Why No Spencer Colouring?

More and more, the hideous burrowing larvae at this rotten artichoke’s core becomes exposed. Respect is earned and never a birthright. When incarnate anywhere in the physical universe, the most important asset to possess, is intellect. So you don’t like blacks, and who pray tell are you to the people for whom Jazz is culture, high art and everything?

So never mind Archie’s skin colour; what about his hair colour? All along the Sussexes have cleverly hidden from view Archie’s hair colour, indeed his true identity; he was photographed being returned home from preschool, wearing a large toque. Also, at Christmas 2019, he was photographed with his proud pa whilst on Vancouver Island, wearing a toque to coverup his flaming Spencer mop. He was filmed on Oprah Winfrey’s interview with his parents in a manner such that much of the colour was edited from the film, making it appear as if filmed in black and white.

Royal fans expressed their annoyance over not seeing Archie's face again after Meghan Markle and Prince Harry released a new picture of their son to celebrate his second birthday (pictured) in May this year
This photo of a pregnant Meghan in March 2021, was another example of when the Duke and Duchess of Sussex decided to not show Archie's face to the public
Last year, the Duke and Duchess of Sussex opted to share an illustrated Christmas card - leading to some disappointed fans calling for the couple to show Archie¿s face (pictured)
However, in 2019, the couple appeared more than happy to show their son's face, making it centre stage in their festive greetings image
On his mental health series The Me You Can't See, co-created with Oprah Winfrey, Harry showed several new images of his two-year-old son, seemingly showing his front
While on Ellen, Meghan decided to share one showing Archie's back
Prince Harry and Archie pictured in Canada in 2019. The Duke and Duchess of Sussex's son's face can be clearly seen in the photograph, shared in an end-of-year review by the couple in a 2019 clip
Prince Harry (pictured) has once again showed how well he's embracing his relaxed LA lifestyle by going barefoot in a trendy Christmas photoshoot
Heavily pregnant Meghan Markle pictured taking son Archie to school (photos)

Last Christmas’s card was an illustration where the colour was a smeared auburn. Archie was filmed in sepia holding ballons which yet again, left his identity ambiguous. Then after having dropped the race bomb on the Oprah Winfrey interview, Archie’s shock of red hair is finally revealed. Just as Meghan executed the most elegant display of controlled anger, during which time in her sit-down interview with Oprah Winfrey, she never once mentioned Prince William, she went one further and subtly taunted Prince William by having HSH Prince Alex Lubomirski reveal to the world Archie’s true ‘colour’.

George Edmund McCorquodale - Genealogy
Meet Prince Harry's cousin Louis Spencer - the man who will inherit Diana's  childhood home - Mirror Online

Not only does Archie have the Spencer redhead gene – like his cousins George McCorquodale and Louis Spencer Viscount Althorp – but unlike William and his three offspring, Charlotte having the same hairline and forehead as her uncle King Felipe VI’s two daughters, Charlotte unlike Archie is not a redhead. Archie’s freckled mother, Meghan Duchess of Sussex, has the redhead gene as well as his father; and both Archie’s maternal grandparents are likely carriers of the redhead gene.

William being the obvious Bourbon lovechild that he is, only has the Spencer redhead gene; he did not inherit said gene from his father, King Juan Carlos of Spain – notice King Felipe VI and his offspring do not manifest the redhead gene. Sadly, William’s bullying, emasculating wife, Catherine, does not have the redhead gene to pass on. So in the end, Archie by being born, further revealed William for the Bourbon lovechild that he is.

Just look at all this staged tomfuckery, passing for good old-fashioned, wholesome family togetherness…. mon blasted cul!

There’s a “good person” alright.

Indeed, on recently watching the Oprah Interview during the holidays, I realised that by conspicuously never once mentioning William, Meghan thereby outed him. Elegantly, Meghan unmasked Catherine for the monster that she is by clearing up the lies of just who made who cried. Of course, it was Catherine, she of the 9 energy body with a task companion husband, William, who has a 9 attitude – toxic specimens to the core.

Sarah Ferguson reveals who really invited her to Prince Harry and Meghan  Markle's wedding | HELLO!

The tabloid medium vilification of Meghan, Duchess of Sussex, speaks to William’s grudging, petty, malicious nature. At the time of William’s wedding April 29, 2011, the media spun the story that Sarah, Duchess of York was not invited to William’s marriage to Catherine because HRH Prince Philip, Duke of Edinburgh did not speak to Sarah and did not want her present. Seven years later, HRH Prince Philip was still alive, yet Sarah, Duchess of York attended Harry’s marriage to Meghan because Harry wanted Sarah present; it was after all his wedding and not HRH Prince Philip, Duke of Edinburgh’s. Of course, if now what we know of Andrew, Duke of York’s sexual proclivities and legal troubles were then rumoured, William damn well would have seen fit not to have Andrew attend his wedding in April, 2011.

Princess Beatrice and Dave Clark out in London. | Princess Beatrice and  Princess Eugenie Have a Night Celebrating a Very Different Queen! |  POPSUGAR Celebrity Photo 8
Did Queen Elizabeth Forbid Prince Harry From Marrying Long-Term Girlfriend Chelsy  Davy?

It was William who told American, Dave Clark that he did not approve of him and would not be permitted to wed, HRH Princess Beatrice of York. Indeed, conveniently enough, as he wished not to be overshadowed at his wedding by Harry, Chelsey Davy was told to get lost. Indeed, she could attend the wedding, just not as the fiancée of Harry’s. This is how controlling and petty William is… indeed, how all 9s are. All true to his numerology and second number of 9, his mindset, William is snobbish, prejudiced, interfering and obstinate.

The Middleton family showed their support for the Duchess of Cambridge this afternoon as they arrived to watch her host a Christmas carol service at Westminster Abbey
Pippa Middleton Wedding: Spencer Matthews with William and Harry |  PEOPLE.com

In another of William’s moves, there was Pippa Matthews at 2021’s Carol Service at Westminster Abbey; however, she was not accompanied by her spouse James Matthews. William would never want him there, since Matthews senior, David, is legally accused of sexual assault, involving a minor, in France. To say the least, it was also obvious that William has never suffered his wife’s brother-in-law, Spencer Matthews as he was flatly dismissed at Pippa’s wedding to Spencer’s brother Matthew in 2017.

Jamaican- British author Lady Colin Campbell, 72, was briefly married to Lord Colin Campbell - the son of Ian Campbell, who was married to Margaret
Meghan Markle 'did not contact father for his 76th birthday', claims  half-brother - Mirror Online
Piers Morgan Cleared for Criticizing Meghan After Oprah Interview - The New  York Times
The Queen and the royal family have a reason to celebrate! | HELLO!
Mrs. Kingston, Lord Frederick Windsor (9 & William confidant), Princess & Prince (9) Michael of Kent.

True to form, William has used an arsenal of fellow 9s to do his dirty work of sabotaging and bullying Meghan out of the picture. Little did the Bourbon dolt know against whom he was dealing. From Lady Colin Campbell, HRH Princess Michael of Kent, Piers Morgan and Thomas Markle Sr., they all did his dirty work whilst he hid, like the wizard of Oz not too well, out of view. Without doubt, they have all been sanctioned by William, in his obsessive animus towards Meghan, Duchess of Sussex, as they are all possessed of 9 (save Princess Michael of Kent) as are he and Catherine. Everyone of these nines, like all nines, are the most blasted conceited boors imaginable. Quelle fuck-all joie indeed. Good god, who in their right mind but a toxic 9 energy body (just like Catherine) like Thomas Markle Sr. would be obsessed with sabotaging and slandering their own child? Remind me again when Doria Ragland was out vilifying her own blood. Everyone of these people, Thomas, Lady Colin – that blasted big-handed, dick-tucking, Trenchtown jaggabat, Piers Morgan, both princely Kent males et al, are merely manifestations of both William and Catherine’s well-guarded true nature in all their 9 toxicity.

Chief weapon in William’s arsenal is the listless, inarticulate, talentless, gurning, hyper-competitive ghoul, who will stop at nothing to try and outdo Meghan, especially since Meghan so elegantly outed her by stating that, she is a “good person” (ha), as in William most certainly the fuck is not. Stay tuned, like all racially predatory, obsessed-with-blacks white females, look for Catherine next year to release a Jazz album… Lawd Jesus! Of course, this little mad turn of hers, even more risible than Diana, Princess of Wales’s dance with Wayne Sleep, had been pre-taped because god only knows, there must have been 2 million and 9 takes to get the blithering off-key errors edited and enough gurning captured. This staged bit of madness only deftly illustrates how utterly small-time Catherine truly is, to say nothing of shit-disturbing, petty and sabotaging. So, Catherine, you lamely banged on a keyboard, well, so too my dear could Michael Jackson’s chimpanzee, Bubbles, who also gurned throughout.

HM The Queen tells off Prince William.

Of course, as the BBC currently is at war with William and Catherine, trust royal correspondent, Nicholas Witchell to take a swipe at William as HM The Queen does not let slip the opportunity to tell off William as they were gathered last year at Windsor Castle. This was a report by Mr. Witchell on Christmas Eve 2021, which included at the 01:19 mark an outtake from HM The Queen and family on the steps at Windsor Castle during Christmas 2020. At the time, last Christmas, this was not aired; however, if you are going to come out and act as though you are already sovereign, the BBC is swiftly going to put you in your place as damn well they ought to.

This image has an empty alt attribute; its file name is 50955911-10241995-Prince_William_looked_in_good_spirits_as_he_enjoyed_a_night_out_-a-15_1637837089080.jpg

Naturally, the unflattering clip, which brazenly lays bare HM The Queen’s dismissive rage at that damn incompetent fool Bourbon dolt, was beautifully edited and immediately followed by a glowing review of the Sussexes’ Christmas card for 2021, which was released the day prior as was their card for 2020 also released on December 23. With 2 & 5 in William’s numerology, sooner or later infamy and dark secrets of a sexual nature will be whispered about; however, as with BBC’s interview with an implicated Prince Andrew, the BBC will not think twice to ruthlessly go after William.

Prince Philip's coffin lowered into Royal Vault in never-before-seen TV  moment - Mirror Online

That’s right William and Catherine, you may control the narrative vilification and slander of Meghan through the sleazy tabloids; however, you will never win in war against the BBC – they are real journalists, who will not think twice, just like HM The Queen to put you in your damn conceited place. Sooner or later, William’s body will be lowered through the floor at St. George’s Chapel, Windsor Castle. Starting that day, history, which is callously unforgiving, will cease being sparing with the truth of just who this stubborn, controlling, pernicious, interfering and petty human, William, was.

Meghan and Harry in new royal split from William and Kate | Metro News

There was William sat such that he could have an unobstructed, hawkishly predatory view of Meghan so that later, back at Kensington Palace, he could lace into her about every blasted thing that she said and did as a mature scholar soul with a chief feature of stubbornness and an attitude of 9 can be expected to do. Naturally, it is precisely because of William’s volatile toxicity why Meghan made it perfectly clear to Harry that they were going to have to move to Frogmore Cottage rather than live next-door to the perpetually rowing Cambridges with their toxic 9 numerology.

If equally self-toxic Catherine can’t stand William, why indeed should the Sussexes have moved in next-door to them at Kensington Palace, let alone remain in the kingdom when HM The Queen does not have another 20 to 40 years on the throne.

Provoked, the BBC will not pussyfoot in a fight with William. Respect is earned and with no discernible intellect, you can bet your bottom dollar that the BBC will not be threatened by a bully to say not of a damn fool. Sycophants do not abound at the BBC. As royals happen to be human, the BBC is keenly aware that William too shall pass and as such is no threat to the fourth estate, of which the tabloid media are not members.

Blind with prejudice of a people, how can a fool ever be expected to perceive the beauty of all humanity. Go on, sit there openly ridiculing before the entire world and time itself a very people, you damn Bourbon fool; history is never kind to those who know nothing of truth. Jazz is the very essence of a people about whom you know nothing and can never be expected to perceive their humanity.

Diana-Princess-of-Wales-Nelson Shanks 1994 oil on canvas

I share here the above dream, which was dreamt in July 1997 of Diana, Princess of Wales. It was the eve of my move from Vancouver to Montréal and a month before Diana’s tragic death. At the time of the dream, which was set on the astral plane, Diana was clearly resigned to her fate. Also, as is obvious from her concerns for William’s safety in the dream, as she was imminently about to pass, Diana was worried that anything should happen to her firstborn, William. Naturally, if Charles were not William’s father, there was a real danger that Diana’s firstborn could altogether be removed from the picture. The moment, mere weeks later, that I heard of Diana’s car crash, I knew that she would perish; I knew then the meaning of the above dream.

This image has an empty alt attribute; its file name is 50955911-10241995-Prince_William_looked_in_good_spirits_as_he_enjoyed_a_night_out_-a-15_1637837089080.jpg

As ever, life is like a flying dream; if you look down, you’re fucked. Enjoy the ride and fear no one!

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©2013-2022 Arvin da Brgha. All Rights Reserved.

The Scarf… There’s the Culprit.

Scarf moment 2018

Without doubt, though the most reviled black woman on the planet, I knew that though cited as the instigator in the tabloid media, Meghan, HRH Duchess of Sussex could not have been the cause of the obvious rift between Diana, Princess of Wales’ sons: HRH Prince William, Duke of Cambridge and HRH Prince Henry, Duke of Sussex.  When someone is guilty of having wronged, denigrated or slandered another, that guilty party is always acutely uncomfortable in the presence of the subject of their animus.  This past Christmas church service at Sandringham, HRH Prince William unwittingly unmasked himself as the guilty party.  I never for a moment believed that Catherine, HRH Duchess of Cambridge was the instigator.  

george-prince-william

In September 2017 when HRH Prince George of Cambridge was widely photographed attending his first day of school in Battersea, one thing stood out in the reporting at the time: his father’s very close friend and cousin, Lord Frederick Windsor’s daughter Maud by actor wife, Sophie Winkleman also attends the same school.  This is the same cousin whose cocaine addiction had caused HRH Prince Charles, Prince of Wales to put an end to the close relations his sons enjoyed with their cousin; however, HRH Prince William remained close to this cousin.  

Engagement photo

One of the things that struck me is the interviews given after their engagement was announced in late November 2017.  

Camilla, HRH Duchess of Cornwall was her usual adroit, eloquent self, and her husband, 

HRH Prince Charles, Prince of Wales was the second most upbeat.  

At the time, HRH Prince William, Duke of Cambridge was less upbeat, did not mention Meghan, HRH Duchess of Sussex; rather, he essentially characterised his brother as a thief.  

 

Similarly, Catherine, HRH Duchess of Cambridge spoke of their happiness but never mentioned Ms. Markle and this came a day later after her husband; indeed, it was as though, Catherine, HRH Duchess of Cambridge had been tasked with doing damage control after William’s snub of Meghan by not mentioning her name; however, neither did Catherine as if to drive home the point of not welcoming Meghan into the fold.  

Princess Michael of Kent with the blackamoor brooch

A month after the engagement announcement, though not yet a royal bride, Meghan Markle was invited to attend HM The Queen’s traditional Christmas lunch with her especially enamoured fiancé, HRH Prince Henry of Wales.  So as not to be mistaken, the continental put-on wore a starkly white coat as her blackamoor brooch would not be properly photographed on a dark coat.  At the time, there was justifiable furore in the press and the narcissistic twit was made to issue a rather disingenuous-sounding mea culpa.  Clearly, she could never in a million years have acted on her own.  

Xmas 2017

Later that month, Christmas Day, 2017, again Meghan not being from Britain was invited – though not yet a royal spouse – to HM The Queen’s Christmas Church Service at Sandringham.  On looking at the video, it was clear that there was tensions between the two senior royal couples.  By that point, there was widespread open animus towards Ms. Markle and though it was never directly addressed and always vehemently denied, her race was the source of the vitriol.  Whilst entering the church, there was smugness from HRH Prince William, Duke of Cambridge towards Ms. Markle.  As they left the church, there was no denying HRH Prince Charles, Prince of Wales’ open affection for Ms. Markle and in the above photograph, he is beaming directly at Ms. Markle, making her feel welcome whilst the keenly onlooking HRH Prince William in the rear was tense-looking.  

William, Kate, Harry and Meghan at the Royal Foundation Forum

A couple of months later, when appearing as the ‘Fab Four’ charter members of the Royal Foundation, HRH Prince William, Duke of Cambridge spent most of his time crouched forward; his posture was predatory and he was keenly eagle-eyed as he monitored Ms. Markle’s performance.  As ever, HRH Prince Henry of Wales looked nervous, Ms. Markle was poised though her chief feature tended at times to get the better of her – more on that later.  I shall do a thorough overview of these major royals’ Michael Overleaves, which were channelled by two authentic Michael channellers and by none of the ever burgeoning scores of two-bit charlatans.  

William cruising Ben Mulroney

Finally, the big day arrived for Diana’s younger son; and what a wedding it would prove.  There sat HRH Prince William displaying those urges for which a life at public school leaves one possessed of certain proclivities.  In the above photograph, William is eyeing Ben Mulroney – well, because he can – at the time neither of his inner circle chums (Thomas & Charlie van Straubenzee) were present in the quire.  At least on two other occasions, William openly coveted Mr. Mulroney during his brother’s nuptials.  

the betrayer

On her arrival to the altar to join her husband, Meghan looking more confident and radiant than most brides was being suspiciously eyed by her brother-in-law in his role of disproving, to say nothing of delusional, final arbiter.  

no wave william

As the newlywed TRH Duke & Duchess of Sussex departed St. George’s Chapel in the Ascot Landau, all the members of the Cambridge family at the top of the west steps waved off the couple save, of course, HRH Prince William, Duke of Cambridge.  He kept holding George’s hand and the order of service in the other.  

 Senior members of the Royal Family appeared impressed as the array of aircraft flew over Buckingham Palace

Windsor, HRH Prince William, Duke of Cambridge 21/6/1982 London, England

Michael: This fragment is sixth-level mature scholar – third life thereat.  William is in the observation mode with a goal of acceptance.  A pragmatist, he is in the intellectual part of moving centre. 

Body type is Lunar/Mars/Saturn. 

William’s primary chief feature is stubbornness – death of his mother, Diana, Princess of Wales, was the triggering event and the secondary arrogance. 

The fragment William is third-cast in sixth cadence; he is a member of greater cadence seven.  William’s entity is four, cadre one, greater cadre 6, pod 208. 

William’s essence twin is a scholar and he has a warrior task companion to whom he is married, Catherine, HRH Duchess of Cambridge. 

William’s primary needs are: exchange, freedom and security. 

There are 6 past-life associations with Arvin and 3 with Merlin. 

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Windsor, Catherine HRH Duchess of Cambridge 9/1/1982

Michael: This fragment is a fifth-level mature warrior – third life thereat.  Catherine is in the perseveration mode with a goal of growth.  A pragmatist, Catherine is in the moving part of intellectual centre. 

Catherine’s body type is Saturn/Mercury/Venus. 

Catherine’s primary chief feature is stubbornness and the secondary, arrogance. 

The fragment Catherine is fourth-cast in the sixth cadence.  Catherine is a member of greater cadence one.  Catherine’s entity is four, cadre one, greater cadre 6 pod 208. 

Catherine’s essence twin is a warrior and the task companion a scholar, her husband, HRH Prince William, Duke of Cambridge. 

Catherine’s three primary needs are: expansion, power and expression. 

There are 10 past-life associations with Arvin and 8 with Merlin.  ­­­­­­­­­­­­­­­

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Windsor, HRH Prince Henry, Duke of Sussex 15/9/1984 London, England

Michael: This feisty fragment is a fifth-level mature warrior -– fourth life thereat – to his sixth-level mature brother, William.  Henry is in the power mode with a goal of growth.  A sceptic, he is in the moving part of intellectual centre. 

Body type is Mars/Saturn. 

Henry’s primary chief feature is arrogance and the secondary stubbornness. 

The fragment Henry is first-cast in second cadence; he is a fragment of greater cadence three.  Henry’s entity is one, cadre six, greater cadre 7, pod 418 – Henry is an entity mate of his paternal grandmother, HM Queen Elizabeth II. 

Henry’s essence twin is a warrior and he has a scholar task companion. 

Henry’s primary needs are: freedom, adventure and exchange. 

There are 9 past-life associations with Arvin and 5 with Merlin. 

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Windsor, Meghan, HRH Duchess of Sussex 4/8/1981

Michael: This fragment is a mid-cycle mature artisan in the tradition of the deceased mother fragment who was Diana, Princess of Wales — third life thereat.  Meghan is in the observation mode with a goal of acceptance.  An idealist, Meghan is in the moving part of emotional centre. 

Meghan’s body type is Venus/Solar. 

Meghan’s primary chief feature is self-deprecation and the secondary of mild impatience. 

The fragment Meghan is fourth-cast in the fifth cadence.  Meghan is a member of greater cadence four.  Meghan is a member of entity one, cadre six, greater cadre 7, pod 418 — she is an entity mate of both her spouse, HRH Prince Henry of Wales with whom she shares 20 past lives and also an obvious entity mate of Her Majesty, The Queen. 

Meghan’s essence twin is an artisan and the task companion a warrior. 

Meghan’s three primary needs are: expression, acceptance and expansion.

There are 4 past-life associations with Arvin and 6 with Merlin. 

Incidentally, this artisan has been a member of the British royal family twice before.

Firstly, as Margaret Beaufort, Countess of Richmond and Derby, she was the cousin of King Henry VI and mother of King Henry VII.  As such she was the matriarch of the House of Tudor.  Her grandson was Henry VIII and her great-granddaughter, Elizabeth I. 

This artisan in that lifetime was involved in the sacraments of the church being included in the newly established college system.  She founded Christ College, Cambridge and was instrumental with the founding of St. John’s College as well. 

Secondly, she was HRH Prince Edward, Duke of York and Albany and younger brother to George III, whose father the Prince of Wales, HRH Prince Frederick died before ascending the throne after George II.  In that lifetime, the artisan (now Meghan, HRH Duchess of Sussex) was interested in military structure.  He, of course, died young of a then unknown illness but which had to do with dysentery. 

Incidentally, in the current incarnation, Meghan, HRH Duchess of Sussex has suffered from gastroenteritis, which is related to the last-life health issues – this is the immediate past life and not that in 18th century when the artisan died aged 28.  

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Windsor, HM Queen Elizabeth II 21/4/1926 London, England

Michael: This fragment is third-level mature slave –- second life thereat.  Elizabeth is in the perseveration mode with a goal of dominance.  A realist, she is in the moving part of intellectual centre. 

Body type is Venus/Lunar. 

Elizabeth’s primary chief feature is stubbornness and the secondary self-deprecation. 

The fragment Elizabeth is fourth-cast in fifth cadence; she is a fragment of greater cadence six.  Elizabeth’s entity is one, cadre six, greater cadre 7, pod 418. 

Elizabeth’s essence twin is a slave and the task companion is a priest. 

Elizabeth’s three primary needs are: security, adventure and exchange. 

There are 6 past-life associations with Arvin and 4 with Merlin. 

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Mountbatten, Prince Philip HRH Duke of Edinburgh 10/6/1921 Greece

Michael: This fragment is fourth-level mature warrior – second life thereat.  Philip is in the observation mode with a goal of preferred dominance.  A sceptic, he is in the moving part of intellectual centre. 

Body type is Saturn/Mars. 

Philip’s primary chief feature is stubbornness – due to early death of a family member and the secondary subdued impatience. 

The fragment Philip is seventh-cast in first cadence; he is a member of greater cadence six.  Philip’s entity is one, cadre six, greater cadre 7, pod 408. 

Philip’s essence twin is a warrior and he has a scholar task companion who is known to him. 

Philip’s primary needs are: exchange, acceptance and power. 

There are 14 past-life associations with Arvin and 6 with Merlin. 

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Frances, Diana, Princess of Wales  July 1/1961<O>August 31/1997.

Michael: The fragment who was Diana Frances is a second-level mature artisan and was in the passion mode with a goal of acceptance, a pragmatist in the moving part of emotional centre. 

She had a Lunar/Mercury body type. 

Diana’s primary chief feature was stubbornness with a secondary, not of self-destruction but of self-deprecation. 

Diana Frances was first-cast in her cadence and her cadence is fifth in the greater cadence.  She is a member of entity one, cadre six, greater cadre 48, pod/node 380. 

This fragment’s essence twin is a discarnate artisan and her task companion is a discarnate sage, both of whom are staying near her, waiting for her to become oriented to her situation. 

Here, we had an artisan with drama in her casting but also with a very deep need to serve both the common and the higher good, which she did with grace, charm and a good deal of conviction. 

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Windsor, HRH Prince Charles, Prince of Wales 14/11/48 London

Charles Windsor is a seventh-level mature second-cast warrior.  Charles Windsor is in observation mode, with a goal of acceptance, and attitude of pragmatist, moving part of intellectual centre.  

Charles’s body type is Mercury-Saturn. 

Charles’ primary chief feature is stubbornness, secondary is self-deprecation. 

He has an incarnate warrior essence twin with no plans to meet and a discarnate priest task companion, who exerts considerable influence on him. 

His casting is virtually the same as Robert Bateman’s: entity two, cadre four, greater cadre 16, pod/node 404 but he is a second-cast in a fourth cadence, entity four, cadre four, greater cadre 16, pod/node 404. 

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Windsor, Camilla, HRH Duchess of Cornwall 17/7/1947 London, England

Michael: Yes, this scholar is at the mid-level of the mature soul cycle — third life thereat.  Camilla is in caution mode with a goal of growth.  A pragmatist, Camilla is in the moving part of intellectual centre.

Body type is Lunar/Venus.

Camilla‘s primary chief feature is impatience and the secondary arrogance.

The fragment Camilla is third-cast in sixth cadence; Camilla is a fragment of greater cadence seven.  Camilla‘s entity is five, cadre six, greater cadre 7, pod 129.

Camilla’s essence twin is a scholar and the task companion is a warrior.

Camilla’s primary needs are: exchange, freedom and power.

There are 10 past-life associations with Arvin and 6 with Merlin.

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Now for the esoteric Michaelese breakdown of what all this means.  All told, there are 9 major players chosen here; of them warrior souls predominate with four such persons: Catherine, Henry, Philip and Charles.  Two scholars: William and Camilla.  Similarly, there are two artisans, Diana and Meghan.  Lastly, there is but one slave, HM The Queen, who happens to have the strongest overleaves of them all.  As HRH Prince William is the subject of this blog, I shall explore his overleaves lastly.  

First and foremost, there are only two ways to approach all of life, either from a place of fear or a place of love.  That having been said, there are both positive and negative poles of all overleaves.  Similarly, just because an individual is an older soul does not mean that they are a more evolved human being and is all good.  Of all these 9 royals, HRH Prince Charles, Prince of Wales, is the oldest souled member with Diana, Princess of Wales having been the youngest soul among them.  Bear in mind, too, that some of these persons are if not entity or cadre mates, at the very least are pod mates.  I am going to go through these nine souls in order of soul age and though Charles is the oldest of the group, I will discuss William’s last even though he is the second oldest soul.  

Diana

Diana: Second-level mature artisan; she lived the charmed life, great overleaves.  She had the great goal of acceptance, which incidentally so too do William, Charles and Meghan.  There was considerable Maya involved and she created a ton of drama out of sheer boredom and also as a way of fighting back when realising that she was in a loveless marriage and nothing but a pawn.  No idea, if she is yet reincarnated.  

elizabeth12

HM The Queen: A third-level mature slave soul, she is on her second life at that level and is in dominance.  This is as close to perfect and positively manifested the overleaves of anyone within that family or elsewhere.  These are great overleaves, which are positively manifested.  

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Camilla: She is a mid-cycle mature scholar soul and a pragmatist in growth.  This woman is a solid and as gracious a scholar as you can find.  No surprise that she focusses on literary charities and organisations and hosts the annual Man Booker Prize awards.  She is a scholar’s scholar and does not do drama.  Camilla is another BRF (British Royal Family) member who gets it right and is manifesting in the positive pole of her overleaves like HM The Queen.  

Meghan: Like Camilla, the Duchess of Sussex is also mid-cycle mature; however, like Diana, Princess of Wales she is an artisan.  As is obvious from her overleaves, she chose to reincarnate to do something.  Where she is is precisely where she is supposed to be.  One does not end up with body-type of Venus-Solar and do nothing and does not become a major player on the global stage.  Incidentally, usually only one life is passed at mid-cycle mature; it is a bridge lifetime between third mature and fourth mature and it is the only soul age where this occurs – there are exceptions to everything as this is Meghan’s soul’s third life as mid-cycle mature.  At the end of fourth mature, more of the brain is used going forward and there is greater complexity to the persona.  Meghan, having been Margaret Beaufort in a past life when she was the most pivotal Lancastrian woman during the War of the Roses, matriarch of the Tudor Dynasty, cousin of King Henry VI, mother of King Henry VII, beloved grandmother and mentor of King Henry VIII and great-grandmother to HM Queen Elizabeth I.  Furthermore, Meghan is an entity mate of both HM The Queen and her husband HRH Prince Henry, Duke of Sussex.  They form a troika that is unshakeable.  She is an idealist in acceptance; she will always be emotionally and empathetically open and mature.   Sadly, though, the fact that this soul chose to be black in this lifetime has meant that she has become the most reviled black woman on the planet for having married into the BRF and its most loved prince.  Incidentally, her husband, HRH Prince Henry was black in his immediate past life.  Meghan’s primary chief feature is that of self-deprecation which is never attractive and this leaves her copping the shy smile routine and in particular placing her hand over her mouth.  Your chief feature is a cactus never to be cradled… that said, this soul who as Margaret was first wedded before the age of two and had four husbands will be striking it out of the park in this lifetime again.  

HRH Prince Philip Duke of Edinburgh

Philip: Fourth mature warrior in dominance, this is an equally solid soul as is his wife, HM The Queen.  A warrior’s warrior to the core.  

Prince Harry

Henry: A fifth-level mature warrior; this man is the most interesting and underrated royal.  First of all, at fifth-level mature, he is more complex than any of the other royals thus far; he is also a sceptic and the only other of the nine being the rather shrewd Prince Philip.  This means that he is all 9 parts intellect, sees straight through everything and is able to think outside the box.  Fifth-level is also synonymous with the goal of acceptance; therefore, this man will always have great appeal within a group dynamic.  He is also thoroughly unpretentious and in growth.  As a warrior, he inputs on one channel as do scholars and kings.  Similarly, as a warrior, Henry will never forgive disloyalty of any kind; a betrayal of any kind is unforgivable.  

Catherine Duchess of Cambridge

Catherine: Like Henry, Catherine is not only also a warrior but she is also fifth-level mature.  These two are rather simpatico and there is no way that they would never get along; there would be nothing but mutual respect and understanding.  Fifth-level mature is also a time of incredible creativity, especially among warrior souls; Catherine is greatly fulfilled for having art history and photography is creatively rewarding for her at the level of soul.  Catherine also happens to be not just an entity mate of her husband’s, William, but they are also task companions, which is as close a relationship at the level of soul that you can have as is possible.  Task companions are like oxen sharing the same yoke; they get things done and Catherine also has a goal of growth like her brother-in-law, Henry but she is in perseveration mode.  Catherine is all steel and will endure much and scale any mountain to get the job done.  Admirable lady; however, she does have a personal need of power – without exception power absolutely corrupts all such focussed persons.  

Prince Charles

Charles: the fourth of the warriors, he is also the oldest soul of the senior royals.  Dream encounters with this man are truly evolved.  Naturally, as a seventh-level mature warrior issues of stewardship of the planet would be paramount among his concerns.  He is also a warrior in acceptance and lives a life that is truly a positive expression of his overleaves.  Kind and inclusive, he is understanding and truly accepting.  Like every warrior there ever was, he does not forget or forgive disloyalty.  

Prince William

William: He is the second scholar soul and also the second oldest soul of the group.  Sixth-level mature, William is at that all unforgiving sixth-level where those lives are all about paying back karma and having to work in the larger arenas of life and providing stewardship.  William, born on the summer solstice, was also born with a stellium in his astrological chart, which among other things means that he is prone to being very narrow in his focus; more importantly, it indicates someone who cannot see the forest for the trees when expressed negatively.  

Though William has a goal of acceptance, he also has a chief feature – no chief feature is ever positive – of stubbornness, which means that he is rarely regardless of his perfected persona ever either at ease or accepting of anyone.  Moreover, when a scholar is not in the positive pole of its role – as Camilla is – then that scholar will be an obstinate (stubbornness) negative and prejudicial (acceptance’s polar opposite rejection goal). 

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This is why it is almost 100% likely that William not only knew of HRH Princess Michael of Kent’s intention of wearing the blackamoor brooch, to the 2017 Christmas Lunch at Buckingham Palace, but he likely was the one to have sanctioned it.  William is very close with Frederick, who with his Jewish actor wife spend lots of time in Los Angeles where there is inordinate racial animus towards blacks.  

Wearing the blackamoor brooch to HM The Queen’s Christmas Lunch was tantamount to wearing a swastika to said lunch the first year that Sophie Winkleman attended, knowing fully well that Lord Frederick Windsor’s wife is Jewish.  The idea that somehow Meghan, HRH Duchess of Sussex is behind a rift between both princely brothers or is contentious with Catherine, HRH Duchess of Cambridge – who as a warrior is more likely to be openly hostile towards Meghan than the other way around – couldn’t be further from the truth. 

James Middleton roasts Tom Bradby

I think that it is safe to say that the Middletons have become rather high and mighty with themselves as evidenced when James Middleton was seen being socially hostile towards ITV’s royal correspondent, Tom Bradby outside St. George’s Chapel at the royal wedding of TRH Duke & Duchess of Sussex.  

Here are further examples of HRH Prince William being rejecting, obstinate and plain rude.  William and not Meghan refused to have Sarah, Duchess of York attend his wedding.  William and not Meghan sat in the Chapel at St. George’s Chapel and openly ridiculed Reverend Curry to his father, HRH Prince Charles.  It was William and not Meghan who decided after the birth of HRH Prince George of Cambridge that the infant’s paternal grandparent would not be afforded access to his first grandchild.  William rather than Meghan told Dave Clark that he was not desirable as a husband for his cousin, HRH Princess Beatrice, thereby putting an end to a relationship that was no business of his.  

One of the most disarming things to know about HRH Prince William, Duke of Cambridge is that he is basically stupid and lacks awareness.  This is how he always comes off in very lucid dream encounters.  Furthermore, like all scholars in the negative pole of their soul/role, he is given to being discriminatory and readily judgmental.  As a scholar with a chief feature of stubbornness, William is not given to being open to change and has an inordinately corrupted, almost delusional, sense of self.  There is high conceit when dealing with this man.  Indeed, he has taken  his brother Henry, with an attitude of sceptic, none too seriously and definitely not as an equal; however, HRH Prince Henry does not – for being a sceptic – take this man too seriously nor does he take personally his hyper-inflated sense of self.  

engagement interview 2010

During their engagement interview, Catherine sat on the edge of the sofa; only once did they touch and it was her initiating.  William during the interview self-congratulatorily referred to his great sense of humour – blind conceit.  Catherine’s hair almost covers her eyes so that she can remain tunnelled in focus and not become overwhelm by William’s intimidating nature.  Catherine’s mouth is pursed and turned down at the corners, betraying her discomfiture for being in William’s presence; this suggests an unpredictable nature and a violent temper.  Frankly, Catherine looks as though she fully expects to be slapped at any moment and with some regularity.  

Catherine enters Abbey

Catherine as she appeared on entering Westminster Abbey and being greeted by the Dean of Westminster.  Her smile is warm, relaxed and she radiates her inner beauty; indeed, it is uneclipsed.  

Vows2

Catherine, now in the presence of William becomes clenched, clipped and her radiance lacks its lustre.  All this because of the unpredictable nature of the man she is about to marry.  This very man is also her task companion; however, his perfectly good overleaves have become corrupted and are not positively expressed in the least.  

gloves

William the none-too-bright finally figures out how to properly fasten his gloves.  

carriage entry

William enters the carriage and sits with his back to the horses drawing the carriage; he had even looked back over his shoulder to the horses, yet still sat down in the improper position in the carriage.  

readjusted

William in this photograph has now changed seats after having been instructed to do so by the footman, wearing the white-plumed hat; the footman did so under his breath.  

footman &amp; pipa

In this shot, after having told William to properly sit, facing the front and not the back of the carriage, the footman could be seen looking at Pippa Middleton and she looks at him with a knowing and dismissive look and smile.  This interchange between both the footman and Pippa indicates that it is common knowledge by those in the know that William basically is stupid.  

Observant Henry

A keenly observant HRH Prince Henry on entering Westminster Abbey with his older brother on the day of William’s wedding.  This is the look of someone with an attitude of sceptic.  He knows that he has to hang back and take everything with a grain of salt as basically, his brother William is dense and unaware. 

Dismissing Henry

While being hosted by the dean of Westminster, Henry ventures a comment and like a scholar in stubbornness and who has been groomed to always be deferred to, William in essence tells his brother to shut up with a dismissive remark.  At all times, like a person in stubbornness, William’s body language is rigid and controlling with his hands ever clasped, the same few remarks and the same loud vacuous laughter and of course that ever present smile that is evocative of his mother Diana, Princess of Wales.  

fighting

Scholars in the negative pole of their role/soul can be the biggest bores; ever, they are a font of useless information and often unsolicited.  Here the newlyweds ride up the Mall to Buckingham Place; at least three times on the ride from Westminster Abbey, William became impatient with Catherine and they rowed.  Here, he is shouting at her and telling her to be observant; she like the warrior she is, anywhere and anytime, she will sound off and protest without so much as thinking twice.  Love her!  

rowing on the mall

Do not be fooled by Catherine’s smile; he is grilling her and she is fighting back.  This, of course, is a healthy part of their relationship as long-term lovers and also for that matter for being task companions. 

Catherine truce

After the harsh words, naturally, William was a sulky petulant bore.  Warrior to the core, Catherine leans in and nudges him with her left shoulder and gets him to get out of his funk.  Catherine is one of the strongest royal women going.  

balcony deflection

Once on the balcony, William becomes a right bore with the endless drivelfest of observations.  On more than one occasion, one captured above, Catherine simply dismisses the ennui that is William by pointing instead towards the Canada Gates whilst he was directing her to look down the mall towards the approaching planes taking part in the flypast.  And at all times, Catherine maintains equilibrium with that Cheshire cat grin.  

William simply assumes because he is destined to be king and is never challenged, he could do as he pleases and attack his brother’s lover without there being the slightest repercussions.  

engagement interview 2017

Newly engaged, Henry and Meghan openly displaying their love for each other and both possessed of emotional intelligence that speaks to their reincarnational history, their being entity mates and the fact that as a yogi who has mastered the kamsutra, Henry is a happy camper.  Xerxes, a seventh-level mature warrior friend sums up the warrior’s motto thusly: feed me, fuck me but do not annoy me.  

Henry winks

Here, Henry on taking his vows and slipping the ring on Meghan’s finger with the most sexually suggestive intimacy, then winks at her.  This is a couple completely and thoroughly besotted, in love and passionately consumed with each other.  

Now there is a happy warrior; Henry deplanes when on first tour of the Commonwealth with his serenely pregnant wife, whilst sporting a chubby.  

the kiss

William, who is inordinately so a control freak, is threatened by his brother’s wife who is not a controlled, plus one and subservient wife.  Meghan has style and is not a blank foil to allow the blood royal spouse and only the blood royal spouse to shine at all times.  I don’t, though, agree with Meghan’s inability to strictly follow royal protocol and walk behind her blood royal spouse.  

meghan-markle-royal-wedding-dress-1526730077gallery_5_3 (1)Sussexes

Henry made sure to have a wife who would be for him what his father never was for his mother; a lover, companion and equal team member.  Meghan is forthright, articulate.  Like every artisan soul, Meghan, HRH Duchess of Sussex inputs on five channels (the most of all the seven soul types) which means she can evoke mood and inject that certain “je ne sais quoi” into what she wears.  Artisans are said to be atmospheric; just slipping into an item of clothing and it is as though we shift personae and become as well as project the right mood into the environment.  Artisans are atmospheric; we set the mood by just being.  

Most of all, this appearance by Meghan, HRH Duchess of Sussex at the 2018 British Fashion Awards is why William fears her.  Hatred is nothing but fear and to be obstinate and conspire with the Kents for Frederick Windsor’s mother to wear the blackamoor brooch only points to how much William fears his brother’s wife; to fear someone is to readily reveal how miserably you have no power over that someone.  Onto that stage, Meghan, HRH Duchess of Sussex walked and had the room in the palm of her hand.  William knows that Catherine his wife could never have that command of an audience; what’s more, Catherine is a whimpering mousy little thing as compared to eloquent, confident trained thespian, Meghan. 

In the 21st century, Brand Windsor needs an ambassador who is media savvy and can walk out onto a stage and deliver like only Meghan, HRH Duchess of Sussex does.  That awards ceremony at Royal Albert Hall would have been a room with more than 60 per cent artisan souls whereas artisans make up 22 percent of the population of souls cosmically.  In Meghan, the fashion worlds of couture, design and jewellery have one of their own – she is akin to a patron saint.  This was the same effect that Diana, Princess of Wales also had for being an artisan soul. 

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In Meghan, William is having to endure some self-karmic issues; you own no one and cannot push around anyone as you please.  Thus far, he has irreparably damaged his relations with two strong warriors – his father and brother.  Long before Meghan arrived he had sabotaged his relationship with Charles for not approving of Camilla, blaming his father for his mother’s death and denying his father access to his first grandchild.  With regards Henry, he has done Meghan a big favour for with his open animus and hideous bigotry vis-à-vis the blackamoor incident, William has lost Henry’s trust and it will only forge the love and loyalty between him and Meghan.  

Duchess Kate and Prince William's togetherness was discreetly on show as she placed her hand on her husband's leg at an official welcoming ceremony on day one of their 2016 royal tour of Canada. Photo: Karwai Tang/WireImage

Thus far, William and his family have twice been to Canada on royal tours; they have also been to the U.S., Singapore, Australia, New Zealand and the Pacific Commonwealth nations and India; however, William and his family have yet to set foot in a predominantly black Commonwealth nation.  There are no coincidences.  Persons in stubbornness are the most difficult people to deal with as they are pigheaded in the extreme and relish being difficult.  As he clearly has no interest in being on tour in a predominantly black Commonwealth nation, this is why TRH Duke & Duchess of Sussex were appointed as Commonwealth Youth Ambassadors.  Far be it for William to become Sovereign where more than half the countries in the Commonwealth are peopled by blacks.  As ever, tabloid media will blame Meghan the unsuitable black woman for the rift; truly, one need look no further than William, who is not in the positive pole of acceptance; rather he is in the negative pole of its opposite, rejection, which makes for the scarf incident, the blackamoor incident and all the other deplorable things he’s gotten up to: Sarah not at his wedding, Charles having little to no access to newborn George, froideur towards Camilla and now Meghan.   Too bad for his scheming, though, because within a year of marriage, Meghan, HRH Duchess of Sussex will be mother to a royal child which further solidifies her staying power.  

As ever, don’t let fear and chief feature get the better of you as so clearly it has HRH Prince William, Duke of Cambridge.  Just straighten up and fly right… especially when lucidly awakened in the dreamtime.  For your ongoing support, I am inordinately grateful.  Happy New Year and here’s to the very best in 2019.  

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©2013-2022.  Arvin da Brgha.  All Rights Reserved.  

Homecoming…

Last night, on the eve of HRH Prince Charles, Prince of Wales’s 73rd birthday, I dreamt the most spectacularly lucid dream in long decades. In the evening of Saturday, November 13th, 2021 when I don’t even know the lunar phase and have not audio-cassette recorded my dreams since 1997 when then living in Montréal, I simply had to share this dream. I awoke from the dream being saddened that I had to come to so soon.

At once I was come to in the most lucid dream set on the astral plane. Astral plane dreams are possessed of lighting that is uniquely found there and nowhere else. Vibrationally, it always feels in such dreams as it does between 0400 and 0600 with the intensity of this magical time being closer to 0500. In any event, I was in the midst of a flying dream above what can only be called the boulevard. It was a street wider than any in the waking state. The focal point of the dream, in this astral metropolis of at least 3 billion souls, was the gates to an ancient church, which was set back from the boulevard at the end of a long narrow straight pathway. It was exactly as the Anglican Church in the parish of St. Anne in Sandy Point St. Kitts. It was a church which was millennia old and all along the path to the foreboding wrought iron gates were clergy – all male – of the Anglican faith. As at the Anglican church in Sandy Point on either side of the pathway between the church and the gates were graves with the most ancient tombstones imaginable. There was a lone grave which was open, the earth on either side black and rich. There were clergymen at the grave concluding their business. As I alighted and took my place along the boulevard, HM The Queen walked alone in a green crew neck woollen dress; it was the same colour as a young artichoke, green fig or green guava. She carried no handbag. There were no corgis; about her neck was a single strand pearl necklace which was so ancient that its nacre had become diffused, time-yellowed and on the very cusp of looking like browning rotting teeth. She was reserved and poised and as the rear of the giant Rolls Royce faced the gates of the church and cemetery, she walked around to the right rear door and entered; her hair here was beginning to grey but predominantly brunette. There was no foot person to open the door. She got in and was seemingly in her late forties to early fifties, which is more in keeping with her soul age, that of being an early mature slave soul.

Myself for not being an astral plane habitué, had the ability to fly on the astral plane and, of course, though the habitués themselves could, they of custom chose not to. I was for being an observer referred to by the habitués as a visitor. On exiting the grounds – just as in the Sandy Point, St. Kitts arrangement, there was a crescent in which the massive Rolls Royce sat with its rear facing the open gates to the cemetery and church. The car carrying the arrivée Sovereign was expected and eventually did turn right onto the ridiculously large boulevard where the astral plane throngs along the boulevard’s route were as claustrophobically packed in as it must have been at St. Paul’s Cathedral for the Duke of Wellington’s funeral. Here the atmosphere was electric.

What had initially drawn me to this marvellous place, was the distant sound of several bugles, playing the rouse. I knew instantly what it meant. On my arrival, there were hills all around this sector of the astral plane metropolis; this seemed to a very layered astral plane London where different epochs in the city’s history simultaneously co-existed. On one particular wooded hill were the largest stags imaginable – they looked almost sentient whilst regally standing in small mobs. They had majestically arrived to the top from the other side, stood there for a long while then en masse sat down to onlook. Along the route, there were the most massive black steeds and when they walked and stood along the route, they were buried in the astral landscape such that the underside of their bellies were submerged.

The arrivée astral plane habitué Sovereign was then taken on a celebratory parade. The wood was an exquisitely polished oak that framed the exterior of this astral plane version of the Rolls Royce that seemed to have been from the late 1920s to early 1930s. On pulling out onto the boulevard the slow-moving single vehicle motorcade turned right and went down to the shorter arm of the boulevard. Along the right, as it were, of the boulevard and on either side were the most opulent, massive astral plane replicas of each and every stately home in England. The closest house on the right on leaving the cemetery was Blenheim Palace This astral plane version was easily 30 storeys tall and at least 15 millennia older than its waking state counterpart; I suppose that they were this massive as they served as suites for past Dukes of Marlborough as with Blenheim Palace. Even the stately houses which were demolished at the end of the empire, which saw families that didn’t marry robber baron Americans to stay afloat, were here represented. Longleat House, Althorp House, Highclere Castle, Knole House, Hampton Court Palace, Kensington Palace, Mapperton House, Waddesdon Manor, Wilton House, Castle Howard, Chatsworth House; you name it, they were all here behind wrought iron fencing and they stood side-by-side without massive ground anchoring each. This astral plane Blenheim Palace counterpart had sapphire-blue cupolas at the towers and center; every astral plane counterpart was here replete with sapphire-blue copulas. The walls of each house on the astral plane was made of marble that was time-yellowed, betraying the multiple millennia it had existed on the astral plane. Just as the skyscrapers on New York City’s Avenue of the Americas from 42nd to 57th Streets are tall and easily in excess of 30 storeys, so too was each of these astral plane counterparts for familiar English stately houses.

All along the route, which was teeming with astral plane habitués, there were different sections that towered up for several storeys. Directly opposite the gates to the church and cemetery from which the astral habitué Sovereign Elizabeth II emerged alone, was regally sat Sir Winston Churchill; he was surrounded by all the astral plane habitué Prime Ministers who had served HM The Queen. Here, there was a section reserved for astral plane-focussed English aristocrats; one recognisable such habitué was Gerald Grovesnor, 6th Duke of Westminster. At no point, however, did I ever see the following habitué relatives, HRH Prince Philip Duke of Edinburgh, HM Queen Elizabeth Queen Mother, HRH Princess Margaret, Countess of Snowdon or Diana, Princess of Wales. Constantly, persons were arriving to take their place, even when the parade was begun. This dream was so vivid, so electric, so lucid that the stimuli was so overwhelming that I times, I had to alight to ground myself. Indeed, at times, it proved laborious to try and fly where the amount of stimuli and the outréness of this astral plane milieu proved overwhelming on my ability to stay aloft to project myself whilst astrally projected into this utterly rhapsodic dream. As this dream was set on the astral plane, there were astral plane habitués here who wore the dress of the age in which they lived when incarnate. I readily assumed that these were past-life personae with connections to HM The Queen from past lives.

As I soared in flight into the astral plane air some three storeys above to get my bearings, I saw a phalanx of swashbuckling courtiers, progressing down the boulevard to take their place. They had all the swagger and style of dress as King Charles I in the masterful van Dyck tableau, Charles at the Hunt, which hangs at Musée du Louvre. They walked down the boulevard which housed the stately houses on either side, and well ahead of the habitué Sovereign’s Rolls Royce, which glided along the boulevard as if in bucolic slow-motion.

Still, there was a section of the immensely long boulevard which seemed as if longer than New York City’s Fifth Avenue, which on either side housed waking state visitors who were in attendance. Naomi Campbell, who was recently made Commonwealth ambassador to replace the Duke and Duchess of Sussex on their departure from royal duties, was here present. She was there in an enclosed section where all the waking state guests were kept. Also notable was fellow supermodel Kate Moss. I found it utterly fascinating to hear Ms. Campbell speaking in flawless Jamaican patois as she was gobsmacked by the beauty of this astral plane ritual. Taking a break from the laboriousness of dream flight in this particular dream, I had sought refuge in the glass enclosed stands where incarnate persons were focussed. These stands existed opposite each other across the ridiculously wide boulevard.

Once returned to flight I soon realised the immensity of the life that HM The Queen had lived. Here along the astral plane boulevard, on which I suppose that the Circus Maximus was modelled, were habitués who had lived during HM The Queen’s long life and reign and who had immensely admired her. These spanned the range of human civilisation with not just every racial stratum of Commonwealth member states but all other humans who had so immensely admired this extraordinary human being. Here were astral plane habitués from the 1930s, 1940s, 1950s, 1960s, 1970s, 1980s, 1990s, 2000s, 2010, 2020s. From her earliest years of being the much admired Princess of York to becoming the young Sovereign and onwards, there were adoring astral plane habitué admirers. Absolutely everyone was here represented. It was simply overwhelming to see so many tens of millions of persons focussed in one place and all experiencing rapture at the arrival of someone in whom they had focussed much of their admiration, respect and love. This was a truly remarkable dream.

Pushing of again and exploring more of the unique dreamscape, I flew slowly in the opposite direction of the habitué Sovereign’s parade down the boulevard lorded over by palatial astral plane counterparts to known English stately houses. In one section there were humanoid creatures whose look suggested that these were animals which were long extinct long before animals were documented in earnest. One particular creature was pure white with liver spots markings. This large-headed male was singing whilst perched on a floating dais. Cloaked in a white ermine robe, the three to four thousand pound male creature sang with a range that went from whale song to counter tenor bravura. His voice was simply healing. Light seemed to emanate from beneath his skin and in varying intensities based on his emotions. His performance was so powerful that I had to alight again just to gather my energy reserves as flying does take considerable focussed energy.

Further along the boulevard, as every corner of the Commonwealth was here richly represented and this was a celebration of the life of the arrivée Sovereign, there were African women in colour garb, singing and dancing with jubilation written all over their cul-de-sac of the astral plane. From time to time, feeling the spirit one or more African woman would step into the boulevard and let their spirit jubilantly soar whilst in trance from singing and dancing their souls out.

The further along the boulevard one explored in flight to the left of the cemetery gates and to which the arrivée Sovereign had yet paraded, I explored whilst flying. Eventually, the lone Rolls Royce would come past a section of the boulevard where the astral plane habitués though humanoid, had heads that were akin to those of many gods from the Egyptian pantheon. Still, there were those who closely resembled Kiwi bird-headed humanoids. As astral plane-focussed dreams go, this contingent of totemic beings was not that unusual a sight. When the arrivée Sovereign’s motorcade of one turned to return and tour past the cemetery, I took to the air again and this time soared higher than usual. This enabled me to fly more swiftly than when lower to the electrically charged activity along the boulevard’s route. I returned to the far end of the boulevard to a stately house which sat at the end. Inside this royal residence, there truly was a battle royal underway. At the centre of this feud was Meghan, Duchess of Sussex. Here, her voice was a booming commanding business. She was powerful and was settling scores. When she spoke, the walls of the stately house cracked, glass and art flew off the walls. Eventually one of the stately house’s cupolas cracked and eventually collapsed. It was a noisy, violent business.

The last time that I had dreamt of an astral plane-focussed dream wherein the past was being prosecuted, involved the recently passed Jacqueline Kennedy Onassis and Maria Callas. That, too, was a battle royal where scores were being settled. That dream is as follows:

*As per the urgency of this dream, I rather suspect that HM The Queen may already have passed by the time of the 2021 Remembrance Service at the Cenotaph; however, London’s hotels would have to be cleared of the Veterans and tourists before the death announcement would be made.

As ever, Life is like a flying dream; if you look down, you’re fucked. Enjoy the ride and fear no one!

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©2013-2022 Arvin da Brgha. All Rights Reserved.

Oh quelle fuck-all joie ça!

Well isn’t that just marvellous! Look at little Billie Bourbon Flatfoot! Pussywhipped by the dominatrix fakester from Bucklebury. Go on, yada yada all the blasted frig you want but ever bliss eludes this sorry pantomime one decade and counting.

Horowitz, Vladimir 1/10/03 Kiev<O>5/11/89, NYC

Michael: This fragment was, in his immediate past life, a mid-cycle mature scholar in passion mode, with a goal of growth, a pragmatist in the moving part of emotional centre. 

Vladimir had a Mercury/Lunar body type. 

Vladimir’s was a strong primary chief feature of arrogance and a weaker secondary of stubbornness. 

This fragment was second-cast in his cadence and his cadence is fifth in the greater cadence.   He is a member of entity five, cadre two, greater cadre 14, pod/node 449. 

He and the fragment who was Wanda Toscanini are task companions, both now discarnate.   The fragment who was Wanda was a fifth level mature warrior. 

Vladimir’s essence twin is a scholar and is incarnate on the physical plane, is female, age seven years.  There are plans for them to complete the mother/son monad in Vladimir’s next incarnation, which will probably occur during the third decade of the next millennium. 

So here was an artisan-cast scholar with a great deal of sage energy, most of which was expended in his personal life.  This fragment’s relationship with his task companion was passionate, explosive and mutually satisfying. 

This scholar’s demeanour in public contrasted greatly with his behaviour in his private life. 

It is interesting to note that this fragment has had only one other life as a practicing musician and that was as an organist at the Chartre Cathedral in the early part of the nineteenth century. 

However, this fragment has a long stage history, beginning in Greece during its Golden Age. 

This fragment also built harpsichords during the latter part of the eighteenth century and actually built one for Leopold Mozart. 

As a highland warrior in the latter part of the seventeenth century, this fragment distinguished himself both on the battlefield and in fashioning bagpipes. 

He was an exemplary soldier in many lives and many guises. 

However, the place where this fragment was most at home was on the stage or behind the scenes. 

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What I love about the Horowitzes is how much so they are like Felipe VI’s step-brother and his dominatrix frau. Both Wanda Toscanini Horowitz and Catherine are fifth mature warrior souls who were/are married to their scholar task compaanion – Vladimir Horowitz and William the Bourbon pretender.

Just like the Horowitzes for being task companions the Bourbon-Bucklebury duo are a combustible, combative couple, who’ve openly rowed and cussed sotto voce in public their entire marriage but alas who is going to be so daft as to break from fairy story to either perceive or acknowledge the truth of this sorry pantomime?

Wanna know what Catherine & William are really like, take a long hard look at two more intensely soul-bonded lovers, Elizabeth Taylor & Richard Burton – they are essence twins, in Mike Nichols’ “Who’s Afraid of Virginia Woolf.” Like Martha, Catherine also is a heavy cigarette smoker.

They, el duque y la duquesa Bourbon y Bucklebury, are a rivetingly complex but utterly volatile couple – all task companions and essence twins are; however, for the British tabloid media to pretend that they are all that is risible in the very least. They both have 9 in their numerology and all such persons are archly self-toxic, which therefore dictates how they relate to everyone. Want to imagine what the Cambridges worldview is like, just listen to Lady Colin Campbell and Piers Morgan speak. They, the Cambridges and the aforementioned two media personalities, are argumentative, scathing, fault-finding, abusive, manipulative and bigoted… all 9 persons are.

Their contempt for their subjects notwithstanding, the Bucklebury muggles are also stressed to the gills from the perpetual rowing they witness when around their oh-so-tightly-wound-to-saccharine-perfection-fake parents.

It should be noted that during several dream encounters with HRH Prince William, Duke of Cambridge that I’ve had – as someone who dreams lucidly and recalls dreams each time that I sleep, it is not uncommon to dream of persons known or unknown to me – when he sits, he favours doing so with his legs gathered and folded. I remember the first time that I made the connection when visiting a friend’s family in the Eastern Townships on the drive from Montréal whilst en route to a long weekend in Québec City. Not only did the co-worker’s cousin exclusively sit with his legs gathered beneath him all times when sat; however, he was made ever acutely and openly hostile by my presence. Like another co-worker at another job whose stepson was on the spectrum, that man was also acutely uncomfortable in my presence and sat with legs gathered beneath him whenever sat. Like William, all these persons have a vacant look about them; though, William has been intensely groomed to be normal, he is normal simply because there is so much vested interest in how we perceive him.

He is a prince. He is Diana’s boy. He is the future king. We collectively are at once somnambulantly caught up in the fairy story and in his tightly choreographed outings, he is deftly able to pull the wool over our collective eyes. However, when he is challenged, like all 9s and spectrum-focussed persons, he will go off-piste and betray the intransigent stubbornness at the core of his being as a scholar in stubbornness and a spectrum-focussed human being. William betrayed his spectrum-focussed prejudice and oafishness by lacking sophistication when stating, “We are very much not a racist family.” Merely, by his statement’s ambiguity, its basic double negative, William thereby betrayed the racism rife within aspects of the BRF. Full stop! Alas, whatever is a trapped spectrum-focussed oaf to do? Stayed tuned, there is yet to be a sequel, this one in future will be deemed, the Madness of King Wills.

Ten years of rowing on the way up the Mall from their wedding ceremony, to all the private hissing, to the dominatrix brush off of the tedious spectrum-focussed oaf whom Catherine at best is damn sick and tired of having to babysit, especially when it cannot damn well stop pursuing his bits of roughs on the side and one should never rule out his male relative – no, not King Felipe VI rather his violent wife’s brother; there is a reason why James is never photographed anywhere near William. Just look at these two photos released to mark their 10th wedding anniversary, Catherine does not once look at William. He is an oaf and what she prominently displays is Diana’s engagement ring. That’s right, I am the one possessed of the womb, which brought forth the future sovereign, I don’t give a damn and if I made the little negro cry…. so damn fucking what. I am a bitch… deal with it.

As ever, life is like a flying dream; if you look down, you’re fucked. Enjoy the ride and fear no one!

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©2013-2022 Arvin da Brgha. All Rights Reserved.

Jessye Norman 15.9.1945 ✟ 30.9.2019

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Tonight my home is awash in the music of Jessye Norman… this brings me inordinate comfort at this time.  Sweet and truly blissful dreams dear ennobled soul.  As I am unable to do little else, owing to being emotionally overwhelmed, I pause here to republish this blog of earlier this year.  So very glad that I was able to attend the Glenn Gould Prize Gala this past February.  

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As I work 7 days a week, I was debating whether or not to attend the Twelfth Glenn Gould Prize Gala at the Four Seasons Centre for the Performing Arts.  That morning en route home from some errands, I discovered that someone had jumped from a neighbourhood condo.  I got in and realised that there was no more feet-dragging; to hell with being dog-tired.  I got on the phone and called up Lucian Mann-Chomedy and said, “My darling, we are going to the Jessye Norman Gala!”  As ever, always positive, Lucian chimed in, “Oh my, oh yes, how lovely.  Well, I’ll be both honoured and delighted.”  Indeed, life is for living!  

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Merlin and I met Friday, October 1, 1982 in a Hell’s Kitchen Walk-up, the following Monday evening, on his return to Toronto, Merlin called up crying.  The man whom he had spent so much of our first evening together speaking of, had died; Glenn Gould had died.  For the seven years that we were together, Merlin listened to Glenn Gould’s interpretation of J. S. Bach’s Goldberg Variations at least thrice weekly.  Indeed, the first gift I purchased Merlin, was a recently released recording of the Goldberg Variations at Christmas 1982: I think that it is safe to say that that gift sealed the deal, I was a keeper for sure.  

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As I had waited until the last minute to get seats, I was sat in Ring 4 rather than the usual Ring 3.  This, alas, was my view of the stage and of course, the butterflies are from the set for Atom Egoyan’s masterful staging of Mozart’s Cosi Fan Tutte, which the moment I saw the set, I began chuckling to Lucian on recall of Tracy Dahl’s unsurpassed performance as Despina.  

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As I was too busy trying to throw something together for Instagram, I was heard gasping when it was announced that the head of the Glenn Gould Foundation’s Jury this twelfth prize was none other than the actor, Viggo Mortensen, who then walked out onto stage.  He, indeed, who in a few days time will be attending the Governors Ball where he may or may not be holding an Oscar.  

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Out onto the stage arrived the Twelfth Prize Laureate, Jessye Norman.  Truly, it was a shock to the very core to see Madame being ushered out in a wheelchair.   Suddenly, I was reminded of the events of earlier which caused me to rush home and purchase two tickets for the event.  That aside, there was no greater joy than drinking of her soul’s inspiring beauty.  

This beautiful gala was so filled with touchstones for me, none more so than the moment that bass baritone, Ryan Speedo Green was in full song.  When he sang, “Aprite un po’ quegli occhi” from Wolfgang A. Mozart’s Le Nozze di Figaro.  

Yes, indeed, this marvellous aria’s orchestration included a harpsichord.  Straight away, I was teary-eyed as memories of the truly eccentric and delightful Milan Newcombe readily surfaced; Milan will ever remain a lover like no other.  

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During the intermission, I ran into two old friends not seen in at least 1.5 decades; we spoke of nothing but our surprise at Ms. Norman’s entrance.  Life really does march full speed ahead.  

After the intermission, it was the announcement of the Glenn Gould Foundation’s Progidy Prize with the recipient being none other than, Cécile McLorin-Salvant, the most fabulous Jazz singer on the planet.  Is this not an evening to remember during Black History Month indeed.  

This stunningly unforgettable gala was closed out by the final recitalist being the divinely gifted soprano and Glenn Gould Foundation Prize juror, Sondra Radvanovsky in full song, singing Verdi.  

The gala concluded with Ms. Norman returning to the stage and singing a duet with Cécile McLorin-Salvant.  This was a moving, emotionally intense evening and my life was greatly enriched for having chosen to attend.  The gala was nothing short of magical.  

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As a tribute to this marvellous evening in the theatre, I will include herein two dreams, which were originally audio-cassette-recorded in the 1990s.  Before each deam, one of Glenn Gould, the other Jessye Norman, I will include each individual’s Michael Overleaves.  

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Gould, Glenn Herbert 25/9/32 – 4/10/82, Toronto

This fragment was a sixth level mature artisan in the repression mode, with a goal of growth, an idealist in the moving part of intellectual centre.
He had a Mercury/Saturn body type.

Glenn’s primary chief feature was self-destruction with a secondary of arrogance.

Glenn was third-cast in his cadence and his cadence is fourth in the greater cadence. He is a member of entity four, cadre five, greater cadre 17, pod/node 819.

This fragment has an artisan essence twin who was alive during Glenn’s life but there were no plans to meet. This fragment is still incarnate on the physical plane.

The fragment who was Glenn has a scholar task companion, who was in a previous life, Carl Philip Emmanuel Bach. They were not incarnate at the same time.

However, the fragment who was Glenn was exerting considerable influence on Carl Philip Emmanuel.

These two fragments had many lives together, once as luthiers, three times as court musicians, nine times as brothers of the cloth, twice as brothers in the flesh, as well as completing several important life monads, including student/mentor and master/slave.

In the immediate past life, the fragment who was Glenn had as his three primary needs: security, communion and exchange. Only the first of these was ever even partially satisfied.

So here we had a warrior-cast artisan who had seriously conflicting overleaves and a primary chief feature of self-destruction. He had a goal of growth but a repression mode which would not allow him to flourish.

He had a need for communion, but was sexually ambivalent and socially inept. Undeniably, he had great talent but took no pleasure from performing in public.

This fragment has a great deal of scholar energy that was used in the immediate past life to enable Glenn Herbert to painstakingly examine and interpret the works of Johann Sebastian Bach.

He was very interested in form and structure for all of his adult life. This fragment was, unfortunately, the victim of a severe obsessive-compulsive disorder, also for all of his adult life, which worsened considerably during his third and fourth decades.

This fragment did not, as popular wisdom teaches, retire from public life because of any strong beliefs in the recording industry. Glenn Herbert retired from public life because he could no longer bear to be in crowds, even if he was distanced by a proscenium.

Needless to say, this fragment did not complete work on his fourth internal monad.  

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A Glenn Gould

Astral Plane Glenn Gould Recital!

Nothing is more uplifting than finding oneself at a great musical performance on the astral plane.  This dream was about being richly inspired and by Glenn Herbert Gould, no less; it was truly marvellous an adventure for the spirit.

The dream occurred, on Tuesday, October 6, 1992, whilst the Moon transited both Aquarius and my ninth house.

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I am in France where I leisurely browsed through a store; perhaps, it was somewhere in Paris.  It seemed here like at nighttime.  Whilst in one corner of the store, I noticed that there were all these big slabs of cheese in packaged containers.  There was a woman coordinating the display of the cheeses.  Sometimes the cheese was being grated and other times not.  There and then, I decided that I was going to buy one slab of the cheese that was packaged in a rectangular box.

The cheese was about an inch thick and about eight inches long.  The cardboard box that it was in was white and almost like the size of a box of Cream of Wheat.  Surprisingly, the box was rather heavy.  Though not unlike cheddar, it was a dark cheese.  The smell of this cheese was really hard – quite the bite to it.  It had seemingly been opened for too long as parts of it was growing hardened and turning colour.  I knew straight off the bat that I wanted to have some to take home with me.  

So, off I went to purchase the slab that I liked.  Everyone here was, of course, speaking French which I quite so understood and liked.  Interestingly, I too was speaking very competently in French.  It was obvious that I was not too heavily accented as the others were pleasant-enough with me.  

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The second dream had me leaving the store; I then found myself hovering in the air.  Whilst in flight, I went into a building which had a green – oxidised-copper – roof.  It was part of a long set of buildings that had very, very tall stone chimneys.  These were chimneys that were not unlike the ones at the Palais du Louvre.  As a matter of fact, the building was similar to the Canadian Parliament buildings though it was not those buildings.  

This complex was considerably longer.  These were a series of complex buildings.  Here, I was easily thirty storeys up whilst in flight.  I looked down at the complex which at maximum could not have been more than five storeys tall.  After having contemplatively observed the complex for awhile, I began very slowly gliding down through the air.  I intently studied a procession of persons, way below, who were bailing out of very large buses; they were, as a matter of fact, tour buses.  

This was all happening in a courtyard-like area and away from the bustle of the street.  I next noticed some men who appeared; they seemed, in their long, flowing white robes, to be priests.  They were not Arabic or Muslims in caftans; rather, they were definitely Whites.  The buildings here were long on the order of Palais Richelieu in Paris.  When I finally alighted, we had to go through this incredible entrance.  

This led into a wonderful sandstone building; it was very modern with a neo-classical design.  On the order of being imposing, the door to this place was massive.  They seemed to be the doors to a temple.  To get to the entrance, there were many steps which one had to climb.  On entering, off to the right, there was a passage that one could take.  

An aisle led along another passage; it seemed illumined by a skylight.  The priestly men had all entered before me.  They preceded a procession of adherents who had come to partake of some ritual.  I had gone to explore, off to the left, because it was the wing of the building that had reminded me of the Palais du Louvre.  Going there, I wandered about being fascinated by the place.  

Some women were posing for artists in this particular wing.  They wore modern garb but were very exceptionally beautiful.  What was most intriguing about their look was that it was exactly as they would have appeared on the finished canvases.  They were very nubile young women; they had to hold their poses for interminably long periods.  Here several kids kept on going through the place; they were seemingly art students.  

They were all very North American, middle class with their loud, snobbish bourgeois affectations.  Right away, it was obvious that all the muses were still virgins.  Theirs was an innocence that could never be affected.  They were all teenage girls whose bodies were very voluptuous and full.  These were not skinny people at all.  There was one point at which one girl was holding different poses.  Each girl would be painted by from three-to-five artists, at a time.  Thus every pose would be captured from different perspectives.  

At one point, they told her to take a break; they then reverted back to an earlier pose.  This was so that they could return to that work and put some more work into finishing it up.  When she changed the pose, she had also turned some 180 degrees.  This particular model, whom I was studying, wore socks with Oriental-looking sandals.  Inside her socks she kept little items of hers.  Whilst she was making the transition, she simply reached up her foot and pulled up her right leg to reach down into the socks.  

Hers was a pair of blue-coloured socks – pale blue.  To just above the ankles was the extent to which the socks rose.  Looking at her, she took out something from about her ankle which looked like a wafer.  Not the least bit self-conscious, she ate it at once; it seemed like a chocolate wafer which she favoured.  She seemingly needed it to get an energy boost so that she could stay focussed on the tedious work that she did.  After having found it all very interesting, I moved on sufficiently knowledgeable of the goings on here.  Walking along a corridor, I ended up going into a room where everyone was very strange.  

A guy there was a lot like Galen Shim – my very beautiful, Hong Kong-born, Eurasian friend.  He reclined on a bed with his head close to the door.  When I came in, I noticed that he was naked.  When giving him a massage, I began by oiling his body.  It was quite fragrant oil.  Rubbing down his body, I began working on his toes and feet.  Afterwards, I got up to leave but he very silently began coming with me.  So out we went and joined the procession of persons; among them this time were several kids.  Mostly, they were teenagers – amongst whom I did not want to be.  

Galen or the guy who seemed like him, here the guy was not wearing glasses as before nor would Galen for that matter, and I kept walking through the place.  Pretty soon, after we had left the noisy kids, we started hearing the most beautiful music.  This was one of the rare times that I found the music of the pipe organ to be beautiful.  Within the complex, we happened on this wonderful cathedral inside which were most of the people from the procession.  On entering the structure, it seemed more like a concert hall.  We soon learnt that the hall was specifically built so that only Johannes Sebastian Bach’s music could be played there.  

Never before had I heard classical music sound so beautiful.  We stood there transfixed whilst listening together.  Who then should I notice way at the front of the hall, at the pipe organ that sat high on the dais-like stage, but Glenn Gould.  I could see his right profile as if in close-up.  My god, this was rapture and then some.  He was playing with such rapt abandon that I steadied myself and whispered more to myself than to Galen, “My god, what an incredible dream to be having…”  

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There seemed to be a skylight on the side of the high-ceilinged nave.  Instead of there being stained glass windows, windows for that matter, there was only intense light raining down through what seemed to be a skylight system.  The centre of the halved skylight was a wonderful neoclassical, oxidised, copper-looking, greenish flying buttress.  Here the look, though modern, was more in the style of Islamic mosques or even Moorish architecture rather than the classic Gothic signatures.  

A series of the most intricate and complex circles intertwined, like some riotous jungle vine, in the cathedral-like, concert hall’s stonework.  Breathtakingly beautiful it was.  I stood there, just inside the entrance to the hall, on the left of the wide aisle.  This was a very wide-bodied structure.  As you progressed down the aisle, there were different levels where one could go up and sit.  These were either on the right or left.  The central aisle was covered by the most beautifully designed red carpet.  

This place was considerably wider than Notre Dame Cathedral.  Unlike the Parisian Gothic structure, it was not a darkened affair.  Here it was very intensely bright out.  The light coming in on the right and left side of the flying buttress-like, central girder fell through a slightly frosted glass.  The light was an intense – almost aquatic – blue.  Interestingly, there were no beams or columns, supporting the unusual central, flying buttress-like beam.  For looking at the light, one became slightly languorous.  I felt paralysed with pleasure; there before me, down the massive hall, sat Glenn Gould.  

He wore the most thick-fabricked garb; it seemed from an earlier age.  All the men in the white gowns were up at the front.  They were all transfixed – as well they should have been.  Though I love Johannes Sebastian Bach, at the time, I had some reservations as I am not especially fond of pipe organs.  I suppose that it is because it has always had too many religious associations during my childhood.  The persons attending the concert were there simply to recharge their batteries.  They seemed, all of them, as if not quite in their bodies for being so transfixed – they were otherwise-engaged.  

Eerily, I had a sense that these were all persons who were between lives as is Glenn Gould.  They were in a form of processing, a form of deep meditation on the order of sleep, as they prepared for the next incarnation.  This fugue was the most complex music imaginable.  Indeed, the music seemed designed for those between lives.  The fugue was composed for astral plane habitués who, sans bodies, could best endure the music’s intensity.  Getting a sense that I really shouldn’t be there, plus the fact that I finally couldn’t get into the pipe organ, I started taking my leave of the place.  

Galen, or the person who seemed a lot like him, and I then went out front.  There we waited for the specific tour buses to show up and take us away.  Whilst I waited with Galen, or the person who seemed a lot like him, I was joined by Pandora.  It seemed that most of the people who were here were very young-souled.  They seemed to be on a pilgrimage, like visiting the original Gohonzon in Japan or going on the Hajj, at Mecca.  

As the pipe organ played, I could hear in the tone of the place a faint whisper from the men in white robes.  Their thoughts, it turned out, could be telepathically heard.  Even earlier, when I had been hovering in flight high above the complex, I knew that this was more so a political institution rather than not.  This was a structure which was just as colossal as the temple at Karnak and considerably older.  This place was mind-bogglingly complex and massive.  The temple was posited directly in the centre of it all.  

Just like La Chapelle in Paris is comparably dwarfed, by its surroundings, so too the massive concert hall-like temple was dwarfed by the complex.  This architectural marvel was simply soul-inspiring.  Whilst all the buses were waiting, I took to one of the buses with Pandora.  I had gotten impatient waiting to be assigned to one.  We spoke in French because everyone else here did the same.  This was not unlike a Parisian bus – the seats all faced each other.  Seated close to the front, we were on the left side of the aisle behind the driver.  

As though getting close to Saint-Sulpice Métro, I got up and said goodbye to Pandora.  I wanted to get off there then walk back to her rue de Grenelle apartment.  Pandora planned to go out then come home later so had asked me to wait for her at her place.  Here it seemed as if nighttime coming on to dawn.  Speaking guardedly in French, I made sure that I was speaking properly and not just fumbling partout.  Really, I rather enjoyed this experience of being together with Pandora.  

I was very serene enjoying the very beautiful experience.  Galen, or the person who seemed a lot like him, had silently slipped from my side when Pandora came and joined me.  

*Of course, it would turn out that the person in question was Louka Duplessis and not Galen.  I would meet Louka, who accompanied me in this dream, the day following this dream.  Just prior to meeting for the first time, it is not uncommon for me to dream of persons who will prove important in my life experience.  

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Jessye Norman

Norman, Jessye 15.9.45 ✟ 30.9.2019,  Georgia

Jessye is a first level old priest in the passion mode, with a goal of rejection – functioning for the most part in the positive pole of discrimination, a spiritualist, in the emotional part of intellectual centre.

She has a Jupiter/Saturn body type.

Jessye’s primary chief feature is arrogance, with a secondary of stubbornness.

This fragment was third-cast in her cadence and her cadence is fifth in the greater cadence.  She is a member of entity five, cadre six, greater cadre 33, pod/node 212.

She has a discarnate priest essence twin whom she did know earlier in this life but this fragment died in Vietnam.  She has a warrior task companion and they have worked together and continue to do so occasionally.

Her three primary needs are: freedom, expression and power.

The warrior energy gives Jessye tremendous organisational powers and her stubbornness has enabled her to stick in there when the going got very rough many times.

Jessye is a warrior-cast priest who has been a spiritual rebel in this life.  This is, by the way, not the first time this fragment has sung professionally.  This fragment was a well-known castrato in seventeenth century Italy and performed many times before the crowned heads of Europe.

Jessye has great need to serve her concept of the higher ideal and has done so admirably by combining the folk music of her people with her operatic repertoire.

She performs well, as do most entity five fragments.  This fragment has always enjoyed her work.  Singing has been an extension of her inner spirituality.  It is, in fact, a form of meditation for her.  

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Now that’s a Hollywood wife!

Jessye

These rather lucidly awakened dreams were experienced with an intense sense of wonder and joy, on Monday, July 2, 1990.  At the time, the Moon transited both Scorpio and my sixth house.  

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This first dream found me in a very busy place.  When going south towards the Danforth, it was not unlike being on Broadview Ave.  It was at night-time.  I came there and found that there were tons and tons of Black people.  Even so, it seemed like Toronto and at Broadview Subway station because there are all these streetcars there.  One of the streetcars was improperly parked, as a result, it was going to go and turn around.  

Waiting for it to do what it had to do, there was another streetcar out in the street.  It was really more like a red-rocket streetcar.  It was not like one of the newer ones.  Everyone here was Black.  There were no Whites or other non-Blacks that I saw.  Everybody was in the street which was very jam-packed.  They were getting ready to cross, after the streetcar had passed, to go in.  

There was now a system, where you paid your fare aboard the streetcar, so that you did not have to enter the front doors of the station on Broadview.  When you got aboard the streetcar, it was mandatory that you pay a fare.  So it did not matter whether you paid a fare at the proper entrance or not.  There were many people queuing up to get aboard a streetcar.  

Passing these people who were seated there, I went through the proper entrance.  One of them seemed like Gabriella Vartan and they were talking about me.  I came around and began going down the steps, into the nether regions, en route to the trains.  There was this little old lady who was taking her time, holding up things, so I pushed her to my right.  I made my way down then had to go around taking another flight of stairs; I then kept on going.  There were a whole lot of levels to this subway system.  

When I got down, there was this little cul-de-sac where there were these Black guys – homeboys – hanging out.  However, they were not Black American.  I found one of them very attractive and smiled at him.  He, however, was very homophobic.  He went running upstairs to go call the police on me.  The train then came into the subway and it was a very, very large train.  It towered very high to the ceiling.  It was like an Amtrak train which seemed like a double Decker train.  It was mostly silver, however, it turned out not to have been double Decker.  

When it stopped, I began running full speed because I did not want the guy to come back and board the same car as me.  I ran to the front of the train only to find that one couldn’t board there.  Instead, one could only enter this train where the cars joined each other.  You could enter the front or backdoors of each car but not the front ones of the first car.  It was very sleek, round and Deco like a train from the 1930s.  The whole place did have a feel of the ‘30s to it.  It was very neo-Gothic like the Chrysler or McGraw-Hill buildings in New York City, or for that matter, even the Empire State Building.  

It was reminiscent of very early in the twentieth century which was all about great architecture – of things being large, mammoth and spiralling upwards, too, things getting faster and faster.  That sense of adventure about the wonderful world of commerce that one had created.  It was that time when people had not yet begun to see, as we now know, the consequences of things being bigger and better and faster and all the effects on nature.  I got onto the train heading, again, towards the front.  Somehow, I felt relieved because I had lost the guy.  I was there and noticed a stout man who was either High-Yellow or, perhaps, even White.  

The people here were very strange because they were just rather unusual.  Even though they looked White, they seemed more bronzish, actual bronze, than the pinkish tonality of the waking state.  This was not a place that I knew.  It was very otherworldly here, I soon realised.  I did not get a seat and as I stood there I then noticed a woman.  She was standing at the very front of the train.  The train progressed with unusual speeds, I immediately noticed.  When the train had shaken, the stout man had tried to brace himself by putting out his foot that was already out in the aisle.  

In the process, he had stomped me and I had had to pull my foot out from under his and pushed his away.  He wore business attire, a suit and tie, as though en route to an office job.  The woman who was standing up was playing on a wooden flute-like instrument that was less than a foot long.  However, the thing about all this was that she had unusually short arms.  They were fully functional hands with tiny little fingers that nimbly danced over the valves of the wooden, wind instrument.  Her arms were like a Thalidomide-damaged child’s.  

Then I noticed too that there were other people on the train, about three or four musicians, practicing as well.  I soon realised that everyone on board had some sort of physical deformity.  They were just ill-proportioned people with torsos that were too long or arms that were too short.  Arms too long or what have you, moreover, this also applied to the legs.  The most pronounced cases were always the musicians like the female flautist – two or three of the other musicians were male.  

Someone else who was on the train began laughing and, out of nervousness, I joined in.  The person was laughing at the woman.  She, however, hadn’t paid them any mind.  Nobody else was paying people, who were laughing, any mind.  They did not see anything wrong with the people who were being laughed at.  I then got off the train and was out in this concourse area, where the trains arrived, before I went upstairs.  Before I would go upstairs I saw this child seated in the middle of this white blanket that seemed more like diaper material than flannel.  

The child wore a salmon-coloured merino.  He had little, white, cloth diapers on.  The infant had, again, very unusually, unusually short, short legs that made it look almost like a child because it was seated upright on its bottom.  However, it had a very big torso – matured, such that the child seemed like a very big, big child for its age.  Its head was very large with a very developed large and soulful-looking face.  At the time it made me thing of Jake Hudson.  Jake does have a very large head and face.  I was trying to connect with him.  He reached out his short little arms, crying out and said, “Dad, I want to go.”

There was this youngish man, who was blond like the child, and he seemed not unlike the guy Olaf Knight.  He picked up his son and used the blanket, on which the child sat, that had these straps and put him around his shoulder.  Like an African mother would, carry her child when in the fields, thus he was carried on his father’s back.  He walked off with the child, who was holding on to him, except that the child was really an adult male.  It was all very strange here in this otherworldly place.  

I ended up coming upstairs and going out in the outdoors.  There were people here – again, mostly Black people.  I was talking to them when I heard the strains of Richard Strauss‘s Four Last Songs beginning.  I beamed and excused myself from the people, with whom I was interacting, and went running off up this plaza.  It was a clay-tiled plaza and when I got there, I saw the symphony.   I went and sat in lotus position and sat very close to the front.  There was a gathering of persons in a semicircle and I was, as a matter of fact, the closest to the stage.  

The stage was above on a dais and it was edged by old gold juniper.  The juniper was really, really nice and quite fragrant, refreshingly so, to the smell.  Along came, from around a corner walking, Jessye Norman – the high priestess herself.  She had been preceded by her divine voice’s magic.  She was, of course, singing Four Last Songs.  She wore a beautiful, beautiful, glistening black dress that seemed almost organic with a life of its own.  It was twinkling on and off but the lights were lifelike like fireflies.  

They were sequins but they seemed, somehow, to be organic.  It had hues of gold, silver, bronze, and dark green hues like pine and blue hues like lapis lazuli.  It was very, very intensely rich a fabric.  She started singing the first song, Frühling, and it was very hauntingly beautiful.  She saw me and beamed down at me.  It was so connected between us.  I was so enthralled and overpowered; I was quite smitten by her.  I thought very rapturously awakened,

‘Yes!  I’m having a dream of Jessye Norman.  So very good to see her again, my god here she is and performing Four Last Songs.’  

She then came almost to the lip of the stage and stopped as though about to sneeze.  Then she held her breath and started laughing because it was so hysterical.  The look on my face was one of being truly horrified for her.  This had actually caused her to crack up.  Then she began singing again and began making gestures for me to move or be removed.  I was stunned and thought this some sort of betrayal.  

‘Why is she snubbing me like this?’ I wondered.  Then these two huge, burly guys came to eject me out of the area.  As I was leaving, I could hear her starting to sing again.  I was very, very upset.  

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I was, in the second dream, in this large house that was a very many-storeyed place.  It had many apartments.  I came out and it had a very slanted roof that one could go out onto.  This roof was, however, very dangerously precipitous.  I was looking about and thinking of Carl Leroiderien because, somehow, someone was talking about him.  This White man was talking to me and telling me that Carl had been enquiring after me.  

He then went on to ask me if I smoked dope which I denied.  I can’t think of it doing anything for me except, perhaps, to make me sneeze at the most.  Sometimes if mixed with hashish, I then got a massive headache.  “It doesn’t do anything for me, I don’t really like it.  I don’t see the point to it and I don’t smoke it.”  

At the time that he was saying this, we were climbing some very, very steep stairs.  Then at that point, after she had given her performance, I encountered Jessye Norman again.  She was seated on a bench and called me over.  She said hello very warmly and apologised saying, “I hope you weren’t upset.  You realise that it was a misunderstanding.  I wasn’t laughing at you; it’s just that you don’t seem to realise where you were.  

“You were, well there are certain degrees of protocol and you were ahead of the dignitaries.  And you shouldn’t have been so close to the stage because one of the reasons why your nose started bleeding was, in this dimension, if you’re this close to the stage… when I’m singing, when I hit certain notes it can shatter your eardrums but also shatter your mind.  

“So you see it was very crucial that I get you out of there.  Also, I was having a very bad allergic reaction to the plants at the edge of the dais.  They made me want to sneeze.  It wasn’t at all you or exclusively you.”  In having embraced me thus, she was being most healing.  I did, in fact, have quite the nosebleed.  As I was being hustled out of the place, by the burly guards, it was then that I realised that my nose was bleeding.  

At the time, I had thought it strange.  As this dream progressed very lucidly and linearly, there was no point at which either burly guard had so much as touched me.  I was so upset.  It was so very good, after the fact, to have had her explain as she did.  

*This dream really does validate the notion that all persons encountered in the dreamtime, without exceptions, are separate entities and not figments of one’s imagination.  END.

When I was being bounced by her, I was so stunned, upset and humiliated.  Had she not explained as she had just done, I would have awakened from this dream with a totally different perception of events.  I had also no way of knowing that she was having an allergic reaction to the juniper which, at the time, I found so wonderfully soothing.  What’s more, I hadn’t a clue that I had thrown the Chi of the place by having disrespected protocol.  

I would never have thought that my nosebleed was due to her singing.  In fact, it is possible that I could have awakened and not recalled that, indeed, I had had a nosebleed which I had totally forgotten until she had mentioned it.  Jessye Norman has indeed straddled, with great élan and diplomacy, many a dimension with great frequency and fluency.  

I then began holding her hand and told her that there were times that I had dreams of her, in which there were sometimes cetacean-looking creatures that came and did formations around her as she sang hyper-dimensionally.  She was just enthralled and pleased.  She squeezed my hands and laughed a healthy, really wonderful laugh.  She was quite smitten by me and encouraged me to write it all down.  

Her eyes here were so very large, soulfully dark and focussed right into me.  It gave me a high just to have experienced them.  I was wearing, when close to the stage, a satin merino-like shirt.  So at the time of being bounced out, I had passingly thought that I had been dressed too scantily for her liking.  

In any event, it was quite interesting.  

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This third dream was truly hysterical.  It seemed like on Eglinton Avenue East, between Yonge Street and Mount Pleasant Road.  It was at nighttime.  There was a lot of goings on.  Shirley MacLaine was there, Warren Beatty and Madonna Ciccone, as well.  Warren Beatty was the man of the hour and the centre of everybody’s attention.  He had a great deal of sexual energy and magnetism.  He had been performing for the camera and for everybody around.  It felt very staid to me though.  

One very interesting thing that happened was that he had been heavily drinking and, whilst laughing, had bent forward.  He then began uncontrollably coughing and was holding his chest and faking a massive heart attack.  Next thing you knew, we were in a very crowded area and it turned out that he had not been faking the heart attack.  He had a very, massive, massive heart attack.  He was dead just like that.  He was gone within moments.  It was just incredible.  Shirley MacLaine became utterly hysterical.  Her bawling was like from some Greek tragedy.  

She went into a trance-like frenzied state and began calling on astral guides and her Pleiadean guides.  Pulling out a very impressive clutch of crystals, she threw herself onto him and tried healing him of death.  She was placing them all over his body – at the chakras and elsewhere.  It was too humourous for words.  Meanwhile, as Warren Beatty died, Madonna came rushing up to the scene.  It had all been too late and they couldn’t rush him to a hospital.  There was no way that he could have been revived.  

They had been out in some desert area having a big party; there were no doctors around.  There was nothing that they could do; he couldn’t be saved.  He was dead… he was gone.  Shirley MacLaine started cursing to the gods, saying, “This is so unfair.  He hasn’t even been able to make the sequel to Dick Tracy.  And right when he’s at the top of his career this is happening?”  

“Well you know this will really immortalise him now.  Definitely, this is great publicity, right at this point in his career.” someone had dryly said who was not attached to his whole entourage.  I had heard this but Shirley MacLaine hadn’t heard it.  Madonna came and whatever she thought about I could telepathically hear it.  Her immediate response was, ‘Oh shit!  This is just going to fuck up my goddamn career.  If only I’d gotten a child by him.  Shit why did I have to have that abortion of his child.  Shit!’  

She was thinking fast.  She was someone who knew how to manipulate the media.  She was really pissed off because it would have meant immediate Hollywood sainthood for her, were she to go on and have Warren Beatty’s only child, after he had tragically died.  She was really pissed off because this was media manipulation beyond her wildest schemes, ‘I’ve got to get him out of here.  I’ve got to have the best genetic engineers flown in immediately…’  

I was stunned when I read her thoughts because, of course, she intended to harvest his seed and impregnate herself and then have a premature love child of Warren Beatty’s.  I was stunned by this woman’s phenomenal megalomania.  ‘During the autopsy, I’ll have his sperm taken out and I’ll have it copyrighted.  It’ll be my possession.  I’ll have it engineered so that I’ll have a child… a son.  God we can even have twins…’  She, all the while, was cowering over his face… kissing him and doing the wailing widow number, ‘…Can you imagine, Madonna?’  

She privately squealed to herself – unaware, of course, that she was broadcasting to someone like me.  She was so triumphant at having had that idea because all she knew was that people who so loved Warren Beatty would take to her now.  She was insecure as to whether or not she would endure through time.  However, with this, she knew that she would automatically become iconic.  She would become truly the virgin mother!  She would be actually giving birth to some dead man’s child – he of course being, Warren Beatty.  It was destiny.  After all, she was ‘the’ Madonna.  

She had this flash that this was why she had always been so drawn to crucifixes.  She was going to capitalise on the whole drama by making sure that it would be a son.  Of course, not to be outdone by that old, other Holy Mother with the virgin birth, she would eclipse that Madonna by having twin sons.  Again, La Stupenda squealed with delight to herself.  I passingly wondered if I were the only one to be privy to her thoughts.  Then I realised that from my detachment, as everyone bawled and was truly horrified as though these were Olympians and not mere mortals, that I was the only one.  

‘What could be better than having two Warren Beatty lookalikes crawling around the planet and who were his twins?  And his only heirs!  With today’s genetic engineering it will be a great coup.  ‘Think of the press!  I’ll be guaranteed perpetual immortality.  I’ll be iconised for all history…’  I thought then and there, ‘My god, this woman is monstrous.’  

In any event, the funeral was upon us and by some strange quirk of the dreamtime, I was very much so a part of the funeral.  I was as though a fly on the wall, as it were, and aren’t you lucky?  Why, was I participating?  I do not know?  

In any event, I was dressed to the nines.  I had on a wonderful, lace outfit with a mantilla with my veil covering my face.  I was part, somehow, of the funeral party.  It turned out that Warren Beatty had had five wives and, at the point at which he died, his fifth wife was a High-Yellow woman.  She was part Black, part White, partly Latina.  He had had all these wives.  They had always been paid and kept to remain silent.  They were never brought out in the public or media.  It was one of Hollywood’s biggest secrets.  

People, obviously, never knew about it.  It had never once been spoken about.  There was an interesting turn to all of this… I had been going along Eglinton East on the south side.  It was as though I was going towards Yonge Street; however, it was not Eglinton Avenue East.  Madonna was going to be late because, luckily, it was that time of the month for her.  She was off having herself impregnated, by way of a turkey baster, with Warren Beatty’s frozen sperm – the planet’s most expensively rare caviar fertiliser of sorts.  

I was attending the funeral with a short woman who was the fifth wife’s mother.  She seemed a lot like Sybil Ben-Daniel and wore a brown coat over her dress.  I walked with my right arm embracing her as she was on my right.  I had burly bodyguards all about me, before, beside and behind me.  They were real Mossad-goon-cum-Wrestlemania types.  My pants were those flare-legged Giorgio Armanis that allowed me to stride throwing my legs.  

There was a lot of train to them and I had such utter style.  I had enormous energies about me and great flare.  My eyes were bedazzling even though mantilla-veiled.  They were what were, of course, fuelling my high spirits.  The onlookers were lapping up my entrance; I felt wonderful.  We then went into the church and the mother was talking about, “We want the money to go to the Church because the Church is really the staple of society and civilisation.  The Church does so much good.”  

I just decided to let her babble on and kept my tongue in check.  However, I cussed her under my breath saying, “You demented old fool.  What Church are you talking about?”  

The church had a metallic-silver front and it looked not unlike York Cinemas on Eglinton Avenue East.  It was not a very big church on the inside.  As we got inside, I turned around and hissed at one of the bodyguards because he had earlier stepped on my train.  Of course, we were surrounded then by the paparazzi and the little people.  His Bigfoot’s footprint was there on the pant’s train.  I reached back and slapped his face real hard, calling him a fucking asshole.  

Of course, I knew that it was safe to do it here because everyone here knew, only too well, that side of me.  However, I couldn’t wreck my public image doing so outside.  As we got closer to the church, I began striding firmer with each step in anticipation of getting his oafish arse.  I was really careful not to show that side of me when in public.  I started going down the aisle and there at the end was Warren Beatty’s corpse in the open casket.  It was a pure black casket that glistened.  It was a dark black wood and a really gorgeous casket.  

Escorting the mother-in-law, I came all the way down the aisle.  I decided that I would go into the first pew on the right.  The first pew on the left actually went further down the aisle and did go past the casket.  It held men in white flowing robes; they were priest of whatever denomination this was – very cream, ivory-coloured and obviously very Catholic.  I went and sat down and immediately behind me was the fifth wife’s family.  They were very Hispanic-looking more so than Black.  They were very handsome in that family.  

I turned around and smiled at one of the men and the energies coming from them weren’t as I had expected – I had thought that they would hate me.  I knew Madonna; I was apparently part of her hangers on.  Somehow, I had known her through dance.  I thought that, for that association, they would hate me.  However, they displayed no such hostilities towards me.  

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Finally, the fifth wife came and was walking very slowly, regally.  She carried a globular bouquet consisting of tiny, little white roses that were sprinkled in amongst some baby’s breath.  There were one or two little red roses as well.  She wore a white, lace outfit.  Deliberately dressed as though attending her wedding, she was not though veiled.  She came down to the casket and knelt before it, like Jacqueline Kennedy-Onassis at the rotunda, staking her claim on history by her performance.  

She sobbed in a controlled breath and then got up and walked around to the right end of the casket.  Facing the church, she was now behind it and up on the altar.  She was before the pews on the left side of the aisle.  She knelt down again and this time began wailing and ululating.  She was doing ritual port de bras with her torso and head as well.  She kept on holding on to the bouquet.  

It was a very Latin; a very emotional display; definitely, not Jacqueline Kennedy-Onassis.  It was very soulful and moving.  One really felt for her.  Finally, Madonna made her entrance and began slowly progressing down the aisle.  There was utter silence in the place because everybody was thinking, ‘Oh dear, poor Madonna was slutting with Warren Beatty at the point of his death.  Here is the fifth wife and is she going to create a scene or not?’  

Well, of course, she is.  The fifth wife is Latin so, of course, there will be theatre.  When the fifth wife had been crossing the casket, I took in her body which was very wide-beamed.  I knew then, in a flash, that she was pregnant with Warren Beatty’s child and four months pregnant.  It was clearly no Immaculate Conception as per Madonna’s little trick.  She was a very big-boned woman.  She got up when Madonna entered the church and stopped crying.  

Madonna saw her and avoided her glance as I turned and watched this fascinating bit of theatre unfold.  Everyone was really excited at the potential fireworks about to go off.  She started coming down to confront Madonna.  I immediately and intuitively knew that there was a gun inside the bouquet that the fifth wife so firmly clutched.  Positioning the gun, the fifth wife began holding the bouquet to her stomach.  Madonna, staying her ground, kept on proudly walking down the aisle.  

She wore black; it was an outfit that was not dissimilar to mine.  She wore a short veil and not a mantilla like I did.  She came walking down towards the casket staying closer to the left pews.  The fifth wife came around the right side of the casket and was walking down the right side of the aisle looking at Madonna.  She had a very, very vexed and determined – an almost trance-like, expression of self-absorption on her face.  All the energy in her body was directed at Madonna.  

When she was about five feet away from Madonna, she held up the bouquet and callously said, “I’m going to blow your fucking brains out!”  It was filled with so much venom that it reverberated throughout the very high-ceilinged-though-tiny church.  It was also very Gothic an interior.  Madonna stopped truly catatonically horrified.  You could see it beyond the veil.  She had no entourage or bodyguards.  She showed up alone, so confident was she of the coup that she had just scored at the geneticist’s.  

She was so flustered that she gallantly stuttered back, “I dare you…”  She was very nervous and said very quickly with a weak, little laugh.  She was also vamping à la Breathless Mahoney – the character she played in Warren Beatty’s Dick Tracy film.  She was, however, visibly ashen.  Madonna was visibly shaken with fear.  

Those persons in the left pews automatically screamed out and crouched down for cover because the fifth wife had held up the bouquet in both her outstretched arms like the gun that it so obviously hid.  “Come on.  You wouldn’t want to do that.  That’s just stupid…” Madonna bravely said. “…You can’t do that.  Besides Warren’s already dead.  What are you trying to prove?  You can’t do this to me!  Don’t be stupid.”  

The woman, however, started slowly walking towards her not buying her bullshit.  At that, Madonna turned around and started to bolt and she fell down over her long-trained dress.  She had already made it to the back of the pews on the left.  She was much too vain, to run outside and possibly be murdered in front of the little people.  So she got up and began running around the far side of the pews.  Of course, as she ran away, the fifth wife could easily have shot her in the back. 

Then Madonna got really pissed off, stopped against the far left wall of the church, holding out her palm at her attacker saying, “Stop it!  You don’t want to do this.  This is stupid.  You can’t kill me.  I’m Madonna!”  She was just winded; the expression on her face was unbridled rage, fear, terror, chutzpah, all in one.  Then the fifth wife pulled the trigger, which was the only sound in the place, releasing the magazine.  

Madonna cried out and began pleading with her.  It was truly a spectacle.  It was really pathetic.  The fifth wife then pulled on the trigger and there was a loud plopping sound.  Everybody just screamed and the place became flooded with blinding blue light.  It turned out to have been an older-model camera and the flashbulb from the camera as it went off.  

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At that, the fifth wife laughed this loud, truly callous, heavy-from-the-womb, ripe, wicked, vindictive, victorious-all-in-one laugh.  It echoed throughout the church.  When her echo collapsed, as Madonna stood there truly disempowered, the fifth wife uttered in a weary breath, “I always said to Warren that you’re an ugly slut.  This picture will prove it.”  

At that the fifth wife turned and came and sat down on the pew next to me.  Her Latina family members were just going wild clapping and hysterically shrieking.  Now that’s a Hollywood wife!  Poor Madonna was still standing there involuntarily shaking.  She was holding her chest and gasping for air like an asthmatic.  Her left hand placed on her chest, with her right hand holding on to the pew, thus she stayed her ground.  

Although her hand was on her chest, she was being most clever.  However I knew that really where it should have been was at her pussy because what the fifth wife instinctively knew, as did I, was that she had just miscarried.  Madonna was profusely bleeding.  Poor Madonna was so humiliated.  The look on her face was truly sad; she was sweaty and runny-nosed.  She soon collapsed and had to be taken away.  Of course, she would be beaten out of having Warren Beatty’s heir by the fifth wife.  

The whole thing was so funny and hysterical.  I was so stunned that the fifth wife was going to pull this stunt.  I really thought that it was a gun; I had, at least, gotten this flash that it was a gun.  The idea to have a bolt release, affecting a gun, was truly ingenious.  The picture turned out to be truly horrific.  It was all a joke being played on Madonna by Hollywood’s film elites who could not have cared less about her and her parvenu ambitions.  

The whole affair was so very wickedly political.  The whole thing was so hysterical.  I wondered as to what next was going to happen.  Is the fifth wife going to come forward and produce the first Warren Beatty heir – the true child?  A child that would look like Warren Beatty – more like a child of the future being of multiracial heritage and a bronzed version of Warren Beatty would the fifth wife bear.  

What then will she do about Madonna’s copyright of Warren Beatty’s sperm?  Will the fifth wife, for producing the heir, win the legal rights to them and have them destroyed if she chooses to?  Will this not, in fact, begin a Pop Religion rivalling the King, Elvis Presley’s, if Madonna had won custody of the sperm and gone on to impregnate herself and bear those miscarried twin sons because of her bonds to Warren Beatty and his two pseudo-virgin-birthed children – sons at that?  

Truly, this is iconography for the new millennium, indeed.

*A very, very interesting dream.  Certainly, that I would be dreaming about these people is interesting enough.  I don’t pay much attention to any of them beyond the passing.  I had seen Dick Tracy three weeks ago.  That the whole thing would evolve the way it did was rather insightful.  I was totally surprised, as much so, as was Madonna in the church.  

I really did think that she was going to be shot.  I thought that it would be so messy.  You know, I just did not want having anybody’s can’t-wash-out bloodstains on my Giorgio Armani pants.  A truly, truly funny dream this was.  

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*What can I say, dreams are purely experiential.  I dream it and awaken, immediately bringing forth the dream experiences, committing those experiences to audio-cassette tapes. I rather enjoyed being alone and visiting with Jessye Norman in the earlier dream.  Clearly, those dreams were set on a parallel Earth in another dimension and one in which the mostly Black population is differently proportioned than we humans of waking state Earth are.  

On the eve of the Oscars, I thought this a fitting offering.  I could never have fathomed the outcome of the fifth wife’s agendum until it unfolded.  Ingenious, to say the least, was her use of the bouquet.  As ever, sweet dreams and don’t forget to push off and start flying… and so what if you bump into a wall, just attempt doing so again and this time believe that you can effortless transcend the barrier.  Perception is, alas, everything.  

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As ever my dear sweet ennobled friends, I am ever grateful for your continued support.  Please do spread the word, far and wide about this happening dream joint on the cosmic wide web.  Always remember to push off and start flying… I love you more.  

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©2013-2022 Arvin da Brgha.  All Rights Reserved.  

Go In Peace: Energy Transference with Recently Departed Famous Entity Mate.

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*Since having posted this dream blog some years back, I was always fascinated why I was simply summoned to be with the actor, River Phoenix when he passed. I did mention that sense of feeling strong resonance at the time of cadre mates’ passing. This dream was a poignant example of being called into action, to be of service to someone with whom I have a strong and connected soul bond that spans multiple past lives.

This was something that I felt at Natalie Cole’s passing and, of course, she proved to be an entity mate. In the case of River Phoenix, whose overleaves I will include here and which can now be found in the revamped and tidied up Michael Overleaves Appendix page, not only is he also an artisan soul but he happens to be a greater cadence mate of mine. This dream would not have occurred if we did not share this very strong bond; as a result of my cardinal casting, I am often called into action in dreams such as this one when entity and cadre mates pass on.

Read these dreams anew and do enjoy!.

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Whilst the Moon transited both Gemini and my first house, I would be transported to a cul de sac of the astral plane wherein I am not frequently focussed. It was Monday, November 1, 1993. At the time, as now, I did not own a television and hardly looked at it. Also, at the time, I hardly listened to radio or read newspapers et al. I was also much removed from most daily chatter as I had been off sick from work but did go in to participate in the annual Halloween costume competition which the year prior I had won when dressed in full drag and looking hotter than even Tina Turner herself in my high heels. The above photo of yours truly was taken at Halloween 1993, the day prior to this dream.

Thus it was that I would fall into sleep and immediately be summoned to be in service to the higher good. What is really interesting about the experience with the famous actor encountered in these dreams, I rather suspect that he may be a cadre mate from the tenor of the dream encounter. Too, there are a number of famous persons in my cadre and he seemed vibrationally not dissimilar to them.

That being the case, this likely explains why I was called on to be of service at the time. I am said to be rather cardinal in casting, which is clearly reflected in yours truly being inordinately gifted when it comes to fathoming the depth and breadth of the dream realms. Too, as these dreams were clearly focussed on the astral plane, naturally, there was dream flight. More than that, whilst focussed on the astral plane in the dreamtime, one did encounter at least two, possibly three, extra-human species.

As there is flight and levitation in these dreams, I pray that they will richly inspire you. Fly my darlings, fly, don’t even for a second doubt, just melt into a mischievous plié and start flying – cause you can… cause you are magic incarnate!

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A woman and I were together, in this the second dream, above the Arctic Circle. This woman did remind me of the woman, who had earlier been in the previous dream encounter with Niles Ben-Daniel and seemingly his lover. I was not fully certain that this woman was one and the same as, the one posing as Niles Ben-Daniel’s lover, in the prior dream. She had a couple of siblings whom she had asked to find out what time it was.

Here, they kept time quite unusually because there was no tundra about. They, as a result, kept sundials. They grew their grass such that they were able to tell from Sol’s shadows what time of day it was. Their sundial was a natural phenomenon which used the rugged flat landscape for keeping time. Standing there, I faced due north. Sol was still in the sky, but low, and at the two o’clock position. Sol was red and potent; it was almost serene-looking.

Over time, they had planted a hedge of Chinese boxwood, which stood a foot tall. From it were a series of radial-like spokes radiating out from the centre. All told, there were twenty-four spokes; of course, the spokes lined up with each hour of the day. Even in the wintertime, the hedge though submerged maintained an imprint of itself above – in the snowed and iced over terrain. It was quite nude (barren) landscape here. Sol’s shadow was presently pointing directly at the ten o’clock position though it clearly wasn’t. Ten o’clock could also have been four hours past midnight.

I decided that it had to be around four, in the morning, which is why Sol appeared in the sky where it was. This was the time of year when Sol never sets which made it difficult for me, a novice in these parts, to readily get my bearings. Quite a strange phenomenon because my body felt nocturnally phased, yet, there in the sky was Sol as plain as the Moon. She wanted to know what time it was because she was getting ready to go down south to the ‘Southland’.

She also referred to it as, ‘the land of the setting summer Sun,’ which did make sense. She had said all that in her Inuit tongue, yet I had been able to follow perfectly well as though she had been speaking English. More than being with her, rather, I was there as an observer and took in the minutiae of this unique culture. Certainly, we were keenly aware of each other and that we were both gifted telepaths.

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Next, in this the third dream, I was in a crowded interior. It was a waiting lounge in a large depot that was not unlike New York City’s Grand Central Station. A sandy marble, time-yellowed hue, the walls here were the same colour as at Grand Central Station. A high-ceilinged cavernous place it also was. The main hall had several wings that adjoined its considerable length. Here, there was natural light coming in from the bathysphere-like windows that sat way up the walls and close to the ceiling.

In that sense, this was not unlike the grand hall in which I walked with Merlin during which we encountered the exalted magus on September 4, 1988. I was seated on these large wooden benches that were old, comfortable and looked not unlike church pews. Semi-circular in shape, they gave a sense of inclusiveness to them. All around me exclusively were men. This place seemed, if you like, some sort of way station. One guy there was very slight-bodied, young and naïve-looking.

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Looking at him, he wore a navy-blue track suit. He came over to sit next to me, eventually sitting on my right. Patting him on the back, I told him that it was really good to see him. I wished him a safe passage and asked that he go in peace, “Have a safe passage. Go in peace and do have a good journey…”

Of all people, it was the actor, River Phoenix – he recently overdosed on heroin, early on Sunday, October 31, yesterday. This was a very vivid dream. I was quite lucidly awakened. Feeling great compassion for his tragic departure, I thought to be of comfort to him and to uplift his spirit in whatever way possible. There and then, I realised that this was a place where persons who had recently died came whilst in transit to their final destination as returning astral plane habitués.

*This, of course, did not surprise me. Right away, I was reminded of the sense of mammoth dimensions that also exemplified the architecture of the train termini, where I had run into Merlin in that momentous dream on Friday, July 9, 1993. END.

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Seated there, next to him, I exclusively turned my focus on him. I then began doing an enormous amount of energy transference, thereby healing his spirit, before he could move on. Who cares the attachments to this man, in the waking state? I have never followed his career but here, in his astral plane hour of need, we were souls and healing is the most generous gift of love. After having left his life in such a dissociate state, River Phoenix needed to be made more whole.

This is why he had seemed so naïve and as if in a daze. He saw me and purposefully began walking towards me. God only knows what he noticed in me that was different to the others. Until he was about two feet away from me, I for one had not realised that it was him. By that point, he had already been intent on coming to sit with me. He clearly needed my services.

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Phoenix, River 23/8/197031/10/1993

This fragment was a second level mature artisan – third life thereat. River was in the observation mode with a goal of growth. A realist, he was in the intellectual part of emotional centre.

Body type was Lunar/Mercury.

River’s primary chief feature was self-destruction and the secondary stubbornness.

Casting for River is fifth-cast in second cadence; he is a member of greater cadence three – greater cadence mate of Arvin’s. River’s entity is six, cadre one, greater cadre 7, pod 414.

River’s essence twin is an artisan and he has a sage task companion.

River’s primary needs were: exchange, expression and power.

There are 18 past-life associations with Arvin and 16 with Merlin.

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At the level of soul, I could not have cared less who he was; his energy body’s vibration needed a good deal of realignment before he could move on. He chose me and I gladly obliged his wishes. When patting him on the back, I was keenly focussed on sending him a great deal of near-aqueous blue-white light. River Phoenix was saddened. Rather, he seemed to be in a state of shock, though, not horrified or enraged. There was just a degree of resignation as he came to terms with where he was at. When it was all over, in the brief moments that it took to lay my hand on his back, he got up to get going.

He was obliged to take his leave and move on. He seemed here truly dazed. Perhaps, these were residual effects of his having passed in a heightened soporific state. Seated there, I felt completely drained of my very breath itself. I was left feeling so overwhelmingly sad and strangely alone. Another guy had sat down, on the other side of me, whilst I energetically focussed on River Phoenix.

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I can’t, for the life of me, say whether or not the guy had ambled up to join us seated there or if he had simply materialised – on the astral plane – for having just projected himself into our midst. Looking Hispanic, more than anything, this man had yellow-coloured eyes. Absolutely bewitching they were. He wore cream-coloured jeans with matching cream-coloured jacket. There was a lot of black in the clothing. This was in the style of Hip-Hop fashions.

He was a very sensitive man with a Hispanic accent and was slightly older than River Phoenix; he was about 24 or 25 years – at least he looked about that age. His hair was thick, black and curly. By way of conducting focussed energy transference, my function here was to provide counsel. I would simply tap into their vibration and, by way of their chakras, realign their energy. All of them seemed to have passed suddenly, completely unexpectedly. Thus they had a great need to become assimilated to what was clearly an unexpected turn of events.

They needed immediate supervision and companionship, until having become further acclimatised. Meanwhile, the persons around me were all being counselled by others – who were more solid-looking – whose role was like that of mine. I was, like all the others, a guide, companion and energetic facilitator to the arrivée habitués.

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Architecturally, this place was so immensely massive. It was also more ancient by at least 30 millennia than the rise of the Roman Empire. Clearly, there is no way to get around the fact that this was an astral plane experience. There was also no way to get around the fact that the first man, with whom I worked, was the actor, River Phoenix. What was really impactful for me was that River Phoenix, like all the others, had absolutely no emotions. He was in a place of total detachment.

Though a sudden departure from the life being lived, his soul consciousness was totally matter-of-fact about the situation at hand. The past, his recently accidentally concluded incarnation, was concluded and behind him. Period.

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Whilst we were all there, we were caught in some commotion when a Black guy appeared. He wore a blue jean jacket and wore on his face a flesh-toned fabric mask. He looked as though he had been in a burn unit at a hospital, I assumed, after having suffered massive burns to more than 95% of his body. It was the mask used for allowing skin grafts in such instances to take without becoming infected. My sense impression of his situation was that he had been in a violent car crash which turned into an explosive fireball. He had survived and was in hospital, for a while, undergoing massive skin grafting surgeries.

He also wore dark shades. The moment that he appeared, everyone instantaneously freaked out. All that one could see, was his mouth and nose; the image was upsetting, menacing. Right away, we all began fleeing that section of the grand hall. His arrival was simply instantaneous. He had simply manifested in plain view. When he came through, he brought with him a great explosive energy and immense suffering. This is what had upset the Chi in the place; it was quite an impactful energy wave that accompanied his manifestation. On closer inspection, I realised that he had not been a burn victim as he was still brandishing a large semi-automatic weapon.

Clearly, he had been holding up a business and got himself shot to death in the process. Thus, as is, he instantaneously appeared on the astral plane. The energy around his death was+ so immensely violent, as he went berserk, that it proved rather jarring for the rest of us. His body was violently sputtering away, as though, still echoing the massive volley of bullets that were being pumped into him. No doubt, a battery of over-armed police officers were only too happy to waste yet another ‘Black’ male.

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We all immediately started bolting because here was he, suddenly arrived and carrying a weapon, on the astral plane to which all these arrivés were not yet fully acclimatised. There was a group of urbane Gays over to one side who kept to themselves. The Gays went truly berserk, fearful of him, as this man was clearly a zealous homophobe. That too was the other thing about this place; one was able to accurately ‘read’ a person on their arrival.

As I sat there on the pews doing my energy work with River Phoenix, most of the light flooding the hall came from off to the right and rear. From the inner hall, I went bolting along with everyone else and took cover. The armed Black man had manifested across the hall from me. Making my way from what I thought previously was the main hall, I ended up in a grand hall that was easily seven times larger than the atrium in which I had been counselling River Phoenix and then the yellow-eyed Hispanic.

As everyone else had been bolting in that direction, I made a left turn. From the main hall, I was now in another atrium; this one, however, was considerably darker. This one was several storeys high with the same colour schemata as at Grand Central Station. Though there were no discernible floors as such, at each storey there were landings. I would then bolt down to where all the other Gays were ahead of me. In a bid not to be captured by this guy, who had no awareness that he was now dead and on the astral plane, I leapt over the railing and down onto the escalator where the Gays were.

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As they were all still clambering down the steps, this was not the greatest idea on my part; it was a truly chaotic scene. Deciding against pursuing the herd mentality, I willed myself from amongst them. With that I began levitating, above them and shot upwards, flying up into the nave of the towering complex. Goodness, this place was immensely massive. Soon enough, the man came to where we had been and made for the stairs from which I had just taken off. Being sufficiently distracted, I knew that he wouldn’t be able to either hear or see me way above him.

Too, he wouldn’t think to look up and see me. I flew in such a way that I progressed around a corner which took me into another wing of the massive complex. Here, there was a balcony whose wall was such that it had an indentation in the shape of an inverted top hat. Thus, the balcony was as if wrapped inside the hat. Hiding out in the cover of the balcony, I peered out – from time to time – where I saw others on lower balconies who peered up at me.

Others were off to the right in the inverted balcony. They discouraged me from coming because they thought that, somehow, my movement would attract the newcomer with semi-automatic weapon. They were of the impression that he was, in the first place, out to get me. All around, this whole episode was terribly unpleasant. It had all the chaotic madness that must surely exist, at present, in the streets of a war zone like Bosnia or Croatia.

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Deciding against hiding out, I sought to be rid of this place altogether. With that, I began flying upwards towards the very ceiling of the grand hall. The ceiling was as if a force field and not a physical construct. Thus, without incident, I was able to will my way through its parameters. I was truly relieved to have made it out of there. One had the sense of leaving one dimension and moving on to another, whilst seemingly clearing the grand hall’s ceiling, and into the next dream experience.

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Next, in this the fourth dream, I was outside where I immediately encountered some young teenage females. All were sarcastic, bitchy solipsistic twits. They were on an empty city street. Racy-edged, in the extreme, were there. Especially for feeling the enervation that I did for the massive energy transference work that I had undertaken with River Phoenix, I really did not care to be around these people’s energy.

At the time, I was still in flight but had slowed down, hoping possibly to interact with them. Finally, I had no time for them and their bullshit. No need to be around their imploding energy. Without haste, I flew on and went onto a side street. There, I saw a really large building from which there were some persons presently exiting.

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It was as if one were looking outdoors, due west towards Fifth Avenue, in Manhattan. A young couple came from the building and entered a car which looked like a Bentley limousine. A massive stately old car it was and looked every bit as though it had been made from lead. A large structure stood to my left as I watched them drive away towards what seemed to be Fifth Avenue.

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Looking to the structure, I realised that the structure was in fact St. Patrick’s Cathedral which, of course, meant that I was at 51st Street at Fifth Avenue. Naturally, the car made a left turn and went south down Fifth Avenue. Here it was nighttime with lots of snow in the street, the sidewalk, and covering just about everything. The car wanted, once on Fifth Avenue, to go westwards along 50th Street, but couldn’t because that street runs easterly one-way.

There was also too much snow jammed there in the street. So, in the end, the car went down to the south end of Saks Fifth Avenue to try and get onto 49th Street. Here in the dreamtime, contrary to the waking state arrangement, 49th Street flowed easterly. This made me realise that its attempt to go along 50th Street was not bizarre. I guess that they then intended to go easterly along 49th Street, over to Park Avenue then up 57th Street, make a left at that street, to try and get across town that way.

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I figured that that major thoroughfare would not be impassable. I was keen to find out who was inside the car, which was a very regal, stately affair; they were a sophisticated well-bred couple. I was more intrigued by the car because it was mostly glass, with the rear windshield arching up to above their heads, as they sat there exuding their exalted classism. The side panelling on the outside, and where the rear windshield met the roof, was all solid gold. Atop the roof there was a beacon like on a taxi cab, however, it was made of solid gold.

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Really, it was more a coat of arms than anything so crass as a taxi’s beacon; this was a truly luxurious-looking vehicle. As I inspected it, I had been in flight hovering a couple of floors above it. Rising in the air, I began speeding down on the east side of Fifth Avenue over St. Patrick’s Cathedral. When I got over the cathedral, I noticed that – unlike its waking state counterpart – this one had flying buttresses. Though it was very dark out, as though the dead of a Dark Moon night, I noticed that there was activity atop the cathedral. There were things there which I found immediately intriguing.

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Abandoning my pursuit of the Bentley landau, I slowed down, coming closer to observe what was going on atop the cathedral’s roof. There, I saw wonderful fowl; there was a whole array of them which were quite large. One species was white with lots of black specs throughout its body. They were all on different ledges on the flying buttresses. All of them had nests that they were tending.

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One of the nests had 8 large speckled eggs inside. There was, however, no fowl tending to this nest. Flying slowly, within ten feet of the buttresses, I inspected everything with a keen eye. This was so very astral plane in focus. Considering that I had previously been counselling River Phoenix, who had recently passed, it made sense that I should be on the astral plane. In any event, the rooftop was pitch-black and covered in tar. The masonry here was also much blackened with time’s passage. Too, there was a lot of moss covering every available nook and cranny.

I suppose that this replica of St. Patrick’s Cathedral needed to exist, here on the astral plane, to provide some sense of continuity to the dearly departed recent arrivés of the Catholic persuasion. Here on the astral plane, this St. Patrick’s Cathedral was considerably larger than its waking state counterpart. As well, it was millennia older than the Roman Coliseum. The older dead moss had left the structure blackened – along with the centuries of pollution and soot caked on in layers. Naturally, in order to get up to the roof of the nave, I had had to rise higher and beyond the buttresses.

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Once higher in the air, I saw down between these two buttresses a group of Whites. They were dressed in animal skins and were, in the true sense of the word, barbaric-looking. They had not yet fully developed the ability to speak; thus, their speech consisted of a series of barks and grunts. Quite hirsute, they were obsessively fearful. Huddled on the top of the structure, they proved a smelly lot.

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Everything was quite ancient and scorpionic-hued. As well, there was a tribe of black-furred monkeys with some red in them. The Barbarians also wore a skin that had a reddish hue to it which was seemingly a doeskin. Theirs was, as well, a tawny reddish complexion. On noticing me, the monkeys went wild, climbing up to the tops of the buttresses; frantically, they pounced and screamed up at me. Goodness, they had such large vicious-looking teeth; thank goodness they could not fly.

Mildly horrified, I simply levitated higher into the air and stayed clear of their none-too-evolved noise. Exceptionally tiny, they were also very intelligent-looking. Truth be told, they looked much more evolved intellectually than their simian cousins, the Barbarians. Goodness, they were feisty and noisy. Wanting to investigate everything about the queerness of the sight of me, they were truly inquisitive.

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Going higher, I reached to the top of the nave where I noticed a couple lying there. They were lying on their backs. Looking not unlike the sphinx’s, theirs were the most abnormal-looking skulls that were splayed and large. Their clothing was unusual-coloured; however, on closer inspection, it turned out to have been their skin. Basically, their skin was as if a floral-printed fabric. Very brightly coloured, their skin was an interesting sight… to say the least. They lay there, looking not the least bit surprised at the sight of me. They also seemed not inclined to do anything but enjoy themselves in repose.

They seemed so mysterious. Looking down, I alighted to investigate. I spent some time looking down at their feet where their skin was also uniformly distributed. I had wanted to leave but decided to head in the opposite direction; as they lay there, their feet were in my way. I didn’t want to have to upset or interact with them. They seemed alien, in the true sense of the word, but were not in fact to be disturbed. Silently, they lay there and directly looked at me. One had the sense that they could have turned deadly in a femtosecond and gone at me like a cobra on the attack. They had very cool eyes that were powerful, truly scorpionic. Theirs were the kind of eyes that were beguiling but utterly untrustworthy.

*Their eyes much reminded me of that dream encounter with Lars Gamst, set in the British Isles some centuries back, wherein we encountered a litter of oversized cats, which turned out to be not only psychic but also feral. This was back in the summer of 1988 – before recording the dreams on audio-cassettes. END.

Soon enough, I flew away from there because this was much too astrally focussed an experience. I might add, as dreams go, it was one that was very much so real and quite layered. It was simply much too intense; so, with that, I withdrew being energetically focussed therein.

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Hope you enjoyed having taken this groovy little trip with me… Go on, hop to it, start flying. I love you more.

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©2013-2022 Arvin da Brgha. All Rights Reserved.

Prophetic Dream With Diana & Archie

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Diana, Princess of Wales & HRH Prince Henry, Duke of Sussex.  

On the eve of what would have been her 58th birthday, I share a dream encounter with Diana, Princess of Wales.  At the time of the dream, July, 1996, Diana was then incarnate and would be dead less than 14 months later.  The dream suggested Diana, parenting a male child of mixed race heritage.  Naturally, at the time of the dream, she was not then yet involved with Dodi Al-Fayed.  Years later, whilst living in Montréal and transcribing the 250 audiocassette recordings of my dreams which spanned a decade, I happened on the dream.  By the time of the transcription, Diana was dead and so, on poring through the dream I thought that the male child in the dream to whom Diana seemed a mother, must have been a child of hers and Dodi’s.  

Fast forward twenty-three years from the dream in question and I am beginning to think that this exceptional male royal child was actually a dream of tuning into a future in which Diana was serving as protector of her beloved son’s own baby boy, Archie Harrison.  The skull of the baby boy in the dream who seemed like a son of Diana, Princess of Wales’, is exactly shaped like that of Archie, Diana’s grandson by way of her son, HRH Prince Henry, Duke of Sussex with his black wife, Meghan, HRH Duchess of Sussex.  

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Alas, another dream encounter with Diana, Princess of Wales.  This one would involve moving into a probable reality scenario which may well have eventualised had she not tragically died thirteen months after having had the dream. 

*Then again, it may well have been tuning into a future which has now come to pass wherein, the interracial Sussexes have a male firstborn.  END.  

As with the dream of July 9, 1993, in which I would have a most rapturous astral plane encounter with task companion, Merlin, here too there would be lots of train travel.  This means of transportation, I have come to realise is employed by the soul when one is questing and traversing the astral either to past, future or probable timelines. 

In this case, I had clearly dreamquested to a probable and non-too-distant future for Diana, Princess of Wales.  Sadly, it was not to be.  Obviously, in this probable near-future astral plane dream, Diana, Princess of Wales was fulfilled and had gone on to start a second family and was mother to a rather precocious son; a son whom I might add was clearly at least fourth level old-souled. 

At the time, it was Sunday, July 27, 1996 and the Moon then transited both Capricorn and my eighth house.  The house of death wherein is posited my retrograde Saturn, gave interesting insights to things as they might have unfolded as others’ agendum precluded Diana, Princess of Wales’s life becoming more of an inconvenience.  

*Then, too, as time has unfolded, this rather prophetic dream was actually tuning into a probable reality which has become the collective future of human civilisation and one which we enjoy today.  Here’s to TRH Duke & Duchess of Sussex and their incredible baby boy, Archie Harrison.  END.  

Of course, at the time of these dreams, I was then resident in Vancouver’s West End.  The dreams were audiocassette-recorded on tape two hundred and seventeen and to be found in volume XXII of the dream opus. 

There was much sturm und drang in parts of the dreams as it mirrored the vicious tectonics, long after Merlin’s passing, being played out legally and otherwise with persons whom I am so glad to be finally rid of.  Chief among them that STD-riddled, dominatrix poseuse and fag-hag to boot, who quixotically saw herself cast into the world to play Merlin’s protector and saviour – the dreams of lost village idiots… indeed. 

At the end of the day, Merlin never liked her and rightly so considered her a damn idiot.  At his passing, he had nothing to do with her; hence the fool spent the next two-plus decades being bedpan-changer of Merlin’s betrayers – a poor play at atonement that. 

Enough about knock-kneed caribou roadkill; the journey endures.  Besides, the bond with Merlin could never have been successfully broadsided. 

Come now my magical darlings, mischievously sport that wry smile known only to kindred spirits, slip into a luxurious plié, take my hand and let’s have ourselves a delicious group flying dream.   We are better for sharing this journey together; for your support, I love you more. 

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Whilst heading down a street in what was undoubtedly Toronto, in this the first dream, it was then daytime.  The street seemed like the one just around the corner from the Underground Railroad Restaurant, on King Street West, to the west of Sherbourne Street – Frederick Street.  Going down Frederick Street’s incline, I noticed along a back lane that there was a large building.  Too, I noticed a great many persons from past workplaces.  The building seemed to be an annex to the main workplace as I had known it.

One of the first persons whom I recognised was Milton Bloomfield.  He was wearing a pair of dark blue slacks and powder-blue short-sleeved shirt.  Excited to see him, I bounded over and went around to the back entrance.  Immediately, I began seeing persons whom I had completely forgotten about.  Indeed, some of these persons looked as though they were definitely astral plane habitués.  In particular, one old White male had that outré habitué look to him.  I was simply astounded to have seen some of these persons.  Truth be told, I had not thought of so many of them long in ages.

‘How quickly we do forget,’ I thought.

Such a very pleasant discovery of things past, it turned out to have been.  That aside, I resumed my search of Milton Bloomfield in earnest.  Again, I saw him in the distance.  This time he was walking away from me without having noticed that I was there.  In the end, though it would have been nice to have interacted with him, I just didn’t see the point in going after him.  On going around another corner, since I was amongst persons from the past, I had thought to go in search of Yaramé Snead.  I went over by some machines which no longer exist, in the waking state, seeing that she would shortly have shown up at the start of her shift.  I then saw her at a desk working away and hurried over to be with her.

Stooping down to her left and rear, I playfully called out hello to her.  On turning and seeing me, her reaction had been low-key.  I was surprised really as I thought that she would at least have been her usual boisterous self.  Her hair was beautifully braided.  Frankly, I felt putout as she seemed not the least bit pleased to have seen me.  With that, not wanting to be more of a seeming bother, I wrapped up the visit.  Since she had declined to have become engaged, I just couldn’t be bothered to have invested much energy in the encounter.

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Part of the focus of this the second dream, a man and I were together and seemingly were lovers.  Tall, he was a redhead; as such, he represented one of my more choice sexual partners.  Somehow, this man was in showbiz.  We were definitely lovers.  Whilst looking at TV Rosie O’Donnell had made remarks about him that were rather cutting.  Initially, I had thought that her remarks had been about Xerxes Hamelin.  The joke had been a crude remark wondering as, to which sex Xerxes Hamelin was.

This was in reference to her having breast reduction surgery.  As I did not appreciate the crass put-down of Xerxes Hamelin, I would abruptly take my leave.  I then went indoors of a house which, here, was like moving from the veranda indoors of the Crab Hill house.  A few persons were inside the house as I ranted, vowing to get that fat ugly dyke, Rosie O’Donnell.  There also was much laughter as I added,

“And we all know that I’m wicked enough, to do just as I say.  But first we’re going to sue her frigging Mickey ass.”  But my lover didn’t want to go through with it, he was a showbiz lawyer.  Snapping at him, I said,

“I won’t hear of it.  I will not be cutting him or her any slack.  Get her fucking ass!  There is no way that that no-classed fool is going to insult Xerxes Hamelin and get off lightly.  End of fucking discussion.  We sue!  During the show’s rehearsal when that joke came up around the production meeting table, she could have had the decency to say, ‘no way, I’m not doing that kind of humour’.  Obviously, she fucking well didn’t.

“It’s not about the fucking money; she will learn a thing or two, when I’m done with her fat-retaining, tired-looking ass.”  What really amazed me was how lucid and lived-in, in the body, I was.  I was really killer mad and out to do battle,  “There is positively no way that she’d have gone out there and made disparaging remarks about Jews.  And if you can’t knock the fucking Jews, you sure the fuck can’t haul your tired grey arse out on a stage to knock Blacks.  Just stop and think about it.  If a Jew would have her head in a nanosecond, then so the fuck will I.”  

After that, we went off together.  My lover was ever quiet and reserved whilst I did much of the talking.  In that sense, he energetically was much like Merlin.  However, it definitely was not Merlin.  

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As we walked about, we ran into Diana, Princess of Wales, who had a little child on her hip.  One had the sense that, after having divorced HRH Charles, Prince of Wales, she had gone on to start another family.  Definitely, this third child of hers was a son.  Apparently, she had always wanted a little girl but here she was with a dark-haired bouncing boy.  Obviously, from the looks of things here, Diana, Princess of Wales was going to have more than one family.

One interesting feature was that the boy was born with almost a full mouth of teeth.  I mentioned in passing that I guess if you end up grinning as much as she does, it would not be surprising to have newborns appear grin-ready.  Too, the child was already able to say some words at birth.  The child was exceptionally intelligent.  The young son’s most interesting feature was that even at less than six weeks, he was able to follow conversations.

The eyes on this child were exceptionally old-souled and wise.  Not the feigned coyness of Prince William was his demeanour.  We were in a huge stately Bentley whilst the child sat on his regal mother’s lap.  Diana, Princess of Wales sat on my left with my lover, a showbiz lawyer-celebrity, seated next to me.  My lover was of British birth; he was a well-placed Londoner and terribly well-off at that.

He was part of the few in whom Diana, Princess of Wales confided and had done so during her divorce proceedings with the Firm.  From the Bentley, we got into another car.  Although he really didn’t need it, the precocious son was travelling in a basket here.  This child perceptively was quite advanced for his mere few months of life.  He represented hands down a case for reincarnation.

Though he could talk, especially for someone less than a year old, he was still rather stubby and full of baby fat.  I took the rather self-aware child from Diana, Princess of Wales and headed for the car.  I then didn’t know whether she would be sitting in back of the car with us.  Considerately, I had opened the front door for her but she told me that it wasn’t necessary.

She then went into the back of the car at which point I returned her son to her.  In all of this, the precocious son hadn’t uttered a word of whiny protest for having been separated.  He had simply looked me in the eye whilst studying me and not, god forbid, because of something as absurd as my being Black.  This woman, his mother, was rather a genuinely sweet-personalitied soul.  Not your typical animus-charged, parvenu, New World wealthy snob, like heaven only knows so many North Americans, was she.  After we had taken off, I had mentioned that I had heard Prince William – who now was much taller than her – was very well-hung.

Furthermore, he loved roughing it with all the little willing boys at Eton.  This supposedly was hot gossip in those circles and which both my lover and Diana, Princess of Wales thought hysterical.  She expressed great pride in having produced such a fine stud for the Firm.  She mentioned that he had to start his studding practice sometime and far better that it be at Eton than with too many willing little girls the world over.  Clearly, Diana, Princess of Wales had no desire to turn grandmother just yet.  She was a very funny person with a distinctive snort-like giggle.

We then went into a store that was called something like Mayfair & Browne or something along those lines.  A small, high-end department store it was.

*The warm blues here would suggest that it was, in fact, Fortnum & Mason.  END.  

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Afterwards, we had attended the opening of Parliament where Queen Elizabeth II had naturally been present.  The Queen had asked the House of Lords to stand and, at that point, they had drawn some heavy red drapes.  At this point, there were rituals of an occult nature which were being performed.  This had been the custom for centuries and had been nobody’s business.  The few priests, who performed the rituals, spoke in an ancient tongue; olde English and Gaelic it would seem.

As part of the ceremony, the queen adopted a raspy, adversarial and tyrannical tone.  She snapped at them as they spoke to her.  Of course, this was to validate her absolute power as monarch.  She had spoken by using the same ancient tongue as they had.  Quite illuminating was all this for me.  From where we all sat, the monarch sat opposite us at the far end of the stately hall.  On the right was the House of Lords.

On the left, was the House of Peers where things were even more arcane and secretive.  Clearly, there was much more wealth possessed by the members of the House of Peers than those in the House of Lords; for one, they wore more expensive fur-lined robes.  Queen Elizabeth II then stood and put an end to the rituals.  When the priests retreated, the curtains rose again and at that point members of both houses of Parliament rose to bow to her majesty, the queen.

The Queen now looked her usual stoical self.  Next, a loud debate rang out in the House of Lords; this was the point at which bills were being introduced.  All in all, this was a very noisy affair.  This was the point at which my London-born lover was expected to have introduced my suit against Rosie O’Donnell.  However, he was blowing cold on the issue and tried to back out of it.

What caused him to have hung back was the raucous fight that had broken out between two Lords on some point or other.  In point of fact, they had been quite vituperative.  Soon after, we took our leave of Westminster Palace.  Diana, Princess of Wales was not seated with the rest of the royals.  Nor, for that matter, was the more royally scorned Sarah, Duchess of York seated with the royals.  

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The ride to the department store was no more than ten minutes.  Once inside, we had gone some escalators which took us to a cosmetics counter.  The look was pretty much like a Clinique counter, though, I really don’t think that it was such.  On seeing an extended member of the House of Windsor coming down the aisle towards us, my lover had dropped behind.  The focus of my lover’s attention was a rather princely gentleman.  He was young with full red lips but not was horsey-looking.

*This princely gentleman was, in fact, James Ogilvy – grandson of the dashing Prince George, Duke of Kent.  END.  

They exchanged pleasantries and it was clear that my lover was rather smitten with him.  I didn’t though get the sense of him, Mr. Ogilvy, that he was Gay.  From there, we kept going further down in the complex below street level.  Each time that we had come off an escalator, we had headed to the left to get the next.  This in turn had taken us down another flight.  Eventually, we arrived at a level which was clearly part of the city’s sprawling Underground.

As we walked, there were two little birdlike, old English women whose slow amble gait had gotten me fast impatient.  Finally, we managed to have pushed past them and gotten the train just in time.  Here we had travelled at fantastic speeds.  The trip was for quite some time and, somehow, it seemed as though they used magnetic conductors here in this civilisation.  There was a sense too that we had been travelling several miles, at least 100, below the surface.  

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When finally we had arrived at our destination, we had gotten out into a labyrinth of tunnels which had eventually led above-ground in a Japanese city.  We spent not very much time in Japan as it proved a stopover where we changed trains.  Moving on, we had travelled on a futuristic-looking train.  On board were two stylish, East Indian young women.  Both were clearly tired for having travelled a lot and having crossed several time zones.  A loud American was on board; she was an overweight woman.  As can be expected, she talked aloud for everyone to notice her.  She moronically complained about the trains not being aboveground and whined,

“I want it to be aboveground.  There’s nothing to see down here.  It’s all black and dark.”  She said the word ‘black’ with the same customary loathing as she had applied to African-Americans her whole life.  “Don’t they realise that there’re lots of tourists and we want to see.  It’s so boring being down here in all this blackness.”

‘Such a fucking acculturated bigoted asshole,’ I thought.  The train was painted white on the outside with lots of chrome and walnut finishing on the inside.  Very comfortable, red leather seats throughout the interior; this was a truly posh experience.  We had boarded at the front of the train.  We pulled into a station, though, only briefly; the train took off again never having opened its doors.  This time it took off in the opposite direction.  By now, my lover and I were no longer travelling together; however, I did have a travelling companion with me.

On this leg of the trip, we had moved above-ground at one point where we had passed the most glorious stand of ancient old trees.  They were ginkgoes that looked millennia-old.  Each was easily in excess of 200 feet.  I quite liked it here.  Though the vista was beautiful, it didn’t last very long as once again we were below-ground whilst ploughing through the lurching labyrinth of tunnels deep in the earth.

At the end of the trip, we had arrived at a swank hotel which seemed to be in either Switzerland or Austria.  From the hotel, my lover and I were reunited and began trying to get in touch with Diana, Princess of Wales.  He wanted to write to her instead of speaking so had sent her a fax.  Here we were a bit in the future, where everyone was automatically assigned their personal phone number with cellphone/fax.

*Truth be told, rather than a fax, it was a text.  Of course, at the point of the dream texting was well ahead of its time.  END.

No matter where one was in the world, regardless of the borders, the same phone number managed to get you.  Interestingly, they were not excessive amount of numbers.  He had sent her a fax (text) with his private number and had asked Diana, Princess of Wales to call him; he had wanted to lend his support in her divorce proceedings.  

At one point, when we had been driving, Diana, Princess of Wales opened up and spoke about her divorce from HRH Charles, Prince of Wales.  She said that it had left her feeling truly awful.  At the end of it, the one thing that she had taken away was the sense that she felt greater empathy for what Blacks suffer globally.  Said she, she had gone to a couple of stores to shop, after having been divorced, where the mere salesclerks treated her with scorn.

Nobody wanted to serve her as if she had even been hostile to them.  Diana, Princess of Wales said that it had been so overwhelming that in one case she had gone rushing back to her car in tears.  For no longer being a part of the ‘Firm’, the public simply treated her as an unfortunate laughing stock.  Some clerks had been outright rude to her.  She said that she couldn’t believe that anything could have made her so mad.

To have been denied was the most painful experience.  They were so mean-spirited and spiteful she claimed.  Her voice here was high-pitched and almost feverish when she expressed her rage at the injustices she had experienced.  She said that the idea of racial animus that she has heard Blacks speak of, she could finally understand.  Diana, Princess of Wales said that she had experienced something pretty close to it in the lack of civility that she had gotten from everyone.  Intently looking at her large clear eyes as she spoke, I was much impressed by her remarks.  She was rather ravishing-looking and was so in her element for being mother to this exceptional child.

*Long after the dream and as things played out, the male child whom Diana, Princess of Wales had parented in this dream was clearly fathered by Dodi Fayed.  Of course, at the time of the dream, I hadn’t a clue of Mr. Fayed’s existence.  The precocious boy had his father’s nose and brows.

Clearly, this dream was tuning into a probable reality which finally was not to be.  The child was clearly at least fourth level old-souled and may well have been a king or if not warrior soul. 

**More thoughts on this dream.  The fact that the lawyer who proved a lover of mine in this dream was a redhead, is at this time, I believe, a reference to HRH Prince Henry, Duke of Sussex.  As it is extremely rare that I would dream of the latter, it is not a surprise that he was translated here by my waking consciousness as anyone but Prince Harry.  Also, in light of the fact that in marrying Meghan, HRH Duchess of Sussex, Prince Harry can be said to be an advocate of sorts for racial reconciliation with regards to the ties that the BRF historically have to the enslavement of Africans.  Interestingly, that Diana, Princess of Wales should talk about having empathy for the racism that Blacks experience on a daily basis, is a dead giveaway.  The theme of race and racism is a prevalent one where her son, HRH Prince Henry, Duke of Sussex is concerned.  

For having chosen to wed an entity mate of his (HRH Prince Henry, Duke of Sussex) with whom he has a long reincarnational history and someone who has twice previously been a senior royal in the British Royal Family, is reason enough why the theme of race would be discussed and why Diana, Princess of Wales would be both empathetic and speak passionately about this issue.  Naturally, throughout the dream she would be closely bonded with a firstborn male from another marriage; however, rather than being a firstborn of hers in a subsequent marriage, this older soul child would prove to be the firstborn mix-raced child of her son, Prince Harry, who was represented by the redhead lawyer/advocate who happened to be my lover.  Indeed, Prince Harry can be seen to be an advocate for addressing and advancing racial dialogue and race relations.  Similarly, that his firstborn son, Archie is a seventh-level mature priest soul would indicate someone whose focus in life will be about inspiring, uplift, healing and harmony… god only knows that is sorely needed at this time.  

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Straighten up and fly right!  I love you more than you know…

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©2013-2022 Arvin da Brgha.  All Rights Reserved.  

Shamanic Dreams Aplenty.

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Two weeks before Merlin’s passing, at a time where my focus in the dreamtime was rather intense, I dreamt the most uplifting of dreams.  As it was leading up to Merlin’s transition or ascension, there was a massive opening up of my consciousness.  For having served Merlin in such an intimate and compassionate role and thereby healing his spirit, there was much spiritual growth and resultant advancement for me.  Merlin used his illness to serve as a mentor to me and thus teaching me so very much in the process.  The dreams were dreamt, on Saturday, November 4, 1989.  The dreams that day spanned two sleep cycles and proved both intense and illuminating.

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I was quite consciously aware that I was dreaming and had slipped into sleep from a very deep, expansive meditative state.  On coming to, I was walking along in a street; it was quite sunny out.  There was a brown dog that appeared.  The dog came over to me, from off to the right, from behind a rock.  I felt that it looked ready to attack me.  The dog was a very short, smooth-haired creature.  Truth be told, it was a beautiful dog.  When the dog came over, I declined the gesture of friendliness and did not put out my hand. 

I knew then that I could not be sensed to be fearful because then the dog would sense my fears and thus defensively attack.  Reassuringly, I spoke aloud and guided myself through the scene by saying, “Be calm and be understanding; just reach out to it.”  So I did and extended my hand.  However, the dog was a very contained creature.  Though its mouth was clenched shut, the dog bore its teeth at me.  The dog then opened its mouth to bite at my hand; I countered by forcefully stabbing and ramming my hand into its mouth — much as though I had just stabbed it to the hilt with a massive sword.  I then started forcefully twisting my fist against the canines.  As I twisted against the canines, I rotated my right hand counterclockwise. 

Such that his left cheek was rotating skyward, thus the dog’s head was being uncomfortably twisted about.  Clearly, my actions were hurting him.  His neck was wringing.  I was in control and he could not really do me a great deal of harm.  Further, I guided myself with assurances that I was in control of the situation and not the dog.  I was sending it focussed energy and telling it to calm down and not to be in attack mode.  However, the dog still would not desist and persisted with resisting my directives.  All of this, interspecies communication, I telepathically undertook. 

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I realised then and there that this was getting tedious.  Besides, I was not here in the dreamtime to do battle with some mutt.  So, still with considerable force, I hurled the dog to the left.  As I hurled it, it became transformed and was now a square which seemed to be made of glass or hard plastic.  The transformed dog also seemed to be shimmering.  Next, it started moving around in the air.  After I had thrown the dog away, from off my right fist, it was transformed but remained a separate entity.  I then followed it with my mind and sight.  The transformed dog-cum-geometric airborne object then moved about at my command. 

Initially, it went off to the left where it was going to crash into a wall.  Even though this was the former difficult creature, it was now too beautiful.  In its transformed state, I could not let it be destroyed.  I was also pleased and amazed at what I had affected with my mind.  So I drew it away from the wall, from which it had abruptly veered off, and instead moved to the right.  I then brought it a little closer and then moved it about some more.  Next, I decided that, maybe, I should just let it go down; however, at that point, I thought aloud, “Wait a minute here.  I’ve got control here with my mind. 

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“Now it’s time for me to fly!”  Immediately, I abandoned the construct.  I gladly left it hovering there in the air.  Next, I simply shoved off from where I was and started flying.  I said aloud, “Yeah!  See, I can do it!”  I roared with sweet pleasurable laughter.  Next, I began moving, not directly upwards but, out before me in a low gradual rise like an aeroplane at takeoff. 

My arms were outstretched, perpendicular to my torso — palms faced down and were winged up and back, a bit, creating the right aerodynamic drag.  With that, I started moving at such great fantastic speeds that I immediately came to the end of the road.  Before me, the land began falling away.  Here before me, I came to a most beautiful, beautiful, beautiful sea.  I was above an inlet in flight and the hills were very green and the sand on the shore was beautifully white.  The sea was a beautiful blue and it was so tranquil and wonderful. “ Whoa, I’m going to be travelling over the ocean.  What happens if I start losing control?” 

I then, though, reminded myself not to be fearful.  At the same time, I was quite aware of my body, lying here on the bed and the thrilling feeling I was having whilst in flight, resonated throughout my body.  “My goodness, I’m projecting my consciousness; this is what you’re doing… you’re flying.  You’re advancing with your psyche… here in the dreamtime.  Do not focus on the water; it’s a wonderful scenic aid.  Go on Arvin, just focus ahead.”  Immediately ahead of me, at the great speeds that I was progressing, I saw a light.  A beautiful, beautiful, white enveloping light it was. 

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I then began shoving my way through the light at great, great speeds.  Now, I was going at fantastic speeds whilst in flight above the expansive sea.  This was so very thrilling and incredible; however, I really did not want to go all the way.  As it were, I did not want to come out on the other end of the light — to explore beyond that.  In point of fact, I was quite aware of my body lying in bed and I was lying on my left side.  I was saying to myself that I was not even in the meditative state that I had actually hoped for.  To fortify myself, I had grabbed the large quartz crystal.  However, before I had gone to bed, I had really wanted to masturbate.

Thus I realised that I really had to come out of this experience and masturbate, after which go to bed, after meditation as I had intended.  So I did get up. 

*Not that it was shallow of me to have abandoned a great cosmic experience, to go wank off, but I do think that it was actually good of me to have ceased being astrally projected when I did.  However, the need to survive was sustained by being grounded to my sexuality.  As I progressed through the light, I knew that the further I got, the more likely it was that I would not want to return.  Once I got onto the other side, I felt quite strongly that I would experience something much on the order of Tuesday, December 26 “Boxing Day” 1972III.  I just knew that I could not go all the way.  For one thing, Merlin needed me here, to see him through to the end.  For another, I had to come back and not go all the way because there was no one at the apartment with me.  Should I slip in too deep and imperil my life, in some way, there needed to be someone here with me to safely bring me out.

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I was growing more and more relaxed — feeling like I just did not care to any longer be focussed in my body.  This was why the thought of sex was so important.  My sexual focus had actually allowed me to stay ensouled in the body and not altogether spirit away from my life.  However, it was definitely that close.  I did experience rapture — on an order of the cosmic.  I was probably guided to my sexual centre by the soul and Merlin.  Of course, Merlin wanted me not to expire prior to him — as we had agreed.  Truly, it would really have been a great cop out, were I to have passed on prior to him.

So for once, as it were, my masturbatory obsession saved the day.  I do too believe that the attack dog, whose animus towards me I was able to have skilfully diffused, represented the amount of treachery afoot in the waking state at exactly two weeks prior to Merlin’s passing.  END.

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I was in an area that looked like a cemetery.  There were these little girls who carried these objects that looked like fans.  They each had a little stick at the end of which was a handle; really, it did look like a table tennis racquet.  At the end of it, the rod was bent down and then went off.  The queer rod was shaped like a little crown or a maple leaf.  What’s more, it was golden-coloured.  They were white girls under the age of twelve.  Too, they were both redheaded. 

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They were holding up the object before them.  Incidentally, I had one as well.  Somehow, I did not know what it was supposed to do.  The trees were large, like silver maples, and there seemed to be some large, centuries-old moss-covered tombstones about.  They both held out their arms in one direction.  They were behind me and we were facing in opposite directions.  They directly pointed the forking golden sticks ahead of themselves.  Still directly pointing their golden sticks ahead, they then came over to where I was. 

Immediately, when we were in close quarters and they were directing their sticks, one of them struck gold — the stick in her hand started shaking.  She let go of it and it fell to the ground but then straightaway up-righted itself.  The golden, wooden forking object then started moving towards this energy source.  The other girl laughed and went and put hers down.  I was amazed on recognising that there really was a definite energetic force present.  Likewise, I went and also put down mine.  As I did so, it was pointing up under the tree.  Straight away, you could see the manifestation of a sphere that was glass-like but it was shimmering. 

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I could visually make out that there was the outline of a rainbow that encircled the sphere’s rim.  Through the eye of this opening, the space simply shimmered.  Fantastically, it was absolutely wonderful to watch this manifestation.  The shimmering sphere was about four-to-six feet in diameter.  There was a gardening hose close-by.  As the watering hose rotated in the direction of where the circle was, the aperture became even more outlined when the water from the hose struck the space wormhole.  When the water hit and penetrated the shimmering portal, this was when the rainbow was created.  Thus, it became even more outlined and visible. 

Remarkably, it was a predominantly golden-coloured rainbow.  Quite magnificent and quite wonderful a sight it was.  Moreover, it was truly powerful.  I went running off to the source of the hose — it was being moved because of the water pressure.  I picked up the hose but then I put it back down.  There was then a guy and a girl and as they put the hose down, I was trying to see if there was going to appear anymore signs of the sphere.  However, they had messed up the hose; the hose had gotten knotted which precluded any water from being discharged.  Incidentally, it was a black hose. 

The girl, who had moved the hose when I had seen the wormhole-like dimensional portal, quite reminded me of Artemis de Bolanos.  In the sense that she looked somewhat like Artemis, I was led to believe this.  She was also flaky like Artemis.  However, it was not Artemis.  I promptly took my leave of them and moved on.  These girls were rather small and looked like the classic faeries.  They were unusually pale.  On closer inspection, they had unusually large, dark eyes that were almond-shaped and went upwards at the outer corners. 

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Their hair was so intensely red that it seemed, in fact, to glow and to be as if iridescent.  They also had no eyebrows which only highlighted the wide-open expanse of their foreheads.  Where the third eye resides, it was quite unusually expansive in that part of their foreheads.  In fact, that part of their face seemed slightly concave, however, only slightly so; in that sense it did resemble the indentation of a radio telescope.  Though they seemed like prepubescent girls, they were fully grown.  They may well have been several decades old; however, they did not look old.  Moreover, they exclusively communicated telepathically.  However, there was no getting around the fact that they were EH (extra-human or extraterrestrial). 

One thing about them was most telling — my pronounced ease for being around them. 

*Much like natural redheads, in the waking state, these persons’ vibrations were considerably more attuned and intense than others’.  One always has the sense that most redheads are ‘broadcasting’ when in their presence, in the waking state, so strong is their psychic abilities.  The golden rainbow spheres were portals which were used — as their desired EHVs (extra-human vehicle or UFO) — to move through and forth from their world, in which I incidentally was a visitor, and others.  They seemed as though intent on showing me how to call forth an EHV to relocate from their world.  I happen to think that though I awoke to masturbate and not go all the way, on returning to sleep, I did return to being focussed in the far-off locale, to which I had ventured in the A sleep cycle.  This incidentally is not uncommon.  Hence the locals’ desired to show me how to safely get back, through the golden shimmering portals, to my dimension.  The trees here were phenomenally huge and had the same intense negative ions as were those experienced in the valley, of the far-off world, had during the dreams of Thursday, February 16, 1989(168).  END.

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The third dream in this cycle — I have chosen not to include the second dream here — found me with a group.  The group was a Rock ‘n Roll band.  They had finished a show and were taking off their makeup.  They had backup singers with them.  One of the female performers went and was washing her hands.  Just like the seeming little girls had worn, she was wearing similar garb.  Their clothing seemed to be from earlier times as in the Middle Ages to the Nineteen Century.  She washed her hands in a common open trough — some of her clothing she had taken off to remove her makeup. 

I felt as though I could have started seducing her, if I wanted to, but I chose not to.  She had matted, reddish hair that was up in a bun.  Her hair was strawberry reddish-blondish like the two girls in the earlier dream.  These redheads were of obvious Druidic heritage.  Meanwhile, the guys in the band were coming back.  They wore makeup that was painted in streaks — more like the way tribal and Amerindian warriors adorned their faces with paints.  They were white.  None of them seemed interested in fucking the women. 

They were then going off, to a club, to hang out.  I went off with them.  On arriving at the club, I found it quite interesting.  There was an advertisement about enlarging your balls.  The thing to do was to put your testicles in cow dung.  That is clearly ridiculous — you cannot put your balls in cow dung.  The ads showed the vat of dung, which was steaming.  The dung had to be steaming, affecting the notion of it being steaming warm, as when coming out of a cow. 

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The balls distended outside the body so that they could be kept sufficiently cooled and not become warmed by one’s internal body heat.  Straight away, I knew that that was a bogus remedy for having your balls enlarged.  The club had this wonderful entrance.  From the ground, the entrance took you down below the surface and into this darkened cavernous area.  Once inside, it was quite interesting.  People were going in and out.  The bouncer/maître d’ had huge balls, his actual testicles, which he held — one in each hand. 

*I dream it, I report it.  Who knows how this testicular adventure arose for having been auto-erotic on briefly awaking — well, not too briefly.  END.

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He was juggling them around like a lewd stripper would her ample tits.  They were individually wrapped with a green straw-like fibre.  Thus the balls could be pulled and stretched.  I found it all remarkably funny.  His cock comparatively seemed nonexistent next to the humongous balls.  He was the usher/maître d’ who let people into the club.  The club was called The Hell’s Gate.  He would be looking over the women who would come in and decide if any of them were exciting enough. 

Naturally, it was a bawdy house of ill refute – a bordello.  There was a lot of wholesome fucking going on inside.  The joint was jumping.  Truly, it was very funny. 

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In this the fourth dream, I next found myself in the streets at nighttime.  This was after the rock band had disbanded.  There were people in the street whilst other persons were watching them.  Also, there were other cars around.  They were large unusual-looking cars.  I went in and I joined a guy and started voguing on him.  He was very jet-black and had large full lips.  We were voguing a kiss and then another. 

I would then go down, as if to go down on him, whilst sensually dancing on him.  Our movements were very stylish and very beautiful.  There were two other couples, on my left, as I faced the guy dancing.  We were the best dancers, of course, and the most original.  Our dance was strictly erotic.  As a matter of fact, our movements came pretty close to fucking.  Our dance was more suggestive and engaged than a tango.  The magic we weaved, was absolutely wonderful. 

Quite a crowd was soon gathered around us.  Anyway, I went down into the club, The Hell’s Gate.  There was Louise Donlon [Denise Donlon] — the woman who does the NewMusic for MuchMusic — she is gap-toothed.  This club was obviously over in Britain, perhaps, Ireland.  She was interviewing musicians over there. 

*Ms. Donlon is, of course, married to legendary Canadian singer/songwriter, Murray McLauchlan.  END.

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I was fixing the cuffs of my jeans, rolling them down, to put them inside my penny loafers.  These were a tanned, almost teak-coloured, beautiful pair of shoes.  As I adjusted them, Denise was interviewing some musicians.  People would go off and become lost to sight.  This was in a large tent area.  They would slip outside after being interviewed.  Also present was, Nina Hagen, the German eccentric Punk/Rock/Opera singer with the vulgar-looking mouth.  She had extra-long red hair. 

She asked Denise if she was still writing and what had she written lately.  Nina Hagen said that she had done this song; the song was about the planet and her concern for its fragile ecosystem at present.  Denise then started playing a guitar.  Nina got really excited and told her that it was good and excellent.  She also told Denise that she was happy for her.  She seemed almost a bit too hyper-excited.  Then she abruptly stepped backwards and disappeared through the folds of the tent’s white-cream, silk-looking, heavy canvas flaps.  As Nina disappeared, on the other side, she was heard singing her song and carrying on — like the right eccentric loon that she is. 

On leaving the tent, I moved on and went inside the club.  A girlish woman — these women were so diminutive that they seemed like girls though not — was being chased; it was part of a contest.  Everybody chased her with pretty-coloured balloons.  She was trying not to get hit by one.  Eventually, she did get hit by one but she went and hid behind something.  There were a lot of girlish women there with big bums who were very short.  Some of the patrons were in the earthen floor itself with only their torsos sticking out.  For having such huge bums, these big-arsed girlish women seemed like they would topple over backwards. 

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However, their supra-mammaries created a good counterbalance.  They reminded me of Galina Yordonova — the former Bulgarian ballerina who ended up coaching Evelyn Hart at the Royal Winnipeg Ballet — with their petite-framed bodies.  These women were almost as if pygmies.  They were not dwarfs but just tiny people.  These persons were clearly of extra-human stock.  They had on black lace and they were shaking their boumpsies (bums) and dancing by themselves.  They were like go-go dancers who danced in a group, on the spot, on the floor.  I was moving around and thinking that it seemed like a very exclusive club. 

I had hoped that they did not exclude certain people, based on race or did not play certain music, based on race.  At heart centre, I knew that this was not the case at all.  I then left the lobby but was still inside, en route out, when I realised that there were a series of funerals going on.  At the time, I was with an irascible English aristocrat whom I had to tell, be quiet.  The funerals were all happening underground — at least, it seemed very much so to be underground.  Rather, if they were above ground, it is possible that they took place in a catacomb or caved sepulchre.  Everybody seemed to exist in a caved city.  There were little trees, like miniature cypress trees, that divided off the lots. 

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As I was moving along, I was asking the man to please be quiet.  There was obviously a very solemn affair afoot.  There were people standing around and they were saying en masse, “For thee, thy name sake…”  They were speaking very olde English at the funeral.  A little girl knelt down and put down a flower and she was holding a kerchief to her face.  She was crying and bawling.  I wondered if that is how I was going to behave at Merlin’s funeral.  A bit overwhelmed, I then moved on only to encounter another funeral. 

This funeral had less people in attendance.  This one was also wrapping up.  Both were obviously funerals for someone white.  There were mostly whites there.  People had on cardigans and sweaters because it seemed a bit chilly in the air — like an underground habitat would naturally be.138

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After having audiocassette-recorded these dreams, I placed a call through to Merlin over at Wellesley Hospital and chatted.  As had become habit, he would call to awaken me, I would then call back after having recorded the dreams.  As I would be taking him the morning newspapers and other items that he requested, I went about feeding the cats and doing some other chores about the house.  Whilst getting ready to be with Merlin, I went poring through our music library for something to play as I showered.  Finally, I had found it, it was Itzhak Perlman with the Chicago Symphony Orchestra playing Brahms Violin Concerto in D Major Op. 77; on the Angel label it was a coveted recording of both mine and Merlin’s.  Whilst I sat in Merlin’s favourite rocking chair, I sipped on tea made with the leaves of soursop.  Months prior when visiting St. Kitts and Nevis, I had managed to stealthily bring back some of the leaves in my luggage.  This fruit tree’s leaves induce the greatest serenity and dream lucidity when ingested as a tea.

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Of course, it has since been discovered that the soursop is said to be a thousand times more potent than the drugs used in chemotherapy.  That aside, I sat perfectly poised, slowly rocking back and forth whilst listening to and being enraptured by Mr. Perlman’s unique brand of shamanic magic.  Eventually, as the album played on repeat, I showered and got ready to go in and be with my lover.

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As ever my groovy shamanic kindred spirits dream like it is the most magical thing in the universe… well why not… it is after all.  Dance and fly in the dreams like the magical shaman that you are and hiss and piss on any fool’s grave who would have the temerity to have messed with you… cause life is not a dress rehearsal and loving self means protecting self from all ill-evolved dreck.  Thanks for your ongoing support and remember, my magical dream memoirs are available where all discriminating bibliophiles get their fix.  I love you more.  

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©2013-2022 Arvin da Brgha.  All Rights Reserved.  

Schadenfreude: Acts I & II… And A Dreamquest to Probable Future Life.

Recently, I caught up with an old friend from last century – that sounds so deliciously cool… in any event, whilst hanging out, I got a call from one of those deranged clowns from the world of the theatre to whom one’s only response was to simply hang up and readily call-block the damn nuisance. Who has time for yet another egomanical twat who drones on ad nauseam about life decades long past?

In any event, soon there was talk about Winnipeg and had I not heard the news? If I am honest, Winnipeg is the only place on the planet that I would never revisit… ever. For two years whilst there, if I spoke more than a thousand words, I spoke a lot. Diana, Princess of Wales’ astute remark in her televised interview with Martin Bashir, deftly betrays the hellishly bruising isolation that I knew for living in Winnipeg: “There’s no better way to dismantle a personality than to isolate it.”

For two excruciating years, I, the school’s only black, was the most invisible, ignored, objectified, ridiculed and dismissed. More than that, each of those two winters, on especially cold days when the windchill approached -40°C and below, a male colleague would piss into my locker and into my sole pair of shoes and socks. Those walks home in piss-soaked socks and shoes which by the time I made it home to my 380 Assiniboine Avenue apartment, my feet would be frozen and swollen.

Sitting across the desk from the hairy back-and-arsed, glass-beaded-eyed male in the near-dark clutter of his office, I knew that this man was the most venal, to say nothing of transparent liar. So after he sat there with that smug grin on his face, I approached him a month later, asking if he would let me become the school’s janitor to help my sorry financial situation.

Naturally, I was confident that this dim, shallow, transparent bigot hadn’t a clue that I was as shrewd to say nothing as intelligent as I am. Months earlier, after having been relentlessly pursued by a pudgy, local tea room devotee, I gave in and ended up being blown and rimmed like it was nobody’s business. Pretty soon, my paunched lover got to the business in hand. Surprisingly, he was an ex-lover of the man across from whom I sat being boldfacedly lied to. Adamantly, he insisted that I not get my hopes up because his ex had an almost violent repulsion to blacks and there was positively no way that I would ever make it into the company…. over his ex’s dead body he had declared.

That notwithstanding, I daily did extra minutes of daimoku in hopes of magically spiriting my way into the company. As long as I live, I will never forget the pain of icily frozen feet, glazed in loud syphilitic piss and the smirk and goofball idiotic grin of the circus freak fare whose cock more so resembled an extra girthsome angel trumpet flower and pushing either side of six inches when flaccid. Once my feet were so swollen that I went into my sparsely stocked kitchen and broke every glass by hurling them across the tiny space.

That episode was the only time that I have ever felt suicidal and the only thing that saved me was the thought that the fucking idiot would be the one to laugh loudest on hearing of my demise; truly, nothing more than a bipedal, STD-riddled petri dish. Neither technique nor his idiotic personality can ever explain this person’s decades-long sojourn in Winnipeg save that the glass-beaded-eyed one was dismissed by his ex-lover to be the city’s most notorious size queen.

So alas, a career which ought never to have been then morphed into many things as no size queen ever wants a prize catch out of sight. So there was I, for the few weeks that I did the job of custodian at the then Portage Avenue studios, rushing feverishly through the tasks of brilliantly cleaning the place so as not to give cause for concern, then into the offices I would take. Whilst there, because I was ever confident that for being only perceived as “black” far be it from them to passingly have associated a shrewd intellect with me. Meticulously, I pored through this man’s files of every male student dancer and then made handwritten copies of what he wrote.

Years later, whilst living in Vancouver, I reminisced with an alumnus of the school and classmate. As he spoke of why he took leave of the school and his troubles with the glass-beaded-eyed one, it suddenly came back to me; within those notes, there was the portrait of the sexually predatory taskmaster. I vaguely recalled that his description of the fellow alumnus validated what my classmate shared; he had no desire of being bedded by and being touched inappropriately in class and feeling like he was being groomed into submission – this resulted in a tense confrontation between both men once during the barre section of class.

Not only is an obvious bully a sexual predator, in my experience, said bully also proved a racial predator – despite the fact that neither academia nor medicine will acknowledge what clearly is fact. No one made me feel more dread, repulsion and loathing than the source of current infamy associated with both the company and school, the latter with which I was familiar and the subject of current media scrutiny having been for those two years a classmate.

He did not exist in a vacuum and his enabler is just as culpable, having groomed, promoted and harboured overlong said predator when of negligible talent; trifling talents, I might add, which were allowed to manifest by any means to allow and support what masqueraded as creative artistry. More bruising than having to walk home in piss-soaked socks and shoes, was having to sit there in the dark during the dress rehearsal of the company’s 1981’s production of Romeo and Juliet where the predator’s mentor sat a few rows back of me in the house and laughed his head off at my not being in the production. Indeed, so exquisitely isolated was I that I was the only one never to come down with mononucleosis when it ravaged the school. Truth be told, never once during the two years of being in Winnipeg did I have sex with anyone from either the school or the company.

Well, it certainly was well worth the wait to have the truth karmically surface and expose that vile dog as it finally has to eat its vomit. Go on bitch, start licking; ain’t a damn thing like schadenfreude to embalm old wounds.

Finally, I caught an air pocket after the spiritual turbulence that was Winnipeg and ended up in New York City without knowing a soul there. Within a year, I was dancing independently and got reviewed in the New York Times. More than that, I found there, away from the hellish, racially predatory madness that was Winnipeg, the most gloriously soulful pair of eyes yet met in this lifetime. Into my life, one cool Friday evening strode the very magical Merlin from a dream dreamt four years prior.

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A masked ball

These rather lucid astral-projected dreams occurred whilst Merlin was still then incarnate in summer of 1989.

I have come to realise that many of the dreams that have to do with being astral-projected to past or future lives often occur when the Moon transits cancer. For whatever reasons, this seems to be a strong likelihood in my experience.

I really don’t think that it matters much over which house my Cancer rules. Rather, it seems more telling that ruler of Cancer, the Moon, is in my case found in the seventh house.

Too, it should be noted that though much of my second house is dominated by Cancerian energies, Gemini sits on the second house cusp with the cusp of my third house being 20º of Cancer.

Truth be told, they were rather insightful dreams to have experienced. As such, these dreams occurred on Sunday, June 4, 1989 whilst Merlin was then incarnate.

Too, at the time, the Moon magically transited both Gemini and my first house wherein my Mars sits nicely conjunct the ascendant. This placement of Mars – along with its grand mutable square associations to Luna, Pluto and Chiron, tends to have me attract persons of less evolved spirituality who are ever ready to project their base emotions my way.

Of course, it goes without saying that I am always unwavering in deflecting that dense energy with lightning shamanic speed. Keep your dreck away from my aura!

More than that, the dreams were audiocassette-recorded on audio tapes nine through ten and are to be found in the as-yet published Volume II of the dream opus. Sweet dreams as ever and as has been recently observed – nothing says wretched existence like bipedal canines who fixate on their quadripedal kin.

One can only hope that most of these otiose overbred castoff humans do not eventually breed. What do they know of either art or dreams the lot?

*I am reposting these dreams as subsequent to having shared them in July 2015, I have since had the Michael Overleaves charted for two of the persons featured in these dreams. To that end, at each dream’s conclusion the Michael Overleaves for the applicable person will be shared. As ever, I am most grateful for your ongoing and burgeoning support. Sweet dreams and don’t forget to indulge your shamanic skills: shapeshifting, manifesting one’s aura, rendering oneself invisible, walking through walls and, of course, pushing off and starting to fly!

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A Brimstone Hill Sandy Point Panorama

In this the first dream, I saw Nicole McHugh. She was cooking with a White man in a kitchen.

He was standing around and was quite friendly so offered to help out, that sort of thing, out of the goodness of his heart. She had these large trays of food.

She was cooking a great deal of food for a great many people. The flame was an open blue-white one and, somehow, he put his hand over the flame to pull out a tray – yet it did not burn him at all.

He did not react to it. I thought that he must have been cooking for quite some time, and been accustomed to these flames, to have had the flames not burn him at all.

He did go off and he had a glass of water – some of which he drank. I went over and I thought of saying to her and did, “Would you like a spritzer or something?”

She did, in fact, say, “Yeah, that would be nice.” She had sweat on her brow because she had been working very hard.

I then went outside to look in my locker because I did, in fact, have a locker there. In an earlier scene, I had put some stuff in said locker.

There were some washing machines – tiny, tiny washing machines. This place resembled a dormitory in the basement area of a co-op or building where people lived.

I was somewhat upset because my locker had, somehow, been displaced and replaced by washing machines. They were tiny, little brownish washing machines.

I had opened the lockers just to see if maybe my lunch was inside them where, in fact, it should have been – inside the fridge. There was, however, nothing inside the lockers.

There were one or two other lockers at the end but mine was more or less in the left of centre. There, in place of my locker, was where the washing machines now were.

Nothing was removed except the one locker. I did open it and it wasn’t mine.

Inside were the contents of somebody who reminded me of that Black guy who worked part time at Nature’s Own. Tall, handsome; his mother had nicely positioned him into the company.

I then went off to get the stuff when I saw a man who seemed to be Bert Jacques but it wasn’t him. He was walking a little girl who was one of Madella Jacques, rather, Maryse Jacques’s daughter.

She was a sweet little girl who was wearing a blue dress. She was quite light-skinned and sunny.

He was walking her outside and coming across the bridge past our yard in Crab Hill, Sandy Point, St. Kitts. I was in the yard and where the orange tree was under the genip tree, in the waking state, I was putting monies into a slot.

I remember taking money out of my pocket to put in – 50¢, I had had two quarters. I noticed that there was a token as I took the money from my right pocket.

When I saw the token mixed with the money I thought, ‘Oh I must be aware not to do this.’ I then got the dime and I was trying to put it into the slot but it was having problems going in.

As a result, I moved away the metal part of the slot. Interestingly enough, you could then see the tree.

I then put in the coin but you still did not hear it fall inside with the rest of the money. I then peeped up because the slot was higher than my field of view – higher than eye level.

As a result, I had had to poke the money in; it was a dime. However, it was sort of flat on its side; it was standing up so that the face of the coin was looking out at you.

I was poking it in to help it to fall in. At this point, whilst I was on the veranda of the house, I was aware that Nicole McHugh was coming down the lane.

I had been looking into the garden where the curtain trees were on the south side of the property. Here in the dreamtime, however, the curtain trees were gone.

In their place were three or four little baby curtain trees coming up. The rest of the land was dug up and it hadn’t been watered.

The soil was drying out and so I said to myself that I would have to water it. I thought I would have to go inside and get some seeds or plant some wonderful little flowers that were going to bloom.

Until the curtain trees grew up, I figured that they would add beauty to the place. So on remembering, I said to Nicole, “Oh yes, let me get you the spritzer.”

So I went and I got her the spritzer. She came and was then going in the house.

A lady then came out of their house and there was some sort of consternation. As it turned out, a White woman had a little terrier-like dog.

The dog had a black collar and the same fur as a Calico cat. This had been Nicole’s cat which the dog had obviously bitten up or eaten it up or whatever.

So there was quite a great deal of consternation. Nicole was standing up outside a wooden half-dilapidated house.

On the far right side, there was a cement staircase much like the arrangement at The Boys’ School in The Alley, Sandy Point, St. Kitts. That part of the house, the cement part, was also crumbling.

Vida McHugh was there with Nicole and someone else – a little girl. The girl who had had the terrier was being rude.

She was cursing and saying, “Watch yourself wid me.” She had wanted to get in the door, from out on the landing, but the McHughs were in the way.

So she cursed and carried on. Eventually, she ended up rushing her way into the house.

Then I immediately was on the inside of the house where I watched this drama unfold. The events were as if an Opera and I said to myself, ‘My goodness this is Opera.’

Truly, this was much as if Opera. Then persons were coming in and there was movement – people coming down and pointing their feet.

They had on wooden toe shoes. As the movement progressed, there was advancement then retreat.

There were different forces of people. Like a ballet really, it was all being done in silence.

They had on long period costumes. The dramatisation was interesting.

Next, there was a sense of seeing the same woman, and everybody else, being extremely studious. The one woman was in a large area that had stained bronzed, clay-coloured, sand-coloured glass.

She was in the pews with the man who had been helping Nicole earlier. This was set in a large area and she was studiously reading the Bible.

She did take the Bible to be the literal word of god. Everybody else was more or less of that bent – I thought that it was so sad.

At this point, I was struck by the fact that this was where the Christ was going to be reborn. London, England, in fact, was where this was going on.

At this particular point, Diego Lunamas was about because there had been lines of people who were in the balletic part of the opera. Diego had been one of them.

At the time, he was sitting down on a set and it was lit by blue light. He was being grilled by this asinine White guy who was talking about, “Well if you believe in oversoul 7, then you also believe in overbigtoe 7, and what about oversole 8, and overhead 7?”

He was making fun of the philosophical concepts by way of the anatomy because oversoul could have been spelt, as though ‘sole,’ as in the sole of your foot. He was really stupid.

Diego was saying, “I’m not familiar with what you’re talking about.” On Diego’s behalf I interjected saying, “Through my experience, I’ve read the Seth Material which I find far more well put together an idea construct.”

At this point Seth did, in fact, come through and began channelling. His voice was booming and it shook the entire place to the beams.

This was happening outside in the street between the McHughs’ and our houses in Crab Hill, Sandy Point. A stage had been set up in the street – a bluish-white lit stage.

I thought about Diego and the guy who, was in front of him, wore a blue-white costume. The booming voice was coming from behind the McHughs’ house.

Everybody was absolutely scared because here were these god-fearing, fear-obsessed people. Totally dismissing them, this was a booming voice which claimed to be Seth; the channelled voice then began calling them fools.

They were very fearful. I thought that it was absolutely great.

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Nijinsky performing the Danse Siamoise from 'Les Orientales' by Foquine (1880-1942) performed in Paris, 1910 (sepia photo)

In the second dream, I was in a wooden dance studio. The floor was wet because, in place of resin, they used water.

I had a sense that it was in the past, however, I seemed to be my present self. Even so, there were aspects of me that were different.

I remember the way that I postured and used my face; I knew that I had very Caucasian features. I could see the tip of my nose and yet I felt like I do now.

*I was not so much Caucasian-featured, if there’s actually such a thing – frankly there isn’t. I was, though my present self, actually Caucasian.

I was present in the exact same body and I was my usual-personaed self. However, the body was no longer Black but White.

The packaging had changed but nothing else had. END.

Ahead of me was a guy in black trousers – nylon stretch trousers. He was, in fact, the reincarnation of Vaslav Nijinsky and again male.

Again, he had very mercurial energies and he was a mover. He had exceptionally large thighs.

He could phenomenally jump and leap about. He was just incredible.

When at the barre, I was directly behind him and then just behind me was Pandora. Although, truth be told, it wasn’t Pandora herself but an aspect of Pandora’s.

I never really had made eye contact with Pandora. I remember after we had finished the barre, Nijinsky went and laid down on his stomach – in the frog position to work on his turnout.

The girls then went and they were feeling his muscle tone because it was quite unusual-looking. His feet were so pliant and flexible as well as his calf muscles.

He had eventually turned over because Dannie Cyrta, who was one of the instructors at the head of the class, was saying, “Guys, just leave him alone.”

When we were then doing the grands battements, I remember being really elongated and holding my port de bras. You had to do it turned out, doing grand battements, turned out to the front.

You had to do it out, towards the centre of the room. Also, then in second position, you were facing directly ahead of you. When doing grand battement en arrière, you did it out again.

The arm positions were up and in second position. When you did grand battements en arrière, you would put your arms up again as though you were peeping under your arm – when you were in arabesque doing the grands battements.

I remember before I was doing the exercise, whilst I was doing the current exercise, I was thinking of how I would do the position and how I had to use my port de bras. So I remember standing there in développé and you had to do these grands battements in plié and, somehow, I was in plié and I was holding my back up in port de bras.

My back was absolutely perfect; my port de bras and torso were perfectly open and I wasn’t sticking out my chest. I was thinking, ‘This is so improved.’

I remember my neck being quite elongated, with head held high, as a result. I was wearing a navy blue woollen set of tights and white dance slippers.

My feet were beautifully pointed. There was a sense of looking up.

Interestingly, my whole sense of self – attitude and posture was all about looking down my nose. This was when I realised that there was something about me that was Caucasian – physiologically.

*There was a half-mirror across the room and I was never at the front – the girls, of course, of custom were. That was when I looked and found myself, I was indeed Caucasian more Tartar than not – dark-haired.

I had a strong sense, for looking at myself in close-up without moving, that my eyes were smoky-green-coloured. My nose though aquiline was flared in the Tartar style and my teeth were gap-toothed.

This is not uncommon a feature when someone is currently Caucasian but was Black in their immediate past life – in fact, I was told by Sarah J. Chambers that it is always the case without exception as she was instructed by the Michaels.

Case in point, Madonna Ciccone, the Pop icon, who in her immediate past life was Black American entertainer, Bessie Smith – she has the same gruff raunchy persona. Prior to that, though not immediately before that life, her soul was then incarnate as Italian composer, Claudio Monteverdi.

Vis-à-vis Madonna, her life is a completion of the agendum she set out to accomplish, in her immediate past life. She thought that it sucked being Black and a woman in showbiz.

However, her immediate past life did give her an understanding of the way the world works. So she decided to take the world by the balls, a ‘give-me-what’s-mine’ approach, as it were, this time around.

Madonna, as per her immediate past life has the same talent, same drive, “Now give me what’s rightfully mine!” Power to her! END.

Dannie Cyrta was, unusually so, very nice to me. She was saying, “Yes, yes Arvin. This is perfect and is much improved.

“Everybody look at Arvin because this is the way it should be. This is as close to perfect, as you can get, in the way your torso ought to be.”

*Imagine that – the Mormon princess, Dannie Cyrta, being remotely civil towards me. She even feigned to pretend that I was not a strongly projecting phantom as she treated me back at the Royal Winnipeg Ballet’s School. END.

I remember the Nijinsky-like character, coming off the barre to look at me. The other people who were behind me were peeping around to look at me.

I felt very open and joyous. Mine was a really good, good feeling.

When we were doing the exercise and I was holding my torso, Dannie Cyrta and the rest of the people were discussing and saying, “This time he’s really ready to go out and perform and he’ll be okay.”

I felt that way too and I knew that I was going to be okay when I went out and performed. My body was quite together.

I was prepared within myself to face an audience. I felt really good for being in the studio.

*Dannie Cyrta’s energies were extremely unusual and contrary to what they were during Winnipeg days. I felt there was a good feeling in this class.

What was really sad, though, was that Dannie’s behaviour had much to do with the fact that I was not Black but Caucasian. In that sense, she truly was ‘the blind’ because she still did not realise that it was me.

To her, it was someone named Arvin but more importantly it was someone who was White. More than that, Vaslav Nijinsky is a mature sage entity mate of Merlin’s and mine. END.

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A green-eyed tartar

In this the fifth dream, I saw a beautiful hairless White boy who seemed Tartan. He was dark and handsome.

He also seemed to be a mélange of White, East Indian, Oriental and Black. He could well have been one or any of all those ethnicities because he actually had a bronze or even Hispanic look.

He had a bronzed hue to him. He was not however, for being so hued, extra-human.

Such that he seemed somewhat High-Yellow, he had taut smooth skin. He was extremely good-looking.

He seemed like a male prostitute or a gigolo. He was half-naked and teasingly aroused.

I was quite attracted to him. I made a play for him.

He seemed to be in the lane up by ‘Aunt’ Edith Dean, outside by Beryl Babbin’s wall, in Crab Hill, Sandy Point, St. Kitts. I made a play for him but he dismissively brushed me off.

He then moved off and went along his way. I felt quite rejected and naked really.

Afterwards, I was thinking that perhaps I should not have made a play for this person. Nonetheless, I had and I was not fulfilled in my desires.

My aspirations were not met but that was okay.

*What’s really interesting, too, is that he was basically a younger version of the Tartar, green-eyed, ‘Arvin’. So, in essence, though in the body during the dance class, I would see myself at a younger age.

At that time, however, I was outside of my younger-future-self’s body. I was resoundingly rejected by him – that is precisely what I would have done at that age.

Later on, of course, I was taking class with the reincarnated, Vaslav Nijinsky. A class it was which was being taught by Dannie Cyrta.

I shudder to think that in my next life, I will be a male prostitute, gigolo. Then again, it would not have been the first life passed in the much-maligned profession of providing succor to the sexually-repressed and the sexually-obsessed.

Long after this dream, I have since learnt that my essence twin is now reincarnated. He is male and was born during the second decade of the new millennium.

He is born to German, Japanese parents and lives in Germany. Our overleaves are quite similar though he is a realist.

They are, in fact, rather writerly overleaves. Too, one or both of his parents are artists; I believe that the mother has been a dancer and the father a portrait painter.

Perhaps, I was picking up on him in this dream. If not, it may well be me in a near-future incarnation.

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Photo: Costumed performers in period piece

Sandy Point, St. Kitts seen from Brimstone Hill Fortress.

Vaslav Nijinsky in costume for Siamese dance from Les Orientales.

Green-eyed Tartar young man.

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©2013-2022 Arvin da Brgha. All Rights Reserved.

Audience with Magnetic Old King Soul.

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Battle, Kathleen Deanna 13/8/48 Portsmouth Ohio

This fragment is a seventh level mature sage – second life at current level, likely will be old soul soon.  Kathleen is in the power mode with a goal of growth.  An idealist, she is in the moving part of intellectual centre. 

Body type is Venus/Mercury. 

Kathleen’s primary chief feature is arrogance and the secondary martyrdom. 

The fragment Kathleen is seventh-cast in seventh cadence; she is a member of greater cadence six – very cardinal.  Kathleen’s entity is four, cadre six, greater cadre 5, pod 408. 

Kathleen’s essence twin is a sage and her task companion is an artisan. 

Kathleen’s three primary needs are: expression, freedom and expansion. 

There are 16 past-life associations with Arvin, 14 with Merlin. 

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Image

This next dream does reflect the beauty of being in the company of spiritually evolved souls.  Said dream was the first on Monday, June 17, 1991, whilst the Moon transited both Virgo and my fourth house – close enough to the summer solstice.

Interestingly enough, there was a dream within the dream in question.  This was one of the most rhapsodic and uplifting dreams had during my fourth decade of life.  

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I was going out from this apartment block’s front door.  I was aware that in apartment 6, down the hall, the door was slightly opened.

I could hear some classical music being played and tried to figure out who the composer was.  It was very complex music.  I went down to the front door of the building, unusually enough, to call Whoopi.

However, I had decided not to open the door to call her because if I were to have called her there, I wouldn’t have wanted her to then start showing up at that door to be let in.

I had noticed, on the way to the door, a whole stack of mail outside the door to one of the apartments here.  It was a door, which sat in the middle of the hallway wall, where there shouldn’t have been a door.

Stranger still, it was brown unlike the other four doors which were white.  So at that, I decided to walk under the ground floor by going down into the basement.

Whilst I was going, I was still listening and then heard Kathleen Battle being introduced on the radio…  She was going to sing.

As I was walking, Whoopi appeared in the basement as I headed for the backdoor of the building.  She began playfully running amongst all the many boxes stacked high in the basement.  From time to time, the adorable cat would run ahead of me and was quite playful.

Kathleen Battle† then began to sing and, my dear sweethearts, greater music has never been woven in the waking state.  The music was highly complex indeed.  It was supremely divine.

The aria this woman sang and the beauty of her voice was supremely stellar.  It was dignified; it was divine.  It was so beautiful that, as I walked and Whoopi joyously played, my body became healed to have heard this music.

At that, I hurried Whoopi upstairs into the apartment and took to lying in the bed to more intently listen to the music.  There was much talk afterwards about the music.

There was a White man around and I was being told by him that this music was, in fact, not native to this world.  The music was not native to Earth, he claimed.

I certainly agreed with the information.  It galactically towered above any of this world’s greatest music to date.

Also, lying on the bed with me was a girl.  She deliberately was forcefully putting her feet down the bed and was trying to put them in my face as I lay in my bed with my head at the foot.  She was White and I was just too into the high just experienced with the glorious music to have had time to go fighting with anyone.

Later on, I went out to wait for a bus.  Yet here too, at the closest bus stop, the music kept on playing.  It simply permeated the fabric of the dream experience.

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*Of course, it should come as no surprise that all throughout sleep, the radio here in the waking state was on in the room whilst I slept dreaming.  END.

However, the music being filtered into the dreamtime had been considerably transformed.  Here it was uplifted and expressed in a superior light which befitted the dreamtime’s magic.

The radio being on became my leap off point to experience some truly uplifting moments in the dreamtime.  Though CBC FM was playing classical music, at the time of my dreaming, the galactic music that I was hearing far outdistanced the familiarity of classical music by light years.

It was so complex and cerebral that as I stood there, at the bus stop, I suspected it was the classical music created by cetaceans.  I speculated that a pod of dreaming cetaceans was weaving their music, in the classical idiom, in the dreamtime.

I merely happened to have tuned into it, whilst the waking state music served as the leap off point, for vicariously entering the cetaceans’ dream dimensions.  This was so much more complex than classical music.

It was an intellectual high beyond belief.  Kathleen Battle, throughout it all, kept on singing.  It blew me away, to contemplate the amount of breath work involved in Ms. Battle singing that complexly and for that length of time.

There was a guy when I got onto the bus which was like the double-deckers of London.  I was on the lower level, in the middle section, looking back to the rear.

On the same side, as I was seated, there was a guy there who seemed very familiar.  He was aware of me in the same soul-resonant way that I was him.  However, we did not interact.

Across from him, there was a rowdy guy who seemed drunk.  The police had come and taken him to the front of the bus to take him away.  Interestingly enough, the police wore the uniform of the London Bobbies with the hat and the whole gear.

When I got to where I was going, it was a wonderful, wonderful, wonderful tropical island with a beautiful mountain range.  There were two large homes and I was told that both of these homes were, in fact, owned by Kathleen Battle.

This was where she retired to recharge her batteries.

‘How fine, indeed,’ I thought.

There was a party being thrown for her by marvellous celebrities.  It was then that I recalled having been at a concert earlier prior to going out and taking the bus.

It was either at Salzburg or Bayreuth.  When Ms. Battle was onstage, she wore a blue dress that billowed in the breeze which created a wonderfully hypnotic slow-motion effect.

She had more fucking-goddamn fire planets in this dream, I can assure you, than Jacqueline Kennedy Onassis does with her six fire planets no less.  Kathleen Battle possessed, in this briefly recalled dream within a dream, great spiritualism.

She sang and what she was doing with her voice was nothing short of magic.  She was as if the ocean because each note was so liquid, time-stretched yet complex.  There were more nuances worked into each note than is, in the waking state, humanly imaginable.

It was not unlike all the funky innuendo that a female Jazz singer can cram into one little song.  It was absolutely incredible what she was doing.

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When she was done, the house went wild.  Everybody here was so spiritually elevated.  I was up in the balcony, on the right side of the stage and I screamed down bravo with thunderously deafening passion.  My ecstatic celebration made all the people close to me laugh with enjoyment at my rapture.

As I lay asleep, my body simultaneously began zinging and tremblingly with energy as I thunderously shouted, ‘Bravo’.  When articulating my passion, I had shoved out my neck and at that my neck began elongating.

My overjoyed face moved possessed as my voice operatically roared from my soul itself.  My face ended up snaking down through the air, from the balcony to the stage, my neck like some exquisite anaconda swimming through the air bearing my proudly ecstatic face.

My face was peeled wide-open with ecstasy.  Indeed, the fire in my eyes was just phenomenal.  This dream was inordinately empowering.

It was as though I had become truly animated with a hyper-elongated neck and my face was not unlike the faces of those spiritually elevated and regal ladies that I had recently dreamt of.

Also, I was quite certain that my warping behaviour in this dream had been much inspired by the eloquence of physique that these strangely beautiful women had presented me with their august bodies in another dream of days earlier.

To have best expressed the gratitude that I felt, from my very soul itself, it was as if my neck had become a giraffe’s.  Here I was looming down over the house and up to the stage.

To begin with, in all of this, I had not even been seated at the front of the balcony.  My ‘bravo’ was a very long, extended, purely male-energied war cry.  This was pride in this woman that had nothing to do with our shared race of being both Black rather our both being human.

I was simply applauding her very soul itself for its great achievement in artistic self-expression.  In point of fact, I actually got a high from hearing the thunder of my voice when saying bravo because this very deep and resonant baritone was not my familiar register.

Moving up, I climbed up the hill to both Kathleen Battle’s houses.  There was a woman there who was White and older.  She was helping this old, old, ancient White man.  I wondered,

‘Who is this man?’

I knew straight away that he was definitely very important, in the spiritual scheme of things, here on this planet.  I thought that, perhaps, it was Herbert von Karajan but he is now passed on.

He did, after all, have quite an attachment to Kathleen Battle.  This is why she was always invited to Salzburg.

However, then too, I thought that it was more than likely Herbert von Karajan because the energies of this man were incredibly magus fitting the archetype of the magnetic old king from the Michael Teaching which Herbert von Karajan was/is.

I thought that perhaps he looked as old because he was doing so much immense energy work in his function as a sixth level old, magnetic old king soul.  Naturally, his agedness would have been a reflection of his having passed a large number of lives, to date, at sixth level old.

He was very transcendent and, you could tell, was no longer physically focussed.  More importantly, everything about this dream indicated it being very much so alive.  The dream was very much so real and set on the astral plane which is where that magnetic old king, Herbert von Karajan, now resides.

In any event, he was being helped down by this long-legged, handsome, strong-willed woman.  She much reminded me of Marella Agnelli, the wife to the CEO of FIAT motors of Italy Gianni Agnelli.  However, this woman was older than Marella Agnelli presently is.

*One of the things about some, definitely not all, wealthy persons is that their stratospheric wealth enables them to be in their element.  As they are such mature-souled, august, reincarnationally sophisticated souls, money allows these spiritually elevated persons to exist in the world unencumbered by the Maya of the wretchedness of every day existence.

Such wealth enables them to transcend the Maya of financial limitations that entraps and stifles the merely working class to upper middle class.

For the latter classes, the lines of demarcation are more nebulous than they would like to accept.  Hence, the excessive restrictiveness and obsessions with class, looks, greed, Brahmanism et al.

Some of these truly wealthy people do not suffer the strictures of belief systems.  This allows them to just live in their element and be supremely human.

This is not true of all wealthy persons because, for one, the nepotistic cupidity of Hollywood certainly validates this.  These people, such as Gianni Agnelli and Marella Agnelli, do not suffer the displacement of humanity that many greed-fixated wealthy persons experience.  END.

This woman here in the dream, in that sense, reminded me of Marella Agnelli.  The latter impresses me as someone who truly does embrace her humanity.  One gets the sense of her that she is not separated from the little people of choice.

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We then all came down after, of course, I had gladly gone to give the graciously handsome woman a hand with assisting the magus himself.  We sat in this long, long, long enclosed veranda that had a fine linen mesh covering it.

There was a wonderful breeze.  The magus was on my immediate right and talking away.  Indeed, he did make my energies zing and become reshuffled.  It was at the level of the atomic and it was subtle but noticeable.

He was talking about the music, raving about how great it was, and how fabulous Kathleen Battle had been in performance.  Next, he opened a large bottle of spirits which was like champagne but it looked more like a bottle of gin.

He then took up a magnum of some expensive champagne or other and raised it saying,

“My dear, you must have a drink.  You have earned a drink.”

He had a wonderful soulful voice.  Whatever he said became the law.  He was beingness in the flesh.  He simply held court.  You experienced his spirit, more to the point, one experienced his very soul.

He was truly what the Michael Teachings would call a magnetic old king.  One just intuitively sensed and knew it because this, after all, was the astral plane.  One did not doubt insights gleamed here.  He was so grounding to have been next to.

When he was pulling out the cork it proved very long.  In fact, it was extremely sexual what he was doing with the cork.  It was very slow and hypnotic.  I got a sexual high experiencing him uncork the champagne.

I never did look into this man’s eyes overlong because his face was so powerful and so tremendous.  He was someone who was clearly passed on.  I also knew that it was not Merlin.

I had only looked at his face, in the distance, when he was up on the hill.  He wore the most spiritually refined face imaginable.  Up close, I knew that I just did not have the power to peer overlong into this face.

I was too drunk by his magus energies that bled outwards magnetically permeating and fine tuning everything – man and nature.  Thus I had to hold the champagne flute with both my hands with my knees sexily drawn up whilst my feet rested on the edge of the chair.

Giggling, simply giddy from his energies, I said en Français,

“Champagne!  Oh god I love champagne.”

He began pouring in the champagne whilst it was fizzing.  He poured it in a decadent manner.  As it crashed into the glass there were a lot of bubbles from the bottle, gurgling aloud, where gobs of drink orgasmically splashed over the rim of the flute.

It was so sensual, so timeless and wonderful that on concentrating on his actions, I experienced the stasis of time.  I began besottedly drinking and grew giddy at the implications of the fine company that I was in and that he was serenading me at that.

It much reminded me of the garden party that I attended in Toronto with Merlin, the second to last summer of his life, when the writer Ted Allen had me sit by him spending the party regaling me and flirting with my spirit.

It was a nonsexual thing… just an intimate commune of our spirits.  Really fine and memorable it was too.  There were other family members about – Pandora as well as Harella.

He told me to move away the glass before the champagne did not spill, over onto my lap, which shortly it would have had he not prompted me.  I moved it to the right between him and me.

Immediately, on taking the first sip from the flute my mind stood still because the cool potent touch of it illumined me.  Instantly, I realised that the bottle of drink was merely a metaphor.  What I was being given was an elixir from his very soul itself.

The magus was healing me thus.  What utterly potent aqueous magic.  It was cool yet simultaneously warm.  It was all the things that the music was and more.

In fact, it was exactly what I needed after having been made drunk and high from the music of Kathleen Battle’s magic.  When he finished, it turned out that he had only poured a drink for two other persons of all the others gathered at the party.

I was so blown away by the fact that he genuinely wanted me to be sitting next to him.  Perhaps, it was because I had been considerate enough to have assisted him.  I had made it possible for him to go down, the hill from the upper mansion’s gardens, to the veranda of the lower house.

He chose not to have passed on the drink to anyone else.  It was very subtle but was not, of course, lost on me.  He did not pass it around although everyone had glasses and were quietly waiting to be served by him.

Certainly, the impressive magnum could have amply supplied every glass.  I was then told by Harella not to be greedy and she advised me to perhaps offer my glass to others.

Ignoring her, I languorously looked out beyond the mesh and thought aloud in a whisper,

“God this is such a wonderful dream.  What did I do to deserve this dream?”

Just like that the dream dissolved for me being doubtful and seemingly unappreciative.

vDream one.  Earlier, in one section of the dream as I had listened to the music, I saw an inner vision of a holographic diagram.  The hologram indicated where in the Cosmos the particular music that was playing, to which Kathleen Battle was singing, had originated.

There was this cardboard-like diagram, which much resembled an Olaf Nordstrom lithograph, which was very sculptural and intellectually placed.  Olaf Nordstrom interestingly does, in fact, have six air planets.

Simultaneously, I knew that as much as the successive diagrams were of the cosmos, they were also of the human spine, the nervous system and the human chakra points.

I could see the crown chakra which was very, very expansive.  I then saw the first chakra which was close to the tip of the spine.  I was being shown that it was very tight and needed to be opened up.

I was being told, by way of seeing this network of cables of light, one had to have one’s energies realigned.  It basically was about yoga, breath and, also, about the awakening of Kundalini energy within my body.

It was about becoming more so opened up, at all chakra points, so that I could get more flow.  Too, it was stressed that I needed more positive light into and through me.

There was a great deal of blue light flooding the diagram’s holographic systems.  There was red light, as well, in certain areas of some of the chakra points.

It was deemed to be neither good nor bad.  Rather, it was an energy that was presently focussed in my body.

I was being told that it could be successfully transmuted.  I certainly think that I know, to what it was referring, in terms of the sexual energy flow and my sexual centre’s proper functioning.

It was mentioned that it was terribly ego-based and not all that highly evolved in the end.

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As ever, thanks so much for your ongoing support; I am immensely grateful.  Sweet dreams and don;t ever forget to push off and start flying.  

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