The Remains of Armistice Day.

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Strangely, though the major part of Armistice Day celebrations were long concluded, there were still more persons moving westward towards the Cenotaph than easterly towards Trafalgar Square.  My companion, a spectacled, freckled guy in his early 30s, was keen on having me come back to his flat in South Bank – We were headed towards Charing Cross Station to take the Bakerloo Line towards his place.  

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Stalling for time, as I really was not feeling him, I firmly suggested that we go tour Banqueting House as I had never been, which was the truth.  Of course, it did not help that the only thing at Banqueting House was the great ceiling art and the throne; the rest of it was just as empty as clearly, James, my “Mate” was dense.  Long years ago, a channeller of dubious skills stated rather imperiously that I would meet someone named James, who would prove rather loyal and a long-term affair.  

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Somehow, this nebulous bit of arcana seemed to be the only sane reason why I was suffering this oaf overlong.  His constant bitching about “Nutmeg,” as he referred to the Duchess of Sussex, was not winning him any favours in my books.  I had hoped to have found much more archival fare associated with the spot where HM King Charles I was executed.  Alas, there was nothing save a throne and an impressive ceiling.  

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With the toilets at Banqueting House fully occupied and alarmingly foul-smelling, back outside we dashed in hopes of finding a toilet.  A pub, whose name I did not even catch a few door towards Trafalgar Square, proved the right spot.  He ordered a couple of lagers – I never drink beer, and off I went to the toilet to relieve myself.  I waited overlong, waiting for him to possibly come in then use the stalls so that I could make a mad dash for it.  No such luck.  However, on rejoining him, he lustily talked about what he wanted me to do to him.  Never one to miss an opportunity, I suggested he go unclog his plumbing so that I could give it to him good, long and hard when we got back his place.  

Naively quick to take the bait, out I dashed into the larger-than-usual crowds when he eagerly bolted to the toilet; once outside, I then caught the tail end of the latest regiment to go moving from the roundabout as they made their way from the Strand and onto Whitehall.  With that, I swiftly made it across Pall Mall, crossed Canada House and made my way to the new entrances to the National Gallery – this James clearly was not the one.  

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Taking the time to avail myself of the museum’s free wi-fi, I sipped on a boost of Pret A Manger’s little magic, yellow potion, Hot Shot.  I then decided against the Bellini show – Italian art is way too religious for my liking and it strangely enough has never once addressed the fact that the Church of Rome has, in its role as civiliser, proven the most disruptive terror group this planet has thus far known.  For me, there is something alarmingly dangerous about a culture, which would completely and utterly eclipse this rather crucial aspect that has decided their place in the world – but enough about that for now.  

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Having dodged James, I decided to do the Courtauld exhibition as it would beat having to attend the museum on this trip.  Whilst standing in one of two long queues, along came Ms. Thang, who simply looked at us and grandly walked up to the next sales rep as though she had exited St. George’s Chapel on Ginger’s arm on the gloriously sunny early afternoon of May 19, 2018.  

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As I was next in line, I just as imperiously declared to her and the rep, “Take you, the weave and that blasted fake channel handbag to the back of the line; there are not two lines of invisible persons waiting to buy tickets.”  Before she could turn nasty with me, the lovely Dravidian lady informed her that I was next in line and, more importantly, she intended to serve me next.  Fake boobs that looked like flotation devices and feet that were too big to fit any glass slippers and, of course, there was a bulky turtleneck to hide the Adam’s apple.  

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Though “she” was prepared to do drama, I came to do me and look at art and that I did.  I was really wowed by some of these works, which I previously had not seen.  

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Naturally, this Degas masterpiece only warmed my soul.  Straight away, I was left humming the music from the grand pas de deux in Act II of La Bayadère, which I could not wait to see at week’s end.  

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Shades of Canada’s Group of Seven, to be sure.  I like the fact that the artist did not include the entire tree in the portrait.  

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Ah yes, and who doesn’t love the sublime soulfulness of a Gauguin tableau.  

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Trees, trees and even more trees.  What’s not to love!  

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After having been greatly inspired by the Courtauld Impressionist show – well worth the price – I bailed outside; there were too many parents using the free admission to the museum as a place to come in out of the elements and babysit their way too young children.  Once outside, I hailed a cab, though, not the above – wrong day and time of day.  This cab proved one of the most memorable journeys.  As The Mall was closed, we took the roundabout from in front of Trafalgar Square and headed along Pall Mall.  I wanted just then to get to The Queen’s Gallery at Buckingham Palace but did not want to use the underground; it was way too glorious a day out. 

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Finally, I laid down the law to the driver, who was a burly soul and looked like the quintessential slave soul.  Soon enough, we got into a conversation when we began chatting about Canada, which I shared that I would give anything to flee in hopes of living in London.  Soon, the topic turned to sex and whatever one would have to do to get by.  Ha!  Said he, he would give up this gig of 22 years and counting by marrying a fat, ugly rich broad to which, without so much as missing beat, I chimed in, “Don’t stop there, if you can find rich, fat, ugly and toothless, now you’ve got it made.  To paraphrase Frank Sinatra from The Best Is Yet To Come, you ain’t been blown until you’ve had a gum job!”  Never in long ages had I heard a grown man laugh so hard and for so long – a fellow cab driver going in the opposite direction even honked at him and asked what was so funny. 

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After having sat in traffic for far too long, though the metre read 12£, he asked for a 10£ note and thank me, saying he ought to have paid me for the company and humour.  With that, I dashed past St. James Palace en route for The Mall which, of course, was closed.  Finally, I made it up to the Queen’s Gallery and took in the Russia: Royalty & the Romanovs exhibition, which did offer some truly inspired gems from the Royal Collection.  

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Well, of course, he ruled something.  

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I was reminded in this portrait of Tsar Nicholas I of the 1970s when the goods were readily on display; however, along came AIDS and all that display and ogling readily evaporated.  Instead, men were morphed into true peacocks with long blow-dry locks, which really did become tiresome after a season or two.  Now, of course, it is the great and truly civilised age of the Internet, which lest you forget, is saturated with more than 80% pornography.  

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The Vladimir Tiara which is not dissimilar to the Cambridge Lover’s Knot Tiara, which always looked truly handsome when worn by the ravishing, Diana, Princess of Wales.  

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Set in the green drawing room at Windsor Castle, where on May 19, 2018, Alexi Lubomirski took the official photographs of the wedding of TRH Duke & Duchess of Sussex, you cannot possibly begin to imagine the overwhelming scope and grandeur of this tableau.  Truly, one is left in awe of the fact that HM Queen Victoria was a tiny acorn who matured into a mighty oak who, through her womb, extended her empire far and wide across the continent.  This was a ravishing exhibition and one of the most stunning paintings that I have ever seen from the Royal Collection.  

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After all that inspiring art, I needed to ground anew; thus, I opted to take a brisk walk, cutting through Green Park where the light fast shifted and danced below the horizon… never to be experienced again.  With that, I hopped onto the Piccadilly Line at Green Park Station and made my way back to Russell Square Station; there, I resorted to my hotel room and took a lucidly awakened, dream-sodden nap before getting on with the final celebrations of this poignant Armistice Day.  

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Before making it to Barbican Station on the Circle Line, I had had the most awakened flying dream, which had me spirited across the spiral arms of Time to a past life in London.  

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To reflect, celebrate and give thanks, how could I not indulge in an evening of music and song with the London Symphony Orchestra.  

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Nice, plush comfortable seats with a troika of gay Jewish dancer/actors seated ahead of me.  The evening was beautiful, the singing stellar.  

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As there was an empty seat on either side of me, I offered to move to the left and afforded the lovely young couple from Paris to sit together – she had been sat a row ahead and away from her spectacled, fey lover – he had more than a passing resemblance to Merlin.  Leaning in, I whispered to him, “The universe always conspires to accommodate lovers…” he blushed, they both blushed sweetly and were pleasant company that added a certain magic to the evening.  Here’s to lovers… indeed.  

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En route back to the hotel… a little late night smoothie snack was in order. 

As ever, sweet dreams, don’t forget to push off and start flying and as always, thanks for your ongoing support.  

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©2013-2026 Arvin da Brgha.  All Rights Reserved.  

Two Weddings, A Baby, A Gaggle of Racial Predators & Hadrian’s frightful ghost.

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The recent wedding of the Duke of Huescar to his handsome bride was a stunning bit of theatre. He is, of course, the future Duke of Alba, grandson of one of the grandest nobles of the last century, the inimitable Duchess of Alba.

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The cut and design of the bridge’s dress is truly elegant; apparently, it was designed by her creatively gifted mother herself. They make a truly handsome couple.

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At this juncture, I have not yet found any video of their nuptials on the Internet; perhaps, it will surface at a later date. The sublime elegance of her dress deftly reflects the undeniable harmony between this couple. So good it is to see a couple of souls who after having suffered lost through death in recent times, return to find each other anew, to further explore their loving bond.

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Whilst awaiting the second royal wedding, I passed much time reviewing the coverage of the royal wedding of TRH Duke & Duchess of Sussex last May. I was ever intrigued at the notion of an even larger guest list for the marriage of Jack Brooksbank and HRH Princess Eugenie of York.

Princess Eugenie Of York Marries Mr. Jack Brooksbank

A simple wedding, I was moved by how vastly different it was to that of TRH Duke & Duchess of Sussex’s months earlier. The most obvious difference in both ceremonies being the latter’s carriage ride; a rather simple affair. This, of course, was an affair filled with aristocrats – some of whom had attended the earlier wedding last May.

Sophia Wellesley & James Blunt

Along with Tom & Lara Inskip and Guy Pelly with a wife more noticeably pregnant, there was the ever stylish Sofia Wellesley, this time equally stunning in a Dolce & Gabbana dress.

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Tom & Lara Inskip processing towards the Lower Ward and St. George’s Chapel.

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Guy Pelly attending the second royal wedding of the year.

Elizabeth Pelly & Astrid Harbord

Guy’s expectant wife, Elizabeth Pelly accompanied by Astrid Harbord.

Zoe & Jake Warren

Also, attending their second royal wedding for the year, Zoe & Jake Warren.

The wedding of Princess Eugenie and Jack Brooksbank, Pre-Ceremony, Windsor, Berkshire, UK -  12 Oct 2018

Back for more, Pippa Matthews with her younger brother James Middleton with that Tsar Nicholas thing going on with his look. For me, a woman is most beautiful when expectant – fecund, voluptuous, primal she is then most powerful; she is then truly the creator of life. How beautiful is that Kelly green?

Chelsy Davy

Perennial favourite Chelsy Davy with Melissa Percy, who wasted little time in saying, this mum don’t babysit and there went Tom van Straubenzee. Gorgeous periwinkle dress.

Cressida Bonas

Cressida Bonas radiating the light magical essence of artisan souls everywhere.

Franz Albrecht & Cleopatra zu Oettingen-Spielberg, young Bavarian royals attending their second royal wedding at Windsor Chapel this year.

Holly Candy

Holly Candy – hands down, the best dressed lady at this royal wedding. Those matching pink bow gloves took her outfit stratospherically to the next level of |über soignée. I really did not think that Amal Clooney deserved that honour at the royal wedding of TRH Duke & Duchess; for one thing, her hat was worn on the wrong side of the head – always on the right side!

Naomi Campbell

Coming on strong in second place, like Secretariat was phenomenon, Naomi Campbell. Readily, so many people were carping on about what is she doing at the royal wedding; hello, how many times has Sarah, Duchess of York not been a guest of Ms. Campbell’s whilst holidaying on some yacht or other in the Mediterranean. I love the way that Ms. Campbell feigned disbelief when asked by an attendant to leave the seat in the front row of the royals’ side of the quire where she sat speaking with Crown Prince Pavlos of Greece and his family.

Emiily and Oliver Proudlock

Made in Chelsea star, Oliver Proudlock and his fiancée Emma proved among a couple of the best-dressed men.

Tracey Emin & Alexnder Gilkes

Admittedly, though, not the best photograph, the urbane Alexander Gilkes, Paddle8 CEO, arrived in the company of artist Tracey Emin.

Cara Delevigne & Derek Blasberg

Cara Delevigne – another dead-ringer for magical artisan soul with the planet’s most ubiquitous plus-one, Derek Blasberg.

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Kate & Lila Moss bringing the glamour.

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Poppy Delevigne sporting one of the best fascinators at the royal wedding of Jack Brooksbank and HRH Princess Eugenie of York.

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Other notable royals in attendance, Princess Marie-Chantal, Crown Prince Pavlos and their daughter, Princess Maria-Olympia of Greece. Also, the Crown Prince’s younger brother, Prince Philippos of Greece attended.

Gabriella Windsor & Thomas Kingston

Lady Gabriella Windsor and her fiancé Timothy Kingston; yet another royal wedding is on the horizon. By far, the most statuesque of the Windsor ladies.

Lady Helen & Timothy Taylor

Lady Helen & Timothy Taylor; the minor royals whom we never see enough of. Love her dress.

Jwan Yosef & Ricky Martin

Ricky Martin and his artist husband.

Stephen Fry & Elliott Smith

The always witty thespian, Stephen Fry and his husband, Elliott Smith.

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Holly Branson coming through.

Sam Branson

And her brother Sam Branson

Princess Eugenie Of York Marries Mr. Jack Brooksbank

The irrepressible mother of the bride, Sarah, Duchess of York and her firstborn who seems resigned to the fact that there is always an opening for spinster lady-in-waiting. Back in the 80s when Merlin was then incarnate, I shared with him a dream had that night of ‘Fergie’. Set somewhere in east Africa, she was riding atop the roof of a Land-Rover with several others… it was a dusty, tree-lined road and they were loud, happy persons all – her husband, Lord Porchester’s offspring was not present in the dream. As the vehicle hit a bump in the road, Fergie went flying from atop the vehicle’s roof and landed on her head; it was the most startling affair – we all screamed.

There was deathly silence as her khaki-clad body remained motionless for what seemed an eternity. Suddenly, as though jolted by lightning, much as a ginger cat with a few lives yet, Fergie shot to her feet, ramrod straight then began rushing about from one side to the other of the parked Land-Rover, mugging and waving to the perfectly immobile and non-human trees. I awoke from the dream laughing, the image was so bizarre. Seated across the Cabbagetown breakfast table from me, Merlin casually declared whilst remaining focussed on the Globe and Mail in hand, “So that’s how she became unhinged…” Yet again, I was reminded of that dream as Sarah, Duchess of York bounded from the Rolls Royce and made a mad dash, mouth ajar, mugging and waving to god-only-knows whom at the foot of St. George’s Chapel’s west door the day her daughter took possession of her man. This eccentric behaviour, much as in that dream, was on display as she entered the quire at St. George Chapel at the wedding of TRH Duke & Duchess of Sussex on seeing Misha Nonoo and her date, oil heir Michael Hess. These days, she always seems only too happy that she has not ended up like Diana, Princess of Wales.

Another soul who seemed spooked to be at the ball was the groom’s gin-blossomed father whose daft expression throughout was more than a tad distracting. One was reminded of how odd Thomas Markle would have looked, had he been allowed to attend the Sussexes’ nuptials.

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Here’s to the lovely young couple; here’s to life indeed. Happy for them that they have found each other anew in this life experience. To paraphrase Prince Seeiso of Lesotho when speaking of the Sussexes, I wish them buckets and buckets of healthy, happy children.

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Even more glorious than their beautiful wedding was the recent announcement of the pregnancy of Meghan, HRH Duchess of Sussex. You cannot begin to fully fathom how excited this makes me for HRH Prince Henry, Duke of Sussex. He has always seemed so alone, so vulnerable and emotionally fragile for having suffered the tragic, violent and sudden loss of his fantastic mum at age 12. So happy to know that they will be parents, and so quickly, and am fully confident that they will make the most fantastic parents. What more than two parents truly in love does a child need on coming into this world… again.

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In all of this, what has not been cool, has been watching her racially predatory white relatives act as though she is nothing but a runaway slave. There is no doubt in my mind that were the Markles a wealthy family with a net worth of more than 200$m, would any of this acrimonious dreck be taking place. How dare she, the otiose, racially impure step-sibling, Meghan, end up doing better than them in life? Not only had this runaway slave managed to have escaped capture but she had gone and married the scion at an even more wealthy plantation.

Alas, nothing was more abhorrent than having to watch the most venal racial predator interject herself into the Sussexes/Markles’ “drama” as she opined on the ABC TV documentary, The Story of the Royals. So what if a twelve-year-old Meghan Markle wrote to you about a dish detergent ad; she also did same to then First Lady, Hillary Clinton. Straight away, the puppet-master orchestrating the Markle step-family’s media campaign of slander, grudge and none-too-succinct racial predation became fully focussed. Who else but this vile racial predator, who uses the U. S. justice system to wage personal racially predatory campaigns, against blacks with heretofore impeccably clean public personae, seated there in its invisible grand wizard Klansman’s hooded costume, could be directing this media putsch to sabotage the Sussexes’ marriage? Well near the end of the 9th decade of racially obsessing over blacks, you would think that having finished off Michael Jackson, made a joke of Tiger Woods and a jailbird of Bill Cosby would be enough; no thank you, there is bigger game to prey on. Clearly, the clown knows nothing of the BRF.

Enough about those who truly do not matter.

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Hier soir, as I live an almost exclusively nocturnal existence, I got into a compensatorily parfumé Uber, driven by a recent Dravidian arrival with rather pleasant overleaves. I was stunned by how much traffic gridlock there was at pushing six in an already dark, autumnal and cool, too, evening. The driver could not figure out why traffic was so bad in Toronto and as I have always been a most vocal backseat driver, I soon began educating him on why Hogtown is the only major North American city without exclusive one-way streets in the downtown core. Back in the 60s through 70s when streetcars were being removed from streets like Avenue Road, Bloor Street, Sherbourne, Parliament, the city’s old WASP guard decided that for nostalgia’s sake some streetcar lines ought to be maintained a little while longer.

Well in excess of 40 years, the city still only has the two subway lines, two million more citizens and what seems like the fungal viral growth of condos. Naturally, the city’s constabulary and the TTC (Toronto Transit Commmission) made an unwritten alliance to keep themselves gainfully profitable by maintaining the streetcar lines that were left. Hence, each summer, kilometres of tracks are ripped up and replaced with the necessity for TTC outdoor workers and police staff on hand to maintain traffic. Well into the 21st century, a woefully inadequate 19th century technology clanks away, holding up traffic and as recently was the case this past monsoon season – climate change is truly upon us – the new streetcars were caught in feet of flooded water with faecal matter afloat their flooded interiors. All this so we never end up with new subway lines, one way streets with the discontinuation of streetcars. At least, Montréal can be commended for having owned up to the crippling corruption at the municipal level of government.

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Finally, after directing him along streets that he didn’t even know existed, I got to the southwest corner of University and Queen Street West, hopped out, crossed the city’s widest boulevard and made it into the lobby of the Four Season’s Centre for the Performing Arts at 1831. Lucian Mann-Chomedy who happens to be a scholar in my entity and a professor emeritus at University of Toronto, who also happens to be an unrivalled Voltaire scholar glowed as I dashed inside. We hugged and kissed and it was good to see his eyes light up; he does have more than a passing resemblance to Merlin… vibrationally. Gave him his ticket to the first opera of the season that we’ll be seeing, Hadrian. Whilst he took to the amphitheatre for the pre-opera lecture, I swiftly made it west along Queen Street West and got myself some very deliciously spiced beef teriyaki washed down with a dash of prosecco.

Returned to the theatre, Lucian shared that he found the lecture rather stimulating; heaven only knows what that meant, I was though too busy creating a post of the evening for my Instagram. What then unfolded was the most god-awful unmitigated bullshit conceivable. Look this was nothing more than effete poseurs of Toronto’s gay mafia, throwing government money around to keep their friends afloat. Watching this bit of bold-faced arts larceny was at times cruelly embarrassing. Of course, it was staged by consummate professionals, thus there were truly sublime moments when the production was marvellously realised. However, I was reminded of all those downright dogfests at Toronto Dance Theatre in the 80s – do they even exist anymore – where god-awful retro-Neanderthal movement was set to, of all things, J. S. Bach.

Hadrian

Act I opened with vaguely lissom dancers upstage posing overlong as Roman statuary. Naturally, they were lit such that when they finally began moving downstage on the diagonal, in movement that had been first realised by Vaslav Nijinsky (he is a mature sage, in my entity and currently reincarnated and an actor on the Portuguese stage) a century earlier, you really had to squint and try to make out if they were truly nude. Naturally, there was no such luck. That was just as lame as the opening of Act III after an intermission where there was much cruel laughter at what a dog’s breakfast we were having to slug our way through. There was the none-too-fey/verile or lissom-looking Antinous cavorting on a bed that was reminiscent of a couch I frequented in the late 70s where the city’s only queer psychiatrist and I had an ongoing affair. This bit of uninspired staging in the post-AIDS paradigm was as lame as having to watch two bored manatees going at it. Goddamn, where is the frottage! They seemed to be sleepy hobos, trying to make out which side of the bed they wanted to sleep on rather than obsessed lovers engaging in the gay world’s paedophiliacal obsession – let’s not go there just now.

Well, if you can’t hack a pop career in these parts, the next best thing is, go compose an opera. Lord Jesus… why? I am only too grateful that he didn’t set his sights on appropriating black high art and opting for a Jazz career. Last evening, Tuesday, October 23, 2018 proved without doubt that the kinder of minor Canadian celebrity should never be indulged when they elect to pursue whatever line of work mama or papa pursued. I am reminded of “Bathhouse Pierrette” as he is charitably dismissed, playing party leader in these parts and forever looking gripped by stage fright. I was much humoured this past summer as he followed the future Duke of Sussex about Buckingham Palace at the Commonwealth banquet desperately trying to score an invite to the royal wedding and being clearly snubbed by HRH Prince Henry of Wales who was gruffly dismissive of his attempts to score a pair of tickets – in the 11th hour – for him and his insufferable fag hag wife.

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There were points where persons in back of Lucian and me were laughing at how embarrassingly bad the opera was. Small-time, one guy to my rear readily dismissed. Goodness, if there was one more unpleasant reference to “the Jews” in this horrid farce, I was ready to get up and walk out. The opera was frankly a reflection of the archly conservative and frankly sphinctered worldview of Toronto’s incestuous gay elites – many of whom I went through in the 70s through early 80s and who then were just as smegmaed as a can of freshly opened corned beef – those, indeed, were the pre-plague years.

Getting on the elevator to make it to the basement where I collected my pea coat, I remarked, to one woman who asked my verdict, “You know, it would truly have been great theatre if that strobe light in Act IV had suddenly flashed brighter and erased this entire madness from memory. Trust me, dreams are never this bad!” You can fool those of your tightly incestuous social crowd all of the time but never those too shrewd to give a damn about you and your BS.

As ever my darlings, dream like you’ve never dreamt before and by all means, push off and start flying for at least there, you can readily escape the madness that’s got this paradigm saturated to the gills with BS. Thanks so much for your ongoing support, I love you more!  

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©2013-2026 Arvin da Brgha. All Rights Reserved. 

All Too Human… And Then Some!

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Well, after having been dazzled by Natalia Osipova, there was no doubt what next adventure my soul had to devour.  I arrived at Pimlico Station and enjoyed the cool brisk walk to the red and white gorgeousness of the neighbourhood architecture.  I arrived at 08:50, a good hour ahead of the opening.  I took the time to place my palm on as many of the august sycamore trees in the neighbourhood as I could.  There were some high-end cars waiting out front of the Tate Britain Museum to take in All Too Human as yet another jetliner roared towards London Heathrow.  Definitely bulletproof, a stately Benz sat closest to the entrance with a smoky grey Bentley, SUV no less, parked furthest of the cars.  

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Eventually, persons began turning up and the engaging West African security agent who had the same strong, proud, full-lipped mouth as Leontyne Price’s closed one of the two heavy black doors to protect me as I waited outside the main glass sliding doors as a private event was underway — thus one couldn’t be allowed inside.  Finally, persons began leaving, one of whom — in a beautifully vivid red coat — was Cherie Blair CBE, QC.  She was proud-looking and had the kind of broad body that as I child was so familiar when growing up in the West Indies.  She had that air about her that bespoke a life in the public eye; someone made a curt remark and she was quick on the rebuttal.  I was much humoured and reminded of Saddam Hussein trading insults with the men who moments later gladly terminated his life.  

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Finally, it was on to the business in hand and what a beautifully stunning exhibition; one of the best contemporary art exhibitions that I have attended in years.  The greatest discovery was the lush, richness of the Lucian Freud still-life, Two Plants.  Thoroughly layered, engrossing and lyrical in its deft vividness.  I was left teary eyed by its sublime beauty. 

Sleeping by the Lion carpet Leigh Bowrey

Of course, I was moments earlier moved to dewy-eyed focus when drinking in the rich tableau of the portrait of creative artist and true eccentric, Leigh Bowery whom many years earlier I had seen perform in New York City.   I was reminded, of course, in Leigh’s passing of the countless many whom I have lost along the way to AIDS.

All Too Human

The poster for the show at Russell Square Tube Station in Bloomsbury.  A wonderful tribute to Leigh who covered a fair bit of ground during his lifetime… sweet and blissful dreams be yours…  

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Naturally, I booked my flight based on two things: one, Giselle with Osipova and secondly, a joint exhibition featuring Lucian Freud and Francis Bacon.  For that, I would gladly hop a Tesla to Iapetus.  Of course, this exhibition was a pilgrimage of sorts for me and it was a way of paying homage to the artistic accomplishments of cadre mates.  

Study for Portrait of Lucian Freud Francis Bacon

As per the portrait of Lucian Freud above, these two artists are cadre mates of mine and Merlin’s.  Lucian Freud is a mature priest in our entity (6).  Along with Rudolf Nureyev and Grace Jones, Francis Bacon is next-door in entity 5 of our cadre.  Francis is a mature artisan, Grace Jones a mature warrior and Rudolf Nureyev a mature sage… and how.  I was thoroughly warmed to have drunk of their spirits.  

Portrait of Isabel Rawsthorne 1966 by Francis Bacon 1909-1992

This particular portrait, Isabel Rawsthrone, I especially loved.  Raw, primal and emotionally intense there is something decidedly operatic about the focussed intensity of this portrait.  After initially getting over the intensity of it, it proves rather warm and enveloping.  

Three Figures and Portrait 1975 by Francis Bacon 1909-1992

This was a thoroughly arresting and soul-stirring adage; it was a beautiful way to have begun the day’s adventures.  

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After walking past the noise of the construction/renovations taking place on the first floor — one of the workers was a real pulse-racer, looking as he did like no end of hot, rough sex and in work gear no less!  Then it was downstairs to take in the Impressionists in London exhibition.  I did not buy the catalogue.  I always am a bit put-off by the association of the word “dream” when describing the works of impressionists.  There is nothing unfocussed or diffused about dreams.  Trust you me, as someone who recalls at least half a dozen dreams on average, oftentimes, dreams prove the most lucid part of any given day.  Perhaps, it was all the wine the French impressionists consumed but the maudlin-feeling lighting just doesn’t do it for me… most times.  

Notting Hill Gate

Having had my fill, off I went from Pimlico to Nothing Hill Gate in the wet snow and made the long trek to Kensington Palace where one of the most glorious flying dreams in this lifetime was set — also, in that dream was a then incarnate, Diana, Princess of Wales with her two beautiful-spirited sons, the future HRH Prince William, Duke of Cambridge and HRH Prince Henry of Wales and Duke of as-yet-known after he marries his beautiful bride, Ms. Meghan Markle — a mature artisan, to his mature warrior and an entity mate of his no less.  

Kensington Palace

On the long trek along Broad Walk in Kensington Gardens from the high street, I enjoyed the look of snow everywhere.  The odd flake fell from time to time as joggers braved the fierce wind off the park.  One brave soul with a shock of close-cropped red hair, sported the greatest thighs as he jogged strictly in a pair of wrestler’s shorts.  He proved warming for my blood, indeed.  

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As I got towards the edge of Kensington Palace the handsome raven above swooped in from off my rear right and towards the palace.  He alighted, cocked the head at me and kept taking to the wind to come closer, all the while fixing me with a hard gaze.  “Yes, of course, you can see my heart.  Love is the password” I said aloud to the totemic creature as it kept on calling at me and edging ever closer, though, not being confrontational.  Satisfied with my password, seemingly, it bobbed and took to the air never to alight again.  I rather appreciated the warm welcome.  

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I loved the sparse beauty of the King’s Gallery at Kensington Palace, which — for me at least — was lauded over by the Equestrian Portrait of HM King Charles I by Sir Anthony van Dyck, who happens to be in entity 1 of my cadre; he, presently incarnate and one of my oldest friends, shortly is about to return from his winter stay at his Acapulco penthouse; I will be visiting him later this spring on the Canadian west coast.

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A truly beautifully tailored, handsome suit, this one.  I am not a big fashion person — I believe that one is best dressed when naked and preferably tumescent.  I did, though, rather enjoyed the movement through the Diana, Princess of Wales exhibition.

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A very beautiful second-level mature artisan, she was too.  

HRH Catherine Duchess of Cambridge

Having been inspired by Diana, Princess of Wales’ portrait, I made my way to Charing Cross Station in Trafalgar Square and cut across the street where there was a broken water main flooding the street.  As usual, Yoda was there doing his routine and, no doubt, earning a pretty quid.  I took in the HRH Catherine, Duchess of Cambridge-curated exhibition, which had opened two nights earlier on my arrival.  Though, I had stood outside the National Portrait Gallery to catch a glimpse of her arrival, I soon dashed off in the increasing snowfall, if I were to make my Jazz at Lincoln Center performance across town at the Barbican Center.  So, having missed seeing her in person, the next best thing was to go gaze at the portrait of HRH Catherine, Duchess of Cambridge.  I love it as it is so layered and complex; she is a late-mature warrior soul.  

National Portrait Gallery

As I move very, very quickly, I was out of there and soon grabbing a take-away fish and chips at Ben’s on Shaftesbury.  I then headed back to my hotel, ate, napped and got ready for a night at Royal Albert Hall to see OVO.  

Royal Albert Hall

Never before had I taken in a Cirque du Soleil performance — I have my reasons…  Nonetheless, I just wanted to enjoy anew the ambiance and acoustics of the marvellous auditorium.  

OVO

The show was no more engaging or exciting than bad bathhouse sex, which if it weren’t so late, one would never have bothered engaging in.  A perfectly forgettable tourist sort of thing to indulge when there was no other nighttime entertainment going that was worthwhile.  I could have taken in 42nd Street in the West End but I had already seen it at least a dozen times when then living and dancing in New York City in the early 1980s.  The idea of taking in 42nd Street was only slightly less irritating than the thought of messy bathhouse sex… options… choices, indeed!  

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After the show, on the long walk from Royal Albert Hall to South Kensington Station, a young mesomorph asked me for a fag — I don’t smoke — but it was obvious what he was after.  He sat across the narrow aisle on the eastbound Piccadilly Line ride and the rest proved a rather memorable night.  

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The morning after the night before, it was off to Windsor Castle, of which I will next blog.  

All Too Human Catalogue

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As ever, sweet dreams and thank you for your ongoing support.  

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©2013-2026 Arvin da Brgha.  All Rights Reserved,

Two Albrechts But What A Giselle!

Giselle Royal Ballet

Second night in London and there was still lots of snow — at least, by London standards; after Montréal where three feet of snow is no horror, 1.5 inches seemed to have arrested London in its tracks — I was all excited to see David Hallberg whose recent memoir I read on the flight over and carried in my custom Ruben Mack messenger bag, to have it signed after the performance.  Enjoyed my glass of champagne and being in the balcony at Royal Opera house was magical.  My seat was smack in the middle of three Japanese young ladies who were being chaperoned by their lovely teacher.  I negotiated and they excitedly expressed their appreciation at being able to switch with me being on the end so that that they could all sit together.  The closest two sat on their coats and I even offered the tinier future Giselle my coat to sit on.  

Natalia Osipova Matthew Ball

Naturally, I was returned to London as last June, I had pleasantly discovered Natalia Osipova dancing in Marguerite and Armand and was instantly a fan.  There was no way that I was going to miss her Giselle.  Midway through Act I of Giselle, David whom I had never previously seen perform, failed to have impressed.  He seemed not to be dancing full out and the partnership seemed strained; it was as though they had not had enough rehearsals.  Then after intermission and really good champagne, the company’s artistic director came to the stage to announce that Mr. Hallberg had been injured during Act I and would not be proceeding; he then announced that the youngster, Matthew Ball would dance the role of Prince Albrecht in Act II — the house went wild as he had days earlier made his debut in the ballet.  

Natalia Osipova

What then unfolded was the most glorious of evenings in the theatre.  Ms. Osipova, who has the most phenomenal ballon ever witnessed on any ballerina — to say nothing of her turns — danced as if truly overjoyed.  Mr. Ball was also fantastic and I howled for joy at their curtain calls.  Heck, I, who never go backstage, went in hopes of having Mr. Hallberg sign my copy of his book; however, he was a no-show.  Ms. Osipova, inordinately gracious and an ecstatic Mr. Ball, who had had to dash back to the theatre that evening, was only too happy to sign my copy of the program as a steady drizzle fell beyond the double, glass stage doors.  

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Of course, the night prior, I had trekked in even more snow out to Barbican Centre to catch yet another performance of the Jazz at Lincoln Centre Orchestra led by the unparallelled genius, Wynton Marsalis.  The programme was exclusively Leonard Bernstein in a celebration of his centenary… and what a phenomenal show it was.  London’s Jews were out in force to be sure.  I sat next to a princely 93-year-old Jew whose energies were rather like those of Yehudi Menuhin and boy was this man gracious of spirit.  To say the least, I had a ball.  

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Naturally, one goes to a Wynton Marsalis performance for the encores!  And boy, he did not disappoint.  As always, I unashamedly howled like mad at the end of all that.  This musical genius’s fabulousness is out of this world.  This truly was a marvellous way to celebrate  a homecoming of sorts; London truly does feel like another West Indian isle.  As Merlin and I shared a rather accomplished life as court musicians in late 18th century London, it is always great to be in London.  

Arvin da Brgha 1.3.2018 Royal Academy London, England

Though I had downloaded the app and had planned on biking whilst in London, the snow everywhere precluded any such adventure.  So there was I next morning — the night of which I attended Giselle, leaving my hotel in Bloomsbury and making it from Russell Square to Piccadilly Circus to, of course, look at art.  

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Naturally, I had arrived at the Royal Academy at Burlington House to see what for me was the most eagerly anticipated art exhibition in years:  Charles I, King and Collector.  I was the first to have arrived for the show, slipped inside from the snow before being asked to wait outside by security.   Whilst waiting at the head of the queue, there were three gentlemen who arrived, all on the other side of 70 years of age and they were the most urbane aristocrats whom I had ever encountered.  The way they spoke; there was no denying that they were posh.  Moreover, it was more than their accents; their use of language made it sound as though they were speaking a form of English which was mannered, musical and as though another language entirely.  

Royal Academy

Finally, once inside the exhibition, I was truly enthralled, moving from salon to salon as though in the most lucidly captivating dream.  Here were all my favourite Sir Anthony van Dyck paintings in one place — plus, there were some which previously I had not seen… at least, in this lifetime.  Naturally, there were also some rather intimate Sir Peter Paul Rubens in the exhibition, which featured the art from the impressive collection of HM King Charles I… that ode to swaggerliciousness and a young sage to boot.  

HM King Charles I Three Positions Sir Anthony van Dyck Oil on Canvas

I had managed to snap four paintings whilst moving through the first of ten salons when a kindly security agent asked that I obey the rules and refrain from taking photographs.  This truly was as though caught in a flying dream as I moved intoxicated of spirit from salon to salon, I managed whilst looking at murals in one of the larger salons, to make my way to the inner sanctum where the most glorious Sir Anthony van Dycks were hung — the two equestrian portraits one from the National Gallery in Trafalgar Square the other, which previously was hung at Buckingham Palace; there was also that most striking portrait Charles at the hunt which normally is hung at Musée du Louvre.  A lovely henna-braided African security agent informed me that I had progressed improperly and ought to retrace my steps and view the art in the salons on the periphery of the three large internal salons where murals, tapestries and the prized, aforementioned van Dycks of the Royal Collection collected by HM King Charles I were hung.  

Sir Peter Paul Rubens Self-Portrait Oil on Canvas

At the point at which I was about to leave one salon for the next, I suddenly and distinctly thought of Kritika Bhatt the Michael channeller who had been trained by Sarah J. Chambers one of the original channellers in the Michael group.  I thought it odd at the time as I only ever would think of her when a request for overleaves are outstanding and my impatience is having her surface to mind as I wonder if I would be receiving the requested overleaves that day.  Since this was not the case, I thought per chance, that I was thinking of her as she is known to have King Charles spaniels.  Yes, that must be the out-of-nowhere association, I concluded.  

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On entering the next salon, I immediately moved towards the largest masterpiece and was struck by its depth and impressive use of strong bold colours.  What’s more, I had never seen the painting before.  Fascinating, I whispered before heading to the title to see the title and artist.  I was struck dead in my tracks when reading, Esther before Ahaseuras by Jacopo Tintoretto.  Wow!  I exclaimed.  Years earlier, in an email regarding the overleaves for other artists, Kritika had made mention that her current son had previously been the 16th century Italian artist, Jacopo Tintoretto!  I was floored and for me that out-of-nowhere associative thought of Kritika was validation of the overleaves and information shared years earlier.  

Sir Anthony van Dyck Self-Portrait with Sunflower Oil on Canvas

Earlier, whilst moving through the first salon, I had never come so close to Sir Anthony van Dyck’s Self-Portrait with Sunflower before.  Taking the time to really study the painting, I was struck by my response; suddenly, at my solar plexus, I began experiencing a — not though rare — thumping which was independent of my cardio rhythm.  Never before had I been able to so closely inspect the eyes in the self-portrait.  What was really interesting was the look of the artist’s left eye in the painting; it really was a darker version of my Dutch born and oldest friend, Joop who previously had been Sir Anthony van Dyck.  Though Joop’s eyes are a strong, soulful blue in this lifetime, they truly are the same eyes as Sir Anthony van Dyck’s in the self portrait.  Different colour, same vibration… same intensity.  I had not been expecting that and just as later whilst moving from one salon to the next, I was not expecting to have the Michael Teachings and overleaves validated.  Nonetheless, there is was, two instances of overleaves validated and that was the kind of bonus that one could not have anticipated whilst planning this trip.  

Fortnum & Mason

After purchasing my lovely catalogue of the exhibition, I moved across the street and did some shopping at the grand old dame, Fortnum & Mason.  Let’s face it, I was there to slip into the eatery and score myself the best free lunch in London… and as ever, the bites on offer did not disappoint.  I bought marvellous teas as only can be found at Fortnum & Mason then hopped onto a double decker, driving westerly along Piccadilly.  Making my way up the stairs, I soon had to double back on myself when realising that the upper deck was packed with a sprinkling of London’s homeless, who obviously had been afforded refuge out of the cold and what for London was unheard of snows.  God it smelt atrocious.  As the bus made a right onto Buckingham Palace Road, I hopped off and made my way past the Royal Mews which were closed owing to snow and made it for the Queen’s Gallery at Buckingham Palace.  

Charles II Art & Power

I was there to be wowed, though, sadly was not by the Restoration exhibition.  Naturally, how could it have been a show to rival that at the Royal Academy when most of that art had been sold off by the time of HM King Charles II’s coronation.  I would have been rather underwhelmed, had I gone to London just to take in this show.  As it was, it served as ample reason to have appreciated the Royal Academy show even more.  

HM King Charles IIb

Really got off on the vibration exuded by HM King James II as he held court in all his glory in the portrait in the same show at the Queen’s Gallery Buckingham Palace (following painting). 

HM King James II when HRH Prince James Duke of York

Well having had my fill of the Restoration art or the paucity thereof, I enjoyed trekking in the snows along Buckingham Palace Road to Victoria Station and descended into the depths of London’s Underground for yet another adventure.  

St. Paul's Cathedral

Emerging from the bowels of London, I made it to the soul of the nation to pay homage, yet again, at St. Paul’s Cathedral.  

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I wanted to go and light a candle, I lit two actually, in homage to the ennobled lives that both Merlin and I enjoyed in this glorious city three centuries earlier — the memories of which readily surface in the dreamtime.  

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Before one gets too old to be able to make the trek, I managed my way to the whispering gallery, sat down and caught my wind back whilst reflecting on my life.  

Henry Moore

This place so rich in history, is also the sacred shrine where entity mates have left their mark.  Henry Moore is an old artisan in my entity.  

Arthur Duke of Wellington

Of course, no visit to St. Paul’s Cathedral would be complete without paying a visit to the soul of the nation at its crypt and paying homage to ennobled souls who’ve made an indelible mark on London… on history.  There is great and fittingly so, grandeur in the tomb of Arthur, Duke of Wellington’s resting place.  

Admiral Nelson

Of course, the other tomb which dominates the crypt at St. Paul’s Cathedral is that of Admiral Nelson, whom both Merlin and I knew during that incarnation.  Doubtless, it was his passion and tales for and about Nevis, which planted that seed that sparked three lifetimes later with my soul’s choice to reincarnate into Nevis; indeed, it has proven an isle no less magical than his captivating anecdotes then must have been.  Days later, of course, I would see the bullet which felled this great man whilst visiting Windsor Castle; that is for another post.  For now, I rushed home, took a dream-filled nap before heading to Covent Garden and being wowed by two not one Albrechts and the most exciting prima ballerina on the planet… at least, as far as I am concerned.  

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As ever, thanks for your ongoing support and look forward in coming months to book three of my dream-filled memoirs, mandated by Merlin and which prove human civilisation’s first dream memoirs.  

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©2013-2026 Arvin da Brgha.  All Rights Reserved.

The Dream Chamber

Pyramid2

With some lovely sandalwood incense going, a beeswax candle and some late 18th century harpsichord breezily distant, evoking deeply buried memories of life at court in Regency London as a countertenor, thus one slips lucid, fecund and supremely feminine into sleep’s warm embrace.  For me the day begins at bedtime, the beauty of sleep is, one can never imagine the bounty of vistas and dream experiences about to be lived a few shorts breaths away. 

So come with me, take a few deep breaths, feel the bedding lovingly warm against your wide-open naked body.  You are a soul about to unfurl its wings and take flight into the dreamtime… what happy quests await…  As ever, sweet dreams and thanks for your ongoing support.  Thank you Robert Davidson, Susan A. Point, for sharing your inspiring light with me.  Windows are highly overrated intrusions.  

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©2013-2026 Arvin da Brgha.  All Rights Reserved.

Here’s to You!

Just a wee glimpse into my magical life where dreamquests are all begun in the groovy comfort of my collapsible pyramid.  I have had a pyramid since 1984 in one form or another.  This incarnation of my dream chamber, I rather love.  Being surrounded by art is about being greatly inspired.  

Happy New Year!  Thanks for your ongoing support and here’s wishing you the very best this year!  Sweet dreams as ever! 

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©2013-2026 Arvin da Brgha.  All Rights Reserved.

Prosecuting the Past whilst at the Deathscape.

Jacqueline Kennedy Onassis3

Since having shared these dreams two years ago, I have been corrected by an authentic Michael Channeller as to Jacqueline Kennedy Onassis’ true role in essence; she is a young soul sage rather than young soul king – her first husband, John F. Kennedy was a young soul king and he was reborn to an aristocratic family in France and I do believe reborn male.  Contrary to the word on the faux-Michael ether, Jacqueline Kennedy Onassis – whom I encountered one glorious summer afternoon in 1983 after ballet class at Harkness House with David Peregrine and his lovely sweetheart and former classmate, Jackie Sloane – who both perished in the Canadian Rockies when he piloted some years later in 1989, Ms. Kennedy Onassis vibrationally seemed every bit the king soul.  Alas, that may well have been her well-fortified social persona and false personality then experienced.  Of course, it was at Harkness House where Rebekah Harkness’ cremains perpetually rotated in a golden urn designed by master surrealist himself, Salvador Dali.  

Since these dreams were shared, I have elected to have channelled the overleaves of the following persons: Salvador Dali and Maria Callas.  Too, I am adding here, Frederick Hinneault’s overleaves, though, they have been previously shared in this blog.  Frederick was a the most glorious Cree feather dancer who introduced me to the world of powwows in June 1994.  I met Frederick after having had the most lucidly awakened flying dream to a past-life whereat I witnessed a young shaman coming of age during initiation ceremonies.  Well, you can just bet that after so high a spiritual dream experience, I chose to do no such thing as time-waste in the presence of dense-energied, somnambulant and decidedly spiritually unsophisticated coworkers.  So off I went to Club Vancouver bathhouse on West Pender Street where there I met the genuine article, Frederick.  After having made a sweat lodge of his tiny room, we spent the rest of the summer holding hands and travelling about B.C. Alberta and Washington.  Firstly, though, he took me to a lookout point high above the Cypress Bowl lookout where in a bath of cloud-untrammelled sunlight, we laid naked side by side in the long grass, holding hands and he got out his whistle that called a majestic eagle; this was one of the most magical experiences of this incarnation.  

Frederick, at the time, was full blown with AIDS.  What was most revolutionary was being in the company of two-spirits.  This was the first time being in the company of Gays who were not possessed of racially predatory animus.  That first weekend, just past 1994’s summer solstice was my true arrival and connection with Canada and what she represents.  I finally felt no longer as an outsider.  I will always have the greatest respect for all First Nations peoples from Baffin Island to Patagonia.  

These were truly operatic dreams, drink anew of my chalice and may you, satiated and inspired, slip into lucidly awakened dreamquests of your own.  You’ve a wealth of knowledge and beauty which passively lie awaiting your inner focus deep within the aqueous folds of self.  

Sweet dreams you… ever, we will be kindred spirits – you and me – sharing this magical quest of self-discovery, self-actualisation and self-empowerment.  I am honoured by your continued support and for that, I love you more!  (August 2016)

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These next dreams occurred two days apart and dealt with the same individual.  I have recently written of her and shared a dream of her, Jacqueline Kennedy Onassis.  At the time of these dreams, which are currently being chronologically transcribed, Mrs. Kennedy Onassis was a recent astral plane habituée. 

As such, these dreams – and the last in particular – vicariously gave insights to her deathscape on becoming an arrivée astral plane habituée.  I dream it, I share it and pass no judgment on either self or the subject(s) of any dream ever had. 

As with all astral plane-focussed dreams, these were rather intense experiences.  Especially so was the fourth and final dream of the second day of dreams shared herein. 

The first dream was the only dream that day and it sets the mood for the nature of the second dream to come of Mrs. Kennedy-Onassis.  That dream occurred two days later and was more thorough and insightful.  At the time of the first dream, it was Saturday, July 9, 1994 and the Moon then transited both Cancer and my second house. 

Two days later, Monday, July 11, 1994, there were four dreams and as on the July 9, 1994, the fourth and final dream that day focussed on the deathscape for the arrivée astral plane habituée, Jacqueline Kennedy Onassis.  As is her wont, Luna had beguilingly slipped from Cancer to Leo and correspondingly from my second to third houses. 

The final was an intensely volatile dream that was all about emotionality and karmic dross.  Having passed near two months earlier, though I was not much-focussed on her life in the waking state, it is not surprising that one would vicariously tune in to the deathscape goings-on of one the century’s most iconic figures, Jacqueline Kennedy-Onassis. 

Sweet dreams as ever.  Rather than the standard one photograph per dream entry to this blog, the break between both days’ dreams will be a second photograph. 

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I was, in this the first dream, in a park like New York City’s Central Park with Pandora da Braga on my right.  From across the vast plain came a large steed from a low, heavy mist atop a knoll.

Here the light was rather diffused and potent.  The horse was a possessed powerful creature.  Rapt in focussed canter, it barrelled across the green grass towards us.

Atop it rode a large-boned woman who was a fierce warrior-spirited individual.  She turned out, no less, to have been Jacqueline Kennedy Onassis.

She rode in traditional riding gear: black cap, white riding breeches and black riding boots, all of which was topped off by a red riding jacket.  Her gloves were short and made of thick black leather.

This woman was arrestingly powerful.

Pandora and I were stunned into silence.  All the shrubs wore various-sized beautiful white blooms that simply zinged with life.

All was ordered and serene here and it clearly was a reflection of this woman’s afterlife passage – the deathscape.  The Earth simply quaked beneath the power and grandeur of both she and the steed.

I mentioned to Pandora, after she had ridden past, that I had seen her, back in the early 1980s, on two occasions in the Manhattan.  She was, to be sure, a very robust, dominance-goaled kind of person.

Hers was a very powerful warrior-energied complex.

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Diva - Maria Callas

Whilst speaking with a man, in this the first dream, I assured him that I could never bed Aaron Wookay because of his pheromones – body odour.

I do believe that it was, in fact, Aaron Wookay with whom I had been speaking at the time and made the slip of saying what I had.  There was certainly a glaringly pregnant pause at the end of it all.

As we spoke, in the middle of the late-afternoon street, a very tall warrior-spirited Karl Weller walked past with a guy on his left.  He was dressed all in black clothes and as I sped up after him, I said aloud to my companion,

“Now there is a man that I could bed…”

I intimated that I had already had an encounter with him in the waking state.  This was in fact true.  I then got him into a black limousine and together we headed for my place.

En route there, at night time, we stopped outside a Dairy Queen.  The store was tiny and right at the corner of one of the city’s intersections.  Getting out, on the left side of the car, I went inside where I ordered large slices of a white cheesecake with soft ice cream.

When I returned to the limousine, he was immediately in bed lying on his back on some blankets.  He took a bite of the food and, at that point, I began groaning.

His entire body then lapsed into an adrenalin quake as he had his first all-out experience.  He was full of nerves and caution.  Wanting to leave, Karl Weller then hurriedly got up; I was quite disappointed.

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In this the second dream, Isha da Braga insisted that I deposit some cash – 10$ or 12$ – into her account because I had owed her as much.  I was really pissed off because I knew that I had already paid her whatever monies that I had owed her.

En route to the bank, I stopped off at her condo to which I had a pair of keys.  Slowly, I stirred the pot of stew that she had started before heading to work.  The stew simmered on a low fire.

Soon, I encountered Pandora da Braga who also needed cash.  I then became an issue of how to move around cash, via cheques, from one or more of my little-funded accounts to get to float until the next payday.

With that, I headed off to the bank to begin my unscrupulous activity.

*This is something that I have never attempted and would never think to attempt in the waking state.  Why?  END.  

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Soon, in this the third dream, I got sidetracked.  I went off and had a hot encounter with a guy whom I now think was Frederick Hinneault.  We were, in an old building, writhing away on a table.

Splayed and utterly contorted, we were going at each other like there was no tomorrow.  Too, it was also hard to tell just who was fucking whom.

A tall Black security guard, whilst on duty, happened on us.  Pretty soon, he interrupted us and joined in when he oughtn’t to have done so.  He took off his thick, brown leather belt and began beating me with it.

I was truly incensed and let him know that I could damn well file suit against him for having struck me.  After all, it was not a part of his duties to have done so.

He was surprised at my response.  Seemingly, he was a novice in his crisp, brand new khaki uniform and hat.  He was rather handsome a fellow.  Nonetheless, I was still upset with him.

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I would, whilst focussed in this the fourth dream, have an encounter with Jacqueline Kennedy Onassis.  At the time, I was going along a corridor in a palatial residence.  Seemingly, this was an eighteenth century château.

Whilst she was dressed in clothing that was late 1950s-60s, A-line conservative and nothing flashy, I walked after Mrs. Kennedy-Onassis.  There were several other persons about.  Impatient, she was not at all in a very good mood.

Rushing back, I went to the off-white blue hallways to the other wing.  We were two to three storeys aboveground.  There, I saw a dark-haired, strong-featured woman and intuitively knew her to be Maria Callas.

Jacqueline Kennedy Onassis and Maria Callas were in the midst of a nasty feud.  Conversely, it turned out that to get her attention I would have to quickly act.

Pulling out a shotgun, I shot into the ceiling in order to wrestle her attention.  The gunfire stunned Maria Callas; at that point, I then bolted and went back to be with Jacqueline Kennedy Onassis.

Coming to her aid, I held Mrs. Kennedy-Onassis by the forearms as she was slumped in a chair.  She had been truly traumatised by the gunshot going off so close to her.

In light of what she had endured on November 22, 1963, in Dallas, Texas, her reaction was not surprising.  This soon served as a glimpse into who had really killed whom.

From what I learnt here, it turned out that not only did Jacqueline Kennedy Onassis get rid of Christina Onassis and Marilyn Monroe, she also used occult means to get rid of Maria Callas by way of literally bewitching Aristotle Onassis.

I was being told this by a voice which I heard speaking to me.  Interestingly enough, the voice sounded like a gruffer version of Jacqueline Kennedy Onassis’s famous breathy register.

This insight was all being telepathically shared with me.  However, this house was definitely on the astral plane in which Maria Callas was confronting Jacqueline Kennedy Onassis.  As it were, both astral plane habitués were prosecuting their relations in their respective immediate past lives.

There was no getting around the fact that Maria Callas had the upper hand here.  There was a sense that, try as she might, Jacqueline Kennedy Onassis simply could not get out of this confrontational drama; it was, as it were, fated based on who owed whom karma.

Maria Callas was truly operatic.  Not the kind of person that one would want to have as a foe was she.  For having predeceased Jacqueline Kennedy Onassis as well as Aristotle Onassis, there seemingly was much that she knew of what really happened whilst she was alive.

This woman, Maria Callas, was truly operatic.  Her rage was such that she seemed to create an emotional tornado.  Even when she spoke, her voice operatically boomed.

This was drama that was supra-Wagnerian.  The palatial, soothing blue-interiored dwelling’s walls violently quaked as Maria Callas fumed and berated Jacqueline Kennedy Onassis from her wing of the château.

Jacqueline Kennedy Onassis looked extremely spent, haggard and aged; she had been completely vanquished by Maria Callas’ rage.  If these karmic debts had really been incurred by Jacqueline Kennedy Onassis, it then stands to reason that on reflecting on her just-concluded life, there would be some degree of remorse and inner pain as part of her deathscape on becoming an arrivée astral plane habituée.

Jacqueline Kennedy Onassis was deeply troubled here.  Though she was every bit the lady in her own right, for having been wronged, there was a great impactful power that Maria Callas exhibited for having been wronged.

The whole affair had karmically left her completely in a funk.  All of these done-in women were strong-willed individuals who had, in some way, posed a threat to her sense of self.

Not only did she not suffer fools gladly but from the evidence here, Jacqueline Kennedy Onassis did not suffer threats to her power in any way.  Once so threatened, her only response was shrewd and calculating.

They were simply removed from the environment – struck down.  For Jacqueline Kennedy Onassis, with a Scorpio rising, it was all too possible that this sort of tactic would have been deemed a viable and appropriate response to such a threat.

Here in the dreamtime, for being alone with her, I came to understand what would have motivated her to have taken such actions.  This was the only way to stake her claim on history and not just near history but millennial history.

At all costs, a statuesque stalwart of power and regal dignity, she had to survive to the end.  To have been respectively displaced or denied by Marilyn Monroe or Maria Callas would have eclipsed her and made her but a footnote in history.

This is how she saw it.  Christina Onassis did nothing but try to have her displaced and dishonoured by way of a divorce; this, too, could not be suffered.  She won.  In all things, she won.

As that dream on July 9, 1994 attested, she was the born warrior-spirited leader who was never felled in battle.  Victorious to the end was ever her approach.

Indeed, coming through the mist of time, Jacqueline Kennedy Onassis will transcend Time for several millennial as one of the most pre-eminent leaders of the 20th century and not merely just an iconic woman.

Into the future and legend she will forever ride a valiant steed, though a dark one, a figure of power, strength and dignity.  Indeed, a bloody-talonned warrior this one.

Leaving her, I went running back through the halls saying that I had to get to the ministerial offices.  I wanted to get there at once, in order that the records may historically be set straight.

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Photo credits: Jacqueline Kennedy Onassis fox hunting in Virginia.

Opera diva, Maria Callas.

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© 2014-2026 Arvin da Brgha.  All Rights Reserved.

HM King Charles III (Emperor Caligula II).

HRH Charles, Prince of Wales & Frances Segelman

Bust of HRH Prince Charles, The Prince of Wales, sculptor Frances Segelman & HRH Prince Charles, The Prince of Wales.

Just as when first discovering Lucian Freud’s and Jonathan Yeo’s works, I was greatly moved on discovering sculptor, Frances Segelman and her masterful work.  Pure creative genius.  The bust was recently presented on the occasion of the 40th anniversary of the Prince’s Trust, HRH Prince Charles, Prince of Wales’ successful charity.

A couple of years ago, I had the most rhapsodic flying dream which had me in low flight through St. James’ Park.  Once on the edge of the park, I alighted and began crossing a very deserted Mall towards the entrance road to Clarence House and St. James’ Palace beyond.

There, where the road joins the Mall was the largest statue, it was of Her Majesty, Queen Elizabeth II riding a great steed.  Without a doubt, on having seen this bust, the statue had been created by Ms. Segelman – at least in this probable future… one in which, at that point, HRH Prince Charles, Prince of Wales was HM, King Charles III.

There was so much grandeur and elegance to the lines of the sculpture.  The horse was on its hind legs, though not fully rearing, Her Majesty sat confidently sidesaddle whilst serenely looking down at the throngs and not the least bit thrown by the steed’s action.

Though tuning in to a probable reality, it would be great to have a statue to honour HM, Queen Elizabeth II by the masterful, Frances Segelman.

Until such time as the probable become reality, God Save The Queen!

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©2013-2026 Arvin da Brgha.  All Rights Reserved.

Ghosts of Future-Past.

I found myself hovering over Times Square.  I was intently looking at a hotel in Times Square – the one that has the large oxidised globe on it.  I thought – this may be the Drake Hotel.

The building, at its upper storeys, had aspects of a pyramid or a ziggurat to it.  This was one of those monolithic sandstone buildings that were built in the 1930s – a decade when there was a real architectural renaissance in Manhattan.

It had a very large base that culminated in a stepped formation near the top.  The building sat on the west side of Eight Avenue, if I correctly remember.

Perhaps, it is not even a hotel – I thought, maybe, it is the headquarters for one of the city’s newspapers – with the globe at its zenith.  So, perhaps, it formerly housed or still does The New York Times.  After all, it is in Times Square – hence the name of the square.

After having hovered for awhile, I began to move very slowly; I was high up – several storeys high up.  I watched as the ubiquitous yellow vehicles of the city’s taxi fleet, way below, negotiated the congested traffic.  I was able to see beyond the usual as well.

I saw Carl Leroiderien† going to pick up tickets for a Broadway show.  He was walking past the stage door; he was going towards the front of house.

There was something about this man which I found rather sagely.  Soon, he passed out of view; he went off to see someone.  He stood out like a sore thumb.

I knew well enough not to come down.  Carl has never had any interest in me, save to be aggressive and socially hostile, so why bother?  He was off to be in his element because basking in the glow of the klieg lights was what his soul craved at the moment.

However, when Carl was leaving his Chelsea apartment, I saw him talking to Merlin.  I still hovered in the air outside a front window that faced Carl’s fire-escape.

“No, no.  I sent those manuscripts for you and you can just go over them,” he was saying to Merlin as he returned some of Merlin’s writings.

Carl, arrogant prick that he is, was insensitively dismissing Merlin’s writing by returning it.  Of course, he did so under the guise of being too occupied to read the manuscripts.

I could tell from Merlin’s tone that he was really hurt for having his creativity dismissed.  Merlin felt rejected.  Carl was a disingenuous schmuck.

Carl’s offhandedness with Merlin was obnoxious.  Clearly, he did not think that Merlin’s writing was worth his time but – platinum-tongued palaverist that he is – he also did not give an opinion of what he thought.

Carl had cleverly placed the writing into a small trunk, which had languished in the Bourbon Street basement of his tiny cottage, abandoned there for over a decade.  The manuscripts were water-damaged.

In presenting Merlin with the trunk, he would minimise the rejection by making it look like he had been intent on returning the trunk and its damaged contents.  The snub was not lost on either Merlin or me.

I was, at the time, just down the hall; it was a short distance from where Carl had been talking to Merlin.  Wounded as he was, Merlin never did come out from the apartment.

Whilst standing by two apartment doors, I kept watch.  People were coming and someone said,

“I think that there is someone by the door; I can just tell…”

Since I did not want Carl or Merlin to know that I was about, I hid in back of both doors to the landing.  In that way, I avoided being seen by Carl’s neighbours; I averted the kind of trouble that I did not need.

I then went down the hall.  The door on the right was the apartment where Merlin had been.  I went to the door and knocked.

On opening the door to answer, Merlin looked totally different.  Though the eyes were unmistakably Merlin’s, he was considerably taller.

Merlin was very light-skinned and unmistakably Black.  He had off-blond hair that was naturally curly which he wore in a loose, soft Afro hairdo.  He was casually dressed.

He pleasantly smiled, on recognising me, though he was wearing a different body.  He familiarly, warmly said,

“Come in…”

Oh to hear his voice embrace me.  Such sweet, sustained magic!

I entered.  It was obvious that he was making one of his spectacular meals.  I, almost immediately, noticed that he had bought a cake.  It was a wonderful loaf.  Obviously, from the look of things, he had spent a great deal of time working on the other dishes.

There was a baked squash dish which was flavoured with a sweet liqueur.  A veal loaf was surrounded by a sea of sliced onions.  It presently was atop the stove, though, it was supposed to be returned to the oven.

There were marvellous vegetables that were all at various stages of preparation.  He stood at a sturdy, wooden-topped, central cutting board table.  He was cutting up an assortment of the vegetables.

My mind relaxed, as the pungent aroma of all the different herbs and spices being liberally used proved satiating and filled me up.

It was wonderful to again be in Merlin’s presence.  I had the impression that he was Straight or, perhaps, Bisexual.

At the entrance of the apartment, on the left, there was a little alcove.  The kitchen began there but it also opened up into a larger room.  This actually was part of the living room; it was L-shaped and hugged the kitchen area.

There, in the apartment, was a young woman with Merlin.  There was also a woman who seemed infirmed; she was lying on a cot.  She was close to the kitchen area where Merlin was.  They kept each other company whilst Merlin chopped up the vegetables.

Merlin and I were affectionate but there wasn’t any physicality to it.  We did not hug each other when the door opened even though we recognised the revealing, shockingly displacing sight of each other.

Merlin had immediately recognised my eyes, on opening the door, just as I had his.  However, there was now a dimensional void between us.  Merlin was a ghost from the future for me whilst I was a, vaguely familiar, ghost from the past for him.  He was warm towards me.

Merlin was a very decent human being, I must say.

He was, now, easily 6 feet 3 inches tall.  Though not mesomorphic, he was also not the classic ectomorph that he had been in his immediate past life.

He was angular but not in the same way as I remembered him.  Merlin here did not wear glasses.  His eyes were large and even more soulful than they had been in his last incarnation.

It was so beautiful to see him.

The seasoning was so… spot-on.  It actually made my mouth water.

The woman then asked him, from the cot where she reclined, if he had put onions with the veal loaf.  When he said that he had, she told him that this was not right.

“Let me show you how to do the onion rings,” she called to him in a familiar, intimate tone.

Merlin then asked me to give him a hand and help him carry the things to her, just inside the larger room, on the cot.  I helped him get the veal loaf onto a large tray with some other things.  For whatever reason, at the last minute, I got some bananas and also put them on the tray.

We then came out, into the other room, where the younger woman was.  She seemed like a nurse or a caretaker for the older woman.  She was sitting there very silently observing us.

The older infirmed woman was very detailed with her directions for the preparation of the dishes and the garnishes.  Some party umbrella garnishes, which are often used to decorate foods and cocktails, were also on the tray with the food.

Merlin had sliced the bananas – actually, they were plantains.  The older woman had her arms clasped at her chest like an Egyptian mummy’s.  Merlin then bound her body with blue-striped gauze.  The blue stripes were like those of the Israeli flag.

She laid there immobile with her head raised on a cushion which had been strategically placed beneath the cot’s mattress.  She looked at Merlin and wearily said,

“Please, will you give me my last rites?  I want to hear you say that prayer.”

At that, Merlin began saying the Lord’s Prayer except that it was not at all the traditional Christian prayer of Christ.  Instead, this prayer seemed to hearken back to Egyptian times.  When he was finished the prayer, she uttered a soulful breath; it was the equivalent of Amen.

“Avuum…”

It is simply impossible to convey the sound she made.  It sounded like a three-syllable word.  Quite simply, the breath went out of her when she intoned the arcane breath.  Perhaps, at the end of each lifetime, this was the call the soul made when exiting the body.

Together, Merlin and I had said the word with her but not as she had soulfully done.  It was the chant of the dying which only a departing soul, accepting of the inevitable, could properly invoke.

When Merlin and I said it, in my mind’s eye, I instantaneously saw the word written out in bold letters of blue light.

Merlin got up and slowly, silently, walked away.  I got up after him and thought about the potency of the word.  I looked into Merlin’s face and saw that he was no longer the youthful man who had greeted me at the door.

Instead, he truly looked drained as though he had been channelling for too many hours.  He was truly exhausted for having performed the rite on her.

Merlin returned to the kitchen area.  I followed after him.  I began eyeing the cake thinking that it would make a nice snack.

‘Hmmm, doesn’t that look nice,’ I thought, although, it needed to be warmed up.

It was a wonderful, fat lumpy cake with sweets in it – rather pleasing to look at.

“My, my, won’t I be glad to get some of this come dessert time.” I said in a quiet whisper. 

On Tuesday, March 24, 1992 as the Moon transited Sagittarius and my seventh house, whilst in dream flight, I projected myself into the future.

Whilst there, I dreamt the preceding dreams which proved the most sublime encounter with Merlin.  It was not just a glimpse into the future but proved to be illuminating, inspiring even.

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Ran into an old dancer friend from eons past…  we sat about chewing the fat – and god was there much to chew at…  I riotously laughed out loud when he said, “My god who knew you had this rich inner life going down back when I knew you… you just seemed so removed, remote even, from it all…”  Indeed, sometimes it seems – at least back then – it is best to just keep quiet and not engage in the Maya.  As there are never lies in dreams, it seemed an utter waste of time to bother engaging far too many persons met along the way back there. It was a surprise to me in late teens when I discovered that not everyone dreamt with the same élan as do I.  Then again, who wants to be burnt at the stake – at least socially.  Too, persons can be so terribly insensitive and quick to judge…  Either way, it was good to hang out and meet up with an old friend.  Funny though how things turned out for many, ultimately it proved no surprise.  Then again who gives a rat’s arse and as Sweet Brown so succinctly stated, “Ain’t nobody got time for that!”

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Photo: Merlin in Montréal opening night play he directed at Centaur Theatre, late 1970s.  

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© 2013-2025 Arvin da Brgha.  All Rights Reserved.

Sequential Dreams of Winged, Simian Mammalian Extra-Humans.

Image

I was in a house at night time and in a bedroom that was upstairs.  It was really a lot like the house at 122 Mortimer Avenue but wasn’t that house.

It also seemed like Amie Tothmanner’s house at Farm’s Site, Sandy Point, St. Kitts.  The old sprawling bungalow was elevated off the street in the front.

Isis da Braga hurriedly came to me and told me that she had seen some extra-humans outside.  She was somewhat panicked but I told her not to be upset.  By the news of extra-humans, I was really calmed and warmed.

I got up and was really excited but not on the verge of panic.  We went back to the rear of the house and looked out.  Just then, there was a beautiful rain downpour.  The rain was just so heavy and so gorgeous.

I stood there drinking in the rain’s healing beauty.  I loved listening to it and in time I was enraptured.  It was rather grey and balmy.  We waited and waited as the rains fell.  It was, indeed, really nice.

She then began giving me a description of what the extra-humans looked like.  They were Black she had said.

Later, after the rainfall, I went out to the street to head up towards Crab Hill and our house.  It was then that I had encountered a lone extra-human in the street.

The EH was across from Amie Tothmanner’s and between Adam Procopp’s and the Sandy Point Public Market.  They were of a different species from the ones that had evolved here on Earth.

Our souls had chosen to evolve here from simian mammals.  However, that group of souls had chosen a totally different species into which to have incarnated and evolve.

Nonetheless, they were also simian mammalians.  They had large, large, beautiful soulful eyes which bespoke the fact that they had been evolving in that race millions of years longer than we had here, on Earth, in the race of simian mammals chosen in excess of four million years ago.

They were a very ancient, very aged race.  They also had mouths that were O-shaped and, when they spoke, it took a bit of getting used to the mechanics of their speech.  Basically, their mouths worked vertically as opposed to our horizontally familiar arrangement – thus making them O-shaped.

The faces were extremely tiny and delicate-looking.  These people were also very short – between 4.5 and 5.0 feet tall – and thus appeared very squat.  Their torsos were very thick; barrel-chested, this made them appear even more so squat.

Their limbs, however, were very long and rakish.  The legs were very skinny and set wide apart, at the top, in their unusually wide hips.  These soulful extra-humans did not wear clothes.

The extra-human stood there perfectly naked and not the least bit self-conscious.  Their skin was so very dark and rich that it did not matter that they were naked.

There were also no genitals discernible because, up past labiate folds, both men and women had their sex hidden.  It was also customary, I had intuited, for both males and females to have changed their sex during the course of the life experience.

This was a process as natural as pubescence but which occurred later in the life experience for them.  This sex change by the way occurred at least once.

When the males of that species became aroused then their impressive sex descended past their extensive labiate folds.  I saw all this, as I had intuited, in a rapidly progressive inner vision.  It was very interesting.

A great deal of space sat at the top of the legs, in both sexes, which was really unisexed when you think of it.  The arms and legs were disproportionately long and sported a lot of cable-like veins.

The arms and legs were very thin and so birdlike that it actually looked like they had suffered rigor mortis and had lost all the fluids in their limbs.  Very dried-up-looking, ancient and parched, they looked, as though they were a desert-dwelling people.

They looked as though no moisture had ever touched their skin.  Very, very interesting arrangement their life experience was.

One other thing about these extra-human persons was the fact that they could, at will, grow these wonderful gossamer wings.  Just like a spider could produce web, at will, so too could they have created a web-like wing which they could also use for transportation means.

They, too, could unfold these silken gossamer-looking wings.  They unfolded from their wrists, up to their armpits then down again, all the way down to their squat-torsoed, broad hips.

Immediately on having seen the wings unfold, I realised the purpose for such squat, barrel-chested torsos.  I also realised then that their thin-boned limbs were not unlike a bird’s – they simply had no feathers.

They would simply hunch their broad, bony shoulders placing the arms by their sides and begin secreting this temporary wing system.  It came, on closer inner-visioned inspection, from these labiate folds.

The fold system extended the length of the inside of their arms from the wrist, to the armpits then down the torso, to just above the wide hips.  I was able to get this inner vision because it was being telepathically shared with me by the very soulfully warm, male extra-human.

Using this secreted membrane, the otherworldly simian mammals were thus able to fly.  Here in the dreamtime, this was a truly remarkable discovery to have made.

I instinctively knew why they were there in the dreamtime.  I knew that they were not come to Earth to interfere with anybody.

“Isis, this is a dream.  They are here, in the dreamtime, just like I travel to different worlds.  So too can they travel, in the dreamtime, here from another world.”

Thus I was very accommodating to this extra-human.  I was very friendly and nice to him by opening both my arms, lowered, in a wide-open embrace and poured a ton of love from my solar plexus and directed it right into him.

I telepathically explained to him, as he had communicated with me, that I knew that he was here because he had travelled in a dream.  He understood and accepted my Love.

I told him that I too had been to other worlds myself.  I assured him that he was quite welcome to be here on Earth and that I hoped he had a good time whilst here.

I was being an ambassador to him.  He really did appreciate the warmth that I had extended him.  I continued on and told him that he should have no trouble being here.  I told him that it would be reasonable to expect some people to be afraid at the sight of him.

However, I reminded him that he was at an advantage because he could always take flight with his gossamer wings.  I knew full well that, even though this was the dreamtime, most Earthlings encountered therein are so somnambulant when awake in the waking state that they then progressed into the dreamtime just as asleep.

Thus they could not have been expected to know that, whilst in the dreamtime, they too had the capacity to fly at will.  He could easily escape from these people, if they were to grow fearful and were to try and upset him.  

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The preceding dream occurred, on Sunday, November 25, 1990, whilst the Moon transited both Aquarius and my ninth house.  This dream is one which I refer to as a starfaring dream because it involved a dream encounter with an ensouled creature of reason, an extra-human individual, who was visiting Earth during the dreamtime. 

As there are only two forces in the universe, there are therefore only one of two ways to perceive any and everything.  There is also only one of two ways to respond to one’s perceptions: either from a place of love or from a place of fear. 

These two forces, love and fear, are the two constants which span time and space and which resonate throughout the cosmos.  Since I was fully lucid and self-aware in this dream, I fully accepted that the being encountered was ensouled and an extra-human who was visiting Earth.  

Why should he not have been visiting Earth, much as I do visit other worlds, through the expediency of the dreamtime?  I chose to both perceive and interact, with the extra-human visiting Earth’s astral plane, from a place of love. 

Of course, for having taken the long lonely journey with Merlin, I was thereafter in a state of harmony for learning the greatest of lessons – human compassion.  Had it not been for what Merlin and I had achieved together, during the long eighteen months of his end-of-life illness, I could not have responded to the extra-human in the dreamtime as I did. 

I related to him exactly as I would have wanted to be, both perceived and engaged, were I an extra-human in his world’s astral plane experienced during the dreamtime’s expediency.  The dreamtime has the ability to afford one a range and depth of experiences which can be had by no other means. 

For having been both loving, open and accepting of the extra-human visitor in the dreamtime, as the next dream reveals, I was able to visit with this extra-human’s species on their nascent home planet.  It was one of the most beautiful and lucid dream experiences ever had. 

The following starfaring dream occurred in exquisite and ecstatic lucidity, on Saturday, December 29, 1990, whilst the Moon transited both Gemini and my first house.  This dream was a complement to the preceding dream and resulted after my having been open, compassionate and loving towards the visiting extra-human.  It was sequential dream which was born of the dream encounter with the extra-human in the dream streets of Sandy Point, St. Kitts a month earlier.  

The following dream visitation deftly illustrates that to give of self, to be open, to be accepting and acting of love is the portal to a more enriched life experience.  

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I found myself very lucidly awakened in a very strange world.  I was very high up on a canyon wall.  On the left side of the entrance, to be exact, to the canyon was I.

There was a metropolis way down inside the abyss of the canyon.  Inside, it was easily in excess of five miles deep – much deeper than anything we have here on Earth.

In the bottom of the abyss, at the centre, was a mount which itself was quite tall but from these heights seemed otherwise.  What it was like, in fact, was an inverted Machu Pichu because on this mount’s towering peak was a wonderful old metropolis.

This beautiful complex metropolis was still very much so alive.  Down to the left, down in the far section, was a beautiful, long landing strip.  This entrance to the canyonned metropolis, way at the top, was not very wide.

At least from afar, it looked that way.  The scale here was so much more massive than anything comparable on Earth that it did take awhile to figure it all out.

There were planes which did come into the canyonned metropolis.  They were not like planes as we know them here on Earth.  There was one that was approaching to land.  It was silver and more than a block long – rather impressive.

It had a wingspan that was not unlike a Concorde’s but it was much more extensive and began further to the rear of the craft.  Making it seem sentient in that sense, this jetliner was going very, very slowly.

Rather than air, it appeared to be moving through a densely aqueous medium.  It seemed like a whale that was just leisurely cruising.  It was very, very majestic.

However, one did get the sense that this craft had the capacity to do faster-than-light speeds.  More than that, the craft very well could possibly travel intergalactically or interdimensionally.

There were, as well, other kinds of planes.  As though made of cellophane, they had wings that were seemingly transparent.  Some were like a dragonfly’s wings, they were also double-winged, not unlike some of the earlier aeroplanes that did combat duty during World Wars I and II.

These wings were whirring, actually creature-like, flapping so rapidly that they almost seemed not to have been moving.  This was how these planes propelled themselves rather than by using propeller systems.

What was interesting about this was that there was some sort of wind disturbance in the canyon.  This was what presently prevented the planes from properly approaching to land.

Even though it was very large because it was still a confined space – canyonned – the canyon was closed off at the other end.  Thus the wind currents that came in, deep down inside, made it possible for the planes to move quite slowly and as if at will gently riding the air currents circling all the way down to safely land.

As that location of the near-sealed canyon best facilitated liftoffs and landings, the landing strips were off in that corner.  Deep inside the canyon, the trapped winds always circulated in a set pattern and rotated always in the same direction.

However, here in this dream, it was dark and moist.  The sky, which was very distantly removed, was overcast.  The entrance was wide but from the distance, as I had made my approach in flight, did not at all seem that way.

My approach was in a small, glass-fronted space shuttle that could easily have been an interstellar craft.  It was not unlike the space shuttle I took with Pandora da Braga in that interstellar flight, on September 9, 1989.

On arriving, the entrance was actually quite wide.  It was colossal, in fact, and could easily have accommodated the Concorde-like craft that I had seen way down below.  The entrance was a few blocks wide but from afar it did not seem so at all.

This very impressive entrance, to the canyon, was in excess of twenty storeys probably closer to fifty.  To get to this entrance, I had been travelling in a little gorge which seemed very deep.

There it was very lush, wet and a riotous tropical forest.  Lots of impressively massive arboreal species were present there.  Very intensely alive and richly hued, of various tonalities, were the arboreal gems.

However, that was not even the half of it.  As soon as one cleared the seemingly narrow entrance to the canyon, one was posited into this beautifully breathtaking panorama of the canyonned Metropolis.

It was a drop that was miles and miles down to the seemingly tiny, little mount, with the Machu Pichu-like metropolis, which was very much so alive and occupied.

Here the race of sentient beings was dark-skinned and long-haired.  They were jet-black-haired like the Amerindians of Machu Pichu.  These, however, were a very, very black-skinned and tiny people in stature.

This was very much so a living civilisation.  As we had approached, I noticed that on either side of the colossal entrance to the canyon was a boulevard of stately landscaped trees.

The canyon’s rock face was quite carved out with a lot of architectural leitmotifs.  There were hieroglyphs as in Egypt but in an altogether different sensibility.

The sweep of the architecture was very organic.  As if massively pressurised and moved during glacial activity, it was essentially the multi-millennial motion of stone.

It was the capture of the perpetual, timeless slow movement of stone which, somehow, this august civilisation had managed to have captured and quite ingeniously so.  For looking at this architecture, one had a sense of movement.

All in one inspiring movement, it was very magnetic, gravitationally-oppressive and groundingly uplifting.  In fact, this movement was still discernible in the lines of the architecture.

One had the sense of this architecturally being more so along the lines of Antoni Gaud토in a Gaian reference.

Next I was outside of the craft, on the left bank or chasm of the canyon.  It proved, in fact, to have been the left wall of the canyon.  I had looked to my left where the stone was grey but, somehow, it seemed to have been that colour because it was reflecting the clouds in the sky.

Here it was very windy, wet and very turbulent.  This was why, in fact, I had gotten out of the craft that I was in.  The craft had circled a couple of times but we weren’t able to land.

There were some other travellers, aboard the shuttle craft with me, none of whom I knew or recognised.  Thus we had been dropped off, up near the entrance, to wait out the turbulent windstorm which was definitely not a rainstorm.

I had managed my way onto this little ledge and noticed, more closely, that the rock was inordinately sculpted.  There were lots of intricate architectural designs, even here at this nondescript-seeming ledge, which was a mere outcropping in the canyon wall.

At this intimate proximity to the architecture, there was a greater sense of the sweeping motion of this rock.  It was not just intricate curved architectural shapes that were simply vertical or arrested as in classical Greek or Roman architecture.

This was, in fact, even beyond the aliveness of Gothic architecture in its superior spirituality.  It was truly living art.  It was Gaudí-like but more than Antoni Gaudí’s style.

It would seem that Antoni Gaudí was, in the dreamtime or at a deeper level of the soul from past reincarnational cycles, impressed by this living architectural style.

Antoni Gaudí was impressed by this style but what he was able to have realised, in this dimension’s waking state, was a feeble emulation of this style’s superior refinement and movement.

Nonetheless, at least Antoni Gaudí was able to have developed or bring forth these ideas and moved them along parallel to similar lines here on Earth.

This was clearly in a different dimension so that it was more alive than Antoni Gaudí’s creative genius has realised.  It was simply living architecture.

On having precariously found myself out on a limb, as it were, I began growing fearful.  I had noticed that the reason why we couldn’t have landed was because of the very turbulent storm, which churned at breakneck violent speeds, dizzying miles way below at the mount’s peak and even further below that.

It turned out that because there was nothing but wind currents in this canyon, the civilisation was subjected – from time to time – to these incredible windstorms.  During these times of great turbulence, it was impossible to have gotten out.

Luckily a man came along and came to my rescue.  He had been part of the travelling party with which I had arrived.  Although I can’t now recall his race whether human or not, however, if he had been then I am certain that he was White.

He was ridiculously tall and Nordic and decidedly hyper-hirsute, on the arms, which I had noticed as he had reached out to me.   Not unlike the claims of the Nordics, extra-humans who currently frequent Earth, was he.

There were some persons aboard this craft who did not fit either the human or this civilisation’s notion of the familiar native beau idéal.  In other words, this was a very cosmopolitan, interstellar travelling party.

He was an older man who was tall, lean, rakish and very noble of spirit.  When extending his hand to me, he had sought to draw me away from making a mess of things.  For having noticed the violent storm way below, I had become focussed on my fears.

He was concerned about me for having been seated alone out on the tiny ledge of outcropping rock.  Even at this level, so high up, it was already getting increasingly windy.

There were constant gusts of wind, out of the cavernous canyon, making their way up.  These winds only kept on getting more and more powerful.

It was actually possible to see the currents’ advancing ascent because of the way that they barrelled over all the signs of life in their path.

Though this was a barren-walled canyon, on which the civilisation was principally centred, the mount was covered with lush vegetation.  There, it was very terraced and beautifully landscaped.

All around the mount, which was sunken in an inner gorge, were mountains with lush vegetation and they towered even higher than the central Machu Pichu-like peak.

It was this encircling mountain range that concavely sloped up about the central peak, to eventually meet the sheer rock face of the canyon, which had served as the agricultural belt of the civilisation.

It was a totally self-perpetuating biospheric system.  The plant life, on the encircling mountain range, was a very lush rainforest that was always mist-shrouded which teamed with dense, self-perpetuating life.

In essence, it was the lungs of the civilisation.  The mountain plants provided all the fresh oxygen that the entrapped metropolis, buried way below in the belly of the canyon, so desperately needed.  This organic encircling mountain range was what kept the air, in the canyon, from becoming dead and stale.

It recycled the air at those depths and kept the civilisation and its extra-humans alive.  It was a warm, moist, very humid rainforest.  This was a very healthy, densely oxygenated, clean civilisation.  Very organic and in tune with nature was this place.

It was a temperate humidity with a fine spray of mist that was humid and as cool as, I suspect from what I have heard, Hong Kong is in its cooler months.

All the way along, above the vegetation line where the encircling mountains sloped outward to join the rock face, I noticed a series of wonderful portals that seemed haphazardly placed.

They were these O-shaped openings which led inside to the living quarters of this civilisation’s citizens.  Just before crawling into one and to safety with the extra-tall, White extra-human male’s kindly help, I had noticed this.

They were a different species altogether.  These portals were quite unique in design.  They had the same swirling sense of motion to them as the rock face and architecture.  They were opal-shaped with some larger than others.

These were incredibly beautiful yet simple abodes.  They were as if an air bubble that had been halved, when someone had archeologically sliced through the rock, creating the canyonned wall.

Thus the portals had created the effect of air bubbles, in motion, in any direction that the rock’s pressurised motion had taken them.  There was a lot of bas relief around the portals to the abodes’ entrances.

The face of the canyon was brown-to-grey-coloured and very much so totally, architecturally designed.  What was very interesting here was that, when the man who had come and given me a hand as I had been clinging on terror-struck onto the large sculptural stone pillar, those pillars were much like those oversized pillars in the film Legend, starring, Tom Cruise.

He had guided me around two pillars that were similar to those in the aforementioned film.  As I had been quite close to falling and perishing, cause for concern was understandable.

At the time I had thought,

‘My god, what if I fall?  I am not like the citizens here in this civilisation of their dimension.’

This, I thought, even though lucidly aware that I was dreaming and therefore imbued with the ability to fly in the dreamtime.  The fact is that these citizens, though simian-stocked like we humans are, were shorter extra-humans.

It was the same extra-humans race, one of whom I encountered in the streets of Crab Hill, Sandy Point, St. Kitts, in the interspecies, starfaring dream encounter on November 25, 1990, which inhabited this far-off civilisation to which I have starfared.

As a result, here was I paying a visit to the home world from which that dreaming, spacefaring extra-human had originated.  It was as though, for having been accepting of this interdimensional, ensouled dream traveller, I was then welcome and open to have made the transit to his dimension and reciprocally experience his world.

Indeed, the simple eloquence of causality validated here.  For having lovingly accepted this visitor’s soul quality, I would have the universe repay me with a voyage to his home world’s richness of spirit.  This world seemed to be situated in another dimension.

Perhaps, it may even have been here on this particular planet in another time.  Perhaps, this extra-human civilisation predated us – here on Earth – by some three million years or one and one half million years ago.

It was, however, an evolutionary path along which humanity branched off or one in which humanity exists pursuing a probable reality – one wherein we have the capacity of flight.  Here was I enjoying a visitation dream to this wonderful lush, lush world of theirs.

Merely all that the people had to do, who lived in these portalled abodes in the canyon wall, was leap from the portal entrance of their caved dwellings to take flight.  As a result of the constant wind currents, inside the partially sealed canyon, they were able to ride the circulating wind currents down to the rest of the canyon-city below.

For that matter, they could just as easily ride these wind currents, back up to their dwellings in the canyon wall.  It would not have been difficult for them to have ascended from the metropolis mount way down in the canyon.

They simply glided when in flight, for the most part, since the winds here were so heavy and controlled.  When they wanted to ride a particular wind current, however, they would have to energetically flap their wings to get into the groove of the particular current.

There was a great sense of beauty to these creatures as they were constantly gliding when in flight.  Wherever you looked, there were extra-human persons effortlessly gliding through the air in winged flight.

The air currents that circled on the periphery of the canyon were the cooler currents.  Those air currents were exclusively used when descending from the dwelling portals down to the mount, the valley and agricultural encircling mountains below.

Near the centre, above the agrimountains and the central Machu Pichu-like mount, the heats generated enabled the winged simians to ascend and circle upwards – like soulful eagles coasting upwards in circling flight – en route back to their portalled canyon dwellings.

They were simply majestic, when in flight, like a race of ensouled cranes.  Each much resembled an eagle, with its wings spread, slowly soaring through the air.

There was such beauty to their movement for it was so slow, timeless and graceful.  You could keenly sense them navigating their way through the crosscurrents and constantly measuring the wind currents.

Going up was simply beautiful because all they would have to do was arch their backs.  With wings not fully extended, pulled forward towards and ahead of them, they would ride one of the warm air currents.  They would be arched up and back.  It was simply incredible to have witnessed this.

There was such utter beauty to their graceful lives.  I was simply inspired and moved beyond belief.

At the entrance to the canyon, there was always a fierce, cool wind current that came in off the lush, canopied rainforest.  It then spilled into the canyon and fell, immediately circling the periphery of the near-circular canyon on its way to the bottom.

It was interesting to fathom how these wind currents were used.  If one wanted to get to the very built-up metropolis, at the peak of the Machu Pichu-like mount, one had to ride the winds down further than the top of the peak.

One then moved away from the periphery of the canyon, which at that level was the sloped up encircling mountain range, thereby entering the warm updraughts.  Thus one was then able to soar one’s way back up towards the central mount’s peak or anywhere on its incline to the top.

Conversely, when returning from the peak way below to one’s portalled dwelling in the rock face, one rode the warm currents for considerably higher than the level of the portal to the desired dwelling.  Then, as below, the shift was made circling outwards to catch the downward circulation of cooler winds.

Thus one got down to the desired portal on the periphery of the counterbalanced wind currents.  This was a truly marvellous and orderly mode of travelling.  Everywhere that one looked, there were innumerable winged extra-humans gracefully circling.  They were either going upwards or flying downwards.

Looking down to the canyon floor below, I could see the effects of the turbulent storms from the way trees on the central mount and mountains were being swayed and effortlessly snapped.  This awareness arrived at after having noticed that, all of a sudden, there were not as many of the winged simians flying through the air.

It was a really violent storm that heavily imprinted on the lush rainforest way below.  At one point, looking down, I got the thrill of my life on seeing this particular giant mango tree.

I was immediately energised by it.  It so reminded me of the mango tree that I had planted.  It made me wonder if, in fact, this experience was not inspired by that wonderful act of selfless sharing that had moved me to have planted that mango seed from Nevis which resulted in the mango tree.

It was quite beautiful to have seen and it proved rather calming in the process.  These extra-human little men kept their long black hair tied back in ponytails – both males and females actually.

The women carried their young on their backs during flight.  It would seem, from the commonality, that they bore twins each pregnancy.  There was a lot of screaming and screeching – their screeching, interestingly, sounded like that of birds of prey rather than a humanoid register.

Rather high-pitched were their cries.  This was the case for both sexes.  The screams occurred when, sometimes down close to the canyon’s bottom, they would be caught in a violent gust and sent crashing through the air.  The winds, during this storm, were very, very turbulent.

They never did crash to the ground but the initial displacement elicited the piercing screams.  They would then quickly recover after a sudden drop of a few hundred feet.  Then again, this could very well have been a form of sport to ride the stormy winds – akin to surfing the waves during a hurricane.

This was the initial reason why I had become terrified because, on having witnessed this, I had suddenly become aware of my own vulnerability.  Although I knew that it was a dream and I therefore could fly, I was still afraid to have possibly found myself caught in one of those violent gusts that slapped one into an air pocket.

I had freaked out when thinking that it was soon enough going to happen, up here at these heights, yet here was I without wings.  If I were to have attempted to fly, this undoubtedly meant that I would crash to the ground.

It was at that point that, as my fears were unwittingly telepathically projected, the unusually tall, White extra-human male had come and lovingly extended me his hand.

The height of this man suggested that, although he looked human-enough, he just may have been like all others aboard the arriving shuttle not human but an extra-human.

He had courageously taken me by the hand, around the corner of the massive stone pillars, to the safety of one of the many portalled abodes’ interior.

On entering, it was as though you were inside a building.  The cave immediately sloped down with the cool stone wall concavely carved out to the floor that was some feet below.  There was a gangplank walkway, directly from the perpetually open portal, to the main floor sunken a bit lower than the entrance.

This feature was so that when the perpetually cool winds entered the portal they would then, following the line of the sloping interior, fall into this deep trough that encircled the entire parametres of the dwelling.

Somehow, the wind would then be used here, to create circulation and was recycled inside the dwelling.  All throughout, the walls of the dwelling as well as down in the trough, there were tiny swirling-looking portals in the rock which allowed for the winds to be released.

Excess cool winds from unusually strong winds entering, like at present during one of the canyonned metropolis’s fierce storms, were readily dispersed through the tiny swirling-looking rock portals.  In this way, you would never have the dwelling inundated by gale force gusts.

This was a very, very intelligently evolved civilisation whose dwellings were very intelligently, functionally designed.  It made such perfect sense, on entering, to have seen the trough system.

This was again repeated, at the centre of the circular dwelling, such that you had the creation of counter circulating wind currents indoors as outside in the canyonned civilisation.  This was so revolutionary – practicality and functionality perfectly harmonised.

There was a central column on the inside of the dwelling thus making it tepee-like or tent-like, if you like, though it was a pure rock interior.  In this particular dwelling whoever the host family was I did not see.

The extra-human man, who had extended his arm to me, was very much wrinkled and very, very skeletal.  He was much like that race of people was.  I knew it was the same extra-human race as I had encountered, a month earlier, in the dream streets of Sandy Point, St. Kitts.

However, I never did have a face-to-face encounter in this dream as in the first encounter weeks earlier.  Nonetheless, I was able to recognise this EH species from the earlier dream.

During the dream, I had total refamiliarisation with the dream – on November 25, 1990 – a month earlier.  I was warmed by the remembrance of the lone extra-human’s soulful warm eyes of a month earlier.

Though this was not the case during the course of the dream, I had the sense that from time to time – either seasonally or at controlled times – a mighty river was allowed to enter the canyon by way of the entrance that I had used when in the shuttle craft.

The waterfall would be quite massive and would fall the five-if-not-more miles to the slopes below that formed the civilisation’s agricultural belt.  I can’t imagine how beautifully thunderous the sounds of such a towering waterfall would be.  This was a truly magical world.

The waterfall would provide added moisture and a fresh clean source of water for the entire canyonned civilisation.  I would imagine that during the waterfall the mist it created also would generate temporary cloud systems within the canyon.

This was a most beautiful civilisation.

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Photo: Machu Pichu, Peru.

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