arcane and secretive. Clearly, there was much more wealth possessed by the members of the House of Peers than those in the House of Lords; for one, they wore more expensive fur-lined robes. Queen Elizabeth II then stood and put an end to the rituals. When the priests retreated, the curtains rose again and at that point members of both houses of Parliament rose to bow to her majesty, the queen.
The Queen now looked her usual stoical self. Next, a loud debate rang out in the House of Lords; this was the point at which bills were being introduced. All in all, this was a very noisy affair. This was the point at which my London-born lover was expected to have introduced my suit against Rosie O’Donnell. However, he was blowing cold on the issue and tried to back out of it.
What caused him to have hung back was the raucous fight that had broken out between two Lords on some point or other. In point of fact, they had been quite vituperative. Soon after, we took our leave of Westminster Palace. Diana, Princess of Wales was not seated with the rest of the royals. Nor, for that matter, was the more royally scorned Sarah, Duchess of York seated with the royals.
The ride to the department store was no more than ten minutes. Once inside, we had gone some escalators which took us to a cosmetics counter. The look was pretty much like a Clinique counter, though, I really don’t think that it was such. On seeing an extended member of the House of Windsor coming down the aisle towards us, my lover had dropped behind. The focus of my lover’s attention was a rather princely gentleman. He was young with full red lips but not was horsey-looking.
*This princely gentleman was, in fact, James Ogilvy – grandson of the dashing Prince George, Duke of Kent. END.
They exchanged pleasantries and it was clear that my lover was rather smitten with him. I didn’t though get the sense of him, Mr. Ogilvy, that he was Gay. From there, we kept going further down in the complex below street level. Each time that we had come off an escalator, we had headed to the left to get the next. This in turn had taken us down another flight. Eventually, we arrived at a level which was clearly part of the city’s sprawling Underground.
As we walked, there were two little birdlike, old English women whose slow amble gait had gotten me fast impatient. Finally, we managed to have pushed past them and gotten the train just in time. Here we had travelled at fantastic speeds. The trip was for quite some time and, somehow, it seemed as though they used magnetic conductors here in this civilisation. There was a sense too that we had been travelling several miles, at least 100, below the surface.
When finally we had arrived at our destination, we had gotten out into a labyrinth of tunnels which had eventually led above-ground in a Japanese city. We spent not very much time in Japan as it proved a stopover where we changed trains. Moving on, we had travelled on a futuristic-looking train. On board were two stylish, East Indian young women. Both were clearly tired for having travelled a lot and having crossed several time zones. A loud American was on board; she was an overweight woman. As can be expected, she talked aloud for everyone to notice her. She moronically complained about the trains not being aboveground and whined,
“I want it to be aboveground. There’s nothing to see down here. It’s all black and dark.” She said the word ‘black’ with the same customary loathing as she had applied to African-Americans her whole life. “Don’t they realise that there’re lots of tourists and we want to see. It’s so boring being down here in all this blackness.”
‘Such a fucking acculturated bigoted asshole,’ I thought. The train was painted white on the outside with lots of chrome and walnut finishing on the inside. Very comfortable, red leather seats throughout the interior; this was a truly posh experience. We had boarded at the front of the train. We pulled into a station, though, only briefly; the train took off again never having opened its doors. This time it took off in the opposite direction. By now, my lover and I were no longer travelling together; however, I did have a travelling companion with me.
On this leg of the trip, we had moved above-ground at one point where we had passed the most glorious stand of ancient old trees. They were ginkgoes that looked millennia-old. Each was easily in excess of 200 feet. I quite liked it here. Though the vista was beautiful, it didn’t last very long as once again we were below-ground whilst ploughing through the lurching labyrinth of tunnels deep in the earth.
At the end of the trip, we had arrived at a swank hotel which seemed to be in either Switzerland or Austria. From the hotel, my lover and I were reunited and began trying to get in touch with Diana, Princess of Wales. He wanted to write to her instead of speaking so had sent her a fax. Here we were a bit in the future, where everyone was automatically assigned their personal phone number with cell phone/fax.
*Truth be told, rather than a fax, it was a text. Of course, at the point of the dream texting was well ahead of its time. END.
No matter where one was in the world, regardless of the borders, the same phone number managed to get you. Interestingly, they were not excessive amount of numbers. He had sent her a fax (text) with his private number and had asked Diana, Princess of Wales to call him; he had wanted to lend his support in her divorce proceedings.
At one point, when we had been driving, Diana, Princess of Wales opened up and spoke about her divorce from HRH Charles, Prince of Wales. She said that it had left her feeling truly awful. At the end of it, the one thing that she had taken away was the sense that she felt greater empathy for what Blacks suffer globally. Said she, she had gone to a couple of stores to shop, after having been divorced, where the mere salesclerks treated her with scorn.
Nobody wanted to serve her as if she had even been hostile to them. Diana, Princess of Wales said that it had been so overwhelming that in one case she had gone rushing back to her car in tears. For no longer being a part of the ‘Firm’, the public simply treated her as an unfortunate laughing stock. Some clerks had been outright rude to her. She said that she couldn’t believe that anything could have made her so mad.
To have been denied was the most painful experience. They were so mean-spirited and spiteful she claimed. Her voice here was high-pitched and almost feverish when she expressed her rage at the injustices she had experienced. She said that the idea of racial animus that she has heard Blacks speak of, she could finally understand. Diana, Princess of Wales said that she had experienced something pretty close to it in the lack of civility that she had gotten from everyone. Intently looking at her large clear eyes as she spoke, I was much impressed by her remarks. She was rather ravishing-looking and was so in her element for being mother to this exceptional child.
*Long after the dream and as things played out, the male child whom Diana, Princess of Wales had parented in this dream was clearly fathered by Dodi Fayed. Of course, at the time of the dream, I hadn’t a clue of Mr. Fayed’s existence. The precocious boy had his father’s nose and brows.
Clearly, this dream was tuning into a probable reality which finally was not to be. The child was clearly at least fourth level old-souled and may well have been a king or if not warrior soul.
**More thoughts on this dream. The fact that the lawyer who proved a lover of mine in this dream was a redhead, is at this time, I believe, a reference to HRH Prince Henry, Duke of Sussex. As it is extremely rare that I would dream of the latter, it is not a surprise that he was translated here by my waking consciousness as anyone but Prince Harry. Also, in light of the fact that in marrying Meghan, HRH Duchess of Sussex, Prince Harry can be said to be an advocate of sorts for racial reconciliation with regards to the ties that the BRF historically have to the enslavement of Africans. Interestingly, that Diana, Princess of Wales should talk about having empathy for the racism that Blacks experience on a daily basis, is a dead giveaway. The theme of race and racism is a prevalent one where her son, HRH Prince Henry, Duke of Sussex is concerned.
For having chosen to wed an entity mate of his (HRH Prince Henry, Duke of Sussex) with whom he has a long reincarnational history and someone who has twice previously been a senior royal in the British Royal Family, is reason enough why the theme of race would be discussed and why Diana, Princess of Wales would be both empathetic and speak passionately about this issue. Naturally, throughout the dream she would be closely bonded with a firstborn male from another marriage; however, rather than being a firstborn of hers in a subsequent marriage, this older soul child would prove to be the firstborn mix-raced child of her son, Prince Harry, who was represented by the redhead lawyer/advocate who happened to be my lover. Indeed, Prince Harry can be seen to be an advocate for addressing and advancing racial dialogue and race relations. Similarly, that his firstborn son, Archie is a seventh-level mature priest soul would indicate someone whose focus in life will be about inspiring, uplift, healing and harmony… god only knows that is sorely needed at this time. END.
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Straighten up and fly right! I love you more than you know…
HRH Prince Henry, Duke of Sussex announces the birth of his son.
Lips trembled and I came undone whilst watching this beautiful spirit revealing his sheer delight at becoming a father. As a last-born, I always more readily identified with this man rather than his brother.
Archie Harrison Mountbatten-Windsor being introduced to his great-grandmother HM Queen Elizabeth II whilst his grandmother, Doria Ragland, his great-grandfather HRH Prince Philip, Duke of Edinburgh by his enraptured parents, TRH Duke & Duchess of Sussex.
Doria Ragland, grandmother of Archie Harrison Mountbatten-Windsor, Earl of Dumbarton. This woman has the most exquisitely beautiful papaya-seed succulent, ensouled eyes.
Meghan Markle en route to be wedded and pronounced, Meghan, HRH Duchess of Sussex.
There is a reason why there was so much beauty and love overflowing at the marriage of TRH Duke & Duchess of Sussex, for less than a year later they would give birth to a most remarkable older soul. Before getting to that, I still think that the best dressed woman at their nuptials was the dowager Duchess of Westminster who looked for all the world as though she were merely traipsing about her lair in her favourite muumuu. There was something so disarmingly unpretentious yet elegant about the look and air she projected.
At once delicate and vulnerable; it is so immensely satisfying to see this young man flower into the true essence of his being.
As Meghan possessed of a true sense of theatre, she who was formerly Margaret Beaufort, entered and strode the knave of St. George’s Chapel alone… a Queen returned, she joined her lover and invited us in to share in a love that was tangible, real and undeniable.
Less than a year later, the love blossomed into the most beautiful, magical flower.
There he is, Archie Harrison Mountbatten-Windsor, of all the senior royals he would prove the oldest soul. This young man will prove a most uplifting member of the British Royal family.
Mountbatten-Windsor, Archie H. 6/5/2019
Michael: This young fragment is a seventh-level mature priest – second life thereat. Archie is in the perseveration mode with a goal of stagnation. A, realist Archie does not yet have a centre.
Archie’s, as can be expected, does not have chief features.
Archie’s body type is Venus/Mercury/Mars.
The fragment Archie is second-cast in the second cadence. Archie is a member of greater cadence four. Archie’s entity is five, cadre six, greater cadre 7 pod 418.
Archie’s essence twin is a priest and the slave task companion is likely to be known at a later date.
Archie’s three primary needs are: exchange, acceptance and communion.
There are 6 past-life associations with Arvin and 7 with Merlin.
This fragment does have a facilitating agreement with the father, HRH Prince Henry, Duke of Sussex to be his son; he also has one with the artisan, his mother Meghan, HRH Duchess of Sussex and it is that of parent/child. All three, along with HM, The Queen are of course cadre mates.
We would say that this inspirational fragment is likely to have some notoriety as would be expected and can serve to inspire others to cross perceived boundaries.
HRH Prince Charles, Prince of Wales his paternal grandfather has to date been the oldest-souled senior royal. Like HRH Prince Charles, Archie is a seventh-level mature soul; however, whereas Charles a warrior soul is an ordinal fragment, his grandson, Archie is an exalted fragment for being a priest. Priests are the feel-good great souls. I rather suspect that this man will go on to have the same inspirational effect as have Barack H. Obama, Nelson Mandela and Martin Luther King Jr. all of whom are priest souls.
Of course, President Obama is a young-souled priest, whereas both Martin Luther King Jr. and Nelson Mandela were both sixth mature priest souls. Archie is an older soul than the latter two mature-souled priests and like both, his role will prove rather uplifting and inspirational to blacks globally. Indeed, there is no happenstance that as TRH Duke & Duchess of Sussex departed St. George’s Chapel in the Ascot landau, after their nuptials, the Kingdom Choir sang, This Little Light of Mine.
All priests have one thing in common; they have the most radiant, magnetic eyes. You never forget their eyes; indeed, their inner beauty of spirit is more readily reflected in their eyes than with any other role – at least, that has been my experience of priest souls. Priests constitute roughly eight percent of all souls in the cosmos. They are greatly motivated by a sense of justice and are in the world to both inspire and promote harmony. With his father’s double sixness, Archie, born a six day, is well equipped to inspire and empathise with the needs of many. He is, like his father, greatly gifted with the ability to inspire others. Archie also happens to be a cadre mate of both his parents TRH Duke & Duchess of Sussex, plus his paternal great-grandmother, HM The Queen.
One thing is guaranteed, as the only priest soul who is a senior royal*, Archie is going to be a standout like no other. This is a family of slaves, scholars, warriors and artisans. I think that his parents’ open and abiding love speaks to them serving as parents to this rare soul being born into the BRF. In a way, he is the perfect maturation of the qualities that his paternal grandmother embodied; Diana, Princess of Wales with her inordinate empathy and compassion gave birth to a deeply empathetic warrior, HRH Prince Henry, Duke of Sussex, who in turn has fathered the very embodiment of all the higher ideals that both mother (Diana) and son (Harry) have represented.
*As I have not had channelled the Michael Overleaves of the other two children of TRH Duke & Duchess – HRH Prince George of Cambridge; George is an early mature king soul and an entity mate of Archie’s, HRH Princess Charlotte of Cambridge and HRH Prince Louis of Cambridge, I do not know if any of them are older souled than HRH Prince Charles or Archie. I also do not know if either of them is an exalted role – King, Priest or Sage, though, neither of them strike me as any of those three roles.
Third royal wedding in twelve months, featured the handsome Lady Gabriella Windsor – look at that neck! As always, one looks for the notable sartorial moments.
Carole Middleton wearing the best hat and outfit that easily surpassed the Catherine Walker ensemble which she wore to her daughter, Catherine, HRH Duchess of Cambridge’s wedding and her outfit at the royal wedding of TRH Duke & Duchess of Sussex last year.
Look, as we West Indians always say, ‘there is always a but’ her blackamoor brooch notwithstanding, I am always a sucker for a woman with a prominent forehead and HRH Princess Michael of Kent has always been a favourite of mine.
I definitely did not like her lilac outfit at the wedding; the mother of the bride looked infinitely more elegant in what she wore later to the reception.
HRH Princess Anne, The Princess Royal, Lady Frederick Windsor and HRH Prince Henry, Duke of Sussex.
Hands down, Lady Frederick Windsor was the best-dressed lady at the recent royal wedding – that hat, those feathers that soothing blue… perfection.
HRH Princess Marina, HRH Prince George TRH Duke & Duchess of Kent.
Without doubt, the most handsome Windsor male of the past century. Of course, that tiara was worn this past weekend at the royal wedding of the Mr. & Mrs. Kingston.
HM The Queen at Lady Gabriella Winndsor’s wedding.
HRH Prince Philip, Duke of Edinburgh at Lady Gabriella Windsor’s wedding.
James Middleton attending the recent royal wedding at St. George’s Chapel, Windsor Castle, Berkshire.
There is no stronger validation for the fact that all gap-toothed Caucasians having been black in their immediate past life than this photograph of James Middleton. James is a spitting image of a black Haitian former co-worker in Montréal. Same vibe, same eyes and the exact same teeth. Jean-Yves was a pretty laid back man, who loved fishing and riding donkeys in his native Haiti. One gets the same vibe of James; his is a look that I have seen many times throughout the West Indian community – laid back men with the same gap-toothed smile. Moreover, his smile is exactly like that of a voluptuous woman who lived in Sandy Point, St. Kitts when I was a child; who knows, perhaps, James is her reborn.
Here’s to love! Here’s to this beautiful dream called life. Here’s to HM The Queen. God Save the Queen!
Most of all, thank you for your ongoing support, happy to have you vicariously along for this most lucid of flying dreams. Be well as ever, and don’t forget to push off and start flying for magic is the stuff of the sweetest dreams. I love you more.
Will you just get a load of this old fraud, all got up in her Dollarama/Poundland jewellery.
You just know that were the Markles a family with a fortune of more than 200$m, none of this dreck would shamelessly be dropping on the world.
Know your lane and stay the fuck in it!
Engine, engine number 9, time to hear the clock go…
‘Being excluded is like a dagger through his heart’: Meghan’s sister Samantha begs the Duchess of Sussex to let her estranged father Thomas visit his new grandson Archie so they can ‘heal the rift’
Never gonna happen!
Keep looking… no matter how you try, they will never have you. There is nobody named, Mama June to keep you company in Berkshire.
As ever, thanks for your ongoing support and especially for the lovely feedback on my dream memoirs, which are available everywhere! Sweet dreams and don’t you ever forget to push off and start flying.
HRH Prince Philip Duke of Edinburgh, HRH Prince Henry Duke of Sussex, HM Queen Elizabeth II, Doria Ragland, Earl of Dumbarton (Archie Harrison Mountbatten-Windsor), Meghan, HRH Duchess of Sussex.
I positively screamed and then began ululating at the news that TRH Duke & Duchess had been safely delivered of a healthy son. I broke into tears on watching the BBC statement made by the Duke of Sussex. Everything about this extraordinary human being inspires nothing but warmth, happiness and compassion from deep within me.
Watching HRH Prince Henry bursting with pride as he announced the birth of his son, Earl of Dumbarton, I welled up with tears and burst out crying. To me it was a healing moment after I fell to the floor of my Côte-des-Neiges, Montréal apartment crying as he walked behind his mother’s casket almost 22 years prior. He had made it through alright after all.
Archie Harrison Mountbatten-Windsor, Earl of Dumbarton.
The night after the birth, at the end of La Boheme, I cried my eyes out; happy at the birth of this wonderful child but also because I had just witnessed one of the best opera performances in long ages.
Based on past-life histories of the three persons in this photograph, there is no coincidence with them presenting the Earl of Dumbarton in St. George’s Hall, Windsor Castle.
Diana, Princess of Wales’ greatest legacy will always be how handsomely she succeeded at being a great parent.
As ever, thanks for your ongoing support. Thanks for your patronage in the past and do please continue buying my dream memoirs, available online partout!
After having pored through an interesting OperaCanada article that featured the opera Otello’s lead, Russell Thomas, and a predictably snide review in The Star – look there is no black lobby in Canada, so one can always be expected to be as curt and dismissive of blacks at every turn; this is after all the culture where the obsession with Jazz is almost as fever-pitched as the predatory late-night runs of Klansmen with nooses at the ready – I comfortably settled into my usual ring three seat, next to trusty Lucian Mann-Chomedy and warmly awaited the magic that is theatre to unfold.
After a month that was not soon revisited, my mind was at times distracted by the dreck that one must at times endure in order to get by. I thought of the heaviness in the air that the subject matter of the opera addressed; the quartet of retired ladies who usually chat about who has taken ill, moved to hospice or died since last they gathered, did a lot of coughing, sniffing and whispering. And as these things are as predictable as flies on shit, sure enough, I heard one of them whisper, “Meghan Markle.” Will these people ever just leave the damn woman alone and stop hunting her at every opportunity?
Otello, Verdi’s take on Shakespeare’s take on race relations did also from the row of retired and widowed ladies spirit the whisper of O. J. Simpson’s name. Some things just never change… alas. Indeed, at some moments as I looked at Otello onstage, I began to realise how we as a people are stigmatised and stereotypically projected onto. I soon got greater insight to why Meghan, HRH Duchess of Sussex is so reviled. Objectified, she as a black woman was only ever to have been nothing more than a bit of rough, a tryst.
Naturally, HRH Prince Henry, Duke of Sussex with his double sixness is seen as being readily taken advantage of and needed to be protected against the lascivious bit of rough who clearly conned her way into the royal family. Born September 15, 1984, Henry born in the year of the rat has quite beautifully empathetic, compassionate numbers and with his double sixness is given to OCD behaviour as displayed by his need to fidget with his clothing – right hand inside his jacket et al. Six people are awesome beings and Henry, a double six, is no exception. 15.9.1984 = 6.6.1 = 4.
With Otello, this projection of the black male as emotionally volatile, violent, easily manipulated has certainly proven an archetype that fits blind fools like Tiger Woods and O. J. Simpson to the letter. Either way, it was uncomfortable to watch this production in places as it so mirrored the warped perception of a people by persons who question our humanity and who never seem able to perceive us beyond their generationally custodial perception of a people.
Be that as it may, I so hungered to be removed from the morass through which I recently waded at the end of which, I dismissively remarked of yet another power-mad woman in the work place: “She certainly doesn’t look like a fucking horse for no good reason… Oh please, it’s just a matter of time before she rots the fuck in hell, eating every pope’s arse!” If you cannot take offence then don’t damn well give offence… Honest to god, some women in the work place are nothing but dickless faggots addicted to creating drama for the sheer sport of it and simply because they are just so drunk with power… to say nothing of being bored out of their frigging minds. Well, like a bowel movement, it did not take too long for me to sniff, flush and walk the fuck away from the BS,
This Desdemona was an earthy, warm, beautifully soulful portrayal of a wronged woman, a woman dominated by an insecure and deceived man. This production was a beautiful sweeping affair; I especially loved the dark broody look of the sets that captured the essence of the human condition portrayed. Indeed, it proved a good elixir after all the dross that I had recently endured in the work place.
During Otello’s intermission, I received a forwarded Instagram post from an old dancer friend, which he labelled #everythingwasbeautifulattheballet. Of course, it was a direct response to my last blog, which highlighted the intense isolation and racial animus that I experienced for two god fuck-all maudlin years in Winnipeg. Yes, indeed, the world of art is saturated with lisping, bottom-feeding, small ‘b’ bigoted boors who see positively nothing remotely gauche about this sort of fare well into the 21st century.
On yet another too cold, rainy day, which proved all too reminiscent of Vancouver, I abandoned my art-filled lair in search of more inspiration the day after the opera. I cannot quite recall a season in recent memory that has proven both so cold and rainy as this protracted winter.
That’s right, the day before attending Otello, there was a break in the perpetual rains that gave way to snow and hail… truly, the dog days of summer cannot get here fast enough. As more of the city’s 19th century streetcar tracks were being ripped up and replaced so that the racket that is the TTC outdoor workers and the local constabulary can make a killing in overtime, it took close to 40 minutes on a bus for me and my fuck du jour to get from Yonge and Dundas to Dundas and McCaul.
My date, a lissom twenty-something with smoky hazel eyes, which were vaguely reminiscent of Merlin’s, was good company. I had for the past several hours pummelled his prostate as his daddy issues were satisfied and my angst from work place tensions were nicely dispensed with. We men when in our 20s can be so alarmingly insecure; I have often wondered how Merlin managed to stay with me during those angst-ridden and redundantly solipsistic years.
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My date on exiting the Yayoi Kusama Infinity Room expressed chagrin at not having done magic mushrooms before leaving my place where incense and Jazz magically perfumed the air, intoxicating our spirits as we riotously fucked our way out of winter’s gnawing frigidity.
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Without question, no trip to the AGO is completely inspiring without a visit to the galleries where the stellar art of Inuit artists are housed. There are some real masterpieces in the AGO collection.
As it was the tail end of this exhibition and I still had not visited, I simply had to make it there. Whilst walking along the long corridor to the start of the exhibition my fey-eyed beauty suggested that we take a break and go make out in a stall in the washrooms. Fingers interlaced, I assured him that there was better intimacy to be had the sooner we got through the exhibition and hightailed it back to my place by Uber.
To my very discriminating eye, the moment I saw this verbose title, I fully expected to observe a show that was curated by too much extraneous fare and not enough impressionist art. Tumescent and impatient, I had no time for reading, reading and reading more yada yada, all of which was to compensate for the lack of genuine, to say nothing of quality, impressionist art. Just as well, I was growing achingly moist by the minute as both my energetic ectomorph and I hungered to be carnally consumed with each other… yet again.
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This marvellous bronze fully captivated me; it would prove my favourite piece in the shoddily curated exhibition.
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Highlights from a rather underwhelming show.
Detail featuring two of the most beautiful creatures. Their depiction is not the most masterfully executed but there is something rapturous about the look of the dogs as they ambled with their human companions on a journey which they had taken countless times before that made me stop and gaze overlong whilst being truly inspired.
Detail of what for me proved sheer magnificence… the lighting is phenomenally executed.
A masterpiece to be sure; however, where it was hung and the palette of the salon were decidedly inappropriate. This was all I needed to see to finally wink the left eye at my horny power bottom and to speed home by Uber in the rain for noisy, exhausting, passionate play.
As ever, for your ongoing support I am both deeply grateful and indebted. Sweet dreams and don’t you ever forget to push off and start flying because life is a most beautiful drink. Cheers!
This past week, I made the most glorious discovery whilst enjoying the BBC’s coverage of the Commonwealth Day Service at Westminster Abbey. As if the gospel choir were not enough or the Indian drummers rapturous, there in the middle of both performances was William Barton This extraordinary shaman with his didgeridoo weaved the most sublime magic; it was the music of cetaceans as experienced in the most elevated dreams. Truth be told, it was the music of a culture of the highest order.
Despite the horror which unfolded on the Ides of March elsewhere in the Commonwealth, this service served to remind and inspire us of what it is about our humanity that binds rather that separates us. Music is the language which moves, inspires, reflects and spiritually binds us as humankind. Shaman Barton’s music proved the most healing balm after the horrific events of the Ides of March.
Dream dear shamanic dreamers as never before you’ve dreamt, for I am you and you are me in this shared ocean called humanity. May William Barton’s magical whalesong inspire you to push off whilst lucidly awakened in the dream realms and start flying. I love you more… well, why not! No seriously, though, I sincerely do.
As I work 7 days a week, I was debating whether or not to attend the Twelfth Glenn Gould Prize Gala at the Four Seasons Centre for the Performing Arts. That morning en route home from some errands, I discovered that someone had jumped from a neighbourhood condo. I got in and realised that there was no more feet-dragging; to hell with being dog-tired. I got on the phone and called up Lucian Mann-Chomedy and said, “My darling, we are going to the Jessye Norman Gala!” As ever, always positive, Lucian chimed in, “Oh my, oh yes, how lovely. Well, I’ll be both honoured and delighted.” Indeed, life is for living!
Merlin and I met Friday, October 1, 1982 in a Hell’s Kitchen Walk-up, the following Monday evening, on his return to Toronto, Merlin called up crying. The man whom he had spent so much of our first evening together speaking of, had died; Glenn Gould had died. For the seven years that we were together, Merlin listened to Glenn Gould’s interpretation of J. S. Bach’s Goldberg Variations at least thrice weekly. Indeed, the first gift I purchased Merlin, was a recently released recording of the Goldberg Variations at Christmas 1982: I think that it is safe to say that that gift sealed the deal, I was a keeper for sure.
As I had waited until the last minute to get seats, I was sat in Ring 4 rather than the usual Ring 3. This, alas, was my view of the stage and of course, the butterflies are from the set for Atom Egoyan’s masterful staging of Mozart’s Cosi Fan Tutte, which the moment I saw the set, I began chuckling to Lucian on recall of Tracy Dahl’s unsurpassed performance as Despina.
As I was too busy trying to throw something together for Instagram, I was heard gasping when it was announced that the head of the Glenn Gould Foundation’s Jury this twelfth prize was none other than the actor, Viggo Mortensen, who then walked out onto stage. He, indeed, who in a few days time will be attending the Governors Ball where he may or may not be holding an Oscar.
Out onto the stage arrived the Twelfth Prize Laureate, Jessye Norman. Truly, it was a shock to the very core to see Madame being ushered out in a wheelchair. Suddenly, I was reminded of the events of earlier which caused me to rush home and purchase two tickets for the event. That aside, there was no greater joy than drinking of her soul’s inspiring beauty.
This beautiful gala was so filled with touchstones for me, none more so than the moment that bass baritone, Ryan Speedo Green was in full song. When he sang, “Aprite un po’ quegli occhi” from Wolfgang A. Mozart’s Le Nozze di Figaro.
Yes, indeed, this marvellous aria’s orchestration included a harpsichord. Straight away, I was teary-eyed as memories of the truly eccentric and delightful Milan Newcombe readily surfaced; Milan will ever remain a lover like no other.
During the intermission, I ran into two old friends not seen in at least 1.5 decades; we spoke of nothing but our surprise at Ms. Norman’s entrance. Life really does march full speed ahead.
After the intermission, it was the announcement of the Glenn Gould Foundation’s Progidy Prize with the recipient being none other than, Cécile McLorin-Salvant, the most fabulous Jazz singer on the planet. Is this not an evening to remember during Black History Month indeed.
This stunningly unforgettable gala was closed out by the final recitalist being the divinely gifted soprano and Glenn Gould Foundation Prize juror, Sondra Radvanovsky in full song, singing Verdi.
The gala concluded with Ms. Norman returning to the stage and singing a duet with Cécile McLorin-Salvant. This was a moving, emotionally intense evening and my life was greatly enriched for having chosen to attend. The gala was nothing short of magical.
As a tribute to this marvellous evening in the theatre, I will include herein two dreams, which were originally audio-cassette-recorded in the 1990s. Before each deam, one of Glenn Gould, the other Jessye Norman, I will include each individual’s Michael Overleaves.
Gould, Glenn Herbert 25/9/32 – 4/10/82, Toronto
This fragment was a sixth level mature artisan in the repression mode, with a goal of growth, an idealist in the moving part of intellectual centre. He had a Mercury/Saturn body type.
Glenn’s primary chief feature was self-destruction with a secondary of arrogance.
Glenn was third-cast in his cadence and his cadence is fourth in the greater cadence. He is a member of entity four, cadre five, greater cadre 17, pod/node 819.
This fragment has an artisan essence twin who was alive during Glenn’s life but there were no plans to meet. This fragment is still incarnate on the physical plane.
The fragment who was Glenn has a scholar task companion, who was in a previous life, Carl Philip Emmanuel Bach. They were not incarnate at the same time.
However, the fragment who was Glenn was exerting considerable influence on Carl Philip Emmanuel.
These two fragments had many lives together, once as luthiers, three times as court musicians, nine times as brothers of the cloth, twice as brothers in the flesh, as well as completing several important life monads, including student/mentor and master/slave.
In the immediate past life, the fragment who was Glenn had as his three primary needs: security, communion and exchange. Only the first of these was ever even partially satisfied.
So here we had a warrior-cast artisan who had seriously conflicting overleaves and a primary chief feature of self-destruction. He had a goal of growth but a repression mode which would not allow him to flourish.
He had a need for communion, but was sexually ambivalent and socially inept. Undeniably, he had great talent but took no pleasure from performing in public.
This fragment has a great deal of scholar energy that was used in the immediate past life to enable Glenn Herbert to painstakingly examine and interpret the works of Johann Sebastian Bach.
He was very interested in form and structure for all of his adult life. This fragment was, unfortunately, the victim of a severe obsessive-compulsive disorder, also for all of his adult life, which worsened considerably during his third and fourth decades.
This fragment did not, as popular wisdom teaches, retire from public life because of any strong beliefs in the recording industry. Glenn Herbert retired from public life because he could no longer bear to be in crowds, even if he was distanced by a proscenium.
Needless to say, this fragment did not complete work on his fourth internal monad.
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Astral Plane Glenn Gould Recital!
Nothing is more uplifting than finding oneself at a great musical performance on the astral plane. This dream was about being richly inspired and by Glenn Herbert Gould, no less; it was truly marvellous an adventure for the spirit.
The dream occurred, on Tuesday, October 6, 1992, whilst the Moon transited both Aquarius and my ninth house.
I am in France where I leisurely browsed through a store; perhaps, it was somewhere in Paris. It seemed here like at nighttime. Whilst in one corner of the store, I noticed that there were all these big slabs of cheese in packaged containers.
There was a woman coordinating the display of the cheeses. Sometimes the cheese was being grated and other times not. There and then, I decided that I was going to buy one slab of the cheese that was packaged in a rectangular box.
The cheese was about an inch thick and about eight inches long. The cardboard box that it was in was white and almost like the size of a box of Cream of Wheat.
Surprisingly, the box was rather heavy. Though not unlike cheddar, it was a dark cheese. The smell of this cheese was really hard – quite the bite to it.
It had seemingly been opened for too long as parts of it was growing hardened and turning colour. I knew straight off the bat that I wanted to have some to take home with me.
So, off I went to purchase the slab that I liked. Everyone here was, of course, speaking French which I quite so understood and liked. Interestingly, I too was speaking very competently in French.
It was obvious that I was not too heavily accented as the others were pleasant-enough with me.
The second dream had me leaving the store; I then found myself hovering in the air. Whilst in flight, I went into a building which had a green – oxidised-copper – roof. It was part of a long set of buildings that had very, very tall stone chimneys.
These were chimneys that were not unlike the ones at the Palais du Louvre. As a matter of fact, the building was similar to the Canadian Parliament buildings though it was not those buildings.
This complex was considerably longer. These were a series of complex buildings. Here, I was easily thirty storeys up whilst in flight. I looked down at the complex which at maximum could not have been more than five storeys tall.
After having contemplatively observed the complex for awhile, I began very slowly gliding down through the air. I intently studied a procession of persons, way below, who were bailing out of very large buses; they were, as a matter of fact, tour buses.
This was all happening in a courtyard-like area and away from the bustle of the street. I next noticed some men who appeared; they seemed, in their long, flowing white robes, to be priests.
They were not Arabic or Muslims in caftans; rather, they were definitely Whites. The buildings here were long on the order of Palais Richelieu in Paris. When I finally alighted, we had to go through this incredible entrance.
This led into a wonderful sandstone building; it was very modern with a neo-classical design. On the order of being imposing, the door to this place was massive. They seemed to be the doors to a temple.
To get to the entrance, there were many steps which one had to climb. On entering, off to the right, there was a passage that one could take.
An aisle led along another passage; it seemed illumined by a skylight. The priestly men had all entered before me. They preceded a procession of adherents who had come to partake of some ritual.
I had gone to explore, off to the left, because it was the wing of the building that had reminded me of the Palais du Louvre. Going there, I wandered about being fascinated by the place.
Some women were posing for artists in this particular wing. They wore modern garb but were very exceptionally beautiful. What was most intriguing about their look was that it was exactly as they would have appeared on the finished canvases.
They were very nubile young women; they had to hold their poses for interminably long periods. Here several kids kept on going through the place; they were seemingly art students.
They were all very North American, middle class with their loud, snobbish bourgeois affectations. Right away, it was obvious that all the muses were still virgins.
Theirs was an innocence that could never be affected. They were all teenage girls whose bodies were very voluptuous and full. These were not skinny people at all.
There was one point at which one girl was holding different poses. Each girl would be painted by from three-to-five artists, at a time. Thus every pose would be captured from different perspectives.
At one point, they told her to take a break; they then reverted back to an earlier pose. This was so that they could return to that work and put some more work into finishing it up.
When she changed the pose, she had also turned some 180 degrees. This particular model, whom I was studying, wore socks with Oriental-looking sandals.
Inside her socks she kept little items of hers. Whilst she was making the transition, she simply reached up her foot and pulled up her right leg to reach down into the socks.
Hers was a pair of blue-coloured socks – pale blue. To just above the ankles was the extent to which the socks rose. Looking at her, she took out something from about her ankle which looked like a wafer.
Not the least bit self-conscious, she ate it at once; it seemed like a chocolate wafer which she favoured. She seemingly needed it to get an energy boost so that she could stay focussed on the tedious work that she did.
After having found it all very interesting, I moved on sufficiently knowledgeable of the goings on here. Walking along a corridor, I ended up going into a room where everyone was very strange.
A guy there was a lot like Galen Shim – my very beautiful, Hong Kong-born, Eurasian friend. He reclined on a bed with his head close to the door. When I came in, I noticed that he was naked. When giving him a massage, I began by oiling his body.
It was quite fragrant oil. Rubbing down his body, I began working on his toes and feet. Afterwards, I got up to leave but he very silently began coming with me.
So out we went and joined the procession of persons; among them this time were several kids. Mostly, they were teenagers – amongst whom I did not want to be.
Galen or the guy who seemed like him, here the guy was not wearing glasses as before nor would Galen for that matter, and I kept walking through the place. Pretty soon, after we had left the noisy kids, we started hearing the most beautiful music.
This was one of the rare times that I found the music of the pipe organ to be beautiful. Within the complex, we happened on this wonderful cathedral inside which were most of the people from the procession.
On entering the structure, it seemed more like a concert hall. We soon learnt that the hall was specifically built so that only Johannes Sebastian Bach’s music could be played there.
Never before had I heard classical music sound so beautiful. We stood there transfixed whilst listening together. Who then should I notice way at the front of the hall, at the pipe organ that sat high on the dais-like stage, but Glenn Gould. I could see his right profile as if in close-up.
My god, this was rapture and then some. He was playing with such rapt abandon that I steadied myself and whispered more to myself than to Galen,
“My god, what an incredible dream to be having…”
There seemed to be a skylight on the side of the high-ceilinged nave. Instead of there being stained glass windows, windows for that matter, there was only intense light raining down through what seemed to be a skylight system.
The centre of the halved skylight was a wonderful neoclassical, oxidised, copper-looking, greenish flying buttress. Here the look, though modern, was more in the style of Islamic mosques or even Moorish architecture rather than the classic Gothic signatures.
A series of the most intricate and complex circles intertwined, like some riotous jungle vine, in the cathedral-like, concert hall’s stonework. Breathtakingly beautiful it was. I stood there, just inside the entrance to the hall, on the left of the wide aisle.
This was a very wide-bodied structure. As you progressed down the aisle, there were different levels where one could go up and sit. These were either on the right or left. The central aisle was covered by the most beautifully designed red carpet.
This place was considerably wider than Notre Dame Cathedral. Unlike the Parisian Gothic structure, it was not a darkened affair. Here it was very intensely bright out. The light coming in on the right and left side of the flying buttress-like, central girder fell through a slightly frosted glass.
The light was an intense – almost aquatic – blue. Interestingly, there were no beams or columns, supporting the unusual central, flying buttress-like beam. For looking at the light, one became slightly languorous. I felt paralysed with pleasure; there before me, down the massive hall, sat Glenn Gould.
He wore the most thick-fabricked garb; it seemed from an earlier age. All the men in the white gowns were up at the front. They were all transfixed – as well they should have been.
Though I love Johannes Sebastian Bach, at the time, I had some reservations as I am not especially fond of pipe organs. I suppose that it is because it has always had too many religious associations during my childhood.
The persons attending the concert were there simply to recharge their batteries. They seemed, all of them, as if not quite in their bodies for being so transfixed – they were otherwise-engaged.
Eerily, I had a sense that these were all persons who were between lives as is Glenn Gould. They were in a form of processing, a form of deep meditation on the order of sleep, as they prepared for the next incarnation.
This fugue was the most complex music imaginable. Indeed, the music seemed designed for those between lives. The fugue was composed for astral plane habitués who, sans bodies, could best endure the music’s intensity.
Getting a sense that I really shouldn’t be there, plus the fact that I finally couldn’t get into the pipe organ, I started taking my leave of the place.
Galen, or the person who seemed a lot like him, and I then went out front. There we waited for the specific tour buses to show up and take us away. Whilst I waited with Galen, or the person who seemed a lot like him, I was joined by Pandora.
It seemed that most of the people who were here were very young-souled. They seemed to be on a pilgrimage, like visiting the original Gohonzon in Japan or going on the Hajj, at Mecca.
As the pipe organ played, I could hear in the tone of the place a faint whisper from the men in white robes. Their thoughts, it turned out, could be telepathically heard. Even earlier, when I had been hovering in flight high above the complex, I knew that this was more so a political institution rather than not.
This was a structure which was just as colossal as the temple at Karnak and considerably older. This place was mind-bogglingly complex and massive. The temple was posited directly in the centre of it all.
Just like La Chapelle in Paris is comparably dwarfed, by its surroundings, so too the massive concert hall-like temple was dwarfed by the complex. This architectural marvel was simply soul-inspiring.
Whilst all the buses were waiting, I took to one of the buses with Pandora. I had gotten impatient waiting to be assigned to one. We spoke in French because everyone else here did the same.
This was not unlike a Parisian bus – the seats all faced each other. Seated close to the front, we were on the left side of the aisle behind the driver.
As though getting close to Saint-Sulpice Métro, I got up and said goodbye to Pandora. I wanted to get off there then walk back to her rue de Grenelle apartment.
Pandora planned to go out then come home later so had asked me to wait for her at her place. Here it seemed as if nighttime coming on to dawn.
Speaking guardedly in French, I made sure that I was speaking properly and not just fumbling partout. Really, I rather enjoyed this experience of being together with Pandora.
I was very serene enjoying the very beautiful experience. Galen, or the person who seemed a lot like him, had silently slipped from my side when Pandora came and joined me.
*Of course, it would turn out that the person in question was Louka Duplessis and not Galen. I would meet Louka, who accompanied me in this dream, the day following this dream.
Just prior to meeting for the first time, it is not uncommon for me to dream of persons.
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Norman, Jessye 15/9/45, Georgia
Jessye is a first level old priest in the passion mode, with a goal of rejection – functioning for the most part in the positive pole of discrimination, a spiritualist, in the emotional part of intellectual centre.
She has a Jupiter/Saturn body type.
Jessye’s primary chief feature is arrogance, with a secondary of stubbornness.
This fragment was third-cast in her cadence and her cadence is fifth in the greater cadence. She is a member of entity five, cadre six, greater cadre 33, pod/node 212.
She has a discarnate priest essence twin whom she did know earlier in this life but this fragment died in Vietnam. She has a warrior task companion and they have worked together and continue to do so occasionally.
Her three primary needs are: freedom, expression and power.
The warrior energy gives Jessye tremendous organisational powers and her stubbornness has enabled her to stick in there when the going got very rough many times.
Jessye is a warrior-cast priest who has been a spiritual rebel in this life. This is, by the way, not the first time this fragment has sung professionally. This fragment was a well-known castrato in seventeenth century Italy and performed many times before the crowned heads of Europe.
Jessye has great need to serve her concept of the higher ideal and has done so admirably by combining the folk music of her people with her operatic repertoire.
She performs well, as do most entity five fragments. This fragment has always enjoyed her work. Singing has been an extension of her inner spirituality. It is, in fact, a form of meditation for her.
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Now that’s a Hollywood wife!
These rather lucidly awakened dreams were experienced with an intense sense of wonder and joy, on Monday, July 2, 1990. At the time, the Moon transited both Scorpio and my sixth house.
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This first dream found me in a very busy place. When going south towards the Danforth, it was not unlike being on Broadview Ave. It was at nighttime. I came there and found that there were tons and tons of Black people.
Even so, it seemed like Toronto and at Broadview Subway station because there are all these streetcars there. One of the streetcars was improperly parked, as a result, it was going to go and turn around.
Waiting for it to do what it had to do, there was another streetcar out in the street. It was really more like a red-rocket streetcar. It was not like one of the newer ones.
Everyone here was Black. There were no Whites or other non-Blacks that I saw. Everybody was in the street which was very jam-packed. They were getting ready to cross, after the streetcar had passed, to go in.
There was now a system, where you paid your fare aboard the streetcar, so that you did not have to enter the front doors of the station on Broadview.
When you got aboard the streetcar, it was mandatory that you pay a fare. So it did not matter whether you paid a fare at the proper entrance or not. There were many people queuing up to get aboard a streetcar.
Passing these people who were seated there, I went through the proper entrance. One of them seemed like Gabriella Vartan† and they were talking about me.
I came around and began going down the steps, into the nether regions, en route to the trains. There was this little old lady who was taking her time, holding up things, so I pushed her to my right.
I made my way down then had to go around taking another flight of stairs; I then kept on going. There were a whole lot of levels to this subway system.
When I got down, there was this little cul-de-sac where there were these Black guys – homeboys – hanging out. However, they were not Black American.
I found one of them very attractive and smiled at him. He, however, was very homophobic. He went running upstairs to go call the police on me.
The train then came into the subway and it was a very, very large train. It towered very high to the ceiling. It was like an Amtrak train which seemed like a double Decker train. It was mostly silver, however, it turned out not to have been double Decker.
When it stopped, I began running full speed because I did not want the guy to come back and board the same car as me. I ran to the front of the train only to find that one couldn’t board there. Instead, one could only enter this train where the cars joined each other.
You could enter the front or backdoors of each car but not the front ones of the first car. It was very sleek, round and Deco like a train from the 1930s.
The whole place did have a feel of the ‘30s to it. It was very neo-Gothic like the Chrysler or McGraw-Hill buildings in New York City, or for that matter, even the Empire State Building.
It was reminiscent of very early in the twentieth century which was all about great architecture – of things being large, mammoth and spiralling upwards, too, things getting faster and faster.
That sense of adventure about the wonderful world of commerce that one had created. It was that time when people had not yet begun to see, as we now know, the consequences of things being bigger and better and faster and all the effects on nature.
I got onto the train heading, again, towards the front. Somehow, I felt relieved because I had lost the guy. I was there and noticed a stout man who was either High-Yellow or, perhaps, even White.
The people here were very strange because they were just rather unusual. Even though they looked White, they seemed more bronzish, actual bronze, than the pinkish tonality of the waking state.
This was not a place that I knew. It was very otherworldly here, I soon realised. I did not get a seat and as I stood there I then noticed a woman. She was standing at the very front of the train.
The train progressed with unusual speeds, I immediately noticed. When the train had shaken, the stout man had tried to brace himself by putting out his foot that was already out in the aisle.
In the process, he had stomped me and I had had to pull my foot out from under his and pushed his away. He wore business attire, a suit and tie, as though en route to an office job.
The woman who was standing up was playing on a wooden flute-like instrument that was less than a foot long. However, the thing about all this was that she had unusually short arms.
They were fully functional hands with tiny little fingers that nimbly danced over the valves of the wooden, wind instrument. Her arms were like a Thalidomide-damaged child’s.
Then I noticed too that there were other people on the train, about three or four musicians, practicing as well. I soon realised that everyone on board had some sort of physical deformity.
They were just ill-proportioned people with torsos that were too long or arms that were too short. Arms too long or what have you, moreover, this also applied to the legs.
The most pronounced cases were always the musicians like the female flautist – two or three of the other musicians were male.
Someone else who was on the train began laughing and, out of nervousness, I joined in. The person was laughing at the woman. She, however, hadn’t paid them any mind.
Nobody else was paying people, who were laughing, any mind. They did not see anything wrong with the people who were being laughed at.
I then got off the train and was out in this concourse area, where the trains arrived, before I went upstairs. Before I would go upstairs I saw this child seated in the middle of this white blanket that seemed more like diaper material than flannel.
The child wore a salmon-coloured merino. He had little, white, cloth diapers on. The infant had, again, very unusually, unusually short, short legs that made it look almost like a child because it was seated upright on its bottom.
However, it had a very big torso – matured, such that the child seemed like a very big, big child for its age. Its head was very large with a very developed large and soulful-looking face.
At the time it made me thing of Jake Hudson. Jake does have a very large head and face. I was trying to connect with him. He reached out his short little arms, crying out and said,
“Dad, I want to go.”
There was this youngish man, who was blond like the child, and he seemed not unlike the guy Olaf Knight. He picked up his son and used the blanket, on which the child sat, that had these straps and put him around his shoulder.
Like an African mother would, carry her child when in the fields, thus he was carried on his father’s back. He walked off with the child, who was holding on to him, except that the child was really an adult male.
It was all very strange here in this otherworldly place.
I ended up coming upstairs and going out in the outdoors. There were people here – again, mostly Black people. I was talking to them when I heard the strains of Richard Strauss‘s Four Last Songs beginning.
I beamed and excused myself from the people, with whom I was interacting, and went running off up this plaza. It was a clay-tiled plaza and when I got there, I saw the symphony.
I went and sat in lotus position and sat very close to the front. There was a gathering of persons in a semicircle and I was, as a matter of fact, the closest to the stage.
The stage was above on a dais and it was edged by old gold juniper. The juniper was really, really nice and quite fragrant, refreshingly so, to the smell.
Along came, from around a corner walking, Jessye Norman – the high priestess herself. She had been preceded by her divine voice’s magic. She was, of course, singing Four Last Songs.
She wore a beautiful, beautiful, glistening black dress that seemed almost organic with a life of its own. It was twinkling on and off but the lights were lifelike like fireflies.
They were sequins but they seemed, somehow, to be organic. It had hues of gold, silver, bronze, and dark green hues like pine and blue hues like lapis lazuli. It was very, very intensely rich a fabric.
She started singing the first song, Frühling, and it was very hauntingly beautiful. She saw me and beamed down at me. It was so connected between us. I was so enthralled and overpowered; I was quite smitten by her.
I thought very rapturously awakened,
‘Yes! I’m having a dream of Jessye Norman. So very good to see her again, my god here she is and performing Four Last Songs.’
She then came almost to the lip of the stage and stopped as though about to sneeze. Then she held her breath and started laughing because it was so hysterical.
The look on my face was one of being truly horrified for her. This had actually caused her to crack up. Then she began singing again and began making gestures for me to move or be removed.
I was stunned and thought this some sort of betrayal.
‘Why is she snubbing me like this?’ I wondered.
Then these two huge, burly guys came to eject me out of the area. As I was leaving, I could hear her starting to sing again. I was very, very upset.
I was, in the second dream, in this large house that was a very many-storeyed place. It had many apartments. I came out and it had a very slanted roof that one could go out onto. This roof was, however, very dangerously precipitous.
I was looking about and thinking of Carl Leroiderien because, somehow, someone was talking about him. This White man was talking to me and telling me that Carl had been enquiring after me.
He then went on to ask me if I smoked dope which I denied. I can’t think of it doing anything for me except, perhaps, to make me sneeze at the most. Sometimes if mixed with hashish, I then got a massive headache.
“It doesn’t do anything for me, I don’t really like it. I don’t see the point to it and I don’t smoke it.”
At the time that he was saying this, we were climbing some very, very steep stairs. Then at that point, after she had given her performance, I encountered Jessye Norman again. She was seated on a bench and called me over.
She said hello very warmly and apologised saying,
“I hope you weren’t upset. You realise that it was a misunderstanding. I wasn’t laughing at you; it’s just that you don’t seem to realise where you were.
“You were, well there are certain degrees of protocol and you were ahead of the dignitaries.
“And you shouldn’t have been so close to the stage because one of the reasons why your nose started bleeding was, in this dimension, if you’re this close to the stage… when I’m singing, when I hit certain notes it can shatter your eardrums but also shatter your mind.
“So you see it was very crucial that I get you out of there. Also, I was having a very bad allergic reaction to the plants at the edge of the dais. They made me want to sneeze. It wasn’t at all you or exclusively you.”
In having embraced me thus, she was being most healing. I did, in fact, have quite the nosebleed. As I was being hustled out of the place, by the burly guards, it was then that I realised that my nose was bleeding.
At the time, I had thought it strange. As this dream progressed very lucidly and linearly, there was no point at which either burly guard had so much as touched me.
I was so upset. It was so very good, after the fact, to have had her explain as she did.
*This dream really does validate the notion that all persons encountered in the dreamtime, without exceptions, are separate entities and not figments of one’s imagination. END.
When I was being bounced by her, I was so stunned, upset and humiliated. Had she not explained as she had just done, I would have awakened from this dream with a totally different perception of events.
I had also no way of knowing that she was having an allergic reaction to the juniper which, at the time, I found so wonderfully soothing. What’s more, I hadn’t a clue that I had thrown the Chi of the place by having disrespected protocol.
I would never have thought that my nosebleed was due to her singing. In fact, it is possible that I could have awakened and not recalled that, indeed, I had had a nosebleed which I had totally forgotten until she had mentioned it.
Jessye Norman has indeed straddled, with great élan and diplomacy, many a dimension with great frequency and fluency.
I then began holding her hand and told her that there were times that I had dreams of her, in which there were sometimes cetacean-looking creatures that came and did formations around her as she sang hyper-dimensionally.
She was just enthralled and pleased. She squeezed my hands and laughed a healthy, really wonderful laugh. She was quite smitten by me and encouraged me to write it all down.
Her eyes here were so very large, soulfully dark and focussed right into me. It gave me a high just to have experienced them.
I was wearing, when close to the stage, a satin merino-like shirt. So at the time of being bounced out, I had passingly thought that I had been dressed too scantily for her liking.
In any event, it was quite interesting.
This third dream was truly hysterical. It seemed like on Eglinton Avenue East, between Yonge Street and Mount Pleasant Road. It was at nighttime. There was a lot of goings on.
Shirley MacLaine was there, Warren Beatty and Madonna Ciccone, as well. Warren Beatty was the man of the hour and the centre of everybody’s attention.
He had a great deal of sexual energy and magnetism. He had been performing for the camera and for everybody around. It felt very staid to me though.
One very interesting thing that happened was that he had been heavily drinking and, whilst laughing, had bent forward. He then began uncontrollably coughing and was holding his chest and faking a massive heart attack.
Next thing you knew, we were in a very crowded area and it turned out that he had not been faking the heart attack. He had a very, massive, massive heart attack.
He was dead just like that. He was gone within moments. It was just incredible. Shirley MacLaine became utterly hysterical. Her bawling was like from some Greek tragedy.
She went into a trance-like frenzied state and began calling on astral guides and her Pleiadean guides. Pulling out a very impressive clutch of crystals, she threw herself onto him and tried healing him of death.
She was placing them all over his body – at the chakras and elsewhere. It was too humourous for words.
Meanwhile, as Warren Beatty died, Madonna came rushing up to the scene. It had all been too late and they couldn’t rush him to a hospital. There was no way that he could have been revived.
They had been out in some desert area having a big party; there were no doctors around. There was nothing that they could do; he couldn’t be saved. He was dead… he was gone.
Shirley MacLaine started cursing to the gods, saying,
“This is so unfair.
“He hasn’t even been able to make the sequel to Dick Tracy. And right when he’s at the top of his career this is happening?”
“Well you know this will really immortalise him now. Definitely, this is great publicity, right at this point in his career.” someone had dryly said who was not attached to his whole entourage.
I had heard this but Shirley MacLaine hadn’t heard it. Madonna came and whatever she thought about I could telepathically hear it. Her immediate response was,
‘Oh shit! This is just going to fuck up my goddamn career.
‘If only I’d gotten a child by him. Shit why did I have to have that abortion of his child. Shit!’
She was thinking fast. She was someone who knew how to manipulate the media. She was really pissed off because it would have meant immediate Hollywood sainthood for her, were she to go on and have Warren Beatty’s only child, after he had tragically died.
She was really pissed off because this was media manipulation beyond her wildest schemes,
‘I’ve got to get him out of here. I’ve got to have the best genetic engineers flown in immediately…’
I was stunned when I read her thoughts because, of course, she intended to harvest his seed and impregnate herself and then have a premature love child of Warren Beatty’s.
I was stunned by this woman’s phenomenal megalomania.
‘During the autopsy, I’ll have his sperm taken out and I’ll have it copyrighted. It’ll be my possession. I’ll have it engineered so that I’ll have a child… a son. God we can even have twins…’
She, all the while, was cowering over his face… kissing him and doing the wailing widow number,
‘…Can you imagine, Madonna?’
She privately squealed to herself – unaware, of course, that she was broadcasting to someone like me. She was so triumphant at having had that idea because all she knew was that people who so loved Warren Beatty would take to her now.
She was insecure as to whether or not she would endure through time. However, with this, she knew that she would automatically become iconic. She would become truly the virgin mother!
She would be actually giving birth to some dead man’s child – he of course being, Warren Beatty. It was destiny. After all, she was ‘the’ Madonna.
She had this flash that this was why she had always been so drawn to crucifixes. She was going to capitalise on the whole drama by making sure that it would be a son.
Of course, not to be outdone by that old, other Holy Mother with the virgin birth, she would eclipse that Madonna by having twin sons. Again, La Stupenda squealed with delight to herself.
I passingly wondered if I were the only one to be privy to her thoughts. Then I realised that from my detachment, as everyone bawled and was truly horrified as though these were Olympians and not mere mortals, that I was the only one.
‘What could be better than having two Warren Beatty lookalikes crawling around the planet and who were his twins? And his only heirs! With today’s genetic engineering it will be a great coup.
‘Think of the press! I’ll be guaranteed perpetual immortality. I’ll be iconised for all history…’
I thought then and there,
‘My god, this woman is monstrous.’
In any event, the funeral was upon us and by some strange quirk of the dreamtime, I was very much so a part of the funeral. I was as though a fly on the wall, as it were, and aren’t you lucky?
Why, was I participating? I do not know?
In any event, I was dressed to the nines. I had on a wonderful, lace outfit with a mantilla with my veil covering my face. I was part, somehow, of the funeral party.
It turned out that Warren Beatty had had five wives and, at the point at which he died, his fifth wife was a High-Yellow woman. She was part Black, part White, partly Latina.
He had had all these wives. They had always been paid and kept to remain silent. They were never brought out in the public or media. It was one of Hollywood’s biggest secrets.
People, obviously, never knew about it. It had never once been spoken about. There was an interesting turn to all of this… I had been going along Eglinton East on the south side. It was as though I was going towards Yonge Street; however, it was not Eglinton Avenue East.
Madonna was going to be late because, luckily, it was that time of the month for her. She was off having herself impregnated, by way of a turkey baster, with Warren Beatty’s frozen sperm – the planet’s most expensively rare caviar fertiliser of sorts.
I was attending the funeral with a short woman who was the fifth wife’s mother. She seemed a lot like Sybil Ben-Daniel and wore a brown coat over her dress. I walked with my right arm embracing her as she was on my right.
I had burly bodyguards all about me, before, beside and behind me. They were real Mossad-goon-cum-Wrestlemania types. My pants were those flare-legged Giorgio Armanis that allowed me to stride throwing my legs.
There was a lot of train to them and I had such utter style. I had enormous energies about me and great flare. My eyes were bedazzling even though mantilla-veiled.
They were what were, of course, fuelling my high spirits. The onlookers were lapping up my entrance; I felt wonderful.
We then went into the church and the mother was talking about,
“We want the money to go to the Church because the Church is really the staple of society and civilisation. The Church does so much good.”
I just decided to let her babble on and kept my tongue in check. However, I cussed her under my breath saying,
“You demented old fool. What Church are you talking about?”
The church had a metallic-silver front and it looked not unlike York Cinemas on Eglinton Avenue East. It was not a very big church on the inside. As we got inside, I turned around and hissed at one of the bodyguards because he had earlier stepped on my train.
Of course, we were surrounded then by the paparazzi and the little people. His Bigfoot’s footprint was there on the pant’s train. I reached back and slapped his face real hard calling him a fucking asshole.
Of course, I knew that it was safe to do it here because everyone here knew, only too well, that side of me. However, I couldn’t wreck my public image doing so outside.
As we got closer to the church, I began striding firmer with each step in anticipation of getting his oafish arse. I was really careful not to show that side of me when in public.
I started going down the aisle and there at the end was Warren Beatty’s corpse in the open casket. It was a pure black casket that glistened. It was a dark black wood and a really gorgeous casket.
Escorting the mother-in-law, I came all the way down the aisle. I decided that I would go into the first pew on the right. The first pew on the left actually went further down the aisle and did go past the casket.
It held men in white flowing robes; they were priest of whatever denomination this was – very cream, ivory-coloured and obviously very Catholic.
I went and sat down and immediately behind me was the fifth wife’s family. They were very Hispanic-looking more so than Black. They were very handsome in that family.
I turned around and smiled at one of the men and the energies coming from them weren’t as I had expected – I had thought that they would hate me.
I knew Madonna; I was apparently part of her hangers on. Somehow, I had known her through dance. I thought that, for that association, they would hate me. However, they displayed no such hostilities towards me.
Finally, the fifth wife came and was walking very slowly, regally. She carried a globular bouquet consisting of tiny, little white roses that were sprinkled in amongst some baby’s breath. There were one or two little red roses as well.
She wore a white, lace outfit. Deliberately dressed as though attending her wedding, she was not though veiled. She came down to the casket and knelt before it, like Jacqueline Kennedy-Onassis at the rotunda, staking her claim on history by her performance.
She sobbed in a controlled breath and then got up and walked around to the right end of the casket. Facing the church, she was now behind it and up on the altar. She was before the pews on the left side of the aisle.
She knelt down again and this time began wailing and ululating. She was doing ritual port de bras with her torso and head as well. She kept on holding on to the bouquet.
It was a very Latin; a very emotional display; definitely, not Jacqueline Kennedy-Onassis. It was very soulful and moving. One really felt for her.
Finally, Madonna made her entrance and began slowly progressing down the aisle. There was utter silence in the place because everybody was thinking,
‘Oh dear, poor Madonna was slutting with Warren Beatty at the point of his death. Here is the fifth wife and is she going to create a scene or not?’
Well, of course, she is. The fifth wife is Latin so, of course, there will be theatre.
When the fifth wife had been crossing the casket, I took in her body which was very wide-beamed. I knew then, in a flash, that she was pregnant with Warren Beatty’s child and four months pregnant.
It was clearly no Immaculate Conception as per Madonna’s little trick. She was a very big-boned woman. She got up when Madonna entered the church and stopped crying.
Madonna saw her and avoided her glance as I turned and watched this fascinating bit of theatre unfold. Everyone was really excited at the potential fireworks about to go off.
She started coming down to confront Madonna. I immediately and intuitively knew that there was a gun inside the bouquet that the fifth wife so firmly clutched.
Positioning the gun, the fifth wife began holding the bouquet to her stomach. Madonna, staying her ground, kept on proudly walking down the aisle.
She wore black; it was an outfit that was not dissimilar to mine. She wore a short veil and not a mantilla like I did.
She came walking down towards the casket staying closer to the left pews. The fifth wife came around the right side of the casket and was walking down the right side of the aisle looking at Madonna.
She had a very, very vexed and determined – an almost trance-like, expression of self-absorption on her face. All the energy in her body was directed at Madonna.
When she was about five feet away from Madonna, she held up the bouquet and callously said,
“I’m going to blow your fucking brains out!”
It was filled with so much venom that it reverberated throughout the very high-ceilinged-though-tiny church. It was also very Gothic an interior.
Madonna stopped truly catatonically horrified. You could see it beyond the veil. She had no entourage or bodyguards. She showed up alone, so confident was she of the coup that she had just scored at the geneticist’s.
She was so flustered that she gallantly stuttered back,
“I dare you…”
She was very nervous and said very quickly with a weak, little laugh. She was also vamping à la Breathless Mahoney – the character she played in Warren Beatty’s Dick Tracy film.
She was, however, visibly ashen. Madonna was visibly shaken with fear.
Those persons in the left pews automatically screamed out and crouched down for cover because the fifth wife had held up the bouquet in both her outstretched arms like the gun that it so obviously hid.
“Come on. You wouldn’t want to do that. That’s just stupid…” Madonna bravely said.
“…You can’t do that. Besides Warren’s already dead. What are you trying to prove? You can’t do this to me! Don’t be stupid.”
The woman, however, started slowly walking towards her not buying her bullshit. At that, Madonna turned around and started to bolt and she fell down over her long-trained dress.
She had already made it to the back of the pews on the left. She was much too vain, to run outside and possibly be murdered in front of the little people. So she got up and began running around the far side of the pews.
Of course, as she ran away, the fifth wife could easily have shot her in the back. Then Madonna got really pissed off, stopped against the far left wall of the church, holding out her palm at her attacker saying,
“Stop it! You don’t want to do this. This is stupid. You can’t kill me. I’m Madonna!”
She was just winded; the expression on her face was unbridled rage, fear, terror, chutzpah, all in one. Then the fifth wife pulled the trigger, which was the only sound in the place, releasing the magazine.
Madonna cried out and began pleading with her. It was truly a spectacle. It was really pathetic. The fifth wife then pulled on the trigger and there was a loud plopping sound.
Everybody just screamed and the place became flooded with blinding blue light. It turned out to have been an older-model camera and the flashbulb from the camera as it went off.
At that, the fifth wife laughed this loud, truly callous, heavy-from-the-womb, ripe, wicked, vindictive, victorious-all-in-one laugh. It echoed throughout the church.
When her echo collapsed, as Madonna stood there truly disempowered, the fifth wife uttered in a weary breath,
“I always said to Warren that you’re an ugly slut. This picture will prove it.”
At that the fifth wife turned and came and sat down on the pew next to me. Her Latina family members were just going wild clapping and hysterically shrieking.
Now that’s a Hollywood wife!
Poor Madonna was still standing there involuntarily shaking. She was holding her chest and gasping for air like an asthmatic. Her left hand placed on her chest, with her right hand holding on to the pew, thus she stayed her ground.
Although her hand was on her chest, she was being most clever. However I knew that really where it should have been was at her pussy because what the fifth wife instinctively knew, as did I, was that she had just miscarried. Madonna was profusely bleeding.
Poor Madonna was so humiliated. The look on her face was truly sad; she was sweaty and runny-nosed. She soon collapsed and had to be taken away. Of course, she would be beaten out of having Warren Beatty’s heir by the fifth wife.
The whole thing was so funny and hysterical. I was so stunned that the fifth wife was going to pull this stunt. I really thought that it was a gun; I had, at least, gotten this flash that it was a gun.
The idea to have a bolt release, affecting a gun, was truly ingenious. The picture turned out to be truly horrific. It was all a joke being played on Madonna by Hollywood’s film elites who could not have cared less about her and her parvenu ambitions.
The whole affair was so very wickedly political. The whole thing was so hysterical. I wondered as to what next was going to happen.
Is the fifth wife going to come forward and produce the first Warren Beatty heir – the true child? A child that would look like Warren Beatty – more like a child of the future being of multiracial heritage and a bronzed version of Warren Beatty would the fifth wife bear.
What then will she do about Madonna’s copyright of Warren Beatty’s sperm? Will the fifth wife, for producing the heir, win the legal rights to them and have them destroyed if she chooses to?
Will this not, in fact, begin a Pop Religion rivalling the King, Elvis Presley’s, if Madonna had won custody of the sperm and gone on to impregnate herself and bear those miscarried twin sons because of her bonds to Warren Beatty and his two pseudo-virgin-birthed children – sons at that?
Truly, this is iconography for the new millennium, indeed.
*A very, very interesting dream. Certainly, that I would be dreaming about these people is interesting enough. I don’t pay much attention to any of them beyond the passing.
I had seen Dick Tracy three weeks ago. That the whole thing would evolve the way it did was rather insightful. I was totally surprised, as much so, as was Madonna in the church.
I really did think that she was going to be shot. I thought that it would be so messy.
You know, I just did not want having anybody’s can’t-wash-out bloodstains on my Giorgio Armani pants.
*What can I say, dreams are purely experiential. I dream it and awaken, immediately bringing forth the dream experiences, committing those experiences to audio-cassette tapes.
I rather enjoyed being alone and visiting with Jessye Norman in the earlier dream. Clearly, those dreams were set on a parallel Earth in another dimension and one in which the mostly Black population is differently proportioned than we humans of waking state Earth are.
On the eve of the Oscars, I thought this a fitting offering. I could never have fathomed the outcome of the fifth wife’s agendum until it unfolded. Ingenious, to say the least, was her use of the bouquet.
As ever, sweet dreams and don’t forget to push off and start flying… and so what if you bump into a wall, just attempt doing so again and this time believe that you can effortless transcend the barrier. Perception is, alas, everything.
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As ever my dear sweet ennobled friends, I am ever grateful for your continued support. Please do spread the word, far and wide about this happening dream joint on the cosmic wide web. Always remember to push off and start flying… I love you more.
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Dreams are the poetic expression of the soul. 