Jessye Norman 15.9.1945 ✟ 30.9.2019

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Tonight my home is awash in the music of Jessye Norman… this brings me inordinate comfort at this time.  Sweet and truly blissful dreams dear ennobled soul.  As I am unable to do little else, owing to being emotionally overwhelmed, I pause here to republish this blog of earlier this year.  So very glad that I was able to attend the Glenn Gould Prize Gala this past February.  

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As I work 7 days a week, I was debating whether or not to attend the Twelfth Glenn Gould Prize Gala at the Four Seasons Centre for the Performing Arts.  That morning en route home from some errands, I discovered that someone had jumped from a neighbourhood condo.  I got in and realised that there was no more feet-dragging; to hell with being dog-tired.  I got on the phone and called up Lucian Mann-Chomedy and said, “My darling, we are going to the Jessye Norman Gala!”  As ever, always positive, Lucian chimed in, “Oh my, oh yes, how lovely.  Well, I’ll be both honoured and delighted.”  Indeed, life is for living!  

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Merlin and I met Friday, October 1, 1982 in a Hell’s Kitchen Walk-up, the following Monday evening, on his return to Toronto, Merlin called up crying.  The man whom he had spent so much of our first evening together speaking of, had died; Glenn Gould had died.  For the seven years that we were together, Merlin listened to Glenn Gould’s interpretation of J. S. Bach’s Goldberg Variations at least thrice weekly.  Indeed, the first gift I purchased Merlin, was a recently released recording of the Goldberg Variations at Christmas 1982: I think that it is safe to say that that gift sealed the deal, I was a keeper for sure.  

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As I had waited until the last minute to get seats, I was sat in Ring 4 rather than the usual Ring 3.  This, alas, was my view of the stage and of course, the butterflies are from the set for Atom Egoyan’s masterful staging of Mozart’s Cosi Fan Tutte, which the moment I saw the set, I began chuckling to Lucian on recall of Tracy Dahl’s unsurpassed performance as Despina.  

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As I was too busy trying to throw something together for Instagram, I was heard gasping when it was announced that the head of the Glenn Gould Foundation’s Jury this twelfth prize was none other than the actor, Viggo Mortensen, who then walked out onto stage.  He, indeed, who in a few days time will be attending the Governors Ball where he may or may not be holding an Oscar.  

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Out onto the stage arrived the Twelfth Prize Laureate, Jessye Norman.  Truly, it was a shock to the very core to see Madame being ushered out in a wheelchair.   Suddenly, I was reminded of the events of earlier which caused me to rush home and purchase two tickets for the event.  That aside, there was no greater joy than drinking of her soul’s inspiring beauty.  

This beautiful gala was so filled with touchstones for me, none more so than the moment that bass baritone, Ryan Speedo Green was in full song.  When he sang, “Aprite un po’ quegli occhi” from Wolfgang A. Mozart’s Le Nozze di Figaro.  

Yes, indeed, this marvellous aria’s orchestration included a harpsichord.  Straight away, I was teary-eyed as memories of the truly eccentric and delightful Milan Newcombe readily surfaced; Milan will ever remain a lover like no other.  

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During the intermission, I ran into two old friends not seen in at least 1.5 decades; we spoke of nothing but our surprise at Ms. Norman’s entrance.  Life really does march full speed ahead.  

After the intermission, it was the announcement of the Glenn Gould Foundation’s Progidy Prize with the recipient being none other than, Cécile McLorin-Salvant, the most fabulous Jazz singer on the planet.  Is this not an evening to remember during Black History Month indeed.  

This stunningly unforgettable gala was closed out by the final recitalist being the divinely gifted soprano and Glenn Gould Foundation Prize juror, Sondra Radvanovsky in full song, singing Verdi.  

The gala concluded with Ms. Norman returning to the stage and singing a duet with Cécile McLorin-Salvant.  This was a moving, emotionally intense evening and my life was greatly enriched for having chosen to attend.  The gala was nothing short of magical.  

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As a tribute to this marvellous evening in the theatre, I will include herein two dreams, which were originally audio-cassette-recorded in the 1990s.  Before each deam, one of Glenn Gould, the other Jessye Norman, I will include each individual’s Michael Overleaves.  

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Gould, Glenn Herbert 25/9/32 – 4/10/82, Toronto

This fragment was a sixth level mature artisan in the repression mode, with a goal of growth, an idealist in the moving part of intellectual centre.
He had a Mercury/Saturn body type.

Glenn’s primary chief feature was self-destruction with a secondary of arrogance.

Glenn was third-cast in his cadence and his cadence is fourth in the greater cadence. He is a member of entity four, cadre five, greater cadre 17, pod/node 819.

This fragment has an artisan essence twin who was alive during Glenn’s life but there were no plans to meet. This fragment is still incarnate on the physical plane.

The fragment who was Glenn has a scholar task companion, who was in a previous life, Carl Philip Emmanuel Bach. They were not incarnate at the same time.

However, the fragment who was Glenn was exerting considerable influence on Carl Philip Emmanuel.

These two fragments had many lives together, once as luthiers, three times as court musicians, nine times as brothers of the cloth, twice as brothers in the flesh, as well as completing several important life monads, including student/mentor and master/slave.

In the immediate past life, the fragment who was Glenn had as his three primary needs: security, communion and exchange. Only the first of these was ever even partially satisfied.

So here we had a warrior-cast artisan who had seriously conflicting overleaves and a primary chief feature of self-destruction. He had a goal of growth but a repression mode which would not allow him to flourish.

He had a need for communion, but was sexually ambivalent and socially inept. Undeniably, he had great talent but took no pleasure from performing in public.

This fragment has a great deal of scholar energy that was used in the immediate past life to enable Glenn Herbert to painstakingly examine and interpret the works of Johann Sebastian Bach.

He was very interested in form and structure for all of his adult life. This fragment was, unfortunately, the victim of a severe obsessive-compulsive disorder, also for all of his adult life, which worsened considerably during his third and fourth decades.

This fragment did not, as popular wisdom teaches, retire from public life because of any strong beliefs in the recording industry. Glenn Herbert retired from public life because he could no longer bear to be in crowds, even if he was distanced by a proscenium.

Needless to say, this fragment did not complete work on his fourth internal monad.  

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A Glenn Gould

Astral Plane Glenn Gould Recital!

 

Nothing is more uplifting than finding oneself at a great musical performance on the astral plane.  This dream was about being richly inspired and by Glenn Herbert Gould, no less; it was truly marvellous an adventure for the spirit.

The dream occurred, on Tuesday, October 6, 1992, whilst the Moon transited both Aquarius and my ninth house.

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I am in France where I leisurely browsed through a store; perhaps, it was somewhere in Paris.  It seemed here like at nighttime.  Whilst in one corner of the store, I noticed that there were all these big slabs of cheese in packaged containers.  There was a woman coordinating the display of the cheeses.  Sometimes the cheese was being grated and other times not.  There and then, I decided that I was going to buy one slab of the cheese that was packaged in a rectangular box.

The cheese was about an inch thick and about eight inches long.  The cardboard box that it was in was white and almost like the size of a box of Cream of Wheat.  Surprisingly, the box was rather heavy.  Though not unlike cheddar, it was a dark cheese.  The smell of this cheese was really hard – quite the bite to it.  It had seemingly been opened for too long as parts of it was growing hardened and turning colour.  I knew straight off the bat that I wanted to have some to take home with me.  

So, off I went to purchase the slab that I liked.  Everyone here was, of course, speaking French which I quite so understood and liked.  Interestingly, I too was speaking very competently in French.  It was obvious that I was not too heavily accented as the others were pleasant-enough with me.  

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The second dream had me leaving the store; I then found myself hovering in the air.  Whilst in flight, I went into a building which had a green – oxidised-copper – roof.  It was part of a long set of buildings that had very, very tall stone chimneys.  These were chimneys that were not unlike the ones at the Palais du Louvre.  As a matter of fact, the building was similar to the Canadian Parliament buildings though it was not those buildings.  

This complex was considerably longer.  These were a series of complex buildings.  Here, I was easily thirty storeys up whilst in flight.  I looked down at the complex which at maximum could not have been more than five storeys tall.  After having contemplatively observed the complex for awhile, I began very slowly gliding down through the air.  I intently studied a procession of persons, way below, who were bailing out of very large buses; they were, as a matter of fact, tour buses.  

This was all happening in a courtyard-like area and away from the bustle of the street.  I next noticed some men who appeared; they seemed, in their long, flowing white robes, to be priests.  They were not Arabic or Muslims in caftans; rather, they were definitely Whites.  The buildings here were long on the order of Palais Richelieu in Paris.  When I finally alighted, we had to go through this incredible entrance.  

This led into a wonderful sandstone building; it was very modern with a neo-classical design.  On the order of being imposing, the door to this place was massive.  They seemed to be the doors to a temple.  To get to the entrance, there were many steps which one had to climb.  On entering, off to the right, there was a passage that one could take.  

An aisle led along another passage; it seemed illumined by a skylight.  The priestly men had all entered before me.  They preceded a procession of adherents who had come to partake of some ritual.  I had gone to explore, off to the left, because it was the wing of the building that had reminded me of the Palais du Louvre.  Going there, I wandered about being fascinated by the place.  

Some women were posing for artists in this particular wing.  They wore modern garb but were very exceptionally beautiful.  What was most intriguing about their look was that it was exactly as they would have appeared on the finished canvases.  They were very nubile young women; they had to hold their poses for interminably long periods.  Here several kids kept on going through the place; they were seemingly art students.  

They were all very North American, middle class with their loud, snobbish bourgeois affectations.  Right away, it was obvious that all the muses were still virgins.  Theirs was an innocence that could never be affected.  They were all teenage girls whose bodies were very voluptuous and full.  These were not skinny people at all.  There was one point at which one girl was holding different poses.  Each girl would be painted by from three-to-five artists, at a time.  Thus every pose would be captured from different perspectives.  

At one point, they told her to take a break; they then reverted back to an earlier pose.  This was so that they could return to that work and put some more work into finishing it up.  When she changed the pose, she had also turned some 180 degrees.  This particular model, whom I was studying, wore socks with Oriental-looking sandals.  Inside her socks she kept little items of hers.  Whilst she was making the transition, she simply reached up her foot and pulled up her right leg to reach down into the socks.  

Hers was a pair of blue-coloured socks – pale blue.  To just above the ankles was the extent to which the socks rose.  Looking at her, she took out something from about her ankle which looked like a wafer.  Not the least bit self-conscious, she ate it at once; it seemed like a chocolate wafer which she favoured.  She seemingly needed it to get an energy boost so that she could stay focussed on the tedious work that she did.  After having found it all very interesting, I moved on sufficiently knowledgeable of the goings on here.  Walking along a corridor, I ended up going into a room where everyone was very strange.  

A guy there was a lot like Galen Shim – my very beautiful, Hong Kong-born, Eurasian friend.  He reclined on a bed with his head close to the door.  When I came in, I noticed that he was naked.  When giving him a massage, I began by oiling his body.  It was quite fragrant oil.  Rubbing down his body, I began working on his toes and feet.  Afterwards, I got up to leave but he very silently began coming with me.  So out we went and joined the procession of persons; among them this time were several kids.  Mostly, they were teenagers – amongst whom I did not want to be.  

Galen or the guy who seemed like him, here the guy was not wearing glasses as before nor would Galen for that matter, and I kept walking through the place.  Pretty soon, after we had left the noisy kids, we started hearing the most beautiful music.  This was one of the rare times that I found the music of the pipe organ to be beautiful.  Within the complex, we happened on this wonderful cathedral inside which were most of the people from the procession.  On entering the structure, it seemed more like a concert hall.  We soon learnt that the hall was specifically built so that only Johannes Sebastian Bach’s music could be played there.  

Never before had I heard classical music sound so beautiful.  We stood there transfixed whilst listening together.  Who then should I notice way at the front of the hall, at the pipe organ that sat high on the dais-like stage, but Glenn Gould.  I could see his right profile as if in close-up.  My god, this was rapture and then some.  He was playing with such rapt abandon that I steadied myself and whispered more to myself than to Galen, “My god, what an incredible dream to be having…”  

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There seemed to be a skylight on the side of the high-ceilinged nave.  Instead of there being stained glass windows, windows for that matter, there was only intense light raining down through what seemed to be a skylight system.  The centre of the halved skylight was a wonderful neoclassical, oxidised, copper-looking, greenish flying buttress.  Here the look, though modern, was more in the style of Islamic mosques or even Moorish architecture rather than the classic Gothic signatures.  

A series of the most intricate and complex circles intertwined, like some riotous jungle vine, in the cathedral-like, concert hall’s stonework.  Breathtakingly beautiful it was.  I stood there, just inside the entrance to the hall, on the left of the wide aisle.  This was a very wide-bodied structure.  As you progressed down the aisle, there were different levels where one could go up and sit.  These were either on the right or left.  The central aisle was covered by the most beautifully designed red carpet.  

This place was considerably wider than Notre Dame Cathedral.  Unlike the Parisian Gothic structure, it was not a darkened affair.  Here it was very intensely bright out.  The light coming in on the right and left side of the flying buttress-like, central girder fell through a slightly frosted glass.  The light was an intense – almost aquatic – blue.  Interestingly, there were no beams or columns, supporting the unusual central, flying buttress-like beam.  For looking at the light, one became slightly languorous.  I felt paralysed with pleasure; there before me, down the massive hall, sat Glenn Gould.  

He wore the most thick-fabricked garb; it seemed from an earlier age.  All the men in the white gowns were up at the front.  They were all transfixed – as well they should have been.  Though I love Johannes Sebastian Bach, at the time, I had some reservations as I am not especially fond of pipe organs.  I suppose that it is because it has always had too many religious associations during my childhood.  The persons attending the concert were there simply to recharge their batteries.  They seemed, all of them, as if not quite in their bodies for being so transfixed – they were otherwise-engaged.  

Eerily, I had a sense that these were all persons who were between lives as is Glenn Gould.  They were in a form of processing, a form of deep meditation on the order of sleep, as they prepared for the next incarnation.  This fugue was the most complex music imaginable.  Indeed, the music seemed designed for those between lives.  The fugue was composed for astral plane habitués who, sans bodies, could best endure the music’s intensity.  Getting a sense that I really shouldn’t be there, plus the fact that I finally couldn’t get into the pipe organ, I started taking my leave of the place.  

Galen, or the person who seemed a lot like him, and I then went out front.  There we waited for the specific tour buses to show up and take us away.  Whilst I waited with Galen, or the person who seemed a lot like him, I was joined by Pandora.  It seemed that most of the people who were here were very young-souled.  They seemed to be on a pilgrimage, like visiting the original Gohonzon in Japan or going on the Hajj, at Mecca.  

As the pipe organ played, I could hear in the tone of the place a faint whisper from the men in white robes.  Their thoughts, it turned out, could be telepathically heard.  Even earlier, when I had been hovering in flight high above the complex, I knew that this was more so a political institution rather than not.  This was a structure which was just as colossal as the temple at Karnak and considerably older.  This place was mind-bogglingly complex and massive.  The temple was posited directly in the centre of it all.  

Just like La Chapelle in Paris is comparably dwarfed, by its surroundings, so too the massive concert hall-like temple was dwarfed by the complex.  This architectural marvel was simply soul-inspiring.  Whilst all the buses were waiting, I took to one of the buses with Pandora.  I had gotten impatient waiting to be assigned to one.  We spoke in French because everyone else here did the same.  This was not unlike a Parisian bus – the seats all faced each other.  Seated close to the front, we were on the left side of the aisle behind the driver.  

As though getting close to Saint-Sulpice Métro, I got up and said goodbye to Pandora.  I wanted to get off there then walk back to her rue de Grenelle apartment.  Pandora planned to go out then come home later so had asked me to wait for her at her place.  Here it seemed as if nighttime coming on to dawn.  Speaking guardedly in French, I made sure that I was speaking properly and not just fumbling partout.  Really, I rather enjoyed this experience of being together with Pandora.  

I was very serene enjoying the very beautiful experience.  Galen, or the person who seemed a lot like him, had silently slipped from my side when Pandora came and joined me.  

*Of course, it would turn out that the person in question was Louka Duplessis and not Galen.  I would meet Louka, who accompanied me in this dream, the day following this dream.  Just prior to meeting for the first time, it is not uncommon for me to dream of persons who will prove important in my life experience.  

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Jessye Norman

Norman, Jessye 15.9.45 ✟ 30.9.2019,  Georgia

Jessye is a first level old priest in the passion mode, with a goal of rejection – functioning for the most part in the positive pole of discrimination, a spiritualist, in the emotional part of intellectual centre.

She has a Jupiter/Saturn body type.

Jessye’s primary chief feature is arrogance, with a secondary of stubbornness.

This fragment was third-cast in her cadence and her cadence is fifth in the greater cadence.  She is a member of entity five, cadre six, greater cadre 33, pod/node 212.

She has a discarnate priest essence twin whom she did know earlier in this life but this fragment died in Vietnam.  She has a warrior task companion and they have worked together and continue to do so occasionally.

Her three primary needs are: freedom, expression and power.

The warrior energy gives Jessye tremendous organisational powers and her stubbornness has enabled her to stick in there when the going got very rough many times.

Jessye is a warrior-cast priest who has been a spiritual rebel in this life.  This is, by the way, not the first time this fragment has sung professionally.  This fragment was a well-known castrato in seventeenth century Italy and performed many times before the crowned heads of Europe.

Jessye has great need to serve her concept of the higher ideal and has done so admirably by combining the folk music of her people with her operatic repertoire.

She performs well, as do most entity five fragments.  This fragment has always enjoyed her work.  Singing has been an extension of her inner spirituality.  It is, in fact, a form of meditation for her.  

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Now that’s a Hollywood wife!

Jessye

These rather lucidly awakened dreams were experienced with an intense sense of wonder and joy, on Monday, July 2, 1990.  At the time, the Moon transited both Scorpio and my sixth house.  

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This first dream found me in a very busy place.  When going south towards the Danforth, it was not unlike being on Broadview Ave.  It was at nighttime.  I came there and found that there were tons and tons of Black people.  Even so, it seemed like Toronto and at Broadview Subway station because there are all these streetcars there.  One of the streetcars was improperly parked, as a result, it was going to go and turn around.  

Waiting for it to do what it had to do, there was another streetcar out in the street.  It was really more like a red-rocket streetcar.  It was not like one of the newer ones.  Everyone here was Black.  There were no Whites or other non-Blacks that I saw.  Everybody was in the street which was very jam-packed.  They were getting ready to cross, after the streetcar had passed, to go in.  

There was now a system, where you paid your fare aboard the streetcar, so that you did not have to enter the front doors of the station on Broadview.  When you got aboard the streetcar, it was mandatory that you pay a fare.  So it did not matter whether you paid a fare at the proper entrance or not.  There were many people queuing up to get aboard a streetcar.  

Passing these people who were seated there, I went through the proper entrance.  One of them seemed like Gabriella Vartan and they were talking about me.  I came around and began going down the steps, into the nether regions, en route to the trains.  There was this little old lady who was taking her time, holding up things, so I pushed her to my right.  I made my way down then had to go around taking another flight of stairs; I then kept on going.  There were a whole lot of levels to this subway system.  

When I got down, there was this little cul-de-sac where there were these Black guys – homeboys – hanging out.  However, they were not Black American.  I found one of them very attractive and smiled at him.  He, however, was very homophobic.  He went running upstairs to go call the police on me.  The train then came into the subway and it was a very, very large train.  It towered very high to the ceiling.  It was like an Amtrak train which seemed like a double Decker train.  It was mostly silver, however, it turned out not to have been double Decker.  

When it stopped, I began running full speed because I did not want the guy to come back and board the same car as me.  I ran to the front of the train only to find that one couldn’t board there.  Instead, one could only enter this train where the cars joined each other.  You could enter the front or backdoors of each car but not the front ones of the first car.  It was very sleek, round and Deco like a train from the 1930s.  The whole place did have a feel of the ‘30s to it.  It was very neo-Gothic like the Chrysler or McGraw-Hill buildings in New York City, or for that matter, even the Empire State Building.  

It was reminiscent of very early in the twentieth century which was all about great architecture – of things being large, mammoth and spiralling upwards, too, things getting faster and faster.  That sense of adventure about the wonderful world of commerce that one had created.  It was that time when people had not yet begun to see, as we now know, the consequences of things being bigger and better and faster and all the effects on nature.  I got onto the train heading, again, towards the front.  Somehow, I felt relieved because I had lost the guy.  I was there and noticed a stout man who was either High-Yellow or, perhaps, even White.  

The people here were very strange because they were just rather unusual.  Even though they looked White, they seemed more bronzish, actual bronze, than the pinkish tonality of the waking state.  This was not a place that I knew.  It was very otherworldly here, I soon realised.  I did not get a seat and as I stood there I then noticed a woman.  She was standing at the very front of the train.  The train progressed with unusual speeds, I immediately noticed.  When the train had shaken, the stout man had tried to brace himself by putting out his foot that was already out in the aisle.  

In the process, he had stomped me and I had had to pull my foot out from under his and pushed his away.  He wore business attire, a suit and tie, as though en route to an office job.  The woman who was standing up was playing on a wooden flute-like instrument that was less than a foot long.  However, the thing about all this was that she had unusually short arms.  They were fully functional hands with tiny little fingers that nimbly danced over the valves of the wooden, wind instrument.  Her arms were like a Thalidomide-damaged child’s.  

Then I noticed too that there were other people on the train, about three or four musicians, practicing as well.  I soon realised that everyone on board had some sort of physical deformity.  They were just ill-proportioned people with torsos that were too long or arms that were too short.  Arms too long or what have you, moreover, this also applied to the legs.  The most pronounced cases were always the musicians like the female flautist – two or three of the other musicians were male.  

Someone else who was on the train began laughing and, out of nervousness, I joined in.  The person was laughing at the woman.  She, however, hadn’t paid them any mind.  Nobody else was paying people, who were laughing, any mind.  They did not see anything wrong with the people who were being laughed at.  I then got off the train and was out in this concourse area, where the trains arrived, before I went upstairs.  Before I would go upstairs I saw this child seated in the middle of this white blanket that seemed more like diaper material than flannel.  

The child wore a salmon-coloured merino.  He had little, white, cloth diapers on.  The infant had, again, very unusually, unusually short, short legs that made it look almost like a child because it was seated upright on its bottom.  However, it had a very big torso – matured, such that the child seemed like a very big, big child for its age.  Its head was very large with a very developed large and soulful-looking face.  At the time it made me thing of Jake Hudson.  Jake does have a very large head and face.  I was trying to connect with him.  He reached out his short little arms, crying out and said, “Dad, I want to go.”

There was this youngish man, who was blond like the child, and he seemed not unlike the guy Olaf Knight.  He picked up his son and used the blanket, on which the child sat, that had these straps and put him around his shoulder.  Like an African mother would, carry her child when in the fields, thus he was carried on his father’s back.  He walked off with the child, who was holding on to him, except that the child was really an adult male.  It was all very strange here in this otherworldly place.  

I ended up coming upstairs and going out in the outdoors.  There were people here – again, mostly Black people.  I was talking to them when I heard the strains of Richard Strauss‘s Four Last Songs beginning.  I beamed and excused myself from the people, with whom I was interacting, and went running off up this plaza.  It was a clay-tiled plaza and when I got there, I saw the symphony.   I went and sat in lotus position and sat very close to the front.  There was a gathering of persons in a semicircle and I was, as a matter of fact, the closest to the stage.  

The stage was above on a dais and it was edged by old gold juniper.  The juniper was really, really nice and quite fragrant, refreshingly so, to the smell.  Along came, from around a corner walking, Jessye Norman – the high priestess herself.  She had been preceded by her divine voice’s magic.  She was, of course, singing Four Last Songs.  She wore a beautiful, beautiful, glistening black dress that seemed almost organic with a life of its own.  It was twinkling on and off but the lights were lifelike like fireflies.  

They were sequins but they seemed, somehow, to be organic.  It had hues of gold, silver, bronze, and dark green hues like pine and blue hues like lapis lazuli.  It was very, very intensely rich a fabric.  She started singing the first song, Frühling, and it was very hauntingly beautiful.  She saw me and beamed down at me.  It was so connected between us.  I was so enthralled and overpowered; I was quite smitten by her.  I thought very rapturously awakened,

‘Yes!  I’m having a dream of Jessye Norman.  So very good to see her again, my god here she is and performing Four Last Songs.’  

She then came almost to the lip of the stage and stopped as though about to sneeze.  Then she held her breath and started laughing because it was so hysterical.  The look on my face was one of being truly horrified for her.  This had actually caused her to crack up.  Then she began singing again and began making gestures for me to move or be removed.  I was stunned and thought this some sort of betrayal.  

‘Why is she snubbing me like this?’ I wondered.  Then these two huge, burly guys came to eject me out of the area.  As I was leaving, I could hear her starting to sing again.  I was very, very upset.  

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I was, in the second dream, in this large house that was a very many-storeyed place.  It had many apartments.  I came out and it had a very slanted roof that one could go out onto.  This roof was, however, very dangerously precipitous.  I was looking about and thinking of Carl Leroiderien because, somehow, someone was talking about him.  This White man was talking to me and telling me that Carl had been enquiring after me.  

He then went on to ask me if I smoked dope which I denied.  I can’t think of it doing anything for me except, perhaps, to make me sneeze at the most.  Sometimes if mixed with hashish, I then got a massive headache.  “It doesn’t do anything for me, I don’t really like it.  I don’t see the point to it and I don’t smoke it.”  

At the time that he was saying this, we were climbing some very, very steep stairs.  Then at that point, after she had given her performance, I encountered Jessye Norman again.  She was seated on a bench and called me over.  She said hello very warmly and apologised saying, “I hope you weren’t upset.  You realise that it was a misunderstanding.  I wasn’t laughing at you; it’s just that you don’t seem to realise where you were.  

“You were, well there are certain degrees of protocol and you were ahead of the dignitaries.  And you shouldn’t have been so close to the stage because one of the reasons why your nose started bleeding was, in this dimension, if you’re this close to the stage… when I’m singing, when I hit certain notes it can shatter your eardrums but also shatter your mind.  

“So you see it was very crucial that I get you out of there.  Also, I was having a very bad allergic reaction to the plants at the edge of the dais.  They made me want to sneeze.  It wasn’t at all you or exclusively you.”  In having embraced me thus, she was being most healing.  I did, in fact, have quite the nosebleed.  As I was being hustled out of the place, by the burly guards, it was then that I realised that my nose was bleeding.  

At the time, I had thought it strange.  As this dream progressed very lucidly and linearly, there was no point at which either burly guard had so much as touched me.  I was so upset.  It was so very good, after the fact, to have had her explain as she did.  

*This dream really does validate the notion that all persons encountered in the dreamtime, without exceptions, are separate entities and not figments of one’s imagination.  END.

When I was being bounced by her, I was so stunned, upset and humiliated.  Had she not explained as she had just done, I would have awakened from this dream with a totally different perception of events.  I had also no way of knowing that she was having an allergic reaction to the juniper which, at the time, I found so wonderfully soothing.  What’s more, I hadn’t a clue that I had thrown the Chi of the place by having disrespected protocol.  

I would never have thought that my nosebleed was due to her singing.  In fact, it is possible that I could have awakened and not recalled that, indeed, I had had a nosebleed which I had totally forgotten until she had mentioned it.  Jessye Norman has indeed straddled, with great élan and diplomacy, many a dimension with great frequency and fluency.  

I then began holding her hand and told her that there were times that I had dreams of her, in which there were sometimes cetacean-looking creatures that came and did formations around her as she sang hyper-dimensionally.  She was just enthralled and pleased.  She squeezed my hands and laughed a healthy, really wonderful laugh.  She was quite smitten by me and encouraged me to write it all down.  

Her eyes here were so very large, soulfully dark and focussed right into me.  It gave me a high just to have experienced them.  I was wearing, when close to the stage, a satin merino-like shirt.  So at the time of being bounced out, I had passingly thought that I had been dressed too scantily for her liking.  

In any event, it was quite interesting.  

a madonna mtv 1990

This third dream was truly hysterical.  It seemed like on Eglinton Avenue East, between Yonge Street and Mount Pleasant Road.  It was at nighttime.  There was a lot of goings on.  Shirley MacLaine was there, Warren Beatty and Madonna Ciccone, as well.  Warren Beatty was the man of the hour and the centre of everybody’s attention.  He had a great deal of sexual energy and magnetism.  He had been performing for the camera and for everybody around.  It felt very staid to me though.  

One very interesting thing that happened was that he had been heavily drinking and, whilst laughing, had bent forward.  He then began uncontrollably coughing and was holding his chest and faking a massive heart attack.  Next thing you knew, we were in a very crowded area and it turned out that he had not been faking the heart attack.  He had a very, massive, massive heart attack.  He was dead just like that.  He was gone within moments.  It was just incredible.  Shirley MacLaine became utterly hysterical.  Her bawling was like from some Greek tragedy.  

She went into a trance-like frenzied state and began calling on astral guides and her Pleiadean guides.  Pulling out a very impressive clutch of crystals, she threw herself onto him and tried healing him of death.  She was placing them all over his body – at the chakras and elsewhere.  It was too humourous for words.  Meanwhile, as Warren Beatty died, Madonna came rushing up to the scene.  It had all been too late and they couldn’t rush him to a hospital.  There was no way that he could have been revived.  

They had been out in some desert area having a big party; there were no doctors around.  There was nothing that they could do; he couldn’t be saved.  He was dead… he was gone.  Shirley MacLaine started cursing to the gods, saying, “This is so unfair.  He hasn’t even been able to make the sequel to Dick Tracy.  And right when he’s at the top of his career this is happening?”  

“Well you know this will really immortalise him now.  Definitely, this is great publicity, right at this point in his career.” someone had dryly said who was not attached to his whole entourage.  I had heard this but Shirley MacLaine hadn’t heard it.  Madonna came and whatever she thought about I could telepathically hear it.  Her immediate response was, ‘Oh shit!  This is just going to fuck up my goddamn career.  If only I’d gotten a child by him.  Shit why did I have to have that abortion of his child.  Shit!’  

She was thinking fast.  She was someone who knew how to manipulate the media.  She was really pissed off because it would have meant immediate Hollywood sainthood for her, were she to go on and have Warren Beatty’s only child, after he had tragically died.  She was really pissed off because this was media manipulation beyond her wildest schemes, ‘I’ve got to get him out of here.  I’ve got to have the best genetic engineers flown in immediately…’  

I was stunned when I read her thoughts because, of course, she intended to harvest his seed and impregnate herself and then have a premature love child of Warren Beatty’s.  I was stunned by this woman’s phenomenal megalomania.  ‘During the autopsy, I’ll have his sperm taken out and I’ll have it copyrighted.  It’ll be my possession.  I’ll have it engineered so that I’ll have a child… a son.  God we can even have twins…’  She, all the while, was cowering over his face… kissing him and doing the wailing widow number, ‘…Can you imagine, Madonna?’  

She privately squealed to herself – unaware, of course, that she was broadcasting to someone like me.  She was so triumphant at having had that idea because all she knew was that people who so loved Warren Beatty would take to her now.  She was insecure as to whether or not she would endure through time.  However, with this, she knew that she would automatically become iconic.  She would become truly the virgin mother!  She would be actually giving birth to some dead man’s child – he of course being, Warren Beatty.  It was destiny.  After all, she was ‘the’ Madonna.  

She had this flash that this was why she had always been so drawn to crucifixes.  She was going to capitalise on the whole drama by making sure that it would be a son.  Of course, not to be outdone by that old, other Holy Mother with the virgin birth, she would eclipse that Madonna by having twin sons.  Again, La Stupenda squealed with delight to herself.  I passingly wondered if I were the only one to be privy to her thoughts.  Then I realised that from my detachment, as everyone bawled and was truly horrified as though these were Olympians and not mere mortals, that I was the only one.  

‘What could be better than having two Warren Beatty lookalikes crawling around the planet and who were his twins?  And his only heirs!  With today’s genetic engineering it will be a great coup.  ‘Think of the press!  I’ll be guaranteed perpetual immortality.  I’ll be iconised for all history…’  I thought then and there, ‘My god, this woman is monstrous.’  

In any event, the funeral was upon us and by some strange quirk of the dreamtime, I was very much so a part of the funeral.  I was as though a fly on the wall, as it were, and aren’t you lucky?  Why, was I participating?  I do not know?  

In any event, I was dressed to the nines.  I had on a wonderful, lace outfit with a mantilla with my veil covering my face.  I was part, somehow, of the funeral party.  It turned out that Warren Beatty had had five wives and, at the point at which he died, his fifth wife was a High-Yellow woman.  She was part Black, part White, partly Latina.  He had had all these wives.  They had always been paid and kept to remain silent.  They were never brought out in the public or media.  It was one of Hollywood’s biggest secrets.  

People, obviously, never knew about it.  It had never once been spoken about.  There was an interesting turn to all of this… I had been going along Eglinton East on the south side.  It was as though I was going towards Yonge Street; however, it was not Eglinton Avenue East.  Madonna was going to be late because, luckily, it was that time of the month for her.  She was off having herself impregnated, by way of a turkey baster, with Warren Beatty’s frozen sperm – the planet’s most expensively rare caviar fertiliser of sorts.  

I was attending the funeral with a short woman who was the fifth wife’s mother.  She seemed a lot like Sybil Ben-Daniel and wore a brown coat over her dress.  I walked with my right arm embracing her as she was on my right.  I had burly bodyguards all about me, before, beside and behind me.  They were real Mossad-goon-cum-Wrestlemania types.  My pants were those flare-legged Giorgio Armanis that allowed me to stride throwing my legs.  

There was a lot of train to them and I had such utter style.  I had enormous energies about me and great flare.  My eyes were bedazzling even though mantilla-veiled.  They were what were, of course, fuelling my high spirits.  The onlookers were lapping up my entrance; I felt wonderful.  We then went into the church and the mother was talking about, “We want the money to go to the Church because the Church is really the staple of society and civilisation.  The Church does so much good.”  

I just decided to let her babble on and kept my tongue in check.  However, I cussed her under my breath saying, “You demented old fool.  What Church are you talking about?”  

The church had a metallic-silver front and it looked not unlike York Cinemas on Eglinton Avenue East.  It was not a very big church on the inside.  As we got inside, I turned around and hissed at one of the bodyguards because he had earlier stepped on my train.  Of course, we were surrounded then by the paparazzi and the little people.  His Bigfoot’s footprint was there on the pant’s train.  I reached back and slapped his face real hard, calling him a fucking asshole.  

Of course, I knew that it was safe to do it here because everyone here knew, only too well, that side of me.  However, I couldn’t wreck my public image doing so outside.  As we got closer to the church, I began striding firmer with each step in anticipation of getting his oafish arse.  I was really careful not to show that side of me when in public.  I started going down the aisle and there at the end was Warren Beatty’s corpse in the open casket.  It was a pure black casket that glistened.  It was a dark black wood and a really gorgeous casket.  

Escorting the mother-in-law, I came all the way down the aisle.  I decided that I would go into the first pew on the right.  The first pew on the left actually went further down the aisle and did go past the casket.  It held men in white flowing robes; they were priest of whatever denomination this was – very cream, ivory-coloured and obviously very Catholic.  I went and sat down and immediately behind me was the fifth wife’s family.  They were very Hispanic-looking more so than Black.  They were very handsome in that family.  

I turned around and smiled at one of the men and the energies coming from them weren’t as I had expected – I had thought that they would hate me.  I knew Madonna; I was apparently part of her hangers on.  Somehow, I had known her through dance.  I thought that, for that association, they would hate me.  However, they displayed no such hostilities towards me.  

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Finally, the fifth wife came and was walking very slowly, regally.  She carried a globular bouquet consisting of tiny, little white roses that were sprinkled in amongst some baby’s breath.  There were one or two little red roses as well.  She wore a white, lace outfit.  Deliberately dressed as though attending her wedding, she was not though veiled.  She came down to the casket and knelt before it, like Jacqueline Kennedy-Onassis at the rotunda, staking her claim on history by her performance.  

She sobbed in a controlled breath and then got up and walked around to the right end of the casket.  Facing the church, she was now behind it and up on the altar.  She was before the pews on the left side of the aisle.  She knelt down again and this time began wailing and ululating.  She was doing ritual port de bras with her torso and head as well.  She kept on holding on to the bouquet.  

It was a very Latin; a very emotional display; definitely, not Jacqueline Kennedy-Onassis.  It was very soulful and moving.  One really felt for her.  Finally, Madonna made her entrance and began slowly progressing down the aisle.  There was utter silence in the place because everybody was thinking, ‘Oh dear, poor Madonna was slutting with Warren Beatty at the point of his death.  Here is the fifth wife and is she going to create a scene or not?’  

Well, of course, she is.  The fifth wife is Latin so, of course, there will be theatre.  When the fifth wife had been crossing the casket, I took in her body which was very wide-beamed.  I knew then, in a flash, that she was pregnant with Warren Beatty’s child and four months pregnant.  It was clearly no Immaculate Conception as per Madonna’s little trick.  She was a very big-boned woman.  She got up when Madonna entered the church and stopped crying.  

Madonna saw her and avoided her glance as I turned and watched this fascinating bit of theatre unfold.  Everyone was really excited at the potential fireworks about to go off.  She started coming down to confront Madonna.  I immediately and intuitively knew that there was a gun inside the bouquet that the fifth wife so firmly clutched.  Positioning the gun, the fifth wife began holding the bouquet to her stomach.  Madonna, staying her ground, kept on proudly walking down the aisle.  

She wore black; it was an outfit that was not dissimilar to mine.  She wore a short veil and not a mantilla like I did.  She came walking down towards the casket staying closer to the left pews.  The fifth wife came around the right side of the casket and was walking down the right side of the aisle looking at Madonna.  She had a very, very vexed and determined – an almost trance-like, expression of self-absorption on her face.  All the energy in her body was directed at Madonna.  

When she was about five feet away from Madonna, she held up the bouquet and callously said, “I’m going to blow your fucking brains out!”  It was filled with so much venom that it reverberated throughout the very high-ceilinged-though-tiny church.  It was also very Gothic an interior.  Madonna stopped truly catatonically horrified.  You could see it beyond the veil.  She had no entourage or bodyguards.  She showed up alone, so confident was she of the coup that she had just scored at the geneticist’s.  

She was so flustered that she gallantly stuttered back, “I dare you…”  She was very nervous and said very quickly with a weak, little laugh.  She was also vamping à la Breathless Mahoney – the character she played in Warren Beatty’s Dick Tracy film.  She was, however, visibly ashen.  Madonna was visibly shaken with fear.  

Those persons in the left pews automatically screamed out and crouched down for cover because the fifth wife had held up the bouquet in both her outstretched arms like the gun that it so obviously hid.  “Come on.  You wouldn’t want to do that.  That’s just stupid…” Madonna bravely said. “…You can’t do that.  Besides Warren’s already dead.  What are you trying to prove?  You can’t do this to me!  Don’t be stupid.”  

The woman, however, started slowly walking towards her not buying her bullshit.  At that, Madonna turned around and started to bolt and she fell down over her long-trained dress.  She had already made it to the back of the pews on the left.  She was much too vain, to run outside and possibly be murdered in front of the little people.  So she got up and began running around the far side of the pews.  Of course, as she ran away, the fifth wife could easily have shot her in the back. 

Then Madonna got really pissed off, stopped against the far left wall of the church, holding out her palm at her attacker saying, “Stop it!  You don’t want to do this.  This is stupid.  You can’t kill me.  I’m Madonna!”  She was just winded; the expression on her face was unbridled rage, fear, terror, chutzpah, all in one.  Then the fifth wife pulled the trigger, which was the only sound in the place, releasing the magazine.  

Madonna cried out and began pleading with her.  It was truly a spectacle.  It was really pathetic.  The fifth wife then pulled on the trigger and there was a loud plopping sound.  Everybody just screamed and the place became flooded with blinding blue light.  It turned out to have been an older-model camera and the flashbulb from the camera as it went off.  

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At that, the fifth wife laughed this loud, truly callous, heavy-from-the-womb, ripe, wicked, vindictive, victorious-all-in-one laugh.  It echoed throughout the church.  When her echo collapsed, as Madonna stood there truly disempowered, the fifth wife uttered in a weary breath, “I always said to Warren that you’re an ugly slut.  This picture will prove it.”  

At that the fifth wife turned and came and sat down on the pew next to me.  Her Latina family members were just going wild clapping and hysterically shrieking.  Now that’s a Hollywood wife!  Poor Madonna was still standing there involuntarily shaking.  She was holding her chest and gasping for air like an asthmatic.  Her left hand placed on her chest, with her right hand holding on to the pew, thus she stayed her ground.  

Although her hand was on her chest, she was being most clever.  However I knew that really where it should have been was at her pussy because what the fifth wife instinctively knew, as did I, was that she had just miscarried.  Madonna was profusely bleeding.  Poor Madonna was so humiliated.  The look on her face was truly sad; she was sweaty and runny-nosed.  She soon collapsed and had to be taken away.  Of course, she would be beaten out of having Warren Beatty’s heir by the fifth wife.  

The whole thing was so funny and hysterical.  I was so stunned that the fifth wife was going to pull this stunt.  I really thought that it was a gun; I had, at least, gotten this flash that it was a gun.  The idea to have a bolt release, affecting a gun, was truly ingenious.  The picture turned out to be truly horrific.  It was all a joke being played on Madonna by Hollywood’s film elites who could not have cared less about her and her parvenu ambitions.  

The whole affair was so very wickedly political.  The whole thing was so hysterical.  I wondered as to what next was going to happen.  Is the fifth wife going to come forward and produce the first Warren Beatty heir – the true child?  A child that would look like Warren Beatty – more like a child of the future being of multiracial heritage and a bronzed version of Warren Beatty would the fifth wife bear.  

What then will she do about Madonna’s copyright of Warren Beatty’s sperm?  Will the fifth wife, for producing the heir, win the legal rights to them and have them destroyed if she chooses to?  Will this not, in fact, begin a Pop Religion rivalling the King, Elvis Presley’s, if Madonna had won custody of the sperm and gone on to impregnate herself and bear those miscarried twin sons because of her bonds to Warren Beatty and his two pseudo-virgin-birthed children – sons at that?  

Truly, this is iconography for the new millennium, indeed.

*A very, very interesting dream.  Certainly, that I would be dreaming about these people is interesting enough.  I don’t pay much attention to any of them beyond the passing.  I had seen Dick Tracy three weeks ago.  That the whole thing would evolve the way it did was rather insightful.  I was totally surprised, as much so, as was Madonna in the church.  

I really did think that she was going to be shot.  I thought that it would be so messy.  You know, I just did not want having anybody’s can’t-wash-out bloodstains on my Giorgio Armani pants.  A truly, truly funny dream this was.  

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*What can I say, dreams are purely experiential.  I dream it and awaken, immediately bringing forth the dream experiences, committing those experiences to audio-cassette tapes. I rather enjoyed being alone and visiting with Jessye Norman in the earlier dream.  Clearly, those dreams were set on a parallel Earth in another dimension and one in which the mostly Black population is differently proportioned than we humans of waking state Earth are.  

On the eve of the Oscars, I thought this a fitting offering.  I could never have fathomed the outcome of the fifth wife’s agendum until it unfolded.  Ingenious, to say the least, was her use of the bouquet.  As ever, sweet dreams and don’t forget to push off and start flying… and so what if you bump into a wall, just attempt doing so again and this time believe that you can effortless transcend the barrier.  Perception is, alas, everything.  

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As ever my dear sweet ennobled friends, I am ever grateful for your continued support.  Please do spread the word, far and wide about this happening dream joint on the cosmic wide web.  Always remember to push off and start flying… I love you more.  

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©2013-2020 Arvin da Brgha.  All Rights Reserved.  

Jessye Norman & Glenn Gould.

GGPrize

As I work 7 days a week, I was debating whether or not to attend the Twelfth Glenn Gould Prize Gala at the Four Seasons Centre for the Performing Arts.  That morning en route home from some errands, I discovered that someone had jumped from a neighbourhood condo.  I got in and realised that there was no more feet-dragging; to hell with being dog-tired.  I got on the phone and called up Lucian Mann-Chomedy and said, “My darling, we are going to the Jessye Norman Gala!”  As ever, always positive, Lucian chimed in, “Oh my, oh yes, how lovely.  Well, I’ll be both honoured and delighted.”  Indeed, life is for living!  

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Merlin and I met Friday, October 1, 1982 in a Hell’s Kitchen Walk-up, the following Monday evening, on his return to Toronto, Merlin called up crying.  The man whom he had spent so much of our first evening together speaking of, had died; Glenn Gould had died.  For the seven years that we were together, Merlin listened to Glenn Gould’s interpretation of J. S. Bach’s Goldberg Variations at least thrice weekly.  Indeed, the first gift I purchased Merlin, was a recently released recording of the Goldberg Variations at Christmas 1982: I think that it is safe to say that that gift sealed the deal, I was a keeper for sure.  

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As I had waited until the last minute to get seats, I was sat in Ring 4 rather than the usual Ring 3.  This, alas, was my view of the stage and of course, the butterflies are from the set for Atom Egoyan’s masterful staging of Mozart’s Cosi Fan Tutte, which the moment I saw the set, I began chuckling to Lucian on recall of Tracy Dahl’s unsurpassed performance as Despina.  

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As I was too busy trying to throw something together for Instagram, I was heard gasping when it was announced that the head of the Glenn Gould Foundation’s Jury this twelfth prize was none other than the actor, Viggo Mortensen, who then walked out onto stage.  He, indeed, who in a few days time will be attending the Governors Ball where he may or may not be holding an Oscar.  

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Out onto the stage arrived the Twelfth Prize Laureate, Jessye Norman.  Truly, it was a shock to the very core to see Madame being ushered out in a wheelchair.   Suddenly, I was reminded of the events of earlier which caused me to rush home and purchase two tickets for the event.  That aside, there was no greater joy than drinking of her soul’s inspiring beauty.  

This beautiful gala was so filled with touchstones for me, none more so than the moment that bass baritone, Ryan Speedo Green was in full song.  When he sang, “Aprite un po’ quegli occhi” from Wolfgang A. Mozart’s Le Nozze di Figaro.  

Yes, indeed, this marvellous aria’s orchestration included a harpsichord.  Straight away, I was teary-eyed as memories of the truly eccentric and delightful Milan Newcombe readily surfaced; Milan will ever remain a lover like no other.  

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During the intermission, I ran into two old friends not seen in at least 1.5 decades; we spoke of nothing but our surprise at Ms. Norman’s entrance.  Life really does march full speed ahead.  

After the intermission, it was the announcement of the Glenn Gould Foundation’s Progidy Prize with the recipient being none other than, Cécile McLorin-Salvant, the most fabulous Jazz singer on the planet.  Is this not an evening to remember during Black History Month indeed.  

This stunningly unforgettable gala was closed out by the final recitalist being the divinely gifted soprano and Glenn Gould Foundation Prize juror, Sondra Radvanovsky in full song, singing Verdi.  

The gala concluded with Ms. Norman returning to the stage and singing a duet with Cécile McLorin-Salvant.  This was a moving, emotionally intense evening and my life was greatly enriched for having chosen to attend.  The gala was nothing short of magical.  

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As a tribute to this marvellous evening in the theatre, I will include herein two dreams, which were originally audio-cassette-recorded in the 1990s.  Before each deam, one of Glenn Gould, the other Jessye Norman, I will include each individual’s Michael Overleaves.  

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Gould, Glenn Herbert 25/9/32 – 4/10/82, Toronto

This fragment was a sixth level mature artisan in the repression mode, with a goal of growth, an idealist in the moving part of intellectual centre.
He had a Mercury/Saturn body type.

Glenn’s primary chief feature was self-destruction with a secondary of arrogance.

Glenn was third-cast in his cadence and his cadence is fourth in the greater cadence. He is a member of entity four, cadre five, greater cadre 17, pod/node 819.

This fragment has an artisan essence twin who was alive during Glenn’s life but there were no plans to meet. This fragment is still incarnate on the physical plane.

The fragment who was Glenn has a scholar task companion, who was in a previous life, Carl Philip Emmanuel Bach. They were not incarnate at the same time.

However, the fragment who was Glenn was exerting considerable influence on Carl Philip Emmanuel.

These two fragments had many lives together, once as luthiers, three times as court musicians, nine times as brothers of the cloth, twice as brothers in the flesh, as well as completing several important life monads, including student/mentor and master/slave.

In the immediate past life, the fragment who was Glenn had as his three primary needs: security, communion and exchange. Only the first of these was ever even partially satisfied.

So here we had a warrior-cast artisan who had seriously conflicting overleaves and a primary chief feature of self-destruction. He had a goal of growth but a repression mode which would not allow him to flourish.

He had a need for communion, but was sexually ambivalent and socially inept. Undeniably, he had great talent but took no pleasure from performing in public.

This fragment has a great deal of scholar energy that was used in the immediate past life to enable Glenn Herbert to painstakingly examine and interpret the works of Johann Sebastian Bach.

He was very interested in form and structure for all of his adult life. This fragment was, unfortunately, the victim of a severe obsessive-compulsive disorder, also for all of his adult life, which worsened considerably during his third and fourth decades.

This fragment did not, as popular wisdom teaches, retire from public life because of any strong beliefs in the recording industry. Glenn Herbert retired from public life because he could no longer bear to be in crowds, even if he was distanced by a proscenium.

Needless to say, this fragment did not complete work on his fourth internal monad.  

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A Glenn Gould

Astral Plane Glenn Gould Recital!

 

Nothing is more uplifting than finding oneself at a great musical performance on the astral plane.  This dream was about being richly inspired and by Glenn Herbert Gould, no less; it was truly marvellous an adventure for the spirit.

The dream occurred, on Tuesday, October 6, 1992, whilst the Moon transited both Aquarius and my ninth house.

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I am in France where I leisurely browsed through a store; perhaps, it was somewhere in Paris.  It seemed here like at nighttime.  Whilst in one corner of the store, I noticed that there were all these big slabs of cheese in packaged containers.

There was a woman coordinating the display of the cheeses.  Sometimes the cheese was being grated and other times not.  There and then, I decided that I was going to buy one slab of the cheese that was packaged in a rectangular box.

The cheese was about an inch thick and about eight inches long.  The cardboard box that it was in was white and almost like the size of a box of Cream of Wheat.

Surprisingly, the box was rather heavy.  Though not unlike cheddar, it was a dark cheese.  The smell of this cheese was really hard – quite the bite to it.

It had seemingly been opened for too long as parts of it was growing hardened and turning colour.  I knew straight off the bat that I wanted to have some to take home with me.

So, off I went to purchase the slab that I liked.  Everyone here was, of course, speaking French which I quite so understood and liked.  Interestingly, I too was speaking very competently in French.

It was obvious that I was not too heavily accented as the others were pleasant-enough with me.

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The second dream had me leaving the store; I then found myself hovering in the air.  Whilst in flight, I went into a building which had a green – oxidised-copper – roof.  It was part of a long set of buildings that had very, very tall stone chimneys.

These were chimneys that were not unlike the ones at the Palais du Louvre.  As a matter of fact, the building was similar to the Canadian Parliament buildings though it was not those buildings.

This complex was considerably longer.  These were a series of complex buildings.  Here, I was easily thirty storeys up whilst in flight.  I looked down at the complex which at maximum could not have been more than five storeys tall.

After having contemplatively observed the complex for awhile, I began very slowly gliding down through the air.  I intently studied a procession of persons, way below, who were bailing out of very large buses; they were, as a matter of fact, tour buses.

This was all happening in a courtyard-like area and away from the bustle of the street.  I next noticed some men who appeared; they seemed, in their long, flowing white robes, to be priests.

They were not Arabic or Muslims in caftans; rather, they were definitely Whites.  The buildings here were long on the order of Palais Richelieu in Paris.  When I finally alighted, we had to go through this incredible entrance.

This led into a wonderful sandstone building; it was very modern with a neo-classical design.  On the order of being imposing, the door to this place was massive.  They seemed to be the doors to a temple.

To get to the entrance, there were many steps which one had to climb.  On entering, off to the right, there was a passage that one could take.

An aisle led along another passage; it seemed illumined by a skylight.  The priestly men had all entered before me.  They preceded a procession of adherents who had come to partake of some ritual.

I had gone to explore, off to the left, because it was the wing of the building that had reminded me of the Palais du Louvre.  Going there, I wandered about being fascinated by the place.

Some women were posing for artists in this particular wing.  They wore modern garb but were very exceptionally beautiful.  What was most intriguing about their look was that it was exactly as they would have appeared on the finished canvases.

They were very nubile young women; they had to hold their poses for interminably long periods.  Here several kids kept on going through the place; they were seemingly art students.

They were all very North American, middle class with their loud, snobbish bourgeois affectations.  Right away, it was obvious that all the muses were still virgins.

Theirs was an innocence that could never be affected.  They were all teenage girls whose bodies were very voluptuous and full.  These were not skinny people at all.

There was one point at which one girl was holding different poses.  Each girl would be painted by from three-to-five artists, at a time.  Thus every pose would be captured from different perspectives.

At one point, they told her to take a break; they then reverted back to an earlier pose.  This was so that they could return to that work and put some more work into finishing it up.

When she changed the pose, she had also turned some 180 degrees.  This particular model, whom I was studying, wore socks with Oriental-looking sandals.

Inside her socks she kept little items of hers.  Whilst she was making the transition, she simply reached up her foot and pulled up her right leg to reach down into the socks.

Hers was a pair of blue-coloured socks – pale blue.  To just above the ankles was the extent to which the socks rose.  Looking at her, she took out something from about her ankle which looked like a wafer.

Not the least bit self-conscious, she ate it at once; it seemed like a chocolate wafer which she favoured.  She seemingly needed it to get an energy boost so that she could stay focussed on the tedious work that she did.

After having found it all very interesting, I moved on sufficiently knowledgeable of the goings on here.  Walking along a corridor, I ended up going into a room where everyone was very strange.

A guy there was a lot like Galen Shim – my very beautiful, Hong Kong-born, Eurasian friend.  He reclined on a bed with his head close to the door.  When I came in, I noticed that he was naked.  When giving him a massage, I began by oiling his body.

It was quite fragrant oil.  Rubbing down his body, I began working on his toes and feet.  Afterwards, I got up to leave but he very silently began coming with me.

So out we went and joined the procession of persons; among them this time were several kids.  Mostly, they were teenagers – amongst whom I did not want to be.

Galen or the guy who seemed like him, here the guy was not wearing glasses as before nor would Galen for that matter, and I kept walking through the place.  Pretty soon, after we had left the noisy kids, we started hearing the most beautiful music.

This was one of the rare times that I found the music of the pipe organ to be beautiful.  Within the complex, we happened on this wonderful cathedral inside which were most of the people from the procession.

On entering the structure, it seemed more like a concert hall.  We soon learnt that the hall was specifically built so that only Johannes Sebastian Bach’s music could be played there.

Never before had I heard classical music sound so beautiful.  We stood there transfixed whilst listening together.  Who then should I notice way at the front of the hall, at the pipe organ that sat high on the dais-like stage, but Glenn Gould.  I could see his right profile as if in close-up.

My god, this was rapture and then some.  He was playing with such rapt abandon that I steadied myself and whispered more to myself than to Galen,

“My god, what an incredible dream to be having…”

Image result for gothic knave ceiling

There seemed to be a skylight on the side of the high-ceilinged nave.  Instead of there being stained glass windows, windows for that matter, there was only intense light raining down through what seemed to be a skylight system.

The centre of the halved skylight was a wonderful neoclassical, oxidised, copper-looking, greenish flying buttress.  Here the look, though modern, was more in the style of Islamic mosques or even Moorish architecture rather than the classic Gothic signatures.

A series of the most intricate and complex circles intertwined, like some riotous jungle vine, in the cathedral-like, concert hall’s stonework.  Breathtakingly beautiful it was.  I stood there, just inside the entrance to the hall, on the left of the wide aisle.

This was a very wide-bodied structure.  As you progressed down the aisle, there were different levels where one could go up and sit.  These were either on the right or left.  The central aisle was covered by the most beautifully designed red carpet.

This place was considerably wider than Notre Dame Cathedral.  Unlike the Parisian Gothic structure, it was not a darkened affair.  Here it was very intensely bright out.  The light coming in on the right and left side of the flying buttress-like, central girder fell through a slightly frosted glass.

The light was an intense – almost aquatic – blue.  Interestingly, there were no beams or columns, supporting the unusual central, flying buttress-like beam.  For looking at the light, one became slightly languorous.  I felt paralysed with pleasure; there before me, down the massive hall, sat Glenn Gould.

He wore the most thick-fabricked garb; it seemed from an earlier age.  All the men in the white gowns were up at the front.  They were all transfixed – as well they should have been.

Though I love Johannes Sebastian Bach, at the time, I had some reservations as I am not especially fond of pipe organs.  I suppose that it is because it has always had too many religious associations during my childhood.

The persons attending the concert were there simply to recharge their batteries.  They seemed, all of them, as if not quite in their bodies for being so transfixed – they were otherwise-engaged.

Eerily, I had a sense that these were all persons who were between lives as is Glenn Gould.  They were in a form of processing, a form of deep meditation on the order of sleep, as they prepared for the next incarnation.

This fugue was the most complex music imaginable.  Indeed, the music seemed designed for those between lives.  The fugue was composed for astral plane habitués who, sans bodies, could best endure the music’s intensity.

Getting a sense that I really shouldn’t be there, plus the fact that I finally couldn’t get into the pipe organ, I started taking my leave of the place.

Galen, or the person who seemed a lot like him, and I then went out front.  There we waited for the specific tour buses to show up and take us away.  Whilst I waited with Galen, or the person who seemed a lot like him, I was joined by Pandora.

It seemed that most of the people who were here were very young-souled.  They seemed to be on a pilgrimage, like visiting the original Gohonzon in Japan or going on the Hajj, at Mecca.

As the pipe organ played, I could hear in the tone of the place a faint whisper from the men in white robes.  Their thoughts, it turned out, could be telepathically heard.  Even earlier, when I had been hovering in flight high above the complex, I knew that this was more so a political institution rather than not.

This was a structure which was just as colossal as the temple at Karnak and considerably older.  This place was mind-bogglingly complex and massive.  The temple was posited directly in the centre of it all.

Just like La Chapelle in Paris is comparably dwarfed, by its surroundings, so too the massive concert hall-like temple was dwarfed by the complex.  This architectural marvel was simply soul-inspiring.

Whilst all the buses were waiting, I took to one of the buses with Pandora.  I had gotten impatient waiting to be assigned to one.  We spoke in French because everyone else here did the same.

This was not unlike a Parisian bus – the seats all faced each other.  Seated close to the front, we were on the left side of the aisle behind the driver.

As though getting close to Saint-Sulpice Métro, I got up and said goodbye to Pandora.  I wanted to get off there then walk back to her rue de Grenelle apartment.

Pandora planned to go out then come home later so had asked me to wait for her at her place.  Here it seemed as if nighttime coming on to dawn.

Speaking guardedly in French, I made sure that I was speaking properly and not just fumbling partout.  Really, I rather enjoyed this experience of being together with Pandora.

I was very serene enjoying the very beautiful experience.  Galen, or the person who seemed a lot like him, had silently slipped from my side when Pandora came and joined me.

*Of course, it would turn out that the person in question was Louka Duplessis and not Galen.  I would meet Louka, who accompanied me in this dream, the day following this dream.

Just prior to meeting for the first time, it is not uncommon for me to dream of persons.

______________________________

Jessye Norman

Norman, Jessye 15/9/45,  Georgia

Jessye is a first level old priest in the passion mode, with a goal of rejection – functioning for the most part in the positive pole of discrimination, a spiritualist, in the emotional part of intellectual centre.

She has a Jupiter/Saturn body type.

Jessye’s primary chief feature is arrogance, with a secondary of stubbornness.

This fragment was third-cast in her cadence and her cadence is fifth in the greater cadence.  She is a member of entity five, cadre six, greater cadre 33, pod/node 212.

She has a discarnate priest essence twin whom she did know earlier in this life but this fragment died in Vietnam.  She has a warrior task companion and they have worked together and continue to do so occasionally.

Her three primary needs are: freedom, expression and power.

The warrior energy gives Jessye tremendous organisational powers and her stubbornness has enabled her to stick in there when the going got very rough many times.

Jessye is a warrior-cast priest who has been a spiritual rebel in this life.  This is, by the way, not the first time this fragment has sung professionally.  This fragment was a well-known castrato in seventeenth century Italy and performed many times before the crowned heads of Europe.

Jessye has great need to serve her concept of the higher ideal and has done so admirably by combining the folk music of her people with her operatic repertoire.

She performs well, as do most entity five fragments.  This fragment has always enjoyed her work.  Singing has been an extension of her inner spirituality.  It is, in fact, a form of meditation for her.  

________________________________________________

Now that’s a Hollywood wife!

Jessye

These rather lucidly awakened dreams were experienced with an intense sense of wonder and joy, on Monday, July 2, 1990.  At the time, the Moon transited both Scorpio and my sixth house.

__________________________________________

This first dream found me in a very busy place.  When going south towards the Danforth, it was not unlike being on Broadview Ave.  It was at nighttime.  I came there and found that there were tons and tons of Black people.

Even so, it seemed like Toronto and at Broadview Subway station because there are all these streetcars there.  One of the streetcars was improperly parked, as a result, it was going to go and turn around.

Waiting for it to do what it had to do, there was another streetcar out in the street.  It was really more like a red-rocket streetcar.  It was not like one of the newer ones.

Everyone here was Black.  There were no Whites or other non-Blacks that I saw.  Everybody was in the street which was very jam-packed.  They were getting ready to cross, after the streetcar had passed, to go in.

There was now a system, where you paid your fare aboard the streetcar, so that you did not have to enter the front doors of the station on Broadview.

When you got aboard the streetcar, it was mandatory that you pay a fare.  So it did not matter whether you paid a fare at the proper entrance or not.  There were many people queuing up to get aboard a streetcar.

Passing these people who were seated there, I went through the proper entrance.  One of them seemed like Gabriella Vartan and they were talking about me.

I came around and began going down the steps, into the nether regions, en route to the trains.  There was this little old lady who was taking her time, holding up things, so I pushed her to my right.

I made my way down then had to go around taking another flight of stairs; I then kept on going.  There were a whole lot of levels to this subway system.

When I got down, there was this little cul-de-sac where there were these Black guys – homeboys – hanging out.  However, they were not Black American.

I found one of them very attractive and smiled at him.  He, however, was very homophobic.  He went running upstairs to go call the police on me.

The train then came into the subway and it was a very, very large train.  It towered very high to the ceiling.  It was like an Amtrak train which seemed like a double Decker train.  It was mostly silver, however, it turned out not to have been double Decker.

When it stopped, I began running full speed because I did not want the guy to come back and board the same car as me.  I ran to the front of the train only to find that one couldn’t board there.  Instead, one could only enter this train where the cars joined each other.

You could enter the front or backdoors of each car but not the front ones of the first car.  It was very sleek, round and Deco like a train from the 1930s.

The whole place did have a feel of the ‘30s to it.  It was very neo-Gothic like the Chrysler or McGraw-Hill buildings in New York City, or for that matter, even the Empire State Building.

It was reminiscent of very early in the twentieth century which was all about great architecture – of things being large, mammoth and spiralling upwards, too, things getting faster and faster.

That sense of adventure about the wonderful world of commerce that one had created.  It was that time when people had not yet begun to see, as we now know, the consequences of things being bigger and better and faster and all the effects on nature.

I got onto the train heading, again, towards the front.  Somehow, I felt relieved because I had lost the guy.  I was there and noticed a stout man who was either High-Yellow or, perhaps, even White.

The people here were very strange because they were just rather unusual.  Even though they looked White, they seemed more bronzish, actual bronze, than the pinkish tonality of the waking state.

This was not a place that I knew.  It was very otherworldly here, I soon realised.  I did not get a seat and as I stood there I then noticed a woman.  She was standing at the very front of the train.

The train progressed with unusual speeds, I immediately noticed.  When the train had shaken, the stout man had tried to brace himself by putting out his foot that was already out in the aisle.

In the process, he had stomped me and I had had to pull my foot out from under his and pushed his away.  He wore business attire, a suit and tie, as though en route to an office job.

The woman who was standing up was playing on a wooden flute-like instrument that was less than a foot long.  However, the thing about all this was that she had unusually short arms.

They were fully functional hands with tiny little fingers that nimbly danced over the valves of the wooden, wind instrument.  Her arms were like a Thalidomide-damaged child’s.

Then I noticed too that there were other people on the train, about three or four musicians, practicing as well.  I soon realised that everyone on board had some sort of physical deformity.

They were just ill-proportioned people with torsos that were too long or arms that were too short.  Arms too long or what have you, moreover, this also applied to the legs.

The most pronounced cases were always the musicians like the female flautist – two or three of the other musicians were male.

Someone else who was on the train began laughing and, out of nervousness, I joined in.  The person was laughing at the woman.  She, however, hadn’t paid them any mind.

Nobody else was paying people, who were laughing, any mind.  They did not see anything wrong with the people who were being laughed at.

I then got off the train and was out in this concourse area, where the trains arrived, before I went upstairs.  Before I would go upstairs I saw this child seated in the middle of this white blanket that seemed more like diaper material than flannel.

The child wore a salmon-coloured merino.  He had little, white, cloth diapers on.  The infant had, again, very unusually, unusually short, short legs that made it look almost like a child because it was seated upright on its bottom.

However, it had a very big torso – matured, such that the child seemed like a very big, big child for its age.  Its head was very large with a very developed large and soulful-looking face.

At the time it made me thing of Jake Hudson.  Jake does have a very large head and face.  I was trying to connect with him.  He reached out his short little arms, crying out and said,

“Dad, I want to go.”

There was this youngish man, who was blond like the child, and he seemed not unlike the guy Olaf Knight.  He picked up his son and used the blanket, on which the child sat, that had these straps and put him around his shoulder.

Like an African mother would, carry her child when in the fields, thus he was carried on his father’s back.  He walked off with the child, who was holding on to him, except that the child was really an adult male.

It was all very strange here in this otherworldly place.

I ended up coming upstairs and going out in the outdoors.  There were people here – again, mostly Black people.  I was talking to them when I heard the strains of Richard Strauss‘s Four Last Songs beginning.

I beamed and excused myself from the people, with whom I was interacting, and went running off up this plaza.  It was a clay-tiled plaza and when I got there, I saw the symphony. 

I went and sat in lotus position and sat very close to the front.  There was a gathering of persons in a semicircle and I was, as a matter of fact, the closest to the stage.

The stage was above on a dais and it was edged by old gold juniper.  The juniper was really, really nice and quite fragrant, refreshingly so, to the smell.

Along came, from around a corner walking, Jessye Norman – the high priestess herself.  She had been preceded by her divine voice’s magic.  She was, of course, singing Four Last Songs.

She wore a beautiful, beautiful, glistening black dress that seemed almost organic with a life of its own.  It was twinkling on and off but the lights were lifelike like fireflies.

They were sequins but they seemed, somehow, to be organic.  It had hues of gold, silver, bronze, and dark green hues like pine and blue hues like lapis lazuli.  It was very, very intensely rich a fabric.

She started singing the first song, Frühling, and it was very hauntingly beautiful.  She saw me and beamed down at me.  It was so connected between us.  I was so enthralled and overpowered; I was quite smitten by her.

I thought very rapturously awakened,

‘Yes!  I’m having a dream of Jessye Norman.  So very good to see her again, my god here she is and performing Four Last Songs.’

She then came almost to the lip of the stage and stopped as though about to sneeze.  Then she held her breath and started laughing because it was so hysterical.

The look on my face was one of being truly horrified for her.  This had actually caused her to crack up.  Then she began singing again and began making gestures for me to move or be removed.

I was stunned and thought this some sort of betrayal.

‘Why is she snubbing me like this?’ I wondered.

Then these two huge, burly guys came to eject me out of the area.  As I was leaving, I could hear her starting to sing again.  I was very, very upset.

Image result for large many floored steep roofed house

I was, in the second dream, in this large house that was a very many-storeyed place.  It had many apartments.  I came out and it had a very slanted roof that one could go out onto.  This roof was, however, very dangerously precipitous.

I was looking about and thinking of Carl Leroiderien because, somehow, someone was talking about him.  This White man was talking to me and telling me that Carl had been enquiring after me.

He then went on to ask me if I smoked dope which I denied.  I can’t think of it doing anything for me except, perhaps, to make me sneeze at the most.  Sometimes if mixed with hashish, I then got a massive headache.

“It doesn’t do anything for me, I don’t really like it.  I don’t see the point to it and I don’t smoke it.”

At the time that he was saying this, we were climbing some very, very steep stairs.  Then at that point, after she had given her performance, I encountered Jessye Norman again.  She was seated on a bench and called me over.

She said hello very warmly and apologised saying,

“I hope you weren’t upset.  You realise that it was a misunderstanding.  I wasn’t laughing at you; it’s just that you don’t seem to realise where you were.

“You were, well there are certain degrees of protocol and you were ahead of the dignitaries.

“And you shouldn’t have been so close to the stage because one of the reasons why your nose started bleeding was, in this dimension, if you’re this close to the stage… when I’m singing, when I hit certain notes it can shatter your eardrums but also shatter your mind.

“So you see it was very crucial that I get you out of there.  Also, I was having a very bad allergic reaction to the plants at the edge of the dais.  They made me want to sneeze.  It wasn’t at all you or exclusively you.”

In having embraced me thus, she was being most healing.  I did, in fact, have quite the nosebleed.  As I was being hustled out of the place, by the burly guards, it was then that I realised that my nose was bleeding.

At the time, I had thought it strange.  As this dream progressed very lucidly and linearly, there was no point at which either burly guard had so much as touched me.

I was so upset.  It was so very good, after the fact, to have had her explain as she did.

*This dream really does validate the notion that all persons encountered in the dreamtime, without exceptions, are separate entities and not figments of one’s imagination.  END.

When I was being bounced by her, I was so stunned, upset and humiliated.  Had she not explained as she had just done, I would have awakened from this dream with a totally different perception of events.

I had also no way of knowing that she was having an allergic reaction to the juniper which, at the time, I found so wonderfully soothing.  What’s more, I hadn’t a clue that I had thrown the Chi of the place by having disrespected protocol.

I would never have thought that my nosebleed was due to her singing.  In fact, it is possible that I could have awakened and not recalled that, indeed, I had had a nosebleed which I had totally forgotten until she had mentioned it.

Jessye Norman has indeed straddled, with great élan and diplomacy, many a dimension with great frequency and fluency.

I then began holding her hand and told her that there were times that I had dreams of her, in which there were sometimes cetacean-looking creatures that came and did formations around her as she sang hyper-dimensionally.

She was just enthralled and pleased.  She squeezed my hands and laughed a healthy, really wonderful laugh.  She was quite smitten by me and encouraged me to write it all down.

Her eyes here were so very large, soulfully dark and focussed right into me.  It gave me a high just to have experienced them.

I was wearing, when close to the stage, a satin merino-like shirt.  So at the time of being bounced out, I had passingly thought that I had been dressed too scantily for her liking.

In any event, it was quite interesting.

a madonna mtv 1990

This third dream was truly hysterical.  It seemed like on Eglinton Avenue East, between Yonge Street and Mount Pleasant Road.  It was at nighttime.  There was a lot of goings on.

Shirley MacLaine was there, Warren Beatty and Madonna Ciccone, as well.  Warren Beatty was the man of the hour and the centre of everybody’s attention.

He had a great deal of sexual energy and magnetism.  He had been performing for the camera and for everybody around.  It felt very staid to me though.

One very interesting thing that happened was that he had been heavily drinking and, whilst laughing, had bent forward.  He then began uncontrollably coughing and was holding his chest and faking a massive heart attack.

Next thing you knew, we were in a very crowded area and it turned out that he had not been faking the heart attack.  He had a very, massive, massive heart attack.

He was dead just like that.  He was gone within moments.  It was just incredible.  Shirley MacLaine became utterly hysterical.  Her bawling was like from some Greek tragedy.

She went into a trance-like frenzied state and began calling on astral guides and her Pleiadean guides.  Pulling out a very impressive clutch of crystals, she threw herself onto him and tried healing him of death.

She was placing them all over his body – at the chakras and elsewhere.  It was too humourous for words.

Meanwhile, as Warren Beatty died, Madonna came rushing up to the scene.  It had all been too late and they couldn’t rush him to a hospital.  There was no way that he could have been revived.

They had been out in some desert area having a big party; there were no doctors around.  There was nothing that they could do; he couldn’t be saved.  He was dead… he was gone.

Shirley MacLaine started cursing to the gods, saying,

“This is so unfair.

“He hasn’t even been able to make the sequel to Dick Tracy.  And right when he’s at the top of his career this is happening?”

“Well you know this will really immortalise him now.  Definitely, this is great publicity, right at this point in his career.” someone had dryly said who was not attached to his whole entourage.

I had heard this but Shirley MacLaine hadn’t heard it.  Madonna came and whatever she thought about I could telepathically hear it.  Her immediate response was,

‘Oh shit!  This is just going to fuck up my goddamn career.

‘If only I’d gotten a child by him.  Shit why did I have to have that abortion of his child.  Shit!’

She was thinking fast.  She was someone who knew how to manipulate the media.  She was really pissed off because it would have meant immediate Hollywood sainthood for her, were she to go on and have Warren Beatty’s only child, after he had tragically died.

She was really pissed off because this was media manipulation beyond her wildest schemes,

‘I’ve got to get him out of here.  I’ve got to have the best genetic engineers flown in immediately…’

I was stunned when I read her thoughts because, of course, she intended to harvest his seed and impregnate herself and then have a premature love child of Warren Beatty’s.

I was stunned by this woman’s phenomenal megalomania.

‘During the autopsy, I’ll have his sperm taken out and I’ll have it copyrighted.  It’ll be my possession.  I’ll have it engineered so that I’ll have a child… a son.  God we can even have twins…’

She, all the while, was cowering over his face… kissing him and doing the wailing widow number,

‘…Can you imagine, Madonna?’

She privately squealed to herself – unaware, of course, that she was broadcasting to someone like me.  She was so triumphant at having had that idea because all she knew was that people who so loved Warren Beatty would take to her now.

She was insecure as to whether or not she would endure through time.  However, with this, she knew that she would automatically become iconic.  She would become truly the virgin mother!

She would be actually giving birth to some dead man’s child – he of course being, Warren Beatty.  It was destiny.  After all, she was ‘the’ Madonna.

She had this flash that this was why she had always been so drawn to crucifixes.  She was going to capitalise on the whole drama by making sure that it would be a son.

Of course, not to be outdone by that old, other Holy Mother with the virgin birth, she would eclipse that Madonna by having twin sons.  Again, La Stupenda squealed with delight to herself.

I passingly wondered if I were the only one to be privy to her thoughts.  Then I realised that from my detachment, as everyone bawled and was truly horrified as though these were Olympians and not mere mortals, that I was the only one.

‘What could be better than having two Warren Beatty lookalikes crawling around the planet and who were his twins?  And his only heirs!  With today’s genetic engineering it will be a great coup.

‘Think of the press!  I’ll be guaranteed perpetual immortality.  I’ll be iconised for all history…’

I thought then and there,

‘My god, this woman is monstrous.’

In any event, the funeral was upon us and by some strange quirk of the dreamtime, I was very much so a part of the funeral.  I was as though a fly on the wall, as it were, and aren’t you lucky?

Why, was I participating?  I do not know?

In any event, I was dressed to the nines.  I had on a wonderful, lace outfit with a mantilla with my veil covering my face.  I was part, somehow, of the funeral party.

It turned out that Warren Beatty had had five wives and, at the point at which he died, his fifth wife was a High-Yellow woman.  She was part Black, part White, partly Latina.

He had had all these wives.  They had always been paid and kept to remain silent.  They were never brought out in the public or media.  It was one of Hollywood’s biggest secrets.

People, obviously, never knew about it.  It had never once been spoken about.  There was an interesting turn to all of this… I had been going along Eglinton East on the south side.  It was as though I was going towards Yonge Street; however, it was not Eglinton Avenue East.

Madonna was going to be late because, luckily, it was that time of the month for her.  She was off having herself impregnated, by way of a turkey baster, with Warren Beatty’s frozen sperm – the planet’s most expensively rare caviar fertiliser of sorts.

I was attending the funeral with a short woman who was the fifth wife’s mother.  She seemed a lot like Sybil Ben-Daniel and wore a brown coat over her dress.  I walked with my right arm embracing her as she was on my right.

I had burly bodyguards all about me, before, beside and behind me.  They were real Mossad-goon-cum-Wrestlemania types.  My pants were those flare-legged Giorgio Armanis that allowed me to stride throwing my legs.

There was a lot of train to them and I had such utter style.  I had enormous energies about me and great flare.  My eyes were bedazzling even though mantilla-veiled.

They were what were, of course, fuelling my high spirits.  The onlookers were lapping up my entrance; I felt wonderful.

We then went into the church and the mother was talking about,

“We want the money to go to the Church because the Church is really the staple of society and civilisation.  The Church does so much good.”

I just decided to let her babble on and kept my tongue in check.  However, I cussed her under my breath saying,

“You demented old fool.  What Church are you talking about?”

The church had a metallic-silver front and it looked not unlike York Cinemas on Eglinton Avenue East.  It was not a very big church on the inside.  As we got inside, I turned around and hissed at one of the bodyguards because he had earlier stepped on my train.

Of course, we were surrounded then by the paparazzi and the little people.  His Bigfoot’s footprint was there on the pant’s train.  I reached back and slapped his face real hard calling him a fucking asshole.

Of course, I knew that it was safe to do it here because everyone here knew, only too well, that side of me.  However, I couldn’t wreck my public image doing so outside.

As we got closer to the church, I began striding firmer with each step in anticipation of getting his oafish arse.  I was really careful not to show that side of me when in public.

I started going down the aisle and there at the end was Warren Beatty’s corpse in the open casket.  It was a pure black casket that glistened.  It was a dark black wood and a really gorgeous casket.

Escorting the mother-in-law, I came all the way down the aisle.  I decided that I would go into the first pew on the right.  The first pew on the left actually went further down the aisle and did go past the casket.

It held men in white flowing robes; they were priest of whatever denomination this was – very cream, ivory-coloured and obviously very Catholic.

I went and sat down and immediately behind me was the fifth wife’s family.  They were very Hispanic-looking more so than Black.  They were very handsome in that family.

I turned around and smiled at one of the men and the energies coming from them weren’t as I had expected – I had thought that they would hate me.

I knew Madonna; I was apparently part of her hangers on.  Somehow, I had known her through dance.  I thought that, for that association, they would hate me.  However, they displayed no such hostilities towards me.  

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Finally, the fifth wife came and was walking very slowly, regally.  She carried a globular bouquet consisting of tiny, little white roses that were sprinkled in amongst some baby’s breath.  There were one or two little red roses as well.

She wore a white, lace outfit.  Deliberately dressed as though attending her wedding, she was not though veiled.  She came down to the casket and knelt before it, like Jacqueline Kennedy-Onassis at the rotunda, staking her claim on history by her performance.

She sobbed in a controlled breath and then got up and walked around to the right end of the casket.  Facing the church, she was now behind it and up on the altar.  She was before the pews on the left side of the aisle.

She knelt down again and this time began wailing and ululating.  She was doing ritual port de bras with her torso and head as well.  She kept on holding on to the bouquet.

It was a very Latin; a very emotional display; definitely, not Jacqueline Kennedy-Onassis.  It was very soulful and moving.  One really felt for her.

Finally, Madonna made her entrance and began slowly progressing down the aisle.  There was utter silence in the place because everybody was thinking,

‘Oh dear, poor Madonna was slutting with Warren Beatty at the point of his death.  Here is the fifth wife and is she going to create a scene or not?’

Well, of course, she is.  The fifth wife is Latin so, of course, there will be theatre.

When the fifth wife had been crossing the casket, I took in her body which was very wide-beamed.  I knew then, in a flash, that she was pregnant with Warren Beatty’s child and four months pregnant.

It was clearly no Immaculate Conception as per Madonna’s little trick.  She was a very big-boned woman.  She got up when Madonna entered the church and stopped crying.

Madonna saw her and avoided her glance as I turned and watched this fascinating bit of theatre unfold.  Everyone was really excited at the potential fireworks about to go off.

She started coming down to confront Madonna.  I immediately and intuitively knew that there was a gun inside the bouquet that the fifth wife so firmly clutched.

Positioning the gun, the fifth wife began holding the bouquet to her stomach.  Madonna, staying her ground, kept on proudly walking down the aisle.

She wore black; it was an outfit that was not dissimilar to mine.  She wore a short veil and not a mantilla like I did.

She came walking down towards the casket staying closer to the left pews.  The fifth wife came around the right side of the casket and was walking down the right side of the aisle looking at Madonna.

She had a very, very vexed and determined – an almost trance-like, expression of self-absorption on her face.  All the energy in her body was directed at Madonna.

When she was about five feet away from Madonna, she held up the bouquet and callously said,

“I’m going to blow your fucking brains out!”

It was filled with so much venom that it reverberated throughout the very high-ceilinged-though-tiny church.  It was also very Gothic an interior.

Madonna stopped truly catatonically horrified.  You could see it beyond the veil.  She had no entourage or bodyguards.  She showed up alone, so confident was she of the coup that she had just scored at the geneticist’s.

She was so flustered that she gallantly stuttered back,

“I dare you…”

She was very nervous and said very quickly with a weak, little laugh.  She was also vamping à la Breathless Mahoney – the character she played in Warren Beatty’s Dick Tracy film.

She was, however, visibly ashen.  Madonna was visibly shaken with fear.

Those persons in the left pews automatically screamed out and crouched down for cover because the fifth wife had held up the bouquet in both her outstretched arms like the gun that it so obviously hid.

“Come on.  You wouldn’t want to do that.  That’s just stupid…” Madonna bravely said.

“…You can’t do that.  Besides Warren’s already dead.  What are you trying to prove?  You can’t do this to me!  Don’t be stupid.”

The woman, however, started slowly walking towards her not buying her bullshit.  At that, Madonna turned around and started to bolt and she fell down over her long-trained dress.

She had already made it to the back of the pews on the left.  She was much too vain, to run outside and possibly be murdered in front of the little people.  So she got up and began running around the far side of the pews.

Of course, as she ran away, the fifth wife could easily have shot her in the back.  Then Madonna got really pissed off, stopped against the far left wall of the church, holding out her palm at her attacker saying,

“Stop it!  You don’t want to do this.  This is stupid.  You can’t kill me.  I’m Madonna!”

She was just winded; the expression on her face was unbridled rage, fear, terror, chutzpah, all in one.  Then the fifth wife pulled the trigger, which was the only sound in the place, releasing the magazine.

Madonna cried out and began pleading with her.  It was truly a spectacle.  It was really pathetic.  The fifth wife then pulled on the trigger and there was a loud plopping sound.

Everybody just screamed and the place became flooded with blinding blue light.  It turned out to have been an older-model camera and the flashbulb from the camera as it went off.  

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At that, the fifth wife laughed this loud, truly callous, heavy-from-the-womb, ripe, wicked, vindictive, victorious-all-in-one laugh.  It echoed throughout the church.

When her echo collapsed, as Madonna stood there truly disempowered, the fifth wife uttered in a weary breath,

“I always said to Warren that you’re an ugly slut.  This picture will prove it.”

At that the fifth wife turned and came and sat down on the pew next to me.  Her Latina family members were just going wild clapping and hysterically shrieking.

Now that’s a Hollywood wife!

Poor Madonna was still standing there involuntarily shaking.  She was holding her chest and gasping for air like an asthmatic.  Her left hand placed on her chest, with her right hand holding on to the pew, thus she stayed her ground.

Although her hand was on her chest, she was being most clever.  However I knew that really where it should have been was at her pussy because what the fifth wife instinctively knew, as did I, was that she had just miscarried.  Madonna was profusely bleeding.

Poor Madonna was so humiliated.  The look on her face was truly sad; she was sweaty and runny-nosed.  She soon collapsed and had to be taken away.  Of course, she would be beaten out of having Warren Beatty’s heir by the fifth wife.

The whole thing was so funny and hysterical.  I was so stunned that the fifth wife was going to pull this stunt.  I really thought that it was a gun; I had, at least, gotten this flash that it was a gun.

The idea to have a bolt release, affecting a gun, was truly ingenious.  The picture turned out to be truly horrific.  It was all a joke being played on Madonna by Hollywood’s film elites who could not have cared less about her and her parvenu ambitions.

The whole affair was so very wickedly political.  The whole thing was so hysterical.  I wondered as to what next was going to happen.

Is the fifth wife going to come forward and produce the first Warren Beatty heir – the true child?  A child that would look like Warren Beatty – more like a child of the future being of multiracial heritage and a bronzed version of Warren Beatty would the fifth wife bear.

What then will she do about Madonna’s copyright of Warren Beatty’s sperm?  Will the fifth wife, for producing the heir, win the legal rights to them and have them destroyed if she chooses to?

Will this not, in fact, begin a Pop Religion rivalling the King, Elvis Presley’s, if Madonna had won custody of the sperm and gone on to impregnate herself and bear those miscarried twin sons because of her bonds to Warren Beatty and his two pseudo-virgin-birthed children – sons at that?

Truly, this is iconography for the new millennium, indeed.

*A very, very interesting dream.  Certainly, that I would be dreaming about these people is interesting enough.  I don’t pay much attention to any of them beyond the passing.

I had seen Dick Tracy three weeks ago.  That the whole thing would evolve the way it did was rather insightful.  I was totally surprised, as much so, as was Madonna in the church.

I really did think that she was going to be shot.  I thought that it would be so messy.

You know, I just did not want having anybody’s can’t-wash-out bloodstains on my Giorgio Armani pants.

A truly, truly funny dream this was.

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*What can I say, dreams are purely experiential.  I dream it and awaken, immediately bringing forth the dream experiences, committing those experiences to audio-cassette tapes. 

I rather enjoyed being alone and visiting with Jessye Norman in the earlier dream.  Clearly, those dreams were set on a parallel Earth in another dimension and one in which the mostly Black population is differently proportioned than we humans of waking state Earth are. 

On the eve of the Oscars, I thought this a fitting offering.  I could never have fathomed the outcome of the fifth wife’s agendum until it unfolded.  Ingenious, to say the least, was her use of the bouquet. 

As ever, sweet dreams and don’t forget to push off and start flying… and so what if you bump into a wall, just attempt doing so again and this time believe that you can effortless transcend the barrier.  Perception is, alas, everything. 

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As ever my dear sweet ennobled friends, I am ever grateful for your continued support.  Please do spread the word, far and wide about this happening dream joint on the cosmic wide web.  Always remember to push off and start flying… I love you more.  

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©2013-2020 Arvin da Brgha.  All Rights Reserved.  

#BestDespinaEver!

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Opening nights are always such fun… Tuesday night past, I was reminded of all the opening nights that I would attend with a slightly neurotic Merlin as some show or other that he had directed was being presented to the world… As ever, it was great to see my plus one, Lucian Mann-Chomedy as the ideal partner for these occasions. Always reserved, pleasant and just the right amount of chatter and wit.

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Whilst Lucian enjoyed the pre-show lecture in the Four Seasons Centre Amphitheatre, I slipped next door into the warmth of the Sheraton Centre Hotel and warmed myself on a glass of sherry whilst finishing off 2018’s Scotiabank Giller Prize winner on my KOBO.

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What an utterly stunning tour de force. It was a moment to reflect, this Black History Month on just where we blacks are in the scheme of things. God only knows, it has been bruising to watch Meghan, HRH Duchess of Sussex become the print media’s most reviled and hunted fugitive from justice of that most vile creature, the racial predator.

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I was still smarting at the events of a week earlier during the winter season’s first major snowstorm. I had been recalling to friends how strange it now was, compared to my first winter in Canada. December 1, 1974 and it snowed that day more than 8 inches. Back then it generally was guaranteed to snow once if not twice weekly. Now at end of January, 2019 and we were finally having our first major snow. This was not like snow from years past… Now it was a dirty, sooty-looking hard mess that lingered, largely in part because the city has contracted out its snow removal services.

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As there are no windows in my apartment – Sol’s too damn bright by far and besides, boarded up windows afford me more art-hanging space – I got down in the early afternoon that Monday with my bike, only to be met by falling snow and several accumulated inches. Back up I went, retired the trusty chrome steed and returned and hopped into a snazzy Audi A6 Uber ride with a Macedonian whose spirit was as smooth and elegant as matchingly was his car. The mood set the tone for my day. As I am known to work 16-hr days, I called another Uber at the end of gig one whilst hoping to get to gig 2 in good time. The snow was still coming down; it was also bitterly cold and windy.

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When finally, Uber #2 arrived, cold and dark with icy pellets mixed in with the snow, the driver rolled down his passenger side window and declared, “Sorry Buddy but I am going to have to cancel this ride…” Already running late, with my wheeled suitcase at the ready, he edged along as I tried to open the door and raised his voice, his eyes almost feral-looking beneath his turbanned, narrow skull. “I said I am cancelling you. One: I never take people like you in my car. Two: you have a shitty rating… Sorry, not sorry. Fuck you Buddy.” With that, he stepped on the gas and I had to swiftly haul me and suitcase out of the way as the rear of his red older model car whose interior did have that blasted malodorous melange of curry, dirty armpit, dirty arse, smegma and whatever the fuck else that passes for immigrants of choice these days. Finally, after having struggled out onto a still-not-ploughed Bay Street, I managed to hail the fourth cab whose West African driver insisted that I call Uber and report him… Days later, I was afforded assurances that the racist Dravidian was no longer part of Uber’s fleet. Similarly, when calling a Beck Taxi with a fairly generic name as Arvin, on coming downstairs the Indo-Canadian drivers on several occasions as though staying on script would feign obsequiousness and state that they were deeply sorry but owing to a family emergency, they were having to take the cab out of service. No sooner than having refused me a ride, they would then be observed heading out to Wellesley, turning on their unoccupied light and picking up a fare off the road. As if the blasted motherfuck, the likes of your overbred arse invented Jazz.

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Each and every time that one experiences racial animus, is preyed on racially, it always harks back to that first winter in Toronto. My best mate from two summers earlier, when I would come to Canada to visit with my dad during school break, had been sick. After Sunday church service at Knox Presbyterian at Harbord and Spadina before returning to our beautiful home at 122 Mortimer Avenue, I would visit – my dad and I – with Tommy who was holding up at Toronto Sick Kids Hospital on University Avenue. My father explained that Tommy was sick with the winter flu, which sometimes could last for months and well beyond winter. I was a scrawny little fourteen-year-old who looked like most ten-year-old Canadian kids as I crawled the halls at Harbord Collegiate where among my mostly Italian-Canadian chums was future lawyer, Rocco Galati. As Tommy, who was a couple of years older than me, had gladly shared books with me the two summers prior that I would take to Knox summer camp and read then have a good stroke off, lusting after my inamorato, Tommy, I readily agreed to do his newspaper route for him until he came home. My first Saturday, the cart was overflowing with the thick Toronto Star newspaper and there was a good foot of snow everywhere. It was hellish but for Tommy, I was game to go the distance – who knows what hot frottage, docking and more was in the offing for having done his route for him! When I got to the northeast corner of Floyd and Bater Avenues that first Saturday to collect the funds, the door opened to a woman whose response to me was the most hideous display of the displaced madness that is white bigotry. Screaming at the top of her lungs, the woman in her upper seventies, vituperatively cursed my black bugger arse off and laid down the law. Never again, “you dirty little nigger” was I to set foot on her verandah.., I was to put the paper between her screen and front doors, knock then return to the top of her steps and wait for her to pay the bill. That first Saturday, she ripped the paper from my hand, flung the money at me. She was terrifying, in her faded blue A-line dress, black spectacles that had those upturned pointed edges at the sides; she wore faux pearls. Most of all, she wore the most hideously terrifying eyes. I remember how much they looked like eyes of a rooster, especially so for being such puffy eyes. Like the evolved, winged and feathered reptilians that roosters are, her eyes truly did look not the least bit human. She was so consumed with racial animus that it was truly frightening. By the time I made it home, I found myself regurgitating. Thereafter, every Saturday, I would take my spot at the top of the steps and consistently she would hurl out pennies mostly at me rather than the verandah where that first winter I had to suffer the indignity of picking through inches of snow on the verandah, steps and lawn to collect my money. Naturally, without fail she called most Saturdays to the Toronto Star, complaining of either not having received her paper on time or that it was missing altogether. This would mean having to buy her a replacement at the corner store, take it and only to be fed on by the hideous-of-spirit racial predator. Like a true cockhound many an indignity I suffered in hopes of my spectacled, full-lipped and scholarly inamorato, Tommy hooking up with me for having been so loyal to him. The summer prior, I had ventured to the public pool on Broadview at Riverdale Park with him and a couple of others and thrilled beyond belief was I to spy his large pendulous balls and that hammer-headed girthsome salami that pummelled his bikinis. Indeed, for Tommy I would suffer much indignity. There was a low-rise apartment building at 1111 Broadview where on the ground floor, there was another predator, this one equally septuagenarian who lived alone, smoked incessantly and always answered the door in various stages of undress, mostly ever only wearing a soiled merino. He was always a generous tipper; a whole 2$ bill in 1974/75 was serious cash. Naturally, in the pre-Ciaslis epoch old anorexic, drunken paunched predator would sometimes tug on the old bulbous semi-flaccid/semi-tumescent, though, pendulous but perfectly useless appendage, trying to lure me in. Sitting there in all that squalor and acting as though he was sugar daddy material… indeed. He was always keen on trying to grab me when giving me the “tip” and I was ever sly and crafty enough to get away from him each time. He, too, lead me to regurgitate, which I had not done since age nine and suffering my first racial attack. Of course, to this day, neither academia nor medicine will concede that there is any such a thing as the racial predator and the effects it has on those preyed on – mostly blacks – and the psyche/mental illness of those who prey on others chiefly non-blacks in varying degrees of severity based on otherness.

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Finally, the house lights went down and I was met by the whimsical vista of the COC’s production of W. A. Mozart’s glorious opera, Cosi Fan Tutte. Previously, I had caught productions of this Mozart gem in Chicago, Montréal and New York City. I was not expecting much at this rate. The Frida Kahlo connection was a bit of a stretch but the butterflies fast won me over.

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From the moment that she stepped onto stage, my spirit soared aloft higher than Mozart’s glorious music to that point had spirited me. Never before had there been so captivating a Despina. My eyes teared up and I was ever on the cusp of explosive giggles. Then what made me truly come undone was the moment Tracy Dahl took to the stage as the notary… by now, I was losing tears and beginning to emit choked snorted chuckles. Each Saturday back in 1974/75 when doing Tommy’s newspaper route, I would end off taking the Saturday Star to Giovanna an octogenarian Italian, who was plump, charming and more adorable than any mere mortal ought to be. Soon, we were fast lovers and she loved fussing over me, baking me each Saturday nice, warm, oven-fresh biscotti washed down with a glass of ice-cold “gingah raleh”… her thick Italian accent was part of her charm. Hers was a large black and white cat, simply known as pussy gatto, who always sat nesting on the armchair. Each week, Giovanna sat transfixed as I read her the newspaper; her vision was to that point fairly deteriorated. As a way of better forging our bond and because most of my mates at Harbord were Italian, for three years, I studied Italian and that really impressed Giovanna, who was simply known as “Mama Mia.”

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As the opera progressed, Ms. Dahl as the notary, dashed and took cover beneath the table at which point, I buried my face in the program with explosive laughter. Straight away, I was reminded of each Saturday when the ever silent pussy gatto would bolt from the armchair and take cover beneath the sofa where I sat as Giovanna began an explosion of long-winded farts. Even the singer’s voice sounded much like Giovanna’s as she sang the role of notary. Remarkably, it was as though she was channelling Giovanna. In that moment, I was healed of the bile, which the recent Uber incident had caused to surface, bile that dated as far back as 1974.

In the end, Tommy’s parents sold their house and it was not until a couple years later that I discovered from the neighbour next-door that Tommy, who had never returned to their Mortimer and Logan home, had died of Leukaemia. Indeed, the winter flu was my dad’s way of protecting me from the callousness of having to lose a friend so early in life.

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Apart from the catharsis that Tracy Dahl’s performance personally effected, I don’t think that it would be biased of me to state that hers was the runaway performance in the COC’s fantastic, and fast-paced I might add, production of Cosi Fan Tutte.

As ever, mischievously push down and melt with laughter in celebration of the joy that is life and start having yourselves a most glorious of flying dreams. Thanks for your ongoing support of this happening astral joint on this side of the astral plane. I love you more.

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©2013-2020 Arvin da Brgha. All Rights Reserved.

Sing it George!

Benson, George 22/3/1943 Pittsburg, Pennsylvania

Michael: This fragment is a fifth level mature artisan – second life thereat.  George is in the power mode with a goal of growth.  An idealist, he is in the moving part of intellectual centre.

Body type is Venus/Mars.

George’s primary chief feature is subdued arrogance and the secondary impatience.

The fragment George is fifth-cast in third cadence; he is a member of greater cadence four.  George’s entity is five, cadre one, greater cadre 7, pod 414 – this is a cadre mate of Arvin’s and Merlin’s.

George’s essence twin is also an artisan and he has a sage task companion.

George’s primary needs are: expression, communion and power.

There are 10 past-life associations with Arvin and 14 with Merlin.

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Music is a language and Jazz is the language of a people; it speaks to no one else like it does us.  No other music readily restores one’s humanity and sense of self like Jazz does.  Interestingly, when a student at ballet school, I lived the most famous quote uttered by Diana, Princess of Wales in that Panorama interview that she gave to Martin Bashir: “There is no better way to dismantle a personality than to isolate it.” 

That is why during my two hellish years in Winnipeg, the music of Jazz is what saved me.  Interestingly enough, three musicians I looked to during that time more than any others; years later, I would discover that they are all cadre mates: Natalie Cole, John Coltrane and George Benson.  

With the passing of cadre mates Natalie Cole and Roy Hargrove, it is high time to celebrate and pay homage to George Benson while he remains focussed here and now.  

Keep on flying right whether in the most blissful of dreams or the waking state’s unforgiving grittiness… then again, it is also maddeningly beautiful!  

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©2013-2020 Arvin da Brgha.  All Rights Reserved.  

Roy Hargrove 16/10/1969/\/\2/11/2018

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Hargrove, Roy 16/10/1969<O>2/11/2018

Michael: This fragment was a fifth-level mature scholar – 2nd life thereat.  Roy was in the perseveration mode with a goal of growth.  Roy was a realist who was in the intellectual part of moving centre.

Roy’s primary chief feature was arrogance and his secondary was impatience.

Roy’s body type was Mercury/Lunar.

The fragment Roy is second-cast in the fifth cadence; the fragment is in the first greater cadence.  Roy is a member of entity six, cadre one, greater cadre 7, pod 414 – here we have another entity mate of both Arvin’s and Merlin’s.

Roy’s essence twin is a scholar and the task companion is a sage.

Roy’s three primary needs were: expression, adventure and security.

There are 9 past-life associations between Roy and Arvin and 14 between him and Merlin.

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I have always exquisitely found centre for listening to this recording.  Time seems to drift away and ideas flow with greater ease… indeed, how sweet it is to be richly inspired by an entity mate.  

“I’m in service.  I am here to touch people and make them feel better through music.” – Roy Hargrove.  

Well if that is not validation of being a member of an entity six of a cadre one, I don’t know what it.  

I always good for long days after a concert of his.  A beautiful human being.  

Sweet and blissful dreams be yours dear ennobled entity mate.  

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©2013-2020 Arvin da Brgha.  All Rights Reserved.  

Stephen Hawking’s Supernova

Stephen Hawking

Hawking, Stephen 8/1/42<O>14/3/18

Michael: What you are seeing in the fragment who is now Stephen is a seventh level old Scholar in the observation mode, with a goal of growth, a sceptic. 

This is his first life in the last of the physical cycles but we note that there has been tremendous progress here in that this fragment is for the most part transcendent in his ability to leave the body at will and travel through the limitless leaves of the Tao. 

Yes, of course he chose to have a frail unworkable body.  He did not specifically choose amyotrophic lateral sclerosis.  The choices are not that limiting but he did choose not to have to be bothered with the physical body, so that he could finish what he needed to do intellectually. 

We did not give a centring here because this fragment spends a great deal of time in touch with higher centres, although he is, as you might suppose pretty much centred in the Intellectual part of Intellectual Centre but is able to use the Higher Emotional Centre at will. 

This fragment is lively, bright, fairly happy and although aware of his severe limitations, not in the least sorry for himself.  This fragment has been literate over fifty times.  He was nine times the tutor to royal children.  He was an inscribing monk and did beautiful illuminations during five lifetimes. 

He was a scribe to the fragment who was Julius Caesar.  He was a lector for the emperor Marcus Aurelius.  He was a Grecian scholar on the Isle of Rhodes, during the height of the golden age of Greece. 

He was an Arabian mathematician and was instrumental in giving the world the zero to work with, which greatly improved and facilitated the study of higher mathematics.  He was a geographer twice. 

So, this fragment is no stranger to the world of study, however, this is the life he chose to make his greatest contributions.  Many of you could speak with Stephen in the dream state, for he is very accessible.  This fragment has many things he could teach all of you. 

He has a great deal of recall that he puts to good use in this life.  The age of this fragment’s soul accounts for his ability to detach from the physical body.  A younger soul could not do this with such élan. 

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At the time of Diana, Princess of Wales’ death (August, 1997) Sarah J. Chambers, channeller of the original Michael Group, shared Dr. Hawking’s overleaves with me, along with those of HRH Prince Charles Prince of Wales, Madonna Ciccone, Prince and Michael Jackson.  Though it is not listed in the overleaves, Sarah stated in an email communiqué that this would be Stephen’s final life; his soul would no longer reincarnate at the conclusion of this life, which would occur near 21 years later.  

Interestingly, as it was his final life, Stephen Hawking in a wrap up of having downloaded his vast intellectual awareness as the ultimate scholar soul would pass or, more appropriately, supernova at the time of the most intense solar storm in long years… there are no coincidences.  I was once guided in a dream and told that the Sun and all stars are the portal through which all sentient and reincarnating souls pass between the planes on reincarnating and passing.  Obviously, there was a great celebratory event as Stephen Hawking at the conclusion of his reincarnation cycle returned to his entity one last time — hence he was facilitated via the solar storm.  

Back on Monday, March 5, 2018, I went to see Darkest Hour with Gary Oldman at the Vue Cinemas in London’s Leicester Square.  Comfortably seated in theatre 8, about halfway into the film, I began witnessing a fair bit of paranormal activity.  I sat in the back row between two English couples, neither of whom were amorous.  From time to time, when actors on screen were in closeup, their eyes would suddenly become black-within-black with fully dilated pupils.  There were times, when I was able to make out Kristin Scott-Thomas’ aura — I found her performance exacting and intense.  More than that, I witnessed foggy, grey-white tall humanoid forms simply getting up from the seats in multiple rows ahead of me, turn either right or left then simply walk through the dark walls of the mid-sized theatre.  

I chose to remain composed because having a fearful response, is all about losing control and homie never plays that.  As the experience unfolded for about 20 per cent of the film, it next ventured into territory with which I had long grown familiar.  Off to the right corner of the theatre and at the ceiling, there was an aperture of light with opened.  Slowly, the light expanded and began a portal of the same soft-focussed yellow/golden light.  I have seen this many time before.  Next, a series of light beings, say the size of a raven began manifesting.  These light beings are illumined from within and have large gossamer, illumined wings which are two-thirds the size of their tiny bodies; the wings also flap about not unlike an elephant’s ears do. 

These creatures arose from the seats before me and progressed from left to right and up and into the light which radiated from the portal.  Soon enough, I was keenly aware that I was the only person experiencing this; I was never fearful.  I did, though, remind myself that personal truth is the only valid reality — at least at moments such as this.  Previously, I have experienced this manifestation when persons close to me are about to pass; this can manifest either at the point of their departure or as early as up to two weeks in advance.  This has never occurred after the actual passing and never more than two weeks out from the actual passing.  What I have learnt, for having done as many overleaves as I have, is that these persons are with few exceptions either entity or cadre mates.  

Where they have not been thusly related to me, they have been famous persons on the global stage.  The last time that this had occurred was at Nelson Mandela’s passing.  This, by the way, I did not experience when the 20th century’s most famous woman, Diana, Princess of Wales, passed.  

With regards to Stephen Hawking, I feel that for being in London and 9 days out from his passing, I was being attuned to his preparations to cycle off his final incarnation.  The movement of the levitating illumined, winged tiny beings towards the portal of soft-focussed light is always a slow, languorous adage that seems to occur within an aqueous medium.  Also, at the time that the overleaves were shared, in a subsequent email, Sarah had shared that he was in greater cadre 4 of pod 129 — the rest of his casting I do not know.  

I have known two persons who passed of ALS, which Stephen Hawking had for decades.  Both persons, as is customary with ALS, passed within a year of being diagnosed.  In the case of one female coworker, she simply became all-consumed and grew fear-shrouded and cocooned.  There was so much fear readily discernible in her eyes.  Incidentally, when she passed, I had the exact same aforementioned paranormal manifestation.  I have not yet done her overleaves but would not be surprised if she comes back as an entity or cadre mate.  Also, after her passing, she appeared to me, in the most intensely lucid dream, very radiantly and thanked me for my support and assured me that she was now at peace with where she was.  Obviously, she was aware that I was distressed at how fearful she seemed at the prognosis of imminent death.  

Clearly, one can’t claim to know what she must have felt at the time; she, however, had simply become straight-jacketed by the fear of death and her own mortality.  Stephen Hawking endured for decades with ALS, likely the first such documented case in medicine, because he had conquered the fear of death.  He was totally at peace with his reality; moreover, he was more focussed on being in the now and completing his task of disseminating as much of the knowledge that he had acquired during the course of his reincarnational cycle.  There was nothing to fear.  Indeed, his overleaves of being a seventh level old scholar soul on his final life was thusly validated as he could not have cared less.  Death he had conquered long ago; the body and obsession therewith served no purpose for him.  He just wanted to get on with the task in hand of sharing his intellectual gifts with humanity.  

More than any other human being of the last two millennia, Stephen Hawking will be remembered and celebrated two millennia hence.  Sweet and blissful dreams and it was good to have been illumined by the stellar light of your accumulated intellectual gifts.  

As ever, thanks for your ongoing support and sweet dreams!   

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©2013-2020 Arvin da Brgha.  All Rights Reserved.

Going Live!

The second volume of Human Civilisation’s first Dream Memoirs are dropping.  Please do get your copies.  I will also be hosting a launch/art collection event with open bar at my place over the holidays.  Will keep you posted.

MAASDO II

This is Volume II; notice the clever roman numeral indicators in the different colour schemata of the title.

ASVMOA II

Appendix II of the six volume Michael Overleaves appendices.  In this appendix the Michael Overleaves for the following persons appear:  George Balanchine, Robert Bateman, Mikhail Baryshnikov, George Benson, Pierre Berton, Her Majesty, Queen Elizabeth The Queen Mother, Liona Boyd, Dave Brubeck, William F. Buckley Jr., Fernando Bujones, Carlos Castaneda, Dick Cavett and lots more.

Tis the holiday season, these marvellous books would make great presents for the ones you love and especially the bibliophiles in your circle.

Do stand by as the podcast is slowly coming together.

As ever, sweet dreams and thanks so much for you ongoing support.

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©2013-2020 Arvin da Brgha.  All Rights Reserved.

Also, Coming in June…

MOAppendix I

A SIX VOLUME MICHAEL OVERLEAVES APPENDIX.

This is Volume I of VI of Michael Overleaves which were channelled by Authentic Michael Channellers™ (accept no substitutes).  Each volume is a companion to I of VI volumes of the memoirs of task companions, Merlin and mine.  MERLIN and ARVIN: A SHAMANIC DREAM ODYSSEY (Human Civilisation’s First Dream Memoirs).  

Here are some fragments whose overleaves appear in Volume I: Marcel Proust/Alvin Ailey/Pharaoh Akhenaten/Alfred Brendel/Victor Brauner/Mariah Carey/Leonard Cohen/Salvador Dali/Honoré de Balzac M.C. Escher/Gustave Flaubert/Marvin Gaye/Dizzy Gillespie/Martha Graham/Hermann Hesse/Peter Jennings/Grace Jones/John Lennon/Nelson Mandela Miriam Makeba/Bob Marley/Johnny Mercer/George Gershwin/Mishima Yukio/Itzhak Perlman/Molière Leontyne Price/Gabriela Mistral/Charlie Rose/Billy Strayhorn/Lionel Richie/Diana Ross/Pierre Elliott Trudeau/Rembrandt van Rijn/Sarah Vaughan\Andy Warhol/Robin Williams.

Available everywhere, in all media in June 2017!  Get yours and thanks so much for your support these past few years!  

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©2013-2020 Arvin da Brgha.  All Rights Reserved.

In Celebration of Merlin!

79ssk7

Earlier this week, in celebration of the anniversary today of Merlin’s passing, I attended two performances of the Berliner Philharmoniker at Toronto’s Roy Thomson Hall.  On Tuesday evening, the mixed programme concluded with Gustav Mahler’s Symphony No. 7, E Minor – a truly glorious experience.  Moreover, it was good to have experienced Sir Simon Rattle at the helm of an orchestral performance.  

nov-15-2016 __________

nov-16-2016

The following night, this past Wednesday, November 16, 2016, I returned to Roy Thomson Hall for night two of the Berliner Philharmoniker’s tour of performances.  Always a favourite, the mixed programme concluded with Johannes Brahms’ Symphony No. 2. D Major, Op 73.  In no way was Brahms’ symphony comparable to Mahler’s symphony of the night before, nonetheless, it was a rousing way to have finished off the week of celebration which began at the weekend prior with a quick trip to Montréal. 

spa-ovarium

 I went there for two reasons, firstly to fortify my body, spirit and mind at the glorious Spa Ovarium: www.ovarium.com – as ever the experience was transcendent.  Previously, I had spent the morning into afternoon at the Musée des Beaux-Arts de Montréal on rue Sherbrooke to take in the Robert Mapplethorpe exhibition.  The show was spectacular. 

musee-d-ba-montreal

Back in early 1983 whilst Merlin was in Toronto working with Jim Henson on Fraggle Rock, I was staying at the Trocadero Loft which Merlin had sublet whilst the dynamic duo who headed Les Ballets Trockadero de Monte Carlo were on tour.  Most evenings, Attila Isaksen would drop by and we would hang out, have great sex, watch TV or crawl about Chelsea and get up to no end of trouble.  Merlin had sublet the loft which sat across the street from the block long grand building at 684 Sixth Avenue between 20th and 21st Streets West.  The floor above was owned by a Gay professional couple who were heavily into S&M.  One evening after we had been out crawling the clubs – Attila who had transitioned from a life as a dancer was now painting and showing in galleries in Soho and elsewhere – we came home with someone that he had picked up. 

paloma-picasso

That someone turned out to have been Robert Mapplethorpe who proved a very intense bottom and a very memorable fuck.  He was intense and as equally ravenous a bottom as was Attila.  Attila was acquainted with him through the art world and picked him up at the bar we were hanging out in a couple of blocks south of my place at the Trockadero loft late one Thursday evening.   We came back to the loft and they smoked ganja, a cigar, did a ton of poppers which I never found remotely appealing, then cigarettes after our wild fuck.  I do though recall Robert’s arse being a rather loose affair.  I might also add as both he and Attila took turns bottoming for me that he was an especially good kisser. 

Robert Mapplethorpe

I quite enjoyed the show and Montréal was a great blast.  Wonderful it was to have been there and seen so many Blacks as here in Toronto Blacks seem to have been eradicated, marginalised, replaced by the White tribe’s buffer races – those who did so nicely for themselves and saw nothing remotely wrong with Apartheid whilst it profited them – who in this town are now the darlings of obsessive Canadians with Black culture as their latest agendum is pushing that most absurd notion, Indo-Jazz.  You know if you are never going to respect Blacks, you certainly can’t be hogging the culture as you so hideously do. 

louise-nevelson

This brings me to the matter of the recent American elections; I am so glad that Donald Trump was elected because he will be the shot of adrenalin that Black Americans have so sorely needed.  I would not be the least bit surprised if President Trump does not turn around and have President Obama arrested and imprisoned for being an alien, not an American but of foreign birth and a Muslim to boot. 

gong-96

Regardless what happens, the election of President Barack H. Obama has deftly illustrated that we Blacks are not paranoid, not sensitive; racism is real and the White tribal obsession with hating Blacks is at feverish mass extinction levels.  Truly phenomenal it has been to watch these past 8 years evolve.  Amazingly, it is uncanny how some Whites can fabricate lies and for hatefully perpetuating lies as they did with President Obama, these lies soon become accepted as gospel truth. 

Alas, people always get what they deserve and Trump with his wall, I rather suspect, will prove more of a monster than far too many Whites and non-Blacks perceived President Obama to have been.  Racially predatory grudge of Blacks is truly the biggest cancer on human civilisation as it is not exclusively the obsession of Whites.  The entire election boiled down to the perpetuation of the five deadly isms being allow to riotously flower: lookism, ageism, classism, racism and sexism. 

Speaking of racially predatory behaviour, one of the dreams herein involved Damita Soud with whom I worked in the early 90s.  She was the most vile and hideous displacement of the human spirit; frankly, I knew her then because coming off my relationship with Merlin many were the persons like Damita whom I had encountered in the showbiz crowd. 

I do believe that Damita served to have reminded me and to have prompted me to have put persons like this well behind me where they damn well belong.  Also, as it is the anniversary of Merlin’s passing, there was a beautiful dream with a delightful Eurasian boy in London, England whom I assumed was my task companion Merlin reincarnated.  Of course, since this dream which was dreamt in early-August, 1991, Merlin has reincarnated in December, 2006 and is female in Holland. 

Also since that dream, my essence twin, whom I never met during this lifetime, was reborn in the mid-to-late 1990s into Germany is of Japanese/German ethnicity and will likely be a writer in this lifetime.  The Eurasian in the dream was likely an astral plane encounter with my essence twin as my reincarnated essence twin is not only Eurasian but is also male in this lifetime. 

Thanks so much for your continued patronage and ever, I implore you, always remember to push off and start flying because you’ve earned it.  Sweet dreams as ever. 

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header-london-piccadilly-circus

Whilst focussed in this the first dream, I got aboard a bus and intuitively knew that I was in London, England.  I headed somewhere of which I am not certain.  Racily, I had jumped onto the bus whilst it was travelling and it was quite fun.  The double-decker London bus was painted violet.  I went to one of the circuses.  Getting there, I got off and began walking behind a teenaged punk rocker.  She had her hairdo done with it sticking out in clumps that were pointy.  She was blonde but it had spots on it like a leopard’s and it was definitely not a wig.

Her hair stuck out like a porcupine’s quills and was very long like about eight inches each.  The spikes of hair conically came in to a fine point.  She wore a black mini, black stockings and black Bull Dog boots.  She had fat, flat non-extant calves.  She wore a cream-coloured merino which had no sleeves.  She was quite long-limbed; both her legs and arms were beautifully proportioned.  I admiringly walked after her as she had a very strong forceful stride.  People were conservatively looking at her; they were being judgmental of her.

I quite enjoyed her energies as I walked after her.  She was a true Demolition Man.  The bus that I was on was getting ready to take off again.  There was one girl who had come out of a building with some long pieces of wood and steel rods.  The building from whence she came clearly was being repaired.  I thought to hustle back to get aboard the bus; as I did so, other people were doing the same thing but through the rear doors.  We were soon enough travelling again.  As we went past, I noticed an Oriental man outside the bus who was asking me how to get somewhere.

He was tall, very handsome and very erudite.  He had two children one on either side of him.  The boy on his left was Oriental but he was mixed; he was Eurasian with freckles and had natural brown hues to his hair.  I assumed that his White parent was the mother from the fairness of his complexion.  Goodness, was this boy incredibly handsome?  I never did see his eyes because I was on the bus as it was passing them on the street.  Afterwards, when I had gotten off the bus, I had seen them again.  However, once again, he had never made eye contact with me.

His lids were deliberately inclined downwards because he knew that I knew who he was and wanted to verify it by seeing his eyes.  I can bet you anything that these would have been Merlin’s, if he had once looked up at mine.  Regardless, his little shy act, I knew those energies; they were more familiar than any energies that I had ever reincarnationally encountered.  The other boy to the man’s right was purely Oriental and older than the reincarnated Merlin.  Goodness, it was so very wonderful to have encountered their energies.  As they walked on a female Londoner had given them directions and had long black hair.  She was a very, very handsome woman with a very spiritually noble quality to her; this woman could even have been the Eurasian son’s mother.  She had directed them to this museum to which they were trying to get.

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london-plane-trees-paris

Antinous Brilman and I were alone, in what proved the third dream, intimate and talking.  We were talking about all these trees that were around us.  For some strange reason, there were all these London Plane trees which were diseased.  They were all dying out as a genus.  I was stunned really and could not think of any disease that they could possibly have.  “They were quite healthy and alive in both Paris and London, when I visited,” that had been a comment that I made.   I could not quite conceive of them going extinct; this, though, certainly seemed to have been the case here in this dream.  At the time, it was quite sunny out and the trees that were healthy were quite nice; those trees zinged with great vitality.

They beautifully reflected the light off their leaves.  Being in their presence was rather nice and uplifting.

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oleta-adams

Here, in the sixth dream, there was a Black woman singing and boy she had a voice on her.  She had a beautiful, beautiful voice; hers was a very soulful voice.  She was an up and coming singer, like Oleta Adams, but it was not Oleta.  She came and stood by a microphone that was from the 1930s; the mic was very Deco.  In particular, the mic is that one that is called a zephyr or a zeppelin – zephyr is correct.  She sang away with her beautiful African head tied up in a turban.  When she sang, she was in a medium that was bluish and slow-moving; in point of fact, the medium was not unlike water.  When she swayed her arms about her, the aqueous medium visibly also swirled about her.

This woman opened her mouth and hit some high notes that were electrifyingly astral.  I shouted, “You go girl.  Go ‘head!  Sing it!” I truly was ecstatic.  What she could do with this otherworldly music quite simply was incredible.  In that sense, it was not unlike a music video; except, it was as if holographic to the extent that one was inside the experience.  In the true sense, it was a virtual reality that I was experienced.

How she appeared was interesting because it was as though simultaneously otherworldly.  I had been singing and there had been these Whites about; naturally, they began throwing shade, “Yeah, yeah, great voice but not the look.”  “Oh shut up and sit down,” these were the sorts of crass remarks that they were making.

*It is always amazing to me how, for being so racially obsessed with Blacks, Whites will feel themselves possessed of some absurd right – which certainly does not exist – to go opening their fucking hideous-spirited mouths and spewing their venomous hatefulness in Blacks’ direction.  END.

I was totally impervious of their bullshit because it was nothing more than small-minded jealousy.  I saw these people who were coming and going.  As well, there were these young Whites who were as if models or model wannabes.  There was a very young-souled approach to their energies.  In any event, there was a party going on across the street and goodness, it was jumping.  There were a ton of people queued to get in.  I was there singing whilst playing a piano when my voice started carrying to the party across the street.  I was technically soaring very high.

Then everyone began clapping in unison.  Antinous was with me and getting ready to go across the street to check out the party.  Though, he had no invitation that did not deter him.  We were going to go crash it but it seemed very much so to be a wedding party.  The party was quite nice and the energies were riotously on.  Here, the atmosphere was great; it was wonderful.  This was the point that the young Black singer had appeared.  She was short and stouter than Oleta Adams.

She was very dark-skinned with very rich teeth.  She had very large teeth that were compacted just like Oleta Adams’.  Perhaps, it was Ms. Adams.  I do not, though, suspect that it was her.  When she sang, she could hold a note whilst adding cadence and timbre to it that was not humanly possible; at least this was only possible on this side of the waking state.  She quite moved me because as she sang, the water appeared and as if created and exuded by her.  Pretty much, it was as though one were seeing her aura as it gushed outwards.  One was being tuned into her vibration; except, this was an aura that was clearly aqueous and simultaneously filled with light.

Her unsuaul aura was heavy gelatinous water.  As she made the notes go higher, the water kept on changing.  Initially, the aqueous aura started out being light blue but it then shifted to a Kelly green.  Also, as the notes got higher, it became a yellowish-orange whilst transforming into red.  Below her at her feet, the water was still swirling with rich bubbles of varying sizes that rose up and above her head.  She slowly turned around on herself; this was so that she could have affected even greater acoustic depth.  My goodness, it is hard to relate here how incredibly elevated this music was.  I was greatly inspired by it.

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black-cat

I was upstairs in the kitchen, in what proved the eight dream, of an apartment with Damita Soud.  We were preparing a meal and washing some dishes.  In any event, she was talking and I just did not like her energies and did not want to be with her at all.  I then heard Whoopi cry out and I went running to look out the second floor window.  She was on her back and being gnawed in her neck area by another cat that reminded of Damita’s cat Spooky; Spooky, of course, is a little black cat which for being Damita’s would have a name like that.  This so mirrored the kind of unhealthy relationship that knowing this woman has developed into.  This dream interlude so reflected the constant non-too-veiled negativity from Damita towards me; it is an approach that I do not in any way appreciate.  I shrieked out the window at them whilst calling out to Whoopi truly horrified, “Whoopi use your hind legs and beat her up… beat her off you.

“Fight back, fight back!”  I could not get down because, somehow, I had this tether which was an orange-coloured coil.  The coil was wrapped around my waist.  More to the point, this coil was coming away from my umbilical area.  Furthermore, it was so hard to break the bonds to and from this thing.  Such an incredible graphic metaphor this dream’s every symbol.  I was most upset really.  I decided that this just could not go on for very much longer.

Somehow, Whoopi had gotten up and ran away towards an opening in the backyard’s fence; nonetheless, the cat was still on her.  I kept on yelling at Whoopi to fight back.  If only there was something that I could pick up at hand and throw out the window to strike Spooky.  Needless to say, throughout all this Damita remained perfectly mute.  Clearly, the animals, our animas, were engaged thanks to Damita’s decidedly negative focussed will.

*Damita is the perfect White female racial predator.  She is a so hideously perpetually racist; she is perpetually uttering some sotto voce racist remark.  These White racial predators forever  live their every day consumed with racially predatory thoughts on which they do not fail to act, truth be told, towards and on Blacks.  END.

I got this heavy thing but did not want to use it.  Obviously, it was quite likely to end up striking Whoopi in the process.  As it was, she was in enough shock.  Then and there, I decided that the time had long passed for me to put an end to knowing Damita.  Moreover, it personally was too callous a reminder of knowing Elektra Munk-Ejoohoè’s dysfunctional pernicious energies.  This was just not a healthy relationship and I did not want to know this person at all.  Indeed, it was high time that I put an end to knowing her.

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sareed-headscarf 

I was in this place, whilst focussed in the ninth dream, where there was an airplane on an airfield.  I reminded me of the Recreations Grounds in Sandy Point, St. Kitts for being focussed in this dream.  The plane was parked in front of the pavilion.  These planes could come in and land on a field as small as the Recreation Grounds without having to do much taxiing.  Much like a Harrier jet, they had the ability to vertically land and take off.  However, this was a passenger jetliner.  Its colour schemata were like that presently of Canadian Airlines international: silver and blue.  However, it could just as easily have been a British airways jetliner.

The bodies of the jets were sleek and black and this airplane was one of the new Boeing 737-300 series.  Then again, it may not have been because I was looking at the single engine on the tail like a DC-10 or a Boeing 727.  Much like a Concorde, the jet was also unusually elevated off the ground.  Unusually, it had large windows like a Greyhound coach bus does; its windows were not the standard singular oval-shaped ones.  So, on looking inside each window, you would see three, sometimes four window seats at a time.  This jet had only two such windows and then you got to the tail of the craft.  There was a door by the tail and one just back of the cockpit.  So, it was a very small plane which had six to eight rows of seats.

There was a small window that did cover two seats in between the two larger windows.  A much wider-bodied plane than a Boeing 757, it also was elevated off the ground much like the Boeing 757.  I could not, though, quite figure out what was going down.  I wondered what exactly could this all mean?  Soon enough, I saw airplanes passing in the sky whilst coming into land.  They descended very slowly, away from the terminal, then on landing slowly taxied up to their designated gate.  There were persons on the plane waiting who had not gotten off because this stop was not their destination.  Some had, of course, gotten off.

I then noticed that there was a large road; this road was close to where the sea is in Sandy Point, St. Kitts.  There were all these beautiful Mercedes-Benzes which were coming into the airport.  One of them was very large, heavy-looking and black and in it rode a woman.  There was so much window space to the car that it seemed more like a rather stately Bentley.  She was East Indian and wore shades and much reminded me of Benazir Bhutto.  She was very proud, sitting very straight-backed and had a strong, prominent nose.  Her head was covered in a fine scarf which, of course, was part of her saree.  A white saree it had horizontal blue stripes.

She was immensely regal-looking.  As she got from the car, I kept looking at her from the area in which I waited; I was being very observant of her actions.  There were tons of East Indians about.  This locale was close to a shoreline.  The persons here were as if the untouchables – the lower caste people.  They were just lying there and many were coupled off.  There was a lone man lying there who was wrapped in his sleeping gear which presently covered his head.  He was close to the plane on the tarmac.

Up approached the woman to the man and bent down to him.  She was very animated greeting him, “Oh I’m so happy to see you.”  They were kissing and she was very genuinely affectionate towards him.  He was a wise old creature.  I could not, though, figure out why she was with such a lower caste person; it just did not make sense.  She was, definitely, the cardinal member of their relationship.  He was very soft-spoken.  The couple next to them began making love because this was their life; they had no home and privacy was not a luxury they even fantasised about.

They were kissing very deeply then he took out his cock and pushed it inside her wet and hungry pussy.  Quite rapidly they made love; it was a very hungry, rushed affair.  They were on their sides and quite tightly embraced.  Then when it was his turn to enter this woman, who was a great deal like Benazir Bhutto and still wore her shades throughout their tryst, he kept on masturbating before entering her.  She was quite hungry for his cock which was very unusually long and soft-looking though hard.  Interestingly enough, his cock had tapered to a pencil-like head.  There were about six or eight couples and all these men had the same classical Dravidian long slender schlong.  All of them on awakening got right down to the business of making love.

He entered her but was not going in all the way.  She was getting impatient with him because of his delaying tactics.  This then triggered what was an obvious recurrent argument between them.  Seems that he had studied to be a doctor but was not practicing.  He did not want to; he wanted only to live next to nature.  He was quite disenfranchised with civilisation.  He said that he had no desire to get caught up in Maya… with materialism.  She fervently argued nonetheless, saying, “But you have to be strong.

“If you are going to be my partner and be in my life, you’ll just have to do better than this.”  They were having this sort of argument.  Basically, he could not participate in the game because he was frankly too old a soul; he just did not find the rat race remotely interesting.  Materialism had no appeal for him.  Though it was clear that the ardent sensualist and lover did so love her, and passionately too, he had no desire to play at the game.  So, at that, I decided to move along and leave them there on the shore.  Here in this place, it was very futuristic.  Even though it seemed in parts the Indian Subcontinent and there was still the abject poverty of the caste system, it was as if set in the late 22nd to early 23rd centuries.

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In early-August, 1991, I awoke from these dreams at my Queen Street East, Beaches apartment and was rather inspired.  After having audiocassette-recorded the dreams with a loudly purring Whoopi next to me in bed, I got about the task of letting her outside to play.  I then got about the business of flowering my life with music to begin in earnest the waking state part of my life.  Thus it was that I began playing Oleta Adams’ 1990 studio album, Circle of One.  Naturally, the choice song that day was her hit single, Get Here, which was an especial favourite of Penina da Braga’s.  Standing in the middle of my living room, I kept my lids shut and swirled my arms about reminiscent of Ms. Adams’ shamanic turn as she weaved her beautiful magic in the dreams just had. 

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Photo Credit: Merlin 1970s in Montréal

Programmes Nov 15 & 16 2016 Berliner Philharmoniker at Roy Thomson Hall

Spa Ovarium at Beaubien & St. Denis in Montréal

Musée des Beaux-Arts de Montréal

Paloma Picasso Gelatin Silver Print 1980 Robert Mapplethorpe

Ken Moody & Robert Sherman 1984 Robert Mapplethorpe

Louise Nevelson Gelatin Silver Print 1990 Robert Mapplethorpe

Gong 96 Acrylic on Canvas 1966 Claude Tousignant

Piccadilly Circus, London, England

London Plane Trees in Paris, France

Oleta Adams – singer

Black cat domesticated short hair

Headscarf and sareed Indian beauty.

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©2013-2020 Arvin da Brgha.  All Rights Reserved.

I Love You Ollie! Happy Birthday!

oliver-jones

Hymn To Freedom

Oscar Peterson & Oliver Jones at Festival International de Jazz de Montréal, 2004.  

Happy Birthday Oliver…  I have got no end of mad love for you, Sir!

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©2013-2020 Arvin da Brgha.  All Rights Reserved.