Dolphin House Pets and Glimmers of El Greco’s Muse (Redux)

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On the cusp of the Art Gallery of Ontario’s Georgia O’Keeffe Exhibition opening this month, I am repost this blog.  Do please enjoy.  

Whilst the Moon transited both Libra and my fifth house, these next dreams occurred on October 1, 1989.  Too, it was the seventh anniversary of that magical, and a bit cool, Friday evening in Hell’s Kitchen when Merlin and I would meet… yet again. 

Of course, at the time, he was rather ill with full-blown AIDS and horribly suffering from Candida.  However, as I have known more than 200 persons to have passed of AIDS, Merlin’s AIDS-related illnesses were mild manifestations of what can eventualise with AIDS.  I have always been grateful for that. 

These dreams – one a touchstone dream with Olaf Gamst’s old-souled son as he was during a life when he was an assistant, muse and lover of El Greco’s, the other a dream set remotely in the past on this planet or possibly on another world where the indigenous folks were decidedly extra-human though Sol III human-looking enough – were welcome inspiration. 

Too, the dreams were dreamt during the second sleep cycle that day.  Back then, I took naps as often as I could afford.  Merlin fainted several times each day and the sheer gravity of what we moved through was exhausting at times.  As he would have it, no one knew that Merlin fainted multiple times daily. 

At the time of these dreams, I had taken to the pyramid to meditate with crystals and eventually ended up privately crying at the share stark finality of what imminently loomed on the horizon.  Thus, sleep was a welcome refocussing of my energies – if only briefly.  Of course, sleep and its elixir, dreams, ever kept me focussed, inspired and aware of the macroscopic. 

 

In this the first dream, I see Eleanor Bissell – my Canadian-History and English teacher at Harbord Collegiate Institute; she was doing some gardening in a blue dress that was floral-printed.  This garden had tall old trees in it.  There were hydrangea plants – large ones at that.

I went over and I greeted her and said, “Hello, Mrs. Bissell.”

I told her who I was and she had on her glasses and her breath was short.  She was just the same as when I knew her in the waking state.

 

This dream, the second, was set in another time and another place.  I was captured by this man in a castle-like dwelling.  A very Moorish setting, like in Spain, it was; it was not Moorish architecture like in Northern Africa but it was more so in southern Spain.  Perhaps, it was Andalusia or thereabouts.

It was brown stone which had been burnt by the Sun for years and years, tens of millennia, as a matter of fact.  I got captured and I was taken back into a room with a man; he was saying to me, “Of course you’re mine.  You’re 63%!”

This percentile was supposed to signify, if you like, being bad or evil.

He was describing things to me because he was the epitome of what one would consider evil.  I was saying, “No I’m not.”

I was saying that I didn’t want to be there and wanted to be let out.

The thing is, it was not me; rather, I was the son and he was a bronzed person; he was very swarthy but not Black.  I was his offspring; I was, in fact, his son.  Then some people came in and they were all there and I asked if I could get out with them.  They, however, said no that I couldn’t because they were alright.

They said that they were all 50% and that I was not.  I supposedly had to be 50% and therefore, as I was his son, I had to stay there with him.  I was really upset and somehow I managed to be stealthily taken away during the night, after the father left, by a woman.

She wore long flowing garb and she was again very Mediterranean or Middle Eastern-looking.  She had long limbs and café au lait complexion.  She told me how it all went that I was her son, by the same man, and that she was one of his many lovers.

However, he was never supposed to have a child by her; as a result, when she became pregnant because he so loved her, he broke with tradition and he had her put up in this particular part of the castle.

It was really fortified and very abandoned-looking but she held out there.  Nobody ever came to this part of the castle and it was very terraced and had a lot of inner walls in it.

The walls here were of a slight sandy colour and we were alone at nighttime.  As we were talking, there was battle going on behind us over in another part of the castle; the battle occurred in another part of the fortified town that supported the castle.

There were a lot of cries because there was battle going on.  You could hear a lot of horses neighing and cantering, as in the Crusades, if you like.  I don’t, however, recall having heard any gunfire.

She was telling me not to worry because he would never harm me.  Said she, I was quite well protected.  He did love me in spite of his cruelty and there was no way that he could hurt me because she was fiercely protective of me.

If he had done anything to me, she would be forced to expose him and he knew and feared that eventuality.  She told me to just go on outside and play.  So, I went out into the yard and it was a wonderful elaborate garden – very organic.

It had this pool and there inside were dolphins.  I went in to play with them.  It was a muddied pool but very large like a manmade lake.  They were playing with me as I frolicked in the water with them.

One of them had its fluke pressing down on my bum from above me.  Whilst sandwiched between them under the surface the other used it nose to push up against my breastbone and solar plexus; thus, they propelled me through the water at great exhilarating speeds.

It was a beautiful sense of motion because, of course, they travelled quite fast and they always stayed clear of going out too far.  There was a point at which they had jokingly made a fast turn and I hadn’t caught up.

So I went to stand up and it turned out that it was a very large pool and a rather deep, deep pool.  I panicked when I broke surface and they assisted me back to the shallow area.

When I came back indoors both the father and mother were there now – the swarthy humans, that is.  I said to them that there was something here in the pool a big opening, you could feel it.

I also sensed it from the dolphins as being something in the pool that they themselves feared.  The father figure was laughing and told me not to worry about that because he knew, of course, what it was.  The mother had remained quite silent and looked at me, all the time, because she was slightly to his left and behind him as he spoke.

All three of us were next in a room in the castle and, somehow, the dolphins were here as well.  There was a break in the floor, a wide open hole, and they came up and were swimming and churning up the same muddied-looking dark water.

A man then entered who looked like and was, in fact, the American actor who starred in the film, Paris, Texas.  I think that the actor’s name is, Harry Dean Stanton, but I am not certain of that; he is a scrawny, hard-faced, thin-lipped man.

He came in and had a gun and said, “I want to get paid.  I’m doing work in this building and I’m not getting paid.  I’m tired of being held up here.  Deliver!  Or else I’m going to take you out and shoot you.”

It was an interesting-looking silver gun.  I was standing up on a cabinet and he went to shoot me but I knew that he wouldn’t shoot me.  He had, in fact, turned the pistol so that the two shots rang off to my right.

What surprisingly came out, when he fired the shots, was water; however, it had light in it.  It was like lasered water and it shot out in a large chunky jet and went almost instantaneously to the wall and crashed there.

He shot rounds of it and both parents remained absolutely icy cool; they paid him very little mind.  Later on, the mother telepathically told me not to worry because he couldn’t harm me; too, she telepathically shared that I was not to move and give in to fear.  I was not to show any signs of panic.

*This was clearly a civilisation which was set here on Earth long millennia before the current ape-central, fear-ruled madness we now know.  This was a time long ago in human history when there was contact between both humans and cetaceans.  Telepathy was de rigueur; too, psychic abilities were more evolved then.

Perhaps, this was an Atlantean society or some other civilisation which predated the Atlantean.  The persons were seemingly of Mediterranean extraction and it was, however, definitely not Egyptian.

I would guess that it was post-Egyptian – the latter having occurred easily more than 60 thousand years ago; although, Europeans in their racist elitism – never having had anything to rival pyramids in Europe – reworked the agedness of Egyptian civilisation to their ends.

**I am now left to believe that this was in some way an Extra-Human civilisation where the humans closely resembled Earthly humans.  They were, however, swarthier and were archly telepathic.

Too, their foreheads were also considerably higher and had a slight concave look at the top.  Dolphins, it seems, were kept as indoor pets – just as cats and dogs are for humans.  Hence, there was the watering hole, which led to a vast underground network, where the animals could come and go from the fortified castle to the ocean, however far off.  END.

 

Almost instantaneously, in this the third dream, I was in another scene; it was one in which I was playing and my companion was Lars Gamst.  We were drawing, in fact, we were painting.

Lars said to the same actor, Harry Dean Stanton, who was now with me in this new dream – both the parents, incidentally, were no longer about.  Lars wanted the actor to assist him by editing.

The guy misunderstood him and didn’t know what was what.  What Lars was doing was covering the painting with a black wax and, later, he was then going to strip it off.  So he needed the actor to go and get the chemicals and equipment to go and strip off the wax.

He was somewhat impatient that the guy was so stupid and didn’t understand; Lars had had to spell out what he wanted.  I was trying to explain to the guy what to do and what Lars meant, as well as, the process involved.

When he did go away to get the things, I came over and approached Lars and assisted him in the painting of the work that he was doing.

*A rather insightful dream this one and the energies with Lars were, as ever, pleasant and sublime.  I find this a rather telling dream too because, in later years, on having Lars’s Michael Overleaves charted, I would learn that not only is he an old soul – first level old slave and entity mate to his equally old-souled father (Olaf Gamst) and sixth cast artisan like myself but he was the favoured muse of Doménicos (El Greco) Theotokópoulos and his chief assistant.

Naturally, for Lars to be so immersed creatively in a painterly fashion – in the dreamtime – was truly about revisiting a skill and time in the past which brought him great fulfillment both spiritually and creatively.  This was so clearly an astral plane encounter between us.

Being in Lars’s presence was quite expansive; you could actually feel his soul being deeply creative.  So fully dilated were his pupils, Lars’s eyes were almost pure black.  He was terribly eccentric and clearly there was much bleed-through from his having been greatly inspired in that lifetime by El Greco.  He worked feverishly with great attack.

He quite appreciated the fact that I was not a dolt and could be of able assistance to him.  This was such an astral plane encounter that it was as real and connected as that time we rode the subway together and the connectedness we shared blew my mind.

Incidentally, in that sixteenth century lifetime, Lars was much younger than the great artist and they did have a passionate relationship.  I have a distinct impression that there was a bleed through of what Lars looked like, in that lifetime, as his features were not as they are now; he was more Latin and darker, strong-nosed.

It was an aquiline nose.  Too, he was robust-energied and had massive hands like those of a sculptor’s.  Terribly expressive and passionate, too, were his hands.  END.

 

I was on the phone whilst speaking with Owen Hawksmoor, in this the fourth dream, and I could see about his apartment as we spoke.  I was calling him because I wanted to get laid and I was really raunchy and stir-crazy but he was not up to it.  I start calling him on it and I told him, “Oh yeah, why don’t you get up and go to the bathroom?  And drop your teeth in the glass of water, on your way, before you come back?”

In a very sarcastic manner, I had laced into him to which he responded by being coolly dismissive of me by broadly laughing at my desperation.

Somehow, Pandora da Braga was part of this dream and she had an awareness of my play for Owen and my resultant rejection.

 

*Featured art:  Santiago el mayor by El Greco.  At the time of the dream, Lars appeared as he did in a past life; his was a strong aquiline nose in the dream.  This look features prominently in many of El Greco’s works.  In that past life, Lars was a favoured muse, assistant and lover of El Greco’s who was in a recent incarnation the sublime American artist, Georgia O’Keeffe. 

As Lars is a slave soul, the look of St. Francis and also the look of Christ carrying the cross are those of a slave soul; at least that’s my impression.  Since, Christ was a seventh level king soul on his last life, the El Greco Christ of the aquiline nose is decidedly not a king soul and more so a slave with priestly airs.  Perhaps, this is how Lars looked then. 

What I also love about this particular El Greco painting is that the green draping proves an evocative prelude of things to come, as it were, with regards Georgia O’Keeffe’s sublimely sexualised flower paintings. 

For that matter, I love how Georgia O’Keeffe’s sensual masterpiece, Jack in the pulpit No. IV is a reanimation of El Greco’s Christ on the cross which is in the National Museum of Western Art, Tokyo, Japan

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Art:  Santiago el Mayor

Oil on Canvas

97 x 77 cm

1610 El Greco

Provenance: Museo del Greco

Christ on the Cross

Oil on Canvas

95.5 x 61 cm

1600 El Greco

Provenance: National Museum of Western Art, Tokyo, Japan

Jack in the Pulpit IV

Oil on Canvas

40 x 30 Inches

1930 Georgia O’Keeffe

Provenance: National Gallery of Art, Washington D. C.

Grey Lines with Black, Blue and Yellow

Oil on Canvas

48 x 30 Inches

© 1923 Georgia O’Keeffe

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© 2013-2020 Arvin da Brgha.  All Rights Reserved.

You are not alone.

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Short and sweet, there is only one dream shared here of that day’s dreams.  At the time, it was Sunday, December 3, 1989, less than a month after Merlin’s passing.  Also at that time, the Moon transited both Aquarius and my ninth house.    

As Merlin was making the journey to becoming a fully realised astral plane habitué, for being task companions, many of my dreams were astral plane-focussed.  The dream involved interactions with extra-humans species that I had never before encountered. 

Dreams such as this one always make me grateful for being focussed here on this world.  Though it can at times be anything but civilised, it is still a remarkably beautiful world. 

The dreams that day were recorded on audio-cassette, twenty-eight and to be found in volume III of the dream opus.  As ever, sweet dreams and thank you for your ongoing support. 

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In this the first dream, I was in a far-off place; it was a strange land really.  Truth be told, this dream was focussed on another world.  I went to get on a streetcar/tram because I wanted to get home.  The tram eventually went and made a loop.

The tram here was more like the ones in Europe.  This was a dark, wet, cobblestone old street.  Almost with sentient ease, the tram had the capacity to bend; it was lifelike.

There had been a jerking motion as we moved along the tracks.  Next, I noticed that the tram did a most beautiful U-turn as though it were a snake turning back on itself.

Here, on this world, it was as though the physics gave things the ability to morph.  This was most unusual.  The manoeuvre, I might add, was carried out with the greatest ease.

The tram after having turned around then went back in the opposite direction.  We then crossed a river and were on another bank of the city.  I was now in a raised area and could look back at where we had been.  I was trying to make out on what street I had come along.

I had a companion with me who was talking; I really was not much focussed on my companion’s chatter.  This was a very densely populated area.  I can’t say that it looked like a European city but it was an aged place; yet, everything here was organic.

I then came into this large building and before going up the stairs of this dark, cavernous area, there were people who had come and moved in all-around us.

There were creatures, extra-humans, which were in helmet and combat gear.  I was then going up a gangplank which was like going onto a spaceship.  As a matter of fact, it actually was just that.

Even though these were helmets, they were as one would expect not synthetic but rather organic.  The helmets were almost as though the faces of the people.

In a strange way, they were almost like the many wonderful heads in Egyptian hieroglyphs.  Their helmeted faces were like those of the falcon-headed gods et cetera; they were like a mélange of humanoids, bird and animal forms.

There was one particular creature that was the actual colour black.  The extra-human’s skin seemed like a black body stocking.  This one was a Spiderman-like creature; however, the extra-human’s skin glowed and was black.  This extra-human being was quite a force and had great presence.

He had about his torso and on his back – I never did see his face because special care was taken so that I never saw his face, a soft, blue light aura.  The aura then collapsed in and became a hard blue tendril-like wing apparatus.  In point of fact, he had floated down through the air but the tendril-like appendages were not wings.

Again, this was another display of this world’s rather evolved technologies.  The interesting feature was that he was able to mentally make the aural light collapse; indeed, it was a form of technology which was controlled by the mind.  This light source was very thin and it also undulated.

The light underwent a transformation as he was gliding down to touchdown on the floor of this cavernous building; said building was, of course, the interior of a giant spacecraft.  The collapsed aural light became almost like a backpack which no longer glowed.  Too, the apparatus seemed like a soft metallic medium with some platinum and lapis lazuli hues to it.

The equipment had all the aerodynamic sleekness of something that was a mélange of Art Deco and, perhaps, the very futuristic features of a Porsche vehicle well into the next century.  The apparatus seemed like something that the creative genius, Erté would have designed.  The whole affair was very interesting indeed.

He was coming down to take care of me.  He was a guide and a guard for me and I knew it.  He was quite a force.  All the people gathered around down at the foot of the plank.  I went up into the upper chamber of this place and there were many people about.

Whilst onboard the giant spacecraft, I was helping to apply makeup around the eyes of a woman.  I had a strong sense that Maria di Caspieri was also about.  There were also other human-enough seeming people about; they were, however, extra-humans.  I was applying the makeup and showing them how to best do it.  I started paying more focussed attention to things as I worked.

Whilst all of this was going on, there was an ambush going down all-around us.  There were these enemy troops who were trying to come in and overwhelm us.  They were launching an ambush; they had come inside the giant spacecraft and had managed to trip the security system and make their way in.  Shortly, were about to take us as hostages.

I was at that point quite fearful because they did have the equivalent of weaponry; however, they never did use their weapons.  As they had to be very silent, they chose not to use their weapons.

They had come through an air duct system and had literally bled their way through the wall of the force field.  Not surprisingly, they had simply rendered themselves light and thereby moved through the force field.

This they had also quite skillfully done by jimmying the security system.  However, it was only a matter of time before they would be found out.  This, though, was a trap to try and capture my guide/guard; he was part of a whole legion of other beings who had been down below and looking out for us.

More than that, it was only a matter of time before these interlopers had been outsmarted and gotten rid of.  No one was hurt because there wasn’t any shooting.  They had mentally, by way of telepathy, overwhelmed the foes and tricked them into confusion once they had broken through the force field.

Thus, the interlopers were subdued and thereby any kind of physical struggle or combat was averted.  This was all done psychically, by telepathy, and I was telepathically aware of them doing this.  Even on me, at whom it was not directed, the power of their greater psychic abilities was certainly experienced as a paralyzing force.

This was a very definite, otherworldly dimensional dream experience.  Although I did not have the companionship of my wonderful friend and lover, Merlin, I was still not uncomfortable or out of place.  I felt a strong sense of security for having had my astral guide about.

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Photo: French screensaver of extraterrestrial.

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© 2013-2020 Arvin da Brgha.  All Rights Reserved.