Sing It George!

Benson, George 22/3/1943 Pittsburg, Pennsylvania

Michael: This fragment is a fifth level mature artisan – second life thereat.  George is in the power mode with a goal of growth.  An idealist, he is in the moving part of intellectual centre.

Body type is Venus/Mars.

George’s primary chief feature is subdued arrogance and the secondary impatience.

The fragment George is fifth-cast in third cadence; he is a member of greater cadence four.  George’s entity is five, cadre one, greater cadre 7, pod 414 – this is a cadre mate of Arvin’s and Merlin’s.

George’s essence twin is also an artisan and he has a sage task companion.

George’s primary needs are: expression, communion and power.

There are 10 past-life associations with Arvin and 14 with Merlin.

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Music is a language and Jazz is the language of a people; it speaks to no one else like it does us.  No other music readily restores one’s humanity and sense of self like Jazz does.  Interestingly, when a student at ballet school, I lived the most famous quote uttered by Diana, Princess of Wales in that Panorama interview that she gave to Martin Bashir: “There is no better way to dismantle a personality than to isolate it.” 

That is why during my two hellish years in Winnipeg, the music of Jazz is what saved me.  Interestingly enough, three musicians I looked to during that time more than any others; years later, I would discover that they are all cadre mates: Natalie Cole, John Coltrane and George Benson.  

With the passing of cadre mates Natalie Cole and Roy Hargrove, it is high time to celebrate and pay homage to George Benson while he remains focussed here and now.  

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Keep on flying right whether in the most blissful of dreams or the waking state’s unforgiving grittiness… then again, it is also maddeningly beautiful!  

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©2013-2026 Arvin da Brgha.  All Rights Reserved.  

The Day After the Night that Was.

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By now the effects of the stewed fruit at breakfast has seen my waist shrink; I am grateful.  The morning after the night that was, I am still elated and humming away that catchy melody from Ludwig Minkus’ greatly composed ballet.  

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After breakfast I decamped at Leicester Square where it was time to enjoy the bright, cool sunlight and catch a movie.  The Vue cinemas are rather interesting; I was keen to know if I would have a repeat of what had transpired last winter. 

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Back then, I was upstairs at the same cinemas watching, Darkest Hour, which proved a real tour de force performance from Gary Oldman.  Sat in the back row, soon I became bloated and expansive.  Though not the least bit drowsy, I felt wide-open and lucidly self-aware.  Next, as the film progressed, I watched as several pure white humanoid forms simply stood up and walked to the sides and quite seamlessly walked through the very real walls of the cinema.  

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One of the things that Merlin and I always loved doing, was seeing a film during its opening weekend.  Naturally, so close to the anniversary of his passing, I was keen on seeing a film.  J. K. Rowling is among my favourite contemporary writers and having seen the first film in this series, it only made sense to go.  

Whilst waiting for the cinema to open, I caught a series of items; all are favourite actors of mine, especially Sir Kenneth Branagh.  

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The first screening of the day was a special affair with about one third of the theatre occupied.  A lovely Chinese couple sat to my right with their precocious son of about ten years stuck between them.  We chatted briefly and I thought it so strange that conversation with strangers is almost unheard of when attending a Canadian movie.  

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I emerged into the crisp Saturday morning in Leicester Square a bit teary eyed as thoughts of Merlin at one point during the film overwhelmed me.  It was after all the eve of his passing some 29 years earlier.  

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Slipping inside this tiny joint – I always favour hole-in-the-world, ma-n-pa joints, I got a couple of really good slices of pizza whilst pouring through the Times of London.  There was conversation close by, which struck me as interesting; it went from Theresa May and Brexit to Meghan, HRH Duchess of Sussex.  I soon realised that both persons were openly criticised chiefly for being women; in the case of the Ms. May, she is dismissed and not taken seriously chiefly for being female.  As for Meghan, like every woman who marries into the BRF, she is readily reviled, though, some of this has bordered on racial hysteria and seriously threatening.  

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In a bid to cleanse my very soul, after all that, I slipped from Leicester Square for the uplifting sophistication of the National Gallery where I deftly moved through my favourite salons with usual mercurial speed, taking the time to pause and admire the key works of art that bring me the greatest pleasure.  

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Well, after all that art, it was time for more prowling the decidedly unCanadian wintry streets of London.  Along Shaftesbury, I strode my Crockett & Jones booted and blistered feet into Neal Street where my favourite hippy-dippy (as Merlin would remark) New Age store, The Astrology Shop in Covent Garden.  Though, it most definitely does not have the best choices, I still love the feel of the place and their sagebrush collection is second to none.   

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Along with marvellous pieces of crystals and a wonderful Citrine, I really connected with this gorgeous agate ring.  The moment that I saw it, I really resonated with me and it felt so right. 

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After a rather warm conversation with a green-eyed, redhead, she was fascinated by my custom Reuben Mack messenger bag.  

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I then headed back to The British Museum for more shopping.  As it was the weekend, there was now a sizeable lineup to gain entry.  As though my impatience with crowds were not enough but soon, I had two Torontonian women doing what Canadians do best; they spent much of their time gawking at me, talking about me and cultural appropriation for wearing the custom Reuben Mack messenger.  Standing there in line, I was reminded of what petty, small-minded bigoted jackasses the average Canadian can be and god do they love being openly racially predatory towards blacks. 

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Never once had I experienced a scintilla of racial animus from a Briton or for being in London to that point; there you have it, the land where racism is enshrined in law: employment equity law of Canada: All employers must employ, Caucasians, First Nations persons, Disabled persons and visible minorities and therein is the framework of Canada’s own form of Apartheid – state sanctioned racism.  All employers, in particular crown corporations (government agencies – federal and provincial) employ visible minorities to the exclusion of blacks and if and when they do employ blacks, they then hire blacks only as casual workers which means they are not entitled to benefits, pension and guaranteed hours.  

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So smugly established is this state of affairs that the current prime minister refused to attend the 50th anniversary of Caribana – the nations West Indian community’s gift to Canada on its 100th birthday in 1967; however, he attends ever Gay pride parade in the same city as Caribana, Toronto, and has repeatedly been to India, to dress up and act a right clown because who gives a damn about blacks in Canada.  As one friend said, blacks over the past three decades have become as marginalised as First Nations persons.  But enough about aggressive young souls and their racialised worldview.  Meanwhile, as they were openly rude towards me whilst queueing to enter the British Museum, I grabbed my phone and pretended to film them to which one of them suddenly became enraged, demanding that I not film her…  You have to laugh or truly you would go mad.  In any event, I got the feisty Buster a nice but scary Egyptian stuffed cat – he is actually afraid of it.  

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On my return to the hotel, a couple of blocks from The British Museum, I slumped into bed and decided that my aching feet needed a break from the rest of the day’s planned events.  To that end, I stayed in that night rather than return to Barbican Hall to catch a celebration of the Windrush Migration.  At that concert were to have been Calypso Rose and The Mighty Sparrow; though it had been years since last seeing either performer, I just was not into it.  Moreover, I wanted to take the time to be with myself and reflect on the eve of Merlin’s passing some 29 years earlier.  

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As ever, thanks for your ongoing support and ever remember to push off and start flying.  

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©2013-2026 Arvin da Brgha.  All Rights Reserved.  

The Remains of Armistice Day.

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Strangely, though the major part of Armistice Day celebrations were long concluded, there were still more persons moving westward towards the Cenotaph than easterly towards Trafalgar Square.  My companion, a spectacled, freckled guy in his early 30s, was keen on having me come back to his flat in South Bank – We were headed towards Charing Cross Station to take the Bakerloo Line towards his place.  

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Stalling for time, as I really was not feeling him, I firmly suggested that we go tour Banqueting House as I had never been, which was the truth.  Of course, it did not help that the only thing at Banqueting House was the great ceiling art and the throne; the rest of it was just as empty as clearly, James, my “Mate” was dense.  Long years ago, a channeller of dubious skills stated rather imperiously that I would meet someone named James, who would prove rather loyal and a long-term affair.  

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Somehow, this nebulous bit of arcana seemed to be the only sane reason why I was suffering this oaf overlong.  His constant bitching about “Nutmeg,” as he referred to the Duchess of Sussex, was not winning him any favours in my books.  I had hoped to have found much more archival fare associated with the spot where HM King Charles I was executed.  Alas, there was nothing save a throne and an impressive ceiling.  

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With the toilets at Banqueting House fully occupied and alarmingly foul-smelling, back outside we dashed in hopes of finding a toilet.  A pub, whose name I did not even catch a few door towards Trafalgar Square, proved the right spot.  He ordered a couple of lagers – I never drink beer, and off I went to the toilet to relieve myself.  I waited overlong, waiting for him to possibly come in then use the stalls so that I could make a mad dash for it.  No such luck.  However, on rejoining him, he lustily talked about what he wanted me to do to him.  Never one to miss an opportunity, I suggested he go unclog his plumbing so that I could give it to him good, long and hard when we got back his place.  

Naively quick to take the bait, out I dashed into the larger-than-usual crowds when he eagerly bolted to the toilet; once outside, I then caught the tail end of the latest regiment to go moving from the roundabout as they made their way from the Strand and onto Whitehall.  With that, I swiftly made it across Pall Mall, crossed Canada House and made my way to the new entrances to the National Gallery – this James clearly was not the one.  

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Taking the time to avail myself of the museum’s free wi-fi, I sipped on a boost of Pret A Manger’s little magic, yellow potion, Hot Shot.  I then decided against the Bellini show – Italian art is way too religious for my liking and it strangely enough has never once addressed the fact that the Church of Rome has, in its role as civiliser, proven the most disruptive terror group this planet has thus far known.  For me, there is something alarmingly dangerous about a culture, which would completely and utterly eclipse this rather crucial aspect that has decided their place in the world – but enough about that for now.  

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Having dodged James, I decided to do the Courtauld exhibition as it would beat having to attend the museum on this trip.  Whilst standing in one of two long queues, along came Ms. Thang, who simply looked at us and grandly walked up to the next sales rep as though she had exited St. George’s Chapel on Ginger’s arm on the gloriously sunny early afternoon of May 19, 2018.  

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As I was next in line, I just as imperiously declared to her and the rep, “Take you, the weave and that blasted fake channel handbag to the back of the line; there are not two lines of invisible persons waiting to buy tickets.”  Before she could turn nasty with me, the lovely Dravidian lady informed her that I was next in line and, more importantly, she intended to serve me next.  Fake boobs that looked like flotation devices and feet that were too big to fit any glass slippers and, of course, there was a bulky turtleneck to hide the Adam’s apple.  

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Though “she” was prepared to do drama, I came to do me and look at art and that I did.  I was really wowed by some of these works, which I previously had not seen.  

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Naturally, this Degas masterpiece only warmed my soul.  Straight away, I was left humming the music from the grand pas de deux in Act II of La Bayadère, which I could not wait to see at week’s end.  

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Shades of Canada’s Group of Seven, to be sure.  I like the fact that the artist did not include the entire tree in the portrait.  

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Ah yes, and who doesn’t love the sublime soulfulness of a Gauguin tableau.  

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Trees, trees and even more trees.  What’s not to love!  

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After having been greatly inspired by the Courtauld Impressionist show – well worth the price – I bailed outside; there were too many parents using the free admission to the museum as a place to come in out of the elements and babysit their way too young children.  Once outside, I hailed a cab, though, not the above – wrong day and time of day.  This cab proved one of the most memorable journeys.  As The Mall was closed, we took the roundabout from in front of Trafalgar Square and headed along Pall Mall.  I wanted just then to get to The Queen’s Gallery at Buckingham Palace but did not want to use the underground; it was way too glorious a day out. 

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Finally, I laid down the law to the driver, who was a burly soul and looked like the quintessential slave soul.  Soon enough, we got into a conversation when we began chatting about Canada, which I shared that I would give anything to flee in hopes of living in London.  Soon, the topic turned to sex and whatever one would have to do to get by.  Ha!  Said he, he would give up this gig of 22 years and counting by marrying a fat, ugly rich broad to which, without so much as missing beat, I chimed in, “Don’t stop there, if you can find rich, fat, ugly and toothless, now you’ve got it made.  To paraphrase Frank Sinatra from The Best Is Yet To Come, you ain’t been blown until you’ve had a gum job!”  Never in long ages had I heard a grown man laugh so hard and for so long – a fellow cab driver going in the opposite direction even honked at him and asked what was so funny. 

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After having sat in traffic for far too long, though the metre read 12£, he asked for a 10£ note and thank me, saying he ought to have paid me for the company and humour.  With that, I dashed past St. James Palace en route for The Mall which, of course, was closed.  Finally, I made it up to the Queen’s Gallery and took in the Russia: Royalty & the Romanovs exhibition, which did offer some truly inspired gems from the Royal Collection.  

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Well, of course, he ruled something.  

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I was reminded in this portrait of Tsar Nicholas I of the 1970s when the goods were readily on display; however, along came AIDS and all that display and ogling readily evaporated.  Instead, men were morphed into true peacocks with long blow-dry locks, which really did become tiresome after a season or two.  Now, of course, it is the great and truly civilised age of the Internet, which lest you forget, is saturated with more than 80% pornography.  

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The Vladimir Tiara which is not dissimilar to the Cambridge Lover’s Knot Tiara, which always looked truly handsome when worn by the ravishing, Diana, Princess of Wales.  

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Set in the green drawing room at Windsor Castle, where on May 19, 2018, Alexi Lubomirski took the official photographs of the wedding of TRH Duke & Duchess of Sussex, you cannot possibly begin to imagine the overwhelming scope and grandeur of this tableau.  Truly, one is left in awe of the fact that HM Queen Victoria was a tiny acorn who matured into a mighty oak who, through her womb, extended her empire far and wide across the continent.  This was a ravishing exhibition and one of the most stunning paintings that I have ever seen from the Royal Collection.  

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After all that inspiring art, I needed to ground anew; thus, I opted to take a brisk walk, cutting through Green Park where the light fast shifted and danced below the horizon… never to be experienced again.  With that, I hopped onto the Piccadilly Line at Green Park Station and made my way back to Russell Square Station; there, I resorted to my hotel room and took a lucidly awakened, dream-sodden nap before getting on with the final celebrations of this poignant Armistice Day.  

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Before making it to Barbican Station on the Circle Line, I had had the most awakened flying dream, which had me spirited across the spiral arms of Time to a past life in London.  

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To reflect, celebrate and give thanks, how could I not indulge in an evening of music and song with the London Symphony Orchestra.  

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Nice, plush comfortable seats with a troika of gay Jewish dancer/actors seated ahead of me.  The evening was beautiful, the singing stellar.  

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As there was an empty seat on either side of me, I offered to move to the left and afforded the lovely young couple from Paris to sit together – she had been sat a row ahead and away from her spectacled, fey lover – he had more than a passing resemblance to Merlin.  Leaning in, I whispered to him, “The universe always conspires to accommodate lovers…” he blushed, they both blushed sweetly and were pleasant company that added a certain magic to the evening.  Here’s to lovers… indeed.  

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En route back to the hotel… a little late night smoothie snack was in order. 

As ever, sweet dreams, don’t forget to push off and start flying and as always, thanks for your ongoing support.  

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©2013-2026 Arvin da Brgha.  All Rights Reserved.  

Now There Was A Night In the Theatre.

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Whilst Lucian Mann-Chomedy took in the pre-opera lecture, I sat on a bench in the middle of University Avenue, enjoying a rather exquisite four-cheese macaroni and cheese baked to perfection as I read a very good biography of Tudor matriarch, Margaret Beaufort. Before me was the glass palace to the city’s high arts, beautifully lit. There were no doubt in my mind that I was shortly going to be enjoying a beautiful night at the theatre.

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Once inside, I got situated next to Lucian who chatted away in that way that scholar souls tend to drone on about all manner of data that others may find tedious at best but, for having a scholar task companion (Merlin), I have grown comfortably accustomed. Close by, a tall silver-haired man kept on admiring me, even none too discreetly making bodily contact as legs relaxed and splayed open wide; in years past, I would gladly have explored and indulged.

After having made the obligatory Instagram post, I turned off the phone as the house lights faded into nothingness and the magic was begun. Tchaikovsky, you say, how could one go wrong there. The curtain ascended and the most glorious lucid dream this side of the dreamtime then unfolded. The sparse set design courtesy of Michel Levin’s creative genius was both stark and beautiful. Just the right lighting and the desired mood readily effected.

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Leaves leaves leaves everywhere, the lighting of which matched the set and costumes. Last week’s production lacked melody, apart from the fact that Tchaikovsky’s music was well-known, there was nothing to that soulless, dissonant affair that drew you in or proved memorable – save it was really god-awfully bad.

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During intermission, I stepped outdoors into the cool autumn air to return a couple of calls and pre-order an Uber meal. On my return, Lucian rightly so remarked on what a changed vibe there was in the house to the week prior. Indeed, there was stillness that hung in the air after each aria before the house would break into applause.

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The prince’s aria was especially sublime a performance. The familiarity of glorious Tchaikovsky music, melodies long associated with the world of dance were welcome in the world of opera as Alexander Pushkin’s vision was handsomely realised.

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After intermission the stark scene was beautifully animated as chairs, costumes and dancing ruled during the ball scene. The ball scene was dominated by classic Tchaikovsky music that choreographers the past century have relished celebrating in dance.

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In the final act, one of things that struck me was how void of emotion the opera, Hadrian, the week prior was. Watching Onegin’s love finally profess her love for him after all these years, yet, insisting that she had to carry on with her life, her comfortable life and not leave it all for the man who pined for her was truly captivating. Ahead of me, two rows, were a couple of ladies who during that duet looked at each other, one even wiped her eyes.

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This duet totally captured the human condition; it was about love, passion, longing, loss and dashed dreams. We could all relate to it. The passion and emotion tugged at your heart centre. Last week, not only was the music the most irritatingly banal but there was emperor Hadrian seemingly love struck, yet there was never any passion and emotion in scenes between him and Antinous. If you had no clue that this was one of the greatest love stories in gay history, you could be forgiven in assuming that it was an emperor bereft at the loss of his only son and heir, leaving him without the will to carry on. There simply was no connection, between them and by extension the audience… no passion whatsoever. Regardless their homoerotic love, the opera failed to have aroused emotion, passion and thereby causing you to lose yourself and identify completely with Hadrian, Antinous… or both.

That’s what one goes to the theatre for. At curtain call, rather than jump up and flee the theatre horrified as last week, I shot to my feet, clapped and howled my face off. Everyone leaving the theatre was enrobed in warmth and had been inspired to believe anew in love… that’s what great art does. What a truly memorable night in the theatre, this beautiful, passionate opera is with great melodies to spirit you along, long after you headed out into the world in the cool autumnal night air.

As ever, dream with the greatest passion for it is a true love affair indulged with self each and every day. Love yourself with new abandon and push off and start flying because you really are a truly spectacular work of art. As ever, thanks for your ongoing support. I love you more than you know.

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©2013-2026 Arvin da Brgha. All Rights Reserved.

Two Weddings, A Baby, A Gaggle of Racial Predators & Hadrian’s frightful ghost.

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The recent wedding of the Duke of Huescar to his handsome bride was a stunning bit of theatre. He is, of course, the future Duke of Alba, grandson of one of the grandest nobles of the last century, the inimitable Duchess of Alba.

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The cut and design of the bridge’s dress is truly elegant; apparently, it was designed by her creatively gifted mother herself. They make a truly handsome couple.

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At this juncture, I have not yet found any video of their nuptials on the Internet; perhaps, it will surface at a later date. The sublime elegance of her dress deftly reflects the undeniable harmony between this couple. So good it is to see a couple of souls who after having suffered lost through death in recent times, return to find each other anew, to further explore their loving bond.

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Whilst awaiting the second royal wedding, I passed much time reviewing the coverage of the royal wedding of TRH Duke & Duchess of Sussex last May. I was ever intrigued at the notion of an even larger guest list for the marriage of Jack Brooksbank and HRH Princess Eugenie of York.

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A simple wedding, I was moved by how vastly different it was to that of TRH Duke & Duchess of Sussex’s months earlier. The most obvious difference in both ceremonies being the latter’s carriage ride; a rather simple affair. This, of course, was an affair filled with aristocrats – some of whom had attended the earlier wedding last May.

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Along with Tom & Lara Inskip and Guy Pelly with a wife more noticeably pregnant, there was the ever stylish Sofia Wellesley, this time equally stunning in a Dolce & Gabbana dress.

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Tom & Lara Inskip processing towards the Lower Ward and St. George’s Chapel.

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Guy Pelly attending the second royal wedding of the year.

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Guy’s expectant wife, Elizabeth Pelly accompanied by Astrid Harbord.

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Also, attending their second royal wedding for the year, Zoe & Jake Warren.

The wedding of Princess Eugenie and Jack Brooksbank, Pre-Ceremony, Windsor, Berkshire, UK -  12 Oct 2018

Back for more, Pippa Matthews with her younger brother James Middleton with that Tsar Nicholas thing going on with his look. For me, a woman is most beautiful when expectant – fecund, voluptuous, primal she is then most powerful; she is then truly the creator of life. How beautiful is that Kelly green?

Chelsy Davy

Perennial favourite Chelsy Davy with Melissa Percy, who wasted little time in saying, this mum don’t babysit and there went Tom van Straubenzee. Gorgeous periwinkle dress.

Cressida Bonas

Cressida Bonas radiating the light magical essence of artisan souls everywhere.

Franz Albrecht & Cleopatra zu Oettingen-Spielberg, young Bavarian royals attending their second royal wedding at Windsor Chapel this year.

Holly Candy

Holly Candy – hands down, the best dressed lady at this royal wedding. Those matching pink bow gloves took her outfit stratospherically to the next level of |über soignée. I really did not think that Amal Clooney deserved that honour at the royal wedding of TRH Duke & Duchess; for one thing, her hat was worn on the wrong side of the head – always on the right side!

Naomi Campbell

Coming on strong in second place, like Secretariat was phenomenon, Naomi Campbell. Readily, so many people were carping on about what is she doing at the royal wedding; hello, how many times has Sarah, Duchess of York not been a guest of Ms. Campbell’s whilst holidaying on some yacht or other in the Mediterranean. I love the way that Ms. Campbell feigned disbelief when asked by an attendant to leave the seat in the front row of the royals’ side of the quire where she sat speaking with Crown Prince Pavlos of Greece and his family.

Emiily and Oliver Proudlock

Made in Chelsea star, Oliver Proudlock and his fiancée Emma proved among a couple of the best-dressed men.

Tracey Emin & Alexnder Gilkes

Admittedly, though, not the best photograph, the urbane Alexander Gilkes, Paddle8 CEO, arrived in the company of artist Tracey Emin.

Cara Delevigne & Derek Blasberg

Cara Delevigne – another dead-ringer for magical artisan soul with the planet’s most ubiquitous plus-one, Derek Blasberg.

Princess Eugenie Of York Marries Mr. Jack Brooksbank

Kate & Lila Moss bringing the glamour.

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Poppy Delevigne sporting one of the best fascinators at the royal wedding of Jack Brooksbank and HRH Princess Eugenie of York.

Marie-Chantal Pavlos Maria-Olympia

Other notable royals in attendance, Princess Marie-Chantal, Crown Prince Pavlos and their daughter, Princess Maria-Olympia of Greece. Also, the Crown Prince’s younger brother, Prince Philippos of Greece attended.

Gabriella Windsor & Thomas Kingston

Lady Gabriella Windsor and her fiancé Timothy Kingston; yet another royal wedding is on the horizon. By far, the most statuesque of the Windsor ladies.

Lady Helen & Timothy Taylor

Lady Helen & Timothy Taylor; the minor royals whom we never see enough of. Love her dress.

Jwan Yosef & Ricky Martin

Ricky Martin and his artist husband.

Stephen Fry & Elliott Smith

The always witty thespian, Stephen Fry and his husband, Elliott Smith.

Holly Branson

Holly Branson coming through.

Sam Branson

And her brother Sam Branson

Princess Eugenie Of York Marries Mr. Jack Brooksbank

The irrepressible mother of the bride, Sarah, Duchess of York and her firstborn who seems resigned to the fact that there is always an opening for spinster lady-in-waiting. Back in the 80s when Merlin was then incarnate, I shared with him a dream had that night of ‘Fergie’. Set somewhere in east Africa, she was riding atop the roof of a Land-Rover with several others… it was a dusty, tree-lined road and they were loud, happy persons all – her husband, Lord Porchester’s offspring was not present in the dream. As the vehicle hit a bump in the road, Fergie went flying from atop the vehicle’s roof and landed on her head; it was the most startling affair – we all screamed.

There was deathly silence as her khaki-clad body remained motionless for what seemed an eternity. Suddenly, as though jolted by lightning, much as a ginger cat with a few lives yet, Fergie shot to her feet, ramrod straight then began rushing about from one side to the other of the parked Land-Rover, mugging and waving to the perfectly immobile and non-human trees. I awoke from the dream laughing, the image was so bizarre. Seated across the Cabbagetown breakfast table from me, Merlin casually declared whilst remaining focussed on the Globe and Mail in hand, “So that’s how she became unhinged…” Yet again, I was reminded of that dream as Sarah, Duchess of York bounded from the Rolls Royce and made a mad dash, mouth ajar, mugging and waving to god-only-knows whom at the foot of St. George’s Chapel’s west door the day her daughter took possession of her man. This eccentric behaviour, much as in that dream, was on display as she entered the quire at St. George Chapel at the wedding of TRH Duke & Duchess of Sussex on seeing Misha Nonoo and her date, oil heir Michael Hess. These days, she always seems only too happy that she has not ended up like Diana, Princess of Wales.

Another soul who seemed spooked to be at the ball was the groom’s gin-blossomed father whose daft expression throughout was more than a tad distracting. One was reminded of how odd Thomas Markle would have looked, had he been allowed to attend the Sussexes’ nuptials.

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Here’s to the lovely young couple; here’s to life indeed. Happy for them that they have found each other anew in this life experience. To paraphrase Prince Seeiso of Lesotho when speaking of the Sussexes, I wish them buckets and buckets of healthy, happy children.

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Even more glorious than their beautiful wedding was the recent announcement of the pregnancy of Meghan, HRH Duchess of Sussex. You cannot begin to fully fathom how excited this makes me for HRH Prince Henry, Duke of Sussex. He has always seemed so alone, so vulnerable and emotionally fragile for having suffered the tragic, violent and sudden loss of his fantastic mum at age 12. So happy to know that they will be parents, and so quickly, and am fully confident that they will make the most fantastic parents. What more than two parents truly in love does a child need on coming into this world… again.

DoS pregnant

In all of this, what has not been cool, has been watching her racially predatory white relatives act as though she is nothing but a runaway slave. There is no doubt in my mind that were the Markles a wealthy family with a net worth of more than 200$m, would any of this acrimonious dreck be taking place. How dare she, the otiose, racially impure step-sibling, Meghan, end up doing better than them in life? Not only had this runaway slave managed to have escaped capture but she had gone and married the scion at an even more wealthy plantation.

Alas, nothing was more abhorrent than having to watch the most venal racial predator interject herself into the Sussexes/Markles’ “drama” as she opined on the ABC TV documentary, The Story of the Royals. So what if a twelve-year-old Meghan Markle wrote to you about a dish detergent ad; she also did same to then First Lady, Hillary Clinton. Straight away, the puppet-master orchestrating the Markle step-family’s media campaign of slander, grudge and none-too-succinct racial predation became fully focussed. Who else but this vile racial predator, who uses the U. S. justice system to wage personal racially predatory campaigns, against blacks with heretofore impeccably clean public personae, seated there in its invisible grand wizard Klansman’s hooded costume, could be directing this media putsch to sabotage the Sussexes’ marriage? Well near the end of the 9th decade of racially obsessing over blacks, you would think that having finished off Michael Jackson, made a joke of Tiger Woods and a jailbird of Bill Cosby would be enough; no thank you, there is bigger game to prey on. Clearly, the clown knows nothing of the BRF.

Enough about those who truly do not matter.

Hogtown2

Hier soir, as I live an almost exclusively nocturnal existence, I got into a compensatorily parfumé Uber, driven by a recent Dravidian arrival with rather pleasant overleaves. I was stunned by how much traffic gridlock there was at pushing six in an already dark, autumnal and cool, too, evening. The driver could not figure out why traffic was so bad in Toronto and as I have always been a most vocal backseat driver, I soon began educating him on why Hogtown is the only major North American city without exclusive one-way streets in the downtown core. Back in the 60s through 70s when streetcars were being removed from streets like Avenue Road, Bloor Street, Sherbourne, Parliament, the city’s old WASP guard decided that for nostalgia’s sake some streetcar lines ought to be maintained a little while longer.

Well in excess of 40 years, the city still only has the two subway lines, two million more citizens and what seems like the fungal viral growth of condos. Naturally, the city’s constabulary and the TTC (Toronto Transit Commmission) made an unwritten alliance to keep themselves gainfully profitable by maintaining the streetcar lines that were left. Hence, each summer, kilometres of tracks are ripped up and replaced with the necessity for TTC outdoor workers and police staff on hand to maintain traffic. Well into the 21st century, a woefully inadequate 19th century technology clanks away, holding up traffic and as recently was the case this past monsoon season – climate change is truly upon us – the new streetcars were caught in feet of flooded water with faecal matter afloat their flooded interiors. All this so we never end up with new subway lines, one way streets with the discontinuation of streetcars. At least, Montréal can be commended for having owned up to the crippling corruption at the municipal level of government.

18-19-02-MC-D-0458

Finally, after directing him along streets that he didn’t even know existed, I got to the southwest corner of University and Queen Street West, hopped out, crossed the city’s widest boulevard and made it into the lobby of the Four Season’s Centre for the Performing Arts at 1831. Lucian Mann-Chomedy who happens to be a scholar in my entity and a professor emeritus at University of Toronto, who also happens to be an unrivalled Voltaire scholar glowed as I dashed inside. We hugged and kissed and it was good to see his eyes light up; he does have more than a passing resemblance to Merlin… vibrationally. Gave him his ticket to the first opera of the season that we’ll be seeing, Hadrian. Whilst he took to the amphitheatre for the pre-opera lecture, I swiftly made it west along Queen Street West and got myself some very deliciously spiced beef teriyaki washed down with a dash of prosecco.

Returned to the theatre, Lucian shared that he found the lecture rather stimulating; heaven only knows what that meant, I was though too busy creating a post of the evening for my Instagram. What then unfolded was the most god-awful unmitigated bullshit conceivable. Look this was nothing more than effete poseurs of Toronto’s gay mafia, throwing government money around to keep their friends afloat. Watching this bit of bold-faced arts larceny was at times cruelly embarrassing. Of course, it was staged by consummate professionals, thus there were truly sublime moments when the production was marvellously realised. However, I was reminded of all those downright dogfests at Toronto Dance Theatre in the 80s – do they even exist anymore – where god-awful retro-Neanderthal movement was set to, of all things, J. S. Bach.

Hadrian

Act I opened with vaguely lissom dancers upstage posing overlong as Roman statuary. Naturally, they were lit such that when they finally began moving downstage on the diagonal, in movement that had been first realised by Vaslav Nijinsky (he is a mature sage, in my entity and currently reincarnated and an actor on the Portuguese stage) a century earlier, you really had to squint and try to make out if they were truly nude. Naturally, there was no such luck. That was just as lame as the opening of Act III after an intermission where there was much cruel laughter at what a dog’s breakfast we were having to slug our way through. There was the none-too-fey/verile or lissom-looking Antinous cavorting on a bed that was reminiscent of a couch I frequented in the late 70s where the city’s only queer psychiatrist and I had an ongoing affair. This bit of uninspired staging in the post-AIDS paradigm was as lame as having to watch two bored manatees going at it. Goddamn, where is the frottage! They seemed to be sleepy hobos, trying to make out which side of the bed they wanted to sleep on rather than obsessed lovers engaging in the gay world’s paedophiliacal obsession – let’s not go there just now.

Well, if you can’t hack a pop career in these parts, the next best thing is, go compose an opera. Lord Jesus… why? I am only too grateful that he didn’t set his sights on appropriating black high art and opting for a Jazz career. Last evening, Tuesday, October 23, 2018 proved without doubt that the kinder of minor Canadian celebrity should never be indulged when they elect to pursue whatever line of work mama or papa pursued. I am reminded of “Bathhouse Pierrette” as he is charitably dismissed, playing party leader in these parts and forever looking gripped by stage fright. I was much humoured this past summer as he followed the future Duke of Sussex about Buckingham Palace at the Commonwealth banquet desperately trying to score an invite to the royal wedding and being clearly snubbed by HRH Prince Henry of Wales who was gruffly dismissive of his attempts to score a pair of tickets – in the 11th hour – for him and his insufferable fag hag wife.

Hadrian2

There were points where persons in back of Lucian and me were laughing at how embarrassingly bad the opera was. Small-time, one guy to my rear readily dismissed. Goodness, if there was one more unpleasant reference to “the Jews” in this horrid farce, I was ready to get up and walk out. The opera was frankly a reflection of the archly conservative and frankly sphinctered worldview of Toronto’s incestuous gay elites – many of whom I went through in the 70s through early 80s and who then were just as smegmaed as a can of freshly opened corned beef – those, indeed, were the pre-plague years.

Getting on the elevator to make it to the basement where I collected my pea coat, I remarked, to one woman who asked my verdict, “You know, it would truly have been great theatre if that strobe light in Act IV had suddenly flashed brighter and erased this entire madness from memory. Trust me, dreams are never this bad!” You can fool those of your tightly incestuous social crowd all of the time but never those too shrewd to give a damn about you and your BS.

As ever my darlings, dream like you’ve never dreamt before and by all means, push off and start flying for at least there, you can readily escape the madness that’s got this paradigm saturated to the gills with BS. Thanks so much for your ongoing support, I love you more!  

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©2013-2026 Arvin da Brgha. All Rights Reserved. 

Ah Summer…

Crazy Rich Asians

After having ravenously devoured this fascinating trilogy last winter, I re-read Crazy Rich Asians in anticipation of the film adaptation. Of course, no film can ever approximate the layers of nuances and breath of ideas between the covers of any book. Moreover, reading is a purely subjective experience and with someone possessed of such a rich dream life, a book is always like the most welcome lucid dream.

I was beyond wowed by this film. Nick and Rachel were beautifully cast; however, I had always envisioned Astrid to be deliciously long-necked and more reserved… I think that they ought to have gotten an exquisite beauty who is in repression mode because no one does refined hauteur like a woman in repression mode. Love the greens of Tyersall Park. This was one of the most glorious movies that I have seen in long ages.

Il Trovatore

Also this summer, I headed off to the Cineplex in Dundas Square to catch an opera production, which initially I had not when it premiered three years earlier. Lucian Mann-Chomedy a mature scholar entity mate and I have been catching movies and attending the opera together. He is a world-renowned expert on Voltaire. Sublime and strastopherically knowledgeable, he is always welcome company. Usually, we gather at my place once per fortnight and have tea, talk ideas but of late, we have naturally been looking at the recent royal wedding of TRH Duke and Duchess of Sussex. More of that later…

In any event, there were we happily settled in in our back row seats, eating popcorn and excited at being transported by Verdi’s mastery. As ever Anna Netrebko was superb and nothing was more moving whilst simultaneously sad than seeing Dmitri Hvorostovsky in glorious song. We both held hands and silently lost tears as his passing two years later, November, 2017 was highlighted at the end of the film. A truly remarkable performer with a lot of sage and king energy going on somewhere in his casting and role in essence.

swan lake

So there were Lucian and I returned to Dundas Square to have yet another vicarious theatre experience. This time, it was the Royal Ballet’s new production of Swan Lake with choreography by Liam Scarlett and the most fuck-all fabulous sets designed by the gifted and visionary George Macfarlane – that gold-leaf-looking set in Act III is worth flying to London and seeing it in person at Covent Garden. Vadim Muntagirov and Marianela Nunez were the pricipal dancers. Now this is world-class dancing of the highest order. I would rather fly to London and catch a performance than time-waste and money-waste on a season of the National Ballet of Canada. If I’m honest, the only dancer in NBC I ever recognise, when onstage, is Skylar Campbell thanks to his russet afro.

Swan Lake Act III

Besides, I was deeply disappointed when in celebration of Canada’s 150th anniversary as captured territory – let’s be real here – rather than look forward to the future, one just had to go raiding the Canada Council Grant system. I can understand that these are all friends socially but I am so tired of this “one Anglais, one Français” approach to things. God forbid that Canadians outside of Québec should ever be nationally presented on their nightly news with what goes on in Montréal each July 1, Canada Day. After a week earlier celebrating Fete National, everyone moves house rather than celebrate the country’s holiday. Of course, for the poor Anglo newcomers to Montréal, living in English enclaves, who did not secure indoor parking, they find themselves with slashed tyres and knocked off side view mirrors – all for being Anglo in god forbid supposed Canada.

Instead of saluting the fact that Indo-Canadians in the GTA (greater Toronto Area) have arrived by mounting a production of La Bayadere, instead we had to settle for two non-choreographers mounting crap that you know I had no time to waste on. I heard from friends that it was utterly dismissible fare as can well be imagined. After the opening night performance of a new production of La Bayadere, one could then cross Queen Street West to the grounds of Osgoode Hall (Law Society of Upper Canada) with a few pitched marquees and have an Indian themed party with a handful of Bollywood stars thrown in for good measure. Naturally, this would see new sponsorships for the NBC – god knows arts funding is always hard to come by – and it would be a wonderful way of being both inclusive of all Canadians and looking forward to the next 150 years. The maudlin fare staged will not be in the repertoire ten years hence, you can count on that.

Alors, enough about what might have been… this after all is Canada. Lucian and I had ourselves a fantastic time vicariously enjoying a live performance from Royal Opera House in Covent Garden. The dancing, staging and orchestration were all stellar. Vadim and Marianela were fabulous. Of course, had I flown to London to see Swan Lake, I would have opted for Natalia Osipova’s interpretation of Odette/Odile or a partnership wherein Steven McRae danced Prince Siegfried.

Royal Wedding of Prince Harry and Meghan Markle in Windsor, United Kingdom - 19 May 2018

One of the things that Lucian and I also do when getting together for tea, entity mates as we are, is we delight in looking at the recent royal wedding of TRH Duke & Duchess of Sussex. When initially her overleaves were channelled as requested by moi, she was said to have had two prior lives as a high ranking member of the British Royal Family. Naturally, as I was completely taken with the sweeping theatricality of their wedding, I had those past lives explored and was not surprised in the least.

Margaret Beaufort

Back in 1995 whilst living in Vancouver, I spent a glorious weekend with a friend who had moved from Toronto at least a decade earlier. A great cook and marvellous raconteur, he also happens to be an artisan entity mate. In among his stellar library was a book that he highly recommended; he devoured biographies with true relish. The book was a favourite of his, The King’s Mother: Lady Margaret Beaufort, Countess of Richmond and Derbyit proved a most fascinating portrait of someone whom I had never before heard of. There was no doubt in my mind that this was a phenomenal woman without whom there would have been no House of Tudor.

Margaret Beaufort Portrait

Cousin to King Henry VI, mother of King Henry VII, grandmother to King Henry VIII and great-grandmother to Queen Elizabeth I, here was the most sweeping portrait of a life lived in full and of a truly remarkable woman. Not surprised was I then to learn that the soul now incarnate as Meghan, HRH Duchess of Sussex was in that past life, Lady Margaret Beaufort, Countess of Richmond and Derby. Indeed, there sat Meghan, holding hands with her beautiful-of-spirit husband, HRH Prince Henry, Duke of Sussex with the black marble tomb of King Henry VI behind them in St. George’s Chapel, Windsor Castle. Furthermore, like true Queen and Mother of the House of Tudor returned, Meghan on entering St. George’s Chapel was greeted by fanfare, which is reserved for the arrival of the Sovereign.

Lucian and I have spent much time, trying to spot as many persons who attended the wedding beyond the usual fare: Oprah Winfrey, Amal and George Clooney – whom I thought were both sartorially off. One does not wear a hat on the left side of the head anymore than one would a medal on the right breast as David Beckham did at the royal wedding of TRH Duke & Duchess of Cambridge in 2011. I loved every shot of Emilie van Cutsem; she looks like a real tough broad who is definitely got a goal of dominance. Of course, there she sat in the quire next to Jack Brooksbank in her ruby brooch to match her monochromatic outfit. By far the most handsome of her four sons, is Hugh van Cutsem who sat two rows in the nave behind royals, Cleopatra and Franz-Albrecht zu Oettingen-Spielberg; a baroness at birth, her husband is a Bavarian prince and friend of HRH Prince Henry, Duke of Sussex. Hugh van Cutsem also sat two rows ahead of Chelsy Davy and her brother Shaun.

So many persons seemed to have gotten it wrong, claiming that Chelsy looked glum whilst being simply focussed and meditative – I rather suspect that she is either a scholar or warrior soul, which would give her that singleness of focus. There was a beautiful moment, one of my favourites, where whilst chatting with two ladies, she and one of the other women silently break open their faces in spirited laughter – it was one of the more memorable moments. At the time, they stood next to another troika Jake Warren father of bridesmaid Zalie Warren and HRH Prince Henry, Duke of Sussex’s goddaughter as he chatted with Marcus Mumford and his wife the actor, Carey Mulligan.

Edward van Cutsem is, of course, married to another the late Gerald Grosvenor, Duke of Westminster’s daughters, Tamara, older sister of Dan Snow’s wife, Lady Edwina who sat directly ahead of Adam Bidwell – a man with a most sexually dynamic face – who entered the chapel’s south door in a cluster of males which included Jake Warren, Mark Dyer, Thomas and Charlie van Straubenzee, Arthur Landon, Hugh – the current Duke of Westminster and Jack Brooksbank.

One of the more beautiful intimate moments between the Sussexes went unnoticed by 95 per cent of persons watching the ceremony. Yes there was that beautiful moment during the Kingdom Choir singing Stand by Me when the camera cuts to an adoring HRH Prince Henry as he taps on his beloved’s fingers and she turns and smiles into his familiar soul, being the only sunshine that lights his world – this is the 21st time that these two souls have met during the course of reincarnations. As he slipped the golden ring onto her finger in movement that was sexually charged, HRH Prince Henry, Duke of Sussex then winked his left eye at his ravishing bride – sly, intimate and subtle, most persons would not have noticed the wink as it happened.

Margaret Beaufort Ascension2

Veiled, I love this photograph of Meghan, HRH Duchess of Sussex as the veil represents the vision of Lady Margaret Beaufort having a lucid dream of herself into the future where she is being crowned, as it were, at a wedding in Windsor Castle’s St. George’s Chapel. How like a true queen, Meghan, HRH Duchess of Sussex appears as her train is carried by the Mulroney twins, who along with the other eight pages and bridesmaids beautifully fulfilled their tasks. The dark and umbra lighting also suggests the past and that soul, having been the mother of the House of Tudor coming through to claim her reward as a member of the House of Windsor, which would not have been Anglican, indeed might have gone the way of so many other monarchies were it not for the shrewdly calculating and indomitable Lady Margaret Beaufort from whose womb like an acorn indirectly passed two of the greatest of the United Kingdom’s sovereigns, King Henry VIII and Queen Elizabeth I.

Margaret Beaufort Ascension3

Theirs was a truly remarkable and beautiful wedding. Here’s to TRH Duke & Duchess of Sussex and their tasks ahead as Commonwealth Youth Ambassadors, charter members of the Royal Foundation, the driving force behind the Invictus Games and strongly bonded entity mates who have found each other anew. Hip! Hip!

For now, I have returned from the emergency at St. Michael’s Hospital after being thrown from my chromium steed by rain-smeared steel crating. As ever, I got up and after a vituperative bouquet, I resumed singing and scatting my heart out as it is the only way to stay focussed when bike-riding in this town. Though it has done my arthritic right knee no favours, my laptop survived unscathed.

As ever, thank you for your ongoing patronage. Don’t ever forget to deeply breathe in, plié then push off because life is but a most glorious of dreams and right here is where it’s at. Sweet dreams as ever.  

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©2013-2026 Arvin da Brgha. All Rights Reserved.

Winnie Mandela… Amandla!

Winnie Mandela

For standing up to the absurd indignity of the racial predator with their absurd construct, Apartheid, in your homeland, Winnie Mandela thank you so much; were it not for you, Nelson Mandela would never have made it out of Robben Island alive.  Amandla!  Sweet and blissful dreams be yours… you were nothing short of an African Queen in full; you were not perfect but triumphant leaders are never without their flaws!  Amandla!  You were unwavering in your conviction that your noble people would be free of the absurd indignity that was Apartheid, in your lifetime.. and that they were, in very large part to your able leadership.  Amandla!  

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©2013-2026 Arvin da Brgha.  All Rights Reserved.

Stephen Hawking’s Supernova

Stephen Hawking

Hawking, Stephen 8/1/42<O>14/3/18

Michael: What you are seeing in the fragment who is now Stephen is a seventh level old Scholar in the observation mode, with a goal of growth, a sceptic. 

This is his first life in the last of the physical cycles but we note that there has been tremendous progress here in that this fragment is for the most part transcendent in his ability to leave the body at will and travel through the limitless leaves of the Tao. 

Yes, of course he chose to have a frail unworkable body.  He did not specifically choose amyotrophic lateral sclerosis.  The choices are not that limiting but he did choose not to have to be bothered with the physical body, so that he could finish what he needed to do intellectually. 

We did not give a centring here because this fragment spends a great deal of time in touch with higher centres, although he is, as you might suppose pretty much centred in the Intellectual part of Intellectual Centre but is able to use the Higher Emotional Centre at will. 

This fragment is lively, bright, fairly happy and although aware of his severe limitations, not in the least sorry for himself.  This fragment has been literate over fifty times.  He was nine times the tutor to royal children.  He was an inscribing monk and did beautiful illuminations during five lifetimes. 

He was a scribe to the fragment who was Julius Caesar.  He was a lector for the emperor Marcus Aurelius.  He was a Grecian scholar on the Isle of Rhodes, during the height of the golden age of Greece. 

He was an Arabian mathematician and was instrumental in giving the world the zero to work with, which greatly improved and facilitated the study of higher mathematics.  He was a geographer twice. 

So, this fragment is no stranger to the world of study, however, this is the life he chose to make his greatest contributions.  Many of you could speak with Stephen in the dream state, for he is very accessible.  This fragment has many things he could teach all of you. 

He has a great deal of recall that he puts to good use in this life.  The age of this fragment’s soul accounts for his ability to detach from the physical body.  A younger soul could not do this with such élan. 

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At the time of Diana, Princess of Wales’ death (August, 1997) Sarah J. Chambers, channeller of the original Michael Group, shared Dr. Hawking’s overleaves with me, along with those of HRH Prince Charles Prince of Wales, Madonna Ciccone, Prince and Michael Jackson.  Though it is not listed in the overleaves, Sarah stated in an email communiqué that this would be Stephen’s final life; his soul would no longer reincarnate at the conclusion of this life, which would occur near 21 years later.  

Interestingly, as it was his final life, Stephen Hawking in a wrap up of having downloaded his vast intellectual awareness as the ultimate scholar soul would pass or, more appropriately, supernova at the time of the most intense solar storm in long years… there are no coincidences.  I was once guided in a dream and told that the Sun and all stars are the portal through which all sentient and reincarnating souls pass between the planes on reincarnating and passing.  Obviously, there was a great celebratory event as Stephen Hawking at the conclusion of his reincarnation cycle returned to his entity one last time — hence he was facilitated via the solar storm.  

Back on Monday, March 5, 2018, I went to see Darkest Hour with Gary Oldman at the Vue Cinemas in London’s Leicester Square.  Comfortably seated in theatre 8, about halfway into the film, I began witnessing a fair bit of paranormal activity.  I sat in the back row between two English couples, neither of whom were amorous.  From time to time, when actors on screen were in closeup, their eyes would suddenly become black-within-black with fully dilated pupils.  There were times, when I was able to make out Kristin Scott-Thomas’ aura — I found her performance exacting and intense.  More than that, I witnessed foggy, grey-white tall humanoid forms simply getting up from the seats in multiple rows ahead of me, turn either right or left then simply walk through the dark walls of the mid-sized theatre.  

I chose to remain composed because having a fearful response, is all about losing control and homie never plays that.  As the experience unfolded for about 20 per cent of the film, it next ventured into territory with which I had long grown familiar.  Off to the right corner of the theatre and at the ceiling, there was an aperture of light which opened.  Slowly, the light expanded and began a portal of the same soft-focussed yellow/golden light.  I have seen this many time before.  Next, a series of light beings, say the size of a raven began manifesting.  These light beings are illumined from within and have large gossamer, illumined wings which are two-thirds the size of their tiny bodies; the wings also flap about not unlike an elephant’s ears do. 

These creatures arose from the seats before me and progressed from left to right and up and into the light which radiated from the portal.  Soon enough, I was keenly aware that I was the only person experiencing this; I was never fearful.  I did, though, remind myself that personal truth is the only valid reality — at least at moments such as this.  Previously, I have experienced this manifestation when persons close to me are about to pass; this can manifest either at the point of their departure or as early as up to two weeks in advance.  This has never occurred after the actual passing and never more than two weeks out from the actual passing.  What I have learnt, for having done as many overleaves as I have, is that these persons are with few exceptions either entity or cadre mates.  

Where they have not been thusly related to me, they have been famous persons on the global stage.  The last time that this had occurred was at Nelson Mandela’s passing.  This, by the way, I did not experience when the 20th century’s most famous woman, Diana, Princess of Wales, passed.  

With regards to Stephen Hawking, I feel that for being in London and 9 days out from his passing, I was being attuned to his preparations to cycle off his final incarnation.  The movement of the levitating illumined, winged tiny beings towards the portal of soft-focussed light is always a slow, languorous adage that seems to occur within an aqueous medium.  Also, at the time that the overleaves were shared, in a subsequent email, Sarah had shared that he was in greater cadre 4 of pod 129 — the rest of his casting I do not know.  

I have known two persons who passed of ALS, which Stephen Hawking had for decades.  Both persons, as is customary with ALS, passed within a year of being diagnosed.  In the case of one female co-worker, she simply became all-consumed and grew fear-shrouded and cocooned.  There was so much fear readily discernible in her eyes.  Incidentally, when she passed, I had the exact same aforementioned paranormal manifestation.  I have not yet done her overleaves but would not be surprised if she comes back as an entity or cadre mate.  Also, after her passing, she appeared to me, in the most intensely lucid dream, very radiantly and thanked me for my support and assured me that she was now at peace with where she was.  Obviously, she was aware that I was distressed at how fearful she seemed at the prognosis of imminent death.  

Clearly, one can’t claim to know what she must have felt at the time; she, however, had simply become straight-jacketed by the fear of death and her own mortality.  Stephen Hawking endured for decades with ALS, likely the first such documented case in medicine, because he had conquered the fear of death.  He was totally at peace with his reality; moreover, he was more focussed on being in the now and completing his task of disseminating as much of the knowledge that he had acquired during the course of his reincarnational cycle.  There was nothing to fear.  Indeed, his overleaves of being a seventh level old scholar soul on his final life was thusly validated as he could not have cared less.  Death he had conquered long ago; the body and obsession therewith served no purpose for him.  He just wanted to get on with the task in hand of sharing his intellectual gifts with humanity.  

More than any other human being of the last two millennia, Stephen Hawking will be remembered and celebrated two millennia hence.  Sweet and blissful dreams and it was good to have been illumined by the stellar light of your accumulated intellectual gifts.  

As ever, thanks for your ongoing support and sweet dreams!   

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©2013-2026 Arvin da Brgha.  All Rights Reserved.

The Dream Chamber

Pyramid2

With some lovely sandalwood incense going, a beeswax candle and some late 18th century harpsichord breezily distant, evoking deeply buried memories of life at court in Regency London as a countertenor, thus one slips lucid, fecund and supremely feminine into sleep’s warm embrace.  For me the day begins at bedtime, the beauty of sleep is, one can never imagine the bounty of vistas and dream experiences about to be lived a few shorts breaths away. 

So come with me, take a few deep breaths, feel the bedding lovingly warm against your wide-open naked body.  You are a soul about to unfurl its wings and take flight into the dreamtime… what happy quests await…  As ever, sweet dreams and thanks for your ongoing support.  Thank you Robert Davidson, Susan A. Point, for sharing your inspiring light with me.  Windows are highly overrated intrusions.  

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©2013-2026 Arvin da Brgha.  All Rights Reserved.

Do it!

Elvis Presley

The one… the only…  Elvis!  #yeahyeahyeah!

Thanks for having taken us higher!  Love is All!

Elvis 8/1/1935<O>16/8/1977

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Sweet dreams as ever! 

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©2013-2026 Arvin da Braga.  All Rights Reserved.