Prosecuting the Past whilst at the Deathscape.

Jacqueline Kennedy Onassis3

Since having shared these dreams two years ago, I have been corrected by an authentic Michael Channeller as to Jacqueline Kennedy Onassis’ true role in essence; she is a young soul sage rather than young soul king – her first husband, John F. Kennedy was a young soul king and he was reborn to an aristocratic family in France and I do believe reborn male.  Contrary to the word on the faux-Michael ether, Jacqueline Kennedy Onassis – whom I encountered one glorious summer afternoon in 1983 after ballet class at Harkness House with David Peregrine and his lovely sweetheart and former classmate, Jackie Sloane – who both perished in the Canadian Rockies when he piloted some years later in 1989, Ms. Kennedy Onassis vibrationally seemed every bit the king soul.  Alas, that may well have been her well-fortified social persona and false personality then experienced.  Of course, it was at Harkness House where Rebekah Harkness’ cremains perpetually rotated in a golden urn designed by master surrealist himself, Salvador Dali.  

Since these dreams were shared, I have elected to have channelled the overleaves of the following persons: Salvador Dali and Maria Callas.  Too, I am adding here, Frederick Hinneault’s overleaves, though, they have been previously shared in this blog.  Frederick was a the most glorious Cree feather dancer who introduced me to the world of powwows in June 1994.  I met Frederick after having had the most lucidly awakened flying dream to a past-life whereat I witnessed a young shaman coming of age during initiation ceremonies.  Well, you can just bet that after so high a spiritual dream experience, I chose to do no such thing as time-waste in the presence of dense-energied, somnambulant and decidedly spiritually unsophisticated coworkers.  So off I went to Club Vancouver bathhouse on West Pender Street where there I met the genuine article, Frederick.  After having made a sweat lodge of his tiny room, we spent the rest of the summer holding hands and travelling about B.C. Alberta and Washington.  Firstly, though, he took me to a lookout point high above the Cypress Bowl lookout where in a bath of cloud-untrammelled sunlight, we laid naked side by side in the long grass, holding hands and he got out his whistle that called a majestic eagle; this was one of the most magical experiences of this incarnation.  

Frederick, at the time, was full blown with AIDS.  What was most revolutionary was being in the company of two-spirits.  This was the first time being in the company of Gays who were not possessed of racially predatory animus.  That first weekend, just past 1994’s summer solstice was my true arrival and connection with Canada and what she represents.  I finally felt no longer as an outsider.  I will always have the greatest respect for all First Nations peoples from Baffin Island to Patagonia.  

These were truly operatic dreams, drink anew of my chalice and may you, satiated and inspired, slip into lucidly awakened dreamquests of your own.  You’ve a wealth of knowledge and beauty which passively lie awaiting your inner focus deep within the aqueous folds of self.  

Sweet dreams you… ever, we will be kindred spirits – you and me – sharing this magical quest of self-discovery, self-actualisation and self-empowerment.  I am honoured by your continued support and for that, I love you more!  (August 2016)

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These next dreams occurred two days apart and dealt with the same individual.  I have recently written of her and shared a dream of her, Jacqueline Kennedy Onassis.  At the time of these dreams, which are currently being chronologically transcribed, Mrs. Kennedy Onassis was a recent astral plane habituée. 

As such, these dreams – and the last in particular – vicariously gave insights to her deathscape on becoming an arrivée astral plane habituée.  I dream it, I share it and pass no judgment on either self or the subject(s) of any dream ever had. 

As with all astral plane-focussed dreams, these were rather intense experiences.  Especially so was the fourth and final dream of the second day of dreams shared herein. 

The first dream was the only dream that day and it sets the mood for the nature of the second dream to come of Mrs. Kennedy-Onassis.  That dream occurred two days later and was more thorough and insightful.  At the time of the first dream, it was Saturday, July 9, 1994 and the Moon then transited both Cancer and my second house. 

Two days later, Monday, July 11, 1994, there were four dreams and as on the July 9, 1994, the fourth and final dream that day focussed on the deathscape for the arrivée astral plane habituée, Jacqueline Kennedy Onassis.  As is her wont, Luna had beguilingly slipped from Cancer to Leo and correspondingly from my second to third houses. 

The final was an intensely volatile dream that was all about emotionality and karmic dross.  Having passed near two months earlier, though I was not much-focussed on her life in the waking state, it is not surprising that one would vicariously tune in to the deathscape goings-on of one the century’s most iconic figures, Jacqueline Kennedy-Onassis. 

Sweet dreams as ever.  Rather than the standard one photograph per dream entry to this blog, the break between both days’ dreams will be a second photograph. 

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I was, in this the first dream, in a park like New York City’s Central Park with Pandora da Braga on my right.  From across the vast plain came a large steed from a low, heavy mist atop a knoll.

Here the light was rather diffused and potent.  The horse was a possessed powerful creature.  Rapt in focussed canter, it barrelled across the green grass towards us.

Atop it rode a large-boned woman who was a fierce warrior-spirited individual.  She turned out, no less, to have been Jacqueline Kennedy Onassis.

She rode in traditional riding gear: black cap, white riding breeches and black riding boots, all of which was topped off by a red riding jacket.  Her gloves were short and made of thick black leather.

This woman was arrestingly powerful.

Pandora and I were stunned into silence.  All the shrubs wore various-sized beautiful white blooms that simply zinged with life.

All was ordered and serene here and it clearly was a reflection of this woman’s afterlife passage – the deathscape.  The Earth simply quaked beneath the power and grandeur of both she and the steed.

I mentioned to Pandora, after she had ridden past, that I had seen her, back in the early 1980s, on two occasions in the Manhattan.  She was, to be sure, a very robust, dominance-goaled kind of person.

Hers was a very powerful warrior-energied complex.

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Diva - Maria Callas

Whilst speaking with a man, in this the first dream, I assured him that I could never bed Aaron Wookay because of his pheromones – body odour.

I do believe that it was, in fact, Aaron Wookay with whom I had been speaking at the time and made the slip of saying what I had.  There was certainly a glaringly pregnant pause at the end of it all.

As we spoke, in the middle of the late-afternoon street, a very tall warrior-spirited Karl Weller walked past with a guy on his left.  He was dressed all in black clothes and as I sped up after him, I said aloud to my companion,

“Now there is a man that I could bed…”

I intimated that I had already had an encounter with him in the waking state.  This was in fact true.  I then got him into a black limousine and together we headed for my place.

En route there, at night time, we stopped outside a Dairy Queen.  The store was tiny and right at the corner of one of the city’s intersections.  Getting out, on the left side of the car, I went inside where I ordered large slices of a white cheesecake with soft ice cream.

When I returned to the limousine, he was immediately in bed lying on his back on some blankets.  He took a bite of the food and, at that point, I began groaning.

His entire body then lapsed into an adrenalin quake as he had his first all-out experience.  He was full of nerves and caution.  Wanting to leave, Karl Weller then hurriedly got up; I was quite disappointed.

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In this the second dream, Isha da Braga insisted that I deposit some cash – 10$ or 12$ – into her account because I had owed her as much.  I was really pissed off because I knew that I had already paid her whatever monies that I had owed her.

En route to the bank, I stopped off at her condo to which I had a pair of keys.  Slowly, I stirred the pot of stew that she had started before heading to work.  The stew simmered on a low fire.

Soon, I encountered Pandora da Braga who also needed cash.  I then became an issue of how to move around cash, via cheques, from one or more of my little-funded accounts to get to float until the next payday.

With that, I headed off to the bank to begin my unscrupulous activity.

*This is something that I have never attempted and would never think to attempt in the waking state.  Why?  END.  

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Soon, in this the third dream, I got sidetracked.  I went off and had a hot encounter with a guy whom I now think was Frederick Hinneault.  We were, in an old building, writhing away on a table.

Splayed and utterly contorted, we were going at each other like there was no tomorrow.  Too, it was also hard to tell just who was fucking whom.

A tall Black security guard, whilst on duty, happened on us.  Pretty soon, he interrupted us and joined in when he oughtn’t to have done so.  He took off his thick, brown leather belt and began beating me with it.

I was truly incensed and let him know that I could damn well file suit against him for having struck me.  After all, it was not a part of his duties to have done so.

He was surprised at my response.  Seemingly, he was a novice in his crisp, brand new khaki uniform and hat.  He was rather handsome a fellow.  Nonetheless, I was still upset with him.

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I would, whilst focussed in this the fourth dream, have an encounter with Jacqueline Kennedy Onassis.  At the time, I was going along a corridor in a palatial residence.  Seemingly, this was an eighteenth century château.

Whilst she was dressed in clothing that was late 1950s-60s, A-line conservative and nothing flashy, I walked after Mrs. Kennedy-Onassis.  There were several other persons about.  Impatient, she was not at all in a very good mood.

Rushing back, I went to the off-white blue hallways to the other wing.  We were two to three storeys aboveground.  There, I saw a dark-haired, strong-featured woman and intuitively knew her to be Maria Callas.

Jacqueline Kennedy Onassis and Maria Callas were in the midst of a nasty feud.  Conversely, it turned out that to get her attention I would have to quickly act.

Pulling out a shotgun, I shot into the ceiling in order to wrestle her attention.  The gunfire stunned Maria Callas; at that point, I then bolted and went back to be with Jacqueline Kennedy Onassis.

Coming to her aid, I held Mrs. Kennedy-Onassis by the forearms as she was slumped in a chair.  She had been truly traumatised by the gunshot going off so close to her.

In light of what she had endured on November 22, 1963, in Dallas, Texas, her reaction was not surprising.  This soon served as a glimpse into who had really killed whom.

From what I learnt here, it turned out that not only did Jacqueline Kennedy Onassis get rid of Christina Onassis and Marilyn Monroe, she also used occult means to get rid of Maria Callas by way of literally bewitching Aristotle Onassis.

I was being told this by a voice which I heard speaking to me.  Interestingly enough, the voice sounded like a gruffer version of Jacqueline Kennedy Onassis’s famous breathy register.

This insight was all being telepathically shared with me.  However, this house was definitely on the astral plane in which Maria Callas was confronting Jacqueline Kennedy Onassis.  As it were, both astral plane habitués were prosecuting their relations in their respective immediate past lives.

There was no getting around the fact that Maria Callas had the upper hand here.  There was a sense that, try as she might, Jacqueline Kennedy Onassis simply could not get out of this confrontational drama; it was, as it were, fated based on who owed whom karma.

Maria Callas was truly operatic.  Not the kind of person that one would want to have as a foe was she.  For having predeceased Jacqueline Kennedy Onassis as well as Aristotle Onassis, there seemingly was much that she knew of what really happened whilst she was alive.

This woman, Maria Callas, was truly operatic.  Her rage was such that she seemed to create an emotional tornado.  Even when she spoke, her voice operatically boomed.

This was drama that was supra-Wagnerian.  The palatial, soothing blue-interiored dwelling’s walls violently quaked as Maria Callas fumed and berated Jacqueline Kennedy Onassis from her wing of the château.

Jacqueline Kennedy Onassis looked extremely spent, haggard and aged; she had been completely vanquished by Maria Callas’ rage.  If these karmic debts had really been incurred by Jacqueline Kennedy Onassis, it then stands to reason that on reflecting on her just-concluded life, there would be some degree of remorse and inner pain as part of her deathscape on becoming an arrivée astral plane habituée.

Jacqueline Kennedy Onassis was deeply troubled here.  Though she was every bit the lady in her own right, for having been wronged, there was a great impactful power that Maria Callas exhibited for having been wronged.

The whole affair had karmically left her completely in a funk.  All of these done-in women were strong-willed individuals who had, in some way, posed a threat to her sense of self.

Not only did she not suffer fools gladly but from the evidence here, Jacqueline Kennedy Onassis did not suffer threats to her power in any way.  Once so threatened, her only response was shrewd and calculating.

They were simply removed from the environment – struck down.  For Jacqueline Kennedy Onassis, with a Scorpio rising, it was all too possible that this sort of tactic would have been deemed a viable and appropriate response to such a threat.

Here in the dreamtime, for being alone with her, I came to understand what would have motivated her to have taken such actions.  This was the only way to stake her claim on history and not just near history but millennial history.

At all costs, a statuesque stalwart of power and regal dignity, she had to survive to the end.  To have been respectively displaced or denied by Marilyn Monroe or Maria Callas would have eclipsed her and made her but a footnote in history.

This is how she saw it.  Christina Onassis did nothing but try to have her displaced and dishonoured by way of a divorce; this, too, could not be suffered.  She won.  In all things, she won.

As that dream on July 9, 1994 attested, she was the born warrior-spirited leader who was never felled in battle.  Victorious to the end was ever her approach.

Indeed, coming through the mist of time, Jacqueline Kennedy Onassis will transcend Time for several millennial as one of the most pre-eminent leaders of the 20th century and not merely just an iconic woman.

Into the future and legend she will forever ride a valiant steed, though a dark one, a figure of power, strength and dignity.  Indeed, a bloody-talonned warrior this one.

Leaving her, I went running back through the halls saying that I had to get to the ministerial offices.  I wanted to get there at once, in order that the records may historically be set straight.

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Photo credits: Jacqueline Kennedy Onassis fox hunting in Virginia.

Opera diva, Maria Callas.

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© 2014-2026 Arvin da Brgha.  All Rights Reserved.

Marta.

Marta 74 George Hawken Intaglio on Paper

Marta

Intaglio on Paper

©1974 George Hawken

Provenance: Carleton University Art Gallery, Ottawa, Canada.

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A Hawken with which I am not familiar… it’s fast become a favourite.  

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©2013-2026 Arvin da Brgha.  All Rights Reserved.

David Bowie 1947†2016

David Bowie

Lazarus ©2015 Music & Lyrics David Bowie

Sweet and blissful dreams be yours.  Some of my best memories of living in Babylon/Manhattan involved hanging out with Philip Emerson for whom everyday was a good enough reason to play David Bowie’s music.

A true creative genius and someone whom it was also inspiring to have dreamt of.  Here’s a repost/link to a dream previously shared herein involving him and his beautiful widow, Iman, displaying for all the universe the sheer beauty of their enraptured love.

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Bowie, David 8/1/47 – 10/1/16

This fragment was a fifth-level mature artisan in the passion mode with a goal of discrimination.  David was a sceptic who was in the intellectual part of emotional centre.

David’s primary chief feature was impatience with a secondary chief feature of stubbornness.

David’s casting is the fifth position of the third cadence in the fourth greater cadence.  He is a member of entity six, cadre six, greater cadre 1, pod 404.

This artisan chose overleaves that would allow him to be more fluid in terms of personal expression whilst at the same time work effectively with the goal of discrimination, specifically in terms of not adhering social and cultural stereotypes and, as a result, he became an icon in his own right to other fragments who preferred not to follow the cookie-cutter rules and instead sought their own personalised self-expressive nature.

Of course, David was not the only fragment to break the barriers in this regard as others including but not limited to Andy Warhol, for example, who were also at the fifth or expansive level of the mature cycle and these fragments served as inspiration to others both in their own culture and across the pond.

It is not unusual for expression polarity fragments to seek visibility in this regard, though, we will say that this artisan, David Bowie, was in fact shy to some degree and was not as adventurous in his personal life as he might have been perceived to have been.  In other words, his stage personae were not in complete alignment with the true personality.  We do think, however, that he was well aware of himself as a spirited human being and did validate reincarnation as a personal truth as did his family by the way.

Too, this fragment was well aware of impending decline and death and did seek to express himself through his music and subsequently his fans.

*These overleaves were not exclusively requested by me but they were channelled by an authentic Michael channeller and, in fact, the reliable channeller whom I always use.  END.

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©2013-2026 Arvin da Brgha.  All Rights Reserved.

Ugly Beauty.

Album:  Underground (1968)

Label:  Columbia

Piano:  Thelonious Monk

Tenor Saxophone:  Charlie Rouse

Bass:  Larry Gales

Drums:  Ben Riley.

Because every day is a Thelonious Monk day!

This brings back such sweet lazy memories of raining days – more like four days straight – in November in Vancouver!

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©2013-2026 Arvin da Brgha.  All Rights Reserved.

Natalie Cole 6/2/50 ]-O-[ 31/12/15

Natalie Cole

Natalie-Cole

natalie cole2

natalie cole3

Cole, Natalie 6/2/1950<O>31/12/2015

Michael: This fragment was a fifth level mature artisan – 3rd life thereat.  Natalie was in the power mode with a goal of growth.  She was a sceptic who was in the moving part of intellectual centre. 

Natalie’s was a Saturn/Mars body type. 

Natalie’s primary chief feature was stubbornness with a strong secondary chief feature of self-destruction which was primarily internally focussed. 

Natalie’s casting is in the fifth position of the fourth cadence in the second greater cadence – she is a cadence mate of Richard E. White (he is in fourth position).  She is a member of entity six, cadre one, greater cadre 7, pod 414 – another entity mate. 

Natalie’s essence twin is a discarnate artisan and her priest task companion was known to her. 

The three primary needs for Natalie were: expression, freedom and power. 

There are 12 past-life associations between Natalie and Arvin whilst there are 16 past-life associations with Merlin.  

natalie cole4

I am so devastated by this loss that I don’t even have the time to do the usual due diligence of listing credits.

So poised, elegant, admirable, fabulous, fantastic… could scat/vocalese just as stratospherically as Ella Fitzgerald.

From seeing her at Ontario Place’s Amphitheatre in the ’70s, whilst she did her funky soul diva incarnation, to the sheer brilliance of her sophisticated Jazz syncopation, there was no one else who could make me feel more fuck-all fabulous pride and take seriously this joint call being Black.

Natalie got to the very essence of who we, a proud noble people, truly are.  Her album: Take A Look (1993) literally afforded me the grace and dignity to get through the most hellish experience of being in a workplace surrounded by people who haven’t a clue that they are crazy – a people who collectively render us as invisible and who relish at every opportunity the racially predatory thrill of talking about us and openly ridiculing us as though we were a weeble-infested bag of flour in the corner.  These marvellous people for whom the gun is g_d incarnate and for whom it has never once occurred that we possibly could perceive them as crazy – crazy as in having invented something as absurd as Apartheid, crazy in openly gunning us down because well… one can, crazy as in busing, crazy as in building latter day landlocked Mayflowers whose hull hold a cargo that staves off the flowering of the next Coltrane, Tatum, Monk, Ellington et al… crazy as in harvesting a most strange fruit from poplar trees whilst crazily dressed up in the coward’s garb from pointy head to toe, crazy as in then having the fuck-all temerity to squat all over the culture and ape, ape, ape like crazy every thing we do culturally, creatively…. alas, who else but the crazy would openly hate you then turn around and ape everything you do from Jazz, to Hip-Hop, to Rap and all the while, like the truly crazy then somehow think that we never notice that they never ever have personal relations with Blacks… la Krall, Bublé and Eminem to name but a few readily come to mind.

Every day in Vancouver, for having survived and gotten one day closer to triumphantly getting through 24 months of workplace probation, it was to my lovely art-filled West End apartment that I retreated where this lovely beauteous-eyed goddess, Natalie Cole, would greet me with a voice that would truly embalm the soul from the bilious dissonance of the racial predator – those who haven’t a fucking clue that they are crazy…  And how the crazy people love to laugh at everything.

Sweet and blissful dreams dear Natalie, you proud noble griot who came to remind us that we are the most beautiful lotus to have flowered from the hellish swamp known as the semi-feral well-armed racial predator’s paradise.  What a positively rich, layered, textured, august life you accomplished…

A better place this world, a more grounded people we are, for you having chosen to be focussed herein at this time, in this place.

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*As I had always planned on doing Natalie Cole’s Michael Overleaves, they had not been done at the time of her passing and my having penned this impassioned tribute.  A couple of weeks later when her overleaves arrived, it was one of the rare times that on receiving someone’s overleaves that I broke down crying.  I always felt strongly connected to this woman – she was family.  Here then, at this juncture, though they have been added previously and subsequent to this original post – it is now December 2016 as I change the copyright time stamp – are Natalie Cole’s rather august Michael Overleaves – Natalie’s overleaves are now listed above.

There are these little things that bind us for being entity and cadre mates… at the end of the video for Route 66 which accompanies this tribute post, Natalie Cole can be heard saying, “Yeah, yeah, yeah!”  This is precisely what fellow artisan and entity mate Attila Isaksen and I would repeat to each other as a greeting or when slipping out of inner musings after long pleasurable sexual play.  END..

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©2013-2026 Arvin da Brgha.  All Rights Reserved.

Man Changing into Thunderbird VI of VI

20150609_123817[1]

Oil on Canvas

© 1977 Norval Morrisseau

Provenance: The Leitz Collection,

Art Gallery of Ontario.

http://www.ago.net/

Love these works especially more so as they have been recently relocated within the gallery; they are better displayed now.  A true shaman of the first order, Norval Morrisseau.

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© 2013-2026 Arvin da Brgha.  All Rights Reserved.

I Remember.

Michael by Warhol

Michael Jackson by Andy Warhol.  On this the anniversary of Michael Jackson’s birth, I thought to pay tribute to one of the most inspiring creative geniuses to have ever graced this world.  This is a work by Andy Warhol which is part of the Revolver Gallery’s Andy Warhol: Revisited – A Pop Art Exhibition in Yorkville at 77 Bloor Street West, Toronto.  One of the truly fantastic shows to have graced Toronto in long ages.

I finally got to attend a couple of weeks ago with my brother and my only nephew –  in town for the summer from the Bahamas.  We had a good visit and the show was the most spectacular show I have seen in long ages.  Beautifully curated and just intimate enough that it doesn’t end up being overwhelming or, more importantly, underwhelming.

https://warholrevisited.com/

Michael_Jackson_as_Captain_EO

Michael Jackson: August 29, 1958 [-O-] June 25, 2009.

Here’s a dream, previously shared in this unique and utterly unrivalled blog of mine, of Michael Jackson being his marvellously shamanic wonderful self.  I love you more, Michael – sweet and blissful dreams.

https://dreampoetica.com/2014/09/17/oh-what-joy/

https://www.youtube.com/embed/LeiFF0gvqcc“>http://

Remember The Time, Michael Jackson, © 1992 MJJ Productions Inc.

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© 2013-2026 Arvin da Brgha.  All Rights Reserved.

What Beautiful Magic This! Make Some Noise!

Oscar Peterson                                           Oscar Peterson 15/8/1925, Montréal!

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C Jam Blues.

1964.  Live Denmark

Piano: Oscar Peterson

Bass: Ray Brown

Drums: Ed Thigpen

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Boogie Blues Etude.

1974.  Ronnie Scott’s Club

Piano: Oscar Peterson

Bass: Niels Pedersen

Guitar: Barney Kessel

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Night Train.

Piano: Oscar Peterson

Bass: Ray Brown

Drums: Ed Thigpen

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Cakewalk.

1987 Live Tokyo

Piano: Oscar Peterson

Bass: Dave Young

Guitar: Joe Pass

Drums: (Martin Drew)

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1964 Live Denmark

Piano: Oscar Peterson

Bass: Ray Brown

Drums: Ed Thigpen

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© 2013-2026 Arvin da Brgha.  All Rights Reserved.