KARL LAGERFELD: A LINE OF BEAUTY. Met Gala 2023

Karl Lagerfeld, one of the most eccentric, creative geniuses of the 20th/21st centuries. This is a tribute to the Metropolitan Museum of Art’s Costume Institute Benefit, 2023. Who can forget the 90s each Saturday evening, watching Toronto’s Jeanne Beker on CityTV’s FT: Fashion Television. I always looked forward to any segment that featured the gloved, fast-talking eccentric with this fan and clipped laughter. His fashions are, of course, legendary and the Chanel suit was reborn with understated elegance thanks to him. What’s more, always in Lagerfeld’s orbit were exciting personalities and eccentrics like André Leon-Talley, Anna Piaggi, Baroness Amanda Harlech, Inès de La Fressange & the archly eccentric Isabella Blow.

This year, the Costume Institute’s Ball was co-chaired by Roger Federer, Penelope Cruz, Michaela Coel, Dua Lipa & Anna Wintour. Later this month, KARL LAGERFELD A LINE OF BEAUTY celebrates Lagerfeld’s reign as creative genius at Balmain, Patou, Chloé, Fendi & Chanel.

Yung Miami, I loved the theatricality of this costume. She carried it off handsomely, has a great personality and was escorted by the ever debonair, Diddy!

More fashion brands by the season, it would appear. Chi Ossé is a New York City Council member and his numerology suggests a lifetime in politics. I love the cut and tailoring of his bespoke attire.

Eddie Redmayne and his wife, Hannah Bagshawe are beautifully dressed; his suit’s detailing is elegantly understated and there is a lot of lines and textures going on with her Alexander McQueen, none of which outdoor each other.

Ariana DeBose though having won an Oscar for her explosive star turn in Steven Spielberg’s remark of West Side Story, earned herself no end of scorn for turning up at the 2023 BAFTA Awards and turning her performance into some ‘woke, hip hop, American affair. When are Americans going to dispense with Britons and their stinking sphinctered condescension. Beautiful gown. Love her style.

Vittoria Ceretti, is one of the next wave of catwalk goddesses strutting, vamping and leaving us all besotted. She is über chic and then some. Elegant.

Though previously ruled by the inimitable Karl Lagerfeld, Balmain is now the house of young creative genius, Olivier Rousteing. His creations are truly futuristic yet grounded in practicality, sensuality and function. Above all else, humour reigns.

New York City Ice Spice beautifully evokes Lagerfeld’s fluid style with the camera prop, which was definitely not in common use by the time of her reincarnation – whoever she last was. Love her curves and attitude. Elegant.

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Conan Gray’s existence was sheer mystery to me until he appeared, dripping of fluid style at the 2023 Met Gala. His fluidity and fan are marvellous odes to Lagerfeld, indeed.

This devastatingly handsome, phenomenally multifaceted performer, Jeremy Pope, is a joy to behold whether onscreen or onstage. Here’s to the next generation’s of sexy leading man. The Costume Institute’s ball is a theatrical event, who better to bring be this year’s showstopper. Ingenious creativity on the part of Olivier Rousteing yet again.

Usher chose to highlight the designs of a young African-American designer. As ever, he looks suave, cool and as sophisticated as crooners before him: Teddy Pendergrass, Barry White and Marvin Gaye.

Emily Adams Bode, fashion designer and next generation industry superstar. She is ethereally elegant in this pale yellow design.

Toronto Born fashion designer and activist, Aurora James, is elegant, understated; she brought some Canadian content to the Costume Institute Ball, 2023.

Isabelle Boemeke aka Isotope, young nuclear clean energy activist also attended the ball.

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Dynamic American photographer, Tyler Mitchell was stylishly elegant in an eclectic design by Bode.

Los Angeles Clippers basketball star, Russell Westbrook arrived in a colourful but subdued, was part of the collection of athletes in attendance.

NFL championship quarterback Patrick Mahomes and his wife, Brittany arrived outfitted in BOSS designs.

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Coming on strong, the devastatingly dashing Italian tennis player, Matteo Berrettini serves up nothing but aces in this superb Boss suit.

Columbian heartthrob, singer, entertainer, Maluma turned out looking elegantly fluid in this Boss ensemble. I still do not get the appeal of tattoos but there you have it.

What would a costume ball be without Queens turning up and boy does Mary J. Blige deliver show stopping theatrical style.

The riveting actor, Jodie Comer turned up kitted in Burberry and looking every bit the thespian.

British born, BAFTA award winning actor, Naomi Ackie seems to have been the only attendee whose Burberry outfit was not the current deep dark blue and black schemata.

British model, Liberty Ross and her American music producer husband, Jimmy Iovine showed up rockign Burberry.

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BAFTA Award winner for best supporting actor, 2023, Barry McKeoghan came through wearing the blue and black Burberry of the season.

Burna Boy, one of three African kings rolled up in Burberry.

Up next, Skepta full of style and swagger as ever.

Completing the troika, the most dynamically charismatic Stormzy, the third of the African kings.

A man of exceeding charm and cool, Dr. Dre rounds out the Burberry brigade.

Britney Griner & Cherelle Griner were delightful – so glad her adventure turned out handsomely – Both were rocking bespoke Calvin Klein.

African model, Adut Akech brings her warm beauty to the proceedings, owning her Carolina Herrera gown.

Anna Wintour & Bill Nighy walk the red carpet at the Costume Ball.

Andy Roddick & Brooklyn Decker; she is pitch perfect… lovely.

Angéle, Belgian singer, goes for an edgier more avant-garde approach; it works.

Film producer, Fabiola Beracasa Beckman’s approach was mature and elegant.

The Brazilian amazon, Gisele Bündchen, went for a gorgeous vintage Chanel affair that did not disappoint.

Eaddy Kiernan Bunzel’s, Vogue contributing editor, approach was sleek, elegant and it came together beautifully. Gotta love those shoes!

The One! The Icon! Queen. Naomi pulled out another vintage design; She was stunning…. but of course.

TV producer and philanthropist, Christine Chiu, handsomely pulled out all the stops! #BAM

Seemingly, a funny thing happened on the way to the ball for Marion Cotillard… The hair? Whatever.

Bollywood meets little red riding hood and who else but powerhouse, co-chair Penelope Cruz can winningly pull this look off. Fabulous!

I am reminded of Irina Shayk’s leather outfit at last year’s Met Gala by Lily James’s black leather ball gown. Wow!

Chameleon Nicole Kidman wore the dress that featured in her Chanel perfume ad back in the naughties directed by Bazz Luhrmann. As ever, stylish, cool and elegant.

Korean singer/rapper Jennie Kim went for a edgy girly/sex kitten look. Cool!

Everybody’s Queen, living her best life and proving an inimitable inspiration to us all. Lizzo rocks the glamour of Chanel pearls and comes up winning as always.

Another co-chair, Dua Lipa, opted for Chanel and it worked beautifully. One very stunning woman and look at that Tiffany & Co necklace.

Baroness Dambisa Moyo was elegant in a Chanel with colours that a reminiscent of African fabrics. Elegant.

90s catwalk Queen, Carolyn Murphy came out rocking that amazing yellow, layered tulle affair. Her presence brought back some sweet memories of the 90s.

Canadian actor, Whitney Peak, magically pulled off the bejewelled flapper decked in tulle and diaphanous cloud of white. She was a dreamy vision of beauty.

Gossip Girl castmate of Whitney’s, Margaret Qualley, nicely pulled off the ballet ribbons and short cocktail dress, even at the Met Gala it worked beautifully.

The most exciting actor of her generation, Margot Robbie always seems on the cusp of explosive, infectious laughter. Elegant. Sophisticated.

Lauren Santo Domingo, maverick, editor and philanthropist was coolly elegant, especially so when being unintentionally photo-bombed by Lil Nas X’s painted arse.

Kristen Stewart’s turn as Diana, Princess of Wales was one of greatest revelations to say nothing of a truly commanding performance. Elegantly, this artist disappears into her roles and, more importantly, her private life is a non-negotiable.

Baroness Amanda Harlech turned up to pay respect to Karl Lagerfeld, wearing a Chanel haute couture gown which I am almost certain she modelled when his muse and later working for Lagerfeld after having been introduced by André Leon Talley as a result of a fallout with the astounding creative genius, John Galliano.

Who else but Cardi B. can stick her mile-long nails into cucumber and swirl it about a plate of gravy, sopping it up and then get that slice of cucumber into her mouth without disturbing her flawless lipstick? No one beats Cardi B. that’s who. Always, she is a welcome and refreshing sight.

Maude Apatow’s appearance was more elegant relative to last year. I do not know her work as an actor but she a quiet dignity that is readily admirable.

Vanessa Kirby to date has turned in one of the two three acting turns on Netflix’s The Crown. Her turn as Princess Margaret was riveting and totally engrossing. What a thoroughly fascinating actor and she looks damn good here too.

Though this actor’s personal life seems to have taken up permanent residence in the tabloids over the past 1.5 years, I have no idea what her acting chops are like. Not because of lack of interest, as a lucid dreamer, the less I look at films and TV the less intrusion there is on my dreamlife’s integrity. This though is a rather beautiful Chloé dress chosen by Olivia Wilde.

Margaret Zhan, Editor-in-Chief Vogue China and other impressive accomplishments aside, this star turn at the Met ball was impressive. I love her dress.

Choupette!

Jared Leto as Choupette & Karl Lagerfeld whom he will portray in upcoming biopic.

Karen Elson’s Christian Siriano dress seems slightly to have missed the mark; will she be invited back?

Ava Max’s cottony confection is a truly delicious indulgence worth pursuing.

Something tells me this woman doesn’t get out much. One does not wear a goddamn hat and certainly not one to rival Nicki Minaj’s Yosemite Sam’s affair from last year to an evening event. Come on Alex Newell. Just no!

Darling, it’s called a tea cosy, it’s not meant to be worn to a ball. Grace Elizabeth on the tail end of her 15 minutes. Next!

Gabriella Karefa-Johnson clearly did not get the memo; white next to mounds of rolling fat is not slimming. Clearly, she does not have a stylist.

Actor Alexandra Daddario opted for a pale, layered Dior and it actually beautifully works.

The ever elegant Miranda Kerr swanned to the ball in an ethereal white Dior.

Vogue marketing editor, Alexandra Michler Kopelman shows off her baby bump and expectant glow, both shown off in a beautiful two-toned Dior.

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Costume Institute Ball co-chair, Roger Federer was exceptionally refined in Dior attire.

The man with the best ‘whatever’ attitude to life circumstances, Pete Davidson exudes his unmatched cool in masterfully cut Dior.

Hey you only live once in each lifetime. I’m loving the audacity but if it were me, I would have opted for some silver talons hauts; the nails are truly next-level glam. Bravo!

Like his ex, Kristen Stewart, there is so much that’s mysterious about Robert Pattinson. He is, though, a stunning actor and beautifully attired here in Dior.

English actor, Harris Dickinson is decidedly tall and unmistakable in his Dunhill gear. I am not in the least familiar with his acting chops.

Scotsman, James McAvoy who packs serious metal, came admirably attired with a fan in an homage to Karl Lagerfeld. A winner all around, of course and he is wearing Dunhill at that.

Glenn Close always goes big and this year’s Met Gala found her in her element. She was escorted by designer Erdem Moralıoğlu whose elegant design she wore.

Fendi creative director Kim Jones, is also joined by Fendi family director of Jewellery design (r) Silvia Venturini & Delfina Delettrez. They are on a work assignment; they are not there to look glam.

Suki Waterhouse attended with her lover, Robert Pattinson in a flowery Fendi that was both cool and breezy.

Uma Abedin returns this year in a glorious Fendi design which along with hair, makeup and earrings is pure flawless elegance.

Eva Chen’s silver and green with matching green opera gloves are Audrey Hepburn chic; this colour combination actually works and beautifully set off glowing complexion.

Gwendoline Christie flesh-toned gown does her no favours. This colour next to her pale complexion renders her almost invisible. Stylist fail.

Yet, again, this Korean actress does not put a foot wrong in the style department. Song Hye-kyo is always elegant.

Precious Lee chose handsomely when opting for this Fendi design. It is flattering of her commanding presence and both elegant and restrained in all the right proportions. Stunning woman and the black leather opera gloves only add to her fierceness; she is gifted and self-aware model.

Kate Moss and daughter, Lila Moss were demure in their pale pink Fendi outfits.

Christina Ricci is chameleon; she is a boss. Lovely Fendi design.

Sometimes, you only need one Hadid to bring it. Gigi definitely came through in this memorable Givenchy design.

What a difference a year makes, and some Disney funding, Halle Bailey this year has scored a style coup in Gucci design. Showtime!

I positively love every film this Oscar winning actor stars in. Jessica Chastain’s Gucci is flawless.

Though not familiar with the British actor’s work, Daisy Edgar-Jones’ Gucci here is daring without being risqué; she’s on point.

By far, one of my favourite couples: great actor, gorgeous model whose their chemistry is sizzling. Dapper and ever debonair, he is handsome to her cool intoxicating beauty.

Three-time Emmy award winner, Julia Garner, is fittingly commanding in this caped Gucci ensemble.

Like Viola Davis and Angela Bassett, Salma Hayek has been cheated out of a deserved best actress Oscar for her star turn in Frida. That notwithstanding, she remains the most ravishing film actor of her generation and always a joy to behold on or offscreen.

Show the children how it’s done, Jordan Roth. Why it is so difficult to stand on the red carpet and not be pigeon-toed? Sienna Miller and others take note. Seriously!

Congratulations to the G.O.A.T Serena Williams on the good news of adding to her beautiful family with Alexis Ohanian. As ever, Serena looks marvellous.

Bad Bunny is the moment. Bad Bunny is hopping! Style and so much more!

Kylie Jenner brings the glam factor wherever she vamps. This is a beautiful Jean-Paul Gaultier design.

I’ve not really seen Yara Shahidi walk the red carpet before; I don’t know if it is just a matter of her being a face but this design and her body are not harmonised. Then again it could just be me and the fact that her right foot has triggered my number one pet peeve, it is sickled in.

Devon Aoki, that most exotic of oiseaux, walks the Met Gala 2023 carpet with designer Jeremy Scott whose design she clearly here favours.

Carla Bruni had the gall to diss Meghan, Duchess of Sussex on her IG page then quickly pulled it down and featured Prince Harry’s SPARE shortly afterwards and offered a review that haemorrhaged obsequiousness partout. Of course, it did not go either unnoticed or unchallenged by yours truly. The blasted, vile depilated macaque Couchon. You don’t like Blacks… Fuck You!

That’s right, keep doing your Icarian turn, Cara Delevingne; no one can ever resist a delicious slice of schadenfreude…

Caroline Lebar, team Karl Lagerfeld honcho, coming through owing the place and spreading her light.

Amber Valletta, another 90s catwalk champ; always good to see her.

Survivor. Legend. Boss. Diane von Fürstenberg. G.O.A.T that’s who!

Last year, in her Prabal Gurung pink outfit, Michelle Yeoh was not only a standout but she had winner written all over her aura. And just like that, she returns to Met Gala having become the first Asian to win best actress Oscar. Go Lady! Always, she is exceptionally elegant.

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Bryan Tree Henry got the memo. Go big or go home! Solid!

Alton Mason ain’t funning. This gorgeous star means business. This was one of the most beautiful costumes on the night. This is a Lagerfeld bride that gives Claudia Schiffer a run for her dimpled gorgeousness.

Oh my darlings, it’s the deliciously arousing Manu Rios back to keep our pulses racing. Gosh but he’s delightful.

African-American beauty queen turned actress, Rachel Smith, was a regal vision in a smoky silver strapless Lavin.

Then along came that delightful amazon, Karlie Kloss in a long black Loewe sheath. Her jewellery was spot-on and unlike Kim Kardashian’s, her pearls did work. The bowed shoes handsomely added to her allure.

Nichapat Suphap contributing editor for Vogue Thailand was smartly elegant in her black opera gloves to set off the black and white Louis Vuitton gown.

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Sino-Korean Hong Kong rapper, Jackson Wang, did not disappoint when it came to delivering his trademak style and swagger. Gorgeous.

Curvaceous model, Paloma Elsesser arrived on the arm of the designer Raul Lopez whose LUAR designed her très chic gown.

John Galliano, creative director Maison Margiela. Genius. Visionary. Shaman.

Great-granddaughter of John Paul Getty, Ivy Getty models and focusses on chiefly being an artist. For Met Gala 2023, Ivy chose this exquisitely elegant one-shouldered, tulle-covered Maison Margiela grown with multiple tassels of dripping sable-toned fringe. Details. Details. Details.

TKF Twigs, like Jennifer Lopez, one always get the feeling that at some point FKA Twigs will resume relations with Robert Pattinson. Time will tell. As with Ivy Getty’s design, there is a lot of details in this masterfully constructed design. These are the designs of a truly master couturier and that John Galliano has always been and remains. So very good to see his creative genius having a home to flourish. John Galliano is as equally eccentric and just as ravishing a creative genius as was Karl Lagerfeld.

Fiery Brazilian singer, Anitta, came through in a sculptural Marc Jacob designs with contrasting white opera gloves and the most handsome Tiffany & Co. diamond necklace with sizeable ruby pendant. Yes!

At long last, Paris Hilton is a mum and looking just as ‘hot’ as ever. I could not believe that during her interview with La La Anthony, she declared that it was her first time at the Met Gala. She looked beyond elegant whilst being walked by Marc Jacobs in his eponymous designs.

Giving Kylie a run for her money, Kendall Jenner arrived taller than usual in a shimmering minimal design by Marc Jacobs. How she and Paris Hilton managed those heels is a true mystery.

Kim Petras’s Marc Jacobs design was a bit too busy and crunched at the bustier. Just as long as she wasn’t with that triffling they/them/it/other blob was just fine. Besides, the Met is not about the alarmingly drab.

Ew! You bred with that? Georgina Chapman in Marchesa. Moving right along.

Erykah Badu doing Erykah Badu; I should think that her shadow has grown bored by now. Thankfully, no shadow has had to hang around moored to a put-through appendage for centuries… so there’s that.

David Byrne pulls up on a white bike and what’s not to love? He sports an eye-searing white bespoke suit from Martin Greenfield of Brooklyn as only he can carry off cool.

Michael Kors in Michael Kors; of course, the best dressed men always wear shades.

You can always count on Emily Blunt to bring on the hold Hollywood glamour; the lace is everything. Elegant.

Artist (singer/actor) Kaitlyn Dever decided to set pulses racing in this dramatic red gown and work it did. What a truly stunning gown.

Vanessa Hudgens came through laying on the glamour with a serious side order of sexy; that train and the eyes are fierce.

Lea Michele has survived much and still standing she does rather elegantly. Stunning; just look at that shower of shimmering metallic silver.

The very versatile actor, Ashley Park, evokes the old Hollywood glamour vibe and beautifully so.

Actor/producer, Kerry Washington’s look at last year’s Met Gala was more dramatic than her look this season. I rather favour her Tory Burch drama gown from last year to this fishtail gown. Either way, she is as ever stunning; her smoky eyes and that choker are everything.

Emma Chamberlain, internet phenom, wore a faux two-piece Miu Miu in powder blue.

Sydney Sweeney, young versatile American actor with the dreamiest eyes, wore not surprisingly a dreamy pastel Miu Miu affair.

Ashley Graham, another model, effectively used by designers to best ‘walk’ their designs at the Costume Institute Ball’s red carpet. Obviously, as arrangements go, it is a win win. I personally do not like the look of fishtail but this Nina Ricci design’s colour schemata against Graham’s tawny complexion works beautifully.

This Oscar de la Renta design chosen by Lily Aldrige is far superior than her Kaithe design worn at Met Gala 2022. The elegance of this off the shoulder affair cannot be denied. The contrasting giant salmon bow and train may, though, be distracting.

Every time I see her, I am readily disinclined to become focussed on either her or her music. Even her ode to Choupette is off; why not choose a design from one of the houses with which Karl Lagerfeld was associated. For me, she never draws you in and I have no idea what her music is like, old fossil that I am becoming. Her feline prosthetics and makeup are spot-on.

Though this is a very beautiful design worn by gifted actor, Amanda Seyfried, sorry, I just can’t get past the pigeon-toed pose. How does this daft archly gauche pose ever look good to either photographer or subject? Beautiful colour, the cut is superb and her hair is gloriously styled.

Allison Williams, American actor/scream queen, is elegantly presented in this ode to couturier, Karl Lagerfeld in this beautiful Patou design. I love the cut and colour.

Alia Bhatt, Indo-British actor, is beautifully turned out in this Met Gala favourite designer Prabal Gurung design. The shimmering princess ball gown of white tulle is ethereally chic.

Quinta Brunson nova onto the TV cosmos, bagging Emmy awards along the way. I do believe that this is her first Met Gala. Sheer black overtop creamy pink with matching two-toned train works handsomely.

After last year’s powder blue princess, tulled affair, also by Prabal Gurung, Quannah Chasinghorse has opted this year for an edgier look and this time in pink. I suppose that I am more partial to last years look, as here was more southwest jewellery on display then. Perhaps, it is the opera gloves but then lend an air of punk which may not have been the intention; nonetheless, love her energy.

Yellowstone actress, Kelsey Asbille Chow cuts a dramatic figure with her fire engine red Prabal Gurung with train. So who exactly doesn’t like a garter?

Rita Ora and her haute exoticism looked truly drop-dead gorgeous in this double-trained black number.

Gorgeous African model Anok Yai is all that and lots more. Loving the dark shades adding more drama to her fringe and gold bustier Prabal design.

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Taika Waititi is boldly debonair in this long flowing smoky gray coat with double stranded pearls and more confidence than a can of sardines. The man is damn fine.

Gabrielle Union has always been a favourite actor of mine; she is so readily engage from role to role. She really earned a major supporter in me when she and her dashing husband, Dwayne Wade, spoke very passionately at the NAACP Awards this year in support of their MTF daughter, Trans and LGBTQ+ rights. These is nothing demure about an extra thick red leather coat atop red gown with tail. Bravo!

Maya Hawke, actor daughter of Uma Thurman & Ethan Hawke, in this pose looks no dissimilar to a young Shirley MacLaine. That aside, I love the white-on-white look and the feathery details plus train nicely carries it off.

British actor, Letitia Wright is one of these born somnambulant Blacks who are forever grateful for being over lorded by the god of what is clearly one’s enemy’s religion. Trust you me, if it were that important, you would not be afforded access to their religion, anymore than a Black is afforded a best actress Oscar. Her choice of Prada design merely betrays how self-restrained her perceptions. All alas is choice.

This woman swans through life, being feared/adored for being a moneyed Jew but she will never be nothing more than a vile anti-Black racist. One does not forget! All the moneyed men in the world and she will never rise above the repugnant conceit that had her sat for that pose.

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Coming on strong, it’s none other than Chinese singer/dancer/rapper, Kai Xu Kun. What’s not to love, we share the same birthday! Beautifully attired, love the jewellery, coat’s detailing and those Prada shoes are everything.

Rami Malek’s Freddie Mercury will standout in time as one of the best biopic performances in cinema. Clean, unfussy elegance.

Kodi Smit-McPhee’s appearance this year soars stratospherically above his Met Gala 2022 appearance. The shoes and the blue detailing are restrained… elegant.

Broadway actor, Jeremy Strong successfully transitioned to TV and in the process won himself Golden Globe & Emmy Awards for his turn on Succession. There’s flair but he is a man with a family to support and seemingly not the slightest focussed on celebrity. Admirable.

Dwayne wade continues to impress and inspire millions. Tall, dark, devastatingly handsome, he drips nobility of spirit like no one else. His is such a beautifully cut coat. Fabulous human.

Was anyone else wearing Ralph Lauren? Does even matter? Jennifer Lopez looked regal and hers was the only fascinator/hat worn to an evening event which proved not to be a faux pas. Jennifer was the moment at this year’s Met Gala 2023. The lines, the fabrics, the colour co-ordination all made for the most handsomely elegant look. Queen!

Grammy Award-winning, Broadway/TV singer/actor, Julliard alumna, Phillipa Soo showed up. That’s all that matters, love the riot of black and white getting it on for a handsome design for Richard Quinn. Go Mama!

Eileen Gu’s Robert Wun red polka dots design is not what I expected of an explosive athlete. She looks beautifully poised and elegant.

This is a massive turnaround, after that unaware indulgent horror at the 2023 Oscars, TEMS does not here commit a fashion faux pas, as these feathery tendrils though fascinator, do not obstruct and look glaringly out of place. Will she ever live down her Oscars appearance? Lips, nose, eyes, brows, love her look and the feathers at the bustier, plus the fishnet face veil do it for me; she has the most alluring eyes. I want those opera gloves… Keep doing you, Darling.

Model/Actor Camila Morrone came through rocking her Rodarte design: lace, velvet, slight fishtail and train. Sensational!

Always stylish, Alexa Chung opted from an eclectic design that’s both busy and avant garde. What does it matter, it’s Alexa that’s who and it works.

Chinese model, He Cong comes on strong. This is an awesome outfit.

Ghanian-British actor/filmmaker, Michaela Coel is also co-chair of this year’s Met Gala. Her diaphanous cocoa design by Schiaparelli nicely sets off her gorgeous complexion. Her cornrows are exquisite and those golden heels are perfecton. Love her, simply stunning!

Well, much like her relationship with her escort last year, her beading did not hold up too well. Ms. Kardashian has looked way more stunning at past Met Galas.

Natasha Poonawalla, India’s vaccine Queen, showed up in a futuristic mirrored Schiaparelli and cast shards of her light partout.

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Jordan Roth is Showbiz incarnate. And boy does he know how to infuse the right dash of drama into his theatricality. Go on, show them how it’s done. What better ode to Karl Lagerfeld could there be than being a human fan; hands down best dressed attendee at Met Gala 2023.

Diddy arrived representing Sean Jean with the grandest gestures. What was most refreshing was him grabbing the black battery operated fan from production as he chatted with hostess, La La Anthony who was a gorgeous vision in white. God was she light years more sophisticated than last year. Brilliant. Back to Diddy, the black on black on black is divine.

La La Anthony’s praises I cannot sing enough. This year’s chosen design knocked it out of the park, relative to last years design which left her looking shorter and it was way too busy and the hat was just so wrong. Not to knock Derek Blasberg but La La Anthony by far was the better host this year. Go on Lady, rock it!

Comedic actor, Rachel Brosnahan came through in cape, starburst pasties all in black with come hither eye makeup. Rather alluring.

Singer/comedic actor, Keke Palmer came through in a strapless multi-beaded column gown accompanied by a billowing powder blue and mauve cape. She looked marvellous.

Julia Carey also chose a swirling geometric Simkhai and did not put a foot wrong, right down to being accompanied by her charming partner, James Corden who opted for a brilliant blue jacket to match his cool.

Mindy Kaling made a massive revolution in her Met Gala appearance this year over last year when she chose a Prabal Gurung design. Accompanied by Jonathan Simkhai, An intricate layered design, there is a lot happening here; most of all, Kaling looks light years more body confident and this photograph does not do justice to the amount of weight loss that she’s successfully shed. Simply stunning.

Billie Eilish opted to attend in a Simone Rocha design that looked better suited to a themed gathering at Halloween. Perhaps, my taken on her look is coloured by the fact that simply do not get the draw of this artist.

Model Imaan Hammam chose a sleek white column with train Standing Ground design. The stark white handsomely set off her tawny complexion and gave added drama to her amazing locks.

Designer Stella McCartney wore a beaded black jacket/mini dress with dramatic leggings and chunky footwear as she walked with Madelyn Cline & Audrey Plaza.

Actor Madelyn Cline opted for a gun-metal gray and black strapless sheath with modest train as she walked in with Stella McCartney.

Quirky actor, Audrey Plaza, I believe that her social behaviour is chiefly rooted in her personal vibrational dynamics than anything else. Interesting design they are not standouts, this speaks more to the design elements rather than not.

Filmmaker Baz Luhrmann and his wife Catherine Martin came fully kitted in Thom Browne (he at least did) and looked marvellous for it.

As with last year’s Met Gala, Thom Browne was heavily represented this year, starting with Korean model, So-Ra Choi. Hers was a massive oversized coat which asymmetrically draped about her body in heavy fabric, all of which was winningly capped off with a black fishnet face veil which nicely highlighted her heavy lipsick. Powerful.

Writer, Amy Fine Collins, 30-year veteran at Vanity Fair Magazine came with the general black & white theme with stabs of red a braided hairstyle that matched the ribbing in her beautiful Thom Browne skirt.

The ever fluid Janelle Monae chose another oversized jacket/coat dress with its hoop exposed. Then, darlings, she moved the coat from atop the hooping and began vogueing with the malleable hoop exposing her body-hugging outfit. She like Amy Fine Collins opted for a dog bag that completed the little girl in adult clothing theme to this masterfully cut Thom Browne designs.

Disney alumna, Jenna Ortega, has that magical aura which allows her to convincingly inhabit whatever role she is focussed in. Here, her costume is evocative of the swashbuckling pirate thanks to the sweep of her train and her confident swagger.

Bella Ramsey’s pose more than her costume is the winning photograph. She seems as though a mere child wide awake at the ball, neither groggy nor fazed. She is stunningly august-souled.

Another Disney alumna, whose matured into a pop princess, is Olivia Rodrigo whose costume is utterly marvellous. Love Thom Browne’s use of prime colours black and white and the range of combinations are incredible. Ms. Rodrigo is seriously fabulous…. what a great dress.

Not really classic tweed, there is something about the fibres and fabric that’s evocative of another age. The tailoring, the ribbing, the oversized stitches, to say nothing of the fishnet face veil are all winners. The real standouts are the exposed hips compensating for the monochromatic gloves is an ingenious detail that successfully works, especially so on singer, Teyana Taylor.

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Athlete Shai Gilgeous-Alexander brings it in this elegantly cut Thom Browne where white rather than black predominates. Gorgeous ensemble.

African Writer and entertainer, Trevor Noah looked decidedly handsome in his cornrows and the usual innocent smirk.

Pusha T. sports the rapper’s signature cornrows which nicely complements his two-toned Thom Browne suit.

Here’s a rather straight forward Thom Browne outfit being worn by actor Alexander Skarsgård.

The master himself, designer Tom Ford adding commanding power, style and elegance to the costume ball.

Pierce Brosnan wears Tom Ford whilst his beautiful wife, Keely Shaye Smith, is adorned in Monique LHuillier. Gosh she’s glamourous.

Next up, Seth Meyers and wife, Alexi Ashe. He definitely is attired in Tom Ford, she though I’m not certain of.

The always elegant, Joan Smalls brings her light and glamour to the gathering. Who doesn’t look sensational in black lace? Smashing!

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Always expect Bradley Cooper to be among the most stylish at any gathering. Suave and elegant.

Dee & Tommy Hilfiger appropriately attired in Tommy Hilfiger. Still going strong.

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NFL wide receiver, Stefon Diggs looking ever bit like a power athlete. Handsome man in a very beautifully cut suit.

Singer Jack Harlow returns to the Met Gala, looking even more dashing than last year. Here he does look like the subject of a 17th century Flemish painting.

Tory Burch of her eponymous design house came through as last year, looking next-level poised and glamourous. That is a very beautiful dress.

Indie folk Queen, Phoebe Bridgers wore one of the more elegant designs of Met Gala 2023. The beading and shoulder details evoke flapper/Edwardian glamour.

Emily Rajatkowski, of course, showed up. I think that I am being to get this human. This design is a bit understated for her ‘out there’ persona; it is beautiful.

Model Liu Wen, chose wisely. Off the shoulder, bouquet of white roses wrapped in a black column, black opera gloves capped off by perfect makeup.

What a difference a year makes. Just look at Nicole Peltz Beckham. She has so grown into her role of being on the world stage and a recognised actor. She glows, is more relaxed and clearly comfortable in her skin. They are genuinely a couple, Brooklyn looks ever more comfortable being her plus one. Her black ribbon choker is everything.

Go Priyanka! The Citadel is some serious chops! The white opera gloves and Nick Jonas’s leather jacket, to say nothing of the Bulgari necklace beautifully complement their synergy.

Rhianna and A$AP Rocky have graced the costume ball this year… and she is yet again expectant and it shows. Rhianna always seems to be most comfortable at the Met Gala and enjoying herself.

EGOT(Emmy Grammy Oscar & Tony) Viola Davis is coming through that’s who. No one does pink and red like Valentino and no one wears colours better than the masterful actor, Viola.

Oscar-nominated actor, Stephanie Hsu presented a beautiful interpretation on Hollywood Glamour, which in the age of gender fluidity was celebrated with the tie’s inclusion. This dress was magnificent.

Another actor at the Costume Ball, Florence Pugh certainly brought that drama in a headdress that worked at night for its theatricality and much reminded of delightful Poppy Delevingne’s blue feather fascinated worn at Jack Brooksbank and Princess Eugenie’s delightful wedding. Pugh’s black fascinator was nicely set off by the floor length black ribbon that kept her business in check as this seemed to want to spill out from the exquisite white gown with train.

Designer Vera Wang attended in a design that light and airy; mostly tulle there was an ode to Karl Lagerfeld with the use of an oversized pearl-like necklace and his first name on ther train.

Actor Lily Collins wore a black and white version of Vera’s gown with Karl’s name on the black rather than pale train.

Donatella wore a beaded pink column that was minimalist and elegant.

Actor Anne Hathaway, who rarely does events like these, looked radiant as ever in a pearl ribbing trained gown that was a clear ode to Karl Lagerfeld.

Charlotte Tilbury wore a jade green Versace which handsomely set off her healthy red mane. Exuberant.

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Sino-Canadian actor, Simu Liu looked naturally refined in this snug Versace; love those shoes.

Vivienne Westwood 8/4/1941<O>29/12/2022 Snake 8.3.9 = 2

Actor Elle Fanning, who attended Vivienne Westwood’s London memorial February past along with Kate Moss, Victoria Beckham, Anna Wintour, Chryssie Hynde, the ever bewitching Lily Cole, Bob Goldof, Bianca Jagger, Zhandra Rhodes, Edward Eninnful, Vanessa Redgrave, Bella Freud, Marchioness of Bath Emma Thynn, Stormzy, Twiggy, Marc Jacobs, Farida Kelfa, Yasmin, Amber & Simon Le Bon, Erdem Moralioglu, Tracy Emin, Paloma Faith & Alexa Chung. Elle’s floral crown and bouquet is a fitting tribute to the departed creative genius, Karl Lagerfeld.

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Finneas O’Connell always looks Straight outta the closet as he hides out in this Vivienne Westwood coat.

Chloe Fineman did a horrible job of hosting the red carpet at Met Gala 2023 along with the unflappable Derek Blasberg who did his elegant best to make sure that none of that shit got on his shoes. Her Jackson Wiederhoeft was chic and understated, all eclipsed by her deplorable social skills on the evening.

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Broadway star, Ben Platt was memorable in his white with black trimming suit proved a smash.

Unlike last Met Gala’s leather clad dominatrix chic, this year, Irina Shayk went for a totally different approach and opted for Yohji Yamamoto’s ethereal white design.

Hugh Jackman here is attired in Zegna, his wife, Deborah-Lee Furness’s attire I never discovered. As ever, the partners always look blissfully harmonious. Elegant.

NOTABLE

Agnes Chiu, president Entertainment, Condé Nast & Tom Gilmore also attended the Costume Institute Ball. All these notables are here gathered as their outfits’ designers were not readily found anywhere. Look good they did nonetheless.

When you mum is Anna Wintour, you are going to show up. The lovely Bee Corrozzini and filmmaker partner, Francesco were cool, relaxed, adding the wow factor to the evening.

Everyone’s favourite crooner, Josh Groban, who currently stars on Broadway, arrived with Natalie McQueen, tatts and all. He’s marvellously attired… smooth as ever.

Willow Bay & Bob Iger turned up in honour of Karl Lagerfeld. Gosh her gown is next-level fabulous whilst he kept it real in Karl Lagerfeld sneakers.

Kargo Global CEO, Harry Kargman and partner Jill Kargman attended the Costume Institute Ball celebration of Karl Lagerfeld’s creative genius. She looks marvellous.

Condé Nast CEO, Roger Lynch & partner Cathleen Lynch attended this year’s Met Gala. Her dark blue gown is supremely elegant.

Instagram CEO, Adam Mosseri & partner Monica Mosseri graced the evening with their dignified presence. There is a lot of detailing her her dark elegant attired nicely complemented by the black opera gloves.

Grace Murdoch and her mum, Wendi Deng Murdoch attended the affair in beautiful pastel gowns looking ethereal with mum anchored by that exquisite necklace.

Tony-nominated (win it) Wendell Pierce stepped away from starring on Broadway to attend the evening’s Gala. He was joined by the chic, Erika Woods. Good luck, June 11th Mr. Pierce!

Blackstone Group CEO Stephen Schwarzman was accompanied by the shimmering Christine Schwarzman in a gold one-shouldered gown. Glamourous… mais oui!

Charles Shaffer, Anna Wintour’s son and partner Elizabeth Cordry bringing their warm glamour to the ball.

Entertainment executive, Casey Wasserman & partner Jennifer Chandler brought their warmth and glamour to the ball.

Adrienne E. Adams, speaker of the New York City Council attended the ball in a beautiful single shoulder lace affair. Elegant with a most warm beautiful smile.

Dr. Lisa Airan attended in a beautiful yellow flowing gown, radiating her light. Beautiful earrings.

Model Montana Cox breezed through in a minimalist lean black sheath.

She’s just a Broadway Baby! Yeah, Micaela Diamond is coming through that’s who. Currently, on Broadway in Parade, she wore an exquisite lilac gown to the ball.

Vogue & Teen Vogue director, Lisa Love was chic in vintage coat dress attire. Refine.

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Broadway Tony-nominated actor, Jonathan Groff came through with a touch of theatricality to his suit and looked every inch the winner.

Well, of course, Vogue creative editorial director Mark Guiducci would attend the glamourous ball. The white tie was sublime.

Two-time Emmy-nominated E! presenter and Variety executive, Marc Malkin came through and did not disappoint in his red carpet turn at this year’s Met Gala. From the tie, to jacket to nails, he wore dignified iconic style like a pro.

Norwegian billionaire, Gustav Magnar Witzoe must be the obsession of every latter day Andrew Cunanan, working the 1% sugar daddy circuit. Gustav, of course, is a model… no shit! Darling… does it even matter if it is not art?

Karl was many things beyond eccentric and creative genius of he highest order; he was also the godfather to Hudson Kroenig who along with Choupette has inherited the majority of his vast fortune. Sweet and blissful dreams Karl; thank you for having grace this world with your stellar magic. No not adieu, à la prochaine!

Hand in Hand – Mulgrew Miller Full Album 1993

1. Grew’s Tune

2. For Those Who Do

3. Thinkin’ Out Loud

4. Leilani’s Leap

5. Like The Morning

6. Hand In Hand

7. Return Trip

8. Waltz For Monk

9. Neither Here Nor There

Christian McBride – Bass

Lewis Nash – Drums

Joe Henderson – Tenor Saxophone

Eddie Henderson – Trumpet, Flugelhorn

Mulgrew Miller – Piano

Kenny Garrett – Soprano & Alto Saxophones

Steve Nelson – Vibraphone

This past week, I had the most lucid of dreams; this was decidedly beyond the norm. It was set at the cosy intimate funkiness of the Village Vanguard; this reanimation was, though, set on the astral plane. As in all astral plane-focussed dreams, the basement Jazz club had ridiculously high vaulted ceilings and the ambiance in the place seemed millennia old. Everyone here was of 9 strand DNA heritage and the most refined of souls. I sat at a deuce, alone, nursing a glass of Henny and smoking a decent Cohiba. Onstage the divinely gifted astral plane habitué Mulgrew Miller was alone, playing the most mind-altering Jazz not often heard this side of the dreamtime. I drew on a quickened breath as walking to join me was Merlin; he wore a panama hat and a parrot brooch, both favourites of his and his loose slacks were held in place with suspenders. What was different here, was Merlin looked as he did in the life prior to being reborn in Toronto. In that life, Merlin was born creole (high yellow) in Louisiana and made his way to New York City during the Harlem Renaissance; he was an amateur Jazz musician. He sat, put his arm around me and we kissed; it had been too long since I had felt such quiet ecstasy on kissing a lover most rare. Just like that, I awoke and began flooding my art-filled home with Mulgrew Miller’s Hand in Hand.

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As ever, life is like a flying dream; if you look down, you’re fucked. Enjoy the ride and fear no one!

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©2013-2025 Arvin da Brgha. All Rights Reserved.

Do It to Me!

Lena!

Horne, Lena 30/6/1917 <O> 9/5/2010 NYC

This fragment was a fifth level mature warrior – 4th life thereat.  Lena was in the power mode with a goal of unmitigated growth.  She was a sceptic who was in the moving part of intellectual centre.

Lena’s primary chief feature was exalted arrogance with a secondary chief feature of stubbornness.

Lena’s casting is in the second position of the second cadence in the seventh greater cadence.  She is a member of entity six, cadre one, greater cadre 7, pod 414 – another entity mate.

Lena’s was a Saturn/Venus body type.

Essence twin for Lena is a warrior and her king task companion did exert some influence.

The three primary needs for Lena were: expression, power and exchange.

There are 10 past-life associations between Lena and Arvin whilst there are 7 past-life associations with Merlin.

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Back in Spring, 1994, I was standing in my West End, Vancouver bedroom getting dressed – after having made dinner for Bower Carlyle-St. Clare and me.  At the time, he was recently full-blown with AIDS but doing well.  As he sat out in the living room in the rocking chair which had been Merlin’s favourite piece of furniture, I was busily getting ready to head off to work on the midnight shift.

Just then Ross Porter, who was gigging on the CBC’s late-night Jazz show, began introducing a recently released album.  I screamed and rushed out to the living room, turned up the sound to full blast and directly stood in the centre of the perfectly placed speakers.

Said Ross Porter, it was a new album by Lena Horne – a cut of which he was nicely setting up.  Since as long as I could remember, this woman’s every performance always made me feel good throughout.  The opening of the song, Do Nothing ‘Till You Hear from Me, began with the bass working its magic.

For the next several minutes, I stood there flying-without-moving.  Admiringly, Bower sat there silently drinking in the visual of me as I stood in black stretch jeans tucked into riding boots and nothing else with hair long and out.

with lids closed, I drank every note of the performance; I was truly besotted.  Then the song got really groovy and at one point, just past the four-minute mark, simultaneous with Lena Horne, I let out the exact same whoop as she did.  Stunned, I placed my hands at my mouth and threw open my eyes.

Bower was convinced that I had heard the recording before.  Soon enough, Lena Horne’s album, We’ll Be Together Again, was blasting my West End apartment on a daily basis.  One day, Bower called up and declared that we were going to New York – he had never been.

To hell with work, he had declared as I tried begging off.  Not having it, Bower shot back that he was taking me to New York City because I knew it and always spoke so fondly of my time there.

Early October rolled around and we held up at the Hotel Chelsea – he had booked the suite as he knew that it was Merlin’s favourite place to stay in New York City.  We went to the show and although, he had been hoping to see Diana Ross – chiefly why he wanted to go to New York City, we ended up having a blast at the performance way up in the balcony.  The next day, I stood around in Times Square and scored us tickets to, Kiss of the Spider Woman, at the Broadhurst Theatre.

A couple of days later and we were returned to Vancouver as giddy as two kids who had just had the wildest adventure.  Sadly, for being full-blown, Bower developed a nagging cough which dragged on for long weeks; nonetheless, it was a magical adventure and I was especially grateful that he had made possible, the trip to see Lena Horne in concert at Carnegie Hall.

As Diana Ross was his favourite performer, every film of hers he had taped.  He understood my love of Lena Horne when finally, he took the time to appreciate her performance in, The Wiz – directed by her partner Sidney Lumet.

Back in 1978, when seeing, The Wiz, on its opening weekend with Owen Hawksmoor – a man of truly equine proportions – This brief appearance and performance by Lena Horne made the film for me; everyone else paled by comparison.

Back in 1969, whilst vacationing in St. Croix, U. S. Virgin Islands, one briny Friday evening the 1943 film, Stormy Weather, was on television.  This was my first introduction to Lena Horne.  I was thoroughly captivated by her.

My response to her has always been visceral; she is energising, captivating – her eyes both raptor-like and thoroughly empowering to lock on to.  If there was no essence bond, it is highly improbable that I would have such an intensely visceral response to her.

I then found it hard to sleep that night after the film.  Not surprisingly, in light of our essence bond as entity mates, I did that night dream of her.  Furthermore, I have noticed that the passing of entity and cadre mates leaves me especially splayed – I don’t feel impending doom, I just feel as though a portal has opened up and I could drift off and find myself on the other side… an astral plane habitué.

I think that because of my casting’s cardinality, I tend to act as a beacon – somehow, I tend to sense when cadre mates are on the cusp of departing.  This used to be fairly frightening when younger; now, I have learnt to simply give of self and realise that someone in the fold is moving on.  

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©2013-2025 Arvin da Brgha.  All Rights Reserved.

Miles Ahead!

Miles Davis 2

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Miles Davis

Davis III, Miles Dewey 26/5/26 <0> 28/9/91  Tiger 8.4.4 = 7

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I am so looking forward to the opening of Don Cheadle’s Miles Ahead this week.  i think of any other Jazz artist, Miles is the only one whose every album, on listening to it, I conclude is a favourite.  This creative genius just oozed authenticity.  Of course, a major part of his outréness and originality had to do with his having been an actual old soul.

I have always been partial to him as he was briefly married to Cicely Tyson who was a maternal first cousin of my late mother’s who in her youth did play the cornet.  Of course, Cicely Tyson, who is still going strong and currently starring on Broadway, is an entity mate of Miles Davis’.

My creatively gifted mother whose songs are published in the hymnal of the now Wesleyan Church was a remarkable woman who was pure intellect and a source of fierce pride.  She whose paternal grandparents were Sephardi from the small Brazilian community which settled in Nevis.   Indeed, she who is now reincarnated in London, England, male and first-born and about whom I have dreamt – East Indian/Caucasian heritage in this lifetime and currently aged 13 years old.

Sadly, none of my dream encounters with Miles Davis were ever audiocassette-recorded as they were never had during the decade when I did so – 1989 to 1998.  Each of those dream encounters did, though, validate his agedness of spirit and he seemed every bit an old soul during astral plane encounters.

In anticipation of this long overdue film – imagine that, the paucity of Jazz biopics when so clearly Jazz is rooted in Klezmer!  More than that, on to the matter of saluting a true original, a true creative genius and a giant of Black high art.

*Sadly, I have spent the last couple of weeks trying to track down the title of the Miles Davis painting herein featured; alas, to no avail have I managed to have discovered its title et al.

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Birth of the Cool, 1957.

Kind of Blue 1959.

– This is the music (Kind of Blue) I am mostly likely to listen to, after having audiocassette-recorded the dreams, on awaking from a flying dream.  This music is about finding centre whilst simultaneously remaining aloft in the realms of the flying dream.  As West Indians would say, it’s sweet!

Milestones, 1958.

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©2013-2025 Arvin da Brgha.  All Rights Reserved.

Ghosts of Future-Past.

I found myself hovering over Times Square.  I was intently looking at a hotel in Times Square – the one that has the large oxidised globe on it.  I thought – this may be the Drake Hotel.

The building, at its upper storeys, had aspects of a pyramid or a ziggurat to it.  This was one of those monolithic sandstone buildings that were built in the 1930s – a decade when there was a real architectural renaissance in Manhattan.

It had a very large base that culminated in a stepped formation near the top.  The building sat on the west side of Eight Avenue, if I correctly remember.

Perhaps, it is not even a hotel – I thought, maybe, it is the headquarters for one of the city’s newspapers – with the globe at its zenith.  So, perhaps, it formerly housed or still does The New York Times.  After all, it is in Times Square – hence the name of the square.

After having hovered for awhile, I began to move very slowly; I was high up – several storeys high up.  I watched as the ubiquitous yellow vehicles of the city’s taxi fleet, way below, negotiated the congested traffic.  I was able to see beyond the usual as well.

I saw Carl Leroiderien† going to pick up tickets for a Broadway show.  He was walking past the stage door; he was going towards the front of house.

There was something about this man which I found rather sagely.  Soon, he passed out of view; he went off to see someone.  He stood out like a sore thumb.

I knew well enough not to come down.  Carl has never had any interest in me, save to be aggressive and socially hostile, so why bother?  He was off to be in his element because basking in the glow of the klieg lights was what his soul craved at the moment.

However, when Carl was leaving his Chelsea apartment, I saw him talking to Merlin.  I still hovered in the air outside a front window that faced Carl’s fire-escape.

“No, no.  I sent those manuscripts for you and you can just go over them,” he was saying to Merlin as he returned some of Merlin’s writings.

Carl, arrogant prick that he is, was insensitively dismissing Merlin’s writing by returning it.  Of course, he did so under the guise of being too occupied to read the manuscripts.

I could tell from Merlin’s tone that he was really hurt for having his creativity dismissed.  Merlin felt rejected.  Carl was a disingenuous schmuck.

Carl’s offhandedness with Merlin was obnoxious.  Clearly, he did not think that Merlin’s writing was worth his time but – platinum-tongued palaverist that he is – he also did not give an opinion of what he thought.

Carl had cleverly placed the writing into a small trunk, which had languished in the Bourbon Street basement of his tiny cottage, abandoned there for over a decade.  The manuscripts were water-damaged.

In presenting Merlin with the trunk, he would minimise the rejection by making it look like he had been intent on returning the trunk and its damaged contents.  The snub was not lost on either Merlin or me.

I was, at the time, just down the hall; it was a short distance from where Carl had been talking to Merlin.  Wounded as he was, Merlin never did come out from the apartment.

Whilst standing by two apartment doors, I kept watch.  People were coming and someone said,

“I think that there is someone by the door; I can just tell…”

Since I did not want Carl or Merlin to know that I was about, I hid in back of both doors to the landing.  In that way, I avoided being seen by Carl’s neighbours; I averted the kind of trouble that I did not need.

I then went down the hall.  The door on the right was the apartment where Merlin had been.  I went to the door and knocked.

On opening the door to answer, Merlin looked totally different.  Though the eyes were unmistakably Merlin’s, he was considerably taller.

Merlin was very light-skinned and unmistakably Black.  He had off-blond hair that was naturally curly which he wore in a loose, soft Afro hairdo.  He was casually dressed.

He pleasantly smiled, on recognising me, though he was wearing a different body.  He familiarly, warmly said,

“Come in…”

Oh to hear his voice embrace me.  Such sweet, sustained magic!

I entered.  It was obvious that he was making one of his spectacular meals.  I, almost immediately, noticed that he had bought a cake.  It was a wonderful loaf.  Obviously, from the look of things, he had spent a great deal of time working on the other dishes.

There was a baked squash dish which was flavoured with a sweet liqueur.  A veal loaf was surrounded by a sea of sliced onions.  It presently was atop the stove, though, it was supposed to be returned to the oven.

There were marvellous vegetables that were all at various stages of preparation.  He stood at a sturdy, wooden-topped, central cutting board table.  He was cutting up an assortment of the vegetables.

My mind relaxed, as the pungent aroma of all the different herbs and spices being liberally used proved satiating and filled me up.

It was wonderful to again be in Merlin’s presence.  I had the impression that he was Straight or, perhaps, Bisexual.

At the entrance of the apartment, on the left, there was a little alcove.  The kitchen began there but it also opened up into a larger room.  This actually was part of the living room; it was L-shaped and hugged the kitchen area.

There, in the apartment, was a young woman with Merlin.  There was also a woman who seemed infirmed; she was lying on a cot.  She was close to the kitchen area where Merlin was.  They kept each other company whilst Merlin chopped up the vegetables.

Merlin and I were affectionate but there wasn’t any physicality to it.  We did not hug each other when the door opened even though we recognised the revealing, shockingly displacing sight of each other.

Merlin had immediately recognised my eyes, on opening the door, just as I had his.  However, there was now a dimensional void between us.  Merlin was a ghost from the future for me whilst I was a, vaguely familiar, ghost from the past for him.  He was warm towards me.

Merlin was a very decent human being, I must say.

He was, now, easily 6 feet 3 inches tall.  Though not mesomorphic, he was also not the classic ectomorph that he had been in his immediate past life.

He was angular but not in the same way as I remembered him.  Merlin here did not wear glasses.  His eyes were large and even more soulful than they had been in his last incarnation.

It was so beautiful to see him.

The seasoning was so… spot-on.  It actually made my mouth water.

The woman then asked him, from the cot where she reclined, if he had put onions with the veal loaf.  When he said that he had, she told him that this was not right.

“Let me show you how to do the onion rings,” she called to him in a familiar, intimate tone.

Merlin then asked me to give him a hand and help him carry the things to her, just inside the larger room, on the cot.  I helped him get the veal loaf onto a large tray with some other things.  For whatever reason, at the last minute, I got some bananas and also put them on the tray.

We then came out, into the other room, where the younger woman was.  She seemed like a nurse or a caretaker for the older woman.  She was sitting there very silently observing us.

The older infirmed woman was very detailed with her directions for the preparation of the dishes and the garnishes.  Some party umbrella garnishes, which are often used to decorate foods and cocktails, were also on the tray with the food.

Merlin had sliced the bananas – actually, they were plantains.  The older woman had her arms clasped at her chest like an Egyptian mummy’s.  Merlin then bound her body with blue-striped gauze.  The blue stripes were like those of the Israeli flag.

She laid there immobile with her head raised on a cushion which had been strategically placed beneath the cot’s mattress.  She looked at Merlin and wearily said,

“Please, will you give me my last rites?  I want to hear you say that prayer.”

At that, Merlin began saying the Lord’s Prayer except that it was not at all the traditional Christian prayer of Christ.  Instead, this prayer seemed to hearken back to Egyptian times.  When he was finished the prayer, she uttered a soulful breath; it was the equivalent of Amen.

“Avuum…”

It is simply impossible to convey the sound she made.  It sounded like a three-syllable word.  Quite simply, the breath went out of her when she intoned the arcane breath.  Perhaps, at the end of each lifetime, this was the call the soul made when exiting the body.

Together, Merlin and I had said the word with her but not as she had soulfully done.  It was the chant of the dying which only a departing soul, accepting of the inevitable, could properly invoke.

When Merlin and I said it, in my mind’s eye, I instantaneously saw the word written out in bold letters of blue light.

Merlin got up and slowly, silently, walked away.  I got up after him and thought about the potency of the word.  I looked into Merlin’s face and saw that he was no longer the youthful man who had greeted me at the door.

Instead, he truly looked drained as though he had been channelling for too many hours.  He was truly exhausted for having performed the rite on her.

Merlin returned to the kitchen area.  I followed after him.  I began eyeing the cake thinking that it would make a nice snack.

‘Hmmm, doesn’t that look nice,’ I thought, although, it needed to be warmed up.

It was a wonderful, fat lumpy cake with sweets in it – rather pleasing to look at.

“My, my, won’t I be glad to get some of this come dessert time.” I said in a quiet whisper. 

On Tuesday, March 24, 1992 as the Moon transited Sagittarius and my seventh house, whilst in dream flight, I projected myself into the future.

Whilst there, I dreamt the preceding dreams which proved the most sublime encounter with Merlin.  It was not just a glimpse into the future but proved to be illuminating, inspiring even.

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Ran into an old dancer friend from eons past…  we sat about chewing the fat – and god was there much to chew at…  I riotously laughed out loud when he said, “My god who knew you had this rich inner life going down back when I knew you… you just seemed so removed, remote even, from it all…”  Indeed, sometimes it seems – at least back then – it is best to just keep quiet and not engage in the Maya.  As there are never lies in dreams, it seemed an utter waste of time to bother engaging far too many persons met along the way back there. It was a surprise to me in late teens when I discovered that not everyone dreamt with the same élan as do I.  Then again, who wants to be burnt at the stake – at least socially.  Too, persons can be so terribly insensitive and quick to judge…  Either way, it was good to hang out and meet up with an old friend.  Funny though how things turned out for many, ultimately it proved no surprise.  Then again who gives a rat’s arse and as Sweet Brown so succinctly stated, “Ain’t nobody got time for that!”

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Photo: Merlin in Montréal opening night play he directed at Centaur Theatre, late 1970s.  

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© 2013-2025 Arvin da Brgha.  All Rights Reserved.