Shopping @ British Museum.

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On the occasion of HRH Prince Charles, Prince of Wales’ 70th birthday, the sunrise was the most glorious display of apricot orange, manseport orange and blood orange tonalities.  So ravishing was it that I had to get up from the breakfast table in the hotel and take a few shots, threw them up onto Instagram feed, where other Londoners whom I follow also featured the glorious sunrise.  

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HRH Prince Charles, Prince of Wales by Ralph Heimans,  Charles @ 70.

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Charles en famille… beautiful.  

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HRH Prince Charles, Prince of Wales @ 70.  

Though the plan this day was to go out to Richmond and visit Hampton Court Palace, as I had develop not one but two blisters – one per foot – I decided to postpone it until the weekend.  

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I always love the look of this stately edifice that looks as though it would be right at home in India, I turned and took a few shots as I entered Russell Square park.  

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Lovely, what was even more glorious was the sound of leaves sounding like crisp, ruffled bedding as I confidently strode through the park.  

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Though in the upper teens, I enjoyed the sight of four guys in their late 20s rushing through this fountain in Russell Square; the water must have been freezing.  They certainly appeared to be having great fun.  

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Yes, I was come to pass yet another glorious visit at The British Museum.  With each visit, there is always some new discovery.  Walking along, en route to the gift shop, I was stopped by a man named Felix; he complimented me on my Dorothy Grant messenger bag and as we began speaking, I soon recalled a dream had more than two decades earlier when then living in Vancouver. 

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Felix was the subject of the dream and twenty-three years earlier, I had been the one to walk up from behind and stop him, engaging him in conversation.  As you never want to come off sounding like you are on really bad drugs or a cheap player, I resisted to urge to share having previously dreamt of him.  

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What coffee table books to buy this trip.  I had been en route to the bookstore, after abruptly taking leave of the stately Grenville Room.  I had discovered a piece of jewellery, which I had previously dreamt of.  I knew straight away that I wanted to have it; however, the Dravidian sales clerk incredulously replied that they were for display purposes.  I had asked him to open the case so that I could inspect the exquisite amber necklace.  Naturally, he by his response implied that I could not afford it and was likely a damn thief.  

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From there, I went to take in the Elgin Marbles and enjoyed seeing them yet again.  The crowds, though, were a bit distracting.  Feeling unresolved about the matter and because I really wanted to look at that amber necklace, I returned to the Grenville Room Gift shop.  

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As I approached, a pleasantly smiling clerk whom previously I had not noticed, came from the entrance to the gift shop and said hello.  He diplomatically asked if I had found everything that I was looking for; as it was not worth wasting time on a petit clerk who did not matter, I told him that there were a couple of items that I wanted to take a look at.  A more gracious host there could not have been. 

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In the end, I got the necklace which came pretty close to the one in the dream, which to make that dream come true, I was intent on gifting it to the ever elegant wearer in the dream.  This man spent nearly forty-five minutes, finding five sets of earrings to go with the lovely necklace and finally we narrowed the choice down to two pairs; he even got a small light so that the amber earrings chosen would be the closest match to the necklace. 

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A font of information and anecdotal gems, he then insisted that I go and tour the King’s Library, which I had previously never toured.  Yes, indeed, knowing what a rascal his son was, HM King George III had his entire library donated to the British Museum so that HM King George IV on his passing, would not go selling off his father’s priceless heirlooms to buy furniture or whatever else.  

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As the sales clerk, with a more than passing resemblance to milliner Stephen Jones escorted me to the Grenville Room’s rear entrance into the King’s Library, the Dravidian who had thrown so much shade my way and not served me, I paused to look at, then dismissively down at the floor with the British Museum bag with more than 500£ of sales and its commission, which he had allowed his stupid ignorance to steal from himself.  Yes, indeed, I promised the bald pleasant clerk that I would return to Fortnum & Mason and hunt down some rose petal jelly.  

After an initial tour of the King’s Library and a lunch of too much pasta with two glasses of prosecco whilst charging my phone, I then returned and took this video.  Clearly, from all that huffing, I had too much to eat.  Finally after more than six hours at the British Museum, I ambled out into the late afternoon and enjoyed walking about Bloomsbury.  

As ever, thanks for your ongoing support and happy holidays… here’s to your every dream coming true.  

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©2013-2025 Arvin da Brgha.  All Rights Reserved,  

When Things Don’t Go to Plan.

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Just another hotel that looks onto Bloomsbury’s Russell Square. 

Monday morning, November 12, 2018 rolled around with me being a bit on the antsy side.  Just a couple of days before leaving on the trip, I received an email notice that a talk and drinks scheduled for that evening at Spencer House had been cancelled.  That being the case, I emailed, called and prevailed on each day Ronnie Scott’s Jazz club in Soho to try and get my reserved seat for the Tuesday evening show, moved up to Monday evening instead. 

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Finally, the night before, I got a human rather than no voicemail or no email replies from Ronnie Scott’s.  Incredibly, the rep did not know the number for box office and let me know that the Monday show was booked and I could not change my itinerary.  Trying to reason with her proved a nonstarter.  If I could be missing for my reservation on Tuesday, so too could someone booked on Monday be missing which means that I could at the very least stand in the back of the club and sip on a drip.  Nothing doing.  Monday came and passed and not box office nor anyone ever once answered the phone.  

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One of my favourite journeys when in London is to get to Piccadilly Circus and head towards Burlington House.  There, one is always going to be wowed by great art – this trip certainly delivered,  

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This, without doubt, is the show that I came to London highly anticipating.  What I had not anticipated was the sheer scope of the exhibition.   Certainly, it was a welcome change after paying to move through the Klimt / Schiele exhibition.  One thing that struck me, which always occurs regardless which museum or which continent, whenever there is an exhibition of non-white art alongside another of white art, the latter is patronised by a ratio of three to one,  

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Franz Hauer 1914  Egon Schiele

To be sure, the space for the Klimt / Schiele was much smaller than the ten salons for the Oceania exhibition – the same salons in fact which were used for last winter’s, Charles I: King and Collector.  Indeed, there is a certain appeal about being able to view art this up close and intimately.  Nonetheless, the crowd here was predominantly older – the diapered set and they of course can be expected to have little relish for adventuring beyond that which is deemed art or superior.  

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Nude Self-Portrait 1916 Egon Schiele. 

Naturally, not having read up on the exhibition prior to arriving in London, I had assumed that it would be paintings of both artists in the exhibition.  As it turned out, my weak vision could not fully appreciate these drawings and the cramped quarters was no good for my usual wariness of crowds.  

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Female Bust,1916 Gustav Klimt.  

Thoroughly underwhelmed more than not, I made my way in search of the Oceania exhibition.  Imagine having made that treacherous trek all the way up those potentially slippery metallic stairs, only to have been left none-too-inspired.  Oh well, too many old fossils in too tight a space pour moi-meme.  

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Straight away, I was soothed, uplifted and engrossed by the fecund richness of the blue-interiored salons.  Where months prior were hung van Dycks, Rubens and a most memorable Tintoretto, now into these large magical ten salons, I slipped lucidly awakened with wonder.  

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Here, in this marvellous exhibition, the worlds of dreams and spirit were fully realised.  I was in awe, inspired and fully engaged for moving through, as though in a lucid dream, salon after salon of this mammoth, breathtakingly beautiful exhibition.  

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Papuan soul canoe.

Steeped in animism and ancestor-worship, these beautiful cultures of the South Pacific (Oceania) speak to me.  Naturally, much of this is due to strong resonance, owing to past-live memories.    

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What I found rather interesting about this exhibition, is how locals reacted to the art and artefacts on display.  They were actually deferential, which is worlds removed from the usual open ridicule and vile remarks made by persons when touring the Barbara and Murray Frum African Art Collection at Toronto’s AGO (Art Gallery of Ontario).  Indeed, days later, I would be reminded of how archly racist Canadians currently are and with a smugness that defies reason.  

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This exhibition is handsomely curated and the show was staged with the greatest sensitivity and respect for the cultures represented.  Rather refreshing an approach.  

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Marvellous.  Powerful and so like the totemic masks of West African cultures.  

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I especially loved this sculpture and found it vibrationally rather powerful.  

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Sublime.  

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My attempts at capturing this marvellous piece proved frustrating as a German couple who were close by were slow to move along; my impatience is of course legendary.  

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Beautiful textiles featured in the exhibition,  

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Positively love this Papuan mask.  

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Star map for navigating the seas of Oceania’s cultures.  

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August.  Regal.  There is something deeply astral about the cultures of Oceania; these are cultures which are firmly grounded in the worlds of dreams and spirit… indeed.  

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Wow!  This is what I came hunting for; I was most definitely greatly inspired.  What past-life dreams are yet to be triggered by this lucidly awakened journey through Oceania and my own reincarnational past.  

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Hands down, this was my favourite piece in the exhibition; it seemed like some interdimensional craft for travelling between distant worlds and galaxies as is only now possible in dreams.  The lines are so amazingly elegant and masterfully executed.  Phenomenal.  

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What a wonderfully uplifting exhibition!  Bravo!  

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The view on exiting the Royal Academy’s Burlington House.  

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Just look at the view across Piccadilly from the Royal Academy…  Fortnum & Mason.  Well, off we go for some retail therapy; on crossing the street, I delightfully hummed the most memorable melody from La Bayadère.  

Oh look, way below that famous Fortnum & Mason blue beckons.  For now though, I made another feverish perusal of my email.  There is nothing from Ronnie Scott’s and the hotel has emailed to say that they have not received word from them nor have they called back.  

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A gourmand’s wet dream.  

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Art whilst shopping… truly civilised.  

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A trip to the basement and my favourite Jamaican clerk was not on duty.  I did though meet a lovely, lively West African who much reminded me of the spirited gardener in the dreams of July 9, 1993, which proved one of the most beautiful yet of this incarnation wherein I travelled and had the most lucid astral plane dream encounter with Merlin in the afterlife – it will appear in the sixth and final volume of my dream memoirs of Merlin and me, Merlin and Arvin: A Shamanic Dream Odyssey, which will prove human civilisation’s first dream memoirs when fully published.  20181112_124934

Thanks to the West African clerk and how beautifully she spoke of Canada’s Weston family, who own Fortnum & Mason, I was sold.  To hell with dropping money at Ronnie Scott’s when they could not be bothered to accommodate me.  With that, I had a couple of signed copies of Tom Parker-Bowles’ recently published cookbook, Fortnum & Mason Christmas.  For good measure, it is always good to have wonderful fragrances.  

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On getting outside, whilst prowling Piccadilly in search of the Herrick Gallery in Mayfair where a Nevisian artist was having an exhibition, the skies opened up and delivered a monsoon deluge, which readily reminded that this truly was the age of climate change.  The Herrick Gallery was a beautiful affair; however, I had arrived a day early so there was nothing to see as large canvases were being unwrapped and hung.  Getting into Green Park Station, I ducked in to use the toilet and was reminded of 28 years earlier, when you didn’t then have to pay to use the facilities.  That day, in the heat that was London in July, an old, homeless black woman sat on one of the toilets in a stall, which like all the others had no door affording privacy.  She seemed utterly otherworldly and just as removed.  Certainly, she was impervious to the bacchanalia afoot; a tall East African with the most massive cock to that point seen, was actually charging various denominations based on what the throng of near-ululating size queens were prepared to do to that unrivalled wunder schmekelof his.

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Onward, the journey continued.  The next stop was Westminster Station where my main focus was touring the exquisite architectural gem that is the Lady Chapel at Westminster Abbey.  Built by King Henry VII as Lady Chapel and deemed as the ode to the Virgin Mother, I rather suspect though that the Lady in question is his mother, Margaret Beaufort.  Hers is the only effigy that is not marble but distinctive bronze. 

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(Though photography is not permitted, I managed rather skilfully to have captured a shot of Lady Margaret Beaufort’s bronze-effigied tomb whilst in the spectacular Lady Chapel at Westminster Abbey)

Of course, that soul is now incarnate and though the most reviled black woman on the planet at present, I have every conviction that Meghan, HRH Duchess of Sussex will just as nobly distinguish herself as when a key figure during the War of the Roses, mother of King Henry VII, grandmother of King Henry VIII after whose coronation she died days later, and great-grandmother of Queen Elizabeth I.  She who founded Christ’s College and St. John’s College at Cambridge University and for whom Oxford University’s first college to admit women, Lady Margaret Hall is named.  Indeed, Meghan, HRH Duchess of Sussex has been a feminist for some time.  

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A lone shot of Westminster Abbey from the quire, looking to the altar before being approached by security and asked to cease doing so.  Before departing I took the time to pause at the three wreaths in the stalls of Lady Chapel, which is the spiritual home of the Order of Bath.  In recent months, three knights of the order had passed.  

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The view from the Cloisters from Westminster Abbey, to the courtyard fountain and the grandeur of Palace of Westminster’s Victoria Tower to the rear.  It was also a chance to wait out the downpours.  

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Excitedly the dash back from Westminster Abbey to Westminster Station on the Circle Line was one filled with giggles as I tried to avoid being dowsed by puddles as traffic sped past.  Next stop, Mansion House which eventually led to a break in the rains as I emerged from the Underground.  

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Look at that, the monsoon had eased up and there was even sunlight trammelling the dome of St. Paul’s Cathedral.  Always, it is good to mount the steps to this grand shrine.  

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As it is the season of Remembrance, it was time to pause and pay homage at the tomb of Vice-Admiral Horatio Nelson whom both Merlin and I knew in our past lives in London when musicians at court during the reign of HM King George III and the Regency of HM King George IV.  

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The Earl Jellicoe. Admiral of the Fleet.  Love that there are actual poppies on his tomb.  

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Arthur Wellesley, Duke of Wellington.

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One of the sights whilst ambling after yet another tour of St. Paul’s Cathedral.  

With that, it was back on the Underground and a return to Bloomsbury, where dinner and dream-filled sleep awaited.  

As ever, dream as though every moment is a dream memory of a past life (this one) for you in a future incarnation.  See it, experience it fully – without bias – appreciate it and be richly inspired by it.  Again, I can never say enough how deeply appreciative I am for your ongoing support.  

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©2013-2025 Arvin da Brgha.  All Rights Reserved.  

The Remains of Armistice Day.

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Strangely, though the major part of Armistice Day celebrations were long concluded, there were still more persons moving westward towards the Cenotaph than easterly towards Trafalgar Square.  My companion, a spectacled, freckled guy in his early 30s, was keen on having me come back to his flat in South Bank – We were headed towards Charing Cross Station to take the Bakerloo Line towards his place.  

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Stalling for time, as I really was not feeling him, I firmly suggested that we go tour Banqueting House as I had never been, which was the truth.  Of course, it did not help that the only thing at Banqueting House was the great ceiling art and the throne; the rest of it was just as empty as clearly, James, my “Mate” was dense.  Long years ago, a channeller of dubious skills stated rather imperiously that I would meet someone named James, who would prove rather loyal and a long-term affair.  

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Somehow, this nebulous bit of arcana seemed to be the only sane reason why I was suffering this oaf overlong.  His constant bitching about “Nutmeg,” as he referred to the Duchess of Sussex, was not winning him any favours in my books.  I had hoped to have found much more archival fare associated with the spot where HM King Charles I was executed.  Alas, there was nothing save a throne and an impressive ceiling.  

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With the toilets at Banqueting House fully occupied and alarmingly foul-smelling, back outside we dashed in hopes of finding a toilet.  A pub, whose name I did not even catch a few door towards Trafalgar Square, proved the right spot.  He ordered a couple of lagers – I never drink beer, and off I went to the toilet to relieve myself.  I waited overlong, waiting for him to possibly come in then use the stalls so that I could make a mad dash for it.  No such luck.  However, on rejoining him, he lustily talked about what he wanted me to do to him.  Never one to miss an opportunity, I suggested he go unclog his plumbing so that I could give it to him good, long and hard when we got back his place.  

Naively quick to take the bait, out I dashed into the larger-than-usual crowds when he eagerly bolted to the toilet; once outside, I then caught the tail end of the latest regiment to go moving from the roundabout as they made their way from the Strand and onto Whitehall.  With that, I swiftly made it across Pall Mall, crossed Canada House and made my way to the new entrances to the National Gallery – this James clearly was not the one.  

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Taking the time to avail myself of the museum’s free wi-fi, I sipped on a boost of Pret A Manger’s little magic, yellow potion, Hot Shot.  I then decided against the Bellini show – Italian art is way too religious for my liking and it strangely enough has never once addressed the fact that the Church of Rome has, in its role as civiliser, proven the most disruptive terror group this planet has thus far known.  For me, there is something alarmingly dangerous about a culture, which would completely and utterly eclipse this rather crucial aspect that has decided their place in the world – but enough about that for now.  

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Having dodged James, I decided to do the Courtauld exhibition as it would beat having to attend the museum on this trip.  Whilst standing in one of two long queues, along came Ms. Thang, who simply looked at us and grandly walked up to the next sales rep as though she had exited St. George’s Chapel on Ginger’s arm on the gloriously sunny early afternoon of May 19, 2018.  

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As I was next in line, I just as imperiously declared to her and the rep, “Take you, the weave and that blasted fake channel handbag to the back of the line; there are not two lines of invisible persons waiting to buy tickets.”  Before she could turn nasty with me, the lovely Dravidian lady informed her that I was next in line and, more importantly, she intended to serve me next.  Fake boobs that looked like flotation devices and feet that were too big to fit any glass slippers and, of course, there was a bulky turtleneck to hide the Adam’s apple.  

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Though “she” was prepared to do drama, I came to do me and look at art and that I did.  I was really wowed by some of these works, which I previously had not seen.  

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Naturally, this Degas masterpiece only warmed my soul.  Straight away, I was left humming the music from the grand pas de deux in Act II of La Bayadère, which I could not wait to see at week’s end.  

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Shades of Canada’s Group of Seven, to be sure.  I like the fact that the artist did not include the entire tree in the portrait.  

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Ah yes, and who doesn’t love the sublime soulfulness of a Gauguin tableau.  

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Trees, trees and even more trees.  What’s not to love!  

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After having been greatly inspired by the Courtauld Impressionist show – well worth the price – I bailed outside; there were too many parents using the free admission to the museum as a place to come in out of the elements and babysit their way too young children.  Once outside, I hailed a cab, though, not the above – wrong day and time of day.  This cab proved one of the most memorable journeys.  As The Mall was closed, we took the roundabout from in front of Trafalgar Square and headed along Pall Mall.  I wanted just then to get to The Queen’s Gallery at Buckingham Palace but did not want to use the underground; it was way too glorious a day out. 

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Finally, I laid down the law to the driver, who was a burly soul and looked like the quintessential slave soul.  Soon enough, we got into a conversation when we began chatting about Canada, which I shared that I would give anything to flee in hopes of living in London.  Soon, the topic turned to sex and whatever one would have to do to get by.  Ha!  Said he, he would give up this gig of 22 years and counting by marrying a fat, ugly rich broad to which, without so much as missing beat, I chimed in, “Don’t stop there, if you can find rich, fat, ugly and toothless, now you’ve got it made.  To paraphrase Frank Sinatra from The Best Is Yet To Come, you ain’t been blown until you’ve had a gum job!”  Never in long ages had I heard a grown man laugh so hard and for so long – a fellow cab driver going in the opposite direction even honked at him and asked what was so funny. 

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After having sat in traffic for far too long, though the metre read 12£, he asked for a 10£ note and thank me, saying he ought to have paid me for the company and humour.  With that, I dashed past St. James Palace en route for The Mall which, of course, was closed.  Finally, I made it up to the Queen’s Gallery and took in the Russia: Royalty & the Romanovs exhibition, which did offer some truly inspired gems from the Royal Collection.  

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Well, of course, he ruled something.  

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I was reminded in this portrait of Tsar Nicholas I of the 1970s when the goods were readily on display; however, along came AIDS and all that display and ogling readily evaporated.  Instead, men were morphed into true peacocks with long blow-dry locks, which really did become tiresome after a season or two.  Now, of course, it is the great and truly civilised age of the Internet, which lest you forget, is saturated with more than 80% pornography.  

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The Vladimir Tiara which is not dissimilar to the Cambridge Lover’s Knot Tiara, which always looked truly handsome when worn by the ravishing, Diana, Princess of Wales.  

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Set in the green drawing room at Windsor Castle, where on May 19, 2018, Alexi Lubomirski took the official photographs of the wedding of TRH Duke & Duchess of Sussex, you cannot possibly begin to imagine the overwhelming scope and grandeur of this tableau.  Truly, one is left in awe of the fact that HM Queen Victoria was a tiny acorn who matured into a mighty oak who, through her womb, extended her empire far and wide across the continent.  This was a ravishing exhibition and one of the most stunning paintings that I have ever seen from the Royal Collection.  

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After all that inspiring art, I needed to ground anew; thus, I opted to take a brisk walk, cutting through Green Park where the light fast shifted and danced below the horizon… never to be experienced again.  With that, I hopped onto the Piccadilly Line at Green Park Station and made my way back to Russell Square Station; there, I resorted to my hotel room and took a lucidly awakened, dream-sodden nap before getting on with the final celebrations of this poignant Armistice Day.  

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Before making it to Barbican Station on the Circle Line, I had had the most awakened flying dream, which had me spirited across the spiral arms of Time to a past life in London.  

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To reflect, celebrate and give thanks, how could I not indulge in an evening of music and song with the London Symphony Orchestra.  

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Nice, plush comfortable seats with a troika of gay Jewish dancer/actors seated ahead of me.  The evening was beautiful, the singing stellar.  

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As there was an empty seat on either side of me, I offered to move to the left and afforded the lovely young couple from Paris to sit together – she had been sat a row ahead and away from her spectacled, fey lover – he had more than a passing resemblance to Merlin.  Leaning in, I whispered to him, “The universe always conspires to accommodate lovers…” he blushed, they both blushed sweetly and were pleasant company that added a certain magic to the evening.  Here’s to lovers… indeed.  

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En route back to the hotel… a little late night smoothie snack was in order. 

As ever, sweet dreams, don’t forget to push off and start flying and as always, thanks for your ongoing support.  

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©2013-2025 Arvin da Brgha.  All Rights Reserved.  

Stephen Hawking’s Supernova

Stephen Hawking

Hawking, Stephen 8/1/42<O>14/3/18

Michael: What you are seeing in the fragment who is now Stephen is a seventh level old Scholar in the observation mode, with a goal of growth, a sceptic. 

This is his first life in the last of the physical cycles but we note that there has been tremendous progress here in that this fragment is for the most part transcendent in his ability to leave the body at will and travel through the limitless leaves of the Tao. 

Yes, of course he chose to have a frail unworkable body.  He did not specifically choose amyotrophic lateral sclerosis.  The choices are not that limiting but he did choose not to have to be bothered with the physical body, so that he could finish what he needed to do intellectually. 

We did not give a centring here because this fragment spends a great deal of time in touch with higher centres, although he is, as you might suppose pretty much centred in the Intellectual part of Intellectual Centre but is able to use the Higher Emotional Centre at will. 

This fragment is lively, bright, fairly happy and although aware of his severe limitations, not in the least sorry for himself.  This fragment has been literate over fifty times.  He was nine times the tutor to royal children.  He was an inscribing monk and did beautiful illuminations during five lifetimes. 

He was a scribe to the fragment who was Julius Caesar.  He was a lector for the emperor Marcus Aurelius.  He was a Grecian scholar on the Isle of Rhodes, during the height of the golden age of Greece. 

He was an Arabian mathematician and was instrumental in giving the world the zero to work with, which greatly improved and facilitated the study of higher mathematics.  He was a geographer twice. 

So, this fragment is no stranger to the world of study, however, this is the life he chose to make his greatest contributions.  Many of you could speak with Stephen in the dream state, for he is very accessible.  This fragment has many things he could teach all of you. 

He has a great deal of recall that he puts to good use in this life.  The age of this fragment’s soul accounts for his ability to detach from the physical body.  A younger soul could not do this with such élan. 

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At the time of Diana, Princess of Wales’ death (August, 1997) Sarah J. Chambers, channeller of the original Michael Group, shared Dr. Hawking’s overleaves with me, along with those of HRH Prince Charles Prince of Wales, Madonna Ciccone, Prince and Michael Jackson.  Though it is not listed in the overleaves, Sarah stated in an email communiqué that this would be Stephen’s final life; his soul would no longer reincarnate at the conclusion of this life, which would occur near 21 years later.  

Interestingly, as it was his final life, Stephen Hawking in a wrap up of having downloaded his vast intellectual awareness as the ultimate scholar soul would pass or, more appropriately, supernova at the time of the most intense solar storm in long years… there are no coincidences.  I was once guided in a dream and told that the Sun and all stars are the portal through which all sentient and reincarnating souls pass between the planes on reincarnating and passing.  Obviously, there was a great celebratory event as Stephen Hawking at the conclusion of his reincarnation cycle returned to his entity one last time — hence he was facilitated via the solar storm.  

Back on Monday, March 5, 2018, I went to see Darkest Hour with Gary Oldman at the Vue Cinemas in London’s Leicester Square.  Comfortably seated in theatre 8, about halfway into the film, I began witnessing a fair bit of paranormal activity.  I sat in the back row between two English couples, neither of whom were amorous.  From time to time, when actors on screen were in closeup, their eyes would suddenly become black-within-black with fully dilated pupils.  There were times, when I was able to make out Kristin Scott-Thomas’ aura — I found her performance exacting and intense.  More than that, I witnessed foggy, grey-white tall humanoid forms simply getting up from the seats in multiple rows ahead of me, turn either right or left then simply walk through the dark walls of the mid-sized theatre.  

I chose to remain composed because having a fearful response, is all about losing control and homie never plays that.  As the experience unfolded for about 20 per cent of the film, it next ventured into territory with which I had long grown familiar.  Off to the right corner of the theatre and at the ceiling, there was an aperture of light which opened.  Slowly, the light expanded and began a portal of the same soft-focussed yellow/golden light.  I have seen this many time before.  Next, a series of light beings, say the size of a raven began manifesting.  These light beings are illumined from within and have large gossamer, illumined wings which are two-thirds the size of their tiny bodies; the wings also flap about not unlike an elephant’s ears do. 

These creatures arose from the seats before me and progressed from left to right and up and into the light which radiated from the portal.  Soon enough, I was keenly aware that I was the only person experiencing this; I was never fearful.  I did, though, remind myself that personal truth is the only valid reality — at least at moments such as this.  Previously, I have experienced this manifestation when persons close to me are about to pass; this can manifest either at the point of their departure or as early as up to two weeks in advance.  This has never occurred after the actual passing and never more than two weeks out from the actual passing.  What I have learnt, for having done as many overleaves as I have, is that these persons are with few exceptions either entity or cadre mates.  

Where they have not been thusly related to me, they have been famous persons on the global stage.  The last time that this had occurred was at Nelson Mandela’s passing.  This, by the way, I did not experience when the 20th century’s most famous woman, Diana, Princess of Wales, passed.  

With regards to Stephen Hawking, I feel that for being in London and 9 days out from his passing, I was being attuned to his preparations to cycle off his final incarnation.  The movement of the levitating illumined, winged tiny beings towards the portal of soft-focussed light is always a slow, languorous adage that seems to occur within an aqueous medium.  Also, at the time that the overleaves were shared, in a subsequent email, Sarah had shared that he was in greater cadre 4 of pod 129 — the rest of his casting I do not know.  

I have known two persons who passed of ALS, which Stephen Hawking had for decades.  Both persons, as is customary with ALS, passed within a year of being diagnosed.  In the case of one female co-worker, she simply became all-consumed and grew fear-shrouded and cocooned.  There was so much fear readily discernible in her eyes.  Incidentally, when she passed, I had the exact same aforementioned paranormal manifestation.  I have not yet done her overleaves but would not be surprised if she comes back as an entity or cadre mate.  Also, after her passing, she appeared to me, in the most intensely lucid dream, very radiantly and thanked me for my support and assured me that she was now at peace with where she was.  Obviously, she was aware that I was distressed at how fearful she seemed at the prognosis of imminent death.  

Clearly, one can’t claim to know what she must have felt at the time; she, however, had simply become straight-jacketed by the fear of death and her own mortality.  Stephen Hawking endured for decades with ALS, likely the first such documented case in medicine, because he had conquered the fear of death.  He was totally at peace with his reality; moreover, he was more focussed on being in the now and completing his task of disseminating as much of the knowledge that he had acquired during the course of his reincarnational cycle.  There was nothing to fear.  Indeed, his overleaves of being a seventh level old scholar soul on his final life was thusly validated as he could not have cared less.  Death he had conquered long ago; the body and obsession therewith served no purpose for him.  He just wanted to get on with the task in hand of sharing his intellectual gifts with humanity.  

More than any other human being of the last two millennia, Stephen Hawking will be remembered and celebrated two millennia hence.  Sweet and blissful dreams and it was good to have been illumined by the stellar light of your accumulated intellectual gifts.  

As ever, thanks for your ongoing support and sweet dreams!   

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©2013-2025 Arvin da Brgha.  All Rights Reserved.

All Too Human… And Then Some!

man-s-head-self-portrait-1963

Well, after having been dazzled by Natalia Osipova, there was no doubt what next adventure my soul had to devour.  I arrived at Pimlico Station and enjoyed the cool brisk walk to the red and white gorgeousness of the neighbourhood architecture.  I arrived at 08:50, a good hour ahead of the opening.  I took the time to place my palm on as many of the august sycamore trees in the neighbourhood as I could.  There were some high-end cars waiting out front of the Tate Britain Museum to take in All Too Human as yet another jetliner roared towards London Heathrow.  Definitely bulletproof, a stately Benz sat closest to the entrance with a smoky grey Bentley, SUV no less, parked furthest of the cars.  

the-big-man-1977

Eventually, persons began turning up and the engaging West African security agent who had the same strong, proud, full-lipped mouth as Leontyne Price’s closed one of the two heavy black doors to protect me as I waited outside the main glass sliding doors as a private event was underway — thus one couldn’t be allowed inside.  Finally, persons began leaving, one of whom — in a beautifully vivid red coat — was Cherie Blair CBE, QC.  She was proud-looking and had the kind of broad body that as I child was so familiar when growing up in the West Indies.  She had that air about her that bespoke a life in the public eye; someone made a curt remark and she was quick on the rebuttal.  I was much humoured and reminded of Saddam Hussein trading insults with the men who moments later gladly terminated his life.  

two-plants-1980

Finally, it was on to the business in hand and what a beautifully stunning exhibition; one of the best contemporary art exhibitions that I have attended in years.  The greatest discovery was the lush, richness of the Lucian Freud still-life, Two Plants.  Thoroughly layered, engrossing and lyrical in its deft vividness.  I was left teary eyed by its sublime beauty. 

Sleeping by the Lion carpet Leigh Bowrey

Of course, I was moments earlier moved to dewy-eyed focus when drinking in the rich tableau of the portrait of creative artist and true eccentric, Leigh Bowery whom many years earlier I had seen perform in New York City.   I was reminded, of course, in Leigh’s passing of the countless many whom I have lost along the way to AIDS.

All Too Human

The poster for the show at Russell Square Tube Station in Bloomsbury.  A wonderful tribute to Leigh who covered a fair bit of ground during his lifetime… sweet and blissful dreams be yours…  

Francis-Bacon-Portrait-1962

Naturally, I booked my flight based on two things: one, Giselle with Osipova and secondly, a joint exhibition featuring Lucian Freud and Francis Bacon.  For that, I would gladly hop a Tesla to Iapetus.  Of course, this exhibition was a pilgrimage of sorts for me and it was a way of paying homage to the artistic accomplishments of cadre mates.  

Study for Portrait of Lucian Freud Francis Bacon

As per the portrait of Lucian Freud above, these two artists are cadre mates of mine and Merlin’s.  Lucian Freud is a mature priest in our entity (6).  Along with Rudolf Nureyev and Grace Jones, Francis Bacon is next-door in entity 5 of our cadre.  Francis is a mature artisan, Grace Jones a mature warrior and Rudolf Nureyev a mature sage… and how.  I was thoroughly warmed to have drunk of their spirits.  

Portrait of Isabel Rawsthorne 1966 by Francis Bacon 1909-1992

This particular portrait, Isabel Rawsthrone, I especially loved.  Raw, primal and emotionally intense there is something decidedly operatic about the focussed intensity of this portrait.  After initially getting over the intensity of it, it proves rather warm and enveloping.  

Three Figures and Portrait 1975 by Francis Bacon 1909-1992

This was a thoroughly arresting and soul-stirring adage; it was a beautiful way to have begun the day’s adventures.  

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After walking past the noise of the construction/renovations taking place on the first floor — one of the workers was a real pulse-racer, looking as he did like no end of hot, rough sex and in work gear no less!  Then it was downstairs to take in the Impressionists in London exhibition.  I did not buy the catalogue.  I always am a bit put-off by the association of the word “dream” when describing the works of impressionists.  There is nothing unfocussed or diffused about dreams.  Trust you me, as someone who recalls at least half a dozen dreams on average, oftentimes, dreams prove the most lucid part of any given day.  Perhaps, it was all the wine the French impressionists consumed but the maudlin-feeling lighting just doesn’t do it for me… most times.  

Notting Hill Gate

Having had my fill, off I went from Pimlico to Nothing Hill Gate in the wet snow and made the long trek to Kensington Palace where one of the most glorious flying dreams in this lifetime was set — also, in that dream was a then incarnate, Diana, Princess of Wales with her two beautiful-spirited sons, the future HRH Prince William, Duke of Cambridge and HRH Prince Henry of Wales and Duke of as-yet-known after he marries his beautiful bride, Ms. Meghan Markle — a mature artisan, to his mature warrior and an entity mate of his no less.  

Kensington Palace

On the long trek along Broad Walk in Kensington Gardens from the high street, I enjoyed the look of snow everywhere.  The odd flake fell from time to time as joggers braved the fierce wind off the park.  One brave soul with a shock of close-cropped red hair, sported the greatest thighs as he jogged strictly in a pair of wrestler’s shorts.  He proved warming for my blood, indeed.  

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As I got towards the edge of Kensington Palace the handsome raven above swooped in from off my rear right and towards the palace.  He alighted, cocked the head at me and kept taking to the wind to come closer, all the while fixing me with a hard gaze.  “Yes, of course, you can see my heart.  Love is the password” I said aloud to the totemic creature as it kept on calling at me and edging ever closer, though, not being confrontational.  Satisfied with my password, seemingly, it bobbed and took to the air never to alight again.  I rather appreciated the warm welcome.  

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I loved the sparse beauty of the King’s Gallery at Kensington Palace, which — for me at least — was lauded over by the Equestrian Portrait of HM King Charles I by Sir Anthony van Dyck, who happens to be in entity 1 of my cadre; he, presently incarnate and one of my oldest friends, shortly is about to return from his winter stay at his Acapulco penthouse; I will be visiting him later this spring on the Canadian west coast.

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A truly beautifully tailored, handsome suit, this one.  I am not a big fashion person — I believe that one is best dressed when naked and preferably tumescent.  I did, though, rather enjoyed the movement through the Diana, Princess of Wales exhibition.

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A very beautiful second-level mature artisan, she was too.  

HRH Catherine Duchess of Cambridge

Having been inspired by Diana, Princess of Wales’ portrait, I made my way to Charing Cross Station in Trafalgar Square and cut across the street where there was a broken water main flooding the street.  As usual, Yoda was there doing his routine and, no doubt, earning a pretty quid.  I took in the HRH Catherine, Duchess of Cambridge-curated exhibition, which had opened two nights earlier on my arrival.  Though, I had stood outside the National Portrait Gallery to catch a glimpse of her arrival, I soon dashed off in the increasing snowfall, if I were to make my Jazz at Lincoln Center performance across town at the Barbican Center.  So, having missed seeing her in person, the next best thing was to go gaze at the portrait of HRH Catherine, Duchess of Cambridge.  I love it as it is so layered and complex; she is a late-mature warrior soul.  

National Portrait Gallery

As I move very, very quickly, I was out of there and soon grabbing a take-away fish and chips at Ben’s on Shaftesbury.  I then headed back to my hotel, ate, napped and got ready for a night at Royal Albert Hall to see OVO.  

Royal Albert Hall

Never before had I taken in a Cirque du Soleil performance — I have my reasons…  Nonetheless, I just wanted to enjoy anew the ambiance and acoustics of the marvellous auditorium.  

OVO

The show was no more engaging or exciting than bad bathhouse sex, which if it weren’t so late, one would never have bothered engaging in.  A perfectly forgettable tourist sort of thing to indulge when there was no other nighttime entertainment going that was worthwhile.  I could have taken in 42nd Street in the West End but I had already seen it at least a dozen times when then living and dancing in New York City in the early 1980s.  The idea of taking in 42nd Street was only slightly less irritating than the thought of messy bathhouse sex… options… choices, indeed!  

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After the show, on the long walk from Royal Albert Hall to South Kensington Station, a young mesomorph asked me for a fag — I don’t smoke — but it was obvious what he was after.  He sat across the narrow aisle on the eastbound Piccadilly Line ride and the rest proved a rather memorable night.  

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The morning after the night before, it was off to Windsor Castle, of which I will next blog.  

All Too Human Catalogue

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As ever, sweet dreams and thank you for your ongoing support.  

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©2013-2025 Arvin da Brgha.  All Rights Reserved,

Two Albrechts But What A Giselle!

Giselle Royal Ballet

Second night in London and there was still lots of snow — at least, by London standards; after Montréal where three feet of snow is no horror, 1.5 inches seemed to have arrested London in its tracks — I was all excited to see David Hallberg whose recent memoir I read on the flight over and carried in my custom Ruben Mack messenger bag, to have it signed after the performance.  Enjoyed my glass of champagne and being in the balcony at Royal Opera house was magical.  My seat was smack in the middle of three Japanese young ladies who were being chaperoned by their lovely teacher.  I negotiated and they excitedly expressed their appreciation at being able to switch with me being on the end so that that they could all sit together.  The closest two sat on their coats and I even offered the tinier future Giselle my coat to sit on.  

Natalia Osipova Matthew Ball

Naturally, I was returned to London as last June, I had pleasantly discovered Natalia Osipova dancing in Marguerite and Armand and was instantly a fan.  There was no way that I was going to miss her Giselle.  Midway through Act I of Giselle, David whom I had never previously seen perform, failed to have impressed.  He seemed not to be dancing full out and the partnership seemed strained; it was as though they had not had enough rehearsals.  Then after intermission and really good champagne, the company’s artistic director came to the stage to announce that Mr. Hallberg had been injured during Act I and would not be proceeding; he then announced that the youngster, Matthew Ball would dance the role of Prince Albrecht in Act II — the house went wild as he had days earlier made his debut in the ballet.  

Natalia Osipova

What then unfolded was the most glorious of evenings in the theatre.  Ms. Osipova, who has the most phenomenal ballon ever witnessed on any ballerina — to say nothing of her turns — danced as if truly overjoyed.  Mr. Ball was also fantastic and I howled for joy at their curtain calls.  Heck, I, who never go backstage, went in hopes of having Mr. Hallberg sign my copy of his book; however, he was a no-show.  Ms. Osipova, inordinately gracious and an ecstatic Mr. Ball, who had had to dash back to the theatre that evening, was only too happy to sign my copy of the program as a steady drizzle fell beyond the double, glass stage doors.  

BernsteinJLCO

Of course, the night prior, I had trekked in even more snow out to Barbican Centre to catch yet another performance of the Jazz at Lincoln Centre Orchestra led by the unparallelled genius, Wynton Marsalis.  The programme was exclusively Leonard Bernstein in a celebration of his centenary… and what a phenomenal show it was.  London’s Jews were out in force to be sure.  I sat next to a princely 93-year-old Jew whose energies were rather like those of Yehudi Menuhin and boy was this man gracious of spirit.  To say the least, I had a ball.  

Barbican2

Naturally, one goes to a Wynton Marsalis performance for the encores!  And boy, he did not disappoint.  As always, I unashamedly howled like mad at the end of all that.  This musical genius’s fabulousness is out of this world.  This truly was a marvellous way to celebrate  a homecoming of sorts; London truly does feel like another West Indian isle.  As Merlin and I shared a rather accomplished life as court musicians in late 18th century London, it is always great to be in London.  

Arvin da Brgha 1.3.2018 Royal Academy London, England

Though I had downloaded the app and had planned on biking whilst in London, the snow everywhere precluded any such adventure.  So there was I next morning — the night of which I attended Giselle, leaving my hotel in Bloomsbury and making it from Russell Square to Piccadilly Circus to, of course, look at art.  

Royal Academy2

Naturally, I had arrived at the Royal Academy at Burlington House to see what for me was the most eagerly anticipated art exhibition in years:  Charles I, King and Collector.  I was the first to have arrived for the show, slipped inside from the snow before being asked to wait outside by security.   Whilst waiting at the head of the queue, there were three gentlemen who arrived, all on the other side of 70 years of age and they were the most urbane aristocrats whom I had ever encountered.  The way they spoke; there was no denying that they were posh.  Moreover, it was more than their accents; their use of language made it sound as though they were speaking a form of English which was mannered, musical and as though another language entirely.  

Royal Academy

Finally, once inside the exhibition, I was truly enthralled, moving from salon to salon as though in the most lucidly captivating dream.  Here were all my favourite Sir Anthony van Dyck paintings in one place — plus, there were some which previously I had not seen… at least, in this lifetime.  Naturally, there were also some rather intimate Sir Peter Paul Rubens in the exhibition, which featured the art from the impressive collection of HM King Charles I… that ode to swaggerliciousness and a young sage to boot.  

HM King Charles I Three Positions Sir Anthony van Dyck Oil on Canvas

I had managed to snap four paintings whilst moving through the first of ten salons when a kindly security agent asked that I obey the rules and refrain from taking photographs.  This truly was as though caught in a flying dream as I moved intoxicated of spirit from salon to salon, I managed whilst looking at murals in one of the larger salons, to make my way to the inner sanctum where the most glorious Sir Anthony van Dycks were hung — the two equestrian portraits one from the National Gallery in Trafalgar Square the other, which previously was hung at Buckingham Palace; there was also that most striking portrait Charles at the hunt which normally is hung at Musée du Louvre.  A lovely henna-braided African security agent informed me that I had progressed improperly and ought to retrace my steps and view the art in the salons on the periphery of the three large internal salons where murals, tapestries and the prized, aforementioned van Dycks of the Royal Collection collected by HM King Charles I were hung.  

Sir Peter Paul Rubens Self-Portrait Oil on Canvas

At the point at which I was about to leave one salon for the next, I suddenly and distinctly thought of Kritika Bhatt the Michael channeller who had been trained by Sarah J. Chambers one of the original channellers in the Michael group.  I thought it odd at the time as I only ever would think of her when a request for overleaves are outstanding and my impatience is having her surface to mind as I wonder if I would be receiving the requested overleaves that day.  Since this was not the case, I thought per chance, that I was thinking of her as she is known to have King Charles spaniels.  Yes, that must be the out-of-nowhere association, I concluded.  

Esther_before_Ahasuerus_(1547-48);_Tintoretto,_Jacopo

On entering the next salon, I immediately moved towards the largest masterpiece and was struck by its depth and impressive use of strong bold colours.  What’s more, I had never seen the painting before.  Fascinating, I whispered before heading to the title to see the title and artist.  I was struck dead in my tracks when reading, Esther before Ahaseuras by Jacopo Tintoretto.  Wow!  I exclaimed.  Years earlier, in an email regarding the overleaves for other artists, Kritika had made mention that her current son had previously been the 16th century Italian artist, Jacopo Tintoretto!  I was floored and for me that out-of-nowhere associative thought of Kritika was validation of the overleaves and information shared years earlier.  

Sir Anthony van Dyck Self-Portrait with Sunflower Oil on Canvas

Earlier, whilst moving through the first salon, I had never come so close to Sir Anthony van Dyck’s Self-Portrait with Sunflower before.  Taking the time to really study the painting, I was struck by my response; suddenly, at my solar plexus, I began experiencing a — not though rare — thumping which was independent of my cardio rhythm.  Never before had I been able to so closely inspect the eyes in the self-portrait.  What was really interesting was the look of the artist’s left eye in the painting; it really was a darker version of my Dutch born and oldest friend, Joop who previously had been Sir Anthony van Dyck.  Though Joop’s eyes are a strong, soulful blue in this lifetime, they truly are the same eyes as Sir Anthony van Dyck’s in the self portrait.  Different colour, same vibration… same intensity.  I had not been expecting that and just as later whilst moving from one salon to the next, I was not expecting to have the Michael Teachings and overleaves validated.  Nonetheless, there is was, two instances of overleaves validated and that was the kind of bonus that one could not have anticipated whilst planning this trip.  

Fortnum &amp; Mason

After purchasing my lovely catalogue of the exhibition, I moved across the street and did some shopping at the grand old dame, Fortnum & Mason.  Let’s face it, I was there to slip into the eatery and score myself the best free lunch in London… and as ever, the bites on offer did not disappoint.  I bought marvellous teas as only can be found at Fortnum & Mason then hopped onto a double decker, driving westerly along Piccadilly.  Making my way up the stairs, I soon had to double back on myself when realising that the upper deck was packed with a sprinkling of London’s homeless, who obviously had been afforded refuge out of the cold and what for London was unheard of snows.  God it smelt atrocious.  As the bus made a right onto Buckingham Palace Road, I hopped off and made my way past the Royal Mews which were closed owing to snow and made it for the Queen’s Gallery at Buckingham Palace.  

Charles II Art &amp; Power

I was there to be wowed, though, sadly was not by the Restoration exhibition.  Naturally, how could it have been a show to rival that at the Royal Academy when most of that art had been sold off by the time of HM King Charles II’s coronation.  I would have been rather underwhelmed, had I gone to London just to take in this show.  As it was, it served as ample reason to have appreciated the Royal Academy show even more.  

HM King Charles IIb

Really got off on the vibration exuded by HM King James II as he held court in all his glory in the portrait in the same show at the Queen’s Gallery Buckingham Palace (following painting). 

HM King James II when HRH Prince James Duke of York

Well having had my fill of the Restoration art or the paucity thereof, I enjoyed trekking in the snows along Buckingham Palace Road to Victoria Station and descended into the depths of London’s Underground for yet another adventure.  

St. Paul's Cathedral

Emerging from the bowels of London, I made it to the soul of the nation to pay homage, yet again, at St. Paul’s Cathedral.  

St. Paul's Cathedral4

I wanted to go and light a candle, I lit two actually, in homage to the ennobled lives that both Merlin and I enjoyed in this glorious city three centuries earlier — the memories of which readily surface in the dreamtime.  

St. Paul's Cathedral3

Before one gets too old to be able to make the trek, I managed my way to the whispering gallery, sat down and caught my wind back whilst reflecting on my life.  

Henry Moore

This place so rich in history, is also the sacred shrine where entity mates have left their mark.  Henry Moore is an old artisan in my entity.  

Arthur Duke of Wellington

Of course, no visit to St. Paul’s Cathedral would be complete without paying a visit to the soul of the nation at its crypt and paying homage to ennobled souls who’ve made an indelible mark on London… on history.  There is great and fittingly so, grandeur in the tomb of Arthur, Duke of Wellington’s resting place.  

Admiral Nelson

Of course, the other tomb which dominates the crypt at St. Paul’s Cathedral is that of Admiral Nelson, whom both Merlin and I knew during that incarnation.  Doubtless, it was his passion and tales for and about Nevis, which planted that seed that sparked three lifetimes later with my soul’s choice to reincarnate into Nevis; indeed, it has proven an isle no less magical than his captivating anecdotes then must have been.  Days later, of course, I would see the bullet which felled this great man whilst visiting Windsor Castle; that is for another post.  For now, I rushed home, took a dream-filled nap before heading to Covent Garden and being wowed by two not one Albrechts and the most exciting prima ballerina on the planet… at least, as far as I am concerned.  

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As ever, thanks for your ongoing support and look forward in coming months to book three of my dream-filled memoirs, mandated by Merlin and which prove human civilisation’s first dream memoirs.  

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©2013-2025 Arvin da Brgha.  All Rights Reserved.

The Dream Chamber

Pyramid2

With some lovely sandalwood incense going, a beeswax candle and some late 18th century harpsichord breezily distant, evoking deeply buried memories of life at court in Regency London as a countertenor, thus one slips lucid, fecund and supremely feminine into sleep’s warm embrace.  For me the day begins at bedtime, the beauty of sleep is, one can never imagine the bounty of vistas and dream experiences about to be lived a few shorts breaths away. 

So come with me, take a few deep breaths, feel the bedding lovingly warm against your wide-open naked body.  You are a soul about to unfurl its wings and take flight into the dreamtime… what happy quests await…  As ever, sweet dreams and thanks for your ongoing support.  Thank you Robert Davidson, Susan A. Point, for sharing your inspiring light with me.  Windows are highly overrated intrusions.  

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©2013-2025 Arvin da Brgha.  All Rights Reserved.

Always, I Will Remember & Celebrate!

Merlin 26121988 (2)

Merlin 21/7/1947<O>18/11/1989

Always I will remember and celebrate the greatest explosion of light, love, joy and intellect encountered in many lifetimes.  The One.  The Man.  The Shaman.  The Lover.

Merlin, I love you… and of this there can never be any doubt.

These memoirs are the story of Merlin and I as mandated by Merlin within days of his passing 28 years ago, this day.  The first two of six volumes are now available, along with their accompanying Michael Overleaves Appendices.  Available everywhere books are online.. get yours and as ever, thanks so much for your support!

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©2013-2025 Arvin da Brgha.  All Rights Reserved.

Lily Cole

Lily Cole Print

Lily Cole

Inkjet on Hahnemuhle Photo Rag Ultrasmooth paper, torn edges and hand finishing

61.5 x 51.5 cm

Edition: 48

©2014 Jonathan Yeo

This woman is phenomenally shamanic in dreams; then again with those eyes, that forehead and that shock of flaming mane, how could it be otherwise?  

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©2013-2025 Arvin da Brgha.  All Rights Reserved.

Crawl the Fuck In Your Casket!

galleon-2-the-mary-rose-and-fleet-jean-walker

Goodness, it has been a long time since I have posted a dream herein.  I have been busy putting the finishing touches on the memoir for which many of the dreams shared herein will be featured.  The subtitle for the memoir will be: Human Civilisation’s First Dream Memoir. 

More recently, I was having a leisurely ride home in the morning up Yonge Street.  I had just ascended the last incline on Yonge before it cruises down to a level grade, then it is hang a right and cruise along Wellesley Street East and home.  Just as I crossed Carlton Street and begun the real steeply graded portion of the ride, a cab pulled up and immediately out popped a female in suit at the start of her business day; she was headed for the 24hrs Shoppers Drug Mart. 

Immediately, I opted to change course and rode around to the driver’s side of the cab and cruised along the little bit of leeway afforded as yet another condominium construction – Yonge & Grenville meant that the two lanes in each direction were reduced to only one.  As I cruised past ringing my bell, the cab driver suddenly began opening his door; I could not believe his audacity.  I shouted him down and insisted that he let me pass, to which the dirty-looking mid-aged Dravidian shot back, “Oh shut up as if you matter!” 

My heart was already pumping beyond the norm after the fright of seeing his door beginning to open as I rode alongside.  Indeed, who are we to think that Black lives matter?  As I was too exhausted to fight just then, I continued peddling hard then started back to the right and towards the curb where I always ride.  No sooner than had I made it round the front of the cab that the hairy back and arsed southern Mediterranean construction worker on the east side of Yonge Street holding up a stop sign, on having witnessed the near miss, shouted, “Kill him!  Kill him!” 

My heart only pumped even more deafeningly as his face became contorted with racially predatory hatred his ilk own so well but are forever careful to claim not to have any awareness of.  Exhausted and feeling like I was going to keel over, I soldiered on too proud to have to stop and deal with the ubiquitous ugliness that is racism.  Yes indeed, Canada is a racist hellhole and they are so stratospherically sophisticated at being venal racists that unlike their tormented neighbours to the south, they do not need the ubiquity of guns when they have quite effectively rendered Blacks as negligible as a weevil-infested bag of flour in the corner. 

Edging less gingerly up Yonge Street than normally I would, I was met two blocks north by more lane closure; yet another block long condo complex was breaking ground – east side of Yonge Street from Maitland Street south.  Riding past, I made eye contact with a mid-aged member of the local constabulary who on making eye contact smiled and nodded in kind; I have always found Toronto’s officers to be worlds removed from their counterparts in Montréal.  Getting to Wellesley Street, I realised that the store to which I would normally drop in to get my cache of lottery tickets and ice cream did not have my choice flavours. 

Thus, I hung right and began homeward east along Wellesley Street East.  Riding past, opposite the subway entrance to Wellesley Subway Station, I noticed three large 5 tonne trucks lined up along the south side of Wellesley’s eastbound lane; they actually were obstructing the bike lane.  Again, I grew understandably cautious and began ringing my bell on approaching the first of three trucks waiting to service the condo complex under construction on the north side of Wellesley where the three hundred pound-plus Dr. Edward Kamski with a drifting eye serviced one of Toronto’s largest group of AIDS patients back in the 1990s in an office low-rise tower that no longer exists.  

As I rung my bell and cruised along, I heard a male voice to my rear impatiently yelling for me to get the hell out of the way.  Finally, when I cleared the third 5 tonne truck, the White male pulled alongside on his bike to start shouting at me.  I was called a fucking stupid arsehole and a moron and called crazy for wearing a helmet with lights on at just past 0700 when the Sun had not yet fully risen.  Of course, White male bigot number 1 million and two wore no helmet and fixed me with hostile looks that were full of rage that had nothing to do with my having been in his way.  Naturally, his whiteness is his helmet and were he to have fallen, he could never possibly suffer brain injury of any kind. 

I am always so happy when the weather turns icy and snowy because all these casual cyclists who never wear a helmet and are forever speeding and illegally dashing through red lights are not a nuisance for a good six months.  Naturally, he let a green light turn red at Church Street so that he could wait for me to catch up to him after he had initially sped off owing to cowardice.  Now he had to return to get his fix of being hateful and seeking someone Black to blame all that was wrong and blameworthy in the world. 

Again, he started with the racially predatory yelling as though this was some moment in Apartheid South Africa and I was his bitch.  Because life is too short to suffer the White tribe and its fucked up psyche, I simply began singing aloud whilst drowning out his dreck – with a little change of lyrics, “Ooooh wooo wooo wooooooo, what a little sunshine wouldn’t do-ooooooo!”  Thereafter, I followed with loud merry scatting as though having to drive off another bothersome neighbourhood yapping stray dog.  You will never fucking-goddamn-arse snuff out the spirit of the people who invented Jazz!  Know that! 

Finally, I got to the store along Wellesley Street East where I have visited since it opened a few years back.  In the last couple of years, I have stridently avoided frequenting said store in daytime as there is a White female clerk there who from the first time that I entered the store, she was rude and has remained rude on the odd occasion that I would pop in. 

Last June close to the end of the school year, I dropped in the store to get a couple of lottery tickets in the afternoon whilst en route to work.  Naturally, there was a gaggle of giggly, bubbly youths from Jarvis Collegiate Institute, the city’s oldest high school.  As I patiently waited, I admiringly observed three Black males who were negotiating with their Filipino and Somali female friends.  They were giving them cash and a list of what they wanted. 

Said one youth, when asked by one of the scarfed Somali why don’t they just get their stuff themselves, “She’s a bitch!  I’m not going in there to be yelled at.”  Another of three out rightly dismissed her as a racist bigot who was always targeting them for being Black.  Straight away, I knew to whom they were referring.  Finally, I made it into the store where as I got my tickets again, the cigarette-smoking, mouth-breather whose idea of post-secondary education will amount to how to successfully cock-suck and breed more ignorant offal just had to be rude, snicker and fight-pick. 

I ignored her because again, life is way too short to have to suffer shit that just does not count.  Previously, I had walked out the store to avoid having to operatically scream at her sleepwalking hateful arse.  Of course, on that occasion, I got home only to realise that my lottery tickets had not made it from the store with me.  I then returned hours later when she was already concluded her shift to pick up my tickets. 

So there I was, after having been met by three rounds of racial animus all within five minutes of each other and mere hours of these persons having awakened; at least I was near the end of my day.  All I wanted was my blasted ice cream, my lottery tickets and go home, turn up my ever turned-on BOSE to JazzFM and have Garvia Bailey lay some culture on me.  For the brief time that I was in the store, as ever, the racist White boor kept up the usual sotto voce remarks and insisted that I get the hell out of the store and take my bike with me.  The bike she has always used as her crutch for dicking with me and since I have always had the manager’s permission to bring my bike into the store, long before she ever dropped out of high school, I had no intentions of being bullied by her. 

So I ignored her bullshit and had quite had enough when she said, “Are you deaf too; like don’t you hear me, just take you and your bike and get out of the store.”  Taking two steps back, I began channelling Leontyne Price after she has just stridden victorious offstage to rapturous applause in Tosca, to Nina Simone singing with stinging rebuke Mississippi Goddamn, to Diana Ross in her live 1992 show in New York City singing with callous brutality, Strange Fruit, to Betty Carter wrapping it all up breezily singing, Thou Swell – and you can always count on Heather Bambrick to drop some Betty Carter when she is on-air hosting on JazzFM. 

“Why don’t you go lay your fucking grey arse in the sun…” I lethally shot back, to which she rebutted aloud, “Excuse me!  Why would I want to lay in the sun?  Like, why would I want to look like… you?” 

“No sweetheart never mind that, the sooner you lay your hideous grey arse in the sun, the sooner you’ll get cancer and crawl the fuck in your casket.”  Of course, never before having had her daily fix of racially charged aggression challenged, her feeble comeback was another, “Excuse me?” said with the sort of lisp that likely meant that her brother and or father were devout cocksuckers as is one’s wont. 

Always having to have the last word, she then added, “Go on, get out the store, you are blocking the aisle.” 

“Shut the fuck up and get some sun, you fucking hideous lizard-lipped fraud.  Not only are a poor excuse for a human but you long ago used up your quota of oxygen.  Go on, crawl the motherfuck in your casket!” 

“Yeah whatever, get out of here!” 

Life is all about choice: you can either play Rodney King or you own your power and be a proud motherfucker like Lena Horne or Frederick ‘Mr. Hat’ Jones for that matter.  As I began leaving the store, right on cue, the morning radio show chimed in with the opening sounds of Robert Nestor Marley crying out, “Oh Yeah!” at the start of his famous anthem. 

Oh ye fucking gods, never before had Bob Marley sounded so sweet… been so empowering.  Getting to the automatic doors, I drowned out her bullshit as the White loutish effete Athenian – whose thick moustache likely stunk of phlegm and faeces – who was in the store observing what went down, got to the counter and began saying some shit about ‘them’; singing for joy, I joined Bob Marley and shouted, “Rasta-far-I” as I slipped through the door and into sunlight which suddenly seemed more crisp, indeed, more vibrant. 

In having taken the time to take this racial predatory boor to task, the universe had synergistically harmonised and lifted me higher as Bob Marley’s infectious idealism took control.  Never before had Marley sounded so beautiful, been so right.  Had I done as too many times previously I had, I would have suffered the indignity of being driven out of the store by the racist lout and missed out, most importantly, on that Bob Marley tune. 

I then got home, had Garvia Bailey’s magical energies groove me back to centre.  But enough of me kicking racially predatory arse; let’s then focus on the business in hand.  I found this wonderful dream of the most glorious eccentric who much informed my upbringing in Crab Hill, Sandy Point, St. Kitts.  She was the original, the real McCoy… a true eccentric.  Unlike that other Florence (Foster Jenkins) there was nothing lunatic about the eccentric Kittisian Florence (Pole). 

These marvellously uplifting dreams, which had also included a right proper astral plane fuck, were gloriously lived on Thursday, April 1, 1993 whilst the Moon then bugalooed through Cancer and my second house.  These swell uncompromisingly beautiful dreams are to found in volume XV and were audiocassette-recorded on tape one hundred and forty-seven. 

The second dream of eccentric Florence Pole was dreamt on Saturday, March 10, 1990.  At the time, it was a full Moon in Virgo and thus Luna transited my fourth house whilst being conjunct my natal Pluto and simultaneously opposing retrograde Chiron and square both natal Luna and its opposition to Mars at the ascendant.  This dream of Florence was the most lucidly awakened dream poetry imaginable. 

Go on drink from the chalice that is this rare beautiful flower; but don’t get too close and definitely do not get out of line ‘cause I’m a rapaciously carnivorous motherfucker who will hand you back your arse roughly ploughed and bloodied – beautiful flowers always have to protect themselves from being preyed on.  More than that, please know that your support these past three years have been immensely encouraging. 

I quite look forward to sharing the bounty of dreams and the story of Merlin and me in the memoir which will be dropping in coming months.  Be well and always straighten up and fly right, you cool shamanic kindred-spirited cats!  Sweet dreams whether focussed in the waking state or dreamtime; anything less is just not living. 

____________________________________

Arriving at Florence Pole’s, next door to our Crab Hill, Sandy Point, St. Kitts house, I ventured indoors.  Naturally, in this the second dream, the entire house was boarded up.

When crossing the veranda, I had cautiously treaded; I knew that the floorboards there had a history of being broken or rotted away.  On entering the doors from the veranda, in place of a living room one immediately entered a bedroom.

This was the easterly room off the veranda which, in the waking state, had always been the living room.  A large single, metallic bed sat in the center of the room.

Seeing it brought back childhood memories that were pleasant to the touch.  Though it was fairly dark inside, I knew that Florence Pole was in the house.

At one point, she called me from across the house; with that, I went in search of her.  From the room, I made it into a large, impressive hall which seemed too large to be contained in the confines of her quaint Kittisian bungalow.

I was quite surprised that it existed and its high-ceilinged beauty was inspiring.  Though the entire house from the exterior appeared to be completely boarded up and thus shutting out any possible light of day, there was a great deal of light flooding into the hall.

Several beautiful area rugs were strategically placed on the floor of the hall; the rugs, however, never overlapped.  They were in the center and were placed in square formations.

The parquetry, down the centre of the hall, was so well polished that it shined.  To see all this splendour really blew my mind.

Seeing that she is such an eccentric, I thought that perhaps she would been some celebrated aristocrat in a past life.  She certainly is an intellectual aristocrat; Florence is so fine-tuned that she is beyond the ordinary.

This makes it impossible for her to relate on the level of the mundane.  How good it was to see her ensconced in such splendour.

She is certainly an eccentric, mature-souled, evolved creature.  A breed apart and onto herself, for that matter, I thought as I moved through the palatial hall.

On further reflection, I realised that her inner life would really look this opulent.  There would be nothing but splendour here; after all, all she gets in the waking state is social ostracism and derision.

The rugs were genuine Persian rugs and were in tiptop shape at that.  They were well preserved and of the finest quality; seemingly, they were hundreds of years old.

There were two long ones, on either side, which ran the length of the hall.  Between them and the dark, rich panelling of the walls were some two feet of empty space.

The grid, which formed the rectangle of exposed parquetry, was some five by twelve feet long.  Wanting to hear the sound of my feet when striding through such a majestic place, I kept to the parquetry as much as possible.

The sunlight flooding the hall left the space infused with the very warmth of Florence Pole’s spirit.  Eventually, I entered the room off the central hall from which she had called me.

When I entered, she greeted me grandly and was truly eccentric.  She recognised me, right away, and was warm and genuinely excited to see me.

Her energies were thoroughly theatrical.  All that I could think was how wonderful it was to see her again.

Here, in this room, there was an identical bed to the one in the guest room; this one, though, was in a far corner of the room.  This room was sparsely furnished.

Over in the far southwest corner of the room, the head of the bed was facing due south.  The door faced eastward and into the hall.

There was no disputing the fact that the interior of this house was considerably larger than her waking state house.  As a matter of fact, it was palatial in dimensions and the home of a very wealthy person.

This, of course, was a metaphor for this woman’s considerable wealth of spirit, intellect and creativity.  Florence Pole has substance and it was being borne out in this dream.

That no one in the waking state actually perceived her, for her true self, is not the issue.  They frustrated her because of their intolerance but ultimately, she was not lunatic, crazy or demented.

This dream encounter validated my suspicions, held since my childhood, of her.  Style and character were innately hers.

Florence Pole had this one particular painting which was in the far, northeast corner of the room.  The painting was on the northern wall but towards the eastern edge of it.

This painting was the most incredibly beautiful work of art.  The art was held in an ornate wooden frame that was gold filigree; the frame was about two and one half inches thick.

Bevelled, the frame graded in towards the painting.  The painting was oil on canvas and was quite rich.

There was a wonderful sense of the ‘blue’; indeed, it was an aqueous sky.  On the ocean was the most magnificent large ship.

The ship was from the age of the buccaneers.  Right then and there, it dawned on me that the painting hearkened back to a past life of Florence Pole’s.

Thus, I presumed, she perhaps had been a pirate; a European pirate who had come over on one of the galleons during the 16th or 17th centuries.  Perhaps, I further speculated, she had come to St. Kitts and had so loved the place that her soul had decided to pass a future lifetime there; of course, that future lifetime is the life that she is now living.

She would definitely have been European, perhaps, British, French or possibly Spanish.  That experience, as it were, had ended up planting a seed in her soul.

There was no mistaking that this lifetime of hers presently hearkens back to a disputatious lifetime of hers; a past life in which she was White of European descent and deeply involved in the pillage, rape and plunder of the spoils of colonialism.  She had clearly had a swashbuckling lifetime somewhere back there.

The ship was brown and black with three masts.  Two of its sails were unfurled.

The ship was the most majestic vessel imaginable.  Never before had I seen a painting that was so alive with sheer realism and creative genius.

She stood there whilst admiringly looking at me as I rather admired the painting.  I knew that Florence Pole knew that I was getting the gist of the ship’s importance.

The oils used were as if still wet and slowly, hypnotically in motion.  This painting was as captivating as when I stood before Rembrandt van Rijn’s Night Watch back in 1992.

Quite simply, I was blown away by the languorousness of the painting.  This was not static; it was as if having a window onto a past in which simultaneously said ship was on the high seas centuries across time.

To say the least, Florence Pole in that past life would have been on board that ship then and there.  Perhaps, she was even the captain of the vessel.

The colours here were so masterfully rendered.  A truly realistic reproduction of things this proved.

In that sense, it truly was magical as it simply seemed to be the seed point from which the actual vessel was created.  The blues of the sea, as contrasted to the blues of the sky, were so subtle that it was mind-blowing.

This was a very rich blue with different tonalities to it.  In its subtleties, this work of art was so sublimely magical that it was mind-expanding.

Also, in the room were two antique chests of drawers.  There was as well an antique rocking chair.

This woman was so very regal and dramatic.  I rather got off on being in her presence.

We completely connected; there was no way to get around the fact that we were not strangers to each other.  She did very much so appeal to my Sagittarian energies.

Our sense of self and style were completely harmonious; in that sense, we were kindred spirits in the true sense of the word.  So very good it was to see her that I said, “Oh, it’s so very good to see you…”

With that, I grabbed her by the hand and energetically squeezed it.  She warmly smiled and together our hands remained at our sides.

The touch of her hands relayed to me that energetic spark of her soul itself.  The feel of her vibration was readily familiar.

She was showing me around the room; together, we spent much time looking over the oil painting of the galleon.  Florence Pole then told me that it was her very favourite painting and held a special place in her heart.

This, of course, made perfect sense to me as it was clearly a pivotal lifetime of hers.  Clearly, it was a lifetime in which she commandeered on the high seas and was quite the adventurer.

There was no sense that there was something lacking in her life, in this lifetime, because she was isolated.  There was a lot of processing going on in her life at present.

I had the sense that she was in the process of transiting soul ages; as a result, she was having to take stock before making the next big leap forwards.  There was nothing wrong in her present lifetime.

She was an older soul; of that much I was, for having experienced her, certain.  I then left the room and walked about the hall more leisurely whilst exploring the various rooms off the central hall.

Meanwhile, Florence Pole could be heard very beautifully singing as though I was not even there.  This was the kind of inner musings in which she constantly engaged without as much as a thought to others’ opinions.

This was one of the most pleasurably rapturous experiences.

*To have been in this great eccentric’s presence as she was simply being herself whilst caught in a groove, I thoroughly understood.  This truly was an utterly amazing dream odyssey.

Here, it was quite nice and uplifting.  More than ever, this astral plane encounter impressed on me how very rich a life this woman is leading.

She was letting me into her innermost lair whilst following her inner voice.  This was the most beautiful and intimate of dances of souls.

I thoroughly connected with the every complex idiosyncrasy of her being.  Florence Pole, contrary to waking state misperceptions, was quite grounded and completely aware of her selfhood.

This woman has achieved a great deal in this lifetime and I am very honoured to have been witness to it; a totally admirable soul.  During childhood, this woman was the object of intense study for me.

Every time that she would fly out onto her veranda, taking to the stage, I would become as if possessed by her.  There was no way to get around the fact that this was great theatre; every time she appeared, I was captivated by her every stunning, quicksilver innuendo.

What I learnt most of all, about her self-absorption, was that it does not matter what it is you do.  You simply have to go ahead and do it because ultimately no one can either stop you but you.

When it is all said and done, Florence Pole was simply exploring her beingness.  For flying out onto her veranda, in full operatic rant, she was fulfilling herself.  END.

When I ventured into another bedroom, I found there a man.  He was mesomorphic, tall and blond.  Although his body reminded me of Storm Isbister’s, I could not make out who he was.

He called me over to join him in bed – even better than I would have scripted it myself, “Oh, my goodness!  Yes… let’s make love…”

The sheets were a quilted satin, the most luxurious touch, as I seductively slithered into bed.  Passionately, we groped each other’s hard-ons whilst groaning and hungrily looking into the other’s eyes.

We truly delighted in each other’s bodies.  All the windows to the house were of course closed; thus we were provided with ample privacy.

Climbing atop him, I rubbed my cock hard against his.  As he lay back there, into the propped up pillows, his body reminded me in its largeness of Karl Weller’s.

Nimbly, I straddled him whilst making his body familiar territory and all mine at that.  We grabbed a hold of both cocks whilst frottaging atop the other.

His cock was longer and considerably thicker than mine.  He was also uncut.

What really freaked me out about the whole experience was how wonderfully real it was.  I could smell his maleness: his balls, cock, precum, armpits, sweat and breath.

Our passionate play was profoundly grounding.  After pinching hard his nipples, with my left hand, I flipped around.

Now I straddled him with my back turned to him whilst still frottaging.  With that, he righted himself by propping his upper body with the elbows.

Grabbing a hold of my contracted scrotum, I began rubbing the ridge between it and the anus against his hard, throbbing cock.  Sweaty and on the verge of going wild, I cried out to him, “Yes, oh god, let’s fuck.”

With that, I went to get a vial of lubricant that sat across the room on a bureau.  Straight away, he drew my attention to the fact that this was the dreamtime and there was no need for lubricant.

More to the point, his referral was to the condoms which I brought back to the bed.  Irritated, he shot at me, “Come on, let’s not use them.

“Look, at you.  Look at where we are, will you?”

Yet I felt the need to use them, of habit, as in the waking state.  He did not protest any further; I then began squeezing some of the lubricant into my palm.

The feel of it was so cool and luxuriant that it made me shiver throughout.  I so wanted him that I lunged at him and began passionately kissing him.

We both hungrily struggled in the other’s arms whilst consumed with one another.  The experience was so incredibly intense.

I did take note that his eyes were very waking state in focus.  That is to say, there was nothing soulful or old-souled about them.

He was very grounded, young-souled and sexually dynamic.  I am not quite certain that this was indeed an encounter with Karl Weller.

His face was not distinctive; besides, I was too overcome with lustful desire to have paid his looks that much attention.  All the way through, I kept on groaning whilst completely enjoying myself.

Nothing else in the world existed whilst being alone with him.  I was not the least bit self-conscious about Florence Pole being close by in another room of her palatial digs.

In all honesty, it was hard for me to transcend my lust and get into him.  All I wanted was to have my size queen’s every yearning fulfilled.

Nothing about him mattered to me but his cock.  I wanted his cock inside me; I wanted the feel of his powerful body all over me.

On my knees in the bed, I faced out whilst he got well lubed and slippery.  The slippery bulbous head of him was just comfortably past the plush, relaxed rim of my butthole when we heard Florence Pole noisily rushing down the hall towards us.

From outside the door, she called out concerned and wanted to know what noise was this.  Stealthily, we both leapt from the bed whilst still engaged and onto the floor.

We threw ourselves onto the ground, on the far side of the bed – north side, away from the door.  Somehow, in our energetic manoeuvre, I had managed my way on top of him whilst he was now completely buried deep up inside me.

The feel of him was mind-altering and exquisite.  Florence Pole then entered and projected her usual feisty, argumentative waking state persona.

Right away, she demanded to know what we were doing; this, of course, was her way of feigning ignorance.  She then grandly announced that she did not want us messing around or carrying on like this in her house.

Speciously, I called out to her and let her know that we were not doing anything untoward.  My left elbow was on the bed, bracing me up, whilst he was lying behind me on the floor; at the time, he was totally hidden from view.

I sat squarely on his cock, with my back fully elongated, whilst yogically breathing.  Whilst she stood there and stayed her ground, I tried to stave off her intervention but the feel of his cock thrusting unabated and rhythmically deep into me was fast rocking me to a cerebral orgasm.

To not lose it and shriek at her to get lost, it took every fibre of my being.  Consciously, I began elevating my vibration whilst simultaneously projecting this process onto her.

The object here was to quiet her fears and elevate her life condition to a place completely removed from all fears.  Try as I might, she would have none of it and simply stayed her ground.

Florence wanted to have whatever we were up to, on the other side of ‘that’ bed in ‘her’ house, to be readily concluded.  Fussily, she told me to get up and be decent.

I was not, after all, even wearing any clothes.  At this point, we had long since ripped off all our clothing.

Florence then insisted that I get dressed and immediately get going.  Pulling up off his cock, I groaned aloud as there was a vacuum tug created in the wake of his bulbous-headed departure.

I could not have cared less that she had heard it all; there was no way to have controlled such intensity of emotions.  This was the kind of cock which on seeing it in the waking state, one had to readily sublimate one’s usual posture as top and pay homage by way of experiencing a momentary lapse and play bottom.

She came over to the bed whilst insisting that we both get up and take our leave of her house.  I then suggested to my uber-lover that we slip out the house, by way of the side doors, which would have faced Jestina Hendricks’ house to the south.

He did not like the idea of being seen together when leaving the house.  Agreeing, I offered to meet him down the street after heading out the front door.

He was mindful that no one suspect him, or us, of having been physically intimate.  I then offered him to come home with me as I had to be heading back anyway.

With that, we parted and left the house at opposite ends.  Eventually, we came together around the corner of the house; there, we pretended to have just met.

We then went walking along the street.  What was really interesting was in my haste to get dressed before Florence Pole went truly wild, I had pulled on my blue jeans and forgotten to put on the underwear first.

Funnily enough, I had only remembered the underwear when I saw it fall out the left leg of my jeans.  The underwear had slipped out ahead of my pointed foot as I hurriedly got dressed.

Quickly, I grabbed it up off the floor and tucked it into my waist.  I secured it there so that it would be held in place beneath my shirt by the belt.

All that I could think of, when we were alone outside, was the fact that we had not used condoms.  All this even though I knew pretty much so that this was a dream.

In my mind, I went through a battery of fears about him being riddled with STDs of one kind or the other.  I became quite concerned and fearful.

I then got in and on entering the house, I could feel Isha da Braga’s vibration about the interior.  Pandora da Braga was there with a brown-folded brochure for a concert or some such.

We were looking at it when she began naively asking, what I had been doing; there was so much implied about the super stud with whom she had seen me out in the street.  Deflecting her intrusion, I told her that I had merely been next door to visit with Florence Pole.

Next, I pointed out that the guy was there with her.  We met and he decided to go for a tour of the place with me.

Earlier, as we walked home, I had been urging him with the suggestion that we go get a room at a bathhouse; there, at least, we could fuck our brains out.  All I wanted to do was to be with him and fuck ‘til daylight.

I told him that there was no way that we would have any privacy at my family’s.  Looking disappointed in me, he let me know that he never went to places like that and did not like my idea of finding nothing wrong in frequenting such a place.

“That’s not my scene.  I wouldn’t want to go to a place like that, at all.

“I just wouldn’t be comfortable,” he protested.

Nonetheless, I was persistent, “Come on.  It’ll be just you and me.

“We’d be together in a room, away from being spied on by anyone.”  I could see that he wasn’t going to get into it.

Contrary to the waking state arrangement, the walk from Florence Pole’s to our house was unusually long – especially for being a next-door neighbour.  Both houses are separated, in the waking state, by the narrow earthen lane.

Outdoors, it was quite sunny and bright.  This, too, had been the case inside the sky lighted grand hall at Florence Pole’s palatial digs.

Sol’s intensity here was also a metaphor for what I was feeling, deep within, as I had literally been walking on air – after having played St. George to this veritable dragon of a schlong.  Well quelle scandalle!

He would have none of my deceptive banter.  Just like that, he put in and let Pandora da Braga know, “No, no, no.  We were over there, in bed.

“And we had a good time.  We really connected and we fucked.

“I mean, we didn’t get to fuck as much as we’d like to.  But it was really a good, good fuck nonetheless.

“It’s like we didn’t do anything.  Yet, we did everything…”

Talk about being completely mortified.  Yet, there he stood all man and no bullshit.

There was no way to get around his candour.  Obviously, he was feeling the depth of sublime connectivity as much as I was.

The passion to be sure was there as well.  Though we had not been able to go all 15 rounds, it was all around a pretty damn good fuck.

Interestingly, Florence Pole’s interruption and nonstop banter moved us onto an alternate, totally unexpected plane.  We were arrived at a groove where we were able to experience the most meaningful of orgasms: an intellectual high, communion of spirits.

What passed between us was quite incredible.  Overwhelming it was and thrilling too.

He was pleased at what we had experienced and, for that matter, he could not bear to have the beauty of it marred by my being in denial of what had had transpired between us.  Finally, I felt embarrassed before both.

Pandora meanwhile, to say the least, did not much care to hear about any such thing.  Adroitly, before being possibly late for some appointment or other, she declared that she had to get going.

With that, I took my leave of them both.

*Back to Florence Pole, she was channelled by Sarah J. Chambers as being a mid-cycle mature sage.  Previously, Florence had been the daughter of the Maharajah of Jaipur in the 15th century.

Too, she has had many celebrated lifetimes on the stage; furthermore, she had had an illustrious past life in Rome.  There, she had been a celebrated sculptor some of whose works still exist.

More than that, as is obvious, she was no stranger to either Merlin or I.  Of course, Florence never did meet Merlin.  END.

___________________>0<______________________

I was on the veranda of 20 Amelia Street and this old White couple who live here in Cabbagetown were present.  They live on Metcalfe Street right at the corner of Amelia Street across the street from Mark Stuartson’s.

*This same august-souled couple also worked at Canada Post Corporation.  They worked there until long years after their official retirements.  END.

They were going home from Parliament Street across Amelia Street.  They stopped because this man was coming towards them; he stopped and they took the time to talk with him.

He was telling them, “Oh yes man.  Yup, Florence Pole died.”

I immediately ran down towards them.  I was truly stunned and called out, “Ou true!”

I ran all the way down and around onto Parliament Street.  On entering Cabbagetown’s Parliament Street, it immediately became the main road in Crab Hill, Sandy Point, St. Kitts.

You could see all the people in Crab Hill.  They were hanging out around Florence Pole’s house.

They had her corpse lain out on the veranda.  I went up filled with love and paid my respects.

I was really pleased to see her because she did look good.  Florence was the picture of ethereal serenity.

Laying there, truly in state, she was truly at peace with her ruggedly eccentric, accomplished life.  Though she obviously was not breathing, there was no getting around the fact that she was aglow.

Everybody was laughing and basking in storytelling tributes to the dear old soul.  Then somebody had us all howling when they said, “Is all dem cussing why you see ‘e live so long ‘o know.”

Truly, it was a testament to her marvellous spirit that it seemed as though all of Crab Hill, if not Sandy Point, had turned out to pay their respects.  Rightly so, Florence was being deferred to.

She lay in a vivid purple casket which sat on three sturdy-looking typical dining room chairs as those popular in West Indian homes.  Her head was facing due south towards Brimstone Hill Fortress and her feet towards the north, the main exit from the veranda and our home.

Florence wore a rich multitoned blue dress which was muted by a thin film of white diaphanous linen.  All about her body were a rich array of local flowers and that green vine whose leaves looked like miniature Christmas trees.

Though it had never been used when she was widowed, the official stairs from the main road up to the veranda was opened.  Persons would arrive to pay their respects by mounting the official, though never used, stairs from the main road.

They would then move about the casket with some speaking lovingly of her.  On the side of the casket closest to the house stood a group of women – they were actually fairly androgynous-looking persons.

Their sole purpose, it seemed, was to fulfill their role as astral guides.  Perhaps, they were astral plane habitués with an obvious soul connection to Florence.

Truly impressed, I had taken my time and stood beside her coffin.  With head cocked to the side, I lovingly looked on at a truly remarkable life in full which had been lived with the greatest panache.

Whilst admiring the collapsed lips of her supremely serene face, my already enthralled lids slid shut.  They did so more for being hypnotised by Florence’s regal beauty than for being intentionally slid shut.

Just like that, my lids reopened.  The moving dream vista before me, however, was totally gone.

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Art:  The Mary Rose and Fleet

Artist: Jean Walker

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