Pluto in Capricorn and in Opposition – Pandemic and Retribution.

Last February as I made my way by subway to the Four Seasons Centre for the Performing arts, the season’s latest opera was on that night – of course, what I then did not know, was that the rest of the opera season would eventually be cancelled – the most jarring thing occurred. A young Amerindian male with the glossiest black mane, took two steps back on the TTC train platform and dropped his black gym bag. “Are you fucking talking to me? No bitch, I’m talking to you! Did I invite you into my country?” The rage and the booming power of his voice was arresting. The tall effete Caucasian male tried brushing him off as though he were so much raped and abandoned non-whitedom. Before I knew what next, The five-foot-nothing, proud Amerindian punched his adversary square in his girly man face. Crying out like a right candy-arsed sissy, the Caucasian weakly protested, all whilst rushing backwards. My proud Amerindian brother was just getting started. Of course, I, who have grown soft for making peace with being a black male in this racially suffocating society, cried out when the first punch landed. Bam, another punch to the face as the much shorter warrior defended his land, his people, pride and history. “Yeah you, did I fucking invite you to my country?” and another blow. Bloodied and cowering, the all-mouth, cowardly closet cocksucker was resoundingly handed his arse and put in his rightful place.

The opera, Hansel & Gretel, was beautifully staged – set in the stark isolation of Toronto condo living. I was, though, never fully engaged as I spent the next several days readjusting to having had that young warrior shaman heal my spirit by his very proud actions and the conviction of his words. The next several days, I kept returning to the incident with the proud Amerindian. My reaction at the time had stunned me and in hindsight, I kept revisiting why I chose to be so upset at the attack on the arrogant male, who was being pummelled. He had taunted and dismissed the Amerindian male – a socially aggressive behaviour from whites with which one was long familiar. I realised that so many times in situations as then, we as blacks are programmed to sublimate and ‘take it’ rather than defending oneself from the hideous ugliness of the spiritually stunted.

Then something quite remarkable happened, the murderous lynching of George Floyd in callously stark veracity that cell phone ubiquity has afforded in the modern age. The event was seismic; the raw brutality of the racial predator on the hunt was so glaring, so jarring that it set ablaze protests across the planet. Indeed, the cell phone, like the beating of Rodney King, has been able to capture the ugliness that is whiteness which prior to, meant that one could lie away and grin away with exquisite triumphant glee, fucking with the enemy – an enemy on whom one preys never having been preyed on by that enemy. Slowly, the exoskeleton with which one straitjackets oneself in order to make peace and to be a black man peacefully making it through one day to the next, began losing its grip.

Scenes like in the early days of lockdown 2020, I was in line at Pusateri’s at Yorkville Avenue and Bay Street to pick up a couple of bottles of VOSS water. Old, ugly as fuck, the woman in line ahead of me turned around and began screaming at the top of her hateful lungs in a scene that could easily have been played by her in South Africa. She demanded that I get the hell away from her because I was clearly not practising proper social distancing and remaining more than two metres apart. Of course, this had nothing to do with the coronavirus pandemic but everything to do with her seizing an opportunity to be a hate-filled racist boor. As much as I wanted to readily turn rapaciously vituperative and tell her to try 2 metres below ground; instead, I took two operatic steps back and coolly and eloquently boomed with scathing condescension, “Look at you! On your hind legs and everything! Seriously though…” With that, after having laughed a vulgar dismissive breath, I impatiently strode to the back of the line to be rid of the fugly parvenu boor. Everyone, staff and clients, froze. She, of course, squawked and grumbled as I focussed my discriminating attention to a conversation via Whatsapp video about dinner with my transitioning spouse at our art-filled home, who on the eve of Bob Marley’s birthday, two decades earlier, I wedded at Montréal’s Palais de Justice both decked in gold-threaded, crisp white linen Yoruba agbada with her a matching gele. As can be expected of cowardly fare, the anaemic-looking young couple now two metres in front of me, simply ignored the social dustup by hungrily face-fucking in their best escapist Bonobo turn. Naturally, the old harpy got from the line to kvetch to whomsofuckingever and when the cashier asked if I wanted a bag, I declined, telling her that I would rather be kind on the environment. Turning to leave the tightly spaced store, I paused and shot down her evil glare by raising both VOSS waters, one in each hand, and shouted, L’Chaim! That ought to have left her pissy knickers smelling louder on leaving the store.

Soon enough, the acts of racially predatory social aggression became more frequent and pronounced. There was the incident one cool morning where a hirsute covering of blond furred redhead stopped jogging in front of me, grabbed a hold of my bike’s handlebar and began screaming as though I were both blind and deaf as he demanded that I keep the hell off the sidewalk. It wasn’t enough that cell phones had exposed their murderous ugliness but as though to protest, whites have grown more emboldened with the affront of blacks and Black Lives Matter movement to demonstrate and demand change.

By early June last year, 2020, I had had enough, each morning on the ride to work through tony Rosedale, I was being accosted by various burghers of the beautifully tree-lined streets – then again, which Toronto residential neighbourhood street is not beautifully tree-lined. There was one Jew in particular, who caused me to go out and get the above bodycam. Each morning, as I am a creature of habit, he was in the habit of leaving the sidewalk to come into the middle of the street, approach as I bike-ride to pepper me with hideous racial slurs and demand that I keep the hell out of the neighbourhood. Good morning, Shithead! Good morning you black piece of shit. Get out of here! Finally, one morning, having quite had enough of him and his special brand of ugliness of spirit, I told him to go fuck himself to which he incredulously demanded at the top of his lungs, unlike his usually sotto voce delivered insults as he approached the bike, “Get back here! Get back here now! I’m talking to you. Come back here now!” The nerve of some people. That last incident occurred on a Friday and thank god for Jeff Bezos, by Monday, I had me a bodycam. So as my special kind of fugly, hairy back and arsed nuisance came bopping off the sidewalk, ready to be racial predatory white male asshole number 1 billion, 500 million and 99, he caught sight of my bodycam, lights on and all, and like the bipedal, über poilu Rottweiler-hybrid that he is, he readily retreated for the cover of the sidewalk. I have never seen him since and, of course, I had ignored everyone’s advice to take another route to work. What the fuck for? As I am born in the year of the Rat, I am no different to any other rat; we live firmly self-aware that rats fear no one.

A few months back in between spells of too much snow, I abandoned my bike and elected to take a ride. On the way home, as I go from job A to job B, I told the unibrowed, wild-eyed driver that I was in a bit of a hurry and would show him a shortcut to my place. He again said nothing, just as he hadn’t as I got into his ride and said hello. Though, I wore a colourful silk mask over the daily disposable N-95 mask, his shitty ride I swear, smelt like what no doubt just-fucked camel pussy does. Told to take a left off Yonge onto Roxborough, finally not surprised was I when he proved a short-tempered fuck whose pointy fingers on that wheel had me dismissing him as so much forgettable small-cocked fare. He barked rather than spoke that he followed the GPS, which had called out to make a left onto Crescent so many metres ahead south down Yonge Street. Thus, we ventured, clearly grudgingly for him, along Roxborough and as we approached, I announced that I wanted him to make a right turn onto Wrentham to Crescent. Immediately, the über-poilu beast, which made me think Ursa hybrid, stepped on the gas drove east past Wrentham, down the hill and pulled onto Mount Pleasant without so much as having looked left in the process. As it was rush hour, there would be no left turns south of Bloor along Jarvis which Mount Pleasant becomes before Gerrard Street East or possibly Shuter Street East. To be sure, I was more than a little bit pissed off when telling the inbred, short-fused jackass to turn off of Mount Pleasant, onto Elm and turn right at Sherbourne North as had been intended. “You fucking idiots, who the hell are you people to talk to anybody like you own something?” Then he violently broke the car, just north of South Drive and demanded that I get out of his car. Coolly, I got out and left the door open and when he swore at me and demanded I shut his fucking door now, I told him I thought I would do him a favour and air it out, seeing as how it stunk of camel… the camel-fucker did not, of course, get the insult. Readily, I pulled out my camera and told him, ‘yeah come out here and get some of this.’ He got out of his shitty little car, cut the beady eyes at me, slammed the door shut, told me and my people to go fuck ourselves to which I replied, “happy black history month to you, too…” By the time I got onto Sherbourne North, my Samsung S20 had died. Naturally, thanks to coronavirus, I had no cash and there was no way to call a cab or Uber. In this neck of the woods, a random taxi was a nonstarter.

Foreground Bloor & Parliament in St. James Town, to right distance, Yorkville, Centre distance, One Bloor East currently tallest condo at 76 storeys, at Yonge & Bloor, Centre mid-distance Sherbourne to Church (east to west) Upper Gay Village or more pretentiously south Yorkville (ha!).

Doggedly, I decided to simply walk it home, just as I got unto the Sherbourne Street bridge, I began experiencing an anxiety attack. Years earlier, I had witnessed someone leap from the Jacques Cartier bridge that spans the St. Lawrence in Montréal. Suddenly, out of nowhere as anxiety attacks tend to function, I was in the grips of crippling fear. I knew that there was no way that I could cross the bridge, even to try and make it back seemed a feat, there was a sudden desire to start running, which I knew that I could not do. A young Amerindian couple in the city, for the first time it turned out, crossed the bridged, going south on the west side – same as me. I explained my dilemma and asked if they would call me a cab. The proud warrior-looking man, barely into his 20s insisted that I simply conquer my fear by walking beside him and his beautiful girlfriend. I tried…. I wanted to. I could not, though, as I began shaking… just the sheer weight of why I was there in the first place simply for being black and asking the driver to take a preferred route – it all seemed so absurd, yet it is an indignity that one endures at every turn in a million ways every frigging day in this society. The warmest eyes winked at me as he smiled and the Beck taxi came up the bridge made a U-turn and the young warrior closed the door on me, wishing me well. Eventually, I got home late and when I was done job B where I fundraise in the arts and remain unrivalled, I wrote a detailed account of my ride with the bigot who kicked me from his car and was summarily refunded. As if Jazz the blasted motherfuck were invented by unibrowed, camel-fucking, hairy back-and-arsed dreck.

Days later, and still black history month, I was riding my bike through the wet streets of Rosedale where the snow melted fast after the latest snowfall. As I emerged onto Crescent Road from the footpath which Scrath becomes, to cross the bridge that spans Mount Pleasant Road, a white female in a black, skin-tight, jogging suit was way in back of a group of jogging white males whom I had seen with fair regularity. She was clearly not part of their group. Jogging in the street as she was, she moved to the side as I approached and then with the arrogance of the truly somnambulant, aggressively called after me in a tone that was both accusatory and possessive as I moved past, “Excuse me, where are you going?” That morning, I happened not to be wearing my bodycam as when I got downstairs, realised that the snow had sufficiently melted such that I could actually ride my bike rather than take a cab. Without so much as missing a beat, I broke hard and stood straddling my bike when reaching into the shallow depths of her sphinctered psyche, “I’m going to your house to fuck your man!” She stood there arrested, catatonic as my use of language was both vulgar, rapacious. “That’s right, I’m gonna hog-tie that fucking cocksucker of yours and fuck him good… Yeah, you wanna come watch? Come on!” Arrested in place, her eyes welled up as mine remained unflinchingly enraged, her lizard-thin upper lip actually trembling. With that, I resumed riding my bike to job A to which I was already running late. In this the age of Trump, some whites at every chance, turn racially predatory at the drop of a hat.

Then there are the casket fugitives; these blasted tiresome, overstayed boomers, who simply will not stop showing off and just crawl the fuck in their caskets. What other generation but boomers would find a new way to show-off in their smelly diapers and drug-wasted dotage? They, these lost souls forever hurrying about way off-piste, are ever bitching and at times raising their silly poles at me, demanding that I not ride on pathways but dismount and walk. Once confronted by a turkey-necked mannish boor, I leaned in and asked near-inaudibly, “Don’t you tire of breathing? Go on, go chill the fuck out in your casket”

And then November 3, 2020 turned into January 6, 2021 as that porcine pathological compulsive liar – America’s biggest loser and racist swine, finally left the stage with crooked tail between his fat thighs with the Eurotrash escort cum parvenu snob in tow. The cold-blooded murder of George Floyd, staged or simply instinctual racially predatory behaviour, like the big fat coward that he is, having miserably failed at leading and taking command of the pandemic, Trump latched on to the murder of George Floyd to win the vote. That’s right, it was all about not haemorrhaging the white vote; thus it became all about cops and law and order – all code language for white privilege and racist white supremacy. Well, it did not fucking work! Fuck you!

Not only did Trump fail to steal the vote by declaring Marshall law and leading an insurrection on the Capitol, he and his racist ilk’s poster boy for racially predatory murderous scum was convicted on all three counts. George Floyd’s murder occurred at the Pluto opposition in Capricorn and thus the past four hundred years of murderous racially predatory blood sport of blacks finally led to George being anointed as the One. That’s right, for the first time in 400 years, a cop has been found guilty of the murder of a black male. For blacks, America the past 400 years has been nothing but a giant game reserve where they are hunted with the arrogant impunity of police getting off time and again when murdering blacks. Let that sink in for a moment. America the land where whites can murder whilst dressed up in the hunting gear of the police uniform – all the while, other whites the world over perpetually on holiday having predatory sex with minors whilst everyone looks the other way. Thanks to his murder, and trophy-hunting racial predator Chauvin having been found guilty of murder, George Floyd became a martyr who has broken the long 400 year tradition of the justice system in America condoning the racially predatory murder of blacks at the hands of police. Pluto in Capricorn indeed. The hijacked American justice system where blacks are corralled to spike the profit margins for BlackRock shareholders… talk about genius, indeed.

Always… with every breath… it is quintessentially Jazz!

Recent ride through Rosedale because of whose venal classist/racist aggression, I have taken to wearing the bodycam. As ever, Jazz permeates my every breath; how could it not when my father’s first cousin, the recently deceased actor Cicely Tyson was wife of Jazz genius Miles Davis? A new friend with lots of past-life history, asked why I am always singing the same Jazz tune when cycling; it is a form of meditation, I shared, as I move from job A to job B. By vocalesing and singing a favourite Jazz tune, I am getting refocussed to the task next in hand – fundraising in the arts… at which I am damn good. In the above clip, at the 06:24 mark, one can clearly see the septuagenarian white female with bags in hand, walking north in the southbound bike lane. Likely she chose to do so to avoid being too close to persons on the kerb. Either way, her choice and no business of mine. Minutes as I got further down Sherbourne Street, at which point, I had stopped recording, as I was now going south in the northbound bike lane a total of 3 white female passing, violently yelled and called me every kind of asshole imaginable. White females are ten times more likely than white males to be verbally abusive in such situations; however, non-white, non-black males and females almost never engage in such predatory social aggression. The idea that I am going to time-waste by yelling at someone for simply going in the opposite direction of the usual flow of bike traffic in a given lane is beyond absurd. So fucking what? Last winter before getting the bodycam, there was a white male in early forties with about 4% body fat running north in the northbound bike lane along the Sherbourne Street bridge. As I approached at a leisurely pace, I could tell that he was wearing air buds and not wanting to surprise him simply rode pass saying and doing nothing. Shocked, though not surprised, was I when he upped his jogging pace and began running alongside on my right. Yelling as though a drill sergeant, he began calling me an asshole and demanded to know why I had not used my fucking bell when passing him. Not jogging on the kerb was he, nor was he jogging towards oncoming bike and vehicular traffic; yet, he and his perceptions had perceived me as being at fault for riding alongside and passing him without having given him warning of my approach. This world is overrun by truly blind assholes, very well-armed, truly blind assholes.

A few days ago as I hopped off my bike with time to kill between jobs A & B, I slipped into the reconstituted shrine to Canadian ice hockey which became the flagship store of Loblaws, another of the Weston family’s retail gems. On entering, there was a police officer just inside – a new pandemic feature. Tall, handsome and of South Pacific heritage, the male officer engagingly greeted me, willingly, I ambled over and he commended me on the bodycam. Said he, every person of colour ought to be wearing one; indeed, I agreed, it amazingly affords one peace of mind and a harassment free ride about town. He laughed when told of how hostile the burghers of Rosedale can be, adding that he was not surprised in the least at the account of in-your-face open bigotry.

With nimble vivacity me and my paniers whisked through the place, emerging minutes later with organic ginger, beautifully pungent organic turmeric, Ocean Spray’s Cran-Grape drink – this drink screams sugar is the drug y’all – and of course, the most exquisite cheddar cheese. Whether at tea, with pâté or dark chocolate, the President’s Choice (Loblaws house brand) aged 5 years crumbly cheddar cheese is as musky and satisfying as a full Moon night spent indulging rugged mansex in the moss-saturated bois of Vancouver’s Stanley Park. Slipping outside, as I loaded up my paniers on my trusty brown Schwinn Gateway, the four bottles of VOSS water made the paniers hard to close shut – larger than the VOSS available in Yorkville, who needs Pusateri’s and Yorkville’s parvenu pretentious bullshit anyway?

As ever, life is like a flying dream; if you look down, you’re fucked. Enjoy the ride and fear no one!

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©2013-2021 Arvin da Brgha. All Rights Reserved.

Otello: Race and the Arts.

 

 

After having pored through an interesting OperaCanada article that featured the opera Otello‘s lead, Russell Thomas, and a predictably snide review in The Star – look there is no black lobby in Canada, so one can always be expected to be as curt and dismissive of blacks at every turn; this is after all the culture where the obsession with Jazz is almost as fever-pitched as the predatory late-night runs of Klansmen with nooses at the ready – I comfortably settled into my usual ring three seat, next to trusty Lucian Mann-Chomedy and warmly awaited the magic that is theatre to unfold.  

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After a month that was not soon revisited, my mind was at times distracted by the dreck that one must at times endure in order to get by.  I thought of the heaviness in the air that the subject matter of the opera addressed; the quartet of retired ladies who usually chat about who has taken ill, moved to hospice or died since last they gathered, did a lot of coughing, sniffing and whispering.  And as these things are as predictable as flies on shit, sure enough, I heard one of them whisper, “Meghan Markle.”  Will these people ever just leave the damn woman alone and stop hunting her at every opportunity?  

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Otello, Verdi’s take on Shakespeare’s take on race relations did also from the row of retired and widowed ladies spirit the whisper of O. J. Simpson’s name.  Some things just never change… alas.  Indeed, at some moments as I looked at Otello onstage, I began to realise how we as a people are stigmatised and stereotypically projected onto.  I soon got greater insight to why Meghan, HRH Duchess of Sussex is so reviled.  Objectified, she as a black woman was only ever to have been nothing more than a bit of rough, a tryst.  

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Naturally, HRH Prince Henry, Duke of Sussex with his double sixness is seen as being readily taken advantage of and needed to be protected against the lascivious bit of rough who clearly conned her way into the royal family.  Born September 15, 1984, Henry born in the year of the rat has quite beautifully empathetic, compassionate numbers and with his double sixness is given to OCD behaviour as displayed by his need to fidget with his clothing – right hand inside his jacket et al.  Six people are awesome beings and Henry, a double six, is no exception.  15.9.1984 = 6.6.1 = 4.  

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With Otello, this projection of the black male as emotionally volatile, violent, easily manipulated has certainly proven an archetype that fits blind fools like Tiger Woods and O. J. Simpson to the letter.  Either way, it was uncomfortable to watch this production in places as it so mirrored the warped perception of a people by persons who question our humanity and who never seem able to perceive us beyond their generationally custodial perception of a people. 

Charter of Rights

Be that as it may, I so hungered to be removed from the morass through which I recently waded at the end of which, I dismissively remarked of yet another power-mad woman in the work place: “She certainly doesn’t look like a fucking horse for no good reason…  Oh please, it’s just a matter of time before she rots the fuck in hell, eating every pope’s arse!”  If you cannot take offence then don’t damn well give offence…  Honest to god, some women in the work place are nothing but dickless faggots addicted to creating drama for the sheer sport of it and simply because they are just so drunk with power… to say nothing of being bored out of their frigging minds.  Well, like a bowel movement, it did not take too long for me to sniff, flush and walk the fuck away from the BS,  

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This Desdemona was an earthy, warm, beautifully soulful portrayal of a wronged woman, a woman dominated by an insecure and deceived man.  This production was a beautiful sweeping affair; I especially loved the dark broody look of the sets that captured the essence of the human condition portrayed.  Indeed, it proved a good elixir after all the dross that I had recently endured in the work place.  

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During Otello‘s intermission, I received a forwarded Instagram post from an old dancer friend, which he labelled #everythingwasbeautifulattheballet.  Of course, it was a direct response to my last blog, which highlighted the intense isolation and racial animus that I experienced for two god fuck-all maudlin years in Winnipeg.  Yes, indeed, the world of art is saturated with lisping, bottom-feeding, small ‘b’ bigoted boors who see positively nothing remotely gauche about this sort of fare well into the 21st century.  

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On yet another too cold, rainy day, which proved all too reminiscent of Vancouver, I abandoned my art-filled lair in search of more inspiration the day after the opera.  I cannot quite recall a season in recent memory that has proven both so cold and rainy as this protracted winter.  

That’s right, the day before attending Otello, there was a break in the perpetual rains that gave way to snow and hail…  truly, the dog days of summer cannot get here fast enough.  As more of the city’s 19th century streetcar tracks were being ripped up and replaced so that the racket that is the TTC outdoor workers and the local constabulary can make a killing in overtime, it took close to 40 minutes on a bus for me and my fuck du jour to get from Yonge and Dundas to Dundas and McCaul.  

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My date, a lissom twenty-something with smoky hazel eyes, which were vaguely reminiscent of Merlin’s, was good company.  I had for the past several hours pummelled his prostate as his daddy issues were satisfied and my angst from work place tensions were nicely dispensed with.  We men when in our 20s can be so alarmingly insecure; I have often wondered how Merlin managed to stay with me during those angst-ridden and redundantly solipsistic years.  

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My date on exiting the Yayoi Kusama Infinity Room expressed chagrin at not having done magic mushrooms before leaving my place where incense and Jazz magically perfumed the air, intoxicating our spirits as we riotously fucked our way out of winter’s gnawing frigidity.  

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Without question, no trip to the AGO is completely inspiring without a visit to the galleries where the stellar art of Inuit artists are housed.  There are some real masterpieces in the AGO collection.  

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As it was the tail end of this exhibition and I still had not visited, I simply had to make it there.  Whilst walking along the long corridor to the start of the exhibition my fey-eyed beauty suggested that we take a break and go make out in a stall in the washrooms.  Fingers interlaced, I assured him that there was better intimacy to be had the sooner we got through the exhibition and hightailed it back to my place by Uber.  

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To my very discriminating eye, the moment I saw this verbose title, I fully expected to observe a show that was curated by too much extraneous fare and not enough impressionist art.  Tumescent and impatient, I had no time for reading, reading and reading more yada yada, all of which was to compensate for the lack of genuine, to say nothing of quality, impressionist art.  Just as well, I was growing achingly moist by the minute as both my energetic ectomorph and I hungered to be carnally consumed with each other… yet again.  

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This marvellous bronze fully captivated me; it would prove my favourite piece in the shoddily curated exhibition.  

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Highlights from a rather underwhelming show.   

Detail featuring two of the most beautiful creatures.  Their depiction is not the most masterfully executed but there is something rapturous about the look of the dogs as they ambled with their human companions on a journey which they had taken countless times before that made me stop and gaze overlong whilst being truly inspired.  

Detail of what for me proved sheer magnificence… the lighting is phenomenally executed.  

A masterpiece to be sure; however, where it was hung and the palette of the salon were decidedly inappropriate.  This was all I needed to see to finally wink the left eye at my horny power bottom and to speed home by Uber in the rain for noisy, exhausting, passionate play.  

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As ever, for your ongoing support I am both deeply grateful and indebted.  Sweet dreams and don’t you ever forget to push off and start flying because life is a most beautiful drink.  Cheers! 

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© 2013-2020 Arvin da Brgha.  All Rights Reserved.  

Here’s to You!

Just a wee glimpse into my magical life where dreamquests are all begun in the groovy comfort of my collapsible pyramid.  I have had a pyramid since 1984 in one form or another.  This incarnation of my dream chamber, I rather love.  Being surrounded by art is about being greatly inspired.  

Happy New Year!  Thanks for your ongoing support and here’s wishing you the very best this year!  Sweet dreams as ever! 

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©2013-2020 Arvin da Brgha.  All Rights Reserved.

Blue Flower Plumed Owl.

Blue Flower Plumed Owl 2008 20 x 26

Ink, Coloured Pencil

20 x 26 Inches

© 2008 Kenojuak Ashevak

http://www.spiritwrestler.com/catalog/index.php

What I especially love about this Kenojuak is that the forward facing wings’ lines are evocative of West African masks’ aesthetics.

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© 2013-2020 Arvin da Brgha.  All Rights Reserved.

Owl’s Bouquet.

Stonecut, Stencil 24.5 x 30.25 Inches Edition of 50 © 2007 Kenojuak Ashevak Happy Birthday Canada! For me, it doesn’t get any more Canadian than Kenojuak. Her overleaves to follow: Ashevak, Kenojuak 3/10/27 + 8/1/13 Baffin Island This creative fragment is a fourth level old artisan. Kenojuak is in the perseverance mode with a goal […]

Ravens Entwined.

Lithograph 57 x 76.3 cm Edition: 100 © 2004 Kenojuak Ashevak Provenance: 62/100 Art collection Arvin da Braga. 50th birthday gift from art dealer friend!  A true treasure. _______________________________________________________________________________ _______________________________________________________________________________ © 2013-2020 Arvin da Brgha.  All Rights Reserved.

Primal Exchange.

Serigraph 22 x 27.5 Inches Edition: 50 © 2011 Kenojuak Ashevak Provenance: 39/50 Art collection of Arvin da Braga Without doubt, it is always good to have piece in one’s collection that differs from the norm for which that artist is known. __________________________________________________________________________ ___________________________________________________________________________ © 2013-2020 Arvin da Brgha.  All Rights Reserved.