Wallis? No, No, No! Try Edward VIII 2.0.

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So horrid has been the unbridled racial animus at TRH Duke & Duchess’ interracial marriage that it is past the point of being alarming, to merely being plain hysterical.  Fuck these idiots; just get on with your miserable lives, which clearly were not made miserable by that weak, dimwitted race traitor, Harry, being bullied and hoodwinked into marriage by that Z list, pole dancing, unsuitable, twice-divorced Compton ho.  

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Naturally, Meghan, HRH Duchess of Sussex an American divorcee, is being compared to her predecessor, Wallis Simpson who was also a divorcee.  She was said to be domineering sort and Edward VIII, her lover, a weak-willed sort who was totally controlled by her.  

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Similarly, as with Wallis, Meghan who is erroneously being compared to her American predecessor, Henry is seen as pussy-whipped and controlled as was deemed Edward VIII.  Be that as it may, of one thing one can be certain, unlike Meghan, Wallis was not skilled in the arts of the Kamasutra… so there is that.  

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This shot of Henry during his aunt, Baroness Fellowes’ reading of scripture is seen as proof of his being controlled and foolishly controlled by the lowest of muggles.  Be that as it may, here is a man who is completely besotted and having upped his game, did win his bride in the end.  

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Of course, a sceptic to the core, there was Henry fixing a shrewd eye on his brother, William who everyone has failed to realise is the real Edward VIII in all this, rather than Henry.  William has more in common with the abdicated Edward VIII than does Henry.  

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Granted, Rev Curry was a blasted buffoon who embarrassed no one but himself and it was nothing the royals had seen – to his dying day the right reverend will think himself to have been a hit… American conceit is staggering – but there were Camilla and Charles trying to make sense of what they had just seen,  

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Returned from having signed the registry with his son’s gracious mother-in-law, Doria Ragland, there was William whilst the cellist weaved his magic, openly ridiculing and throwing shade.  

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There could be no doubt of William’s loathing of Rev. Curry and all that he represents.  Trust you me, if Henry had taken a Jewish wife and there was some aspect of the ceremony after Henry had converted that was bizarre, there is no way in high hell that William would have sat there and openly ridiculed the rabbi.  This display, only demonstrates William’s open bigotry.  This among other things exposes him further at having been cognisant of the “blackamoor brooch” incident.  This is the same William who has seen fit to stridently decline going on tour to any predominantly black Commonwealth nation; this has been left to his father and his wife, Camilla to undertake instead.  Scholar souls when in the negative pole of their overleaves happen to be the smog, arrogant, prejudicial persons going.  Sadly, William will never change his outlook for the remainder of his life and it will cost him dearly down the line.  

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This august woman, Camilla who does not gladly indulge hostilities declined to attend Andrew’s daughter HRH Princess Eugenie’s wedding last October to Jack Brooksbank; he had always been openly hostile towards her.  Similarly, she declined to attend Christmas Service 2018 at Sandringham as she is clearly not pleased with how the senior royals, namely William and Catherine are being frosty towards Henry and his American wife.  

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Just as Wallis was the centre of everyone’s vitriol, as time always lays bare all secrets, Edward VIII would be exposed for the vile, bigoted, Nazi sympathiser that he was.  So, too, William has proven himself a bigoted boor on par with his great-great uncle Edward VIII.  I think it interesting that so many of the souls who have reincarnated after the Me generation have turned out to be such petty, bigoted boors, which they love smugly terming conservative. 

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The same is seen in the current Canadian PM who has thought nothing of repeatedly running off to India to act like a buffoon in a Bollywood flick, attend every town in the land’s Gay Pride parade; however, he flatly refused to attend the 50th anniversary Caribbean Carnival celebrations in 2017.  Instead, he went kayaking.  Naturally, the same social butterfly tried his damnedest to score an invitation to the royal wedding of TRH Duke & Duchess of Sussex but was justifiably decline.  He also saw positively nothing odd in excluding either blacks or Chinese from his cabinet in 2015.  Enough about Bathhouse Pierrette and his über Ketaine, just-a-tad-too-eager fag hag.  

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For any and all sceptics (Princes Philip and Harry – and yours truly) what we pay attention to is details.  We don’t focus on what you say but we are ever keenly focussed on what you do not say and more importantly what you do.  This can sometimes have us come off as slightly on the paranoid side but, trust you me, nothing escapes our shrewdly focussed gaze.  

William has emerged as Edward VIII’s bigoted reanimation rather than Meghan, Wallis’s reanimation.  Not a single tour to a predominantly black Commonwealth nation, turning away during the scarf incident this past Christmas when Meghan tried to engage him in conversation.  

Charles and Camilla standing at the end of the receiving line of Westminster Abbey clergy to greet senior royals, who in this case would be HM The Queen and Prince Philip.  Naturally, The Sovereign exchanges pleasantries then greets her son, father of the groom and they share a congratulatory kiss at the occasion of TRH Duke & Duchess of Cambridge’s 2011 wedding.  

Westminster Abbey, this past Armistice Day for the service of remembrance.  Though, I was then in London, I did not attend outside the Abbey to observe; rather, I was attending a commemoration concert at Barbican Centre by the London Symphony Orchestra.  Here, TRH Duke & Duchess of Sussex wait, as is customary, at the end of the receiving line of the incoming senior royals.  

TRH Duke & Duchess of Cambridge deliberately stayed overlong, greeting and chatting up the Westminster Abbey clergy; they were making a point of snubbing the Sussexes.  Naturally, another betrayal of his role of instigator in the “Blackamoor Brooch” incident, William has no qualms about dismissing his brother and his otiose wife as he and by now his equally curt wife see things.  Her reaction on entering the Abbey and noticing the Sussexes spoke volumes.  

As it was plainly obvious to sceptic Harry that he was being snubbed by that conceited, thick-as-a-plank, bigoted brother of his, he simply walked away and was followed by his wife, rather than continue suffering the indignity of being made to wait overlong.  William is a bigoted arse of the first order and where the Duke & Duchess of Windsor are concerned, the parallels are to William the bigot and Edward VIII the Nazi sympathiser rather than Wallis the divorcee and Meghan also an American divorcee.  

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The Cambridges no more wanted to talk to the clergy and PM Theresa May than they want to have to tour some predominantly black Commonwealth nation.  They were snubbing the Sussexes because Meghan has draw and mass appeal and is not a mousy little whimp when speaking publicly like the bigot’s mare who looks frightfully severe when not grinning like a semi-feral gibbon en chaleur. 

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Oh well, there was Meghan ascending the steps of St. George’s Chapel with John & Brian Mulroney, doing their parents proud, to say nothing of Ivy in her own right.  Thank god for Jessica Mulroney, for her role in that wedding as she helped to strike it straight out of the park – and she also happens to have the most deliciously vulgar laugh that tickles the soul every time.  A wedding like no other and that will always have sphinctered, drivelfest, bigoted boors seething with grudge because… well, petty humans can be expected to behave no differently.  

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As ever, thanks for your ongoing support and don’t ever forget to push off and start flying when lucidly awakened in the dreamtime.  

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©2013-2025 Arvin da Brgha.  All Rights Reserved.  

Gosh That Was Fun!

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Thanks to World Ballet Day, there was positively nothing or no one that was going to dissuade me from hitting London town.  Armistice Day and La Bayadère, you say… ha!

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Naturally, I returned to London, in my ongoing research/quest for more connections to the past as it pertains to the six-volume dream memoirs.  Though I had hoped to publish volume three this year, 2018, ongoing research has meant its delay until Spring 2019.  

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After dropping luggage at the hotel in Russell Square, it was a quick dash on the Piccadilly Line to Leicester Square Station where the 10-day London Pass with Oyster card was collected.  On this gloriously mild Saturday morning, I took a quick snap of St. Martin-in-the-Fields across Charing Cross, before slipping into the National Portrait Gallery.  

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Before having found what I went looking for, I first took a detour through the Tudor Gallery where, alas, there were no portraits of Margaret Beaufort.  That done, I moved down to the open space where the exhibition: Black is the new Black was housed.  

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Stunning portraits, I love the blue-blackened soulfulness of the portraits; these are all eyes that are thoroughly ensouled and lived-in.  Next, it was off to the salon where what I went looking for was handsomely displayed.  

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Enraptured, I passed long forevers fully engrossed by National Portrait Gallery’s recent acquisition of Wim Heldens’ oil masterpiece – portrait of the art collector and benefactor couple, Harry and Carol Ann Djanogly.  The oil on canvas is handsomely hung in salon 38 and was painted in 2017 by Wim.  Wim, I met in NYC at Manhattan cabaret singer, Frans Bloem’s West Village townhouse when we went out back in the early 1990s.  I had been in town visiting with Frans from Vancouver; we met when I then lived in Toronto and finally, the relationship ran its course on my relocation to the west coast and not to be overlooked but sex with Frans was as meh as warm, runny vanilla ice cream.  Of course, by the time that I was visiting Frans and he was out of town, I met Wim; the latter was sick in bed and I looked in on him between going to the theatre and galleries in the city.  Apart from godawful sex, Frans was a little too obsessed with Diana Ross for my liking – it all seemed too sissy-queer-boy, clichéd and banal. 

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Besides, by the visit where I met Wim, who was the warmest of souls – Wim is an old-souled scholar and it shows in spades in his works – I had long discovered the raunchy funk of hot sex deep into the woods of Vancouver’s Stanley Park where the world’s largest city park (1000 acres) is ever ten degrees warmer than elsewhere in the city during the sodden wintry months as the half millennium-aged sitkas keep the place comfortably warm.  There was no need for the ennui of sex with Frans after tying raunchy fuckers to a sitka and whipping them; besides, positively nothing beats fucking in nature – truly, it is the most empowering, grounding experience.  

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On leaving the National Portrait Gallery, I ambled down Charing Cross, took the time to admire the bronze springbok that lords over the entrance to the Republic of South Africa’s embassy with the maple leaf-festooned Canadian Embassy to the west across Trafalgar Square.  

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Down into the bowels of Charing Cross station, I then skipped and hopped the Bakerloo Line to Lambeth North Station.  There on a gloriously temperate and sunny Saturday afternoon, I made my way to the Imperial War Museum and was rather moved by the beauty of the metallic poppies that tearfully bled from a bathysphere-styled window at the museum’s domed rotunda.  This glorious display was part of the centenary celebrations of Armistice Day 100 years earlier which marked the close of World War I.  

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Standing in the atrium of the museum, I was reminded how geography does determine the scale of architecture.  Relative to the Smithsonian Museum in Washington D. C., there is no way that the relative limitless wide-open spaces of America would find military gear in such close cramped quarters as at the Imperial War Museum’s atrium. 

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I was there to take in the exhibition, Mimesis, which honoured, on the 100th anniversary of the close of WWI, the contributions of blacks from across the Commonwealth.  Turns out, it was not a photographic exhibition; rather, it was a most evocative of films.  

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From South Bank, it was back to Embankment Station and onto the Circle Line to Tower Hill Station.  There, emerging into the sparkling and relatively warm daylight, one was readily reminded of Vancouver temperatures at this time of year.  Into the perpetual queues one headed for a chance to gaze on the Crown Jewels at Tower of London.  

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Going in, the ravens were keeping a watchful eye… as is their wont and the tourists here were predominantly East Asian.  

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Seeing these metallic simians, I was reminded how good London’s fortune is not to be inundated by predatory monkeys… as is the case in both St. Kitts and Nevis.  

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After having viewed the Crown Jewels, this photo of Tower Bridge, suggested that the fast-moving clouds, though stormy-looking, would not break just yet.  

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About half an hour later, the vista to the west looked dramatically foreboding.  I tried to negotiate and decided that these clouds did not look all that fast-moving, besides they were considerably to the west.  

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Into one of the city’s ubiquitous and thoroughly indispensable Pret A Manger joints I slipped.  There, I dined on a hearty sandwich and had one of way too many raspberry smoothies.  

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Each day, wherever I travelled, there was always one in each pocket.  

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This little rocket was the must-have.  Always, there was one handily tucked away deep inside my black Dorothy Grant messenger bag as I darted about my favourite town, on my favourite West Indian isle – it really does vibrationally feel as though in the West Indies, besotting my insatiable soul with culture, art and more high-end inspiring fare.  

After having interminably waited out the rains, along came 1700 and time for the second to last day of the torch light ceremony at the Tower of London in honour of the centenary of WWI’s conclusion.  And so, of deference one waited out the rains, which rolled through in waves – waves they were which seemed increasingly more monsoon.  Finally, the show was begun and after having been soaked sans parapluie and too many souls – I do not like crowds, I opted to make this short clip as I could not see a damn torch on the ground and headed for the warmth of a hotel suite in Bloomsbury.  

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After being soaked to the gills to get into Tower Hill Station, no sooner than being on the platform and headed towards King’s Cross St. Pancras, along came the announcement that the station was now closed as there were too many souls on the platform to assure everyone’s safety.  Back out into the torrential downpour, we all grumbled, huddled and shivered; this downpour was seriously fierce.  

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After much aimlessly darting about the crowded and flooded streets of the city, two-plus hours later, finally a cab was dispatched and into a very cool hotel suite I arrived.  Somehow, in spite being soaked to the bones and frigidly cold, I managed not to have come down with the sniffles, a cough or runny nose. 

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Soon, wakefulness gave way to sleep and I was readily awakened into a plethora of dreams, which are always thrillingly, lucidly awakened in this favourite city of my well-travelled soul.  A day filled with adventure lay ahead; it was Armistice Day 2018 and I would manage to be captured on ITV film of the ceremony at the Cenotaph in Whitehall.  

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As ever, thanks for your ongoing support and sweet dreams.  

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©2013-2025  Arvin da Brgha.  All Rights Reserved.  

Hot Rhythm.

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Hot Rhythm

Oil on Canvas

40 x 48 inc

©1961 Archibald J. Motley

Provenance: Chicago History Museum.

Love this rousing masterpiece!  

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©2013-2025 Arvin da Brgha.  All Rights Reserved.