Always, I Will Remember & Celebrate!

Merlin 26121988 (2)

Merlin 21/7/1947<O>18/11/1989

Always I will remember and celebrate the greatest explosion of light, love, joy and intellect encountered in many lifetimes.  The One.  The Man.  The Shaman.  The Lover.

Merlin, I love you… and of this there can never be any doubt.

These memoirs are the story of Merlin and I as mandated by Merlin within days of his passing 28 years ago, this day.  The first two of six volumes are now available, along with their accompanying Michael Overleaves Appendices.  Available everywhere books are online.. get yours and as ever, thanks so much for your support!

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©2013-2025 Arvin da Brgha.  All Rights Reserved.

Three Sketches of Fraggle Rock

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Back in late 1982, a couple of evenings after rehearsals, I made it home to the Trockadero loft which Merlin had sublet in Chelsea — across the street was a massive green-painted block long edifice at 645 Sixth Avenue — there would be Merlin and Jim Henson at the rustic kitchen table, hammering out ideas for what would become Fraggle Rock.

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Both artists would be feverishly sketching away at design ideas that they kicked around.  Of course, after having briefly been an actor, Merlin did work as a set designer at one point whilst at Tarragon Theatre where many got their start in the theatre, including playwright David Tipe.  David, of course, was instrumental in getting Merlin and I together.

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These three sketches are details from the final sketches for Fraggle Rock which went into production back in Toronto at CBC studios.  Whilst Merlin, Jim Henson and other directors worked on the inaugural season of that show, I remained in New York City working: classes, rehearsals — very rarely auditions — and working with choreographers who favoured my Vaganova-based technique.

Great it was to have recently come across these gems.  They will feature heavily in my renovated home which is chaotically being whipped into shape.  Later this fall, I will be hosting a book launch here and, of course, it will serve to feature some of my art collection.  I will keep you posted as I begin work on starting a podcast to feature dreams, anecdotes, interviews and critiques of art exhibitions and musings on travels.  I will then be launching volume two of what is human civilisation’s first dream memoirs.

If already you have not, I implore you to get your copy of book one which launched June 2017.  Each memoir comes with an accompanying appendix of Michael overleaves which were channelled by an authentic Michael channel.  Sadly, the Michael Teaching has become overrun, like a weed-infested abandoned garden, by charlatans aplenty claiming to be channelling Michael when indeed they are merely transparent third-tier failed actors/Madoffs preying on others.

I have every intention of scouring the internet and removing all signs of these frauds as they pass-on.  This is the only sane thing to do, to rid the Michael Teachings of the current blight of hoodwinking charlatans that abound.

As ever, Sweet Dreams dreamers, I thank you for your ongoing support and more than ever, I appreciate the support you afford me by purchasing the published and upcoming books which are filled with dreams and Michael overleaves aplenty.

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©2013-2025 Arvin da Brgha.  All Rights Reserved.

Lily Cole

Lily Cole Print

Lily Cole

Inkjet on Hahnemuhle Photo Rag Ultrasmooth paper, torn edges and hand finishing

61.5 x 51.5 cm

Edition: 48

©2014 Jonathan Yeo

This woman is phenomenally shamanic in dreams; then again with those eyes, that forehead and that shock of flaming mane, how could it be otherwise?  

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©2013-2025 Arvin da Brgha.  All Rights Reserved.

In Celebration of Merlin!

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Earlier this week, in celebration of the anniversary today of Merlin’s passing, I attended two performances of the Berliner Philharmoniker at Toronto’s Roy Thomson Hall.  On Tuesday evening, the mixed programme concluded with Gustav Mahler’s Symphony No. 7, E Minor – a truly glorious experience.  Moreover, it was good to have experienced Sir Simon Rattle at the helm of an orchestral performance.  

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The following night, this past Wednesday, November 16, 2016, I returned to Roy Thomson Hall for night two of the Berliner Philharmoniker’s tour of performances.  Always a favourite, the mixed programme concluded with Johannes Brahms’ Symphony No. 2. D Major, Op 73.  In no way was Brahms’ symphony comparable to Mahler’s symphony of the night before, nonetheless, it was a rousing way to have finished off the week of celebration which began at the weekend prior with a quick trip to Montréal. 

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I went there for two reasons, firstly to fortify my body, spirit and mind at the glorious Spa Ovarium: www.ovariumspa.com – as ever the experience was transcendent.  Previously, I had spent the morning into afternoon at the Musée des Beaux-Arts de Montréal on rue Sherbrooke to take in the Robert Mapplethorpe exhibition.  The show was spectacular. 

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Back in early 1983 whilst Merlin was in Toronto working with Jim Henson on Fraggle Rock, I was staying at the Trocadero Loft which Merlin had sublet whilst the dynamic duo who headed Les Ballets Trockadero de Monte Carlo were on tour.  Most evenings, Attila Isaksen would drop by and we would hang out, have great sex, watch TV or crawl about Chelsea and get up to no end of trouble.  Merlin had sublet the loft which sat across the street from the block long grand building at 684 Sixth Avenue between 20th and 21st Streets West.  The floor above was owned by a Gay professional couple who were heavily into S&M.  One evening after we had been out crawling the clubs – Attila who had transitioned from a life as a dancer was now painting and showing in galleries in Soho and elsewhere – we came home with someone that he had picked up. 

paloma-picasso

That someone turned out to have been Robert Mapplethorpe who proved a very intense bottom and a very memorable fuck.  He was intense and as equally ravenous a bottom as was Attila.  Attila was acquainted with him through the art world and picked him up at the bar we were hanging out in a couple of blocks south of my place at the Trockadero loft late one Thursday evening.   We came back to the loft and they smoked ganja, a cigar, did a ton of poppers which I never found remotely appealing, then cigarettes after our wild fuck.  I do though recall Robert’s arse being a rather loose affair.  I might also add as both he and Attila took turns bottoming for me that he was an especially good kisser. 

Robert Mapplethorpe

I quite enjoyed the show and Montréal was a great blast.  Wonderful it was to have been there and seen so many Blacks as here in Toronto Blacks seem to have been eradicated, marginalised, replaced by the White tribe’s buffer races – those who did so nicely for themselves and saw nothing remotely wrong with Apartheid whilst it profited them – who in this town are now the darlings of obsessive Canadians with Black culture as their latest agendum is pushing that most absurd notion, Indo-Jazz.  You know if you are never going to respect Blacks, you certainly can’t be hogging the culture as you so hideously do. 

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This brings me to the matter of the recent American elections; I am so glad that Donald Trump was elected because he will be the shot of adrenalin that Black Americans have so sorely needed.  I would not be the least bit surprised if President Trump does not turn around and have President Obama arrested and imprisoned for being an alien, not an American but of foreign birth and a Muslim to boot. 

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Regardless what happens, the election of President Barack H. Obama has deftly illustrated that we Blacks are not paranoid, not sensitive; racism is real and the White tribal obsession with hating Blacks is at feverish mass extinction levels.  Truly phenomenal it has been to watch these past 8 years evolve.  Amazingly, it is uncanny how some Whites can fabricate lies and for hatefully perpetuating lies as they did with President Obama, these lies soon become accepted as gospel truth. 

Alas, people always get what they deserve and Trump with his wall, I rather suspect, will prove more of a monster than far too many Whites and non-Blacks perceived President Obama to have been.  Racially predatory grudge of Blacks is truly the biggest cancer on human civilisation as it is not exclusively the obsession of Whites.  The entire election boiled down to the perpetuation of the five deadly isms being allow to riotously flower: lookism, ageism, classism, racism and sexism. 

Speaking of racially predatory behaviour, one of the dreams herein involved Damita Soud with whom I worked in the early 90s.  She was the most vile and hideous displacement of the human spirit; frankly, I knew her then because coming off my relationship with Merlin many were the persons like Damita whom I had encountered in the showbiz crowd. 

I do believe that Damita served to have reminded me and to have prompted me to have put persons like this well behind me where they damn well belong.  Also, as it is the anniversary of Merlin’s passing, there was a beautiful dream with a delightful Eurasian boy in London, England whom I assumed was my task companion Merlin reincarnated.  Of course, since this dream which was dreamt in early-August, 1991, Merlin has reincarnated in December, 2006 and is female in Holland. 

Also since that dream, my essence twin, whom I never met during this lifetime, was reborn in the mid-to-late 1990s into Germany is of Japanese/German ethnicity and will likely be a writer in this lifetime.  The Eurasian in the dream was likely an astral plane encounter with my essence twin as my reincarnated essence twin is not only Eurasian but is also male in this lifetime. 

Thanks so much for your continued patronage and ever, I implore you, always remember to push off and start flying because you’ve earned it.  Sweet dreams as ever. 

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Whilst focussed in this the first dream, I got aboard a bus and intuitively knew that I was in London, England.  I headed somewhere of which I am not certain.  Racily, I had jumped onto the bus whilst it was travelling and it was quite fun.  The double-decker London bus was painted violet.  I went to one of the circuses.  Getting there, I got off and began walking behind a teenaged punk rocker.  She had her hairdo done with it sticking out in clumps that were pointy.  She was blonde but it had spots on it like a leopard’s and it was definitely not a wig.

Her hair stuck out like a porcupine’s quills and was very long like about eight inches each.  The spikes of hair conically came in to a fine point.  She wore a black mini, black stockings and black Bull Dog boots.  She had fat, flat non-extant calves.  She wore a cream-coloured merino which had no sleeves.  She was quite long-limbed; both her legs and arms were beautifully proportioned.  I admiringly walked after her as she had a very strong forceful stride.  People were conservatively looking at her; they were being judgmental of her.

I quite enjoyed her energies as I walked after her.  She was a true Demolition Man.  The bus that I was on was getting ready to take off again.  There was one girl who had come out of a building with some long pieces of wood and steel rods.  The building from whence she came clearly was being repaired.  I thought to hustle back to get aboard the bus; as I did so, other people were doing the same thing but through the rear doors.  We were soon enough travelling again.  As we went past, I noticed an Oriental man outside the bus who was asking me how to get somewhere.

He was tall, very handsome and very erudite.  He had two children one on either side of him.  The boy on his left was Oriental but he was mixed; he was Eurasian with freckles and had natural brown hues to his hair.  I assumed that his White parent was the mother from the fairness of his complexion.  Goodness, was this boy incredibly handsome?  I never did see his eyes because I was on the bus as it was passing them on the street.  Afterwards, when I had gotten off the bus, I had seen them again.  However, once again, he had never made eye contact with me.

His lids were deliberately inclined downwards because he knew that I knew who he was and wanted to verify it by seeing his eyes.  I can bet you anything that these would have been Merlin’s, if he had once looked up at mine.  Regardless, his little shy act, I knew those energies; they were more familiar than any energies that I had ever reincarnationally encountered.  The other boy to the man’s right was purely Oriental and older than the reincarnated Merlin.  Goodness, it was so very wonderful to have encountered their energies.  As they walked on a female Londoner had given them directions and had long black hair.  She was a very, very handsome woman with a very spiritually noble quality to her; this woman could even have been the Eurasian son’s mother.  She had directed them to this museum to which they were trying to get.

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Antinous Brilman and I were alone, in what proved the third dream, intimate and talking.  We were talking about all these trees that were around us.  For some strange reason, there were all these London Plane trees which were diseased.  They were all dying out as a genus.  I was stunned really and could not think of any disease that they could possibly have.  “They were quite healthy and alive in both Paris and London, when I visited,” that had been a comment that I made.   I could not quite conceive of them going extinct; this, though, certainly seemed to have been the case here in this dream.  At the time, it was quite sunny out and the trees that were healthy were quite nice; those trees zinged with great vitality.

They beautifully reflected the light off their leaves.  Being in their presence was rather nice and uplifting.

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oleta-adams

Here, in the sixth dream, there was a Black woman singing and boy she had a voice on her.  She had a beautiful, beautiful voice; hers was a very soulful voice.  She was an up and coming singer, like Oleta Adams, but it was not Oleta.  She came and stood by a microphone that was from the 1930s; the mic was very Deco.  In particular, the mic is that one that is called a zephyr or a zeppelin – zephyr is correct.  She sang away with her beautiful African head tied up in a turban.  When she sang, she was in a medium that was bluish and slow-moving; in point of fact, the medium was not unlike water.  When she swayed her arms about her, the aqueous medium visibly also swirled about her.

This woman opened her mouth and hit some high notes that were electrifyingly astral.  I shouted, “You go girl.  Go ‘head!  Sing it!” I truly was ecstatic.  What she could do with this otherworldly music quite simply was incredible.  In that sense, it was not unlike a music video; except, it was as if holographic to the extent that one was inside the experience.  In the true sense, it was a virtual reality that I was experienced.

How she appeared was interesting because it was as though simultaneously otherworldly.  I had been singing and there had been these Whites about; naturally, they began throwing shade, “Yeah, yeah, great voice but not the look.”  “Oh shut up and sit down,” these were the sorts of crass remarks that they were making.

*It is always amazing to me how, for being so racially obsessed with Blacks, Whites will feel themselves possessed of some absurd right – which certainly does not exist – to go opening their fucking hideous-spirited mouths and spewing their venomous hatefulness in Blacks’ direction.  END.

I was totally impervious of their bullshit because it was nothing more than small-minded jealousy.  I saw these people who were coming and going.  As well, there were these young Whites who were as if models or model wannabes.  There was a very young-souled approach to their energies.  In any event, there was a party going on across the street and goodness, it was jumping.  There were a ton of people queued to get in.  I was there singing whilst playing a piano when my voice started carrying to the party across the street.  I was technically soaring very high.

Then everyone began clapping in unison.  Antinous was with me and getting ready to go across the street to check out the party.  Though, he had no invitation that did not deter him.  We were going to go crash it but it seemed very much so to be a wedding party.  The party was quite nice and the energies were riotously on.  Here, the atmosphere was great; it was wonderful.  This was the point that the young Black singer had appeared.  She was short and stouter than Oleta Adams.

She was very dark-skinned with very rich teeth.  She had very large teeth that were compacted just like Oleta Adams’.  Perhaps, it was Ms. Adams.  I do not, though, suspect that it was her.  When she sang, she could hold a note whilst adding cadence and timbre to it that was not humanly possible; at least this was only possible on this side of the waking state.  She quite moved me because as she sang, the water appeared and as if created and exuded by her.  Pretty much, it was as though one were seeing her aura as it gushed outwards.  One was being tuned into her vibration; except, this was an aura that was clearly aqueous and simultaneously filled with light.

Her unusual aura was heavy gelatinous water.  As she made the notes go higher, the water kept on changing.  Initially, the aqueous aura started out being light blue but it then shifted to a Kelly green.  Also, as the notes got higher, it became a yellowish-orange whilst transforming into red.  Below her at her feet, the water was still swirling with rich bubbles of varying sizes that rose up and above her head.  She slowly turned around on herself; this was so that she could have affected even greater acoustic depth.  My goodness, it is hard to relate here how incredibly elevated this music was.  I was greatly inspired by it.

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black-cat

I was upstairs in the kitchen, in what proved the eight dream, of an apartment with Damita Soud.  We were preparing a meal and washing some dishes.  In any event, she was talking and I just did not like her energies and did not want to be with her at all.  I then heard Whoopi cry out and I went running to look out the second floor window.  She was on her back and being gnawed in her neck area by another cat that reminded of Damita’s cat Spooky; Spooky, of course, is a little black cat which for being Damita’s would have a name like that.  This so mirrored the kind of unhealthy relationship that knowing this woman has developed into.  This dream interlude so reflected the constant non-too-veiled negativity from Damita towards me; it is an approach that I do not in any way appreciate.  I shrieked out the window at them whilst calling out to Whoopi truly horrified, “Whoopi use your hind legs and beat her up… beat her off you.

“Fight back, fight back!”  I could not get down because, somehow, I had this tether which was an orange-coloured coil.  The coil was wrapped around my waist.  More to the point, this coil was coming away from my umbilical area.  Furthermore, it was so hard to break the bonds to and from this thing.  Such an incredible graphic metaphor this dream’s every symbol.  I was most upset really.  I decided that this just could not go on for very much longer.

Somehow, Whoopi had gotten up and ran away towards an opening in the backyard’s fence; nonetheless, the cat was still on her.  I kept on yelling at Whoopi to fight back.  If only there was something that I could pick up at hand and throw out the window to strike Spooky.  Needless to say, throughout all this Damita remained perfectly mute.  Clearly, the animals, our animas, were engaged thanks to Damita’s decidedly negative focussed will.

*Damita is the perfect White female racial predator.  She is a so hideously perpetually racist; she is perpetually uttering some sotto voce racist remark.  These White racial predators forever  live their every day consumed with racially predatory thoughts on which they do not fail to act, truth be told, towards and on Blacks.  END.

I got this heavy thing but did not want to use it.  Obviously, it was quite likely to end up striking Whoopi in the process.  As it was, she was in enough shock.  Then and there, I decided that the time had long passed for me to put an end to knowing Damita.  Moreover, it personally was too callous a reminder of knowing Elektra Munk-Ejoohoè’s dysfunctional pernicious energies.  This was just not a healthy relationship and I did not want to know this person at all.  Indeed, it was high time that I put an end to knowing her.

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sareed-headscarf

I was in this place, whilst focussed in the ninth dream, where there was an airplane on an airfield.  I reminded me of the Recreations Grounds in Sandy Point, St. Kitts for being focussed in this dream.  The plane was parked in front of the pavilion.  These planes could come in and land on a field as small as the Recreation Grounds without having to do much taxiing.  Much like a Harrier jet, they had the ability to vertically land and take off.  However, this was a passenger jetliner.  Its colour schemata were like that presently of Canadian Airlines international: silver and blue.  However, it could just as easily have been a British airways jetliner.

The bodies of the jets were sleek and black and this airplane was one of the new Boeing 737-300 series.  Then again, it may not have been because I was looking at the single engine on the tail like a DC-10 or a Boeing 727.  Much like a Concorde, the jet was also unusually elevated off the ground.  Unusually, it had large windows like a Greyhound coach bus does; its windows were not the standard singular oval-shaped ones.  So, on looking inside each window, you would see three, sometimes four window seats at a time.  This jet had only two such windows and then you got to the tail of the craft.  There was a door by the tail and one just back of the cockpit.  So, it was a very small plane which had six to eight rows of seats.

There was a small window that did cover two seats in between the two larger windows.  A much wider-bodied plane than a Boeing 757, it also was elevated off the ground much like the Boeing 757.  I could not, though, quite figure out what was going down.  I wondered what exactly could this all mean?  Soon enough, I saw airplanes passing in the sky whilst coming into land.  They descended very slowly, away from the terminal, then on landing slowly taxied up to their designated gate.  There were persons on the plane waiting who had not gotten off because this stop was not their destination.  Some had, of course, gotten off.

I then noticed that there was a large road; this road was close to where the sea is in Sandy Point, St. Kitts.  There were all these beautiful Mercedes-Benzes which were coming into the airport.  One of them was very large, heavy-looking and black and in it rode a woman.  There was so much window space to the car that it seemed more like a rather stately Bentley.  She was East Indian and wore shades and much reminded me of Benazir Bhutto.  She was very proud, sitting very straight-backed and had a strong, prominent nose.  Her head was covered in a fine scarf which, of course, was part of her saree.  A white saree it had horizontal blue stripes.

She was immensely regal-looking.  As she got from the car, I kept looking at her from the area in which I waited; I was being very observant of her actions.  There were tons of East Indians about.  This locale was close to a shoreline.  The persons here were as if the untouchables – the lower caste people.  They were just lying there and many were coupled off.  There was a lone man lying there who was wrapped in his sleeping gear which presently covered his head.  He was close to the plane on the tarmac.

Up approached the woman to the man and bent down to him.  She was very animated greeting him, “Oh I’m so happy to see you.”  They were kissing and she was very genuinely affectionate towards him.  He was a wise old creature.  I could not, though, figure out why she was with such a lower caste person; it just did not make sense.  She was, definitely, the cardinal member of their relationship.  He was very soft-spoken.  The couple next to them began making love because this was their life; they had no home and privacy was not a luxury they even fantasised about.

They were kissing very deeply then he took out his cock and pushed it inside her wet and hungry pussy.  Quite rapidly they made love; it was a very hungry, rushed affair.  They were on their sides and quite tightly embraced.  Then when it was his turn to enter this woman, who was a great deal like Benazir Bhutto and still wore her shades throughout their tryst, he kept on masturbating before entering her.  She was quite hungry for his cock which was very unusually long and soft-looking though hard.  Interestingly enough, his cock had tapered to a pencil-like head.  There were about six or eight couples and all these men had the same classical Dravidian long slender schlong.  All of them on awakening got right down to the business of making love.

He entered her but was not going in all the way.  She was getting impatient with him because of his delaying tactics.  This then triggered what was an obvious recurrent argument between them.  Seems that he had studied to be a doctor but was not practicing.  He did not want to; he wanted only to live next to nature.  He was quite disenfranchised with civilisation.  He said that he had no desire to get caught up in Maya… with materialism.  She fervently argued nonetheless, saying, “But you have to be strong.

“If you are going to be my partner and be in my life, you’ll just have to do better than this.”  They were having this sort of argument.  Basically, he could not participate in the game because he was frankly too old a soul; he just did not find the rat race remotely interesting.  Materialism had no appeal for him.  Though it was clear that the ardent sensualist and lover did so love her, and passionately too, he had no desire to play at the game.  So, at that, I decided to move along and leave them there on the shore.  Here in this place, it was very futuristic.  Even though it seemed in parts the Indian Subcontinent and there was still the abject poverty of the caste system, it was as if set in the late 22nd to early 23rd centuries.

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In early-August, 1991, I awoke from these dreams at my Queen Street East, Beaches apartment and was rather inspired.  After having audiocassette-recorded the dreams with a loudly purring Whoopi next to me in bed, I got about the task of letting her outside to play.  I then got about the business of flowering my life with music to begin in earnest the waking state part of my life.  Thus it was that I began playing Oleta Adams’ 1990 studio album, Circle of One.  Naturally, the choice song that day was her hit single, Get Here, which was an especial favourite of Penina da Braga’s.  Standing in the middle of my living room, I kept my lids shut and swirled my arms about reminiscent of Ms. Adams’ shamanic turn as she weaved her beautiful magic in the dreams just had. 

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Photo Credit: Merlin 1970s in Montréal

Programmes Nov 15 & 16 2016 Berliner Philharmoniker at Roy Thomson Hall

Spa Ovarium at Beaubien & St. Denis in Montréal

Musée des Beaux-Arts de Montréal

Paloma Picasso Gelatin Silver Print 1980 Robert Mapplethorpe

Ken Moody & Robert Sherman 1984 Robert Mapplethorpe

Louise Nevelson Gelatin Silver Print 1990 Robert Mapplethorpe

Gong 96 Acrylic on Canvas 1966 Claude Tousignant

Piccadilly Circus, London, England

London Plane Trees in Paris, France

Oleta Adams – singer

Black cat domesticated short hair

Headscarf and sareed Indian beauty.

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©2013-2025 Arvin da Brgha.  All Rights Reserved.

Prosecuting the Past whilst at the Deathscape.

Jacqueline Kennedy Onassis3

Since having shared these dreams two years ago, I have been corrected by an authentic Michael Channeller as to Jacqueline Kennedy Onassis’ true role in essence; she is a young soul sage rather than young soul king – her first husband, John F. Kennedy was a young soul king and he was reborn to an aristocratic family in France and I do believe reborn male.  Contrary to the word on the faux-Michael ether, Jacqueline Kennedy Onassis – whom I encountered one glorious summer afternoon in 1983 after ballet class at Harkness House with David Peregrine and his lovely sweetheart and former classmate, Jackie Sloane – who both perished in the Canadian Rockies when he piloted some years later in 1989, Ms. Kennedy Onassis vibrationally seemed every bit the king soul.  Alas, that may well have been her well-fortified social persona and false personality then experienced.  Of course, it was at Harkness House where Rebekah Harkness’ cremains perpetually rotated in a golden urn designed by master surrealist himself, Salvador Dali.  

Since these dreams were shared, I have elected to have channelled the overleaves of the following persons: Salvador Dali and Maria Callas.  Too, I am adding here, Frederick Hinneault’s overleaves, though, they have been previously shared in this blog.  Frederick was a the most glorious Cree feather dancer who introduced me to the world of powwows in June 1994.  I met Frederick after having had the most lucidly awakened flying dream to a past-life whereat I witnessed a young shaman coming of age during initiation ceremonies.  Well, you can just bet that after so high a spiritual dream experience, I chose to do no such thing as time-waste in the presence of dense-energied, somnambulant and decidedly spiritually unsophisticated coworkers.  So off I went to Club Vancouver bathhouse on West Pender Street where there I met the genuine article, Frederick.  After having made a sweat lodge of his tiny room, we spent the rest of the summer holding hands and travelling about B.C. Alberta and Washington.  Firstly, though, he took me to a lookout point high above the Cypress Bowl lookout where in a bath of cloud-untrammelled sunlight, we laid naked side by side in the long grass, holding hands and he got out his whistle that called a majestic eagle; this was one of the most magical experiences of this incarnation.  

Frederick, at the time, was full blown with AIDS.  What was most revolutionary was being in the company of two-spirits.  This was the first time being in the company of Gays who were not possessed of racially predatory animus.  That first weekend, just past 1994’s summer solstice was my true arrival and connection with Canada and what she represents.  I finally felt no longer as an outsider.  I will always have the greatest respect for all First Nations peoples from Baffin Island to Patagonia.  

These were truly operatic dreams, drink anew of my chalice and may you, satiated and inspired, slip into lucidly awakened dreamquests of your own.  You’ve a wealth of knowledge and beauty which passively lie awaiting your inner focus deep within the aqueous folds of self.  

Sweet dreams you… ever, we will be kindred spirits – you and me – sharing this magical quest of self-discovery, self-actualisation and self-empowerment.  I am honoured by your continued support and for that, I love you more!  (August 2016)

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These next dreams occurred two days apart and dealt with the same individual.  I have recently written of her and shared a dream of her, Jacqueline Kennedy Onassis.  At the time of these dreams, which are currently being chronologically transcribed, Mrs. Kennedy Onassis was a recent astral plane habituée. 

As such, these dreams – and the last in particular – vicariously gave insights to her deathscape on becoming an arrivée astral plane habituée.  I dream it, I share it and pass no judgment on either self or the subject(s) of any dream ever had. 

As with all astral plane-focussed dreams, these were rather intense experiences.  Especially so was the fourth and final dream of the second day of dreams shared herein. 

The first dream was the only dream that day and it sets the mood for the nature of the second dream to come of Mrs. Kennedy-Onassis.  That dream occurred two days later and was more thorough and insightful.  At the time of the first dream, it was Saturday, July 9, 1994 and the Moon then transited both Cancer and my second house. 

Two days later, Monday, July 11, 1994, there were four dreams and as on the July 9, 1994, the fourth and final dream that day focussed on the deathscape for the arrivée astral plane habituée, Jacqueline Kennedy Onassis.  As is her wont, Luna had beguilingly slipped from Cancer to Leo and correspondingly from my second to third houses. 

The final was an intensely volatile dream that was all about emotionality and karmic dross.  Having passed near two months earlier, though I was not much-focussed on her life in the waking state, it is not surprising that one would vicariously tune in to the deathscape goings-on of one the century’s most iconic figures, Jacqueline Kennedy-Onassis. 

Sweet dreams as ever.  Rather than the standard one photograph per dream entry to this blog, the break between both days’ dreams will be a second photograph. 

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I was, in this the first dream, in a park like New York City’s Central Park with Pandora da Braga on my right.  From across the vast plain came a large steed from a low, heavy mist atop a knoll.

Here the light was rather diffused and potent.  The horse was a possessed powerful creature.  Rapt in focussed canter, it barrelled across the green grass towards us.

Atop it rode a large-boned woman who was a fierce warrior-spirited individual.  She turned out, no less, to have been Jacqueline Kennedy Onassis.

She rode in traditional riding gear: black cap, white riding breeches and black riding boots, all of which was topped off by a red riding jacket.  Her gloves were short and made of thick black leather.

This woman was arrestingly powerful.

Pandora and I were stunned into silence.  All the shrubs wore various-sized beautiful white blooms that simply zinged with life.

All was ordered and serene here and it clearly was a reflection of this woman’s afterlife passage – the deathscape.  The Earth simply quaked beneath the power and grandeur of both she and the steed.

I mentioned to Pandora, after she had ridden past, that I had seen her, back in the early 1980s, on two occasions in the Manhattan.  She was, to be sure, a very robust, dominance-goaled kind of person.

Hers was a very powerful warrior-energied complex.

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Diva - Maria Callas

Whilst speaking with a man, in this the first dream, I assured him that I could never bed Aaron Wookay because of his pheromones – body odour.

I do believe that it was, in fact, Aaron Wookay with whom I had been speaking at the time and made the slip of saying what I had.  There was certainly a glaringly pregnant pause at the end of it all.

As we spoke, in the middle of the late-afternoon street, a very tall warrior-spirited Karl Weller walked past with a guy on his left.  He was dressed all in black clothes and as I sped up after him, I said aloud to my companion,

“Now there is a man that I could bed…”

I intimated that I had already had an encounter with him in the waking state.  This was in fact true.  I then got him into a black limousine and together we headed for my place.

En route there, at night time, we stopped outside a Dairy Queen.  The store was tiny and right at the corner of one of the city’s intersections.  Getting out, on the left side of the car, I went inside where I ordered large slices of a white cheesecake with soft ice cream.

When I returned to the limousine, he was immediately in bed lying on his back on some blankets.  He took a bite of the food and, at that point, I began groaning.

His entire body then lapsed into an adrenalin quake as he had his first all-out experience.  He was full of nerves and caution.  Wanting to leave, Karl Weller then hurriedly got up; I was quite disappointed.

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In this the second dream, Isha da Braga insisted that I deposit some cash – 10$ or 12$ – into her account because I had owed her as much.  I was really pissed off because I knew that I had already paid her whatever monies that I had owed her.

En route to the bank, I stopped off at her condo to which I had a pair of keys.  Slowly, I stirred the pot of stew that she had started before heading to work.  The stew simmered on a low fire.

Soon, I encountered Pandora da Braga who also needed cash.  I then became an issue of how to move around cash, via cheques, from one or more of my little-funded accounts to get to float until the next payday.

With that, I headed off to the bank to begin my unscrupulous activity.

*This is something that I have never attempted and would never think to attempt in the waking state.  Why?  END.  

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Soon, in this the third dream, I got sidetracked.  I went off and had a hot encounter with a guy whom I now think was Frederick Hinneault.  We were, in an old building, writhing away on a table.

Splayed and utterly contorted, we were going at each other like there was no tomorrow.  Too, it was also hard to tell just who was fucking whom.

A tall Black security guard, whilst on duty, happened on us.  Pretty soon, he interrupted us and joined in when he oughtn’t to have done so.  He took off his thick, brown leather belt and began beating me with it.

I was truly incensed and let him know that I could damn well file suit against him for having struck me.  After all, it was not a part of his duties to have done so.

He was surprised at my response.  Seemingly, he was a novice in his crisp, brand new khaki uniform and hat.  He was rather handsome a fellow.  Nonetheless, I was still upset with him.

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I would, whilst focussed in this the fourth dream, have an encounter with Jacqueline Kennedy Onassis.  At the time, I was going along a corridor in a palatial residence.  Seemingly, this was an eighteenth century château.

Whilst she was dressed in clothing that was late 1950s-60s, A-line conservative and nothing flashy, I walked after Mrs. Kennedy-Onassis.  There were several other persons about.  Impatient, she was not at all in a very good mood.

Rushing back, I went to the off-white blue hallways to the other wing.  We were two to three storeys aboveground.  There, I saw a dark-haired, strong-featured woman and intuitively knew her to be Maria Callas.

Jacqueline Kennedy Onassis and Maria Callas were in the midst of a nasty feud.  Conversely, it turned out that to get her attention I would have to quickly act.

Pulling out a shotgun, I shot into the ceiling in order to wrestle her attention.  The gunfire stunned Maria Callas; at that point, I then bolted and went back to be with Jacqueline Kennedy Onassis.

Coming to her aid, I held Mrs. Kennedy-Onassis by the forearms as she was slumped in a chair.  She had been truly traumatised by the gunshot going off so close to her.

In light of what she had endured on November 22, 1963, in Dallas, Texas, her reaction was not surprising.  This soon served as a glimpse into who had really killed whom.

From what I learnt here, it turned out that not only did Jacqueline Kennedy Onassis get rid of Christina Onassis and Marilyn Monroe, she also used occult means to get rid of Maria Callas by way of literally bewitching Aristotle Onassis.

I was being told this by a voice which I heard speaking to me.  Interestingly enough, the voice sounded like a gruffer version of Jacqueline Kennedy Onassis’s famous breathy register.

This insight was all being telepathically shared with me.  However, this house was definitely on the astral plane in which Maria Callas was confronting Jacqueline Kennedy Onassis.  As it were, both astral plane habitués were prosecuting their relations in their respective immediate past lives.

There was no getting around the fact that Maria Callas had the upper hand here.  There was a sense that, try as she might, Jacqueline Kennedy Onassis simply could not get out of this confrontational drama; it was, as it were, fated based on who owed whom karma.

Maria Callas was truly operatic.  Not the kind of person that one would want to have as a foe was she.  For having predeceased Jacqueline Kennedy Onassis as well as Aristotle Onassis, there seemingly was much that she knew of what really happened whilst she was alive.

This woman, Maria Callas, was truly operatic.  Her rage was such that she seemed to create an emotional tornado.  Even when she spoke, her voice operatically boomed.

This was drama that was supra-Wagnerian.  The palatial, soothing blue-interiored dwelling’s walls violently quaked as Maria Callas fumed and berated Jacqueline Kennedy Onassis from her wing of the château.

Jacqueline Kennedy Onassis looked extremely spent, haggard and aged; she had been completely vanquished by Maria Callas’ rage.  If these karmic debts had really been incurred by Jacqueline Kennedy Onassis, it then stands to reason that on reflecting on her just-concluded life, there would be some degree of remorse and inner pain as part of her deathscape on becoming an arrivée astral plane habituée.

Jacqueline Kennedy Onassis was deeply troubled here.  Though she was every bit the lady in her own right, for having been wronged, there was a great impactful power that Maria Callas exhibited for having been wronged.

The whole affair had karmically left her completely in a funk.  All of these done-in women were strong-willed individuals who had, in some way, posed a threat to her sense of self.

Not only did she not suffer fools gladly but from the evidence here, Jacqueline Kennedy Onassis did not suffer threats to her power in any way.  Once so threatened, her only response was shrewd and calculating.

They were simply removed from the environment – struck down.  For Jacqueline Kennedy Onassis, with a Scorpio rising, it was all too possible that this sort of tactic would have been deemed a viable and appropriate response to such a threat.

Here in the dreamtime, for being alone with her, I came to understand what would have motivated her to have taken such actions.  This was the only way to stake her claim on history and not just near history but millennial history.

At all costs, a statuesque stalwart of power and regal dignity, she had to survive to the end.  To have been respectively displaced or denied by Marilyn Monroe or Maria Callas would have eclipsed her and made her but a footnote in history.

This is how she saw it.  Christina Onassis did nothing but try to have her displaced and dishonoured by way of a divorce; this, too, could not be suffered.  She won.  In all things, she won.

As that dream on July 9, 1994 attested, she was the born warrior-spirited leader who was never felled in battle.  Victorious to the end was ever her approach.

Indeed, coming through the mist of time, Jacqueline Kennedy Onassis will transcend Time for several millennial as one of the most pre-eminent leaders of the 20th century and not merely just an iconic woman.

Into the future and legend she will forever ride a valiant steed, though a dark one, a figure of power, strength and dignity.  Indeed, a bloody-talonned warrior this one.

Leaving her, I went running back through the halls saying that I had to get to the ministerial offices.  I wanted to get there at once, in order that the records may historically be set straight.

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Photo credits: Jacqueline Kennedy Onassis fox hunting in Virginia.

Opera diva, Maria Callas.

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© 2014-2025 Arvin da Brgha.  All Rights Reserved.

HM King Charles III (Emperor Caligula II).

HRH Charles, Prince of Wales & Frances Segelman

Bust of HRH Prince Charles, The Prince of Wales, sculptor Frances Segelman & HRH Prince Charles, The Prince of Wales.

Just as when first discovering Lucian Freud’s and Jonathan Yeo’s works, I was greatly moved on discovering sculptor, Frances Segelman and her masterful work.  Pure creative genius.  The bust was recently presented on the occasion of the 40th anniversary of the Prince’s Trust, HRH Prince Charles, Prince of Wales’ successful charity.

A couple of years ago, I had the most rhapsodic flying dream which had me in low flight through St. James’ Park.  Once on the edge of the park, I alighted and began crossing a very deserted Mall towards the entrance road to Clarence House and St. James’ Palace beyond.

There, where the road joins the Mall was the largest statue, it was of Her Majesty, Queen Elizabeth II riding a great steed.  Without a doubt, on having seen this bust, the statue had been created by Ms. Segelman – at least in this probable future… one in which, at that point, HRH Prince Charles, Prince of Wales was HM, King Charles III.

There was so much grandeur and elegance to the lines of the sculpture.  The horse was on its hind legs, though not fully rearing, Her Majesty sat confidently sidesaddle whilst serenely looking down at the throngs and not the least bit thrown by the steed’s action.

Though tuning in to a probable reality, it would be great to have a statue to honour HM, Queen Elizabeth II by the masterful, Frances Segelman.

Until such time as the probable become reality, God Save The Queen!

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©2013-2025 Arvin da Brgha.  All Rights Reserved.

Two Men In the Studio.

Two Men In the Studio

Oil on Canvas

185.4 x 120.7 cm

1987-1989 Lucian Freud

Masterful.

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If only I had begun audiocassette-recording the dreams on awaking prior to February 1989.  In mid-1987, I had the most lucidly awakened dream encounter with the artist, Lucian Freud.  I had been in a flying dream and instinctively knew that I was in London.  On alighting, I moved through a woodsy artist studio and found there the artist himself.

To better absorb his process, I had rendered myself invisible and remained in a corner whilst onlooking.  Without a doubt, I had dreamquested to a session for which both men – the subjects of this canvas – sat for this painting.  Of course, at the time, I was then a muse and lover to master printmaker and painter, George Hawken.  This was an immensely fulfilling time in my life; it was also rather adventurous as I was then quite happily ensconced in my relationship with Merlin.

Suspecting that he was ill with AIDS, Merlin had long canned our physical relationship.  Since I was in my 20s and one of my three primary needs is adventure, I most unashamedly roamed and salaciously ploughed the town.  Along with Francis Bacon, Lucian Freud’s masterful work has always fascinated me.  Not surprised then was I to have recently discovered that the trigger for that 1987 dream was the fact that we are entity mates.

Here’s to you and as ever sweet dreams and thanks for your ongoing support.

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©2013-2025 Arvin da Brgha.  All Rights Reserved.

Happy International Women’s Day 2016.

In celebration of every woman everywhere who has ever lived, loved and nurtured human civilisation to its fullest potentials, I salute you.  The best is yet to come.  Gender Equality in this century… and nothing less.

Here’s to Maria Callas – truly, a woman in full.  Her Michael Overleaves to follow plus a dream in which she is featured, though, previously posted herein on this blog is linked again.  Incidentally, I have since learnt that Jacqueline Kennedy Onassis was/is a Sage rather than King soul.  No wonder she was truly overwhelmed by Maria Callas in the dream; indeed, no young soul sage would be a match for an old soul king.

https://dreampoetica.com/2014/08/13/prosecuting-the-past-while-at-the-deathscape/

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©2013-2025 Arvin da Brgha.  All Rights Reserved.

Celebrate: Frank Sinatra 100 Years!

Chairman of the Board Frank Sinatra

Whilst the Moon transited both Taurus and my twelfth house, I would dream the most lucid astral plane dream in long ages.  At the centre of that dream encounter was the man of the hour, the newly refocussed, Frank Sinatra. 

Over the years, I have had very few dream encounters with this man.  As befitting his Michael Overleaves, I found this man to be rather arrogant and abrasive. 

*Frank Sinatra’s Michael Overleaves were channelled as those of a young soul sage.  END. 

This for me has always been an indicator that one is dealing with a young soul.  They are just so damn impatient, arrogant and socially aggressive – sorry but these spiritual boors just bore the living shit out of me. 

Prime example of the young-souled zeitgeist is deftly validated in the dream encounter with the quintessential young-souled female of the 20th century, Jacqueline Kennedy Onassis.  Add to all that animus-charged angst is the fact that she also happened to have been a young-souled king. 

Her effect on me during the dreams of December 30, 1992 – which in this blog are entitled: King Holding Court – are the dynamic of a late mature soul (self) being socially shunned by a young soul (Jacqueline Kennedy Onassis).  These persons, for me, are extremely enervating and real crushers of my aura. 

Although, to be sure, when Merlin was incarnate I would have suffered much with regards socially aggressive young souls, now I simply do not suffer.  I simply walk away – life is too fucking short to suffer spiritually dense-energied boors. 

In any event, the dream was of Frank Sinatra being feted as the arrivé astral plane habitué that he then was.  This was one of the most beautiful, healing and lucid dreams imaginable. 

Well you can bet your bottom dollar that I spent the next several days saturating the walls of my Montréal home with Sinatra’s sublime soulfulness.  I have chosen to include all the dreams had that day as they allow me to fill the spaces between with another YouTube video of Sinatra’s shamanic wizardry. 

At the time, it was Sunday, May 24, 1998 and the dreams were audiocassette-recorded on tape CCXLVIII and are to be found in Volume XXV of the 25-volume dream opus.  Be well and as ever, know that the love you afford me by being herein focussed is relished with every fibre of my creative soul and, in turn, is returned to you tenfold. 

Sweet dreams – for we are, you and me, marvellous shamans.  I love you more! 

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A room, where there was a tall countertop, proved the setting for the first dream.  Two large books were sitting on the countertop whilst a fat Jewish man was putting on a play.

I too was supposed to have been putting on a play.  Going to one of the books, I opened it and looked inside.

A black-covered book, it contained fascinating information.  For starters, it stated that on June 5th, I had tested HIV+.

On learning this, I remained rather detached.  I was not in the least bit devastated by the news.

I thought that, perhaps, this had likely occurred when I had been off being frisky in Vancouver’s Stanley Park.  Being blasé about the news, I shrugged saying aloud, “Oh well, that’s life.”

Next I was naked and squatting.  I looked back over my shoulder at my body and thought that at some point my body was going to become excessively skeletal.

Honestly, I was not upset to have learnt this news.  Later on, I would get together with Xerxes Hamelin who was seated on a bunk to my immediate left.

Turning to look at him, I told him the news and adding that he needed to go and get tested.  He, too, was not especially upset and remained seemingly resigned to the ramifications of the reality at hand.

Holding my hand, he said that it was okay with him and that we would move through this together.  Furthermore, Xerxes said that whether or not he tested HIV+, we would remain together.

He assured me that we would go through it all.  I was reminded of how fiercely loyal an individual Xerxes Hamelin is.

The Jew was stout with curly black hair; too, he had a bit of a receding hairline.  He was most intent on putting on his play and was quite passionate about it.

Myself, I had lost all focus with being creative.  I knew that it was going to take me some time to adjust to experientially being in this new space.  There would be a lot to have to assimilate.

At the time, I had told Xerxes Hamelin that I was already taking a whole battery of pills – vis-à-vis being HIV+.  Seemingly, among other things, I was also taking AZT pills.

So far, none of the drugs were proving toxic which was nice to have known.  I was wearing a black jockstrap whilst seated on my folded legs and looking down at myself.

Looking at the outside of my left thigh, I was inspecting myself with visions of what aesthetic horrors laid up ahead.  There was a moment there of chilling terror.

The interlude was, though, brief as I realigned my energies by starting to do deep yogic breath exercises; thus, I eclipsed all negative thought processes.  Quite simply, there was no time to be negative as nothing was to be accomplished by being thusly focussed.

After having known so many people who have passed of AIDS, I had to be accepting of the inevitably of Life.  In the end, I chose to be philosophical about this change in my life experience.

I must say that one had to be more positive about the inevitable.  After all, death was merely a transition into the greater community.

Indeed, more persons have died than have lived.

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Next, in this the second dream, I was in a salon where on one side there were large floor-to-ceiling windows.  This was a long salon and 18th century in style.

The style was decidedly French and the colour a soft, soothing blue.  Lots of chandeliers dominated here which were pear-shaped.

Lots of persons were here and everyone sat on Louis something-or-other chaises.  The chairs were white with gold filigree.

Down the centre of the salon ran a plush-looking red carpet.  I sat, down in one corner of the room, being none-too-loud-personalitied.

There were all kinds of famous persons scattered about the salon.  Too, there were non-famous persons none of whom I recognised.

As for the famous persons, some were no longer incarnate whilst very much so alive at present.

A door stood off to my left across from where I sat.  Though I was with someone, I cannot now recall who exactly it was.

That particular door opened and revealed an incredibly intense blue light.  The light flooding into the room was also the same intense blue and, by far, was more than sunlight.

Nor was it platinum-hued or matted as if the Moon’s light.  The light flooding the room through the opened door was incredibly intense.

The large regal-looking double doors had opened simultaneously from outside.  Goodness, I could not believe what next happened.

Into the stately salon walked the recently discarnate Frank Sinatra.  Quite simply, this man exuded power itself.

God… I simply had to sit up, straight-backed, in my chair.

*I can’t recall ever having had a dream encounter with this man whilst he was incarnate, though, I may have.  Too, I have never really paid much attention to his musical career.

Certainly, I was not anticipating a dream encounter with this individual.  Indeed, as it is, I am loathed to have to admit dream encounters with famous persons.  END.

Straight away, I stood up in deference to the elder creative statesman.  Quite obviously, Frank Sinatra had now awakened from the so-called ‘soul sleep’ to being an astral plane habitué adept.

After having completed the transition to being no longer focussed on the physical plane, this was a coming-out party for the much-loved entertainer.  God, it was good to have been there in the salon.

Frankly, I had no clue why I was there.  Way down the exceptionally long hall were Dean Martin and Sammy Davis Jr..

The latter two, of course, are older astral plane habitués than Frank Sinatra.  Too, the comic genius Charlie Chaplin was closer to the door with Dean Martin and Sammy Davis Jr. to greet Frank Sinatra.

All the stellar personalities, who had already passed on, were closest to the door through which Frank Sinatra entered.  Next in line, were the incarnate celebrities who were familiar with Frank Sinatra at the time of his passing.

Jay Leno was one of the incarnates present at the astral plane salon.  He got up and nobly walked over to greet Frank Sinatra.

Jay Leno had been the one to usher Frank Sinatra into the room and was quite an affable easygoing host.  Frank Sinatra was so fuck-all fantastical and magnetic.

What was most extraordinary about this dream was how undeniably Alive Frank Sinatra was.  He looked no more than fifty years old.

Above all else, Frank Sinatra looked well-rested.  There is simply no other way of describing how he looked and energetically felt.

There was such an abundance of love in this room – even more so than outpoured at his passing.  Truly phenomenal was it to have been in this salon.

What remained with me, long afterwards, was what an honour it was to have experienced this transcended being’s awakening.  Truly uplifting an experience it was for me.

I think that I may have been with Xerxes Hamelin.  In any event, as we stood there clapping and cheering, excited to see him, the arrogant one simply turned his back on us as though we were so much uninvited guests.  At the time, I had been thinking that he was going to make his way over to us and whilst en route he would be shaking hands with everyone.

Alas, no such luck.  He did shake hands with some long-dead celebrity who remained seated on the ornate-looking chairs.

I believe that it was someone whom he had known earlier in his career and who was a record or film producer.  Someone, it was, whom one would never have known for being a member of the public.

I was left with the impression that Frank Sinatra was not only difficult but arrogant as all hell.  I for one was not put out by his behaviour.

I was thrilled to have seen him awakened, as it were, into the light.  This was not about gawking at celebrities but, rather, I was there to salute his just concluded and quite accomplished life.

After all, he had creatively achieved a fantastical amount.  Truth be told, 200 albums is nothing to sneeze at.

My companion and I had been the first and, it turned out, only ones to have gotten up and clapped.  This made us look that much more out of sorts.

As if to show his disapproval, Frank Sinatra had suddenly turned his back on us.

We had made embarrassing arses of ourselves; his reaction was, more or less, “Shut up and sit down!”

Way down at that end of the salon, there was a great deal of laughter as he, Dean Martin and Sammy Davis Jr. got reacquainted.  Frank Sinatra looked so incredibly on; he was so in tune with his very soul itself.

He was in total command of the situation.  He knew where it was at.

There were no misconceptions as to what was going down.  After having moved on from a rather accomplished life, he had just arrived in grand style.

Power to him!

*I think that it should be stated that part of the reason for Frank Sinatra’s arrogance is owing to the fact that he was authentically channelled as a young soul.  Furthermore, this was a young soul sage which means that he would be possessed of much dramatic and aristocratic airs.

With such Michael Overleaves, at the very least, Frank Sinatra would definitely come off as acutely arrogant.  As a recent astral plane habitué, Frank Sinatra could be expected like all young souls to be arrogant, blunt and frankly rude.

Either way, that does not detract from his stellar creative accomplishments.  Certainly, I was not going to hold it against him being merely human even when an astral plane habitué.  END.

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I was working in a corner, in this the third dream, at the offices in Vancouver.  Whilst walking south, I was looking for a place to sit and work.

Rashima Mittal was trying to pre-set something on the seat which I wanted.  Calling out to her, I let her know that I had already taken the seat.

There were no hostilities between us; in the end, she ended up taking the seat ahead of mine.  At the time, it was nighttime out.

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Whilst in another office working, in this the fourth dream, I noticed at the supervisor’s podium writing away was none other than Kari Laitinen.  He was writing on a writing pad.

On noticing me, he blushed – he was being shy.  Going over, I warmly greeted him whilst marvelling at his handwriting.

He remained shy as we warmly visited together.  For most of the conversation, he shyly looked down and not because he was trying to avoid or shun me.

Initially, I had been standing before him and then moved around to the side of the podium.  By so doing, I ended up standing on his immediate right.

What struck me most was that he was not writing in French.  Rather, he was using a language of symbols which seemed more so Middle Eastern; possibly, it was Arabic if not Hebrew.

Though there were others around, they didn’t factor into the scheme of things.  What struck me, too, was the fact that aspects here were set simultaneously outdoors.

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© 2013-2025 Arvin da Brgha.  All Rights Reserved.  

Man Changing into Thunderbird VI of VI

20150609_123817[1]

Oil on Canvas

© 1977 Norval Morrisseau

Provenance: The Leitz Collection,

Art Gallery of Ontario.

http://www.ago.net/

Love these works especially more so as they have been recently relocated within the gallery; they are better displayed now.  A true shaman of the first order, Norval Morrisseau.

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© 2013-2025 Arvin da Brgha.  All Rights Reserved.