Gaslighting: No. 1 Response to Anti-Black Racism & How the End of A Dynasty Rather Than Monarchy Unfolds.

“What Didn’t You Do to Bury Us But You Forgot We Are Seeds.”

HM Queen Elizabeth Sharing A Racist Gorilla Joke in Royal Documentary, June 1969

Transcript of racist Joke told by HM The Queen during June 1969 BBC documentary look at the family’s private life:

HMQEII: It’s just extremely difficult sometimes to keep a straight face. When Home Secretary said to me, there’s a gorilla coming in. So I said, what an extraordinary remark to make and unkind about anybody. So, I stood in the middle of the room, pressed the bell, the doors open and there was a gorilla. And I had the most terrible trouble in keeping… you know, he had short torso, long arms and I had the most appalling trouble… (room descends into raucous laughter, that hideous breath that Whites exclusively use when being racist towards Blacks). HM King Charles III, then 20 years old, leans back in his chair, guffawing.

This is a copy of said joke that I made, in the event that the original were to yet again be scrubbed from the Internet.

Outtake from 2021 Oprah Interview which never aired during show.

One of the most important things that the Lady Susan Hussey illumined, was the degree to which ‘others’ go to great lengths to deny the existence of anti-Black racism. Surprised then was I when of all persons, Piers Morgan whilst hosting a discussion of the event, took the position that the decision to remove LSH from the royal household toute de suite, was the right one to have taken. There were two guests, an old bizarre-looking White male who thought that LSH had dutifully served the Crown for decades (6) and ought not to have been treated this way. He, of course, attacked Ngozi Fulani and declared that she had an agendum in all this.

Piers Morgan and Guests Discuss the Lady Susan Hussey Race Row

Naturally, this too is the line that Angela Levin took, as ever that blasted Yenta has to hammer away with her anti-Black racism, making money off of hating Meghan, Duchess of Sussex. The other guest was a BLM female Briton who rather illumined the Black experience and rather articulately stated that the guaranteed response to anti-Black racism is that Blacks claiming anti-Black racism will readily be gaslighted and in effect suffer even more racism.

Actor, Wayne Robson 1970s Vancouver

Early one Friday evening in April 1986, actor Wayne Robson, his lovely wife, Lynn Woodman, Merlin and I, joined two other couples in a Vietnamese, if I’m not mistaken rather than Chinese, restaurant on the south side of Gerrard Street East, just east of Broadview Avenue where the Don River delineates between downtown and east end Toronto. Broadview and Gerrard is one of the city’s Chinatowns which easterly along Gerrard Street East becomes Little India. Charles Lawther, another actor who like Wayne had not yet begun his family was present with his lovely wife, Suzette Couture. The other couple, I had never met and was sat next to them. She was a loud, big-boned, blonde whose fuck du jour, she had just returned from a holiday in the Sun where clearly apart from tanning to excess, they fucked their brains out. Meanwhile, her husband, a filmmaker was off in Europe on location and since her young daughter was undeniably on the spectrum, she was living without a care, ignoring her daughter and on the hunt for bigger dick than she had clearly wedded. Her fuck was a wealthy, South African Jew, who was the most hairy back-and-arsed freak I had yet seen and god was he racially oppressive and acutely hostile in the extreme. We were there to celebrate Wayne’s 40th birthday. Lynn and I, for being the ordinal partners of successful professionals in their circle knew our place and got on well. I always loved going to their Seaton Street apartment which sat atop a townhouse on the east side of the street and sat at the corner of Shuter Street; it was a wonderful home with mementos of Wayne’s acting career with items from the set of Popeye and a panoramic photograph of the film set, shot in Malta with actor, Robin Williams. We got back from that dinner on Gerrard Street East and Merlin became violently sick. He was being taunted for being Jewish and being with me. More than that, he was made sick by a Jew being so hideously possessed of anti-Black racial animus. By that point, I had seen it all and simply checked out and focussed on my lover’s beautiful eyes and the exquisite fare on which we dined.

Eight years later, five years after Merlin’s passing, newly arrived in Vancouver, I stayed at Les karpinsky and his lover Ken’s Sentinel Hill home with the most spectacular views. I was there for a fortnight whilst my West End apartment was being painted and repainted and smudged before I took full possession. One evening, a new friend of theirs came to dinner; he lived on the Sunshine Coast and was an expat South African Jew. As I was no longer Merlin’s significant other, which meant having to hold one’s tongue rather than not, after spending too much time blithering about everyone and everything Jewish, our dinner guest trained his scathing anti-Black racism in my direction. Naturally, much of his banter was about Steven Spielberg’s film the year prior, Schindler’s List. When asked by Les if I had seen the film, I very elegantly, murderously, dismissively, unflinchingly stated that since I am a keen student of American history and interested in only genuine American history, as Auschwitz is not in America, I saw no need to thusly engage. Our expat Joburg Jew readily acted as though I were Himmler returned. Ken who never countenanced confrontations, began clearing the dishes from the table and said he was not feeling well and wanted to go to bed. By then, Ken, Les and I spent most of our time in bed whilst great music saturated their home though not successfully drowning out our salaciousness. As our racist guest, enraged and bothered, abruptly took leave, cutting the eye at me, I bluntly stated, be sure to bring a map of America bearing Auschwitz, Treblinka and Dachau on your next visit and educate me. Having sat there uncomfortably with Ken and Les as the expat South African Ashkenazi Jew blamed the evils of this world on Blacks, chiefly South African and American Blacks, Afro-Sephardic yours truly was sure to succinctly give as fucking good as I had gotten.

Ken and Les apologised and assured me that they had no idea their new friend was such a piece of work, though, Ken did say that he had encountered that kind of intense racial animus from Jews towards Blacks and though it bizarre. Certainly, Merlin definitely did as well. The only time that Merlin ever got mad, was when someone Jewish was on TV openly inciting anti-Black racism. At such times, Merlin would become so upset that he would abruptly get up, scratching his beard at the chin and storm from the room with a weary, loud sigh. Still, at other times, Merlin would hurl whatever book he had at hand, tossing it at the TV and demand that I change the channel at once. As though to embalm ourselves from all that hideousness, after having assured Ken and Les that I was not the least bit upset and they gave assurances that the racist boor was dead to them, we were soon indulging in sexual play like stressed Bonobos. Reaching back, I held Ken’s head in place and twerked like Cardi B. as his tongue behaved as though a famished hog’s set loose in a truffle patch, “Yeah, that’s right, keep your fucking tongue right there!”

Camilla Tominey Justifiably Getting Served Her Racist, Lying Flat Arse

This woman who is truly, hideously clit-nosed had the temerity to attack Meghan, a Black woman, as though there are no other Black women on the planet. Camilla floated the lie that Meghan made Catherine cry and thus began the avalanche of anti-Black racism that has seen Meghan emerge as the most hated Black woman in history. To date, there have been 246 thousand plus articles by the British media, attacking Tungsten each hundred thousand for the number of years, 246, that America violently threw off the yoke of British imperial oppression.

Just like George Floyd, Meghan, Duchess of Sussex plays her role in this the 250 year cycle as Pluto transits Capricorn and violently sets aright that which needs to be dismantled and abolished. She is lancing the bile of 400 plus years of slavery that was officially begun by HM Queen Elizabeth I, who was Margaret Beaufort, Meghan’s soul in a past life’s great-granddaughter, and now culminating in the too-long reign of HM Queen Elizabeth II.

Now let’s explore what is at the heart of all this. The Waleses with their 9-focussed numerology plus the fact that they are task companions, would definitely have been behind the push to oust the Duchess of Sussex from the royal family. They would clearly not have allowed Harry to marry Meghan if they were in the Queen’s position. As events have validated, the Waleses and the Courtesan Queen have their backers whose directives they diligently obey. Of course, the Queen sanctioned the marriage as it would be good for her legacy and the racist Waleses, formerly Cambridges, had no intentions of touring a predominantly Black commonwealth nation and only finally did after Meghan and Harry were driven out and the Queen was dying of cancer.

June, 2018, a month after the Sussexes’ wedding, where the buffoon openly ridiculed his sister-in-law and her Black heritage. Naturally, William was in Jerusalem for his paternal great-grandmother, Philip’s rather ape batshit crazy mother who is buried in the city; or so the excuse was made. He went to the wailing wall to say a prayer directly to god as this is what would definitely get the cushim out of the family.

Ben Goldsmith

Apart from the fact that the royals are not a Jewish family, the intense animus towards Meghan from some Jews has raised more than a few eyebrows within the Black community. Of course, as the saying goes, when you know, you know. The diamond consortia whose tentacles stretch from South Africa, to Israel, to Antwerp, to London and New York City have and always will be a Jewish monopoly. This explains why little Lord Fauntleroy, who’s clearly still pissed that his wife fled his chopped up schmeckel for big Black cock, just had to go flapping his Prissy-arsed gums at Meghan’s expense. Who is this Putz, cussing out Meghan, Duchess of Sussex, calling her a bully if he were not one of the Waleses’ inner circle Jews?

Whenever someone Black rises above their accepted station, this mightily seems to threaten some Jews, not all Jews. In my experience, Ashkenazi Jews are almost violent in their open anti-Black racism. Just look at this woman, Orly Taitz, who told lie, after lie, after lie, followed by absurd litigious campaigns to prevent a Black male, Barack Obama, becoming American President; she can of course be credited with having given that treasonous conman and buffoon ideas and the rest is history.

Seriously, what is driving these persons to obsess and want Meghan dead. Tom Bower declaring on-air, it’s her (Meghan) I’m after. Bethenny Frankel spewing hatred when she hasn’t spent a minute, exploring the racism to which Meghan was subjected – not that it would matter in the least. Of course, there is a reason for all this. One must never be criticised but definitely one always has the right to incite anti-Black racism without Blacks daring to challenge such persons. Gathering like vultures, there’s a mounting and ubiquitous presence of the aforementioned and others like Maureen Lipman, Claudia Winkleman, Howard Stern and Richard Quest. Meghan’s presence has ‘others’ attend court as though to stake their claim and make it clear that one matters most and ought not be side-lined.

Falashas have been Jewish since long before converso Europeans became Ashkenazi Jews. Imagine, the state of Israel, committing genocide without so much as one nation on the planet, pausing to shine a light and say, wait a minute, you, Israel, committing genocide? There is no terror greater than the terror of bullying others into silence. How in god’s name do you justify targeting and sterilising the Black Ethiopian Jews, living in Israel, leaving their population diminished by 50 percent? Then again, why should one be remotely surprised? Apartheid existed not for the convenience of the Afrikaner; it was about the Oppenheimers, Shapiros and other Jewish families who control the diamond mining industry. Apartheid was much like the arrangement in Nevis, which saw Brazilian Jews – of which I am descended – engaging in the cotton trade during slavery with one caveat that enslaved Blacks were allowed to will land to their descendants thereby allowing Jews to be in Nevis without technically participating in slavery. Apartheid was another system like the one in Nevis, which was used to technically get around the obvious enslavement of Black South Africans and the hellish work conditions they endure in the diamond mining industry.

Catherine, George & William at Wimbledon, 2022

One thing is perfectly clear in all of this, in 20 years time, when HM King Charles III has long given way to HM King William V, HRH Prince George, Prince of Wales will get married. This, of course, like his parents’ marriage, will be staged at a time when there needs to be a surge in economic activity, boosting the kingdom’s wealth. Without doubt, all the grandstanding and vitriol being orchestrated here and now against Meghan, the Black duchess, will have been for one purpose only, to have William and Catherine favour a Jewish wife for George. This will the crowning achievement for Jews the world over and, of course, with a Jewish mother, thereafter the BRF becomes a very Jewish monarchy. Now it will be William and Catherine’s karma to have this whole affair blow up in their face. As with his father, William, George does have a 5 in the fourth position. This will assure that not only will he cheat on his Jewish wife but he will most likely seek to dissolve their marriage and as she is Jewish, he would be readily killed off, conveniently by accident. In that way, she stays as head of the very Jewish dynasty and her heirs affording that the Crown Jewels remain in Jewish control. If this were to happen it would occur before William’s death and after George’s Jewish wife has had royal children. In the end, William would lose the dynasty to Jews because not trusting and betraying family will be a hostile lesson to have to learn from the opposite perspective whilst still incarnate. In short, what he’s done to Harry and Meghan is likely to be returned to him via his son’s Jewish wife. Never should one be surprised by the staggering stupidity of anti-Black racist Whites.

Sam Waley Cohen

With inner circle stalwarts like Sam Waley Cohen, why else do you think there has been this global attack on Meghan, demonising her and making her the most hated Black woman in history as the Fleet Street abattoirs do as directed from the Bourbon bastard and his handlers? Meghan has been lynched like no other Black person in history as those who matter fiercely show their fealty to the future Sovereign William whose prejudice against Blacks is both readily discernible and documented. The threat of Meghan will be radically addressed with a course correction that will see the Windsors becoming a Jewish dynasty much as America’s visceral response to the effrontery of President Obama gave way to the biggest liar, buffoon, conman who proved the great White hope, though he was twice impeached and treasonously attempted a coup. So, too, will George’s Jewish spouse be seen as the second coming of Mary. Indeed, Charles and the Courtesan’s affair gave way to opportunistic King Juan Carlos, a Bourbon bastard and though not returning the kingdom to the Church of Rome, instead, delivers it up in hostile takeover to become the ultimate status of Jewish ascendancy. There will never be a single negative article about George’s Jewish Queen and the Fleet Street abattoirs will see to it that she is more loved and revered than HLM Queen Elizabeth II and all within a century of her long reign.

Hasidic Wedding

Oh my, wouldn’t that be just grand, King William V’s great-granddaughter and future sovereign’s wedding to an Orthodox Jew from one of the more conservative rabbinical families of Israel. Of course, unlike at the Sussexes wedding won’t anyone be openly ridiculing the ‘other’s’ quaint customs. This would be such sweet poetic karmic justice. As for the British tabloids, they will be most deferential to the ‘spiritually’ evolved new dynasty… so many duchies to invent.

All this because George’s father and mother, William and Catherine, are vile racists who did not want the most otiose of cushim in their midst. This probable future could not eventualise fast enough. Just like that, you lose the empire and will never get it back. Never again will the kingdom be ruled by wholesome blue-blooded protestants. Just as William has been most violently opposed to Black blood tainting the royal bloodlines, so too his handlers know that he is too damn stupid to realise that in a single generation, they are going to be able to wrestle and launch a hostile takeover of the United Kingdom’s monarchy, changing it for all time from a protestant dynasty begun by Tudor matriarch, Margaret Beaufort – now reincarnated as Meghan Markle – and changing it to Jewish dynasty with Rothschild interests as per the protestations of that blasted pussy, Ben Goldsmith.

Here were the Waleses in Los Angeles, in July 2011. This was part of their first royal tour that brought them to Canada to celebrate Canada Day, July 1, 2011. Then next they deplaned in Los Angeles where they were hosted by the Los Angeles wing of BAFTA. To date they still have not been on a royal tour to Kenya where the Prince of Wales proposed. As he is the president of BAFTA, both the Oscars and BAFTAs sneakily acquired a name change, becoming an international film awards. This enables the overwhelmingly aggressive awarding of an American acting award to Britons and for no other reasons as Hollywood is in the thrall of the Court of St. James where rubbing shoulders with aristocrats and royals is the ultimate sign of Hollywood exclusivity.

Legally, only a film festival can be open to actors from diverse countries to be eligible to be both nominated and win acting awards. The current arrangement of rebranding the Oscars international does not make it a film festival; thus, Britons are not eligible to be nominated nor win Oscars. Of course, like the diamond mining and trade in South Africa, Hollywood is not principally an Armenian industry. William as president of BAFTA ventured to Hollywood to serve the interests of British actors but chiefly, he was there at the request of the same diamond consortia who would push him to have Meghan removed from the royal family. You can take the titles all you want but you would also have to murder Harry, Meghan, Archie and Lilibet Diana to put an end to the threat they pose for being so senior in succession rank. Of course, such persons are perfectly capable of doing just that, in the meantime, they demonise the Black woman to make her and family’s elimination no surprise if it were to happen.

Just consider this, Meghan whilst a senior working royal never once wore a tiara, except at her wedding. That, I can assure you, had much to do with the power brokers who saw the Waleses lashing out and waging a campaign against Black Meghan being in the royal family. That cushim should not be allowed to wear a diamond-filled tiara. No better have the Waleses been than Orly Taitz, Tom Bower, Bethenny Frankel, Angela Levin in inciting anti-Black racism towards Meghan, Duchess of Sussex all for rising above her station. Needless to say, Princess Michael of Kent sported the blackamoor brooch as her show of solidarity with the Waleses and those Jews who were violently opposed to a Black being highly placed within the royal family. Just as Lady Susan Hussey could be removed then made to publicly apologised which was a real bit of White voodoo, so too, HLM Queen Elizabeth II ought to have stripped Princess Michael of Kent of her HRH title and had her publicly apologise to Meghan and Henry. Instead, the flat-arsed, racist snob was sat in the quire at the Sussexes’ royal wedding because The Queen will not be told what to do. Furthermore, as her cancerous immolation endured, The Queen tore her arse in the Sussexes’ faces by her antics at the Platinum Jubilee – seating at St. Paul’s Cathedral and being banned from the balcony at Trooping the Colour.

Back in mid-Autumn 1988 after Merlin had been hospitalised with his first bout of AIDS-related pneumocystis and suffered a punctured lung in the process, we were at dinner at his ‘folks’ as he lovingly called his journalist parents. Looking south out the dining room window at 36 Servington Crescent, where in summer you then got an unobstructed view of the lake dotted with egret-looking yachts, we lovingly admired the rain-blackened bark of the magnolia tree that Merlin had planted at age seven. That evening, his younger brother, with whom I enjoyed relations than can best be charitably described as hissing, thankfully was not present. Merlin’s mum always waited for his arrival before cooking dinner as he was a superior cook to her and it allowed them quality time together. As for me, I would go down to the basement and his father’s office where we would eat the best soft bread from a Lebanese bakery in the neighbourhood (Yonge Street). As Merlin pointed out, if my dad shares bread with you, you are family; this is something he also lovingly did on the occasions I attended their home when his writer colleague Pierre Berton was present – breads, breads, breads and more breads. Soon enough, talk turned to literature and writers and Barbara Amiel came up in conversation. Because of the stance she took with support of Apartheid South Africa, Merlin always dismissively referred to her as that Semite. As Merlin argued with his father, her inexcusable position was merely in support of the Jewish diamond cartel, he flatly stated. Merlin had stopped smoking Pall Mall cigarettes as they were connected to Apartheid South African and rigorously campaigned to have his friends stop smoking that and other South African owned brands of cigarettes. Needless to say, Amiel Black has chimed in on the Negro in the palace and you can bet she too disputes Meghan’s claim of racism as does Tom Bower. She nor anyone else Jewish will ever make mention of the blackamoor brooch incident as this is in keeping with Jewish denial that there is any such thing as anti-Black racism. More proof that the wagons have firmly encircled the Waleses and Prince George will have a lovely Jewish wedding, starting the shift of the kingdom from a protestant to a Jewish dynasty, which will never shift back to being protestant. Most of all, how dare that damn cushim, being more senior a royal than their engineered coup of having Sophie Winkleman marry into the royal family and to Princess Blackamoor Brooch’s son no less, which, I suppose, would make the BRF Jewish by proxy.

L to R: Me feeding a cat, actor Wayne Robson, Merlin’s brother, Merlin and his writer father in our Cabbagetown back garden, summer 1988.

In any event, Barbara is a prime example of why one should never take a position on someone and not back down. Long after Merlin’s passing, my position and I am confident Merlin’s, too, had he lived, considerably changed. I paid close attention to her spouse, Conrad Black’s trial in Chicago; I was much impressed how each day this woman got up, put her face on, elegantly strode into the court house past the world’s media and was never anything but dignified. Mr. Black did time but there is no need to have held stridently to former perceptions of her. After all, she attended a Rosedale dinner, here in Toronto, where Nelson Mandela was being feted. And that’s coming a long way after her positions in the Toronto Sun newspaper. In the end, she is wedded to the most brilliant intellect in the English-speaking world, if not the world, and for that, it would be juvenile to not admire the woman; she also happens to be a great writer in her own right. To spend a lifetime despising her for her position during Apartheid, ultimately is nothing more than ugly anti-Semitism.

If indeed Meghan were a bully and difficult, her character Rachel Zane on Suits would have been written out of the show within one season; Meghan lasted 7 seasons. There are multiple unions involved in all film and TV productions; you run afoul of anyone, the union gets involved and soon enough after investigations, you are outright fired or quietly written out of the production. Similarly, If Meghan were a kleptomaniac whilst working on Suits, merely for changing countries, she would remain a kleptomaniac in Britain. Meghan, HRH Duchess of Sussex has yet to be accused of having stolen the purloined Crown Jewels – though I would not put it past the fuckers.

What Meghan has dramatised to the entire world, is the damage to the psyche, indeed, the very soul of the island kingdom, that having been an enslaving, dehumanising, racist – architects of Apartheid – empire, Britons one and all have generationally suffered and become from Queen Elizabeth I through to Queen Elizabeth II to HRH Prince William, Prince of Wales. The latter’s second number of 9 (mindset) reveals him to be a bigot with an intense anti-Black racist animus.

Just look at this old fraud; she grabbed that handbag, the white gloves, the right brooch and hat, smiled and waved and the little old lady schtick only worked to her benefit. The longer she lived the more her façade dropped away, revealing her true unsightly visage. Knowing that William and Catherine were bigots, who refused to go on royal tours to predominantly Black commonwealth countries, The Queen readily approved the marriage of Henry and Meghan. After all, it would be a plus for her legacy to show how far the kingdom had come and all during her reign. Unfortunately, what she had not anticipated was the response of the Waleses; they knew that she had cancer and they wanted it made perfectly clear that they did not want Meghan within the royal family. Perhaps William saw this as his chance to avenge his mum’s murder by The Queen. In sacrificing Meghan, he was paying back a debt for his mum’s murder. The banishment of the Sussexes from the kingdom was William’s way of sabotaging The Queen’s legacy before she was dead and buried; of course, he knew damn well that the trusty Fleet Street Abattoirs would gladly blame that blasted cushim, Meghan, for Philip and Elizabeth’s deaths.

HLM Queen Elizabeth II Canker-Infested Legs May 2016, Before Harry Met Meghan

Just after her 90th birthday in 2016, HM Queen Elizabeth began showing signs of her emergent cancer with canker sores at the shins; this was long before Meghan appeared on the scene. Phillip just got tired of living a lie with the little garden gnome wife from whom for decades, he had been long estranged as everyone knew but chose not to see.

Catherine, HRH Princess of Wales Abandoning Tiara Etiquette in 2011 & 2022

Possessed as they both are of 9 in their numerological makeup, it means that William and Catherine can always be counted on to be difficult; in Catherine’s case a 9 energy body is the signature of the shit-disturber. There is a good reason why Catherine would have worn her hair down at her wedding; she was thumbing her nose at the tabloids and aristocracy, who objected to her marrying above her station and let her know it, going on a decade. It was subtle but it was not surprising for someone with an energy body of 9 and also someone marrying her task companion. She would be guaranteed to fight back. William likely did not know that she would wear her hair down and frankly he is so damn stupid that he probably paid no notice just as he did not know to remain stood in the carriage and assist his new wife in, until she was comfortably sat. Instead, he sat back to the horse, then sat properly never stood up and kept pushing away her wedding gown as she clearly sat too close to him – how could central casting have gotten this one so wrong, then again, there was a mix up in the coupling, if only Charles had done his honeymoon duties. HM The Queen who had been mentored by HM Queen Mary would have taken note of Catherine’s hair being down and not approved. One does not wear hair down when wearing a tiara… never. Going on a school run, shopping at Waitrose, yes. Just imagine if Meghan were to have done this at her wedding; of course, the campaign to remove the effrontery of her Black blood within the senior royal ranks meant that she was banished to her American homeland before having an opportunity to ever wear a tiara again.

Eh voilà, all the signs you ever needed, unless you are the blind, island kingdom cultists, who choose never to see beyond the fairy story, which got really idyllic and the Waleses the epitome of White supremacy and wholesomeness as soon as Meghan appeared at the ball. Thought they are lined up as per line of succession? There is though lots more at play in this photograph. Catherine walks a little behind and holding Louis’s hand, who does not hold his sister, Charlotte’s hand. William, though, is holding George’s hand who in turn is holding Charlotte’s.

Remember this spectacle. Little Damian Ainslie’s coming out. At no point, was he ever sat next to or held by his father, William, neither was he ever related to by Prince George as William’s firstborn is already well aware that William is not the bastard’s father. That explains why, William, in the Christmas 2022 family photograph, is not walking between both sons and holding either’s hand. Rather he is connected to George and Charlotte by handholding, who in turn are not holding hands with Louis/Damian and their mother, Catherine.

William simply has nothing to do with Louis, which is precisely why Louis acted out the way he did at the Jubilee celebrations and all that Catherine, who was down the way and not sat with Louis between her and William for comfort and anchoring him, could do, was sit there and take Louis’s abuse and sheepishly peer down at William from time to time. Instead, yet again he was sat apart from William, of whom he is likely terrified – his mindset of 9 would trigger operatic screaming which would leave Damian/Louis, who instinctually knows that William is not his father, ever fearful of the man who has clearly long ago rejected him. Indeed, during the Jubilee parade last June, 2022, Damian was sent to sit on his step-grandfather and soon to be king, HM King Charles III’s lap. Though William has his lovechild with Rose, Countess Rocksavage who cannot be explained away in public family outings, Catherine who was pregnant, could bring her lovechild with Ben Ainslie everywhere after all one would naturally assume that the child is William’s.

Charles & Diana’s Royal Wedding July 29, 1981

At the end of it all, William has been undeniably outed as the architect of the Kensington Palace leaks to the Fleet Street abattoirs against Meghan. Enough of him.

Harry & Meghan’s Royal Wedding May 19, 2018

Princely royal wedding day etiquette could not be clearer. The prince enters the carriage first and assists his wife’s entry into the carriage. This, of course, was the case for both Diana and Meghan, their chivalrous princes entered the carriage, is stood welcoming them inside and only after they are comfortably sat, is he rightly sat.

William & Catherine’s Royal Wedding April 29, 2011

No such luck when it comes to good old conceited and archly unaware Bourbon Billy. He gets into the carriage, sits rather than is stood there, not only does he improperly sits with back to horses and then shifts to the correct carriage seat, rather than is stood welcoming in his new wife to the carriage. Further, conceited Bourbon Billy thinks more of his Irish Guard’s uniform as he brushes off Catherine’s exquisite Alexander McQueen wedding gown off his uniform. Are we then surprised that as revealed by Harry, William is the controlling pain in the arse that his numerology betrays? Just look at him, eight times after Catherine was sat next to him, he edged away from her, fidgeted and acted as though she was sat much too close to him?

Lindsay Wallace & Peter Phillips Arrive by Carriage to Royal Ascot, 2022

Lindsay Wallace, 40, Scottish, divorced with two kids. Finalised in June 2021, Peter Phillips was now free to pursue Lindsay, whose Scottish father is a multimillionaire oilman. Lindsay attended Gordonstoun with Peter’s sister, Zara Tindall. She is in the family fold. Why, though, when she is neither fiancée nor wife did she arrive on day one of Royal Ascot 2022 with the then Cambridges presiding. Of course, The Queen was then dying of cancer.

The soon-to-be Prince of Wales made a point of being sociable and engaging with Lindsay Wallace. Catherine also made a point of being engaging with Ms. Wallace in the royal box at Royal Ascot, 2022. There is no sense of Catherine or William being ill at ease in the presence of Lindsay. Is it because she is not a Yank, Black, nor intelligent therefore deemed a non-threat. The way that the then Cambridges behaved and socialised with Ms. Wallace, he being welcoming of Lindsay into the fold, validates how much the now Waleses were keen on freezing out Meghan. In light of what we learnt in the Netflix documentary and the Lady Susan Hussey and Jeremy Clarkson episodes, Meghan is way too good to be in any capacity associated with these snobbish racist asshats. William’s sucking up to Lindsay Wallace for being hyper wealthy, White and British illustrates how easy it will be for he and Catherine’s Jewish handlers to readily sway this man into having George marry into the faith and thereby lose the dynasty outright.

Courtesan Queen Holding Court at Mayfair’s Murano

As the Courtesan Queen does not give a damn, she entertained her courtiers at Mayfair’s Murano. What does she care about revealing her hand, she has gotten what she wanted by bullying it out of the cancer-stricken Misogynist Queen. She is Queen Consort, sorry, Courtesan Queen.

Courtesan Queen Hosting Vile Racists Who Have Been Open In Their Animus of Meghan, Duchess of Duchess

Mayfair’s Murano recently hosted members of the Courtesan Queen’s inner circle, which of course was a show of support after Netflix’s Harry & Meghan docuseries. Naturally, persons who have been most openly critical and racially predatory towards Meghan were in attendance, chief among them, Piers Morgan, Jeremy Clarkson and Judi Dench. Naturally, there were Jews present to the exclusion of East Indians, Chinese or Black Britons; Claudia Winkleman, Maureen Lipman. Additionally, also present were: Maggie Smith, Tess Daly, Chris Evans, Tom Parker Bowles, Tracey Emin, Hugh Bonneville.

Within 24 hours of their little kissy kissy boosh boosh, there appeared Jeremy Clarkson’s commentary in The Sun in which he fantasised about Meghan being paraded naked throughout each town of the kingdom and stoned with human faeces.

Classic Response from A Jew As Per BrandyBreath. Ignore It Of Course As Long As Its Blacks But Definitely Not if It Were Deemed Anti-Semitic.

This is not an apology, not that it matters. It is no business of Meghan’s or anyone Black what the fuck you think. You are racist scum. Go on, fuck off and crawl into your casket and rot in hell, with the Queen because we all know beyond the schtick, she was damn racist – the royal documentary of June 1969 irrefutably validates as much.

The sickness of some Whites: their every reaction to someone Black is instinctually negative, most are often never even aware that they are engaging in racially predatory unconscious bias. Trust me, your perceptions of us is just that, a symptom of your having been savagely enslaving during which time, you lost your humanity. We Blacks, I can assure you, do not care anymore than we either care or need to go lay in the Sun to look good.

How Gullible Do These People Look to Those Eager to Usurp the Crown Jewels via Prince George’s Marriage?

4 days and counting and there has been not a single word form the Courtesan Queen, Tampax King, Peggalicious Bourbon Billy and partially animated Sodden Cardboard. Why am I not surprised? Of course, in a move never indulged by his predecessor, Tampax King released a message on the eve of Chanukah; twenty years and counting down indeed.

Courtesan Queen Deplanes In Edinburgh and Rudely Abandons Protocol and Retires to Limousine

From deliberately ignoring tiara etiquette to doing as one damn well pleases. Obviously, the Courtesan Queen was relieved that the Misogynist Queen finally got off the stage. Don’t you worry, just pray that you predecease the Tampax King or else you will be muzzled and crop-whipped by Catherine as well she damn well ought to. Seabiscuit aka Courtesan Queen it was, who had driven Catherine from the palace, thereby causing a break in William and Catherine’s decade-long courtship. Just look at this blasted shrew snubbing Nicola Sturgeon – who yes is a pill and half – to go sit in the limousine whilst The Late Queen’s body was not yet returned to London.

Prissy Presented At Court

In Meghan, the Waleses and the Courtesan Queen otherwise known as Seabiscuit – who clearly stormed free of the Windsor stables – were expecting to have their very own Prissy in their midst, instead they got a forthright, self-made, intelligent, articulate woman, all the things that mumbling, social climbing boor, Catherine is not. Once removed from court, though the tabloids defamed Meghan’s character no end, the royals have managed to do themselves in rather handsomely. Indeed, the grave you did for others will be the one you fall into. Meghan took a look and thought the gig absurd, they ravaged her as so many Blacks experience for being the lone Black entering into a White institution. Finally, Henry made the call and they walked. Bravo!

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Coeur de Loup Philipppe Lafontaine In Concert

After having just looked at episodes 4 through 6 of Meghan & Harry A Netflix Docuseries. Let’s just get up and shake our ass and remove ourselves from all that dross that is the House of Windsor – Victorian Misogynist, Tampax King, Seabiscuit aka Courtesan Queen, Peggalicious and Catherine with her lovechild, Damian, with Big Ben. When living in Montréal for seven years what made an otherwise hellish work experience tolerable, was the music that ensouls the nation’s distinctly unique culture. From Isabelle Boulay, to Lara Fabian, Mitsou, Patricia Kaas and, of course, Céline Dion plus so many others. Indeed, until you’ve lived in Québec, you do not truly get the soul of Canada, just as it is also imperative that you explore and appreciate the culture of First Nations peoples.

L to R: Lilibet Diana, Henry, Archie & Meghan

Bravely and rather admirably, the Sussexes have told their story. Most of all, as if I had not been intermittently crying but as the closing credits of episode 6 began rolling, the music was Nancy Wilson singing “How Glad I AM.” This is the very same Jazz music chosen for this blog’s last post dated, December 2, 2022, 6 days before the first 3 episodes of Netflix’s Harry & Meghan dropped. I was immediately reminded how I was compelled to feverishly pen the blog on November 15, 2021, a day after HM King Charles III’s birthday as the most lucid astral plane dream was dreamt the day prior, November 13, 2021. There was no mistaking the fact that the dream presaged HM Queen Elizabeth II’s death in the coming year; for this reason, I simply had to write the blog so that after the fact, no one could roll their eyes, if I were to have chosen to share the dream after The Queen’s passing in September 2022.

Tyler Perry 13. 9. 1969 Rooster 4. 4. 2 = 1

Truly, Tyler Perry is a Prince among mere titled reborn bigots who are nothing more than stewards of an ancient dynasty. Too bad though that Prince William and Catherine, Princess of Wales are on the cusp of woefully undoing six hundred years of Protestantism all because of their blind bigotry. Serves them right too.

The most memorable Nancy Wilson Jazz performance, I enjoyed in winter 1993 when Milan Newcombe and I flew into New York City for the weekend, to attend the Blue Note Jazz Club concert. Milan lived in a magical loft on Spadina Avenue in Kensington Market. He was adorably eccentric rather than crazy – who needs the drama? He was 10.5 inches of intense powerful sex. Though I rarely bottom, I most definitely never bottom for any cock less than 9.5 inches. Milan and I had spent a glorious weekend in May 1992 in Montréal where we attended the 350th anniversary of the founding of the city. I spent the evening walking the city streets where the night time parade coursed down Boulevard St. Laurent, the city’s main drag. Milan that afternoon had decided that we had to attend the parade in masks and costumes, all of which we found at a costume shop at St. Laurent and rue Ontario Est. He insisted and as he was such an exciting lover, for the first time, I wore six-inch black patent leather Bally talons hauts (high heels) thus giving birth to at least a dozen of my known 72 personalities – this an aunt declared of me on a visit to Nevis; the wife of an uncle whom no one liked, she was without pretentions and ready to set the record straight on everything – she was great fun and we got on riotously well.

We sat close to the stage and dined on delicious fare. I had a bit too much Cointreau but as ever, Nancy’s performance was sublime. On our return to Toronto, though Milan’s music library exceeded 1000 recordings and spanned 3.5 centuries – most of it harpsichord recordings and yes he did have a harpsichord, which he played nightly after noisily ploughing me into sweet surrender – we listened to Nancy’s recording of How Glad I Am. Indeed, I had introduced Milan to Jazz, which he voraciously explored, listening to various recordings late into the night. Naturally, he was smitten with Oscar Peterson whose trio we caught one cold wintry evening on Bloor Street West, in Yorkville’s Bermuda Onion. On occasion, Milan managed to play some of Oscar’s recordings on his marvellously magical harpsichord, late at night in his purple-interiored salon lit throughout by candlelight.

Oscar Peterson Trio Live in Denmark 1964

C Jam Blues

Oscar Peterson – Piano

Ray Brown – Bass

Ed Thigpen – Drums

Listen to you, talking shit about Jazz has its roots in Klezmer; then again that gold and diamond thieves are liars should come as no surprise. Jazz is the music of the people whom though enslaved – one continues to make money off (Meghan by way of peddling anti-Black racism) – openly revile, hate and vilify, our spirit remains indomitable. We are a people whose spirit you’ll never break because Jazz, like all great art, cannot be mined from veins of vile, racist hatefulness.

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As ever, Life is like a flying dream; if you look down, you’re fucked. Enjoy the ride and fear no one!

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©2013-2025 Arvin da Brgha. All Rights Reserved.

Jessye Norman & Glenn Gould.

GGPrize

As I work 7 days a week, I was debating whether or not to attend the Twelfth Glenn Gould Prize Gala at the Four Seasons Centre for the Performing Arts.  That morning en route home from some errands, I discovered that someone had jumped from a neighbourhood condo.  I got in and realised that there was no more feet-dragging; to hell with being dog-tired.  I got on the phone and called up Lucian Mann-Chomedy and said, “My darling, we are going to the Jessye Norman Gala!”  As ever, always positive, Lucian chimed in, “Oh my, oh yes, how lovely.  Well, I’ll be both honoured and delighted.”  Indeed, life is for living!  

glenn gould

Merlin and I met Friday, October 1, 1982 in a Hell’s Kitchen Walk-up, the following Monday evening, on his return to Toronto, Merlin called up crying.  The man whom he had spent so much of our first evening together speaking of, had died; Glenn Gould had died.  For the seven years that we were together, Merlin listened to Glenn Gould’s interpretation of J. S. Bach’s Goldberg Variations at least thrice weekly.  Indeed, the first gift I purchased Merlin, was a recently released recording of the Goldberg Variations at Christmas 1982: I think that it is safe to say that that gift sealed the deal, I was a keeper for sure.  

GGPrize3

As I had waited until the last minute to get seats, I was sat in Ring 4 rather than the usual Ring 3.  This, alas, was my view of the stage and of course, the butterflies are from the set for Atom Egoyan’s masterful staging of Mozart’s Cosi Fan Tutte, which the moment I saw the set, I began chuckling to Lucian on recall of Tracy Dahl’s unsurpassed performance as Despina.  

GGPrize2

As I was too busy trying to throw something together for Instagram, I was heard gasping when it was announced that the head of the Glenn Gould Foundation’s Jury this twelfth prize was none other than the actor, Viggo Mortensen, who then walked out onto stage.  He, indeed, who in a few days time will be attending the Governors Ball where he may or may not be holding an Oscar.  

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Out onto the stage arrived the Twelfth Prize Laureate, Jessye Norman.  Truly, it was a shock to the very core to see Madame being ushered out in a wheelchair.   Suddenly, I was reminded of the events of earlier which caused me to rush home and purchase two tickets for the event.  That aside, there was no greater joy than drinking of her soul’s inspiring beauty.  

This beautiful gala was so filled with touchstones for me, none more so than the moment that bass baritone, Ryan Speedo Green was in full song.  When he sang, “Aprite un po’ quegli occhi” from Wolfgang A. Mozart’s Le Nozze di Figaro.  

Yes, indeed, this marvellous aria’s orchestration included a harpsichord.  Straight away, I was teary-eyed as memories of the truly eccentric and delightful Milan Newcombe readily surfaced; Milan will ever remain a lover like no other.  

Elektra2

During the intermission, I ran into two old friends not seen in at least 1.5 decades; we spoke of nothing but our surprise at Ms. Norman’s entrance.  Life really does march full speed ahead.  

After the intermission, it was the announcement of the Glenn Gould Foundation’s Progidy Prize with the recipient being none other than, Cécile McLorin-Salvant, the most fabulous Jazz singer on the planet.  Is this not an evening to remember during Black History Month indeed.  

This stunningly unforgettable gala was closed out by the final recitalist being the divinely gifted soprano and Glenn Gould Foundation Prize juror, Sondra Radvanovsky in full song, singing Verdi.  

The gala concluded with Ms. Norman returning to the stage and singing a duet with Cécile McLorin-Salvant.  This was a moving, emotionally intense evening and my life was greatly enriched for having chosen to attend.  The gala was nothing short of magical.  

GGPrize5

As a tribute to this marvellous evening in the theatre, I will include herein two dreams, which were originally audio-cassette-recorded in the 1990s.  Before each deam, one of Glenn Gould, the other Jessye Norman, I will include each individual’s Michael Overleaves.  

GG

Gould, Glenn Herbert 25/9/32 – 4/10/82, Toronto

This fragment was a sixth level mature artisan in the repression mode, with a goal of growth, an idealist in the moving part of intellectual centre.
He had a Mercury/Saturn body type.

Glenn’s primary chief feature was self-destruction with a secondary of arrogance.

Glenn was third-cast in his cadence and his cadence is fourth in the greater cadence. He is a member of entity four, cadre five, greater cadre 17, pod/node 819.

This fragment has an artisan essence twin who was alive during Glenn’s life but there were no plans to meet. This fragment is still incarnate on the physical plane.

The fragment who was Glenn has a scholar task companion, who was in a previous life, Carl Philip Emmanuel Bach. They were not incarnate at the same time.

However, the fragment who was Glenn was exerting considerable influence on Carl Philip Emmanuel.

These two fragments had many lives together, once as luthiers, three times as court musicians, nine times as brothers of the cloth, twice as brothers in the flesh, as well as completing several important life monads, including student/mentor and master/slave.

In the immediate past life, the fragment who was Glenn had as his three primary needs: security, communion and exchange. Only the first of these was ever even partially satisfied.

So here we had a warrior-cast artisan who had seriously conflicting overleaves and a primary chief feature of self-destruction. He had a goal of growth but a repression mode which would not allow him to flourish.

He had a need for communion, but was sexually ambivalent and socially inept. Undeniably, he had great talent but took no pleasure from performing in public.

This fragment has a great deal of scholar energy that was used in the immediate past life to enable Glenn Herbert to painstakingly examine and interpret the works of Johann Sebastian Bach.

He was very interested in form and structure for all of his adult life. This fragment was, unfortunately, the victim of a severe obsessive-compulsive disorder, also for all of his adult life, which worsened considerably during his third and fourth decades.

This fragment did not, as popular wisdom teaches, retire from public life because of any strong beliefs in the recording industry. Glenn Herbert retired from public life because he could no longer bear to be in crowds, even if he was distanced by a proscenium.

Needless to say, this fragment did not complete work on his fourth internal monad.  

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A Glenn Gould

Astral Plane Glenn Gould Recital!

Nothing is more uplifting than finding oneself at a great musical performance on the astral plane.  This dream was about being richly inspired and by Glenn Herbert Gould, no less; it was truly marvellous an adventure for the spirit.

The dream occurred, on Tuesday, October 6, 1992, whilst the Moon transited both Aquarius and my ninth house.

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I am in France where I leisurely browsed through a store; perhaps, it was somewhere in Paris.  It seemed here like at nighttime.  Whilst in one corner of the store, I noticed that there were all these big slabs of cheese in packaged containers.

There was a woman coordinating the display of the cheeses.  Sometimes the cheese was being grated and other times not.  There and then, I decided that I was going to buy one slab of the cheese that was packaged in a rectangular box.

The cheese was about an inch thick and about eight inches long.  The cardboard box that it was in was white and almost like the size of a box of Cream of Wheat.

Surprisingly, the box was rather heavy.  Though not unlike cheddar, it was a dark cheese.  The smell of this cheese was really hard – quite the bite to it.

It had seemingly been opened for too long as parts of it was growing hardened and turning colour.  I knew straight off the bat that I wanted to have some to take home with me.

So, off I went to purchase the slab that I liked.  Everyone here was, of course, speaking French which I quite so understood and liked.  Interestingly, I too was speaking very competently in French.

It was obvious that I was not too heavily accented as the others were pleasant-enough with me.

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The second dream had me leaving the store; I then found myself hovering in the air.  Whilst in flight, I went into a building which had a green – oxidised-copper – roof.  It was part of a long set of buildings that had very, very tall stone chimneys.

These were chimneys that were not unlike the ones at the Palais du Louvre.  As a matter of fact, the building was similar to the Canadian Parliament buildings though it was not those buildings.

This complex was considerably longer.  These were a series of complex buildings.  Here, I was easily thirty storeys up whilst in flight.  I looked down at the complex which at maximum could not have been more than five storeys tall.

After having contemplatively observed the complex for awhile, I began very slowly gliding down through the air.  I intently studied a procession of persons, way below, who were bailing out of very large buses; they were, as a matter of fact, tour buses.

This was all happening in a courtyard-like area and away from the bustle of the street.  I next noticed some men who appeared; they seemed, in their long, flowing white robes, to be priests.

They were not Arabic or Muslims in caftans; rather, they were definitely Whites.  The buildings here were long on the order of Palais Richelieu in Paris.  When I finally alighted, we had to go through this incredible entrance.

This led into a wonderful sandstone building; it was very modern with a neo-classical design.  On the order of being imposing, the door to this place was massive.  They seemed to be the doors to a temple.

To get to the entrance, there were many steps which one had to climb.  On entering, off to the right, there was a passage that one could take.

An aisle led along another passage; it seemed illumined by a skylight.  The priestly men had all entered before me.  They preceded a procession of adherents who had come to partake of some ritual.

I had gone to explore, off to the left, because it was the wing of the building that had reminded me of the Palais du Louvre.  Going there, I wandered about being fascinated by the place.

Some women were posing for artists in this particular wing.  They wore modern garb but were very exceptionally beautiful.  What was most intriguing about their look was that it was exactly as they would have appeared on the finished canvases.

They were very nubile young women; they had to hold their poses for interminably long periods.  Here several kids kept on going through the place; they were seemingly art students.

They were all very North American, middle class with their loud, snobbish bourgeois affectations.  Right away, it was obvious that all the muses were still virgins.

Theirs was an innocence that could never be affected.  They were all teenage girls whose bodies were very voluptuous and full.  These were not skinny people at all.

There was one point at which one girl was holding different poses.  Each girl would be painted by from three-to-five artists, at a time.  Thus every pose would be captured from different perspectives.

At one point, they told her to take a break; they then reverted back to an earlier pose.  This was so that they could return to that work and put some more work into finishing it up.

When she changed the pose, she had also turned some 180 degrees.  This particular model, whom I was studying, wore socks with Oriental-looking sandals.

Inside her socks she kept little items of hers.  Whilst she was making the transition, she simply reached up her foot and pulled up her right leg to reach down into the socks.

Hers was a pair of blue-coloured socks – pale blue.  To just above the ankles was the extent to which the socks rose.  Looking at her, she took out something from about her ankle which looked like a wafer.

Not the least bit self-conscious, she ate it at once; it seemed like a chocolate wafer which she favoured.  She seemingly needed it to get an energy boost so that she could stay focussed on the tedious work that she did.

After having found it all very interesting, I moved on sufficiently knowledgeable of the goings on here.  Walking along a corridor, I ended up going into a room where everyone was very strange.

A guy there was a lot like Galen Shim – my very beautiful, Hong Kong-born, Eurasian friend.  He reclined on a bed with his head close to the door.  When I came in, I noticed that he was naked.  When giving him a massage, I began by oiling his body.

It was quite fragrant oil.  Rubbing down his body, I began working on his toes and feet.  Afterwards, I got up to leave but he very silently began coming with me.

So out we went and joined the procession of persons; among them this time were several kids.  Mostly, they were teenagers – amongst whom I did not want to be.

Galen or the guy who seemed like him, here the guy was not wearing glasses as before nor would Galen for that matter, and I kept walking through the place.  Pretty soon, after we had left the noisy kids, we started hearing the most beautiful music.

This was one of the rare times that I found the music of the pipe organ to be beautiful.  Within the complex, we happened on this wonderful cathedral inside which were most of the people from the procession.

On entering the structure, it seemed more like a concert hall.  We soon learnt that the hall was specifically built so that only Johannes Sebastian Bach’s music could be played there.

Never before had I heard classical music sound so beautiful.  We stood there transfixed whilst listening together.  Who then should I notice way at the front of the hall, at the pipe organ that sat high on the dais-like stage, but Glenn Gould.  I could see his right profile as if in close-up.

My god, this was rapture and then some.  He was playing with such rapt abandon that I steadied myself and whispered more to myself than to Galen,

“My god, what an incredible dream to be having…”

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There seemed to be a skylight on the side of the high-ceilinged nave.  Instead of there being stained glass windows, windows for that matter, there was only intense light raining down through what seemed to be a skylight system.

The centre of the halved skylight was a wonderful neoclassical, oxidised, copper-looking, greenish flying buttress.  Here the look, though modern, was more in the style of Islamic mosques or even Moorish architecture rather than the classic Gothic signatures.

A series of the most intricate and complex circles intertwined, like some riotous jungle vine, in the cathedral-like, concert hall’s stonework.  Breathtakingly beautiful it was.  I stood there, just inside the entrance to the hall, on the left of the wide aisle.

This was a very wide-bodied structure.  As you progressed down the aisle, there were different levels where one could go up and sit.  These were either on the right or left.  The central aisle was covered by the most beautifully designed red carpet.

This place was considerably wider than Notre Dame Cathedral.  Unlike the Parisian Gothic structure, it was not a darkened affair.  Here it was very intensely bright out.  The light coming in on the right and left side of the flying buttress-like, central girder fell through a slightly frosted glass.

The light was an intense – almost aquatic – blue.  Interestingly, there were no beams or columns, supporting the unusual central, flying buttress-like beam.  For looking at the light, one became slightly languorous.  I felt paralysed with pleasure; there before me, down the massive hall, sat Glenn Gould.

He wore the most thick-fabricked garb; it seemed from an earlier age.  All the men in the white gowns were up at the front.  They were all transfixed – as well they should have been.

Though I love Johannes Sebastian Bach, at the time, I had some reservations as I am not especially fond of pipe organs.  I suppose that it is because it has always had too many religious associations during my childhood.

The persons attending the concert were there simply to recharge their batteries.  They seemed, all of them, as if not quite in their bodies for being so transfixed – they were otherwise-engaged.

Eerily, I had a sense that these were all persons who were between lives as is Glenn Gould.  They were in a form of processing, a form of deep meditation on the order of sleep, as they prepared for the next incarnation.

This fugue was the most complex music imaginable.  Indeed, the music seemed designed for those between lives.  The fugue was composed for astral plane habitués who, sans bodies, could best endure the music’s intensity.

Getting a sense that I really shouldn’t be there, plus the fact that I finally couldn’t get into the pipe organ, I started taking my leave of the place.

Galen, or the person who seemed a lot like him, and I then went out front.  There we waited for the specific tour buses to show up and take us away.  Whilst I waited with Galen, or the person who seemed a lot like him, I was joined by Pandora.

It seemed that most of the people who were here were very young-souled.  They seemed to be on a pilgrimage, like visiting the original Gohonzon in Japan or going on the Hajj, at Mecca.

As the pipe organ played, I could hear in the tone of the place a faint whisper from the men in white robes.  Their thoughts, it turned out, could be telepathically heard.  Even earlier, when I had been hovering in flight high above the complex, I knew that this was more so a political institution rather than not.

This was a structure which was just as colossal as the temple at Karnak and considerably older.  This place was mind-bogglingly complex and massive.  The temple was posited directly in the centre of it all.

Just like La Chapelle in Paris is comparably dwarfed, by its surroundings, so too the massive concert hall-like temple was dwarfed by the complex.  This architectural marvel was simply soul-inspiring.

Whilst all the buses were waiting, I took to one of the buses with Pandora.  I had gotten impatient waiting to be assigned to one.  We spoke in French because everyone else here did the same.

This was not unlike a Parisian bus – the seats all faced each other.  Seated close to the front, we were on the left side of the aisle behind the driver.

As though getting close to Saint-Sulpice Métro, I got up and said goodbye to Pandora.  I wanted to get off there then walk back to her rue de Grenelle apartment.

Pandora planned to go out then come home later so had asked me to wait for her at her place.  Here it seemed as if nighttime coming on to dawn.

Speaking guardedly in French, I made sure that I was speaking properly and not just fumbling partout.  Really, I rather enjoyed this experience of being together with Pandora.

I was very serene enjoying the very beautiful experience.  Galen, or the person who seemed a lot like him, had silently slipped from my side when Pandora came and joined me.

*Of course, it would turn out that the person in question was Louka Duplessis and not Galen.  I would meet Louka, who accompanied me in this dream, the day following this dream.

Just prior to meeting for the first time, it is not uncommon for me to dream of persons.

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Jessye Norman

Norman, Jessye 15/9/45,  Georgia

Jessye is a first level old priest in the passion mode, with a goal of rejection – functioning for the most part in the positive pole of discrimination, a spiritualist, in the emotional part of intellectual centre.

She has a Jupiter/Saturn body type.

Jessye’s primary chief feature is arrogance, with a secondary of stubbornness.

This fragment was third-cast in her cadence and her cadence is fifth in the greater cadence.  She is a member of entity five, cadre six, greater cadre 33, pod/node 212.

She has a discarnate priest essence twin whom she did know earlier in this life but this fragment died in Vietnam.  She has a warrior task companion and they have worked together and continue to do so occasionally.

Her three primary needs are: freedom, expression and power.

The warrior energy gives Jessye tremendous organisational powers and her stubbornness has enabled her to stick in there when the going got very rough many times.

Jessye is a warrior-cast priest who has been a spiritual rebel in this life.  This is, by the way, not the first time this fragment has sung professionally.  This fragment was a well-known castrato in seventeenth century Italy and performed many times before the crowned heads of Europe.

Jessye has great need to serve her concept of the higher ideal and has done so admirably by combining the folk music of her people with her operatic repertoire.

She performs well, as do most entity five fragments.  This fragment has always enjoyed her work.  Singing has been an extension of her inner spirituality.  It is, in fact, a form of meditation for her.  

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Now that’s a Hollywood wife!

Jessye

These rather lucidly awakened dreams were experienced with an intense sense of wonder and joy, on Monday, July 2, 1990.  At the time, the Moon transited both Scorpio and my sixth house.

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This first dream found me in a very busy place.  When going south towards the Danforth, it was not unlike being on Broadview Ave.  It was at nighttime.  I came there and found that there were tons and tons of Black people.

Even so, it seemed like Toronto and at Broadview Subway station because there are all these streetcars there.  One of the streetcars was improperly parked, as a result, it was going to go and turn around.

Waiting for it to do what it had to do, there was another streetcar out in the street.  It was really more like a red-rocket streetcar.  It was not like one of the newer ones.

Everyone here was Black.  There were no Whites or other non-Blacks that I saw.  Everybody was in the street which was very jam-packed.  They were getting ready to cross, after the streetcar had passed, to go in.

There was now a system, where you paid your fare aboard the streetcar, so that you did not have to enter the front doors of the station on Broadview.

When you got aboard the streetcar, it was mandatory that you pay a fare.  So it did not matter whether you paid a fare at the proper entrance or not.  There were many people queuing up to get aboard a streetcar.

Passing these people who were seated there, I went through the proper entrance.  One of them seemed like Gabriella Vartan and they were talking about me.

I came around and began going down the steps, into the nether regions, en route to the trains.  There was this little old lady who was taking her time, holding up things, so I pushed her to my right.

I made my way down then had to go around taking another flight of stairs; I then kept on going.  There were a whole lot of levels to this subway system.

When I got down, there was this little cul-de-sac where there were these Black guys – homeboys – hanging out.  However, they were not Black American.

I found one of them very attractive and smiled at him.  He, however, was very homophobic.  He went running upstairs to go call the police on me.

The train then came into the subway and it was a very, very large train.  It towered very high to the ceiling.  It was like an Amtrak train which seemed like a double Decker train.  It was mostly silver, however, it turned out not to have been double Decker.

When it stopped, I began running full speed because I did not want the guy to come back and board the same car as me.  I ran to the front of the train only to find that one couldn’t board there.  Instead, one could only enter this train where the cars joined each other.

You could enter the front or backdoors of each car but not the front ones of the first car.  It was very sleek, round and Deco like a train from the 1930s.

The whole place did have a feel of the ‘30s to it.  It was very neo-Gothic like the Chrysler or McGraw-Hill buildings in New York City, or for that matter, even the Empire State Building.

It was reminiscent of very early in the twentieth century which was all about great architecture – of things being large, mammoth and spiralling upwards, too, things getting faster and faster.

That sense of adventure about the wonderful world of commerce that one had created.  It was that time when people had not yet begun to see, as we now know, the consequences of things being bigger and better and faster and all the effects on nature.

I got onto the train heading, again, towards the front.  Somehow, I felt relieved because I had lost the guy.  I was there and noticed a stout man who was either High-Yellow or, perhaps, even White.

The people here were very strange because they were just rather unusual.  Even though they looked White, they seemed more bronzish, actual bronze, than the pinkish tonality of the waking state.

This was not a place that I knew.  It was very otherworldly here, I soon realised.  I did not get a seat and as I stood there I then noticed a woman.  She was standing at the very front of the train.

The train progressed with unusual speeds, I immediately noticed.  When the train had shaken, the stout man had tried to brace himself by putting out his foot that was already out in the aisle.

In the process, he had stomped me and I had had to pull my foot out from under his and pushed his away.  He wore business attire, a suit and tie, as though en route to an office job.

The woman who was standing up was playing on a wooden flute-like instrument that was less than a foot long.  However, the thing about all this was that she had unusually short arms.

They were fully functional hands with tiny little fingers that nimbly danced over the valves of the wooden, wind instrument.  Her arms were like a Thalidomide-damaged child’s.

Then I noticed too that there were other people on the train, about three or four musicians, practicing as well.  I soon realised that everyone on board had some sort of physical deformity.

They were just ill-proportioned people with torsos that were too long or arms that were too short.  Arms too long or what have you, moreover, this also applied to the legs.

The most pronounced cases were always the musicians like the female flautist – two or three of the other musicians were male.

Someone else who was on the train began laughing and, out of nervousness, I joined in.  The person was laughing at the woman.  She, however, hadn’t paid them any mind.

Nobody else was paying people, who were laughing, any mind.  They did not see anything wrong with the people who were being laughed at.

I then got off the train and was out in this concourse area, where the trains arrived, before I went upstairs.  Before I would go upstairs I saw this child seated in the middle of this white blanket that seemed more like diaper material than flannel.

The child wore a salmon-coloured merino.  He had little, white, cloth diapers on.  The infant had, again, very unusually, unusually short, short legs that made it look almost like a child because it was seated upright on its bottom.

However, it had a very big torso – matured, such that the child seemed like a very big, big child for its age.  Its head was very large with a very developed large and soulful-looking face.

At the time it made me thing of Jake Hudson.  Jake does have a very large head and face.  I was trying to connect with him.  He reached out his short little arms, crying out and said,

“Dad, I want to go.”

There was this youngish man, who was blond like the child, and he seemed not unlike the guy Olaf Knight.  He picked up his son and used the blanket, on which the child sat, that had these straps and put him around his shoulder.

Like an African mother would, carry her child when in the fields, thus he was carried on his father’s back.  He walked off with the child, who was holding on to him, except that the child was really an adult male.

It was all very strange here in this otherworldly place.

I ended up coming upstairs and going out in the outdoors.  There were people here – again, mostly Black people.  I was talking to them when I heard the strains of Richard Strauss‘s Four Last Songs beginning.

I beamed and excused myself from the people, with whom I was interacting, and went running off up this plaza.  It was a clay-tiled plaza and when I got there, I saw the symphony. 

I went and sat in lotus position and sat very close to the front.  There was a gathering of persons in a semicircle and I was, as a matter of fact, the closest to the stage.

The stage was above on a dais and it was edged by old gold juniper.  The juniper was really, really nice and quite fragrant, refreshingly so, to the smell.

Along came, from around a corner walking, Jessye Norman – the high priestess herself.  She had been preceded by her divine voice’s magic.  She was, of course, singing Four Last Songs.

She wore a beautiful, beautiful, glistening black dress that seemed almost organic with a life of its own.  It was twinkling on and off but the lights were lifelike like fireflies.

They were sequins but they seemed, somehow, to be organic.  It had hues of gold, silver, bronze, and dark green hues like pine and blue hues like lapis lazuli.  It was very, very intensely rich a fabric.

She started singing the first song, Frühling, and it was very hauntingly beautiful.  She saw me and beamed down at me.  It was so connected between us.  I was so enthralled and overpowered; I was quite smitten by her.

I thought very rapturously awakened,

‘Yes!  I’m having a dream of Jessye Norman.  So very good to see her again, my god here she is and performing Four Last Songs.’

She then came almost to the lip of the stage and stopped as though about to sneeze.  Then she held her breath and started laughing because it was so hysterical.

The look on my face was one of being truly horrified for her.  This had actually caused her to crack up.  Then she began singing again and began making gestures for me to move or be removed.

I was stunned and thought this some sort of betrayal.

‘Why is she snubbing me like this?’ I wondered.

Then these two huge, burly guys came to eject me out of the area.  As I was leaving, I could hear her starting to sing again.  I was very, very upset.

Image result for large many floored steep roofed house

I was, in the second dream, in this large house that was a very many-storeyed place.  It had many apartments.  I came out and it had a very slanted roof that one could go out onto.  This roof was, however, very dangerously precipitous.

I was looking about and thinking of Carl Leroiderien because, somehow, someone was talking about him.  This White man was talking to me and telling me that Carl had been enquiring after me.

He then went on to ask me if I smoked dope which I denied.  I can’t think of it doing anything for me except, perhaps, to make me sneeze at the most.  Sometimes if mixed with hashish, I then got a massive headache.

“It doesn’t do anything for me, I don’t really like it.  I don’t see the point to it and I don’t smoke it.”

At the time that he was saying this, we were climbing some very, very steep stairs.  Then at that point, after she had given her performance, I encountered Jessye Norman again.  She was seated on a bench and called me over.

She said hello very warmly and apologised saying,

“I hope you weren’t upset.  You realise that it was a misunderstanding.  I wasn’t laughing at you; it’s just that you don’t seem to realise where you were.

“You were, well there are certain degrees of protocol and you were ahead of the dignitaries.

“And you shouldn’t have been so close to the stage because one of the reasons why your nose started bleeding was, in this dimension, if you’re this close to the stage… when I’m singing, when I hit certain notes it can shatter your eardrums but also shatter your mind.

“So you see it was very crucial that I get you out of there.  Also, I was having a very bad allergic reaction to the plants at the edge of the dais.  They made me want to sneeze.  It wasn’t at all you or exclusively you.”

In having embraced me thus, she was being most healing.  I did, in fact, have quite the nosebleed.  As I was being hustled out of the place, by the burly guards, it was then that I realised that my nose was bleeding.

At the time, I had thought it strange.  As this dream progressed very lucidly and linearly, there was no point at which either burly guard had so much as touched me.

I was so upset.  It was so very good, after the fact, to have had her explain as she did.

*This dream really does validate the notion that all persons encountered in the dreamtime, without exceptions, are separate entities and not figments of one’s imagination.  END.

When I was being bounced by her, I was so stunned, upset and humiliated.  Had she not explained as she had just done, I would have awakened from this dream with a totally different perception of events.

I had also no way of knowing that she was having an allergic reaction to the juniper which, at the time, I found so wonderfully soothing.  What’s more, I hadn’t a clue that I had thrown the Chi of the place by having disrespected protocol.

I would never have thought that my nosebleed was due to her singing.  In fact, it is possible that I could have awakened and not recalled that, indeed, I had had a nosebleed which I had totally forgotten until she had mentioned it.

Jessye Norman has indeed straddled, with great élan and diplomacy, many a dimension with great frequency and fluency.

I then began holding her hand and told her that there were times that I had dreams of her, in which there were sometimes cetacean-looking creatures that came and did formations around her as she sang hyper-dimensionally.

She was just enthralled and pleased.  She squeezed my hands and laughed a healthy, really wonderful laugh.  She was quite smitten by me and encouraged me to write it all down.

Her eyes here were so very large, soulfully dark and focussed right into me.  It gave me a high just to have experienced them.

I was wearing, when close to the stage, a satin merino-like shirt.  So at the time of being bounced out, I had passingly thought that I had been dressed too scantily for her liking.

In any event, it was quite interesting.

a madonna mtv 1990

This third dream was truly hysterical.  It seemed like on Eglinton Avenue East, between Yonge Street and Mount Pleasant Road.  It was at nighttime.  There was a lot of goings on.

Shirley MacLaine was there, Warren Beatty and Madonna Ciccone, as well.  Warren Beatty was the man of the hour and the centre of everybody’s attention.

He had a great deal of sexual energy and magnetism.  He had been performing for the camera and for everybody around.  It felt very staid to me though.

One very interesting thing that happened was that he had been heavily drinking and, whilst laughing, had bent forward.  He then began uncontrollably coughing and was holding his chest and faking a massive heart attack.

Next thing you knew, we were in a very crowded area and it turned out that he had not been faking the heart attack.  He had a very, massive, massive heart attack.

He was dead just like that.  He was gone within moments.  It was just incredible.  Shirley MacLaine became utterly hysterical.  Her bawling was like from some Greek tragedy.

She went into a trance-like frenzied state and began calling on astral guides and her Pleiadean guides.  Pulling out a very impressive clutch of crystals, she threw herself onto him and tried healing him of death.

She was placing them all over his body – at the chakras and elsewhere.  It was too humourous for words.

Meanwhile, as Warren Beatty died, Madonna came rushing up to the scene.  It had all been too late and they couldn’t rush him to a hospital.  There was no way that he could have been revived.

They had been out in some desert area having a big party; there were no doctors around.  There was nothing that they could do; he couldn’t be saved.  He was dead… he was gone.

Shirley MacLaine started cursing to the gods, saying,

“This is so unfair.

“He hasn’t even been able to make the sequel to Dick Tracy.  And right when he’s at the top of his career this is happening?”

“Well you know this will really immortalise him now.  Definitely, this is great publicity, right at this point in his career.” someone had dryly said who was not attached to his whole entourage.

I had heard this but Shirley MacLaine hadn’t heard it.  Madonna came and whatever she thought about I could telepathically hear it.  Her immediate response was,

‘Oh shit!  This is just going to fuck up my goddamn career.

‘If only I’d gotten a child by him.  Shit why did I have to have that abortion of his child.  Shit!’

She was thinking fast.  She was someone who knew how to manipulate the media.  She was really pissed off because it would have meant immediate Hollywood sainthood for her, were she to go on and have Warren Beatty’s only child, after he had tragically died.

She was really pissed off because this was media manipulation beyond her wildest schemes,

‘I’ve got to get him out of here.  I’ve got to have the best genetic engineers flown in immediately…’

I was stunned when I read her thoughts because, of course, she intended to harvest his seed and impregnate herself and then have a premature love child of Warren Beatty’s.

I was stunned by this woman’s phenomenal megalomania.

‘During the autopsy, I’ll have his sperm taken out and I’ll have it copyrighted.  It’ll be my possession.  I’ll have it engineered so that I’ll have a child… a son.  God we can even have twins…’

She, all the while, was cowering over his face… kissing him and doing the wailing widow number,

‘…Can you imagine, Madonna?’

She privately squealed to herself – unaware, of course, that she was broadcasting to someone like me.  She was so triumphant at having had that idea because all she knew was that people who so loved Warren Beatty would take to her now.

She was insecure as to whether or not she would endure through time.  However, with this, she knew that she would automatically become iconic.  She would become truly the virgin mother!

She would be actually giving birth to some dead man’s child – he of course being, Warren Beatty.  It was destiny.  After all, she was ‘the’ Madonna.

She had this flash that this was why she had always been so drawn to crucifixes.  She was going to capitalise on the whole drama by making sure that it would be a son.

Of course, not to be outdone by that old, other Holy Mother with the virgin birth, she would eclipse that Madonna by having twin sons.  Again, La Stupenda squealed with delight to herself.

I passingly wondered if I were the only one to be privy to her thoughts.  Then I realised that from my detachment, as everyone bawled and was truly horrified as though these were Olympians and not mere mortals, that I was the only one.

‘What could be better than having two Warren Beatty lookalikes crawling around the planet and who were his twins?  And his only heirs!  With today’s genetic engineering it will be a great coup.

‘Think of the press!  I’ll be guaranteed perpetual immortality.  I’ll be iconised for all history…’

I thought then and there,

‘My god, this woman is monstrous.’

In any event, the funeral was upon us and by some strange quirk of the dreamtime, I was very much so a part of the funeral.  I was as though a fly on the wall, as it were, and aren’t you lucky?

Why, was I participating?  I do not know?

In any event, I was dressed to the nines.  I had on a wonderful, lace outfit with a mantilla with my veil covering my face.  I was part, somehow, of the funeral party.

It turned out that Warren Beatty had had five wives and, at the point at which he died, his fifth wife was a High-Yellow woman.  She was part Black, part White, partly Latina.

He had had all these wives.  They had always been paid and kept to remain silent.  They were never brought out in the public or media.  It was one of Hollywood’s biggest secrets.

People, obviously, never knew about it.  It had never once been spoken about.  There was an interesting turn to all of this… I had been going along Eglinton East on the south side.  It was as though I was going towards Yonge Street; however, it was not Eglinton Avenue East.

Madonna was going to be late because, luckily, it was that time of the month for her.  She was off having herself impregnated, by way of a turkey baster, with Warren Beatty’s frozen sperm – the planet’s most expensively rare caviar fertiliser of sorts.

I was attending the funeral with a short woman who was the fifth wife’s mother.  She seemed a lot like Sybil Ben-Daniel and wore a brown coat over her dress.  I walked with my right arm embracing her as she was on my right.

I had burly bodyguards all about me, before, beside and behind me.  They were real Mossad-goon-cum-Wrestlemania types.  My pants were those flare-legged Giorgio Armanis that allowed me to stride throwing my legs.

There was a lot of train to them and I had such utter style.  I had enormous energies about me and great flare.  My eyes were bedazzling even though mantilla-veiled.

They were what were, of course, fuelling my high spirits.  The onlookers were lapping up my entrance; I felt wonderful.

We then went into the church and the mother was talking about,

“We want the money to go to the Church because the Church is really the staple of society and civilisation.  The Church does so much good.”

I just decided to let her babble on and kept my tongue in check.  However, I cussed her under my breath saying,

“You demented old fool.  What Church are you talking about?”

The church had a metallic-silver front and it looked not unlike York Cinemas on Eglinton Avenue East.  It was not a very big church on the inside.  As we got inside, I turned around and hissed at one of the bodyguards because he had earlier stepped on my train.

Of course, we were surrounded then by the paparazzi and the little people.  His Bigfoot’s footprint was there on the pant’s train.  I reached back and slapped his face real hard calling him a fucking asshole.

Of course, I knew that it was safe to do it here because everyone here knew, only too well, that side of me.  However, I couldn’t wreck my public image doing so outside.

As we got closer to the church, I began striding firmer with each step in anticipation of getting his oafish arse.  I was really careful not to show that side of me when in public.

I started going down the aisle and there at the end was Warren Beatty’s corpse in the open casket.  It was a pure black casket that glistened.  It was a dark black wood and a really gorgeous casket.

Escorting the mother-in-law, I came all the way down the aisle.  I decided that I would go into the first pew on the right.  The first pew on the left actually went further down the aisle and did go past the casket.

It held men in white flowing robes; they were priest of whatever denomination this was – very cream, ivory-coloured and obviously very Catholic.

I went and sat down and immediately behind me was the fifth wife’s family.  They were very Hispanic-looking more so than Black.  They were very handsome in that family.

I turned around and smiled at one of the men and the energies coming from them weren’t as I had expected – I had thought that they would hate me.

I knew Madonna; I was apparently part of her hangers on.  Somehow, I had known her through dance.  I thought that, for that association, they would hate me.  However, they displayed no such hostilities towards me.  

_001roses

Finally, the fifth wife came and was walking very slowly, regally.  She carried a globular bouquet consisting of tiny, little white roses that were sprinkled in amongst some baby’s breath.  There were one or two little red roses as well.

She wore a white, lace outfit.  Deliberately dressed as though attending her wedding, she was not though veiled.  She came down to the casket and knelt before it, like Jacqueline Kennedy-Onassis at the rotunda, staking her claim on history by her performance.

She sobbed in a controlled breath and then got up and walked around to the right end of the casket.  Facing the church, she was now behind it and up on the altar.  She was before the pews on the left side of the aisle.

She knelt down again and this time began wailing and ululating.  She was doing ritual port de bras with her torso and head as well.  She kept on holding on to the bouquet.

It was a very Latin; a very emotional display; definitely, not Jacqueline Kennedy-Onassis.  It was very soulful and moving.  One really felt for her.

Finally, Madonna made her entrance and began slowly progressing down the aisle.  There was utter silence in the place because everybody was thinking,

‘Oh dear, poor Madonna was slutting with Warren Beatty at the point of his death.  Here is the fifth wife and is she going to create a scene or not?’

Well, of course, she is.  The fifth wife is Latin so, of course, there will be theatre.

When the fifth wife had been crossing the casket, I took in her body which was very wide-beamed.  I knew then, in a flash, that she was pregnant with Warren Beatty’s child and four months pregnant.

It was clearly no Immaculate Conception as per Madonna’s little trick.  She was a very big-boned woman.  She got up when Madonna entered the church and stopped crying.

Madonna saw her and avoided her glance as I turned and watched this fascinating bit of theatre unfold.  Everyone was really excited at the potential fireworks about to go off.

She started coming down to confront Madonna.  I immediately and intuitively knew that there was a gun inside the bouquet that the fifth wife so firmly clutched.

Positioning the gun, the fifth wife began holding the bouquet to her stomach.  Madonna, staying her ground, kept on proudly walking down the aisle.

She wore black; it was an outfit that was not dissimilar to mine.  She wore a short veil and not a mantilla like I did.

She came walking down towards the casket staying closer to the left pews.  The fifth wife came around the right side of the casket and was walking down the right side of the aisle looking at Madonna.

She had a very, very vexed and determined – an almost trance-like, expression of self-absorption on her face.  All the energy in her body was directed at Madonna.

When she was about five feet away from Madonna, she held up the bouquet and callously said,

“I’m going to blow your fucking brains out!”

It was filled with so much venom that it reverberated throughout the very high-ceilinged-though-tiny church.  It was also very Gothic an interior.

Madonna stopped truly catatonically horrified.  You could see it beyond the veil.  She had no entourage or bodyguards.  She showed up alone, so confident was she of the coup that she had just scored at the geneticist’s.

She was so flustered that she gallantly stuttered back,

“I dare you…”

She was very nervous and said very quickly with a weak, little laugh.  She was also vamping à la Breathless Mahoney – the character she played in Warren Beatty’s Dick Tracy film.

She was, however, visibly ashen.  Madonna was visibly shaken with fear.

Those persons in the left pews automatically screamed out and crouched down for cover because the fifth wife had held up the bouquet in both her outstretched arms like the gun that it so obviously hid.

“Come on.  You wouldn’t want to do that.  That’s just stupid…” Madonna bravely said.

“…You can’t do that.  Besides Warren’s already dead.  What are you trying to prove?  You can’t do this to me!  Don’t be stupid.”

The woman, however, started slowly walking towards her not buying her bullshit.  At that, Madonna turned around and started to bolt and she fell down over her long-trained dress.

She had already made it to the back of the pews on the left.  She was much too vain, to run outside and possibly be murdered in front of the little people.  So she got up and began running around the far side of the pews.

Of course, as she ran away, the fifth wife could easily have shot her in the back.  Then Madonna got really pissed off, stopped against the far left wall of the church, holding out her palm at her attacker saying,

“Stop it!  You don’t want to do this.  This is stupid.  You can’t kill me.  I’m Madonna!”

She was just winded; the expression on her face was unbridled rage, fear, terror, chutzpah, all in one.  Then the fifth wife pulled the trigger, which was the only sound in the place, releasing the magazine.

Madonna cried out and began pleading with her.  It was truly a spectacle.  It was really pathetic.  The fifth wife then pulled on the trigger and there was a loud plopping sound.

Everybody just screamed and the place became flooded with blinding blue light.  It turned out to have been an older-model camera and the flashbulb from the camera as it went off.  

Image result for large old flashbulb paparazzi camera

At that, the fifth wife laughed this loud, truly callous, heavy-from-the-womb, ripe, wicked, vindictive, victorious-all-in-one laugh.  It echoed throughout the church.

When her echo collapsed, as Madonna stood there truly disempowered, the fifth wife uttered in a weary breath,

“I always said to Warren that you’re an ugly slut.  This picture will prove it.”

At that the fifth wife turned and came and sat down on the pew next to me.  Her Latina family members were just going wild clapping and hysterically shrieking.

Now that’s a Hollywood wife!

Poor Madonna was still standing there involuntarily shaking.  She was holding her chest and gasping for air like an asthmatic.  Her left hand placed on her chest, with her right hand holding on to the pew, thus she stayed her ground.

Although her hand was on her chest, she was being most clever.  However I knew that really where it should have been was at her pussy because what the fifth wife instinctively knew, as did I, was that she had just miscarried.  Madonna was profusely bleeding.

Poor Madonna was so humiliated.  The look on her face was truly sad; she was sweaty and runny-nosed.  She soon collapsed and had to be taken away.  Of course, she would be beaten out of having Warren Beatty’s heir by the fifth wife.

The whole thing was so funny and hysterical.  I was so stunned that the fifth wife was going to pull this stunt.  I really thought that it was a gun; I had, at least, gotten this flash that it was a gun.

The idea to have a bolt release, affecting a gun, was truly ingenious.  The picture turned out to be truly horrific.  It was all a joke being played on Madonna by Hollywood’s film elites who could not have cared less about her and her parvenu ambitions.

The whole affair was so very wickedly political.  The whole thing was so hysterical.  I wondered as to what next was going to happen.

Is the fifth wife going to come forward and produce the first Warren Beatty heir – the true child?  A child that would look like Warren Beatty – more like a child of the future being of multiracial heritage and a bronzed version of Warren Beatty would the fifth wife bear.

What then will she do about Madonna’s copyright of Warren Beatty’s sperm?  Will the fifth wife, for producing the heir, win the legal rights to them and have them destroyed if she chooses to?

Will this not, in fact, begin a Pop Religion rivalling the King, Elvis Presley’s, if Madonna had won custody of the sperm and gone on to impregnate herself and bear those miscarried twin sons because of her bonds to Warren Beatty and his two pseudo-virgin-birthed children – sons at that?

Truly, this is iconography for the new millennium, indeed.

*A very, very interesting dream.  Certainly, that I would be dreaming about these people is interesting enough.  I don’t pay much attention to any of them beyond the passing.

I had seen Dick Tracy three weeks ago.  That the whole thing would evolve the way it did was rather insightful.  I was totally surprised, as much so, as was Madonna in the church.

I really did think that she was going to be shot.  I thought that it would be so messy.

You know, I just did not want having anybody’s can’t-wash-out bloodstains on my Giorgio Armani pants.

A truly, truly funny dream this was.

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*What can I say, dreams are purely experiential.  I dream it and awaken, immediately bringing forth the dream experiences, committing those experiences to audio-cassette tapes. 

I rather enjoyed being alone and visiting with Jessye Norman in the earlier dream.  Clearly, those dreams were set on a parallel Earth in another dimension and one in which the mostly Black population is differently proportioned than we humans of waking state Earth are. 

On the eve of the Oscars, I thought this a fitting offering.  I could never have fathomed the outcome of the fifth wife’s agendum until it unfolded.  Ingenious, to say the least, was her use of the bouquet. 

As ever, sweet dreams and don’t forget to push off and start flying… and so what if you bump into a wall, just attempt doing so again and this time believe that you can effortless transcend the barrier.  Perception is, alas, everything. 

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As ever my dear sweet ennobled friends, I am ever grateful for your continued support.  Please do spread the word, far and wide about this happening dream joint on the cosmic wide web.  Always remember to push off and start flying… I love you more.  

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©2013-2025 Arvin da Brgha.  All Rights Reserved.