Dolphin House Pets and Glimmers of El Greco’s Muse (Redux)

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On the cusp of the Art Gallery of Ontario’s Georgia O’Keeffe Exhibition opening this month, I am repost this blog.  Do please enjoy.  

Whilst the Moon transited both Libra and my fifth house, these next dreams occurred on October 1, 1989.  Too, it was the seventh anniversary of that magical, and a bit cool, Friday evening in Hell’s Kitchen when Merlin and I would meet… yet again. 

Of course, at the time, he was rather ill with full-blown AIDS and horribly suffering from Candida.  However, as I have known more than 200 persons to have passed of AIDS, Merlin’s AIDS-related illnesses were mild manifestations of what can eventualise with AIDS.  I have always been grateful for that. 

These dreams – one a touchstone dream with Olaf Gamst’s old-souled son as he was during a life when he was an assistant, muse and lover of El Greco’s, the other a dream set remotely in the past on this planet or possibly on another world where the indigenous folks were decidedly extra-human though Sol III human-looking enough – were welcome inspiration. 

Too, the dreams were dreamt during the second sleep cycle that day.  Back then, I took naps as often as I could afford.  Merlin fainted several times each day and the sheer gravity of what we moved through was exhausting at times.  As he would have it, no one knew that Merlin fainted multiple times daily. 

At the time of these dreams, I had taken to the pyramid to meditate with crystals and eventually ended up privately crying at the share stark finality of what imminently loomed on the horizon.  Thus, sleep was a welcome refocussing of my energies – if only briefly.  Of course, sleep and its elixir, dreams, ever kept me focussed, inspired and aware of the macroscopic. 

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In this the first dream, I see Eleanor Bissell – my Canadian-History and English teacher at Harbord Collegiate Institute; she was doing some gardening in a blue dress that was floral-printed.  This garden had tall old trees in it.  There were hydrangea plants – large ones at that.

I went over and I greeted her and said, “Hello, Mrs. Bissell.”

I told her who I was and she had on her glasses and her breath was short.  She was just the same as when I knew her in the waking state.

This dream, the second, was set in another time and another place.  I was captured by this man in a castle-like dwelling.  A very Moorish setting, like in Spain, it was; it was not Moorish architecture like in Northern Africa but it was more so in southern Spain.  Perhaps, it was Andalusia or thereabouts.

It was brown stone which had been burnt by the Sun for years and years, tens of millennia, as a matter of fact.  I got captured and I was taken back into a room with a man; he was saying to me, “Of course you’re mine.  You’re 63%!”

This percentile was supposed to signify, if you like, being bad or evil.

He was describing things to me because he was the epitome of what one would consider evil.  I was saying, “No I’m not.”

I was saying that I didn’t want to be there and wanted to be let out.

The thing is, it was not me; rather, I was the son and he was a bronzed person; he was very swarthy but not Black.  I was his offspring; I was, in fact, his son.  Then some people came in and they were all there and I asked if I could get out with them.  They, however, said no that I couldn’t because they were alright.

They said that they were all 50% and that I was not.  I supposedly had to be 50% and therefore, as I was his son, I had to stay there with him.  I was really upset and somehow I managed to be stealthily taken away during the night, after the father left, by a woman.

She wore long flowing garb and she was again very Mediterranean or Middle Eastern-looking.  She had long limbs and café au lait complexion.  She told me how it all went that I was her son, by the same man, and that she was one of his many lovers.

However, he was never supposed to have a child by her; as a result, when she became pregnant because he so loved her, he broke with tradition and he had her put up in this particular part of the castle.

It was really fortified and very abandoned-looking but she held out there.  Nobody ever came to this part of the castle and it was very terraced and had a lot of inner walls in it.

The walls here were of a slight sandy colour and we were alone at nighttime.  As we were talking, there was battle going on behind us over in another part of the castle; the battle occurred in another part of the fortified town that supported the castle.

There were a lot of cries because there was battle going on.  You could hear a lot of horses neighing and cantering, as in the Crusades, if you like.  I don’t, however, recall having heard any gunfire.

She was telling me not to worry because he would never harm me.  Said she, I was quite well protected.  He did love me in spite of his cruelty and there was no way that he could hurt me because she was fiercely protective of me.

If he had done anything to me, she would be forced to expose him and he knew and feared that eventuality.  She told me to just go on outside and play.  So, I went out into the yard and it was a wonderful elaborate garden – very organic.

It had this pool and there inside were dolphins.  I went in to play with them.  It was a muddied pool but very large like a manmade lake.  They were playing with me as I frolicked in the water with them.

One of them had its fluke pressing down on my bum from above me.  Whilst sandwiched between them under the surface the other used it nose to push up against my breastbone and solar plexus; thus, they propelled me through the water at great exhilarating speeds.

It was a beautiful sense of motion because, of course, they travelled quite fast and they always stayed clear of going out too far.  There was a point at which they had jokingly made a fast turn and I hadn’t caught up.

So I went to stand up and it turned out that it was a very large pool and a rather deep, deep pool.  I panicked when I broke surface and they assisted me back to the shallow area.

When I came back indoors both the father and mother were there now – the swarthy humans, that is.  I said to them that there was something here in the pool a big opening, you could feel it.

I also sensed it from the dolphins as being something in the pool that they themselves feared.  The father figure was laughing and told me not to worry about that because he knew, of course, what it was.  The mother had remained quite silent and looked at me, all the time, because she was slightly to his left and behind him as he spoke.

All three of us were next in a room in the castle and, somehow, the dolphins were here as well.  There was a break in the floor, a wide open hole, and they came up and were swimming and churning up the same muddied-looking dark water.

A man then entered who looked like and was, in fact, the American actor who starred in the film, Paris, Texas.  I think that the actor’s name is, Harry Dean Stanton, but I am not certain of that; he is a scrawny, hard-faced, thin-lipped man.

He came in and had a gun and said, “I want to get paid.  I’m doing work in this building and I’m not getting paid.  I’m tired of being held up here.  Deliver!  Or else I’m going to take you out and shoot you.”

It was an interesting-looking silver gun.  I was standing up on a cabinet and he went to shoot me but I knew that he wouldn’t shoot me.  He had, in fact, turned the pistol so that the two shots rang off to my right.

What surprisingly came out, when he fired the shots, was water; however, it had light in it.  It was like lasered water and it shot out in a large chunky jet and went almost instantaneously to the wall and crashed there.

He shot rounds of it and both parents remained absolutely icy cool; they paid him very little mind.  Later on, the mother telepathically told me not to worry because he couldn’t harm me; too, she telepathically shared that I was not to move and give in to fear.  I was not to show any signs of panic.

*This was clearly a civilisation which was set here on Earth long millennia before the current ape-central, fear-ruled madness we now know.  This was a time long ago in human history when there was contact between both humans and cetaceans.  Telepathy was de rigueur; too, psychic abilities were more evolved then.

Perhaps, this was an Atlantean society or some other civilisation which predated the Atlantean.  The persons were seemingly of Mediterranean extraction and it was, however, definitely not Egyptian.

I would guess that it was post-Egyptian – the latter having occurred easily more than 60 thousand years ago; although, Europeans in their racist elitism – never having had anything to rival pyramids in Europe – reworked the agedness of Egyptian civilisation to their ends.

**I am now left to believe that this was in some way an Extra-Human civilisation where the humans closely resembled Earthly humans.  They were, however, swarthier and were archly telepathic.

Too, their foreheads were also considerably higher and had a slight concave look at the top.  Dolphins, it seems, were kept as indoor pets – just as cats and dogs are for humans.  Hence, there was the watering hole, which led to a vast underground network, where the animals could come and go from the fortified castle to the ocean, however far off.  END.

Almost instantaneously, in this the third dream, I was in another scene; it was one in which I was playing and my companion was Lars Gamst.  We were drawing, in fact, we were painting.

Lars said to the same actor, Harry Dean Stanton, who was now with me in this new dream – both the parents, incidentally, were no longer about.  Lars wanted the actor to assist him by editing.

The guy misunderstood him and didn’t know what was what.  What Lars was doing was covering the painting with a black wax and, later, he was then going to strip it off.  So he needed the actor to go and get the chemicals and equipment to go and strip off the wax.

He was somewhat impatient that the guy was so stupid and didn’t understand; Lars had had to spell out what he wanted.  I was trying to explain to the guy what to do and what Lars meant, as well as, the process involved.

When he did go away to get the things, I came over and approached Lars and assisted him in the painting of the work that he was doing.

*A rather insightful dream this one and the energies with Lars were, as ever, pleasant and sublime.  I find this a rather telling dream too because, in later years, on having Lars’s Michael Overleaves charted, I would learn that not only is he an old soul – first level old slave and entity mate to his equally old-souled father (Olaf Gamst) and sixth cast artisan like myself but he was the favoured muse of Doménicos (El Greco) Theotokópoulos and his chief assistant.

Naturally, for Lars to be so immersed creatively in a painterly fashion – in the dreamtime – was truly about revisiting a skill and time in the past which brought him great fulfillment both spiritually and creatively.  This was so clearly an astral plane encounter between us.

Being in Lars’s presence was quite expansive; you could actually feel his soul being deeply creative.  So fully dilated were his pupils, Lars’s eyes were almost pure black.  He was terribly eccentric and clearly there was much bleed-through from his having been greatly inspired in that lifetime by El Greco.  He worked feverishly with great attack.

He quite appreciated the fact that I was not a dolt and could be of able assistance to him.  This was such an astral plane encounter that it was as real and connected as that time we rode the subway together and the connectedness we shared blew my mind.

Incidentally, in that sixteenth century lifetime, Lars was much younger than the great artist and they did have a passionate relationship.  I have a distinct impression that there was a bleed through of what Lars looked like, in that lifetime, as his features were not as they are now; he was more Latin and darker, strong-nosed.

It was an aquiline nose.  Too, he was robust-energied and had massive hands like those of a sculptor’s.  Terribly expressive and passionate, too, were his hands.  END.

I was on the phone whilst speaking with Owen Hawksmoor, in this the fourth dream, and I could see about his apartment as we spoke.  I was calling him because I wanted to get laid and I was really raunchy and stir-crazy but he was not up to it.  I start calling him on it and I told him, “Oh yeah, why don’t you get up and go to the bathroom?  And drop your teeth in the glass of water, on your way, before you come back?”

In a very sarcastic manner, I had laced into him to which he responded by being coolly dismissive of me by broadly laughing at my desperation.

Somehow, Pandora da Braga was part of this dream and she had an awareness of my play for Owen and my resultant rejection.

*Featured art:  Santiago el mayor by El Greco.  At the time of the dream, Lars appeared as he did in a past life; his was a strong aquiline nose in the dream.  This look features prominently in many of El Greco’s works.  In that past life, Lars was a favoured muse, assistant and lover of El Greco’s who was in a recent incarnation the sublime American artist, Georgia O’Keeffe. 

As Lars is a slave soul, the look of St. Francis and also the look of Christ carrying the cross are those of a slave soul; at least that’s my impression.  Since, Christ was a seventh level king soul on his last life, the El Greco Christ of the aquiline nose is decidedly not a king soul and more so a slave with priestly airs.  Perhaps, this is how Lars looked then. 

What I also love about this particular El Greco painting is that the green draping proves an evocative prelude of things to come, as it were, with regards Georgia O’Keeffe’s sublimely sexualised flower paintings. 

For that matter, I love how Georgia O’Keeffe’s sensual masterpiece, Jack in the pulpit No. IV is a reanimation of El Greco’s Christ on the cross which is in the National Museum of Western Art, Tokyo, Japan.  END.  

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Art:  Santiago el Mayor

Oil on Canvas

97 x 77 cm

1610 El Greco

Provenance: Museo del Greco

Christ on the Cross

Oil on Canvas

95.5 x 61 cm

1600 El Greco

Provenance: National Museum of Western Art, Tokyo, Japan

Jack in the Pulpit IV

Oil on Canvas

40 x 30 Inches

1930 Georgia O’Keeffe

Provenance: National Gallery of Art, Washington D. C.

Grey Lines with Black, Blue and Yellow

Oil on Canvas

48 x 30 Inches

© 1923 Georgia O’Keeffe

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© 2013-2025 Arvin da Brgha.  All Rights Reserved.  

Older Souls Commune.

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So, on Friday, November 3, 1995, as the gibbous Moon waxed in Pisces – measurably drifting across my tenth house – I would dream this dream which concerned the dynamic between both Merlin and Oleg.

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A house that much reminded me of the one in Crab Hill, Sandy Point, St. Kitts proved the setting for this most potent dream.  There were five of us here; although, one person’s identity now eludes me.

There in the living room, seated on the blue sofa of our Crab Hill home, was Merlin with his back to the north.  Directly behind him was the five-foot oblong mirror; it was hung against the living room’s wall.  On the other side of that wall, in the waking sate, was Harella’s bedroom.

Here in the dreamtime, which was definitely astral plane in focus, the living room was elongated; it was more oblong-shaped, along a north-south axis.  Merlin’s right side was closer to the veranda and the main road with the McHughs across the road.

Across the room from me, with her back to the street and facing due east, was Gita Gurucharan – Oberon Samuelson’s lovely wife and mother to miracle worker extraordinaire, Vijayalakshmi Gurucharan.  Oleg de Brontë was seated directly opposite Merlin.

There was a man, to my immediate left, who sat directly opposite Gita.  Whilst I was closer to Merlin than anyone in the room, I was not however sharing the sofa with him.

Abruptly, Merlin got up and took his leave of us.  He went into Harella’s bedroom.

The others had dropped by to visit.  It was clear, early on, that Merlin simply wasn’t into it.  There was strain to the social dynamic which Merlin put an end to – he rudely took his leave of us.  This was so unlike his former self during his recently-concluded incarnation.

Yet, I fully understood where he was coming from.  Whilst being in the soul state, he was now more so his true self.  This gathering of persons represented the past to him, which at this point, clearly served no interest for him.

I then got up and stood next to Gita who was on my right.  After Merlin rudely took his leave of us, we had all silently gotten up.  To say the least, it was awkward.  As we faced towards the dining room, our backs were now to the veranda.

Filling the void that Merlin’s departure had created, Gita and I began making conversation.  To say the least, it was a strained, canned affair.

Here, I was keenly aware of how much I am dismissed as a social misfit.  I was aware that these were persons who had long ago decided that I was not the swiftest of souls – I don’t indulge in clever repartee and such plastic aggressiveness when socialising.

The Black man then came over; he was tall and handsome with a gorgeously mesomorphic body.  He stood to my left, directly facing Gita, and began talking.  There were a lot of pauses here; they were trying to get me to shove off by firmly excluding me.

Finally, I dryly said,

“Well, I’m going to go and see how my man is doing.”

I then walked between the chairs, on which Oleg and the Black man sat, as though heading for the boys’ bedroom rather than Harella’s to which Merlin had retreated.  I then, however, made an abrupt turn left going instead through the door from the living room to Harella’s bedroom.

On entering the bedroom, I saw that Merlin was lying in the girls’ bedroom next-door.  Merlin seemed as though asleep.  He did look as though ill with full-blown AIDS.  It was not, however, distressing to have seen him thus; I was lucidly awakened here.

Initially, when out in the living room, Merlin looked robust and even leaned towards a robust, mesomorphic body type.  It was clear though that having to visit with these persons, from the past, had very much so enervated his spirits.

Rather than sit there interminably, enduring what was an unpleasant situation for him, he thankfully had taken refuge when he had.  On drawing closer to him, I gently caressed his face – all the while thinking of how difficult this was for him.

I wanted to share some of my energies with him; I wanted to restore his.  The vibrations from the living room, however, were distracting.

After excusing myself from Merlin, I returned to the living room.  Immediately, I dramatically shifted personae and became rude.  I told them to sit down, at which point, we all did.

Oleg then got up after awhile; he was holding a long-necked, brown beer bottle.  There were three empty identical ones on the floor and next to his chair.  There was no mistaking the fact that he was drunk.

‘Who the hell gets drunk on the astral plane anyway?’

Oleg wore a woollen jacket that was dark and nondescript.  Incidentally, on my return, the Black man was no longer present.  In his place was a White man with the same physical description; he came over trying to save face.

The unfamiliar man charmingly suggested that it was time that they pushed off.  Oleg had gotten very drunk indeed; he was not at all being belligerent.

It turned out that Oleg had gotten emotionally distraught – about Merlin’s condition; he was upset at the way that things had turned out between them.  The fact that things were unresolved between them, at the end of Merlin’s last life, caused Oleg a great deal of distress.

He did not know how else to deal with it; thus, Oleg got miserably drunk.  I wanted to be of solace to Oleg, however, since my energies were already committed to being with Merlin that option proved a nonstarter.

Clearly, Gita and the other man had been there to try and broker some sort of peace between Oleg and Merlin.  Obviously, Merlin was not up to it.

At one point, I had actually headed to the dining room and called back to Oleg.  My voice rang out as I asked Oleg if he wanted another beer.

This was the point at which the unfamiliar White man had interrupted and declined the offer; instead, he suggested that they take their leave of Merlin and me.

Oleg, of course, was inclined to take another drink.  I did not like my role here – that of keeping Oleg grounded by drink.  Certainly, it did give the impression that I was trying to block any resolution or any communion between both him and Merlin.

Although, to be honest, Oleg had begun drinking after Merlin had left the room.  It was quite embarrassing really.  Oleg could hardly get up – let alone stand on his own.

The man had had to rush to Oleg’s aid.  Like Merlin in the bedroom, Oleg was completely enervated though he had used alcohol to drown his pain.

Oleg was devastated that Merlin was not going to return.  More importantly, Oleg knew that Merlin had positively no intentions of suffering him for a minute.

The man threw his arms about Oleg and braced him up.  More than that, he was fortifying his very spirit.

Again, I took my leave of them in the living room and headed back for Merlin.  However, I did not spend time visiting with Merlin.

On returning to the bedroom, I got a long, black, woollen evening coat.  It was rather expensive and cut close to the body.  Bearing the coat, I returned to the living room where I insisted that Oleg take it to stay warm.

For not realising that he had been drinking to excess, I had felt badly.  He was truly distraught; nothing pained me more than seeing this truly beautiful man’s spirit in disrepair.

Whilst his White friend got him into the coat, I stood in back of a disjointed Oleg and held the evening coat open.

Interestingly enough, Oleg’s handsome, Black friend earlier was the same handsome Black man, with the striking resemblance to Maxwell Bowleson – he had appeared with him in that august-energied dream, on Friday, July 21, 1995.

Eventually, they all took their leave of the house; they were rather low-key when doing so.  When I had returned to the living room, after having visited with Merlin in the girls’ bedroom, Gita had not said anything further.

No sooner than had they all left the house that Merlin came out to the living room to join me.  I was surprised to see that he was again looking so healthy.

Directly opposite Merlin, I now sat alone.  Merlin silently sat there.  Whilst consciously sending him loving energies, I held my back erect.

Much to my surprise and amusement, Merlin carried a large, clear plastic bag with about 1.5 pounds, likely more, of marijuana.  Merlin meticulously rolled a large thick joint with all the Zen focus as he had when incarnate.

I sat there being truly blown away at the sight.  I had completely forgotten the sublime, almost Zen, sight of Merlin rolling a joint.

Moments like this were when Merlin really turned up the hues of his magus nature.  It was a groove into which he slipped, in order to conceptualise – to non-linearly think.

These ganja joints were so thick that they looked like short white cigars; they certainly smoked profusely like a cigar does.  I was mildly humoured by Merlin’s realness.  It was grounding.

On looking up, Merlin paused before lighting up and turned up the sensual hues in his large brown – which they were not when incarnate – eyes.

Coolly, Merlin intoned,

“I have no intentions of seeing these people…”

He then pursed the fat joint in his rosy lips and lit up.  Casually, Merlin blew on a long even breath that readily perfumed the air with its pungent aroma.

Up to that point, the room was sillaged by that most glorious of scents patchouli – it was Merlin’s favourite fragrance.

As an afterthought, Merlin added that Oleg had intended to come back tomorrow and join him for lunch.  There was supposed to be some woman or other present then.

Apparently, it was not going to be either Morag O’Hoare or Gita Gurucharan.  I don’t know who she was supposed to be but it was also definitely not Elektra Skanczchowicz – and definitely not Hélène Plotte-Visage.

Merlin took his time and drew on another breath.  He then announced that the luncheon had been arranged by none other than Maxime Gascoigne-de Montigny.  Merlin, however, was not into it.

“Are you sure that you’re going to be up to it?” I asked obviously concerned.

As I looked across the room at Merlin, I spent a great deal of time being spiritually focussed and sent him energy.  What was really interesting in this process was that with his long even breaths, when dragging on the ganja joint, I used his breathing rhythm to become harmonised with his vibration.

The focussed process of sharing my energy with him was very potent – real.  The energy flowed with great ease.  For being intensely lucid, I thought of elevating my vibration’s frequency.  I had hoped to thus cycle off a ton of my energy into Merlin.

I accomplished this by envisioning us both encircled by spheres of intense blue-white light.  Soon, I saw my energy body cycling off a coil of white light.

This light originated both from the top and bottom of the sphere of light which completely enveloped my seated body.  The light travelled the distance between us, across the room, some seven feet away at most.

It made contact with both poles of his energy body’s identical sphere’s integrity.  Together, we were truly in communion soul-to-soul.  The interesting thing here was that we both continued casually visiting though I knew that Merlin was keenly aware of the energy work that was being accomplished between us.

As he continued his detached Zen-like smoking, I knew that it served as a backdrop to his being receptive of the energy work that I was doing on his behalf.  Our breathing was completely synchronised.

I used each inhalation to draw off the negative vibrations.  It was this energy that had caused him to become completely enervated when seated opposite Oleg whom he clearly had no desire to have encountered.  Merlin then chose to abruptly retire, whilst the others visited, to the girls’ bedroom to crash.

With each exhalation, I sent him intense, white-light energy that was being liquidly drunk by his energy body.

The marvellous thing about this entire experience was how utterly feminine Merlin’s modalities were.  This was in marked contrast to my very masculine, martial, warrior-energied focus.

It was truly a validation of the creative principle, Merlin being yin to my yang.  Together we were becoming whole.  Together our energies were perfectly harmonised.  As a result, Merlin’s energies were thusly realigned.

Too, for being in this very expansive state, I caught brief glimpses of the outlines of the light energies that were being manifested between us.  During the moments when he would exhale potent puffs of smoke, I observed the manifested spheres of light each time.

The smells of the patchouli and ganja, combined with the ganja’s smoke, created the effect. I was so grounded for being here in this astral plane reanimation of the Crab Hill, Sandy Point, St. Kitts house.  It was a truly sublime magus experience.

It was clear that Merlin had no desire to experience unpleasant aspects of the past.  As he sat there, Merlin waited for the air to clear; he waited for the ganja to wane and the strobe of the light spheres to fade out before replying,

“No, no.  It’s okay.  I’ll be okay…”

As Merlin spoke for the first time, he looked healthier than he had looked at any point before during our astral plane dream encounter.

Earlier, he was lying on his stomach with his left cheek on the pillow; his face looked out the door that led to the room from Harella’s bedroom.  There was a cool sheen of sweat then that covered his brow and body; he laid there looking truly wasted.  

Even his breathing was loud then.  As I patted his cool brow, I could hear the crackling in his lungs that suggested that he was again suffering from a bout of pneumocystis.  On soothing his spirit, I had brushed the wet strands of his shoulder-length hair from his brow.  

It was so very good to have seen Merlin.  The most exquisite pleasure of being in his presence was the great sense of peace that I felt for seeing him whole again.

The simple act of his rolling a joint was, for me, on the order of bliss; he was transcendent.  Of course, as was the case during our relationship in the waking state, he did not offer me a toke of the cigar-like joint.

I do know that I found the second-hand smoke pleasurable.  It was sweet; it did much to relax me, along with the focussed deep breathing that I independently did – that we did in unison and which had been triggered by his breaths when smoking the joint.

Feeling the need to come down from the intense energy work that I had accomplished with Merlin, I got up and walked slowly over to Merlin.  I asked him if he was going to be okay on his own.

He assured me that I had nothing to worry about; he would be fine.  I knew it too.  So with that, I took my leave of him.  In a bid to move back into my regular-dream body, I went out to get some air on the veranda.

He assured me that I did not need to come back, later on, and join him.  He would be quite okay to handle things on his own, he assured me.  I believed him.

Merlin simply glowed throughout; his cheeks were flushed and fleshy even.  Merlin looked centred and genuinely contented.

I then found some ice cream, beneath one of the living room chairs, which earlier I had been eating.  Naturally, it was not all that great as it had melted down and lost its flavour.

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Photo: Colliding galaxies.

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© 2013-2025 Arvin da Brgha.  All Rights Reserved.