The latest red carpet parade of the now Prince & Princess of Wales 3.0, (William & Catherine), Charles & Diana – The second Elizabethan Age’s original Prince and Princess of Wales, Charles & Camilla 2.0 – did not disappoint in its hissing drama. Naturally, the Fleet Street abattoirs did not surprise the sceptical in their quaint sophistry, to paint this gaudy Picasso portrait as though it were a sublime Gainsborough tableau.
As you are well aware, this hissing red carpet tango has been going on for years. Catherine can be seen brushing off William at the top of the stairs at the Royal Albert Hall as they stood with the senior royals for obligatory photo call at the premier of the James Bond film No Time To Die. Also, Catherine on joining the senior royals on the steps, could be seen cutting her eyes at William, with whom she had been earlier rowing on the red carpet. All throughout her seething animus, William kept pursing his lips as he enjoyed getting under Catherine’s skin as he is cockily assured in his relationship with Rose, Countess Rocksavage. William’s pursed lips betray the fact that though it is his wont to be loud and verbally abusive, he could not do so in public. This, of course, gives Catherine an advantage as she can grin, hiss and cuss him out at such times without him verbally assaulting her.
Fast forward, post HLM Queen Elizabeth’s death and the now Prince and Princess of Wales, still at war, are in Boston. God only knows why? So lovely it was to see President Biden, meeting him on the Boston waterfront like one does a whore, then the President returned to Washington D. C. where he had been hosting French President Emmanuel Macron. Desperate to squash the truth, William again in the #WaroftheWaleses brushes off Catherine’s attempt at handholding. Now married near a dozen years, this handholding business they never engaged in. William in 2013 had an affair with a banker in the City and thereafter, they did not start handholding. Of course, with Harry and Meghan’s supernova on the royal scene, their handholding and genuine love for each other proved disruptive. Similarly, like a supernova 400 light years away, before you knew what next, the Black American woman was erased from the royal portraits as the #WaroftheWaleses turned outward and were united in cannibalising that “Yank,” that damn Black ‘bully’ American from their midst.
Now fast forward to the recent BAFTA Awards, which rather extensively will be the subject of the next blog. Here’s when the hissing peaked in their usual style of continuing the #WaroftheWaleses. Catherine makes to hold hands and is again rebuffed by William. This, of course, came days after he had spent St. Valentine’s Day with Rose, Countess Rocksavage.
Just listen to that woman with female genitalia in the middle of her face, Camilla Tominey, engaging in more specious revisionism. Though there are none so blind as those who deliberately choose not to see, some of us are neither blind nor given to obsequiousness. Camilla Tominey is a known liar. Catherine tries to hold hands with William, he rebuffs as in Boston, she then immediately hits his bottom after he pulls away and conveniently waves to the little people. Betraying her energy body of 9, her being a warrior soul and one of her personal needs being power, Catherine immediately shot back, “Or What?” whilst grinning her fake-assed face off.
So then, let’s break down what is really going on here! Firstly, William and Catherine would never have gotten dressed together; therefore, on coming down when their car arrived, William would have been livid. Catherine deliberately wore black opera gloves to make a point. All Toffs know that one always wears matching opera gloves. Therefore, Catherine ought to have been wearing a black or smoky grey dress with black opera gloves. Had Catherine elected to wear white gloves with the white Alexander McQueen dress that she wore, she could not have made her point.
That’s right, Catherine was outing Peggalicious! As there is never just one hanger in any closet, Catherine in the #WaroftheWaleses upped her game. If William will not spend St. Valentine’s Day with her, she was going to take the war to the red carpet. Again, do not ever underestimate the resolve of a warrior soul when they choose to do battle; for all warriors, fighting is foreplay. Prince Henry, is also a fifth level mature soul Warrior like Catherine, and SPARE certainly does lay bare his warrior mettle through and through. Catherine and William’s rowing would be like Angelina Jolie and Brad Pitt in their rivetingly combustible film, Mr. & Mrs. Smith.
As previously shared on this blog, (Pink Chair I & II) in October, 2021, https://dreampoetica.com/2021/10/24/pink-chair-i-ii/I have been into S&M and all its play. And it was my experience that all males who are into being pegged, also go in for being fisted. That’s right, Catherine was aggressively outing William’s game. Not only is he Peggalicious but he also loves getting good and fisted. For obvious reasons, one never wears long white latex or rubber gloves in fisting. Catherine has to know that she has to go all out, because the day the Prime Minister stands in Parliament and states, “It is with regret that Buckingham Palace announces that TRH Prince and Princess of Wales are to separate, it will be open season on her. Faster than lightning striking the CN Tower, the Fleet Street abattoirs will then turn on Catherine.
In the #WaroftheRoses, Catherine broke with tradition and wore a white dress to highlight the black opera gloves, which were a nod to long, black latex or rubber fisting gloves. Catherine is shrewd and one of the interesting observations that Meghan, Duchess of Sussex made in her Oprah interview, is that Catherine is a good person. By so doing, like equally shrewd Catherine, Meghan who never once mentioned his name, was alluding to what a anti-Black racist boor, William is, which his number 9 second position (mindset) attests and which has been validated in Prince Harry’s phenomenally successful SPARE, which I’ve now thrice read.
If you are going to wear a white dress to an important function, where the Prince of Wales is president of BAFTA, you do not wear black gloves with a white dress. It is always monochromatic from head to toe. Catherine did not give a damn about being royal next to mere Hollywood and the Oscars coming up this month; if she cared, she would have worn her hair up as she did at the premier of the James Bond film, No Time To Die, in September 2021 at the Royal Albert Hall. Of course, along with the opera gloves, weaving some pearls into her beautifully coiffed hair would have carried off the look and made it truly royal. As it is, Catherine came off as nothing more than coalmining fare, playing at being a royal.
Frankly, 12 years on, it is time she changed her armour, starting with her hair; she would be better served with a close-cropped hairdo. A dozen years on, it is too much hair and too much of the damn boring same. In the #WaroftheWaleses, Catherine is literally fighting for her man, for her life and everything that entails. Unlike both Diana, Princess of Wales and Meghan, Duchess of Sussex, Catherine is void charisma and is embarrassingly inarticulate – unlike Meghan, she will fare miserably if William were to serve her with divorce; if that were the case, I rather suspect that she will walk away with the little bastard, Damien. Honest to god, is it any wonder William is off watering Rose’s garden. Some femme au foyer that, talk about 12 years a fail. How in the hell can this woman not cook? And, of course, the Fleet Street abattoirs just laughed it off but they are keeping score and will change colour and pounce on her faster than an octopus its prey!
At the end of the day, Catherine is a woman in deep pain and with all that rowing in public, there has got to be a lot of emotional and mental abuse from both sides behind closed doors. Regardless of anything else, I will always support a woman in an abusive relationship, especially in this dynamic. No matter what, like his father before him, William will not adversely suffer, if he were to dispose of Catherine by way of divorce or god forbid worse; that is the nature of the game. Her escalated ageing can be put down to the fact that Catherine is clearly a serious drinker and also is mightily stressed about the fact that like Diana, Princess of Wales, there are three persons in her marriage. Certainly, the Courtesan Queen will be of no solace to Catherine.
Just look at Catherine, she stumbles and what proves a fitting metaphor of their relationship, William does not react. He is long over this woman, he just wants her gone from his life. It truly is a sad state of affairs. In the meantime, we await the coronation, which every entertainer and their shadow is shunning thanks to SPARE and their loyalties to the Sussexes. Let’s see if the Courtesan Queen’s grandkids are kited with coronets and tiaras on the day whilst the Sussexes’ son, Archie, on his fourth birthday remains not styled as a prince.
Something has definitely shifted in the #WaroftheWaleses. Since Catherine’s rude brushoff in 2019, William clearly enjoys the upper hand and can care less about her. He knows that the kingdom is aware of heir marital strife; he is also keenly aware that she will never win that PR war when it arrives. Especially so if he ends up with Rose, Countess Rocksavage, Catherine will be discarded to the Fleet Street abattoirs, much as Diana was, where they will truly flay her soul. At least Diana was charming, radiant, beautiful and beloved by most everyone.
Certainly, it will be a smooth transition moving into the role of Duchess of Cornwall. Plus que ça change, plus c’est… mais oui. Honest to god, I swear there is a strap-on imprint on Rose’s gown. Look at how much happier Peggalicious looks – that just-pegged glow is undeniable. Indeed, look at how much more regally Rose oozes the royal mystique. All things aside, the no-chinned ‘model’ scores only a few points less on the all-important toddler scare-ometer than the Courtesan Queen. Clearly not breeding material, House of Windsor sidepieces are therefore not chosen for their beauty.
The latest salvo of the House of Windsor is truly myopic. As Fleet Street gleefully reports, the #TampaxKing in a fit of rage, instigated by the #CourtesanQueen has evicted the Sussexes from Frogmore Cottage. Hooray for that! At 120 rooms, the Earl & Countess of Wessex’s Bagshot Park costs then £90,000 per annum. Similarly, the kinder-lover Yorkist paedophile pays on his 30 room pile, Royal Lodge a whopping £12,000 per annum. Now get this, after having paid back the costs of renovations, and installed a £5,000 copper bathtub, the Sussexes were having to pay £216,000 per annum for the 12 room Frogmore Cottage. What more proof does one need of the House of Windsor being a racist hellhole when the otiose Black wife, the ‘Yank’ has to cough up 2.4 times as much as the Wessexes to the Crown Estate and 18 times as much as the harboured Yorkist paedophile. Let’s hope that the Sussexes rip out that damn copper bathtub and have it shipped to Montecito. Thanks for desperately seeking to score brownie points with the island kingdom’s shitty racist boors but you’ve just saved the Sussexes loads of cheddar. In all of this, you can bet your bottom shilling that the warring Waleses, in particular the pegged & fisted Bourbon bastard, was behind the drive to have the Sussexes evicted. Oh thank you dumb and blinded by racially predatory obsession your gormliness. Good, now that you’ve gotten the Sussexes evicted just Keep Calm et Va Chier!
Get it Iris! So despite the #WaroftheWaleses, life keeps on boogieing right along with Prince Harry’s SPARE performing brilliantly. At this rate, I think for being banished to Ray Mill House, the Courtesan Queen will demand titles for her Parker-Bowles offspring, whilst still nothing for Archie and Lilibet. Seriously, who the fuck are these people? There is a point at which, you cannot expect intelligent people to buy this nonsense about unconscious bias. The royals are part of a racist institution; they know it and they themselves are as well and don’t give a damn that it is fairly obvious to all with eyes to see. Well, they damn sure got rid of the Black woman in their midst; however, does this mean that their volatile marriage will adapt and the #WaroftheWaleses just become another convenient institutional partnership, like Philip and Elizabeth with each taking lovers and having children with other lovers as was the case with recently departed Philip and Elizabeth? Who knows, who truly fucking cares?
Well, if you can’t flip pancakes and can do little more than gurn like a lost, famished fox, from September 2021 to February 2023, you had better be able to shake it like Iris Chacon. No matter how you cut it, sooner or later, task companions or not, there is a very strong likelihood that this marriage which is clearly in its late stages of viability, will likely end in separation, followed by divorce.
Wayne Shorter Quartet, 2012 Paris Salle Pleyel
Wayne Shorter – Saxophones
John Patitucci – Bass
Danilo Perez – Piano
Brian Blade – Drums
Wayne Shorter, 25.8.1933 [Rooster 7.6.4 = 8] <O> 2.3.2023 Sweet and blissful dreams ennobled Shaman. Your memory ever will be a blessing of the most inspired dreams.
Now that you have been to London and ‘they’ have royally torn their collective arse at you both – the seating at St. Paul’s Cathedral was as low as you could go. It is time, Harry, that you resolve to wash your hands of these people and throw the kitchen sink at them.
Roya Nikkhah of the Times of London stated during her commentary on BBC that the Duke & Duchess of Sussex were seated where they were second row across the aisle from the Cambridges and Waleses because they had stepped back as working royals. Never mind that directly ahead of them were the Wessexes with their children who for having toured the Caribbean earlier this year, ought to have been sat close to the senior royals on the other side of the aisle.
How stupid indeed are the Cambridges? Do these two and their supporters not realise that in having the minor Kents, who are not official working royals, sat close to Charles & William and ahead of the Wessexes who were sat amongst the non-working royals, they actually gave more than the crown jewels to the Sussexes? It was unforgiveable to have worn the blackamoor brooch to HM The Queen’s Christmas lunch in 2017, then to have shown up to the Sussexes’ wedding was beyond the pale. However, to sit her racist hide ahead of the Wessexes to show just how you – senior royals Charles & Camilla along with William & Catherine – feel about the Black woman will only play in the Sussexes’ favour in America. That was vile, deliberately racist and gives the Sussexes more ammo than they could ever have hoped for. Harry’s memoir is going to blow the lid off and the deliberate placement of HRH Princess Michael of Kent only betrays how the BRF do not give a living frig about their smug racism and that most definitely will not fly in America. Americans, not just Black Americans, have a very visceral reaction to bigotry, repeated bigotry and have no desire to host racists of any kind, royal or otherwise. Britons have proven themselves no less repugnant and racist than those who worship the confederate flat. What the Cambridges and Cornwalls gave both Harry & Meghan in having sat the minor, non working royal Kents close by, showed that they approve of the open racism represented by the blackamoor brooch. What these fools have afforded Harry & Meghan is worth way more in PR gold than the crown jewels. Run with it!
Naturally, there was no room for the Wessexes because sat closer to the senior royals, was none other than HRH Princess Michael of Kent – indeed, she of the blackamoor brooch – her husband, her children which included HRH Prince William Duke of Cambridge’s best friend, Lord Frederick Windsor and his Jewish wife who works in Hollywood. Also, the racist boor who sported the blackamoor brooch at HM The Queen’s 2017 Christmas Lunch arrived at St. Paul’s Cathedral for HM The Queen’s thanksgiving service to mark her Platinum Jubilee by stately Rolls Royce, which one would expect the Sussexes to have arrived in, had they not been racially preyed on and driven out of the kingdom. Naturally, in having sat the minor Kents so close to the Cambridges and Cornwalls only proves that the blackamoor brooch incident was not an innocent accident of which the minor royal claimed ignorance.
Let’s just keep it real on who the Cambridges are and who exactly HRH Princess Michael of Kent truly is. Her father was a Nazi SS officer. After she was made to pay market value for their 16-room apartment at Kensington Palace, they sold their country manor, Nether Lypiatt; it was there that clearly Jurassic-gened, racist princess kinder Nazi kept two black sheep on her estate, which she quaintly named, Venus and Serena – you simply cannot make this shit up. Further, whilst dining at a restaurant in Manhattan’s Greenwich Village, Princess Michael approached the table where five Black Americans were boisterously dining, slammed her hand on the table and asked, “Why don’t you go back to the colonies?” Like every racist White, she cowardly denied having said any such thing.
Also, as stated by Roya Nikkhah, the Sussexes walked the aisle of St. Paul’s Cathedral alone as nothing The Queen does is by coincidence. All British media and biographers writing about Megxit have consistently ignored the deliberate racist attack on Meghan by Princess Michael of Kent, which clearly had the backing of the Cambridges. Having been returned to the isle of rabid racists, the royals chose to thoroughly wipe arse with you both, Meghan & Harry, by having the Michaels of Kent sat closest to the senior royals. Hell, even the Duke of Gloucester arrived to St. Paul’s Cathedral in a mere Jaguar rather than Rolls Royce.
Not allowed on the balcony at trooping the colour and since Camilla HRH Duchess of Cornwall whilst at Horse Guards parade refused to take to the recessed balcony, therefore no one else could; thus, she prevented Meghan & Harry from being seen. Not entertained at Guild Hall after the service at St. Paul’s, neither were they allowed in the royal box at the Concert on the Mall, which was a god awful mess save for Alicia Keys plus the spectacular light show and phenomenal drone display. Similarly, the final Jubilee event, the pageant, came and went without the Sussexes being invited.
As the Cambridges, in their embittered marriage – cue Prince Louis’ lunatic acting out, could not wait to send signals to Hollywood where they will be touring later this year, we do not want you employing that Black woman who pulled the race card, when “we are very much not a racist family” – all of which was revealed a damn lie at the St. Paul’s platinum jubilee service of thanksgiving, I say to hell with these people. The greatest pain that you will experience in life, will more likely than not come from family. Looking to all the world as though “Straight the fuck out of Compton.” Thank the good lord that Prince Louis is not Meghan’s child as there would be no end of racist slights about his savage, uncivilised behaviour.
Most of all, there was Prince Louis at the Jubilee Pageant, acting like a reincarnated crack whore who overdosed in Compton. That’s what you get for plotting and scheming with the minor Kents. You may have thought it delicious fun to have had that flat-arsed, eurotrash clown sport the blackamoor brooch; however, how in the hell could all that 9 toxicity not have affected Louis all 9 months whilst in utero? Furthermore, karma is impartial, exacting… unforgiving. Catherine is an excellent photographer with a keen eye. The reason for the featured photograph not showing Louis’ entire body is that a key giveaway of spectrum persons is that they, more than most, prefer sitting with their legs gather and folded beneath them. Perfectionist Catherine, 9 energy body, is desperately trying to control the narrative and hide this generation’s ‘Prince John.’
As his two balcony appearances and royal box plus carriage ride betrayed, Prince Louis is a compromised human and the direct karmic result of them: Charles & Camilla, William & Catherine in tandem with the minor Kents, having fucked with Meghan and all throughout her pregnancy – the move to Frogmore Cottage by the Sussexes rather than live next-door to Catherine and toxic husband but another example of a monstrous 9 energy, which resulted in the in utero, Prince Louis being born mentally dysfunctional. One-year-old August Brooksbank did not behave at the platinum jubilee pageant like Prince Louis did on the balcony at Trooping the Colour in 2019. Lena Tindall is a three-year-old and was not the volatile unstable monster that Louis was whilst also attending the platinum jubilee pageant. Catherine was utterly embarrassed by Louis. Catherine is a warrior soul with toxic energy body of 9 -these people do not suffer defects, faults, imperfections of any kind near them, yet, Prince Louis is her son.
Prince Louis will be groomed to be a bigot like his father with 9 in the second position. He will never grow up thanks to his 2 (pronounced child ego state) in the third position and with 7 in the fourth position, though, it usually takes more than one 7 – as in the case of his paternal grandmother, Diana, Princess of Wales, Louis does run the risk of being eliminated by his parent(s) for being a damn embarrassment.
Incidentally, as with Edward VIII, 23.6.1894 Horse 5.2.7 = 6, Louis has both 5 & 2 in his numerology; this combo is like quicksilver and such persons can never be perceived as mentally balanced. They can with intense behaviour modification and pharmaceuticals be deemed fairly civilised, though, at their expense. Louis has 3 numbers in common with his father; his father’s placement of that 5 is a keen indicator of sexual scandal… all in due course.
More to the point, the similarities between Edward VIII and today’s senior royals is quite simple. Edward was a Nazi sympathiser for which he was removed. Whereas the same bigotry was at play whereby TRH Duke & Duchess of Cambridge used the minor Kent royals to sport the blackamoor brooch as a display of their racial animus towards Meghan, Duchess of Sussex and Blacks. All this has a connection to Hollywood where were it not for the terror attacks of 9/11, Halle Berry would not have won best actress Oscar and 20 years on, there has been no repeat. Anyway darling, karma is a big black bitch who took one look at the blackamoor gang and decided to serve you a lifetime side order of schadenfreude (Prince Louis). As you were told on taking your vows, “The secrets of all hearts shall be revealed.” In due course, all the palace intrigues, all the communiqués, texts and subterfuge will surface, whether during your lives or after. History will prove that the Cambridges were truly the product of their very toxic numbers.
God only knows Prince Louis’ dysfunctional behaviour surely speaks to a harmonious home and a couple truly in love. Clearly, the Cambridges have more in common with Wallis & Edward than do Harry & Meghan anything in common with the Duke & Duchess of Windsor. The Windsors were forced out for being Nazi sympathisers and the Duke of Sussex left their service to the crown rather than be bullied by anti-Black racist royals, tabloid media and royal household staffers.
You cannibalise and socially eliminate the Black duchess and karma had you pay in kind for delivering a baby whose circuitry was jammed on all that negativity, surrounding your racially predatory obsession with eliminating Meghan, Duchess of Sussex. Though pregnant, Catherine’s negativity towards Meghan was clearly palpable and as we know from the Oprah interview not just unhealthy for both, Meghan and Harry.
“…when the perception and the reality are two very different things and you’re being judged on the perception but you’re living the reality of it, there’s a complete misalignment,” Meghan, HRH Duchess of Sussex.
Pay attention to the second video. At the 01:09 minute mark, HRH Prince George of Cambridge looks across and past his father to Prince Louis. An 8 year-old boy gives a look that says that for the Cambridges, Louis has been dismissed as crazy. Louis lacks awareness and more than sticking out his tongue to his mother, lip readers have already validated that Louis told his mother, Catherine, HRH Duchess of Cambridge to fuck off. Regardless how they try and wrap this behaviour up in a golden bow and make excuses, Louis is a very realistic comment on the state of his parents’ marriage and the fact that his entire passage in utero was spent being overwhelmed by the hatefulness and vile racialised machinations his parents were engaged in. There are tens of millions of 4 year old boys on the planet and none of the normal 4 year old boys behave as Prince Louis did; even the Prime Minister’s wife Carrie looked on at mother and son’s interactions and was clearly disturbed by what she witnessed. Prince Harry was a cheeky youngster; however, he never was an angry, hostile and frightening terror.
Isle of rabid zombified sycophants… what are these people on about? ‘Louis is so adorable’ then 7 days later, ‘he just had too much sugar’ Child please! That is neither cute behaviour nor a loved child. Don’t know what they were smoking but it damn well looked like twelve variations on Mango!
A week after the embarrassing Tasmanian devil escaping the Windsor dungeon chock full of skeletons, along comes desperate Willy, getting down with the social lepers. You can fool no one, especially when not the swiftest of souls. Forever and a day, ever trying to pull the wool over the somnambulant fools’ eyes.
The only fitting response to these people, who chose a racist boor over family, based on the seating at St. Paul’s Cathedral, is quite simple. On HM The Queen’s passing, do not, Meghan, set foot in England to attend her funeral. She will be dead and if she truly did know and approve of the seating arrangements at St. Paul’s Cathedral then all the more reason to not go – HM The Queen did not plan the Platinum Jubilee celebrations. In an uneclipsed salvo, the Cambridges made it clear that Harry & Meghan are not wanted back.
To that end, they whored out the kids at Trooping the Colour where their lastborn, clearly on the spectrum, proved himself an utter embarrassment. They then trotted them out to Wales, minus the social freak, and again to the concert on the Mall; all this, whilst ignoring the invitation to drop by on the day to Frogmore Cottage and wish Lilibet happy birthday. Last day of jubilee celebrations and just in case you were prepared to self-gaslight and say Prince Louis really was not that bad, along comes reincarnated crack whore Shaniqua, keeping it real with the Jerry Springer hair pulling and telling his mama to fuck off. Of course, Lilibet is not of Jewish heritage, so far be it from the Cambridges to give a damn. All this is reminiscent of the kids being taken to service on Christmas Day 2019 after the Queen’s message wherein the Sussexes were nowhere to be seen in photos. All along, no matter how the Sussexes delude themselves into thinking that HM The Queen is an allay, she has been all along, keeping them closer rather than not as one does one’s enemies.
Come an Harry, man up. Throw the goddamn kitchen sink at the lot of them. You are Diana’s son and though Camilla threw out there, in her ongoing war against Diana, Princess of Wales, that Hewitt is Harry’s father, you could in your Memoir allude to King Juan Carlos and the discarded lovechild in Australia, who of late won’t keep his damn yap shut. Time to tear the arse at these vipers and get on with living your lives. No one spits at Americans. You’ve a beautiful family to provide for. There is much material from this trip for Netflix to work with and BET or Tyler Perry’s studios can also run with the production of Pearl.
The one error in the Oprah interview is that the blackamoor brooch was not discussed, which left Meghan exposed to being accused of having played the race card; it is the one part of the puzzle that all Whites in the media conveniently gloss over. God only knows, Whites never admit to being possessed of anti-Black racial animus; they ever suffer collective white amnesia whereby one never remembers unpleasant aspects of the past and especially as it relates to one’s heritage of being racially predatory. With the Michaels of Kent placement at St. Paul’s Cathedral, the gloves are well and truly off. Name names and get on with it! They have assured you a blockbuster New York Times bestseller by their invidious staging at St. Paul’s Cathedral.
As the saying goes, you shall know a woman by her seed and Prince Louis deftly betrays where Catherine’s heart is focussed towards Meghan – her racialised animus towards Meghan, resulted in Prince Louis becoming mentally damaged whilst in utero. When TRH Duke & Duchess of Cambridge come touring America later in 2022, after having signalled to the Hollywood few, who did not approve of the schwarze leap-frogging ahead of the minor Kents’ darling daughter-in-law, simply pick up and leave America.
You, Prince Harry, have the only family that matters, the ones you choose along life’s journey. Gather the entire family and come to Toronto, you’ve got family here. You will be seen on their IG about town – nothing as gauche as CN Tower shots, then you can take your darling kids to your family’s hometown of Montréal. You’ve got choices aplenty, take the family to your soul brother’s ranch in Argentina and be on their IG, practising polo whilst the Cambridges are in America; this is the only fitting response to their arse-tearing crassness in the placement of the blackamoor brooch-wearing, flat-arsed, kinder Nazi. If William had not betrayed his own brother by putting up his best friend’s hideous mother to sport a racist brooch to placate and trigger his brother’s unacceptable Black affianced, none of this would have transpired. Certainly, Catherine’s third pregnancy would not have resulted in such a toxically shrill monster.
For absolutely nothing and ever, should you be in the same country as that toxic pair, whom you seem unaware do not consider you family. Having the racist boor sat closer to the two future sovereigns than the Wessexes at the platinum jubilee thanksgiving service at St. Paul’s Cathedral, is reason enough for Meghan not to attend, HM The Queen’s funeral, Charles’ coronation, Charles’ funeral and Williams’ coronation. You’ve all the family you need.. protect them.
Again, genetics always expose the truth. Prince Harry has redheaded offspring as did his mum, Diana, Princess of Wales’ every sibling. There is William with the Bourbon flat-foot and tiny ears traits and no redhead offspring. No redhead offspring because maple leafs do not produce acorns. A truly masterful photograph of Lilibet by Misan Harriman.
You’re not missing bugger all. Not for a nanosecond should you be around such dense-energied, toxic racially predatory boors. Meghan is, of course, possessed of master numbers of 11; think of Kim Kardashian, slapping her sister who stepped out of line. Master number of 11 are second to no one and so too will it be with Lilibet Diana.
Here are two examples of master number 11 at work, as I do possess said master number (11). Shortly on arriving in Montréal, late 1990s, I went cruising at the funky bathhouse at 456 rue de la Gauchetière Ouest. Returned to my place on rue Goyer between Wilderton and Darlington, I soon asked the hook up to get out of my house. I knew that he was Jewish – not that it mattered; however, he kept on peppering his banter with decidedly anti-Black observations, which he somehow assumed, I would either find funny or condone by way of ignoring. When abruptly asked to get out of my house, he demanded to know what made me upset, “Not all Jews are White, some actually are Black; just as not all Jews are bigots but clearly some are… come on, get the fuck out of my house!” He made to apologise but too little too late. A couple nights later, I brought another hot piece of arse back to rue Goyer, only to have this fucknut, start spewing anti-Semitic bile about how much he hated those goddamn people – Côte-des-Neiges has a sizeable Hassidic population. As my decisions are always swift, I got him to get undressed in the living room and began making out; then told him to go rinse off as I was not munching his soiled arse. No sooner than he was in the shower, I grabbed his clothes and shoes, took them onto the balcony from the bedroom and tossed them to the ground three floors below. Returning, I went to the shower, turned up the hot water; he screamed and hopped out, demanding to know what the fuck was going on. “I don’t like being around anyone using language like ‘nigger this, nigger that’ and most definitely, neither do I tolerate vile ‘kike this, kike that’…” lethally, I hissed that his clothes were in the back lane. Heading to the door, I ripped my towel off him, opened the door and told him to get the fuck out of my house…. now. He went out the front of the building, covering his readily forgettable jewels. Going to the balcony, I tossed down the can of Labatt’s Blue beer and told him that he forgot to take his drink. Master number of 11 persons never tolerate shit… of any kind.
Every day this malignant yenta gets and hogs a mic, blasting the Sussexes and acting as though she has any direct contact with either the Sussexes or royals. She blithers on, her manic depressive whine a real gnawing put-through. Always, she stares everything that happens, alleged to have happened to demonstrate that the Sussexes are losing and that they are about to be sacked by Netflix. She is just such a boldfaced liar; her main objective is to incite and perpetuate anti-Black racism among the gullible masses. Like Orly Taitz before her, she knows that for telling a lie and insisting on demonising the object of her invidious campaign, she will cause doubt, disbelief and incite hatred all based on the fact that once you tell a lie on someone Black, you are less likely to be doubted. Look at the ugly anti-Black racism that Taitz engaged in, insisting with fiendish terror that Barack Obama should not be elected U. S. President. Taitz cast doubt in gullible Americans’ minds by alleging that Obama’s birth certificate was fake rather than stating fact: the goddamn schwarze has no right to be America president. That campaign of lies, replete with a plethora of legal challenges, gave rise to the Birther movement, which led to the President’s two terms being met with unprecedented opposition in congress. This also gave birth to an even bigger liar, Donald Trump, who eventually won the White House. President Trump’s lies led to an insurrection as he refused to accept that he had lost his re-election campaign in 2020. Just imagine if President Obama had incited his followers to launch a siege on the Capitol, if he had lost his re-election campaign in 2012. Today, President Obama would be in jail if not sentenced to death for treason. Yet this bovine hateful White male, Donald Trump, whose flat skull in the back speaks to his being focussed exclusively in the reptilian brain and likely never having matured beyond it, pompously walks around spreading more lies and exhibits an air of entitlement because as a White male, it is behaviour that his fellow Americans deem perfectly acceptable.
Just as much as all Jews are not White, just as importantly, all Jews are not possessed of racial animus towards Blacks despite the Orly Taitzes and Angela Levins.Angela Levin knows damn well the offence that the blackamoor brooch caused the Sussexes because of its decidedly racist symbolism. She has known all along of the pain that this insult has caused the Sussexes. Angela is not stupid and she has to know that the Cambridges sanctioned it. Then when Princess Michael of Kent and family are sat so closes to the Cambridges, in an obvious slight against the Sussexes, all Angela Levin can do is daily incite anti-Black racism by further making unfavourable pronouncement about the Sussexes. Everything that Angela Levin does is pure propaganda; it is designed to make the masses unaware that at the heart of the blackamoor brooch incident is deep anti-Black racism that is not without its grudging connection by way of Lord Frederick Windsor’s Hollywood associations. As Jews cannot be seen to have any part of this racist scandal, Angela will night and day falsely accuse and make misleading assertions about the Sussexes. When then London mayor, Boris Johnson criticised President Obama for removing Winston Churchill’s bust from the White House’s oval office, he did so as an attack on President Obama for being Black and certainly Boris’ Kenyan remark validated this. Boris was pissed off at a Black being American president. What right does any Briton’s bust have to be in the White House? I am quite certain no American president’s bust has ever graced 10 Downing Street and never will. What Angela Levin has to assume responsibility for, is the anti-Black racism she incites, which had two podcasters prosecuted for their racist attack on the Sussexes and calling for both Archie & Harry to be assassinated. There is no way in high hell that Angela Levin would have been unrelentingly attacking the Sussexes if Harry had taken a Jewish bride as Lord Frederick Windsor did and she were subjected to anti-Semitism. Angela Levin is among the most vile, odious ‘royal expert’ because she, in her campaign of vilification of the Sussexes is the most ardent propagandist and apologist for the Cambridges, HRH Princess Michael of Kent and family. Of course we all know what insights Aatish Taseer, former lover of Gabriela Kingston née Windsor, Lord Frederick’s sister, shared about the real face of the Kents.
Let’s then review the timeline of events, which shows the real underlying currents and politics afoot.Whilst still officially a cast member on Suits, Meghan and Harry flew to Jamaica for Tom ‘Skippy’ Inskip and Lara Hughes-Young’s destination wedding.
May 20, 2017
On that day, Catherine’s sister, Pippa married James Matthews and one of the stipulations of the wedding was that only wedded women could attend the church service. This was soon proven bogus when HRH Princess Eugenie of York attended the wedding’s service with Jack Brooksbank to whom she was not yet wedded. Meghan, however, was allowed to attend the wedding reception and was never seen. The year prior, news broke of Prince Harry and Meghan’s relationship and straight away the racist attacks began.
It’s official, Meghan and Harry go public with their relationship in Hogtown. The photo-op at Toronto City Hall during the Invictus Game created quite the buzz. Clearly, they were moving towards an engagement announcement at which point, staunch bigots were saying that clearly HM The Queen was suffering dementia and there had to be an intervention. Oh Louella, clutch your pearls.
November 27, 2017
This is the event, the engagement interview with BBC that launched a tsunami of racist hatred that has remained unabated. Here, Meghan displayed a forthrightness, emotional intelligence, intellect and eloquence, which was in vast contrast to Catherine, HRH Duchess of Cambridge. There was no denying that Meghan was possessed of greater charisma (she does have a Venus/Solar body type); nonetheless, the knives were out. This, of course, was in vast contrast to Prince William and Catherine’s engagement interview seven years earlier.
December 20, 2017
At HM The Queen’s annual Christmas lunch, Meghan was invited as a fiancée to the Buckingham Palace event and accompanied by Prince Harry. It was then that the blackamoor brooch made its appearance for which the racist, kinder Nazi dog speciously apologised days later and feigned ignorance that the brooch could possibly have given offence to the African-American future bride of Prince Harry’s – so said the racist boor who called black sheep on her Gloucestershire farm, Venus and Serena. Serena should have walked up to her at Frogmore House during the Sussexes wedding reception and bleated like an enraged sheep, turned and walked away. In 2003, the Kent minor royal gave an interview in which she stated that her son, Lord Frederick Windsor, did not have a drug problem and had only done cocaine once; if only because he had been filmed snorting cocaine back in 1999. At the time, HRH Prince Charles, Prince of Wales made a point of distancing his son, HRH Prince William from Lord Frederick as they were known to be best friends.
By December 2017 William and Lord Frederick remained best friends and at that point, Frederick was wedded to British born Jew, Sophie Winkelman who by the time that Meghan entered the scene had been working in Hollywood as an actress where she appeared on Two and a Half Men a TV comedy series, starring Ashton Kutcher whose wife Mila Kunis was said to be friends of the Windsors. One very interesting fact, Sophie is a very solid, no nonsense customer. With three 4s to her numerological makeup, I should think that she would find the Kents‘ racist conduct unsettling. She is a straight up real human. She would have three, where most would have a single, side hustle going on. Gossip serves no purpose for her. Her sole 5 is in first position and would be used to channel when in character as an actor. She is controlled; at times, too inclined to not extend herself – with these numbers – 5.4.4 = 4, she is one of the most sane royals. Certainly, it cannot be easy for her to know first-hand the dirty pool at play in her husband’s family. She will know to keep mum and focus on her duties as parent. With three 4s, she will always think before opening her mouth, painstakingly deliberates before any venture. Most of all, she does have a conscience and a sound moral compass.
On the eve of the royal wedding in 2018, Thomas Markle Sr. pulls out, claiming a health crisis.
May 18, 2018
As would emerge later in 2021, Catherine’s rude behaviour towards Meghan left the Black American bride-to-be in tears as she was not wanted. This does seem in keeping with Catherine banning Meghan from her sister, Pippa’s wedding exactly one year prior. Of course, the Cambridges, and Prince Charles were socially rude and dismissive of Meghan and her culture as witnessed after Charles returned to the quire, having signed the registry at St. George’s Chapel, Windsor Castle at the Sussexes’ wedding. Shockingly, after her racist attacked on Meghan at Buckingham Palace, the vulgar Princess Michael of Kent had the gall to show up at the wedding, if only because wherever there is a freebie and she gets to let the world know that she is royal, there she will be smugly grinning her stupid face off.
In the lead up to the wedding, HM The Queen’s dresser, Angela Kelly stood up Meghan for a tiara fitting; this was another sign of the ongoing campaign of harassment and bullying engaged in by royal household staffers and royals alike.
The racial predatory fixation on the Duchess of Sussex was palpable. It would prove the only time that she would attend royal Ascot.
Like everyone possessed of a 9 mindset, William is no different. His worldview is clearly legible. He openly ridiculed his brother’s wife’s culture at their wedding a month prior. Until their April 2022 platinum jubilee tour of Belize and the Caribbean, TRH Duke & Duchess of Cambridge declined touring predominantly Black commonwealth nations. His best friend’s mother wears a blackamoor brooch, which clearly is connected to his wife’s career in Hollywood. That woman, über kinder Nazi, having given gross offence to Blacks, then attends their wedding and if the open hostilities were not enough, the Sussexes only appearance at the platinum jubilee celebrations were at at St. Paul’s Cathedral where they were deliberately slighted by having the racially predatory blackamoor brooch-wearing minor Kents, doing the Cambridges dirty work, were sat closer to the two senior sovereign heirs, in violation of protocol, than other more senior royals. Conveniently, HM The Queen chose not to attend the church service; perhaps, to show her disproval or feign not being directly involved, which of course was not the case.
HRH Princess Eugenie’s lovely wedding to Jack Brooksbank. Here, Meghan is pregnant and on the eve of sharing that she is pregnant with her firstborn Archie. Look at Meghan a more seasoned performer, knowing that the cameras are rolling does not get sucked in by Catherine’s fake chatter as she tries outshining Meghan to the guests across the quire at St. George’s Chapel, Windsor.
The Sussexes conduct their first royal tour which proved them exceptionally popular and well-received. This did not go unnoticed by the senior royals with a grudge of Meghan, namely the Cambridges.
November 11, 2018
I took the preceding photograph and stood opposite the balcony where Meghan, Duchess of Sussex stood next to the German President’s wife at the Cenotaph. I had never experienced open hatred publicly as I did that day. It was all directed at the African-American on the balcony; it would prove her first of only two appearances at the event.
A couple of weeks later, Camilla Tominey of the Daily Telegraph published a story about Meghan having made Catherine cry, a response which the latter’s numerology would never support. This story was part of the campaign begun at sabotaging the Sussexes as a result of their successful Australia et al tour, which was their first official royal tour.
Meghan, Duchess of Sussex on December 10, 2018 presented Best Female Fashion Designer award at the Royal Albert Hall to Clare Waight Keller who designed her stunning wedding dress for Givenchy. There is part of the power of Meghan and why TRH Duke & Duchess of Cambridge so fear her; a mic in the hand of Meghan is the start of watching a most beautiful flower blossom before your eyes every time. For Catherine, it is and will ever remain but Kryptonite.
Archie is born and here he is presented to his great-grandparents HM The Queen and her consort, Prince Philip. Interestingly, the day that the news broke of the royal baby’s name on returning to the studio, BBC presenter, Jon Sople stated to a colleague on-air, ‘my friend has a dog named Archie,’ which was good for a vicious chuckle. Some people.
Meghan commits the cardinal sin and let’s on that things are not as they seem and that she has been desperately struggling to cope. Of course, this interview with Tom Brady occurred at the end of their very successful South African tour where Archie was seen for the first time.
Princess Charlotte’s first day of school where her older brother attends. They attend the school in Battersea as it is the school to which his best friend’s, Lord Frederick Windsor, children are enrolled. Lord Frederick’s wife is, a British Jew who works in Hollywood as an TV actress, the daughter-in-law of Princess Michael of Kent, who infamously wore the blackamoor brooch. Life is about being callously aware enough to make the necessary rigorous connections.
TRH Duke & Duchess of Cambridge on the BBC Christmas special A Berry Royal Christmas; yet another sign that this marriage is a chaotic, volatile mess but far be it from the fairy story-loving serfs to notice anything remotely resembling reality.
Whilst the Sussexes were holidaying in Canada, the annual Christmas message was aired to much hushed whispers. There were the photographs and not a single one of the Sussexes’ firstborn, Archie born earlier that year. Afterwards, the Sovereigns’ photographs ( HM King George VI, HM The Queen, HRH Prince Charles, Prince of Wales, HRH Prince William, Duke of Cambridge and HRH Prince George of Cambridge) was followed by the two senior Cambridge children on their first walkabout in Sandringham after Christmas Day service. Of course, none of this was coincidental, HM The Queen was preparing the public fot the Sussexes ouster from the royal family.
On returning from their holiday break in Canada, the Sussexes visit Canada House then officially announce that they are stepping back as working senior royals. Before you know what’s next, HM The Queen strips them of their patronages and Harry his official military titles. Thank god, Harry had the Invictus Games in his clutches when the dust was settled.
With Harry flying back and forth between England and Vancouver Island, the couple returned in early March to wrap up their royal commitments. Three spectacular outfits and Catherine did not waste time in deliberately ignoring Meghan, though, William nodded in Harry & Meghan’s direction. Yet another clue as to who really made whom cry.
In mid-March, the Sussexes were flown by Tyler Perry to a residence of his in Los Angeles so that they can start charting their new life journey.
Meghan, Duchess of Sussex wins her legal suit against Associated Newspaper!The Sussexes also released a photograph of the family with a very pregnant Meghan, Duchess of Sussex. Buckingham Palace also releases a statement stating that the Sussexes will no longer work on behalf of the royal family.
In the most elegant display of controlled anger, Meghan, Duchess of Sussex seized and corrected the narrative; she did not make that woman cry! Also, not only was Meghan definitely pregnant but an exuberant Prince Harry stated that they were having a girl and what a darling human she has proven. Racism at the senior royal level was exposed; of course, we know of the racist minor royal. At the time, I thought that it ought to have been repeated that HRH Princess of Michael of Kent had worn the blackamoor brooch as so many Americans and the global audience would not necessarily have been aware of the incident. Meghan, also revealed her thoughts of suicide at the unrelenting racial animus that she experienced in the British tabloids, the royal households and from some royals with the minor Kent family being wholly culpable. Of course, just like Lord Frederick Windsor’s best friend to come to minor Kents rescue and deny that the royal family could in any way be racist.
Whilst a very pregnant Meghan, Duchess of Sussex remained in California, Prince Harry attended his paternal grandfather’s funeral at Windsor Castle.
Meghan, Duchess of Sussex popped in during the mental health docuseries on Apple which Prince Harry undertook with Oprah Winfrey.
Lilibet Diana is reborn 4.6.2021 Ox 4.1.6 = 11. Unlike Prince Whackjob Mango, Lilibet has the grooviest numerology. You know too when a couple is in love, it is reflected in offspring’s numerology; Lilibet is perfectly harmonised numerologically with both parents and she has master number of 11. Lookout! They made the right call on leaving and that is deftly reflected in Lilibet’s; numbers.
Michael: This young fragment is a third-level mature sage – second life thereat. Lilibet is in observation mode with a goal of dominance and has an attitude of idealist.
Lilibet has neither centreing nor chief features at this time.
Lilibet’s body type is Mars Mercury.
The fragment Lilibet is second-cast in the third cadence. Lilibet is a member of greater cadence four. Lilibet is a member of entity two, cadre six, greater cadre 7, pod 418. (Adjacent entity, same cadre as her father, mother, brother, Prince George and The Queen).
Lilibet’s essence twin is a sage and the task companion a warrior incarnate at this time.
Lilibet’s needs are exchange, communion, adventure.
She has shared 8 past-life associations with Arvin and 5 with Merlin.
There is an agreement with the older brother for emotional support.
This fragment has been a revered performer in a recent past incarnation,
primarily operatic but with some aspect of light entertainment. She was also present in several lives of note in european aristocracy (Italy and Spain) End (August, 2021).
Meghan, Duchess of Sussex publishes children’s book, The Bench.
Prince Harry, Duke of Sussex returns to London for unveiling of memorial statue on the occasion of Diana, Princess of Wales’ 60th birthday. The statue is at the sunken garden at Kensington Palace. HRH Prince William, Duke of Cambridge was also present, along with Diana’s two sisters.
My favourite photograph of Meghan, Duchess of Sussex as there is a veneer of Margaret Beaufort, Tudor matriarch, mother of HM King Henry VII, grandmother to HM King Henry VIII & great-grandmother of HM Queen Elizabeth I. Obviously, for this accomplished reincarnated soul, she chose the wrong race – as far as the kingdom’s White tribe is concerned and that’s that. At the time of her 40th birthday, there was talk that she had been snubbed and not invited to President Obama’s 60th birthday celebrations. How stupid can people be? For one, Meghan had given birth two months prior; for another, it was a milestone birthday for both individuals.
Michael: This fragment is a mid-cycle mature artisan in the tradition of the deceased mother-in-law fragment who was Diana, Princess of Wales — third life thereat. Meghan is in the observation mode with a goal of acceptance. An idealist, Meghan is in the moving part of emotional centre.
Meghan’s primary chief feature is self-deprecation and the secondary of mild impatience.
Meghan’s body type is Venus/Solar.
The fragment Meghan is fourth-cast in the fifth cadence. Meghan is a member of greater cadence four. Meghan is a member of entity one, cadre six, greater cadre 7, pod 418 — she is an entity mate of both her spouse, HRH Prince Henry of Wales with whom she shares 20 past lives and also an obvious entity mate of Her Majesty, The Queen.
Meghan’s essence twin is an artisan and the task companion a warrior.
Meghan’s three primary needs are: expression, acceptance and expansion.
There are 4 past-life associations with Arvin and 6 with Merlin.
Incidentally, this artisan has been a member of the British royal family twice before. Firstly, as Margaret Beaufort, Countess of Richmond and Derby, she was the cousin of King Henry VI and mother of King Henry VII. As such she was the matriarch of the House of Tudor. Her grandson was Henry VIII and her great-granddaughter, Elizabeth I.
This artisan in that lifetime was involved in the sacraments of the church being included in the newly established college system. She founded Christ College, Cambridge and was instrumental with the founding of St. John’s College as well.
Secondly, she was HRH Prince Edward, Duke of York and Albany and younger brother to George III, whose father the Prince of Wales, HRH Prince Frederick died before acceding the throne after George II. In that lifetime, the artisan (now Meghan, HRH Duchess of Sussex) was interested in military structure. He, of course, died young of a then unknown illness but which had to do with dysentery.
Incidentally, in the current incarnation, Meghan, HRH Duchess of Sussex has suffered from gastroenteritis, which is related to the last-life health issues – this is the immediate past life and not that in 18th century when the artisan died aged 28.
The Duke & Duchess of Sussex made triumphant appearance at the Global Citizen Concert in New York City’s central park.
In the second video clip from the James Bond film premier, pay attention to the 40 second mark. Catherine arrives at the top of the stairs and greets Camilla, HRH Duchess of Cornwall, looks over to William and cuts her eye at him. She hissed at him throughout their interactions. When their relationship blows up it will be no surprised for those who aren’t gullibly deluded.
Bot Sentinel’s Christopher Bouzy releases report that documented a targeted, racist attack on the Duke & Duchess of Sussex on bot Twitter accounts.
Rihanna attends ceremony at which HRH Prince Charles presided at HM The Queen’s removal as head-of-state on the island becoming a republic. Naturally, as she couldn’t carry her defensive parasol at night time, Camilla did not accompany the future sovereign.
Meghan, Duchess of Sussex dropped by the Ellen Degeneres show, with whom she has been familiar for years. Light-hearted, the Duchess was professional, engaging, utterly charming plugged The Bench with a giveaway and also highlighted a small charity, which was awarded funding from the Sussexes’ charity, Archewell.
The Sussexes seasonal card for Christmas, 2021.
Harry & Meghan honoured with the President’s Award at the annual NAACP Image Awards. Coming through! Forget the firm and its enslaved timid souls. There is no greater pride than being self-made. Meghan’s been there, done that as have you, Harry, with the success of the Invictus Games. Keep soaring higher still!
TRH Duke & Duchess of Cambridge were on royal tour of the Caribbean where thanks to the obvious racism within the royal family, the blackamoor brooch and the Sussexes’ Oprah interview spring to mind, there were talks aplenty of removing the Crown as head of state and a formal apology by the Duke of Cambridge in Jamaica for the stain that was slavery. Catherine whilst in Belize rudely brushed off a local Black dancer in one of those utterly spontaneous moves that betrays both her bigotry and 9 energy body. Apart from that, Catherine lost herself in her only armour, clothing, that made one think drag king rather than not.
As Prince Andrew was stripped of his royal duties, he escorted his mum, HM The Queen to her seat then sat on the front row. So that he would not be seen to be slighted, he was sat next to the Wessexes, who were the only working royals who sat on that side of the aisle. As per protocol, on HM The Queen’s side of the aisle were the crown prince, HRH Prince Charles & his wife, HRH Princess Anne, The Princess Royal and her bedfellow. They were followed by TRH Duke & Duchess of Cambridge and their two older children. The minor Kents who were also at the platinum jubilee service at St. Paul’s Cathedral were sat as would be expected; they were, rightly so, sat behind the York Princesses, the Dukes of Gloucester and Kent and their spouses. This, however, was not the case at St. Paul’s as clearly one needed to drive home to the Duke of Sussex and his Black wife, “You can’t take a joke? Tough! We don’t give a fuck, now get lost!”
Harry & Meghan opened the very successful Invictus Games at the Hague. Prior to their arrival in the Netherlands, they stopped off at Windsor Castle and visited with HM The Queen.
On the eve of HM The Queen’s platinum jubilee celebrations, old wussmeister turns Stroke-A-Joke and bows out of being hosted on the isle of rabid racist rats by none other then Lady Rotherqueer and that uncouth drag queen, Lord George Nonesuch. In other news, fat-assed baby-seller was dropped by her legal representatives because clearly it is not good for one’s image if one’s client is positively full of shit. Seriously, someone suffering a major stroke should not be able to support their head and upper body or encouraged to by attending paramedics as Markle Sr. is in that photograph, unless of course, it was all staged.
After having been hidden from view at Horse Guards Parade the day prior, the Sussexes arrived at St. Paul’s Cathedral to be scowled at by the majority of congregants en route to their seats, which turned out to be vulgar slap in the face. As the seating protocol was scrapped to accommodate the entire minor Kent family, being closest to the Cambridges, Charles & Camilla even more so than the more senior Wessexes. Disgraced, after having escorted his mum, HM The Queen, at Westminster Abbey, Prince Andrew was sat across the aisle in the front row and not the second as were the Sussexes at St. Paul’s and four places in from the aisle. Now Harry has been given the all-clear to throw the sink at the lot in his upcoming memoir.
This placement of the blackamoor brooch-wearing Princess Michael of Kent has ignited talk of removing the crown as head of state in many predominantly Black commonwealth nations. The government of Jamaican has begun the process of removing the crown as head-of-state a week after the platinum jubilee celebrations. Harry & Meghan, the ball’s in your court, step up and give it to them good.
As ever, life is like a flying dream; if you look down, you’re fucked. Enjoy the ride and fear no one!
Just look at this transparent campaign for hosting the Oscars in 2023… Every two nanoseconds, this snivelling weasel is gum-flapping about Will Smith. So good of you to criticise the Academy’s decision to have only meted out a decade-long ban on Will Smith and to not have taken away his best actor Oscar, 2022. Better yet, how about your green card be taken away? You do not stand a flying chance in hell of hosting the Oscars in 2023. That job goes to the very gracious and truly American – we know that Blacks don’t factor for you Britons – Chris Rock, who has conducted himself with the greatest tact and maturity, which is far more than can be said for yet another opinionated Briton with an alarmingly racist perception of Blacks. Does this little runt honestly believe that Whoopi Goldberg, who does have some clout in the Academy, is going to have Chris Rock passed over in favour of a mere foreigner whose isle of boars have proven themselves rabidly racist… Meghan & Harry, Duke & Duchess of Sussex and their vilification come to mind. Perfectly capturing the zeitgeist of the boorish White Briton, what does this snivelling little bigot do, as vilifying Meghan, Duchess of Sussex was so successful for them, he takes on not just Will Smith but attacks Jada Pinkett Smith for a health condition of hers, all whilst parading all the American awards this ungrateful race-baiting coward has collected along the way for being holier than though and merely for being White rather than not – as all Britons know, racism is America is good business for them. It has allowed them to sneak in on safari and clutch some prize game: Emmy, Oscar, SAG, TONY et al.
Listen to that vile sophist, who naturally is possessed of 9 in their numerological makeup and of course considers it perfectly okay to cast aspersions on Blacks… well, because one can. It/They are so fabulously, fantastically fake. Sat there in their poundland begot Castle Goring; how they must thank their stars that Meghan, Duchess of Sussex, the most reviled Black woman on the planet, has appeared on the timeline, affording their pretentious hide a new income stream as it/they peddle in racist hate, lies and innuendo. As if it were innuendo to state of ‘them’ madam Poundland themself, an obvious man. Then this cross-dressing, big-handed man has the gall to be inferring that Meghan is not really a woman but likely a hermaphrodite – you seriously cannot make this specious fare up. Naturally, the pregnancies were fake and there was clearly surrogates involved; furthermore, Meghan was a yacht girl, it/they boldly assert. Usually, to be a successful yacht girl, you have to be pussied and yet there is no evidence that Meghan was kicked to shore, for proving a hermaphrodite masquerading as a woman on the yacht circuit, as alleged by the racist boor it/themself on their money-scamming YouTube soapbox; however, go right ahead, spreading their innuendo and lies to your gaggle of racist boors as there is never a fabricated lie that isn’t soon become plain-as-irrefutable-fact truth. Just listen to the lies it/they speciously drool whilst carefully speaking so as to not have it/their teeth come unglued. That’s right, said the unpussied one themself, who managed to fool someone into marriage on the proviso that they wait until marriage to get at one’s pussy. Well that didn’t last long and since they still couldn’t breed naturally, trots off on its hind legs and acquires two boys and not girls…. no wonder they never talk about paedo Andy…
Time and again, they keep dripping with specious innuendo about Meghan, Duchess of Sussex based on their royal source. Key in all their posturing BS is the imperious royal. Not once does that Poundland Lady-My-Ass shyster ever utter, ‘British Royal Family’ because it/they no more know any BRF member than any Black person, whom they falsely claim to discuss Meghan with, has time to waste their spit on this hideous, racist opportunist. Her royal is yet another ancien royal who happens to be Russian. No matter how this Drag Race reject blab, it/they need to explain how possibly Meghan, Duchess of Sussex used the race card?
Let’s then review facts… The featured Rhino-legged hybrid wore the infamous blackamoor brooch to HM The Queen’s Christmas lunch in 2017 at Buckingham Palace. This brooch is as offensive to all Blacks, Meghan, Duchess of Sussex included, as much as if Meghan were Jewish and Madam Rhino-hooved had sported a swastika – this I ought to know for being also of Sephardic heritage. Meghan, claimed in the 2021 Oprah Interview, the appalling racism to which she and Harry, Duke of Sussex were subjected – that’s four years after The Queen’s 2017 Christmas lunch. The offensive brooch-wearer was not strapped into a wheelchair the past 40 years, drooling on herself without a frigging clue; rather, she spent much of the 80s 90s jetting to NYC during the jet-setting social seasons, which means that there is no way that the pompous minor royal could not have been conversant with the racist offense the blackamoor brooch would provoke.
If after the Oprah interview, pompous Fraulein Rhino wore said blackamoor brooch as a defiant fuck-you to the Sussexes for speciously alleging that the BRF were racist when they weren’t, then one could justifiably allege that Meghan used the race card. Deny racism all you want but rather elegantly enraged, Meghan, Duchess of Sussex was sat with Oprah and by merely eloquently stating fact, caused Commonwealth member states to begin the process of divesting themselves of the Crown. Of course, to send an immediate signal, Barbados bypassed a referendum and simply speed-tracked the process of becoming a republic and by year’s end, voilà, Bajans said, ‘Sorry, we have no time for this BS.’
As ever, life is like a flying dream; if you look down, you’re fucked. Enjoy the ride and fear no one!
‘Keep My Wife’s Name Out Your Fucking Mouth!’ Will Smith at 94th Academy Awards, 27.3.2022 Year of the Tiger 9.3.9 = 3.
Will Smith 25/9/1968 Monkey 7.7.4 = 9
Will’s enjoyed the most fabulous worldwide popularity and transcended that all important barrier of RACE, which is no small feat in this world. Of course, his double 7s would be instrumental in that potent charismatic image. Double 7s like that of HM The Queen assures great favour with the public.
Will Smith and son, Jaden Smith on the Graham Norton Show in 2013; this was the height of his career and he is (was) a billion-dollar box office Hollywood megastar. Love Heather Graham’s dancing whilst sat on the sofa. What is really telling is that fellow Philly actor/star Bradley Cooper went onstage 9 years later, 2022’s Oscars, to reason with Will Smith as he committed what could very likely prove career suicide. Let’s be real, Alec Baldwin pulled a gun on a cinematographer who could not have been a fellow actor rehearsing a scene with him, he pulled the trigger and she lost her life, yet there has been no uproar as with what occurred at the Oscars on March 27, which was a 9 day to be sure.
Bradley Cooper 5.1.1975 Tiger 5.6.1 = 3
From an appearance on the Graham Norton Show to 9 years later, having witnessed what could prove the death of Will’s career. Though he is a box office champ, it may yet prove a case of art imitating life as per the 2006 film, The Pursuit of Happyness in which Will starred and for which he was Oscar-nominated in the best actor category. That 6 in Bradley’s numerology is why he immediately rushed to the senior star’s aid. Who knows what past-life connections they share.
Denzel Washington 28.12.1954 Horse 1. 4. 5 = 1
Two 1s, Denzel is solid and he is doing his best to save the optics of this disaster before the eyes of the Academy and the world. No matter how you cut it, Denzel is now the elder Black statesman in the Academy with Sidney Poitier’s recent passing. He had to intervene and it is obvious that Denzel is infinitely wiser and more shrewd than Will; he knows what’s going on.
Tyler Perry 13.9.1969 Rooster 4.4.2 = 1
Tyler Perry, like Denzel, has 1 in his numerology; he is a leader and stabilising. More than that, those two 4s validate his being self-made. At the end of the day, just like Denzel Washington, he knew the optics of Will going off before the world and blowing up, sabotaging his image… to say nothing of his career. At the end of the day, it was compassionate Black men, who know what he is going through and have likely been there and it was rather commendable of them to have intervene.
More than that, it was also truly noble of Bradley Cooper to stepped in. Of course, Tyler was there for Will because it was to reassure him that if the wheels were to fall off the cart of his crossover appeal, there would always be a place for him to explore his acting career with Tyler Perry at his studios and production company.
Whoopi Goldberg 13.11.1955 Sheep 4.6.8 = 9
Whoopi’s got clout in the Academy so it really doesn’t matter what those grasping fools who seem to think that the Academy Awards are an Anglo-American awards think; it is not. It is strictly an American award and not a film festival, which features international cinema. These same people were calling for her to lose her job on The View now wanting her and the Academy to strip Will Smith of his best actor Oscar.
Benedict Cumberbatch 19.7.1976 Dragon 1.8.4 = 4
Naturally, the greedy schmucks from the isle of rabid, racist boors were chomping at the bit, thinking that in the event that Will were stripped of his best actor Oscar then that odd-looking expressionless android, Benedict Cumberbactch, would be awarded for also having been nominated for best actor. What are these idiots on? They seem not to realise that there is no way that he would have garnered more votes than Denzel Washington, who was also nominated in the same category.
Naturally, desperate to takeover the Oscars hosting gig, along comes that greasy little leprechaun from the isle of racist swine, trying to sway opinion. As you can see, thanks to your ugly collective visage having been revealed, the Oprah Interview has served to put your kind on notice. Americans are second to none and you are not entitled to take work from Americans. Period.
Judd Apatow 6.12.1967 Sheep 3.9.5 = 2
This incident, what Chris Rock aptly declared, ‘That was the greatest night in television’ proved truth serum for American society and its obsession with race. Straight away within hours of the Oscars, which occurred on a 9 day (27th March), all the little bigots couldn’t wait to show their true colours. Apatow with a mindset of 9 had to mouth off. You have been too good and too loved the world over.
Rob Reiner 6.3.1947 PIg 6.9.3 = 9
Yet another mindset of 9, Rob just had to chime in, unsolicited, to all and sundry that Will Smith was a monster, who needed to be punished. Always, it will be those with a second number of 9, mindset, who will readily show whom they racially hate when something like this explodes in the culture.
Dasha Zhukova 8.6.1981 Rooster 8.5.6 = 1
Notice that 8 is first-placed in Dasha’s numerological makeup; it’s the ‘this is the finest comeback billionaire tail in all the land’ placement of 8, the money planet. Far be it from Rob or Judd to have expressed moral outrage when this racially charge bomb culturally exploded. Hell, Jackie Mason and Don Rickles spent their entire careers, going onstage being openly racists towards Blacks and I don’t recall either Judd or Rob ever once protesting. Not that we need reminding but always of paramount import it is, to never lose sight of who one’s friends are.
Jim Carey 17.1.1962 Ox 8.9.9 = 8
Not only has he got a mindset of 9 as do Rob & Judd, he also has a secondary 9. Naturally, for this enraged White male, he is running to every mountaintop, letting it be known that Will Smith needs to be arrested and thrown in jail. There were two breakout stars from hit 90s TV show In Living Color, Jennifer Lopez and Jim Carey. Far be it of him, in the ensuing years to have ever featured a Black male or female co-star in any of his box-office successes; god only knows, there was no guarantee that he would ever have risen to prominence, were it not for the exposure that the very Black Wayan siblings afforded him on their show, In Living Color. Far be it from Jim Carey to have ever taken to the media and express his moral outrage at the modern day lynching of George Floyd almost 3 years ago. Instead, in this reanimation of that age-old American pastime, there has he, and others of his special ilk, growing white-hot and tumescent chanting, ‘Yee haw light up them crosses, it’s nigger lynching time!’
Stupid people do stupid shit and you can always count on second number of 9 persons to out themselves when all of a sudden, they selectively display indignation at that which offends their perception of what is acceptable and just. Not for one nanosecond do I condone what Will Smith did, when slapping Chris Rock at the 94th Academy Awards; however, why is no one perceiving the double standard at play here? Of course, with two 8s in his numerology, apart from wanting that monstrous Black male thrown in jail, he damn well would have sued him for 200$m – is that per chance a bid to recoup funds paid out to silence the discarded Irish lover who took her life? Glass house dwellers, honest to effing god.
Less than sixth months ago, not 6 or 60 years earlier, Alec Baldwin pulled the trigger and the cinematographer on his film shoot was killed. Where were all these suddenly indignant White males: Judd Apatow, Rob Reiner, Jim Carey et al? That’s what second number of 9, mindset, tells you about all three men and such persons. They are always prejudiced towards a particular group of persons. Here is this arrogant White male, who after having killed another human being acts as though it was a mere coyote; even if he had shot a dog, there would have been widespread condemnation to be sure. Nonetheless, Mr. Arrogant White male (Alec Baldwin) decides to turn mouthpiece of the NRA and lies himself delirious with this semantics two-step about who loaded the gun and he did not pull the trigger. Motherfucker, guns are not sentient; you were holding the goddamn frigging gun, it went off, a human being was killed!
Alas, a White male, less wealthy than Will Smith gets to arrogantly evade the law and during all this time, there has been no cross-burning mob partout, looking to lynch that goddamn so-and-so. Just imagine the effrontery of Alec Baldwin, refusing to turn over his phone to the police without repercussion after a human being lost her life as a direct result of his action. Just look at his demeanour on the day that the cinematograph lost her life; he was distraught, winded and horror-struct… but damn well not for long that’s for sure.
Naturally, before you can indignantly shout, ‘are you frigging kidding me?’ along comes his wife, Hilaria Baldwin, ready to hurl invectives at the media for bothering them. Then the week leading up to the Oscars, adding further insult to injury, the Baldwins smugly, gleefully announced that they are expecting baby number 7; get the hell out of here! How’s that for further tearing his arse in the collective face of the cinematographer’s family, friends and colleagues. Alec Baldwin ought to long ago been Bubba’s bitch, instead he is adding to the planet’s number one problem: overpopulation – that’s right, stupid people breeding to excess. Of course, with two 6s, Hilaria craves domesticity and the only way she has been able to keep that comfortably moneyed man, is to have become addicted to her water breaking.
My impression of Jada until the Oscars 2022 was that she was likely a priest soul. Priest souls regardless of gender or ethnicity more often than not, will have striking eyes, more importantly, those eyes are very likely be almond-shaped. In recent times with her alopecia, I have come to love the beautiful shape of her skull. I specifically chose to look at the Oscars this year because of the date’s numerology: 27.3.2022 which is 9.3.9 = 3. I knew that something impactful was going to go down, which would have something to do with things being said that likely ought not to have been. The moment that Will Smith slapped Chris Rock, I immediately began doing the numerology of Will, Chris and Jada… there had to be clues somewhere. I have never done the Michael Overleaves for any of the three persons nor their numerology. I was so stunned when finally doing Jada’s numbers that my hand began trembling, I dropped the pen and stood up, placed my cupped hands over my nose and mouth and felt the tears warmly snake through my fingers. Never in the 41 years of studying numerology had I encountered someone with four 9s.
9 is the most toxic number and as someone who sleeps and meditates daily in a pyramid with crystals, I simply cannot be in proximity to 9-numbered persons. They will always have a perfected look about them, especially when the first number is 9; they are immensely photogenic but god are such persons alarmingly negative. 9s are shit-disturbers and saboteurs/saboteuses. With four 9s Jada is simply Marquis de Sade with a strap-on. Born in 1971, Pigs are sexually consuming. With four 9s, Jada is quite simply a truly vampiric human; she manipulates, emasculates, gourmandises and sabotages others.
Jada is also going through her Chiron return, which means that from stratospheric heights, there is strong likelihood that one could as if unexpectedly experience sudden Icarian fall/ruin. There was one persona of Will’s that was exclusively controlled by Jada; rather than Will channelling her, she channelled that persona of Will’s, over which she has complete control, to do her bidding – this has likely been going on for years. As nothing is happenstance, Jada showed up to the Oscars where Will would be lionised with the best actor Oscar for King Richard, wearing a crushed, dark-green gown with mounds of fabric snaking after her. Sight being the most developed of human senses, we are most triggered by colours. Green in its negative expression represents greed, control, jealousy, sadism, even, domination, bile. Jada has a sadistic control/relationship with Will, who moments before she began channelling/possessing him and took to the stage of the Dolby Theater, was laughing where she sat steely and viciously cutting her eyes at Chris Rock In a heartbeat, Jada immediately animated that persona of hers which inhabits/possesses Will, up to the stage he went and slapped Chris Rock. All Jada had to do when Will stood up was grab his left arm and ask him to sit down. Period. Not happening, though, when she was on a possessed mission to put Chris Rock in his place.
Since when does a grown man take to a stage and slap another man? Men do not slap men; they punch to the face, gut or knee the groin but men do not slap men. Truly possessed, Jada’s animated persona which truly inhabits Will, took to the stage and gave the plot away and like a woman would a man, Will slapped Chris. Jada, as Will possessed, became the ultimate drag king dominatrix with a strap-on, took to the Dolby Theater stage and did Jada’s bidding through Will’s long-controlled body. Still Jada possessed, Will then returns to his seat and drunk with power as master manipulator/vampire Jada-possessed Will further gives the plot away.
Jada enraged booms through the possessed vessel – which Will during his acceptance speech actually said ‘vessel’ – “Keep my wife’s name out your fucking mouth!” not once but twice to stake her claim whilst possessing Will as she coolly sat next to him saying absolutely nothing, Jada through Will repeated, “Keep my wife’s name out your fucking mouth!” And just like that he was deflated as she returned to her body, her vampiric fix satisfied and Will and his career/life came crashing down to Earth before the whole world as the Oscars were being watched LIVE around the planet.
Like a 9 would, let alone four 9s, Jada saw no point in releasing a statement until four days later. 9s never apologise and when they rarely do, it is utterly disingenuous, so why bother. 9s are perfectionists, fault-finding, pains in the arse, shit-disturbing, conceited troublemakers, who bring ruin wherever they are focussed. So what the hell if she has alopecia? Tough. We are all diseased; life by its very nature is in a constant process of dying and rejuvenating, which in the final analysis ends with death triumphing. Alopecia is just another way for Jada with four 9s to be manipulator by playing victim when she is the most skilled rapacious vampire. In the Michael Teachings Jada would be a classic example of a wife with a chief feature of grandiose greed, driving her husband to ruin.
Lust may make you do crazy things but never once on this planet, has love made anyone do anything crazy. Just look at Will’s posture in that Red Table Talk session, which I have never once watched, he is slumped, winded and utterly under Jada’s control. Jada has emasculated a fine Black man because she is power mad. The time is now, Will. Get up, reach into her handbag, take back your balls, surround yourself with a good phalanx of lawyers and divorce yourself from the madness because love never does crazy. Will needs to find himself then find someone who makes love to his fourth sex. Most people don’t even know that there is a fourth sex or that they even have one, which apart from your mouth, arse or upfront sex is the major sex organ and it resides between your ears. What the world saw at the Oscars is that Jada does not empower Will and has neither love nor respect for Will. Love never ruins nor emasculates you. Will slapped Chris because as much as he was possessed by Jada’s vampiric persona within himself, Will was also crying out for help. That slap and his shouting are what Jada does to him night and day year in year out; he is so numbed with pain that his protest was a way of parroting her and his trapped and emasculated true self but outside their home’s privacy, which only ever empowers Jada. In that end, Will was fighting back and finding his power against Jada, whether he realised it in the moment or not.
Like a scorpion ready to poison and destroy, Jada wore a green gown that had the same posterior carriage/tail as a scorpion. Jada experiencing her Chiron return has proven the anti-feminist; she empowers no one. She has for long years slowly possessed and consumed Will. Hell, she so wanted to get this crazy mess over with, having dissected his life on her Red Table Talk sessions that she devoured him before the world; to hell with the slap occurring later at Governors Ball. Perhaps, Jada thought that in winning an Oscar, Will would threaten to or go ahead and divorce her; this way, she ruined him before he could strike first. How like a vampiric, venomous spider/scorpion/snake she proved. The anti-feminist fears her power, has not mastered her power so is left to consume others with their power and thereby rob them of their power. The anti-feminist does not empower neither self nor other women and she definitely does not empower men.
Kim Kardashian the ultimate feminist worthy of every man and woman’s respect. Where a mere woman crying victim, would be ashamed and be destroyed by a sex tape, Kim knew that sex is the source of all human empowerment. With a performance on that tape that rivalled the most aggressive Gay power bottom, Kim like a true feminist found her power by not being victim and definitely not looking to victimise her sex tape partner in return. Kim empowered herself and has proven a true modern day feminist without shame of either sex or her sex and in the process has enabled both men and women to embrace sex and their sex and to healthily empower themselves emotionally, mentally and physically. There is power in feeling no shame. Look at those numbers; she is self-made. Most of all, the moment you displease her, she will dispense with you – master numbers 11.
Chris has 7 as his energy body; as such, it anchors him and thank goodness for that! 7 persons are always reserved, do not do crazy and they can always be counted on to be socially gracious and never do they go off piste. As drag king Jada-possessed Will in a strap-on took to the stage, Chris, who like all 7s readily see and read energy, at heart centre knew that it was not Will – Will was not truly present. In keeping his cool and shakily coming back when declaring, “That was the greatest night in television,” he saved the Oscars and did not sabotage his career. Chris in doing nothing, did the most beautiful, empowering act as it was his way of seeing to it that a brother, another man, desperately needing to find his power and escape a crazy existence, masquerading as love, began finding his way.
Will Smith has spent the last 30 plus years in a bubble wherein, he was perceived at large almost as though a castrato: entertaining, affable and devoid that most dreaded of qualities, black maleness. He has yet to wake up to his new reality. As of that slap at the Oscars, everything has radically changed. In that moment, the perception of him was radically altered and he became a violent enraged, angry Black male. He became the object of this world’s hatred, scorn and with it, will come a tsunami of ridicule as the world over 100s of millions will celebrate his fall from grace because there is no sweeter schadenfreude on this planet than that the fallen-from-grace Black male, Michael Jackson, Tiger Woods and Bill Cosby are prime examples of that. Alas, for the hyper-wealthy disillusioned many, they go through life singing, ‘I used to be Black but now I’m rich.’ Then for others like Tyler Perry and Denzel Washington, who are firmly grounded in reality, they know that being Black and rich are not mutually exclusive. Woe to Will Smith for going out and partying after his crocodile tears at the Dolby Theater hours earlier. The optics at the Vanity Fair Oscar party revealed that he has never once rapped, ‘I used to be Black now I’m Black and rich.’ For others like Denzel and Tyler it is an even sweeter rap, ‘I used to be Black and proud, now I’m Black proud and richer!’ Perception is everything and choices have consequences.
As ever, life is like a flying dream; if you look down, you’re fucked. Enjoy the ride and fear no one!
Michael: No, this is not the fragment who was previously Dorothy Dandridge. This fragment is a second-level mature artisan – second life thereat. Halle is in the observation mode with a goal of growth. An idealist, she is in the moving part of emotional centre.
Body type is Solar/Venus.
Halle’s primary chief feature is skewed impatience and the secondary is stubbornness.
The fragment Halle is fifth-cast in second cadence; she is a member of greater cadence three. Halle’s entity is six, cadre one, greater cadre 7, pod 414 – an entity mate of both Merlin’s and Arvin’s.
Halle’s essence twin is an artisan and her task companion is a slave.
Halle’s primary needs are: exchange, adventure and freedom.
There are 16 past-life associations with Arvin and 12 with Merlin. ________________________________________________
As I am a sceptic, I looked on at Halle’s historic best actress win speech and though I trembled and cried, I was also detached and shrewdly aware why she had won. Indeed, she was the vessel, at long last, because months earlier the twin towers were felled and who knew what strange new nightmare we had entered. Just to be safe, what do you know, none-too-liberal, the archly discriminating gatekeepers in Hollywood decided that it fiinally was time to “let’s make like nice, whatta say, let’s give her the award.” Oh Please!
In a truly great American cinema, Dorothy Dandridge was just as deserving to have won best actress Oscar for “Carmen Jones” as was Elizabeth Taylor damn well deserving to have won best actress Oscar for her riveting performance in “Who’s Afraid of Virginia Woolf?” Naturally, to cancel the threat of the very brilliantly talented Diana Ross, singer/actor, winning the best actress Oscar in 1973 for “Lady Sings the Blues,” she was pitted against my father’s paternal first cousin, the actor Cicely Tyson in “Sounder.” A Briton, Maggie Smith was a spoiler vote, so that the sizeable British voting members of the Academy, could cast her a vote rather than vote for either Black nominee. Then there was another foreigner, Liv Ullmann, when the Academy awards are an American awards rather than film festival – the difference is plainly obvious. All this left one other candidate for best actress Oscar, Liza Minnelli, who was just as vapid and untalented as she has remained. And thus, neither Cicely Tyson nor Diana Ross won a best actress Oscar that night in 1973 and, of course, neither would go on to do so.
Just look at the 02:13 mark of the featured video of Halle Berry’s best actress Oscar acceptance speech for her turn in “Monster’s Ball” in 2002, there was sat Helen Mirren, onlooking as though she were looking at this imposter freak, someone being allowed to take a damn award that rightfully ought to have gone to, Judy Dench. There sat Helen Mirren who did not stand up as Halle, an American actor, winning an American award, said, “tonight this door has been opened.” Helen sat there livid at Halle high-jacking the awards with all this affirmative action claptrap. Never mind the Briton small-minded bigot, at least Sidney Poitier (old soul sage) was present to witness the historic moment. Well, you can bet Prada-heeled Britons in Hollywood, went all out to quickly slam shut that door because why should ‘they’ have received such a prestigious award? They are not even RADA graduates. Americans fought a war to rid themselves of the tyranny of these people and their colonising conceit and arrogance. Let’s face it, a BAFTA award hasn’t the cachet of an Oscar; it should be of negligible worth if an American actor is either nominated or wins a BAFTAaward. It is not an Oscar.
Why in the hell is American cinema being steamrolled and bullied into submission by these holier-than-thou poseurs? No Briton with the exception of Elizabeth Taylor, who was riveting and compelling in every role she ever played, been deserving of being awarded an Oscar. What right have Kate Winslet, Olivia Colman, Helen Mirren, Emma Thompson, to name far to many, to be in the same league as Katherine Hepburn, Bette Davis, Barbara Stanwyck, Grace Kelly, Mia Farrow, Meryl Streep to mention a mere few?
Ever since the fairy dust of Chuck & Di’s 1981 pantomime, arriviste Hollywood have been bowing and scraping as though these were pre-1776 times. Since that best actress Oscar acceptance speech by Halle Berry in 2002, there has been a plethora of decidedly non-American actors, walking off with an Oscar in a parade of spiteful arrogance. Why Kate Winslet has won a best actress Oscar is beyond me, her every performance is just plain, insipid… uninspired. Winslet and her foreign colleagues are void magnetism and merely use the snobbish hauteur of their British accent as their cachet for being perfectly entitled to an Oscar. Who are these people to be in the same league as Faye Donaway, Jane Fonda and Meryl Streep.
Let me tell you something, that award right there is the most bold-face looting in recent memory. Just like Angela Bassett was robbed of the 1994 best actress Oscar for “What’s Love Got To Do With It” so, too, was Viola Davis robbed of the 2017 best actress Oscar. Viola won best supporting actress Oscar for a role in August Wilson’s “Fences,” which won best actress Tony on Broadway; it is not a supporting role. They even tried to see if they could snatch it from Viola’s rightful clutch, as they did with Cicely and Diana in 1973, in 2017, by also putting Naomie Harris and Octavia Spencer in the mix. Not only was it insult enough to have been misplaced in the nominations category but there was a strong likelihood that Viola could have lost out, just so that she could be put in her place for being so damn good. Bar none, she is the best actress under 60 in English-speaking cinema. Period.
Seriously, though, what can one expect of Hollywood when they had the temerity to tear their arses in the world’s face by having you and me believe that the statistically impossible truly had occurred, affording a tie in 1968 to Katherine Hepburn and Barbra Streisand for best actress Oscar. An Oscar has been of negligible worth since. And as such, it has become a members only club, to keep Black actors at bay; indeed, they go looking elsewhere for actors to whom they award Oscars, chiefly to Britons. To hell with Mr. Darcy. American cinema, to say nothing of actors, are being robbed. Where are the films, telling the story of Cuban-Americans in Miami, Lakota families and their rich history in the north. There are a thousand stories to be had in each of the 50 states of Black, Latino, Jewish, Irish, Mexican, Cuban… all Americans and it is not being told. Yet, you have these arrogant Britons, dragging on a fag and copping hauteur, though no doubt more jizzed than a Grand Central Station urinal during evening rush-hour, grabbing an Oscar time and again and toffing up their accent to bedazzle the none-the-wiser, silly little Yanks.
The one thing that the past five years has taught us, is that Britons are alarmingly racist and not only are they more racist than Americans but unlike Americans, they refuse to admit to being racists. Whether you are black or white, you are American and Americans are second to no one. Period. Why is the acting heritage of American greats like Hepburn, Davis, Stanwyck et al being eclipsed by non-Americans, chiefly Britons, marching in grabbing an Oscar; obviously if an Oscar had comparably less cachet than a BAFTA, no British actor would time-waste, courting an Oscar. Indeed, the age of neo-colonialism is upon us. Helen Mirren is leaden and starchy and does Helen Mirren, time and again. Same with Maggie Smith, Judy Dench (the dame means nothing to Americans) Emma Thompson, Kate Winslet, Olivia Colman the whole lot of them, it is all third-tier smoke and mirrors by way of copping Toff hauteur and using voice (à la Dune) by way of that accent on the oh-so-unsophisticated Yanks. Hell, in 2016 Helen Mirren even argued that there was nothing possibly wrong with only one Black American female having won a best actress Oscar to that point, in the 78-year history of the Oscars.
There are two types of looting with which we are all familiar. One, Black people looting at the drop of the hat; it is expected and an excuse to be reviled by the rest of society. Secondly, though not readily admitted, planetary looting of which we as a species are wholly guilty, which will cause our civilisation’s ruin in due course.
Ah yes, then here we have the most invidious looting. Britons looting an American award because clearly the BAFTA award hasn’t the same cachet. The Academy awards are an American award; they are not part of a film festival, which by its very nature is open to all nationalities, they are a uniquely American award. Then, there is the most egregiously invidious looting: Whites looting Black culture because… well, one can. To fuck with you, Jazz is too good for you; to hell with you, you could not possibly have invented this… This is American music; if indeed it were American music, god only knows you would never have deigned to have afforded us access – like your Oscars – to the art form, which boasts an unrivalled pantheon of musical geniuses. But hey, stay over there in your parallel universe, making your trifling music, as if anyone Black, on returning home after racism’s bile being spat their way 1 to 1000 times for heading out the door could care less. Please go ahead, piss yourselves silly, thinking that somehow any Black has time to waste when at home, to listen to music of the people who hate us, who murder us because… well, one can. Stay there in your parallel universe, lying to yourselves about how great you are – greater wealth and market share does not make for superior art; it is merely damn good business as much as so as are drugs. Don’t, however, for nanosecond get carried away with your deluded, revisionist sacrilege, talking knee-on-our-neck odious crap, “Jazz has its roots in klezmer!” “Jazz is American music! Nope, not having it!
Red Azaleas Singing and Dancing Rock and Roll Music
Acrylic on Canvas
73 3⁄4 × 158 1⁄2 × 2 1⁄2 in.
Provenance: Smithsonian American Art Museum.
How could you possibly expect us to suffer you anywhere near Jazz? Your perception of us; indeed, your notion of what we are and how we should be perceived and celebrated, are as dumb-no-fuck, bug-eyed blasted coons at whom you get to laugh. An Oscar is nothing more than these TV singing competitions where the winner is determined by the votes of well-groomed Joe & Karen Bigot where the outcome will almost always be predictably White. Imagine that, the year that Jennifer Hudson appeared on American Idol, she did not win the competition. The Academy has deemed that Black women are not deserving of a best actress Oscar, anymore than they can damn-well sing. Imagine, Bette Carter, Ella Fitzgerald, Nina Simone, Sarah Vaughan to name but a handful’s legitimacy, determined by the purely predictable, racialised bias of the Academy and its none-too-liberal members. There really ought to be litigation all the way to the U. S. Supreme Court to determine once and for all, if foreign-born actors are eligible to win an American award, the Oscar, when the awards are an American rather than a film festival’s prize. The very heritage of American cinema demands nothing less.
Jazz is Black culture. Jazz is Black high art. Jazz is Black spirituality. Jazz is the assertion of our humanity in the face of your savagery. Jazz music is the language of Black culture’s high-priests, its poets, its genius visionaries. Jazz… it’s about us.
As ever, life is like a flying dream; if you look down, you’re fucked. Enjoy the ride and fear no one!
Without doubt, though the most reviled black woman on the planet, I knew that though cited as the instigator in the tabloid media, Meghan, HRH Duchess of Sussex could not have been the cause of the obvious rift between Diana, Princess of Wales’ sons: HRH Prince William, Duke of Cambridge and HRH Prince Henry, Duke of Sussex. When someone is guilty of having wronged, denigrated or slandered another, that guilty party is always acutely uncomfortable in the presence of the subject of their animus. This past Christmas church service at Sandringham, HRH Prince William unwittingly unmasked himself as the guilty party. I never for a moment believed that Catherine, HRH Duchess of Cambridge was the instigator.
In September 2017 when HRH Prince George of Cambridge was widely photographed attending his first day of school in Battersea, one thing stood out in the reporting at the time: his father’s very close friend and cousin, Lord Frederick Windsor’s daughter Maud by actor wife, Sophie Winkleman also attends the same school. This is the same cousin whose cocaine addiction had caused HRH Prince Charles, Prince of Wales to put an end to the close relations his sons enjoyed with their cousin; however, HRH Prince William remained close to this cousin.
One of the things that struck me is the interviews given after their engagement was announced in late November 2017.
Camilla, HRH Duchess of Cornwall was her usual adroit, eloquent self, and her husband,
HRH Prince Charles, Prince of Wales was the second most upbeat.
At the time, HRH Prince William, Duke of Cambridge was less upbeat, did not mention Meghan, HRH Duchess of Sussex; rather, he essentially characterised his brother as a thief.
Similarly, Catherine, HRH Duchess of Cambridge spoke of their happiness but never mentioned Ms. Markle and this came a day later after her husband; indeed, it was as though, Catherine, HRH Duchess of Cambridge had been tasked with doing damage control after William’s snub of Meghan by nmentioning her name.
A month after the engagement announcement, though not yet a royal bride, Meghan Markle was invited to attend HM The Queen’s traditional Christmas lunch with her especially enamoured fiancé, HRH Prince Henry of Wales. So as not to be mistaken, the continental put-on wore a starkly white coat such that her blackamoor brooch would not be properly photographed on a dark coat. At the time, there was justifiable furore in the press and the narcissistic twit was made to issue a rather disingenuous-sounding mea culpa. Clearly, she could never in a million years have acted on her own.
Later that month, Christmas Day, 2017, again Meghan not being from Britain was invited – though not yet a royal spouse – to HM The Queen’s Christmas Church Service at Sandringham. On looking at the video, it was clear that there was tensions between the two senior royal couples. By that point, there was widespread open animus towards Ms. Markle and though it was never directly addressed and always vehemently denied, her race was the source of the vitriol. Whilst entering the church, there was smugness from HRH Prince William, Duke of Cambridge towards Ms. Markle. As they left the church, there was no denying HRH Prince Charles, Prince of Wales’ open affection for Ms. Markle and in the above photograph, he is beaming directly at Ms. Markle, making her feel welcome whilst the keenly onlooking HRH Prince William in the rear was tense-looking.
A couple of months later, when appearing as the ‘Fab Four’ charter members of the Royal Foundation, HRH Prince William, Duke of Cambridge spent most of his time crouched forward; his posture was predatory and he was keenly eagle-eyed as he monitored Ms. Markle’s performance. As ever, HRH Prince Henry of Wales looked nervous, Ms. Markle was poised though her chief feature tended at times to get the better of her – more on that later. I shall do a thorough overview of these major royals’ Michael Overleaves, which were channelled by two authentic Michael channellers and by none of the ever burgeoning scores of two-bit charlatans.
Finally, the big day arrived for Diana’s younger son; and what a wedding it would prove. There sat HRH Prince William displaying those urges for which a life at public school leaves one possessed of certain proclivities. In the above photograph, William is eyeing Ben Mulroney – well, because he can – at the time neither of his inner circle chums (Thomas & Charlie van Straubenzee) were present in the quire. At least on two other occasions, William openly coveted Mr. Mulroney during his brother’s nuptials.
On her arrival to the altar to join her husband, Meghan looking more confident and radiant than most brides was being suspiciously eyed by her brother-in-law in his role of disproving, to say nothing of delusional, final arbiter.
As the newlywed TRH Duke & Duchess of Sussex departed St. George’s Chapel in the Ascot Landau, all the members of the Cambridge family at the top of the west steps waved off the couple save, of course, HRH Prince William, Duke of Cambridge. He kept holding George’s hand and the order of service in the other.
Windsor, HRH Prince William, Duke of Cambridge 21/6/1982 London, England
Michael: This fragment is sixth-level mature scholar – third life thereat. William is in the observation mode with a goal of acceptance. A pragmatist, he is in the intellectual part of moving centre.
Body type is Lunar/Mars/Saturn.
William’s primary chief feature is stubbornness – death of his mother, Diana, Princess of Wales, was the triggering event and the secondary arrogance.
The fragment William is third-cast in sixth cadence; he is a member of greater cadence seven. William’s entity is four, cadre one, greater cadre 6, pod 208.
William’s essence twin is a scholar and he has a warrior task companion to whom he is married, Catherine, HRH Duchess of Cambridge.
William’s primary needs are: exchange, freedom and security.
There are 6 past-life associations with Arvin and 3 with Merlin.
Windsor, Catherine HRH Duchess of Cambridge 9/1/1982
Michael: This fragment is a fifth-level mature warrior – third life thereat. Catherine is in the perseveration mode with a goal of growth. A pragmatist, Catherine is in the moving part of intellectual centre.
Catherine’s body type is Saturn/Mercury/Venus.
Catherine’s primary chief feature is stubbornness and the secondary, arrogance.
The fragment Catherine is fourth-cast in the sixth cadence. Catherine is a member of greater cadence one. Catherine’s entity is four, cadre one, greater cadre 6 pod 208.
Catherine’s essence twin is a warrior and the task companion a scholar, her husband, HRH Prince William, Duke of Cambridge.
Catherine’s three primary needs are: expansion, power and expression.
There are 10 past-life associations with Arvin and 8 with Merlin.
Windsor, HRH Prince Henry, Duke of Sussex 15/9/1984 London, England
Michael: This feisty fragment is a fifth-level mature warrior -– fourth life thereat – to his sixth-level mature brother, William. Henry is in the power mode with a goal of growth. A sceptic, he is in the moving part of intellectual centre.
Body type is Mars/Saturn.
Henry’s primary chief feature is arrogance and the secondary stubbornness.
The fragment Henry is first-cast in second cadence; he is a fragment of greater cadence three. Henry’s entity is one, cadre six, greater cadre 7, pod 418 – Henry is an entity mate of his paternal grandmother, HM Queen Elizabeth II.
Henry’s essence twin is a warrior and he has a scholar task companion.
Henry’s primary needs are: freedom, adventure and exchange.
There are 9 past-life associations with Arvin and 5 with Merlin.
Windsor, Meghan, HRH Duchess of Sussex 4/8/1981
Michael: This fragment is a mid-cycle mature artisan in the tradition of the deceased mother fragment who was Diana, Princess of Wales — third life thereat. Meghan is in the observation mode with a goal of acceptance. An idealist, Meghan is in the moving part of emotional centre.
Meghan’s body type is Venus/Solar.
Meghan’s primary chief feature is self-deprecation and the secondary of mild impatience.
The fragment Meghan is fourth-cast in the fifth cadence. Meghan is a member of greater cadence four. Meghan is a member of entity one, cadre six, greater cadre 7, pod 418 — she is an entity mate of both her spouse, HRH Prince Henry of Wales with whom she shares 20 past lives and also an obvious entity mate of Her Majesty, The Queen.
Meghan’s essence twin is an artisan and the task companion a warrior.
Meghan’s three primary needs are: expression, acceptance and expansion.
There are 4 past-life associations with Arvin and 6 with Merlin.
Incidentally, this artisan has been a member of the British royal family twice before.
Firstly, as Margaret Beaufort, Countess of Richmond and Derby, she was the cousin of King Henry VI and mother of King Henry VII. As such she was the matriarch of the House of Tudor. Her grandson was Henry VIII and her great-granddaughter, Elizabeth I.
This artisan in that lifetime was involved in the sacraments of the church being included in the newly established college system. She founded Christ College, Cambridge and was instrumental with the founding of St. John’s College as well.
Secondly, she was HRH Prince Edward, Duke of York and Albany and younger brother to George III, whose father the Prince of Wales, HRH Prince Frederick died before ascending the throne after George II. In that lifetime, the artisan (now Meghan, HRH Duchess of Sussex) was interested in military structure. He, of course, died young of a then unknown illness but which had to do with dysentery.
Incidentally, in the current incarnation, Meghan, HRH Duchess of Sussex has suffered from gastroenteritis, which is related to the last-life health issues – this is the immediate past life and not that in 18th century when the artisan died aged 28.
Windsor, HM Queen Elizabeth II 21/4/1926 London, England
Michael: This fragment is third-level mature slave –- second life thereat. Elizabeth is in the perseveration mode with a goal of dominance. A realist, she is in the moving part of intellectual centre.
Body type is Venus/Lunar.
Elizabeth’s primary chief feature is stubbornness and the secondary self-deprecation.
The fragment Elizabeth is fourth-cast in fifth cadence; she is a fragment of greater cadence six. Elizabeth’s entity is one, cadre six, greater cadre 7, pod 418.
Elizabeth’s essence twin is a slave and the task companion is a priest.
Elizabeth’s three primary needs are: security, adventure and exchange.
There are 6 past-life associations with Arvin and 4 with Merlin.
Mountbatten, Prince Philip HRH Duke of Edinburgh 10/6/1921 Greece
Michael: This fragment is fourth-level mature warrior – second life thereat. Philip is in the observation mode with a goal of preferred dominance. A sceptic, he is in the moving part of intellectual centre.
Body type is Saturn/Mars.
Philip’s primary chief feature is stubbornness – due to early death of a family member and the secondary subdued impatience.
The fragment Philip is seventh-cast in first cadence; he is a member of greater cadence six. Philip’s entity is one, cadre six, greater cadre 7, pod 408.
Philip’s essence twin is a warrior and he has a scholar task companion who is known to him.
Philip’s primary needs are: exchange, acceptance and power.
There are 14 past-life associations with Arvin and 6 with Merlin.
Frances, Diana, Princess of Wales July 1/1961<O>August 31/1997.
Michael: The fragment who was Diana Frances is a second-level mature artisan and was in the passion mode with a goal of acceptance, a pragmatist in the moving part of emotional centre.
She had a Lunar/Mercury body type.
Diana’s primary chief feature was stubbornness with a secondary, not of self-destruction but of self-deprecation.
Diana Frances was first-cast in her cadence and her cadence is fifth in the greater cadence. She is a member of entity one, cadre six, greater cadre 48, pod/node 380.
This fragment’s essence twin is a discarnate artisan and her task companion is a discarnate sage, both of whom are staying near her, waiting for her to become oriented to her situation.
Here, we had an artisan with drama in her casting but also with a very deep need to serve both the common and the higher good, which she did with grace, charm and a good deal of conviction.
Windsor, HRH Prince Charles, Prince of Wales 14/11/48 London
Charles Windsor is a seventh-level mature second-cast warrior. Charles Windsor is in observation mode, with a goal of acceptance, and attitude of pragmatist, moving part of intellectual centre.
Charles’s body type is Mercury-Saturn.
Charles’ primary chief feature is stubbornness, secondary is self-deprecation.
He has an incarnate warrior essence twin with no plans to meet and a discarnate priest task companion, who exerts considerable influence on him.
His casting is virtually the same as Robert Bateman’s: entity two, cadre four, greater cadre 16, pod/node 404 but he is a second-cast in a fourth cadence, entity four, cadre four, greater cadre 16, pod/node 404.
Windsor, Camilla, HRH Duchess of Cornwall 17/7/1947 London, England
Michael: Yes, this scholar is at the mid-level of the mature soul cycle — third life thereat. Camilla is in caution mode with a goal of growth. A pragmatist, Camilla is in the moving part of intellectual centre.
Body type is Lunar/Venus.
Camilla‘s primary chief feature is impatience and the secondary arrogance.
The fragment Camilla is third-cast in sixth cadence; Camilla is a fragment of greater cadence seven. Camilla‘s entity is five, cadre six, greater cadre 7, pod 129.
Camilla’s essence twin is a scholar and the task companion is a warrior.
Camilla’s primary needs are: exchange, freedom and power.
There are 10 past-life associations with Arvin and 6 with Merlin.
Now for the esoteric Michaelese breakdown of what all this means. All told, there are 9 major players chosen here; of them warrior souls predominate with four such persons: Catherine, Henry, Philip and Charles. Two scholars: William and Camilla. Similarly, there are two artisans, Diana and Meghan. Lastly, there is but one slave, HM The Queen, who happens to have the strongest overleaves of them all. As HRH Prince William is the subject of this blog, I shall explore his overleaves lastly.
First and foremost, there are only two ways to approach all of life, either from a place of fear or a place of love. That having been said, there are both positive and negative poles of all overleaves. Similarly, just because an individual is an older soul does not mean that they are a more evolved human being and is all good. Of all these 9 royals, HRH Prince Charles, Prince of Wales, is the oldest souled member with Diana, Princess of Wales having been the youngest soul among them. Bear in mind, too, that some of these persons are if not entity or cadre mates, at the very least are pod mates. I am going to go through these nine souls in order of soul age and though Charles is the oldest of the group, I will discuss William’s last even though he is the second oldest soul.
Diana: Second-level mature artisan; she lived the charmed life, great overleaves. She had the great goal of acceptance, which incidentally so too do William, Charles and Meghan. There was considerable Maya involved and she created a ton of drama out of sheer boredom and also as a way of fighting back when realising that she was in a loveless marriage and nothing but a pawn. No idea, if she is yet reincarnated.
HM The Queen: A third-level mature slave soul, she is on her second life at that level and is in dominance. This is as close to perfect and positively manifested the overleaves of anyone within that family or elsewhere. These are great overleaves, which are positively manifested.
Camilla: She is a mid-cycle mature scholar soul and a pragmatist in growth. This woman is a solid and as gracious a scholar as you can find. No surprise that she focusses on literary charities and organisations and hosts the annual Man Booker Prize awards. She is a scholar’s scholar and does not do drama. Camilla is another BRF (British Royal Family) member who gets it right and is manifesting in the positive pole of her overleaves like HM The Queen.
Meghan: Like Camilla, the Duchess of Sussex is also mid-cycle mature; however, like Diana, Princess of Wales she is an artisan. As is obvious from her overleaves, she chose to reincarnate to do something. Where she is is precisely where she is supposed to be. One does not end up with body-type of Venus-Solar and do nothing and does not become a major player on the global stage. Incidentally, usually only one life is passed at mid-cycle mature; it is a bridge lifetime between third mature and fourth mature and it is the only soul age where this occurs – there are exceptions to everything as this is Meghan’s soul’s third life as mid-cycle mature. At the end of fourth mature, more of the brain is used going forward and there is greater complexity to the persona. Meghan, having been Margaret Beaufort in a past life when she was the most pivotal Lancastrian woman during the War of the Roses, matriarch of the Tudor Dynasty, cousin of King Henry VI, mother of King Henry VII, beloved grandmother and mentor of King Henry VIII and great-grandmother to HM Queen Elizabeth I. Furthermore, Meghan is an entity mate of both HM The Queen and her husband HRH Prince Henry, Duke of Sussex. They form a troika that is unshakeable. She is an idealist in acceptance; she will always be emotionally and empathetically open and mature. Sadly, though, the fact that this soul chose to be black in this lifetime has meant that she has become the most reviled black woman on the planet for having married into the BRF and its most loved prince. Incidentally, her husband, HRH Prince Henry was black in his immediate past life. Meghan’s primary chief feature is that of self-deprecation which is never attractive and this leaves her copping the shy smile routine and in particular placing her hand over her mouth. Your chief feature is a cactus never to be cradled… that said, this soul who as Margaret was first wedded before the age of two and had four husbands will be striking it out of the park in this lifetime again.
Philip: Fourth mature warrior in dominance, this is an equally solid soul as is his wife, HM The Queen. A warrior’s warrior to the core.
Henry: A fifth-level mature warrior; this man is the most interesting and underrated royal. First of all, at fifth-level mature, he is more complex than any of the other royals thus far; he is also a sceptic and the only other of the nine being the rather shrewd Prince Philip. This means that he is all 9 parts intellect, sees straight through everything and is able to think outside the box. Fifth-level is also synonymous with the goal of acceptance; therefore, this man will always have great appeal within a group dynamic. He is also thoroughly unpretentious and in growth. As a warrior, he inputs on one channel as do scholars and kings. Similarly, as a warrior, Henry will never forgive disloyalty of any kind; a betrayal of any kind is unforgivable.
Catherine: Like Henry, Catherine is not only also a warrior but she is also fifth-level mature. These two are rather simpatico and there is no way that they would never get along; there would be nothing but mutual respect and understanding. Fifth-level mature is also a time of incredible creativity, especially among warrior souls. Catherine also happens to be not just an entity mate of her husband’s but they are also task companions, which is as close a relationship at the level of soul that you can have as is possible. Task companions are like oxen sharing the same yoke; they get things done and Catherine also has a goal of growth like her brother-in-law, Henry but she is in perseveration mode. Catherine is all steel and will endure much and scale any mountain to get the job done. Admirable lady.
Charles: the fourth of the warriors, he is also the oldest soul of the senior royals. Dream encounters with this man are truly evolved. Naturally, as a seventh-level mature warrior issues of stewardship of the planet would be paramount among his concerns. He is also a warrior in acceptance and lives a life that is truly a positive expression of his overleaves. Kind and inclusive, he is understanding and truly accepting. Like every warrior there ever was, he does not forget or forgive disloyalty.
William: He is the second scholar soul and also the second oldest soul of the group. Sixth-level mature, William is at that all unforgiving sixth-level where those lives are all about paying back karma and having to work in the larger arenas of life and providing stewardship. William, born on the summer solstice, was also born with a stellium in his astrological chart which among other things means that he is prone to being very narrow in his focus; more importantly, it indicates someone who cannot see the forest for the trees when expressed negatively.
Though William has a goal of acceptance, he also has a chief feature – no chief feature is ever positive – of stubbornness, which means that he is rarely regardless of his perfected persona ever either at ease or accepting of anyone. Moreover, when a scholar is not in the positive pole of its role – as Camilla is – then that scholar will be an obstinate (stubbornness) negative and prejudicial (acceptance’s polar opposite rejection goal).
This is why it is almost 100% likely that William not only knew of HRH Princess Michael of Kent’s intention of wearing the blackamoor brooch to the 2017 Christmas Lunch at Buckingham Palace but he likely was the one to have sanctioned it. William is very close with Frederick who with his Jewish actor wife spend lots of time in Los Angeles where there is inordinate racial animus towards blacks.
Wearing the blackamoor brooch to HM The Queen’s Christmas Lunch was tantamount to wearing a swastika to said lunch the first year that Sophie Winkleman attended, knowing fully well that Lord Frederick Windsor’s wife is Jewish. The idea that somehow Meghan, HRH Duchess of Sussex is behind a rift between both princely brothers or is contentious with Catherine, HRH Duchess of Cambridge – who as a warrior is more likely to be openly hostile towards Meghan than the other way around – couldn’t be further from the truth.
I think that it is safe to say that the Middletons have become rather high and mighty with themselves as evidenced when James Middleton was seen being socially hostile towards ITV’s royal correspondent, Tom Bradby outside St. George’s Chapel at the royal wedding of TRH Duke & Duchess of Sussex.
Here are further examples of HRH Prince William being rejecting, obstinate and plain rude. William and not Meghan refused to have Sarah, Duchess of York attend his wedding. William and not Meghan sat in the Chapel at St. George’s Chapel and openly ridiculed Reverend Curry to his father, HRH Prince Charles. It was William and not Meghan who decided after the birth of HRH Prince George of Cambridge that the infant’s paternal grandparent would not be afforded access to his first grandchild. William rather than Meghan told Dave Clark that he was not desirable as a husband for his cousin, HRH Princess Beatrice, thereby putting an end to a relationship that was no business of his.
One of the most disarming things to know about HRH Prince William, Duke of Cambridge is that he is basically stupid and lacks awareness. This is how he always comes off in very lucid dream encounters. Furthermore, like all scholars in the negative pole of their soul/role, he is given to being discriminatory and readily judgmental. As a scholar with a chief feature of stubbornness, William is not given to being open to change and has an inordinately corrupted, almost delusional, sense of self. There is high conceit when dealing with this man. Indeed, he has taken his brother Henry, with an attitude of sceptic, none too seriously and definitely not as an equal; however, HRH Prince Henry does not – for being a sceptic – take this man too seriously nor does he take personally his hyper-inflated sense of self.
During their engagement interview, Catherine sat on the edge of the sofa; only once did they touch and it was her initiating. William during the interview self-congratulatorily referred to his great sense of humour – blind conceit. Catherine’s hair almost covers her eyes so that she can remain tunnelled in focus and not become overwhelm by William’s intimidating nature. Catherine’s mouth is pursed and turned down at the corners, betraying her discomfiture for being in William’s presence; this suggests an unpredictable nature and a violent temper. Frankly, Catherine looks as though she fully expects to be slapped at any moment and with some regularity.
Catherine as she appeared on entering Westminster Abbey and being greeted by the Dean of Westminster. Her smile is warm, relaxed and she radiates her inner beauty; indeed, it is uneclipsed.
Catherine, now in the presence of William becomes clenched, clipped and her radiance lacks its lustre. All this because of the unpredictable nature of the man she is about to marry. This very man is also her task companion; however, his perfectly good overleaves have become corrupted and are not positively expressed in the least.
William the none-too-bright finally figures out how to properly fasten his gloves.
William enters the carriage and sits with his back to the horses drawing the carriage; he had even looked back over his shoulder to the horses, yet still sat down in the improper position in the carriage.
William in this photograph has now changed seats after having been instructed to do so by the footman, wearing the white-plumed hat; the footman did so under his breath.
In this shot, after having told William to properly sit, facing the front and not the back of the carriage, the footman could be seen looking at Pippa Middleton and she looks at him with a knowing and dismissive look and smile. This interchange between both the footman and Pippa indicates that it is common knowledge by those in the know that William basically is stupid.
A keenly observant HRH Prince Henry on entering Westminster Abbey with his older brother on the day of William’s wedding. This is the look of someone with an attitude of sceptic. He knows that he has to hang back and take everything with a grain of salt as basically, his brother William is dense and unaware.
While being hosted by the dean of Westminster, Henry ventures a comment and like a scholar in stubbornness and who has been groomed to always be deferred to, William in essence tells his brother to shut up with a dismissive remark. At all times, like a person in stubbornness, William’s body language is rigid and controlling with his hands ever clasped, the same few remarks and the same loud vacuous laughter and of course that ever present smile that is evocative of his mother Diana, Princess of Wales.
Scholars in the negative pole of their role/soul can be the biggest bores; ever, they are a font of useless information and often unsolicited. Here the newlyweds ride up the Mall to Buckingham Place; at least three times on the ride from Westminster Abbey William became impatient with Catherine and they rowed. Here, he is shouting at her and telling her to be observant; she like the warrior she is, anywhere and anytime, she will sound off and protest without so much as thinking twice. Love her!
Do not be fooled by Catherine’s smile; he is grilling her and she is fighting back. This, of course, is a healthy part of their relationship as long-term lovers and also for that matter for being task companions.
After the harsh words, naturally, William was a sulky petulant bore. Warrior to the core, Catherine leans in and nudges him with her left shoulder and gets him to get out of his funk. Catherine is one of the strongest royal women going.
Once on the balcony, William becomes a right bore with the endless drivelfest of observations. On more than one occasion, one captured above, Catherine simply dismisses the ennui that is William by pointing instead towards the Canada Gates whilst he was directing her to look down the mall towards the approaching planes taking part in the flypast. And at all times, Catherine maintains equilibrium with that Cheshire cat grin.
William simply assumes because he is destined to be king and is never challenged, he could do as he pleases and attack his brother’s lover without there being the slightest repercussions.
Newly engaged, Henry and Meghan openly displaying their love for each other and both possessed of emotional intelligence that speaks to their reincarnational history, their being entity mates and the fact that as a yogi who has mastered the kamsutra, Henry is a happy camper. Xerxes, a seventh-level mature warrior friend sums up the warrior’s motto thusly: feed me, fuck me but do not annoy me.
Here, Henry on taking his vows and slipping the ring on Meghan’s finger with the most sexually suggestive intimacy, then winks at her. This is a couple completely and thoroughly besotted, in love and passionately consumed with each other.
Now there is a happy warrior; Henry deplanes when on first tour of the Commonwealth with his serenely pregnant wife, whilst sporting a chubby.
William, who is inordinately so a control freak, is threatened by his brother’s wife who is not a controlled, plus one and subservient wife. Meghan has style and is not a blank foil to allow the blood royal spouse and only the blood royal spouse to shine at all times. I don’t, though, agree with Meghan’s inability to strictly follow royal protocol and walk behind her blood royal spouse.
Henry made sure to have a wife who would be for him what his father never was for his mother; a lover, companion and equal team member. Meghan is forthright, articulate. Like every artisan soul, Meghan, HRH Duchess of Sussex inputs on five channels (the most of all the seven soul types) which means she can evoke mood and inject that certain “je ne sais quoi” into what she wears. Artisans are said to be atmospheric; just slipping into an item of clothing and it is as though we shift personae and become as well as project the right mood into the environment. Artisans are atmospheric; we set the mood by just being.
Most of all, this appearance by Meghan, HRH Duchess of Sussex at the 2018 British Fashion Awards is why William fears her. Hatred is nothing but fear and to be obstinate and conspire with the Kents for Frederick Windsor’s mother to wear the blackamoor brooch only points to how much William fears his brother’s wife; to fear someone is to readily reveal how miserably you have no power over that someone. Onto that stage, Meghan, HRH Duchess of Sussex walked and had the room in the palm of her hand. William knows that Catherine his wife could never have that command of an audience; what’s more, Catherine is a whimpering mousy little thing as compared to eloquent, confident trained thespian, Meghan.
In the 21st century, Brand Windsor needs an ambassador who is media savvy and can walk out onto a stage and deliver like only Meghan, HRH Duchess of Sussex does. That awards ceremony at Royal Albert Hall would have been a room with more than 60 per cent artisan souls whereas artisans make up 22 percent of the population of souls cosmically. In Meghan, the fashion worlds of couture, design and jewellery have one of their own – she is akin to a patron saint. This was the same effect that Diana, Princess of Wales also had for being an artisan soul.
In Meghan, William is having to endure some self-karmic issues; you own no one and cannot push around anyone as you please. Thus far, he has irreparably damaged his relations with two strong warriors – his father and brother. Long before Meghan arrived he had sabotaged his relationship with Charles for not approving of Camilla, blaming his father for his mother’s death and denying his father access to his first grandchild. With regards Henry, he has done Meghan a big favour for with his open animus and hideous bigotry vis-à-vis the blackamoor incident, William has lost Henry’s trust and it will only forge the love and loyalty between him and Meghan.
Thus far, William and his family have twice been to Canada on royal tours; they have also been to the U.S., Singapore, Australia, New Zealand and the Pacific Commonwealth nations and India; however, William and his family have yet to set foot in a predominantly black Commonwealth nation. There are no coincidences. Persons in stubbornness are the most difficult people to deal with as they are pigheaded in the extreme and relish being difficult. As he clearly has no interest in being on tour in a predominantly black Commonwealth nation, this is why TRH Duke & Duchess of Sussex were appointed as Commonwealth Youth Ambassadors. Far be it for William to become Sovereign where more than half the countries in the Commonwealth are peopled by blacks. As ever, tabloid media will blame Meghan the unsuitable black woman for the rift; truly, one need look no further than William, who is not in the positive pole of acceptance; rather he is in the negative pole of its opposite, rejection, which makes for the scarf incident, the blackamoor incident and all the other deplorable things he’s gotten up to: Sarah not at his wedding, Charles having little to no access to newborn George, froideur towards Camilla and now Meghan. Too bad for his scheming, though, because within a year of marriage, Meghan, HRH Duchess of Sussex will be mother to a royal child which further solidifies her staying power.
As ever, don’t let fear and chief feature get the better of you as so clearly it has HRH Prince William, Duke of Cambridge. Just straighten up and fly right… especially when lucidly awakened in the dreamtime. For your ongoing support, I am inordinately grateful. Happy New Year and here’s to the very best in 2019.
Within days of George’s 44th birthday on February 9th, 1990, I had been to his McCaul Street loft, which looked east to the buildings lining University Avenue. There, on the top floor’s tiny balcony, we would retreat for some privacy, late at night and suck each other off with his son spying on us… ever he spied on us and it became a definite source of one of our many volatile breakups that George wanted to watch whilst his son and I fucked. I am not about doing anything that I find repugnant. George’s son’s legs are ridiculously bizarre; the space between the knees and ankles inordinately short – he also has too much gum for my liking. Did not matter to me that he was very thick and big; I was not playing. End of discussion. In any event, that winter, after George and I had riotously fucked with his son’s conspicuous silence in the open loft definitely indicating that we were being spied on, I fell asleep whilst George, thoroughly, noisily ploughed right, went to shit and shower, which was always alone and a very lengthy affair. On exiting the bath, as I soundly slept, awaiting my turn to shower, George grabbed his polaroid and took several snaps of me in his sole pink armchair as I remained sheathed in a used full and droopy condom.
By the time that George would present me with the iconic, masterful serigraph, he and I were not then on speaking terms on conclusion of the work. Months earlier, in November 1989, Merlin had passed and as George made it perfectly clear that he did not want to be in a committed relationship, I walked away. He was, of course, pissed but I was not getting the support I felt that I then needed. Truth be told, the relationship with George was ideal, I could no more have given two fucks about his friends anymore than they did me. George was totally controlling – energy body of 9 – and in that way, I was his muse and a great fuck; this left both his family and friends off limit – of course, there was obsession with his son, which meant me fulfilling his fantasy. Not happening. So as I did not play along and began taking lovers of my own, as George wanted to celebrate my life in the event that I, soon after Merlin, perished of AIDS – at that point, I still had not gone out and taken an HIV test; I was simply then too solipsistic to have been any support to Merlin who was then slowly dying of AIDS. So not able to bring himself to name the serigraph after me, it became Pink Chair; of course, for his friends, it was a great dig at me whom they thought of dismissible and an utter non-entity. Of course, I never said more than two words to anyone at that point in my life – that is, if I did not think you worth my time why bother saying fuck all?
For the next three years, George and I saw each other on and off. During that time, I was rapidly self-exploring. Of course, at the core of it all, there was the one ritual that grounded me, each day as I went to bed, I closed my eyes and smiled, knowing that on awaking, I would recall a plethora of dream experiences which before sleep, I could not readily have fathomed. Each morning I woke up, grabbed the tape recorder and began audiocassette recording my dreams. For this reason, as it had been a promise made to Merlin, I had no desire to be in a living relationship. No, I do not want to meet your fucking family, most definitely do not want to be caught dead, wasting a nanosecond of my time, listening to your loser friends and their redundantly specious regurgitated anecdotes – been there… fuck that. With Merlin’s passing, I had found a new groove: go to a few bathhouses, fuck a couple or a couple dozen hungry bottoms, head home by bike and listen to either classical or Jazz and get on with reading, writing and looking forward to travelling to the next art exhibition or Jazz concert and, of course, collecting art.
At one point, George moved out of his McCaul Street loft and with his possessive son remaining at the loft, this opened the way for us to get back together. This, of course, was not without its angst. One evening, I was hellbent on ploughing George to the hounds but he kept on begging off and finally blew up at me and told me to fuck off and, perhaps, he wanted to fuck his brains out with someone else. Are you fucking kidding me? No need to sit about when possessed of that irrational cocktail of obsession, passion, lust and mistrust. With regards his sexual activity, George always lied… I knew this. The first time that he had lied, I noticed the tell-tale sign – his right index finger and middle finger would involuntarily quiver and he would always try to cover it by rubbing his right index against his right nostril. Whenever this occurred, he would always get up and walk away to try and better cover up the physiological quirk. As ever, nothing escaped my eagle-eyed perception.
That night, unable to sleep and more importantly being robbed of valuable dreamtime, I got up and hopped on my bike in the middle of a bitching winter’s dead of night. George, who then lived at 62 Austin Terrace, had me pedal like mad in the biting cold and after locking my bike down the hill, made it up to 62 Austin Terrace, which stood right at the northeast corner of Bathurst Street and Austin Terrace. Truly possessed, I hopped onto the mountain ash tree and began scaling the damn tree as though at 0300 on a cold winter’s night with a street lamp nicely illuminating things, my being a black male, climbing a leaf-bare tree in the Annex, was a perfectly natural thing to be doing, among other illogical considerations. The lights were on in the bedroom; alas, he was not being ploughed by someone who was not me. Of course, George always spoke in his sleep and in one of his little pernicious moves, days earlier as I ploughed him good, he let out someone else’s name whilst pretending to be more asleep and or drunk than he was. Of course, seven years of being the lover of an award-winning director, Merlin, I knew fucking bad acting toute de suite.
There were clothes on the bed that were not George’s but he could not be seen. Undaunted, I scaled and scraped my way down the tree with simian ease, passion-possessed and made it up Bathurst to the rear of the property where I scaled the slippery stone side of the hill and made it atop the garage where for walking across packed, crunching inches of snow, found George being plough on the large draught table in his study. I was beyond livid but wanted and gotten definite proof to slap down his lying when confronted. His response was, of course, feigned indignation at my having had the temerity to spy on him. As with all passionate lovers, that entangled, drama-rife bit of Sargasso was soon traversed to calmer seas. Months later, we got in from dinner, sat down for a drink at his Austin Terrace apartment and laughed and savoured our cognac, after having been out shopping in the early afternoon to choose a new frame for Pink Chair. As ever, George wanting to be plough long and hard, listened to Haydn’s Paris Symphonies – ever, I favoured the London Symphonies. I had just returned to Toronto after amour fou absolu had attempted to steal a dozen pieces from my art collection, among which was Pink Chair.
By March, 1993, I was hanging out in Washington D.C. with Bahamian relations when for walking out on my host, would meet Yuri, the most thoroughly consuming S&M bottom. This, of course, was at a time where all I did was crawl bathhouses partout, ever on the prowl, as finally I had discovered my metier with Merlin’s passing. S&M was the right groove at the right time in my life. So as I crawled predatorily the halls of yet another bathhouse, this one on the edge of a military base in the U. S. capital, I was hotly pursued by Yuri as my swagger and riding boots were just what and more his wildest dreams were in search of. We fucked for several hours, he professed his love and we returned to his place just southwest of Dupont Circle in Foggy Bottom that was the epitome of house proud faggot and way too minimalist for my liking. Alas, we went to his bedroom, which had a bed that was custom-built and made to service his every S&M whim. We were insatiable and it was just right. I looked past his drinking and excessive use of poppers, which second hand ever left me with a splitting headache, he had an actual freezer in which he kept handled bottles of vodka and the salacious bottom with the thick Russian accent was allmine.
Soon he took me to dinner, presented me a ring and demanded that I move to America and his position as lawyer in a queer law firm would allow me to live without the worry of working and the ideal Daddy to come home to. A city full of museums, he had season tickets to Kennedy Center and just a short flight to New York City for more culture and art, it was not very hard to say yes. Soon we went looking at places as I came down every other weekend from Toronto; we dined out and did all the things he had not before. On the off weekend, he had to himself with friends and family, which I made it perfectly clear were a non-negotiable in our relationship.
No sooner than having brought down choice pieces of art and much of my wardrobe as we chatted daily three to five times, I was returned that Sunday evening to no calls or calls going unanswered. Finally, that Thursday evening, he coolly answered the phone and wanted to know what I was bothering him for as, said he, he thought that he had made it clear that it was over between us. Perhaps, I was in denial but now he was with Tyrone who had a big 11.5 inch cock that he just couldn’t get enough of. Putting my master numbers to good use, I morphed and pulled out personalities 33, 47 and 56, all the while not so much as appearing remotely upset. Soon, he was answering the phone whilst being ploughed by Tyrone. Alas, my diamond cutter charm wore him down; we did after all have concerts to attend at Kennedy Center. So fool him, he accepted as Tyrone was going home to Philly for his mama’s 50th birthday – as if I could give two point five fucks.
Returned to Washington, I charmed him though he was wary and mistrustful – his guilt not mine. Finally, he gave in and we had one last S&M session. Tied up, he stood upright in the leather bedding with black bath sheets everywhere to catch his piss as I ploughed his arse, exposed by the thick leather chaps, rough, long and hard. I then slipped beneath the bed and got out the duct tape purchased earlier at Heckenger’s across town – everyone in the neighbourhood knew him and I had no intentions of anyone tipping him off. The hood zipped tight, revealing only his eyes and mouth, I smeared half a dozen strips of the black tape across his lizard-lipped cocksucker mouth and left just enough room for him to comfortably breathe.
As the opera fag neighbours below were in that evening, I turned up the music – Maria Callas CDs on the Denon stereo system – really loudly and pulled his big-boned body from the black leather sheets and hauled him by the harness through the 2100 square foot duplex apartment to the living room, took the strap to him as well he loved it; however, this was not about him, left him slumped and seated on the floor and quietly and meticulously cut my fucking art from the god fugly gaudy gold frames, into which the fucking racist moron had placed my stolen art, 12 pieces in all, including Pink Chair. Having returned my art into the tubes, in which they had months earlier been brought down from Toronto, I called my ride and with lots of time to spare its arrival, I hauled the blasted fool – who to that point had royally pissed off at least half my known 72 personalities, to his large bathroom, where clad in leather from head to toe, I heaved his bulky body – his legs and hands bound as he loved it during play, over the side of the tub, ripped out his butt plug, squatted down, violently ripped off the duct tape, replaced it with my gauntlet sheathed left hand whilst riotously fucking him hard. Hissing into his right ear, still hammering away at his ravaged mangina, ‘you fucking thief… what does that make you. That’s right, you’re a fucking nigger and don’t you ever forget it.’ Slamming the bathroom door shut behind me, my head ached from all the poppers he did. Coolly, I went to the freezer and got the handled bottles of vodka there, where else but America, and slowly undid his suit so that his welted body beneath could really sting from the vodka’s cold, unforgiving bite, after shoving his whimpering body into the tub. When I was done emptying all his vodka on his shivering, enraged body, I straddled his wet body below in the tub and whilst standing on the edge pissed and relieved my bladder which since removing my stolen art from his walls had been straining for release.
From there, I hightailed it to New York City and stayed a few days at Valerie Pringle’s only brother’s West 16th Street walk-up where I grounded anew by going to all my favourite museums by day and crawling the village in riding boots, making further conquests, which usually began whilst gyrating and face-fucking on the tiny dance floor down the mirrored winding stairs at the historic Stonewall Inn. Returned to Toronto with my art, over dinner at a tiny Spanish restaurant off Yonge Street, after we had taken Pink Chair to be framed, raising a glass of red, I winked at George and said of the vanquished amour fou, the best way to piss on a fool’s grave, is to do so before they actually are dead and buried. Dinner was beautiful and with that, we returned to his apartment at 62 Austin Terrace and George was no end of happy, reaching back and holding on to my riding boots, his arse high in the air, as I ploughed and staked my claim to his heart centre as never before.
‘What the fuck are you calling me for?’ On my return to Toronto, I lethally hissed down the phone at the racist boor in Washington D. C.. ‘We have no business together. Obviously, all you can handle, is nothing more than 11 IQ points. Let’s make this perfectly fucking goddamn clear, since your HIV status – that’s right, I have known all along, precludes you making it across the border, you will stay the fuck where you are and get over it. You’re a fucking thief.’ He then violently demanded that I return ‘his’ art and be man enough to bring it back. ‘What the fuck has AIDS and poppers done to your fucking pea brain? Bitch are you fucking nuts? You are dead to me. Shit, I already pissed on you… you are as good as fucking dead! Cutting him off as he launched into his foul, drunken nigger this, nigger that, I boomed down the phone into his gutted soul, ‘Hang it up! Hang it the blasted motherfuck up! Now! Go on, hang up your fucking phone now. You fucking drunken diseased rat. Now! Hang it the blasted motherfuck up now! Hang it up! Finally, the line dropped, collapsing his weak sobbing. A bottom to the core, he never dare dialled my number again.
Also, at 62 Austin Terrace, I announced to George that I had accepted a job offer in Vancouver and would be leaving in mere days. George was devastated as he felt that he was being abandoned for not having been fully engaged in a committed relationship. In the end, not long after I was happily ensconced in Vancouver’s West End, that George visited. We had some of our best sex deep into the musky wholesomeness within the woods of Stanley Park, lorded over by centuries old Sitkas. There in the dead of night, George buried his left cheek in the mud, held on to my riding boots as ever he loved to as I ploughed and took us both to beyond the edge of ecstasy. George’s first visit to Vancouver – there was a second, was passed going to galleries, having an early dinner, likely on Davie Street, going home for a nap before getting up late at night to go do that most primal of deeds, fucking surrounded by the sublime beauty of nature.
On the eve of Bob Marley’s birthday – a very brightly, crisply cold Friday in 1999, my wife and I emerged in full African garb onto Saint Laurent from Montréal’s palais de justice accompanied by George and my sister, Pandora, both serving as witnesses. That evening at our lovely Cote des Neiges home, the four of us were joined by a lovely Jewish boy from Hampstead. George and I were reunited after too long on the cusp of his 53rd birthday and among other things, we warmly celebrated his upcoming birthday. The evening was beautiful. Five years later, my wife and I relocated back to Toronto as both our fathers experienced health crises. My first visit to George’s Borden Street penthouse was beautiful, the view looked north to one of my favourite high-rises in the city; it is a deco affair at the northwest corner of Spadina & Richmond Street West. I am always reminded of Merlin and New York City where we met and how much he loved the architecture of 1930s New York City. Paris, my wife, and Pandora were invited to dinner in the late afternoon.
George seldom hung art about his homes, and rarely any of his; there was one however which moved me the moment I walked into the room. Who is it, I asked, to which George laughed and said, ‘it’s you, of course. It’s the companion to Pink Chair… it is Pink Chair. Back in 1987 when we first met, George had asked me to sit at his loft on Brock Avenue in the Queen West Queen neighbourhood. As a result of our carnal passion, George experienced a new creative drive; he became more creatively focussed and produced more. George’s attack was dazzling and he created with feverish speed. He was always grateful for that time, he was not yet 41 when we met and for him, it proved the mid-life crisis he needed. It was great, too, because Russell, a lover of his, had slowly been dying of AIDS and I became the anchor that kept him focussed here and now.
I was invigorated by this second Pink Chair, which had been completed in 1992 but which he had never shown me. Finally, George and I met separate of my wife, Paris, who has since transitioned and become Denver, for dinner at his Borden Street penthouse condo. Even though I had become a portly little cock-bottomed, short-breathed eccentric with age, I still wanted to return to being George’s muse and, of course, lover. As ever, we dined on another exquisitely prepared meal, which featured a George staple – asparagus and another sublime sauce with the right accompanying wine.At this dinner, however, George began opening up and told me of a murder at University of Toronto where he taught printmaking; it was a murder, George shared, for which he was a major suspect. For the next couple of hours, I watched George come undone as he talked of how unrelenting the authorities were in surveilling him. At one point, as he slumped in the chair across the table from me, George sprang back to life and said that he wanted to apologise; said George, all the years of hearing me speak of the insidiousness of racism and the effects it had on one’s wellbeing, he had dismissed and for that he wanted to apologise.
George trembled at times and he seemed to age before my eyes. Keenly, I kept a raptor’s gaze fixed on his every move. Never once throughout that dinner did I fail to look out for George’s right index and middle fingers’ movements; they never once quivered. George shared that he was terrified of sleeping because he constantly suffered nightmares of losing everything with his being pinned with the murder, going to and dying in jail. George said that he constantly felt as though his every action was being monitored, analysed to discern whether he was the murderer or not. Getting up, I went and knelt at his side at the dining room table and held him, hugged him. I let him know that I was there for him. Slumping forward, George hugged me and dissolved in tears, we both cried. I cried because I realised that there was no way that George could ever be passionate again; there could be no sleepovers – he talked constantly during sleep.
George and I never met at his condo again. Walking away that evening, I was struck by how neutered and consumed with fear George had become. At one point during dinner, with his back turned whilst cooking dinner, one of my notoriously loud sneezes exploded. Though George had heard that loud explosion countless times before, he responded as though a high speed train had unexpectedly zoomed past. George and I seldom spoke by phone and rarely emailed after that dinner. As a matter of fact, apart from meeting twice to catch a movie, we only saw each other whenever I turned up at Dr. Tsang’s. It was one of these visits – whenever I went to the doctor’s, George happened to have been there, George shared that he had cancer. I was stunned. Over time, George’s stomach became more distended, his look more wounded and what pained me most, was how much he remained as if possessed, thanks to having been a major suspect in the murder of a colleague.
After dinner, as I made to leave and we hugged long and hard, we then looked at Pink Chair, another of his masterpieces, George kissed me and said that whatever happened, it was mine; George wanted the piece to eventually become mine but for now, he was holding on to it because it reminded him of the passion we shared and how intensely I had inspired him to create and drove him, drove each other mad with the passion we shared. Getting down to Borden, I was so immensely drained at George’s despair that I walked with bike a block south to Adelaide, hailed a cab, securely tucked the bike in the trunk and silently wept on the ride home. I got in, lit beeswax candles everywhere, listened to Haydn’s Paris Symphonies, then had an extra hot soak in the tub with rose petals and Epsom salt, smudged my home afterwards with sagebrush, crawled into the pyramid, gathered crystals and upped my frequency whilst collapsing through the labiate folds of sleep’s sweet, welcome embrace. George died a dozen years after my return to living in Toronto from Montréal, and all attempts to acquire Pink Chair have proven unsuccessful. A lover scorned… indeed.
As ever, Life is like a flying dream; if you look down, you’re fucked. Enjoy the ride and fear no one!
Back in May 2018, at the time of their dazzling wedding, many television commentators asked, how is Meghan going to change the monarchy? Well, now we know how… certainly, not as anyone had envisioned. However, the need to demonise, vilify and make sport of being racially predatory, was the singularly focussed agendum of many – especially those of the tabloid press and obviously some royals.
Meghan is a master strategist; like every artisan, she knows how to lay a trap and watch mere fools reveal their hand.
Hey Stooopid! Well, of course, the thick-as-a-plank William would take the bait, which was issued by the Sussexes when speaking with Oprah Winfrey before everyone on either side of the pond. William’s rebuttal, the pissed off double negative uncharacteristic outburst, naturally serves as a validation of whom the Sussexes wished to protect, though, not really. “We’re Very Much Not A Racist Family.” Naturally, he who chose during his gap year to travel to a Catholic South American country to assist disadvantaged persons – persons they were who were not part of the Commonwealth, of which one day he will be king – more importantly, a country to which he travelled where not only was it not a Commonwealth nation but it is also not a predominantly black country.
Really, William, the mother of your closest royal male friend, shows up to your brother’s future wife’s inaugural Christmas lunch at Buckingham Palace and she wears a blackamoor brooch and this is not racist? Certainly, it could not be racist when that male best friend royal’s wife is Jewish and works as an actor in Los Angeles. Nah, there couldn’t possibly be malicious, racially predatory, shade-throwing afoot in such an open display of racism, which you did not object to, especially when it was your supposed much-loved brother’s affianced. For that outburst of William’s to the reporter, the prosecution would say to his colleague, I’m afraid you’ve a fool for a client, to which the defense attorney would not object. If Princess Michael of Kent wore the blackamoor brooch to the Sussexes’ wedding as a result of Meghan allegedly having made Catherine cry, days leading up to the wedding that would be one thing – doing so as a way to put the upstart American in her place. Either way, it would have been no less controversial. Indeed, it would have been more controversial had she worn the blackamoor brooch to the wedding as more blacks with the televised global audience would have been aware of the racist attack than were aware of the Christmas lunch at Buckingham Palace.
For being task companions and both possessed of 9 in their numerology, William as he guilty admitted by his outburst, have been the major racist architects of the Sussexes banishment from court – all of which they orchestrated by having the tabloid press do their bidding and the sycophantic ‘royal experts’ vilify the Duchess of Sussex at every turn. As ever, this being a patriarchal society, thus two prominent women had to be pitted against each other. Catherine, a weak, mousy inarticulate woman was threatened by a self-made woman… a black woman and that simply just could not be tolerated. Of course, Catherine fully empowered as future Queen Consort and future Queen Mother, disinvited Meghan from her sister’s wedding to the exceptionally well-hung, odd-looking billionaire whose father’s legal troubles are not dissimilar to prince Andrew’s. At the short-lived Royal Foundation press conference, Catherine sat there hissing an already full bellied python ready to unhinge, strangle and expediently devour the far too challenging prey that was her brother-in-law’s affianced. At Wimbledon 2019, Catherine much as she had at Ascot was just grinning her best ‘fuck you, fuck off’ mask, telegraphing to her sycophants that the American was truly done and finished. Catherine, energy body of 9 – the fiendish shit-disturber, dominatrix and archly discriminating snob held court and telegraphed much at Wimbledon and Royal Ascot 2019.
Back in March 2017, Harry and Meghan flew to Tom Inskip’s wedding in Jamaica. Two months later, betraying their grudge and racist ill-conceived plan to ban Meghan the American, the self-made black woman from the wedding, the Cambridges devised a scheme whereby Pippa was made to ban anyone who was neither wedded nor engaged to attend the church service of her wedding. Meghan, though, to be bullied and shown by the petty Cambridges that she was not welcome was invited to attend the wedding reception in Bucklebury where there was no press. This naturally was a message to Meghan that she was not going to enjoy a long lasting relationship with Harry if they had anything to do with it. However, there was one glaring omission to their bold-faced lie at excluding Meghan from Pippa’s wedding to the billionaire son of a sexual predator – Princess Eugenie attended the church service of the wedding with her boyfriend Jack Brooksbank. Though at the time, the media lied for the Cambridges by alleging that there was assured knowledge that both Jack and Eugenie had been secretly engaged in December 2016; therefore, this enabled Jack to accompany Princess Eugenie to the wedding’s church service. Time as ever always reveals truth; thus it was that in January 2018, long months after Pippa’s wedding HRH Prince Andrew proudly announced that Jack and Princess Eugenie were engaged. So in Pippa’s aka the Cambridge’s alternate reality, Harry a senior royal to Eugenie cannot bring his lover, Meghan, to non-royal Pippa’s wedding; however, junior royal Eugenie was accompanied by Jack at both wedding service and reception. Damn right, slam the door in her damn face and toss the goddamn flowers in the trash – that is what any self-respecting, self-made woman would do. Americans are no one’s inferior and black Americans definitely do not have time to play Prissy to anyone.
All of this drama has originated with the Cambridges, who for being possessed of 9 and being task companions readily became obsessed with banishing Meghan from court. After having successfully banned Meghan from Pippa’s wedding, Meghan was the last person to be surprised at princess flat-arsed-no-calved Michael of Kent showing up to Buckingham Palace 7 months later, sporting the blackamoor brooch because that’s damn well what Catherine & William would have wanted and directed princess Eurotrash to do. Now it was Meghan’s turn to repay Catherine in kind. Catherine who studied art history at university and who had clearly chosen the bridal party for her sister Pippa’s wedding, felt herself perfectly entitled to insist that Meghan’s flower girls and page boys should follow the royal tradition and be stockinged – her son and daughter were part of the party after all. Finally, Meghan gets what Meghan wants and there was damn well no way after being banned from Pippa’s wedding and Princess Michael’s blackamoor brooch that the Mulroney twins were going to look like blasted little stockinged poufters before the world simply because power mad Catherine knows best. In the end, though Meghan won the day, she broke down and cried after being yelled at and put in her place by future Queen Consort and future Queen Mother over-compensatory commoner Catherine. Catherine first number of 9 (shit disturber, dominatrix), perseverance mode and primary need of power could make the strongest self-made woman cry – especially within the confines of the hereditary system that sees her do as she damn well please without ever being challenged and certainly by über milquetoast William.
There they were sat, William and Catherine, throwing shade at his brother’s wedding before the 2 billion onlookers across the planet… to say nothing of the shrewdly observant television industry insiders across the quire’s narrow history-worn aisle. They betrayed their true nature because this is the bane of whites when being racialised towards blacks: open ridicule without a care in the world is more the norm than not; indeed, without the lightest awareness are they just how stupidly ignorant such behaviour is perceived by all humanity, who happen not to be small-minded bigoted whites. Indeed, smugly racialised are such persons who are possessed of zero awareness of just how stupid they are; alas, such persons never own their racism. It is that fix, like all other addictions, that they simply cannot get enough of. Catherine’s visit to Clapham Common was a PR stunt, which only occurred thanks to the truth of what occurred, leading up to Meghan’s wedding being outed during the sit-down with Oprah Winfrey. Meghan made only 2 balcony appearances at Trooping the Colour and on both occasions, she was relegated to the back of the balcony whilst HRH Prince Andrew, who is not a more senior royal than HRH Prince Harry and wife, was given a front row placement. That was not happenstance; just as it was not happenstance that as the Sussexes were banished from court, HM The Queen’s 2019 Christmas address would feature four sovereigns in a crafty way of eclipsing the much too popular Sussexes then along came the jealous Cambridges with their Bourbon-Bucklebury muggles on parade for Christmas Day service in Sandringham; as ever, there the Cambridge kinder progressed, looking just as lost, stupid and clueless as can be expected of bastardised Bourbon blood. Do you think that after that bit of “Fuck you, one of these things just doesn’t belong here” ploy by the Cambridges (the 4 sovereigns photos and the Sandringham walkabout) Meghan was going to sit there before the Queen, Oprah, and not lob a torch over the castle wall by mentioning the royal’s racist obsession with what intensity of melanin Harry’s children would manifest – to which, of course, William could not keep his damn guilty yap shut.
Diana, Princess of Wales spoke across time to her boys and the message was loudly and deeply embedded into the very fabric of Harry’s being: “If you find someone in life, you must hang on to it and look after it. And if you are lucky enough to find someone who loves you, then you must protect it.” Protecting the love with the soul which previously was the matriarch of the Tudor Dynasty, is a true mark of fealty and valour in love. Who has time to remain at the court of two bullying, grudging, jealous boors, who not only have 9 in their numerological makeup but are also task companions? William is not smart in the least but he is stubbornly rigid and exactingly uncompromising; he is also driven by an equally bullying dominatrix whose remarkable jealously has seen Meghan’s articulate command of the stage, scrubbed from the Internet as was deftly and elegantly on display at the 2018 British Fashion Awards.
Not only has Meghan shrewdly outed the Cambridges for the racist boors that they are, she has also cast a rather unflattering light on racism in American cinema, which must and will change. The small-islanded, arch racism that Meghan for simply being, exposed in the British psyche, will lead to Americans taking action on the constant influx of Britons, jumping the queue into Hollywood and being afforded American awards when Americans find themselves being passed over time and again in favour of Britons as arrivistes in Hollywood suck up and seek entry and access to British aristocracy by tossing Emmys and Oscars at British thespians. Honest to fucking god, why in the hell did Kate Winslet and Emma Thompson, to name but two, get awarded an American acting award when they aren’t Americans and there is a nation of more than 330 million with actors of every range and hue, being passed over time and again in favour of hideously racist Britons. And what exactly does one get in return but stinking arrogance and a complete contempt and disregard for American culture and its people. You never ever hear Britons in American, commenting on race; then again, Meghan for marrying at the very apex of their classist/racist society, exposed Britons for being even more hideously racist than Americans can ever possibly be considered. How is American cinema thriving when the tendency is towards brown-nosing Britons and for what? So many American stories from American civilisation are being eclipsed by these arrogant, archly condescending, cultural boors who can never decade after decade of being in Hollywood, shake that godawful, small-island accent that sounds as though talking whilst juggling hot coals up your flat arse. How much longer is American cinema to be deprived the celebration of Hispanic, Amerindian, Asian, Black and all the other rich cultures, which make up the American quilt, in favour of being recolonised by these racist boors?
What gives this displaced, boorish haus frau the right to go on an American talk-show and bully and belittle Americans? Since when have Americans been tolerated on British television? That’s right, regardless the Oscars and Emmys tossed their way, it has garnered nothing for Americans on the other side of the pond. What exactly do you think that racist boor, storming off set was up to, save looking to be relocated by the Murdoch family to America so he can grandstand on Fox TV, spewing his obsessive, racist hatred for Meghan, Duchess of Sussex day in, day fucking out – God only knows, an American could not have been found to replace Larry King on CNN. For having been there and done that, Piers’ plan in walking off the set of GMB, is to relocate across the pond and continue his racist diatribes with Meghan, Duchess of Sussex in mind; after all, someone has to take up the space recently vacated by Rush Limbaugh on American conservative talk radio. Indeed, Piers is yet another racist, hate-filled white male, who is adored and empowered by the tribe for “telling it like it is…” though perception for such persons is tribal, thankfully for the rest of humanity, perception is entirely a personal matter.
The second photo is a screenshot of ITV’s broadcast of the 2018 Remembrance Day in Whitehall. The red line of the YouTube video passes just below my right ear as I gazed across Whitehall to the balcony where directly opposite stood Meghan, HRH Duchess of Sussex. Ahead, there were persons 4 deep in front of me, I never did see the royal males who stood directly before me, facing the Cenotaph and laying wreaths there. I went home that night and when I got in, I was so overwhelmed with the amount of hatred directed at the Duchess of Sussex from every single person around me that I just silently lay there in my hotel bed and cried. It was the longest release…. I knew that I was crying because the vitriol made me recall the exquisite isolation and pain I knew for living in Winnipeg. Moreover, I recalled at one point as I walked back to the hotel what Diana, Princess of Wales had said in her televised interview with Martin Bashir: “There is no better way to dismantle a personality than to isolate it.” In that moment, I knew that Meghan’s life was not as it seemed; yet, I hoped against all hope that this pang of fear was not true. Yet in the end, we have all come to realise that it was true; this was especially evident when Meghan appeared in the landau with Harry and the Duchesses of Cornwall and Cambridge – she was bloated, depressed and at an obvious low point. What is even more disturbing, is knowing the amount of pain that his mother suffered, William has unrelentingly charged forth with his court of sycophants – blackamoor brooch and all – making Meghan’s life exquisitely unbearable…Can you not just imagine the amount of racially predatory peals of laughter that regularly rang thorough Kensington Palace as Meghan was being further subjected to some hideously racist indignity by obsequious staffers, courtiers, his friends and wife. Why if it were not for a campaign of racist attacks would the Sussexes refuse to move into the refurbished Kensington Palace apartment next to the Cambridges and settled instead on Frogmore Cottage?
One fact has become increasingly clearer, William is HFA. Though he is well-practised to within an inch of his life, beneath that deceptive Neptune conjunct the ascendant veneer are the giveaways; among them, he has a marked aversion for blacks, regardless what his handlers have made him get out there and do – it is after all a job. This explains why he never tours predominantly black Commonwealth nations. It also explains why he goes steely even deadly at times in that manner that is common to spectrum fare and no other humans.
Bully and violently loud to say nothing of stubborn are also marked HFA traits, which he possesses in spades and which are borne out by both his geniture and numerology. There is also that vaguely je ne sais quoi aspect to his totally; it is that babyish quality that all spectrum persons possess and his Neptune is conjunct the ascendant – talk about your loaded piece of burnt toast indeed. As with a preponderance of HFA persons, William’s geniture is marked by a stellium. If ever one needed further proof, his dark Moon conjunction sits at the descendant – Catherine the dominatrix revealed to a T.
All of this racist, immature, destructive behaviour would have, after the Sussexes, more devastated HM The Queen than any other royal. The Sussexes as Commonwealth Youth Ambassadors were going to keep alive The Queen’smost cherished legacy, the Commonwealth. Meghan attended Royal Ascot only once, June 2018. Naturally, her arch enemies, the Cambridges, stayed away so that they could stay at home and watch the procession on TV whilst bitching and ridiculing just as openly as they did Meghan and her culture before 2 billion people at the Sussexes’ wedding. Then there were the Cambridges the next year, 2019, with Catherine smugly celebrating because to that point, it was a done deal, Meghan had cracked and it was just a matter of time before they were kicked out of the Firm and be banished from what was soon to be Wiliam & Catherine’s realm.
Well thank the good lord the BRF and empire has no power over American media and in particular very powerful American media persons who happen to be black. William apart from having a stellium has Neptune conjunct the ascendant opposite the dark moon conjunction which sits squarely at the descendant. William is a weak, deceptive, not very swift eel, who is totally dominated by a unrelentingly power mad partner Catherine (dark moon in Gemini at the descendant). Numbers, astrology and overleaves do not lie…. you can fool no one and William and Catherine will never win in the current power play against the Sussexes for ultimately Americans neither care nor defer to royalty and once a Queen, Meghan is supremely in control and empowered by the supremely knowledgeable Harry born in the year of the Rat.
These are the all-important supporting power hitters who not only know where the bones are buried, they have the emails and texts. More than that, they are all strong, self-made, shrewd, intelligent women and absolutely nothing is more thrilling than the empowering laughter of a strong woman.
As ever, life is like a flying dream; if you look down, you’re fucked. Enjoy the ride and fear no one!
Tonight my home is awash in the music of Jessye Norman… this brings me inordinate comfort at this time. Sweet and truly blissful dreams dear ennobled soul. As I am unable to do little else, owing to being emotionally overwhelmed, I pause here to republish this blog of earlier this year. So very glad that I was able to attend the Glenn Gould Prize Gala this past February.
As I work 7 days a week, I was debating whether or not to attend the Twelfth Glenn Gould Prize Gala at the Four Seasons Centre for the Performing Arts. That morning en route home from some errands, I discovered that someone had jumped from a neighbourhood condo. I got in and realised that there was no more feet-dragging; to hell with being dog-tired. I got on the phone and called up Lucian Mann-Chomedy and said, “My darling, we are going to the Jessye Norman Gala!” As ever, always positive, Lucian chimed in, “Oh my, oh yes, how lovely. Well, I’ll be both honoured and delighted.” Indeed, life is for living!
Merlin and I met Friday, October 1, 1982 in a Hell’s Kitchen Walk-up, the following Monday evening, on his return to Toronto, Merlin called up crying. The man whom he had spent so much of our first evening together speaking of, had died; Glenn Gould had died. For the seven years that we were together, Merlin listened to Glenn Gould’s interpretation of J. S. Bach’s Goldberg Variations at least thrice weekly. Indeed, the first gift I purchased Merlin, was a recently released recording of the Goldberg Variations at Christmas 1982: I think that it is safe to say that that gift sealed the deal, I was a keeper for sure.
As I had waited until the last minute to get seats, I was sat in Ring 4 rather than the usual Ring 3. This, alas, was my view of the stage and of course, the butterflies are from the set for Atom Egoyan’s masterful staging of Mozart’s Cosi Fan Tutte, which the moment I saw the set, I began chuckling to Lucian on recall of Tracy Dahl’s unsurpassed performance as Despina.
As I was too busy trying to throw something together for Instagram, I was heard gasping when it was announced that the head of the Glenn Gould Foundation’s Jury this twelfth prize was none other than the actor, Viggo Mortensen, who then walked out onto stage. He, indeed, who in a few days time will be attending the Governors Ball where he may or may not be holding an Oscar.
Out onto the stage arrived the Twelfth Prize Laureate, Jessye Norman. Truly, it was a shock to the very core to see Madame being ushered out in a wheelchair. Suddenly, I was reminded of the events of earlier which caused me to rush home and purchase two tickets for the event. That aside, there was no greater joy than drinking of her soul’s inspiring beauty.
This beautiful gala was so filled with touchstones for me, none more so than the moment that bass baritone, Ryan Speedo Green was in full song. When he sang, “Aprite un po’ quegli occhi” from Wolfgang A. Mozart’s Le Nozze di Figaro.
Yes, indeed, this marvellous aria’s orchestration included a harpsichord. Straight away, I was teary-eyed as memories of the truly eccentric and delightful Milan Newcombe readily surfaced; Milan will ever remain a lover like no other.
During the intermission, I ran into two old friends not seen in at least 1.5 decades; we spoke of nothing but our surprise at Ms. Norman’s entrance. Life really does march full speed ahead.
After the intermission, it was the announcement of the Glenn Gould Foundation’s Progidy Prize with the recipient being none other than, Cécile McLorin-Salvant, the most fabulous Jazz singer on the planet. Is this not an evening to remember during Black History Month indeed.
This stunningly unforgettable gala was closed out by the final recitalist being the divinely gifted soprano and Glenn Gould Foundation Prize juror, Sondra Radvanovsky in full song, singing Verdi.
The gala concluded with Ms. Norman returning to the stage and singing a duet with Cécile McLorin-Salvant. This was a moving, emotionally intense evening and my life was greatly enriched for having chosen to attend. The gala was nothing short of magical.
As a tribute to this marvellous evening in the theatre, I will include herein two dreams, which were originally audio-cassette-recorded in the 1990s. Before each deam, one of Glenn Gould, the other Jessye Norman, I will include each individual’s Michael Overleaves.
Gould, Glenn Herbert 25/9/32 – 4/10/82, Toronto
This fragment was a sixth level mature artisan in the repression mode, with a goal of growth, an idealist in the moving part of intellectual centre. He had a Mercury/Saturn body type.
Glenn’s primary chief feature was self-destruction with a secondary of arrogance.
Glenn was third-cast in his cadence and his cadence is fourth in the greater cadence. He is a member of entity four, cadre five, greater cadre 17, pod/node 819.
This fragment has an artisan essence twin who was alive during Glenn’s life but there were no plans to meet. This fragment is still incarnate on the physical plane.
The fragment who was Glenn has a scholar task companion, who was in a previous life, Carl Philip Emmanuel Bach. They were not incarnate at the same time.
However, the fragment who was Glenn was exerting considerable influence on Carl Philip Emmanuel.
These two fragments had many lives together, once as luthiers, three times as court musicians, nine times as brothers of the cloth, twice as brothers in the flesh, as well as completing several important life monads, including student/mentor and master/slave.
In the immediate past life, the fragment who was Glenn had as his three primary needs: security, communion and exchange. Only the first of these was ever even partially satisfied.
So here we had a warrior-cast artisan who had seriously conflicting overleaves and a primary chief feature of self-destruction. He had a goal of growth but a repression mode which would not allow him to flourish.
He had a need for communion, but was sexually ambivalent and socially inept. Undeniably, he had great talent but took no pleasure from performing in public.
This fragment has a great deal of scholar energy that was used in the immediate past life to enable Glenn Herbert to painstakingly examine and interpret the works of Johann Sebastian Bach.
He was very interested in form and structure for all of his adult life. This fragment was, unfortunately, the victim of a severe obsessive-compulsive disorder, also for all of his adult life, which worsened considerably during his third and fourth decades.
This fragment did not, as popular wisdom teaches, retire from public life because of any strong beliefs in the recording industry. Glenn Herbert retired from public life because he could no longer bear to be in crowds, even if he was distanced by a proscenium.
Needless to say, this fragment did not complete work on his fourth internal monad.
Astral Plane Glenn Gould Recital!
Nothing is more uplifting than finding oneself at a great musical performance on the astral plane. This dream was about being richly inspired and by Glenn Herbert Gould, no less; it was truly marvellous an adventure for the spirit.
The dream occurred, on Tuesday, October 6, 1992, whilst the Moon transited both Aquarius and my ninth house.
I am in France where I leisurely browsed through a store; perhaps, it was somewhere in Paris. It seemed here like at nighttime. Whilst in one corner of the store, I noticed that there were all these big slabs of cheese in packaged containers. There was a woman coordinating the display of the cheeses. Sometimes the cheese was being grated and other times not. There and then, I decided that I was going to buy one slab of the cheese that was packaged in a rectangular box.
The cheese was about an inch thick and about eight inches long. The cardboard box that it was in was white and almost like the size of a box of Cream of Wheat. Surprisingly, the box was rather heavy. Though not unlike cheddar, it was a dark cheese. The smell of this cheese was really hard – quite the bite to it. It had seemingly been opened for too long as parts of it was growing hardened and turning colour. I knew straight off the bat that I wanted to have some to take home with me.
So, off I went to purchase the slab that I liked. Everyone here was, of course, speaking French which I quite so understood and liked. Interestingly, I too was speaking very competently in French. It was obvious that I was not too heavily accented as the others were pleasant-enough with me.
The second dream had me leaving the store; I then found myself hovering in the air. Whilst in flight, I went into a building which had a green – oxidised-copper – roof. It was part of a long set of buildings that had very, very tall stone chimneys. These were chimneys that were not unlike the ones at the Palais du Louvre. As a matter of fact, the building was similar to the Canadian Parliament buildings though it was not those buildings.
This complex was considerably longer. These were a series of complex buildings. Here, I was easily thirty storeys up whilst in flight. I looked down at the complex which at maximum could not have been more than five storeys tall. After having contemplatively observed the complex for awhile, I began very slowly gliding down through the air. I intently studied a procession of persons, way below, who were bailing out of very large buses; they were, as a matter of fact, tour buses.
This was all happening in a courtyard-like area and away from the bustle of the street. I next noticed some men who appeared; they seemed, in their long, flowing white robes, to be priests. They were not Arabic or Muslims in caftans; rather, they were definitely Whites. The buildings here were long on the order of Palais Richelieu in Paris. When I finally alighted, we had to go through this incredible entrance.
This led into a wonderful sandstone building; it was very modern with a neo-classical design. On the order of being imposing, the door to this place was massive. They seemed to be the doors to a temple. To get to the entrance, there were many steps which one had to climb. On entering, off to the right, there was a passage that one could take.
An aisle led along another passage; it seemed illumined by a skylight. The priestly men had all entered before me. They preceded a procession of adherents who had come to partake of some ritual. I had gone to explore, off to the left, because it was the wing of the building that had reminded me of the Palais du Louvre. Going there, I wandered about being fascinated by the place.
Some women were posing for artists in this particular wing. They wore modern garb but were very exceptionally beautiful. What was most intriguing about their look was that it was exactly as they would have appeared on the finished canvases. They were very nubile young women; they had to hold their poses for interminably long periods. Here several kids kept on going through the place; they were seemingly art students.
They were all very North American, middle class with their loud, snobbish bourgeois affectations. Right away, it was obvious that all the muses were still virgins. Theirs was an innocence that could never be affected. They were all teenage girls whose bodies were very voluptuous and full. These were not skinny people at all. There was one point at which one girl was holding different poses. Each girl would be painted by from three-to-five artists, at a time. Thus every pose would be captured from different perspectives.
At one point, they told her to take a break; they then reverted back to an earlier pose. This was so that they could return to that work and put some more work into finishing it up. When she changed the pose, she had also turned some 180 degrees. This particular model, whom I was studying, wore socks with Oriental-looking sandals. Inside her socks she kept little items of hers. Whilst she was making the transition, she simply reached up her foot and pulled up her right leg to reach down into the socks.
Hers was a pair of blue-coloured socks – pale blue. To just above the ankles was the extent to which the socks rose. Looking at her, she took out something from about her ankle which looked like a wafer. Not the least bit self-conscious, she ate it at once; it seemed like a chocolate wafer which she favoured. She seemingly needed it to get an energy boost so that she could stay focussed on the tedious work that she did. After having found it all very interesting, I moved on sufficiently knowledgeable of the goings on here. Walking along a corridor, I ended up going into a room where everyone was very strange.
A guy there was a lot like Galen Shim – my very beautiful, Hong Kong-born, Eurasian friend. He reclined on a bed with his head close to the door. When I came in, I noticed that he was naked. When giving him a massage, I began by oiling his body. It was quite fragrant oil. Rubbing down his body, I began working on his toes and feet. Afterwards, I got up to leave but he very silently began coming with me. So out we went and joined the procession of persons; among them this time were several kids. Mostly, they were teenagers – amongst whom I did not want to be.
Galen or the guy who seemed like him, here the guy was not wearing glasses as before nor would Galen for that matter, and I kept walking through the place. Pretty soon, after we had left the noisy kids, we started hearing the most beautiful music. This was one of the rare times that I found the music of the pipe organ to be beautiful. Within the complex, we happened on this wonderful cathedral inside which were most of the people from the procession. On entering the structure, it seemed more like a concert hall. We soon learnt that the hall was specifically built so that only Johannes Sebastian Bach’s music could be played there.
Never before had I heard classical music sound so beautiful. We stood there transfixed whilst listening together. Who then should I notice way at the front of the hall, at the pipe organ that sat high on the dais-like stage, but Glenn Gould. I could see his right profile as if in close-up. My god, this was rapture and then some. He was playing with such rapt abandon that I steadied myself and whispered more to myself than to Galen, “My god, what an incredible dream to be having…”
There seemed to be a skylight on the side of the high-ceilinged nave. Instead of there being stained glass windows, windows for that matter, there was only intense light raining down through what seemed to be a skylight system. The centre of the halved skylight was a wonderful neoclassical, oxidised, copper-looking, greenish flying buttress. Here the look, though modern, was more in the style of Islamic mosques or even Moorish architecture rather than the classic Gothic signatures.
A series of the most intricate and complex circles intertwined, like some riotous jungle vine, in the cathedral-like, concert hall’s stonework. Breathtakingly beautiful it was. I stood there, just inside the entrance to the hall, on the left of the wide aisle. This was a very wide-bodied structure. As you progressed down the aisle, there were different levels where one could go up and sit. These were either on the right or left. The central aisle was covered by the most beautifully designed red carpet.
This place was considerably wider than Notre Dame Cathedral. Unlike the Parisian Gothic structure, it was not a darkened affair. Here it was very intensely bright out. The light coming in on the right and left side of the flying buttress-like, central girder fell through a slightly frosted glass. The light was an intense – almost aquatic – blue. Interestingly, there were no beams or columns, supporting the unusual central, flying buttress-like beam. For looking at the light, one became slightly languorous. I felt paralysed with pleasure; there before me, down the massive hall, sat Glenn Gould.
He wore the most thick-fabricked garb; it seemed from an earlier age. All the men in the white gowns were up at the front. They were all transfixed – as well they should have been. Though I love Johannes Sebastian Bach, at the time, I had some reservations as I am not especially fond of pipe organs. I suppose that it is because it has always had too many religious associations during my childhood. The persons attending the concert were there simply to recharge their batteries. They seemed, all of them, as if not quite in their bodies for being so transfixed – they were otherwise-engaged.
Eerily, I had a sense that these were all persons who were between lives as is Glenn Gould. They were in a form of processing, a form of deep meditation on the order of sleep, as they prepared for the next incarnation. This fugue was the most complex music imaginable. Indeed, the music seemed designed for those between lives. The fugue was composed for astral plane habitués who, sans bodies, could best endure the music’s intensity. Getting a sense that I really shouldn’t be there, plus the fact that I finally couldn’t get into the pipe organ, I started taking my leave of the place.
Galen, or the person who seemed a lot like him, and I then went out front. There we waited for the specific tour buses to show up and take us away. Whilst I waited with Galen, or the person who seemed a lot like him, I was joined by Pandora. It seemed that most of the people who were here were very young-souled. They seemed to be on a pilgrimage, like visiting the original Gohonzon in Japan or going on the Hajj, at Mecca.
As the pipe organ played, I could hear in the tone of the place a faint whisper from the men in white robes. Their thoughts, it turned out, could be telepathically heard. Even earlier, when I had been hovering in flight high above the complex, I knew that this was more so a political institution rather than not. This was a structure which was just as colossal as the temple at Karnak and considerably older. This place was mind-bogglingly complex and massive. The temple was posited directly in the centre of it all.
Just like La Chapelle in Paris is comparably dwarfed, by its surroundings, so too the massive concert hall-like temple was dwarfed by the complex. This architectural marvel was simply soul-inspiring. Whilst all the buses were waiting, I took to one of the buses with Pandora. I had gotten impatient waiting to be assigned to one. We spoke in French because everyone else here did the same. This was not unlike a Parisian bus – the seats all faced each other. Seated close to the front, we were on the left side of the aisle behind the driver.
As though getting close to Saint-Sulpice Métro, I got up and said goodbye to Pandora. I wanted to get off there then walk back to her rue de Grenelle apartment. Pandora planned to go out then come home later so had asked me to wait for her at her place. Here it seemed as if nighttime coming on to dawn. Speaking guardedly in French, I made sure that I was speaking properly and not just fumbling partout. Really, I rather enjoyed this experience of being together with Pandora.
I was very serene enjoying the very beautiful experience. Galen, or the person who seemed a lot like him, had silently slipped from my side when Pandora came and joined me.
*Of course, it would turn out that the person in question was Louka Duplessis and not Galen. I would meet Louka, who accompanied me in this dream, the day following this dream. Just prior to meeting for the first time, it is not uncommon for me to dream of persons who will prove important in my life experience.
Norman, Jessye 15.9.45 ✟ 30.9.2019, Georgia
Jessye is a first level old priest in the passion mode, with a goal of rejection – functioning for the most part in the positive pole of discrimination, a spiritualist, in the emotional part of intellectual centre.
She has a Jupiter/Saturn body type.
Jessye’s primary chief feature is arrogance, with a secondary of stubbornness.
This fragment was third-cast in her cadence and her cadence is fifth in the greater cadence. She is a member of entity five, cadre six, greater cadre 33, pod/node 212.
She has a discarnate priest essence twin whom she did know earlier in this life but this fragment died in Vietnam. She has a warrior task companion and they have worked together and continue to do so occasionally.
Her three primary needs are: freedom, expression and power.
The warrior energy gives Jessye tremendous organisational powers and her stubbornness has enabled her to stick in there when the going got very rough many times.
Jessye is a warrior-cast priest who has been a spiritual rebel in this life. This is, by the way, not the first time this fragment has sung professionally. This fragment was a well-known castrato in seventeenth century Italy and performed many times before the crowned heads of Europe.
Jessye has great need to serve her concept of the higher ideal and has done so admirably by combining the folk music of her people with her operatic repertoire.
She performs well, as do most entity five fragments. This fragment has always enjoyed her work. Singing has been an extension of her inner spirituality. It is, in fact, a form of meditation for her.
Now that’s a Hollywood wife!
These rather lucidly awakened dreams were experienced with an intense sense of wonder and joy, on Monday, July 2, 1990. At the time, the Moon transited both Scorpio and my sixth house.
This first dream found me in a very busy place. When going south towards the Danforth, it was not unlike being on Broadview Ave. It was at night-time. I came there and found that there were tons and tons of Black people. Even so, it seemed like Toronto and at Broadview Subway station because there are all these streetcars there. One of the streetcars was improperly parked, as a result, it was going to go and turn around.
Waiting for it to do what it had to do, there was another streetcar out in the street. It was really more like a red-rocket streetcar. It was not like one of the newer ones. Everyone here was Black. There were no Whites or other non-Blacks that I saw. Everybody was in the street which was very jam-packed. They were getting ready to cross, after the streetcar had passed, to go in.
There was now a system, where you paid your fare aboard the streetcar, so that you did not have to enter the front doors of the station on Broadview. When you got aboard the streetcar, it was mandatory that you pay a fare. So it did not matter whether you paid a fare at the proper entrance or not. There were many people queuing up to get aboard a streetcar.
Passing these people who were seated there, I went through the proper entrance. One of them seemed like Gabriella Vartan† and they were talking about me. I came around and began going down the steps, into the nether regions, en route to the trains. There was this little old lady who was taking her time, holding up things, so I pushed her to my right. I made my way down then had to go around taking another flight of stairs; I then kept on going. There were a whole lot of levels to this subway system.
When I got down, there was this little cul-de-sac where there were these Black guys – homeboys – hanging out. However, they were not Black American. I found one of them very attractive and smiled at him. He, however, was very homophobic. He went running upstairs to go call the police on me. The train then came into the subway and it was a very, very large train. It towered very high to the ceiling. It was like an Amtrak train which seemed like a double Decker train. It was mostly silver, however, it turned out not to have been double Decker.
When it stopped, I began running full speed because I did not want the guy to come back and board the same car as me. I ran to the front of the train only to find that one couldn’t board there. Instead, one could only enter this train where the cars joined each other. You could enter the front or backdoors of each car but not the front ones of the first car. It was very sleek, round and Deco like a train from the 1930s. The whole place did have a feel of the ‘30s to it. It was very neo-Gothic like the Chrysler or McGraw-Hill buildings in New York City, or for that matter, even the Empire State Building.
It was reminiscent of very early in the twentieth century which was all about great architecture – of things being large, mammoth and spiralling upwards, too, things getting faster and faster. That sense of adventure about the wonderful world of commerce that one had created. It was that time when people had not yet begun to see, as we now know, the consequences of things being bigger and better and faster and all the effects on nature. I got onto the train heading, again, towards the front. Somehow, I felt relieved because I had lost the guy. I was there and noticed a stout man who was either High-Yellow or, perhaps, even White.
The people here were very strange because they were just rather unusual. Even though they looked White, they seemed more bronzish, actual bronze, than the pinkish tonality of the waking state. This was not a place that I knew. It was very otherworldly here, I soon realised. I did not get a seat and as I stood there I then noticed a woman. She was standing at the very front of the train. The train progressed with unusual speeds, I immediately noticed. When the train had shaken, the stout man had tried to brace himself by putting out his foot that was already out in the aisle.
In the process, he had stomped me and I had had to pull my foot out from under his and pushed his away. He wore business attire, a suit and tie, as though en route to an office job. The woman who was standing up was playing on a wooden flute-like instrument that was less than a foot long. However, the thing about all this was that she had unusually short arms. They were fully functional hands with tiny little fingers that nimbly danced over the valves of the wooden, wind instrument. Her arms were like a Thalidomide-damaged child’s.
Then I noticed too that there were other people on the train, about three or four musicians, practicing as well. I soon realised that everyone on board had some sort of physical deformity. They were just ill-proportioned people with torsos that were too long or arms that were too short. Arms too long or what have you, moreover, this also applied to the legs. The most pronounced cases were always the musicians like the female flautist – two or three of the other musicians were male.
Someone else who was on the train began laughing and, out of nervousness, I joined in. The person was laughing at the woman. She, however, hadn’t paid them any mind. Nobody else was paying people, who were laughing, any mind. They did not see anything wrong with the people who were being laughed at. I then got off the train and was out in this concourse area, where the trains arrived, before I went upstairs. Before I would go upstairs I saw this child seated in the middle of this white blanket that seemed more like diaper material than flannel.
The child wore a salmon-coloured merino. He had little, white, cloth diapers on. The infant had, again, very unusually, unusually short, short legs that made it look almost like a child because it was seated upright on its bottom. However, it had a very big torso – matured, such that the child seemed like a very big, big child for its age. Its head was very large with a very developed large and soulful-looking face. At the time it made me thing of Jake Hudson. Jake does have a very large head and face. I was trying to connect with him. He reached out his short little arms, crying out and said, “Dad, I want to go.”
There was this youngish man, who was blond like the child, and he seemed not unlike the guy Olaf Knight. He picked up his son and used the blanket, on which the child sat, that had these straps and put him around his shoulder. Like an African mother would, carry her child when in the fields, thus he was carried on his father’s back. He walked off with the child, who was holding on to him, except that the child was really an adult male. It was all very strange here in this otherworldly place.
I ended up coming upstairs and going out in the outdoors. There were people here – again, mostly Black people. I was talking to them when I heard the strains of Richard Strauss‘s Four Last Songs beginning. I beamed and excused myself from the people, with whom I was interacting, and went running off up this plaza. It was a clay-tiled plaza and when I got there, I saw the symphony. I went and sat in lotus position and sat very close to the front. There was a gathering of persons in a semicircle and I was, as a matter of fact, the closest to the stage.
The stage was above on a dais and it was edged by old gold juniper. The juniper was really, really nice and quite fragrant, refreshingly so, to the smell. Along came, from around a corner walking, Jessye Norman – the high priestess herself. She had been preceded by her divine voice’s magic. She was, of course, singing Four Last Songs. She wore a beautiful, beautiful, glistening black dress that seemed almost organic with a life of its own. It was twinkling on and off but the lights were lifelike like fireflies.
They were sequins but they seemed, somehow, to be organic. It had hues of gold, silver, bronze, and dark green hues like pine and blue hues like lapis lazuli. It was very, very intensely rich a fabric. She started singing the first song, Frühling, and it was very hauntingly beautiful. She saw me and beamed down at me. It was so connected between us. I was so enthralled and overpowered; I was quite smitten by her. I thought very rapturously awakened,
‘Yes! I’m having a dream of Jessye Norman. So very good to see her again, my god here she is and performing Four Last Songs.’
She then came almost to the lip of the stage and stopped as though about to sneeze. Then she held her breath and started laughing because it was so hysterical. The look on my face was one of being truly horrified for her. This had actually caused her to crack up. Then she began singing again and began making gestures for me to move or be removed. I was stunned and thought this some sort of betrayal.
‘Why is she snubbing me like this?’ I wondered. Then these two huge, burly guys came to eject me out of the area. As I was leaving, I could hear her starting to sing again. I was very, very upset.
I was, in the second dream, in this large house that was a very many-storeyed place. It had many apartments. I came out and it had a very slanted roof that one could go out onto. This roof was, however, very dangerously precipitous. I was looking about and thinking of Carl Leroiderien because, somehow, someone was talking about him. This White man was talking to me and telling me that Carl had been enquiring after me.
He then went on to ask me if I smoked dope which I denied. I can’t think of it doing anything for me except, perhaps, to make me sneeze at the most. Sometimes if mixed with hashish, I then got a massive headache. “It doesn’t do anything for me, I don’t really like it. I don’t see the point to it and I don’t smoke it.”
At the time that he was saying this, we were climbing some very, very steep stairs. Then at that point, after she had given her performance, I encountered Jessye Norman again. She was seated on a bench and called me over. She said hello very warmly and apologised saying, “I hope you weren’t upset. You realise that it was a misunderstanding. I wasn’t laughing at you; it’s just that you don’t seem to realise where you were.
“You were, well there are certain degrees of protocol and you were ahead of the dignitaries. And you shouldn’t have been so close to the stage because one of the reasons why your nose started bleeding was, in this dimension, if you’re this close to the stage… when I’m singing, when I hit certain notes it can shatter your eardrums but also shatter your mind.
“So you see it was very crucial that I get you out of there. Also, I was having a very bad allergic reaction to the plants at the edge of the dais. They made me want to sneeze. It wasn’t at all you or exclusively you.” In having embraced me thus, she was being most healing. I did, in fact, have quite the nosebleed. As I was being hustled out of the place, by the burly guards, it was then that I realised that my nose was bleeding.
At the time, I had thought it strange. As this dream progressed very lucidly and linearly, there was no point at which either burly guard had so much as touched me. I was so upset. It was so very good, after the fact, to have had her explain as she did.
*This dream really does validate the notion that all persons encountered in the dreamtime, without exceptions, are separate entities and not figments of one’s imagination. END.
When I was being bounced by her, I was so stunned, upset and humiliated. Had she not explained as she had just done, I would have awakened from this dream with a totally different perception of events. I had also no way of knowing that she was having an allergic reaction to the juniper which, at the time, I found so wonderfully soothing. What’s more, I hadn’t a clue that I had thrown the Chi of the place by having disrespected protocol.
I would never have thought that my nosebleed was due to her singing. In fact, it is possible that I could have awakened and not recalled that, indeed, I had had a nosebleed which I had totally forgotten until she had mentioned it. Jessye Norman has indeed straddled, with great élan and diplomacy, many a dimension with great frequency and fluency.
I then began holding her hand and told her that there were times that I had dreams of her, in which there were sometimes cetacean-looking creatures that came and did formations around her as she sang hyper-dimensionally. She was just enthralled and pleased. She squeezed my hands and laughed a healthy, really wonderful laugh. She was quite smitten by me and encouraged me to write it all down.
Her eyes here were so very large, soulfully dark and focussed right into me. It gave me a high just to have experienced them. I was wearing, when close to the stage, a satin merino-like shirt. So at the time of being bounced out, I had passingly thought that I had been dressed too scantily for her liking.
In any event, it was quite interesting.
This third dream was truly hysterical. It seemed like on Eglinton Avenue East, between Yonge Street and Mount Pleasant Road. It was at nighttime. There was a lot of goings on. Shirley MacLaine was there, Warren Beatty and Madonna Ciccone, as well. Warren Beatty was the man of the hour and the centre of everybody’s attention. He had a great deal of sexual energy and magnetism. He had been performing for the camera and for everybody around. It felt very staid to me though.
One very interesting thing that happened was that he had been heavily drinking and, whilst laughing, had bent forward. He then began uncontrollably coughing and was holding his chest and faking a massive heart attack. Next thing you knew, we were in a very crowded area and it turned out that he had not been faking the heart attack. He had a very, massive, massive heart attack. He was dead just like that. He was gone within moments. It was just incredible. Shirley MacLaine became utterly hysterical. Her bawling was like from some Greek tragedy.
She went into a trance-like frenzied state and began calling on astral guides and her Pleiadean guides. Pulling out a very impressive clutch of crystals, she threw herself onto him and tried healing him of death. She was placing them all over his body – at the chakras and elsewhere. It was too humourous for words. Meanwhile, as Warren Beatty died, Madonna came rushing up to the scene. It had all been too late and they couldn’t rush him to a hospital. There was no way that he could have been revived.
They had been out in some desert area having a big party; there were no doctors around. There was nothing that they could do; he couldn’t be saved. He was dead… he was gone. Shirley MacLaine started cursing to the gods, saying, “This is so unfair. He hasn’t even been able to make the sequel to Dick Tracy. And right when he’s at the top of his career this is happening?”
“Well you know this will really immortalise him now. Definitely, this is great publicity, right at this point in his career.” someone had dryly said who was not attached to his whole entourage. I had heard this but Shirley MacLaine hadn’t heard it. Madonna came and whatever she thought about I could telepathically hear it. Her immediate response was, ‘Oh shit! This is just going to fuck up my goddamn career. If only I’d gotten a child by him. Shit why did I have to have that abortion of his child. Shit!’
She was thinking fast. She was someone who knew how to manipulate the media. She was really pissed off because it would have meant immediate Hollywood sainthood for her, were she to go on and have Warren Beatty’s only child, after he had tragically died. She was really pissed off because this was media manipulation beyond her wildest schemes, ‘I’ve got to get him out of here. I’ve got to have the best genetic engineers flown in immediately…’
I was stunned when I read her thoughts because, of course, she intended to harvest his seed and impregnate herself and then have a premature love child of Warren Beatty’s. I was stunned by this woman’s phenomenal megalomania. ‘During the autopsy, I’ll have his sperm taken out and I’ll have it copyrighted. It’ll be my possession. I’ll have it engineered so that I’ll have a child… a son. God we can even have twins…’ She, all the while, was cowering over his face… kissing him and doing the wailing widow number, ‘…Can you imagine, Madonna?’
She privately squealed to herself – unaware, of course, that she was broadcasting to someone like me. She was so triumphant at having had that idea because all she knew was that people who so loved Warren Beatty would take to her now. She was insecure as to whether or not she would endure through time. However, with this, she knew that she would automatically become iconic. She would become truly the virgin mother! She would be actually giving birth to some dead man’s child – he of course being, Warren Beatty. It was destiny. After all, she was ‘the’ Madonna.
She had this flash that this was why she had always been so drawn to crucifixes. She was going to capitalise on the whole drama by making sure that it would be a son. Of course, not to be outdone by that old, other Holy Mother with the virgin birth, she would eclipse that Madonna by having twin sons. Again, La Stupenda squealed with delight to herself. I passingly wondered if I were the only one to be privy to her thoughts. Then I realised that from my detachment, as everyone bawled and was truly horrified as though these were Olympians and not mere mortals, that I was the only one.
‘What could be better than having two Warren Beatty lookalikes crawling around the planet and who were his twins? And his only heirs! With today’s genetic engineering it will be a great coup. ‘Think of the press! I’ll be guaranteed perpetual immortality. I’ll be iconised for all history…’ I thought then and there, ‘My god, this woman is monstrous.’
In any event, the funeral was upon us and by some strange quirk of the dreamtime, I was very much so a part of the funeral. I was as though a fly on the wall, as it were, and aren’t you lucky? Why, was I participating? I do not know?
In any event, I was dressed to the nines. I had on a wonderful, lace outfit with a mantilla with my veil covering my face. I was part, somehow, of the funeral party. It turned out that Warren Beatty had had five wives and, at the point at which he died, his fifth wife was a High-Yellow woman. She was part Black, part White, partly Latina. He had had all these wives. They had always been paid and kept to remain silent. They were never brought out in the public or media. It was one of Hollywood’s biggest secrets.
People, obviously, never knew about it. It had never once been spoken about. There was an interesting turn to all of this… I had been going along Eglinton East on the south side. It was as though I was going towards Yonge Street; however, it was not Eglinton Avenue East. Madonna was going to be late because, luckily, it was that time of the month for her. She was off having herself impregnated, by way of a turkey baster, with Warren Beatty’s frozen sperm – the planet’s most expensively rare caviar fertiliser of sorts.
I was attending the funeral with a short woman who was the fifth wife’s mother. She seemed a lot like Sybil Ben-Daniel and wore a brown coat over her dress. I walked with my right arm embracing her as she was on my right. I had burly bodyguards all about me, before, beside and behind me. They were real Mossad-goon-cum-Wrestlemania types. My pants were those flare-legged Giorgio Armanis that allowed me to stride throwing my legs.
There was a lot of train to them and I had such utter style. I had enormous energies about me and great flare. My eyes were bedazzling even though mantilla-veiled. They were what were, of course, fuelling my high spirits. The onlookers were lapping up my entrance; I felt wonderful. We then went into the church and the mother was talking about, “We want the money to go to the Church because the Church is really the staple of society and civilisation. The Church does so much good.”
I just decided to let her babble on and kept my tongue in check. However, I cussed her under my breath saying, “You demented old fool. What Church are you talking about?”
The church had a metallic-silver front and it looked not unlike York Cinemas on Eglinton Avenue East. It was not a very big church on the inside. As we got inside, I turned around and hissed at one of the bodyguards because he had earlier stepped on my train. Of course, we were surrounded then by the paparazzi and the little people. His Bigfoot’s footprint was there on the pant’s train. I reached back and slapped his face real hard, calling him a fucking asshole.
Of course, I knew that it was safe to do it here because everyone here knew, only too well, that side of me. However, I couldn’t wreck my public image doing so outside. As we got closer to the church, I began striding firmer with each step in anticipation of getting his oafish arse. I was really careful not to show that side of me when in public. I started going down the aisle and there at the end was Warren Beatty’s corpse in the open casket. It was a pure black casket that glistened. It was a dark black wood and a really gorgeous casket.
Escorting the mother-in-law, I came all the way down the aisle. I decided that I would go into the first pew on the right. The first pew on the left actually went further down the aisle and did go past the casket. It held men in white flowing robes; they were priest of whatever denomination this was – very cream, ivory-coloured and obviously very Catholic. I went and sat down and immediately behind me was the fifth wife’s family. They were very Hispanic-looking more so than Black. They were very handsome in that family.
I turned around and smiled at one of the men and the energies coming from them weren’t as I had expected – I had thought that they would hate me. I knew Madonna; I was apparently part of her hangers on. Somehow, I had known her through dance. I thought that, for that association, they would hate me. However, they displayed no such hostilities towards me.
Finally, the fifth wife came and was walking very slowly, regally. She carried a globular bouquet consisting of tiny, little white roses that were sprinkled in amongst some baby’s breath. There were one or two little red roses as well. She wore a white, lace outfit. Deliberately dressed as though attending her wedding, she was not though veiled. She came down to the casket and knelt before it, like Jacqueline Kennedy-Onassis at the rotunda, staking her claim on history by her performance.
She sobbed in a controlled breath and then got up and walked around to the right end of the casket. Facing the church, she was now behind it and up on the altar. She was before the pews on the left side of the aisle. She knelt down again and this time began wailing and ululating. She was doing ritual port de bras with her torso and head as well. She kept on holding on to the bouquet.
It was a very Latin; a very emotional display; definitely, not Jacqueline Kennedy-Onassis. It was very soulful and moving. One really felt for her. Finally, Madonna made her entrance and began slowly progressing down the aisle. There was utter silence in the place because everybody was thinking, ‘Oh dear, poor Madonna was slutting with Warren Beatty at the point of his death. Here is the fifth wife and is she going to create a scene or not?’
Well, of course, she is. The fifth wife is Latin so, of course, there will be theatre. When the fifth wife had been crossing the casket, I took in her body which was very wide-beamed. I knew then, in a flash, that she was pregnant with Warren Beatty’s child and four months pregnant. It was clearly no Immaculate Conception as per Madonna’s little trick. She was a very big-boned woman. She got up when Madonna entered the church and stopped crying.
Madonna saw her and avoided her glance as I turned and watched this fascinating bit of theatre unfold. Everyone was really excited at the potential fireworks about to go off. She started coming down to confront Madonna. I immediately and intuitively knew that there was a gun inside the bouquet that the fifth wife so firmly clutched. Positioning the gun, the fifth wife began holding the bouquet to her stomach. Madonna, staying her ground, kept on proudly walking down the aisle.
She wore black; it was an outfit that was not dissimilar to mine. She wore a short veil and not a mantilla like I did. She came walking down towards the casket staying closer to the left pews. The fifth wife came around the right side of the casket and was walking down the right side of the aisle looking at Madonna. She had a very, very vexed and determined – an almost trance-like, expression of self-absorption on her face. All the energy in her body was directed at Madonna.
When she was about five feet away from Madonna, she held up the bouquet and callously said, “I’m going to blow your fucking brains out!” It was filled with so much venom that it reverberated throughout the very high-ceilinged-though-tiny church. It was also very Gothic an interior. Madonna stopped truly catatonically horrified. You could see it beyond the veil. She had no entourage or bodyguards. She showed up alone, so confident was she of the coup that she had just scored at the geneticist’s.
She was so flustered that she gallantly stuttered back, “I dare you…” She was very nervous and said very quickly with a weak, little laugh. She was also vamping à la Breathless Mahoney – the character she played in Warren Beatty’s Dick Tracy film. She was, however, visibly ashen. Madonna was visibly shaken with fear.
Those persons in the left pews automatically screamed out and crouched down for cover because the fifth wife had held up the bouquet in both her outstretched arms like the gun that it so obviously hid. “Come on. You wouldn’t want to do that. That’s just stupid…” Madonna bravely said. “…You can’t do that. Besides Warren’s already dead. What are you trying to prove? You can’t do this to me! Don’t be stupid.”
The woman, however, started slowly walking towards her not buying her bullshit. At that, Madonna turned around and started to bolt and she fell down over her long-trained dress. She had already made it to the back of the pews on the left. She was much too vain, to run outside and possibly be murdered in front of the little people. So she got up and began running around the far side of the pews. Of course, as she ran away, the fifth wife could easily have shot her in the back.
Then Madonna got really pissed off, stopped against the far left wall of the church, holding out her palm at her attacker saying, “Stop it! You don’t want to do this. This is stupid. You can’t kill me. I’m Madonna!” She was just winded; the expression on her face was unbridled rage, fear, terror, chutzpah, all in one. Then the fifth wife pulled the trigger, which was the only sound in the place, releasing the magazine.
Madonna cried out and began pleading with her. It was truly a spectacle. It was really pathetic. The fifth wife then pulled on the trigger and there was a loud plopping sound. Everybody just screamed and the place became flooded with blinding blue light. It turned out to have been an older-model camera and the flashbulb from the camera as it went off.
At that, the fifth wife laughed this loud, truly callous, heavy-from-the-womb, ripe, wicked, vindictive, victorious-all-in-one laugh. It echoed throughout the church. When her echo collapsed, as Madonna stood there truly disempowered, the fifth wife uttered in a weary breath, “I always said to Warren that you’re an ugly slut. This picture will prove it.”
At that the fifth wife turned and came and sat down on the pew next to me. Her Latina family members were just going wild clapping and hysterically shrieking. Now that’s a Hollywood wife! Poor Madonna was still standing there involuntarily shaking. She was holding her chest and gasping for air like an asthmatic. Her left hand placed on her chest, with her right hand holding on to the pew, thus she stayed her ground.
Although her hand was on her chest, she was being most clever. However I knew that really where it should have been was at her pussy because what the fifth wife instinctively knew, as did I, was that she had just miscarried. Madonna was profusely bleeding. Poor Madonna was so humiliated. The look on her face was truly sad; she was sweaty and runny-nosed. She soon collapsed and had to be taken away. Of course, she would be beaten out of having Warren Beatty’s heir by the fifth wife.
The whole thing was so funny and hysterical. I was so stunned that the fifth wife was going to pull this stunt. I really thought that it was a gun; I had, at least, gotten this flash that it was a gun. The idea to have a bolt release, affecting a gun, was truly ingenious. The picture turned out to be truly horrific. It was all a joke being played on Madonna by Hollywood’s film elites who could not have cared less about her and her parvenu ambitions.
The whole affair was so very wickedly political. The whole thing was so hysterical. I wondered as to what next was going to happen. Is the fifth wife going to come forward and produce the first Warren Beatty heir – the true child? A child that would look like Warren Beatty – more like a child of the future being of multiracial heritage and a bronzed version of Warren Beatty would the fifth wife bear.
What then will she do about Madonna’s copyright of Warren Beatty’s sperm? Will the fifth wife, for producing the heir, win the legal rights to them and have them destroyed if she chooses to? Will this not, in fact, begin a Pop Religion rivalling the King, Elvis Presley’s, if Madonna had won custody of the sperm and gone on to impregnate herself and bear those miscarried twin sons because of her bonds to Warren Beatty and his two pseudo-virgin-birthed children – sons at that?
Truly, this is iconography for the new millennium, indeed.
*A very, very interesting dream. Certainly, that I would be dreaming about these people is interesting enough. I don’t pay much attention to any of them beyond the passing. I had seen Dick Tracy three weeks ago. That the whole thing would evolve the way it did was rather insightful. I was totally surprised, as much so, as was Madonna in the church.
I really did think that she was going to be shot. I thought that it would be so messy. You know, I just did not want having anybody’s can’t-wash-out bloodstains on my Giorgio Armani pants. A truly, truly funny dream this was.
*What can I say, dreams are purely experiential. I dream it and awaken, immediately bringing forth the dream experiences, committing those experiences to audio-cassette tapes. I rather enjoyed being alone and visiting with Jessye Norman in the earlier dream. Clearly, those dreams were set on a parallel Earth in another dimension and one in which the mostly Black population is differently proportioned than we humans of waking state Earth are.
On the eve of the Oscars, I thought this a fitting offering. I could never have fathomed the outcome of the fifth wife’s agendum until it unfolded. Ingenious, to say the least, was her use of the bouquet. As ever, sweet dreams and don’t forget to push off and start flying… and so what if you bump into a wall, just attempt doing so again and this time believe that you can effortless transcend the barrier. Perception is, alas, everything.
As ever my dear sweet ennobled friends, I am ever grateful for your continued support. Please do spread the word, far and wide about this happening dream joint on the cosmic wide web. Always remember to push off and start flying… I love you more.
Opening nights are always such fun… Tuesday night past, I was reminded of all the opening nights that I would attend with a slightly neurotic Merlin as some show or other that he had directed was being presented to the world… As ever, it was great to see my plus one, Lucian Mann-Chomedy as the ideal partner for these occasions. Always reserved, pleasant and just the right amount of chatter and wit.
Whilst Lucian enjoyed the pre-show lecture in the Four Seasons Centre Amphitheatre, I slipped next door into the warmth of the Sheraton Centre Hotel and warmed myself on a glass of sherry whilst finishing off 2018’s Scotiabank Giller Prize winner on my KOBO.
What an utterly stunning tour de force. It was a moment to reflect, this Black History Month on just where we blacks are in the scheme of things. God only knows, it has been bruising to watch Meghan, HRH Duchess of Sussex become the print media’s most reviled and hunted fugitive from justice of that most vile creature, the racial predator.
I was still smarting at the events of a week earlier during the winter season’s first major snowstorm. I had been recalling to friends how strange it now was, compared to my first winter in Canada. December 1, 1974 and it snowed that day more than 8 inches. Back then it generally was guaranteed to snow once if not twice weekly. Now at end of January, 2019 and we were finally having our first major snow. This was not like snow from years past… Now it was a dirty, sooty-looking hard mess that lingered, largely in part because the city has contracted out its snow removal services.
As there are no windows in my apartment – Sol’s too damn bright by far and besides, boarded up windows afford me more art-hanging space – I got down in the early afternoon that Monday with my bike, only to be met by falling snow and several accumulated inches. Back up I went, retired the trusty chrome steed and returned and hopped into a snazzy Audi A6 Uber ride with a Macedonian whose spirit was as smooth and elegant as matchingly was his car. The mood set the tone for my day. As I am known to work 16-hr days, I called another Uber at the end of gig one whilst hoping to get to gig 2 in good time. The snow was still coming down; it was also bitterly cold and windy.
When finally, Uber #2 arrived, cold and dark with icy pellets mixed in with the snow, the driver rolled down his passenger side window and declared, “Sorry Buddy but I am going to have to cancel this ride…” Already running late, with my wheeled suitcase at the ready, he edged along as I tried to open the door and raised his voice, his eyes almost feral-looking beneath his turbanned, narrow skull. “I said I am cancelling you. One: I never take people like you in my car. Two: you have a shitty rating… Sorry, not sorry. Fuck you Buddy.” With that, he stepped on the gas and I had to swiftly haul me and suitcase out of the way as the rear of his red older model car whose interior did have that blasted malodorous melange of curry, dirty armpit, dirty arse, smegma and whatever the fuck else that passes for immigrants of choice these days. Finally, after having struggled out onto a still-not-ploughed Bay Street, I managed to hail the fourth cab whose West African driver insisted that I call Uber and report him… Days later, I was afforded assurances that the racist Dravidian was no longer part of Uber’s fleet. Similarly, when calling a Beck Taxi with a fairly generic name as Arvin, on coming downstairs the Indo-Canadian drivers on several occasions as though staying on script would feign obsequiousness and state that they were deeply sorry but owing to a family emergency, they were having to take the cab out of service. No sooner than having refused me a ride, they would then be observed heading out to Wellesley, turning on their unoccupied light and picking up a fare off the road. As if the blasted motherfuck, the likes of your overbred arse invented Jazz.
Each and every time that one experiences racial animus, is preyed on racially, it always harks back to that first winter in Toronto. My best mate from two summers earlier, when I would come to Canada to visit with my dad during school break, had been sick. After Sunday church service at Knox Presbyterian at Harbord and Spadina before returning to our beautiful home at 122 Mortimer Avenue, I would visit – my dad and I – with Tommy who was holding up at Toronto Sick Kids Hospital on University Avenue. My father explained that Tommy was sick with the winter flu, which sometimes could last for months and well beyond winter. I was a scrawny little fourteen-year-old who looked like most ten-year-old Canadian kids as I crawled the halls at Harbord Collegiate where among my mostly Italian-Canadian chums was future lawyer, Rocco Galati. As Tommy, who was a couple of years older than me, had gladly shared books with me the two summers prior that I would take to Knox summer camp and read then have a good stroke off, lusting after my inamorato, Tommy, I readily agreed to do his newspaper route for him until he came home. My first Saturday, the cart was overflowing with the thick Toronto Star newspaper and there was a good foot of snow everywhere. It was hellish but for Tommy, I was game to go the distance – who knows what hot frottage, docking and more was in the offing for having done his route for him! When I got to the northeast corner of Floyd and Bater Avenues that first Saturday to collect the funds, the door opened to a woman whose response to me was the most hideous display of the displaced madness that is white bigotry. Screaming at the top of her lungs, the woman in her upper seventies, vituperatively cursed my black bugger arse off and laid down the law. Never again, “you dirty little nigger” was I to set foot on her verandah.., I was to put the paper between her screen and front doors, knock then return to the top of her steps and wait for her to pay the bill. That first Saturday, she ripped the paper from my hand, flung the money at me. She was terrifying, in her faded blue A-line dress, black spectacles that had those upturned pointed edges at the sides; she wore faux pearls. Most of all, she wore the most hideously terrifying eyes. I remember how much they looked like eyes of a rooster, especially so for being such puffy eyes. Like the evolved, winged and feathered reptilians that roosters are, her eyes truly did look not the least bit human. She was so consumed with racial animus that it was truly frightening. By the time I made it home, I found myself regurgitating. Thereafter, every Saturday, I would take my spot at the top of the steps and consistently she would hurl out pennies mostly at me rather than the verandah where that first winter I had to suffer the indignity of picking through inches of snow on the verandah, steps and lawn to collect my money. Naturally, without fail she called most Saturdays to the Toronto Star, complaining of either not having received her paper on time or that it was missing altogether. This would mean having to buy her a replacement at the corner store, take it and only to be fed on by the hideous-of-spirit racial predator. Like a true cockhound many an indignity I suffered in hopes of my spectacled, full-lipped and scholarly inamorato, Tommy hooking up with me for having been so loyal to him. The summer prior, I had ventured to the public pool on Broadview at Riverdale Park with him and a couple of others and thrilled beyond belief was I to spy his large pendulous balls and that hammer-headed girthsome salami that pummelled his bikinis. Indeed, for Tommy I would suffer much indignity. There was a low-rise apartment building at 1111 Broadview where on the ground floor, there was another predator, this one equally septuagenarian who lived alone, smoked incessantly and always answered the door in various stages of undress, mostly ever only wearing a soiled merino. He was always a generous tipper; a whole 2$ bill in 1974/75 was serious cash. Naturally, in the pre-Ciaslis epoch old anorexic, drunken paunched predator would sometimes tug on the old bulbous semi-flaccid/semi-tumescent, though, pendulous but perfectly useless appendage, trying to lure me in. Sitting there in all that squalor and acting as though he was sugar daddy material… indeed. He was always keen on trying to grab me when giving me the “tip” and I was ever sly and crafty enough to get away from him each time. He, too, lead me to regurgitate, which I had not done since age nine and suffering my first racial attack. Of course, to this day, neither academia nor medicine will concede that there is any such a thing as the racial predator and the effects it has on those preyed on – mostly blacks – and the psyche/mental illness of those who prey on others chiefly non-blacks in varying degrees of severity based on otherness.
Finally, the house lights went down and I was met by the whimsical vista of the COC’s production of W. A. Mozart’s glorious opera, Cosi Fan Tutte. Previously, I had caught productions of this Mozart gem in Chicago, Montréal and New York City. I was not expecting much at this rate. The Frida Kahlo connection was a bit of a stretch but the butterflies fast won me over.
From the moment that she stepped onto stage, my spirit soared aloft higher than Mozart’s glorious music to that point had spirited me. Never before had there been so captivating a Despina. My eyes teared up and I was ever on the cusp of explosive giggles. Then what made me truly come undone was the moment Tracy Dahl took to the stage as the notary… by now, I was losing tears and beginning to emit choked snorted chuckles. Each Saturday back in 1974/75 when doing Tommy’s newspaper route, I would end off taking the Saturday Star to Giovanna an octogenarian Italian, who was plump, charming and more adorable than any mere mortal ought to be. Soon, we were fast lovers and she loved fussing over me, baking me each Saturday nice, warm, oven-fresh biscotti washed down with a glass of ice-cold “gingah raleh”… her thick Italian accent was part of her charm. Hers was a large black and white cat, simply known as pussy gatto, who always sat nesting on the armchair. Each week, Giovanna sat transfixed as I read her the newspaper; her vision was to that point fairly deteriorated. As a way of better forging our bond and because most of my mates at Harbord were Italian, for three years, I studied Italian and that really impressed Giovanna, who was simply known as “Mama Mia.”
As the opera progressed, Ms. Dahl as the notary, dashed and took cover beneath the table at which point, I buried my face in the program with explosive laughter. Straight away, I was reminded of each Saturday when the ever silent pussy gatto would bolt from the armchair and take cover beneath the sofa where I sat as Giovanna began an explosion of long-winded farts. Even the singer’s voice sounded much like Giovanna’s as she sang the role of notary. Remarkably, it was as though she was channelling Giovanna. In that moment, I was healed of the bile, which the recent Uber incident had caused to surface, bile that dated as far back as 1974.
In the end, Tommy’s parents sold their house and it was not until a couple years later that I discovered from the neighbour next-door that Tommy, who had never returned to their Mortimer and Logan home, had died of Leukaemia. Indeed, the winter flu was my dad’s way of protecting me from the callousness of having to lose a friend so early in life.
Apart from the catharsis that Tracy Dahl’s performance personally effected, I don’t think that it would be biased of me to state that hers was the runaway performance in the COC’s fantastic, and fast-paced I might add, production of Cosi Fan Tutte.
As ever, mischievously push down and melt with laughter in celebration of the joy that is life and start having yourselves a most glorious of flying dreams. Thanks for your ongoing support of this happening astral joint on this side of the astral plane. I love you more.