Tea Time!

August 1, 2022October 18, 2022 Arvin da Brgha1 Comment

**HM The Queen. 21.4.1926 Tiger 3.7.7 = 8**

All sevens can see beyond the veil and they are always without exception very refined, reserved and do not do uncouth nor drama. Why is that you ask? At the core of their being, such persons are callously amoral – they do not care… they do not empathise. So then let’s peer beyond the gullible small-islanders’ inability to look beyond the rigorously maintained façade of the major players of the BRF and, in particular, relative to the Duke & Duchess of Sussex.

Diana, Princess of Wales 1961 <O> 1997

Why would HM The Queen take so long to present after Diana’s death? She did not give a damn, the woman was an inconvenience and she was not going to honour her by appearing before the little people, who clearly loved Diana above all others in the kingdom. She detested Diana. She also had to come to terms with the fact that Diana was eliminated and clearly a lot of atoning had to be done to eventually face the public. Her appearance with the windows of Buckingham Palace open was a cold, ugly affair. Don’t ever forget, PM Tony Blair had to beg HM The Queen to come forward and address the very pained public.

HM The Queen’s Tribute to Diana, Princess of Wales

Apart from this utterly saccharine speech, there were moments captured of HM The Queen outside Buckingham Palace on the family’s return from Balmoral. Whilst Charles, William and Harry attended The Queen and HRH Prince Philip, Duke of Edinburgh, the Queen’s reaction to the grieving subjects was a cold nasty affair. There was one point where someone reached out to her in their moment of grief and despair at Diana’s death and she simply shuddered and moved on with a smile that was the fakest most mechanical movement of facial muscles imaginable. Regardless what she said in that speech, this is the same woman who did absolutely nothing as Diana emotionally and mentally fell apart whilst the rest of the BRF and staffers abused Diana. Of course, it goes without saying, Diana was struggling with the fact that she was not loved and they all knew that Charles and Camilla were true lovers – especially if that child sequestered in Australia is the adulterers’. Nonetheless, they could, none of them: HM Queen Elizabeth, The Queen Mother, Charles, Philip, Anne and the entire ghoulish cast, have given two fucks how mightily Diana suffered. Tough!

**Diana, Princess of Wales & Dodi Al-Fayed**

Regardless what one may think of Mohamed Al-Fayed; there is very little to suggest that the man was just a grieving father. He had the means to have had the truth of the matter rigorously investigated. The classist, racist British establishment and the BRF did not want the disgrace, as they perceived it, of the mother of a future king of the realm being wedded to an Arabic, moneyed Moslem whom they thought of as being too brash and having bought his way in, when in fact he was not especially wanted. There was a price to pay.

**Dodi Al-Fayed 17.4.1955 Goat 8.3.5 = 7**

Dodi and Diana had two numbers in common, 8 & 7. For both of them, theirs was a 7 in the fourth position; this placement of 7 is more often than not the sign of public assassination – and not just merely assassination. Numbers do not lie; Mohamed knows the truth. Besides, as a father, he would have had countless dreams after Dodi’s passing in which he would have been enlightened as to what really took place and who the source of the assassination order would have been. The Duke of Lancaster would not have been unaware.

**Duke & Duchess of Sussex, St. Paul’s Cathedral June 03, 2022.**

Just remember, what is past, is present, is future. Everything that the Sussexes are being put through, is precisely what Mohamed Al-Fayed experienced from the British Establishment, aristocracy and BRF. Of course Mohamed Al-Fayed certainly had no qualms about telling them all to go to hell and did, as well he should have. They crucified his son for having the temerity to seek to join the BRF by proxy.

**Mohamed Al Fayed 27.1.1929 Dragon 9.1.4 = 5**

They would have been spied on by Mi5 and CIA and obviously, the very day that Dodi went out and purchased a 700$k engagement ring for a known expectant, Diana, Princess of Wales, they incredulously perished in a car crash. Of course, Diana survived; however, she was not meant to have survived so she was then put down. It takes a copious dosage of morphine or whatever else they did, to have Diana finally stop being a goddamn pain in the arse. Never forget that she had provoked their ire by producing a firstborn with decidedly Bourbon markers. In all of this, of course, was Mohamed Al-Fayed whose numerology coupled with his wealth, assured that he did not give a damn and called it as he saw it, which is to say that he was and remains spot on about what went down.

Diana’s appalling treatment by the senior royals, of which HM The Queen was keenly aware, was savage in the extreme. One should not be in the least surprised that Meghan, a Black American self-made woman with more charisma, intellect and eloquence than the slovenly broodmare who gave birth to the blasted freak, Prince Damien, was racially preyed on and driven out of the kingdom. Good fucking god, how in high hell do you explain that hideous woman, Princess Michael of Kent being at Meghan’s wedding after she had worn the blackamoor brooch to The Queen’s Christmas lunch, 2017. She then was sat closer to the Prince & Princess of Wales (Camilla rightfully should be called the Princess of Wales because she literally cannibalised Diana, Princess of Wales; calling her Duchess of Cornwall is too good – she should be labelled as what she is) and the Duke & Duchess of Cambridge at The Queen’s platinum jubilee service of thanksgiving at St. Paul’s Cathedral on June 03, 2022 than even the Wessexes, whilst the Sussexes were sat across the aisle and behind the Wessexes and next to the disgraced Duke of York’s two daughters and their admirable spouses. All this would have been with the tacit approval of HM The Queen, yet I certainly hope that the Sussexes do not see the monarch as being in any way an ally of theirs; she is not.

**Lord Snowdon, Princess Michael of Kent & Mark-Francis Vandelli**

Per the ubiquity of a fly on shit, there has been Princess Michael of Kent aka Princess Blackamoor, partout. She was forever holding holier-than-thou court in the royal box at Wimbledon 2022 as if the point needed to be stressed further, beyond the seating at St. Paul’s Cathedral on June 03, 2022. But lapping it up in spades, she most certainly was. Less than a month prior, there was Lord Snowdon, who sat like the Kents, close to the Cambridges and next to that aesthetically challenged buffoon with the mannish spouse, and on leaving St. Paul’s Cathedral, made a point of completely ignoring the Sussexes as they waited at the top of the stairs for their ride. Snowdon, at the time, snickered and went to chat up the clown, who had been seen embraced and his loyalty assured by William recently photographed for effect, hugging him, as they smugly telegraphed to the world their collective snub of the Sussexes. Of course, there sat Snowdon in the royal box at Wimbledon, who had been found being intimately same-sexed, which male royal never does, sat next to that blasted classist boor, minor TV thespian and snob, legs crossed and his mangina’s anal verge likely just-so softly plush for being filler-saturated. Of course, it goes without saying, his plush bussy was also likely waxed and bleached. Charmant. Sooner or later, Princess Blackamoor will crawl the frig into her casket and when she does, she most definitely will rot the fuck in hell with Idi Amin sat on her god-fugly face – the vile racist swine. Rule number 1, you don’t like Black people… fuck you! As Merlin once remarked, “What good is Black rage if it’s kept in a Ming vase on the mantel?”

**Martina Hingis & Duchess of Cambridge at Wimbledon**

As if it were not enough to drive home the fact that the Cambridges are really hyper-obsessed with putting that BBD – no, not big Black dick, Black Bitch/Diva, Meghan, in her place, Catherine just had to invite Martina Hingis to the royal box. Not as if she had won multiple grand slams at Wimbledon or something, like the Williams sisters.

**Prince William day after the Sussexes’ interview with Oprah Winfrey aired.**

Of course, Hingis was notorious back in the day to have alleged that there was no racism in tennis and she had no clue what the Williams sisters and their father were going on about. Always, the racists give themselves away by readily opining about the non-existence of racism.

Princess Blackamoor’s daughter who always looks like the sporty buffoon’s very mannish wife’s twin brother who’s recently fully transitioned. Surprise, surprise, though Princess Blackamoor feigned approval, in the end her ambiguous-gendered spawn came to her senses and married a perfectly sensible WASP, rather than the Dravidian, who though not Black, is not White.

Of course, the only one who was both elegant and the epitome of class, was the very stylish, acerbic Olivia Bentley of Made in Chelsea, who obviously does not hang around with grifters whose baby daddy has of late been dropping soap and being somebody’s bitch. This was at the recent service of thanksgiving for a loved royal confidante.

So strange this tale and, of course, whatever you want to believe of what was said to have actually occurred, you are free to so choose. Asking for cigarettes is certainly telling.

Here’s a little insight into HM The Queen’s amoral 7thness; she returned to London from Malta, gave birth to HRH Princess Anne, Princess Royal then returned to Malta sans new-born mere days later. Naturally, it was the nannies’ duty to care for the new-born. Why should any Queen have to be a mere mother, indeed. Back to Malta she returned to her favoured stallion.

Of course, 8 years later after some obvious froideur, along comes what would in her tenth decade prove her own nightmare and Jeffrey Epstein’s prized blackmail, sex-crazed royal addict, whose second offspring bears an uncanny resemblance to the much favoured steed, Porchy.

As with Mohamed Al-Fayed, the Windsors and their organisation have got all the power to act like a unchallenged crime syndicate. Just as Mohamed was dismissed by the media as being a cuckoo, grieving old man for asking pertinent questions at the death of his son, Dodi Al-Fayed and his new love, Diana Princess of Wales, so too they have managed to have Meghan, Duchess of Sussex eviscerated in the media. Too bad for them though that they do not control American media and Meghan is an American and has power players in her corner who will always matter. Just look at the power of the Windsors. Lady Colin Campbell has never been able to write a biography about the Duke & Duchess of Cambridge. Obviously, this is because Prince William, a tempestuous stubborn customer, has made it perfectly clear to all the royal rota hacks and more importantly all the heads of the book publishing houses that there is to be no permission or approval of biographies of either him or his dull-as-dishwater wife with an equally violent temper.

Eleven years into their marriage and the only biography to have been written about either the Duke or Duchess of Cambridge has been “William at 40″ by Robert Jobson. Lady Colin Campbell writing her scathing tomes on the Sussexes is all about income stream for her. In the long term, she is hoping that this puts her in favour with the Cambridges, who see her for the gutter-sniping fraud that she is. Just think about it, the Poundland Countess, with her very own castle, has never written a book about Camilla, Charles or William and Catherine. How free is the press in the kingdom, if one cannot write about some members of the BRF? As such, it is a land of flagrant propaganda and little else as the pantomime rolls from one generation to the next as it has from one millennium to the next.

Moreover, when it pleases the Windsors and the firm to be oversaturated in the media, there is always a sacrificial lamb proffered. Diana was never liked by her husband, even less so by his mother, who knew all along that she was a convenient cover for Charles’s dalliances and Australian-disposed baggage, all of which would be conveniently covered up with Diana being skewered in the media. There are two things that the modern BRF do with predicable élan: royal weddings, which sell the fairy story and then the scandals follow thereafter. Charles and Diana, the wedding of the century, followed soon thereafter by Sarah, Duchess of York being fed to the Fleet Street abattoirs. Of course, as we have now come to see, “Fergie” was the initially proffered lamb, as it turns out, it was so much smoke and mirrors to cover the Wales’ toxic sham of a marriage, which was coming fast undone.

There is a part of me that secretly likes this woman because at the end of the day, she is Jamaican and there is only one word which does not exist in Jamaican patois… shy! Guaranteed, you will laugh loudest when with Jamaicans!

Lady Colin Campbell Books:

Publication Order of Standalone Novels

Empress Bianca

(2008)

It’s been pulped and I’ve a copy

Publication Order of Non-Fiction Books

Lady Colin Campbell’s Guide to Being a Modern Lady	(1986)
Diana in Private	(1992)
The Royal Marriages	(1993)
A Life Worth Living	(1997)
The Real Diana	(2005)
Daughter of Narcissus	(2009)
The Untold Life of Queen Elizabeth, The Queen Mother	(2012)
The Queen’s Marriage	(2018)
People of Colour and the Royals	(2019)
Meghan and Harry	(2020)

Voilà! Not a single biography of adulterers Charles & Camilla. So too none of Prince Philip, HM The Queen, HRH Princess Anne, Princess Royal and, of course, none of either William and Catherine, together or alone. How in high hell can the most deliciously scathing biographer of the realm not once have put pen to paper and written from Porchy to Rose Hanbury and all the juicy tea.

**Penelope Knatchbull, Countess Mountbatten of Burma**

Furthermore, where is that biography of Prince Philip and Penelope, star-crossed lovers? Indeed, Penelope Knatchbull, Countess Mountbatten of Burma was not only well-sat at the Westminster Abbey service of thanksgiving for HRH Prince Philip, Duke of Edinburgh but also, she was the only non-Windsor family member in attendance at HRH Prince Philip’s funeral in April 2021, ‘trusted confidante’ of the late prince as she was… take a sip dears. God only knows, it is not as if, Lady Colin Campbell has another 50 years of living and writing to go; certainly, the recent passing of the elegant Lily Safra should have given her pause. Stop inciting hatred for dollars on YouTube and get to writing! Just look at the wealth of material: Porchy, Penelope, Camilla, Tampon-Prince, their Australian-sequestered love child… and obvious others.

**Meghan, Duchess of Sussex & Henry, Duke of Sussex**

Speaking of biographies… I will not include herein a picture of his fucking ugly face; however, suffice it to say, no other group are possessed of need to incite anti-Black racism as are some Jews, in particular Ashkenazi. Of course, such persons are always, as is the cultural norm, readily believed and their word seen as divine law. As I am Afro-Sephardic, I could not give a goddamn whom so fuck-all takes offence. This man has written a scathing biography, which is lauded in all quarters because god only knows, not only does he clearly walk on water but he obviously farts Skittles.

15/9/1984 Rat Henry, Duke of Sussex 6.6.1 = 4

4/8/1981 Rooster Meghan, Duchess of Sussex 4.3.4 = 11

6/5/2019 Pig Archie Harrison 6.2.5 = 4

4/6/2021 Ox Lilibet Diana 4.1.6 = 11

In numerology there are no lies… as in dreams. There is perfect synergy between Harry’s and Archie’s numbers, just as the same is true between Meghan’s and Lilibet Diana’s numbers. According to one of many lies being peddled by this charlatan biographer, who is just loving inciting more hatred for Meghan for having stepped out of her pre-ordained line – some people – Meghan could not have been born in 1981 and clearly is possibly as old as 46. Well, I have run the numbers and each child will numerologically have at least 2 numbers as the parent with whom they have a parenting bond. Obviously, as with Archie & Harry, Lilibet Diana would have to have been born with master number 11 like Meghan for there to be that harmony. Also, Lilibet Diana would be born with master numbers when it is so closely bonded a family; it is literally them against the Windsor’s world, which is considerable.

**Meghan, Lilibet Diana & Mrs. Misan Harriman and Kids**

4/8/1981 Rooster Meghan Markle 4.3.4 = 11

4/8/1975 Rabbit Meghan Markle 4.3.7 = 5

4/8/1976 Dragon Meghan Markle 4.3.8 = 6

4/8/1977 Snake Meghan Markle 4.3.9 = 7

4/8/1978 Horse Meghan Markle 4.3.1 = 8

4/8/1979 Goat Meghan Markle 4.3.2 = 9

4/8/1980 Monkey Meghan Markle 4.3.3 = 1

**Archie, Harry, Meghan & Lilibet Diana**

The only numbers which makes sense vis-à-vis Lilibet Diana’s and Harry’s, for that matter, are those of August 4, 1981, year of the Rooster. That leaves Meghan with master numbers of 11, which always denotes a life of destiny and such people are incredibly astute, come fully prepared for the journey ahead. If Archie and Harry are so simpatico, then clearly Lilibet Diana would have to be equally simpatico with her mum, Meghan and that she is to a mum born, August 4, 1981. End of discussion. Of course, like Orly Taitz herr Schmuckface just knows that for having his head so far up god’s ass, he speaks/writes the truth. Well, of course, the children do not exist; they are invisible, Meghan was never pregnant, it was a pillow. And on and on and fuck-all, on and on.

Boris Johnson Bigoted Warts And All…

Of course, he it was who had some rather bigoted choice observations, unsolicited, of President Barack Obama. But enough about vile buffoons, biting off infinitely more than they can chew – the Skittles-farting clown. This is the thing about some Jews, they are always being given a pass when they are racially predatory towards Blacks. And this is where BRF-sanctioned, character assassination biographer du jour, who has already been called out for having appropriated persons quotes and used as sources and warped their quotes in his vendetta against the schwarze shiksa, proves himself just another anti-Black racist. As though, only Jews are supposed to have ever experienced persecution, just as with Tina Brown (not Jewish), Mr. Schmuckface writes a 300-page plus book and never once mentions Princess Michael of Kent’s blackamoor brooch, which has been the biggest exposé of the racism to which Meghan, Duchess of Sussex was subjected. Since then as if to drive home the point, that blasted flat-arsed, hideous Rhino-legged racist swine, Princess Blackamoor, has been upfront and prominently placed at every opportunity.

Just Who Made Who Cry, Definitively Answered

Honest to frigging god, do you think that herr Schmuckface would have written a biography about a Jewish fiancée of Harry’s, who had been subjected to anti-Semitism when a minor royal showed up at HM The Queen’s Christmas lunch, wearing a swastika brooch and claiming not to have known that it was offensive and in this hyperbole, claiming that it was a Hindu cross brooch. Though it is true and even an Ethiopian and Navajo cross, we all, the world over, know that a damn swastika is a symbol of hideous anti-Semitism. Herr Schmuckface is a vicious coward; he knows that all he has to do, is go out there and say that Meghan made Catherine cry and that settles it. He is after all a Jew – it must be so. He is a damn bigot and a liar. The proof that Catherine made Meghan cry is validated by her behaviour at the March 2020 Commonwealth Service of Thanksgiving at Westminster Abbey. Catherine had been rude to Meghan in the lead up to the royal wedding about the bridesmaids’ tights. Catherine is an insecure woman, who was threatened by Meghan’s greater charisma, intellect and eloquence. The proof that Catherine made Meghan cry, is validated when she came up to take her seat at Westminster Abbey and though Meghan waved her right wrist that was placed on a her lap as she pointedly smiled at Catherine, Catherine refused to look at or acknowledge Meghan. At that point, the world was convinced that Meghan had made Catherine cry, which is all the more reason, Catherine deliberately ignored Meghan to perpetuate the lie, thanks to Camilla Tominey’s exclusive warped version, in the Daily Telegraph in November 2018, of what occurred after the Sussexes’ successful first tour in the South Pacific.

**Catherine Meeting Jews at Buckingham Palace Garden Party**

Most of all, Catherine is a White female who happens to be prejudiced towards Blacks – energy body of 9 – and she does not give a damn that it came to this. She will be Queen Consort and has given birth to the future sovereign… she does not have to give a damn what anyone thinks. To hell with the yank imposter and a Black one at that. Catherine, William for that matter, favour Jews and she has time and again demonstrated unease around Blacks, though, at this point, she has been made aware that optics are more important than personal bias. End of discussion.

**Prince Damien holds court with his racially predatory kin**

Just like that yenta, Angela Whiny-whatshername, and Tina Brown, there must never be any discussion of anti-Black racism with regards the BRF’s senior and minor titled royals. They have gleefully torn their flat arses in the negro from Compton’s face since that day in December 2017 and as recently as the thanksgiving service at St. Paul’s Cathedral on June 03, 2022, yet there is no connection to racism neither are the BRF racist. Just like Tina and the two Jews in question, the time is long past to stop cutting HM The Queen slack. She has been aware of this hideous racism all along and done nothing; indeed, it has gone on like a bad joke month after month, after month. The best way to condone repugnant behaviour is to ignore it and do nothing about it. Herr Schmuckface has lied about who made whom cry and he has a serious credibility issue when he runs his ugly head off in excess of 300 pages and never once mentions the blackamoor brooch; talk about a clear-cut case of bias. To hell with the lot of these BRF-bought or purely sycophantic biographers.

Listen to Catherine in the background; in the original version – long scrapped from YouTube – she accuses the amateur photographer of having stalked them and seen recently doing so. All this triggers William who is her task companion as well as the ordinal partner in their pairing. The poor man doesn’t stand a chance, she said that he was there and that is that. Of course, it behoves William to at all times have security tracking with them… anywhere… at all times. There are no excuses. William sounds so vulnerable and pained; it is also an image of the Cambridges that must not be seen. When you are going to go to such great lengths to demonise your own brother and his Black wife; you cannot have it both ways. At the risk of stating the obvious, it takes two hands to clap.

**TRH Duke & Duchess of Cambridge, 2011**

Now we come to the modern age, and time to throw another fairy story wedding. William was finally presented to the realm and as stupid can only be expected to do stupid, there was he got into the carriage and sat with his back to the horses and then remained sat whilst his new bride entered the carriage. Neither his brother nor father sat their arse down until their new wife was sat in the carriage – no uncouth, unaware dolts, Charles & Harry. Of course, from day one, the Cambridges openly rowed in full view of everyone on the ride back to Buckingham Palace and again on the balcony, they hissed at each other. Far be it from the blind to have taken notice of anything so obvious as truth. Of course, this wedding occurred long after the inconvenience of Diana was dealt with once and for all and she was put down… truly off to the abattoir she was sent and conveniently so in a tunnel where none of the many street level surveillance cameras could have caught anything.

Now the fairy story needed to be updated and the Windsors prove themselves progressive and inclusive; the Commonwealth after all is not exclusively Caucasian. It is one thing to talk the talk but you have got to be able to walk the walk. As HRH Prince Charles and Doria Ragland returned to the quire after having signed the registry, there was HRH Prince William openly ridiculing Meghan and her culture before her mother, Doria. This he also did before his embarrassed father, the Hollywood players across the quire aisle, HM The Queen and the entire world. When the Sussexes proved too popular and eclipsed the Cambridges, the bigoted Cambridges had to sabotage the Sussexes. As in the past, after a fairy story wedding, time for scandal. Without a sacrificial lamb delivered to the Fleet Street abattoirs, the pantomime and the Windsors lose their lustre… their very appeal. What better way to annul the very existence of the Duchess of Sussex and her marriage into the BRF, start a campaign to vilify and demonise her. Of course, though not dissimilar to North Korea in its jaundiced coverage of the Windsors, the Fleet Street abattoirs keep offering too much grizzle and shank. All this, as was the case with Sarah, Duchess of York and her fall from grace, is to cover the scandals within the thorny marriage of the Cambridges.

Interesting isn’t; then again, there are no coincidences. The official portrait of the Cambridges has Catherine wearing a green dress. The night that actor, Will Smith slapped comedian Chris Rock, his wife, Jada Pinkett Smith was wearing a green dress with yards of train. Green is the negative colour of 9/toxic energy; Jada has four 9s in her numerology. Catherine was not comfortable, sat next to Meghan in the royal box at Wimbledon and thus wore green and had her sister-in-law sat between her and her sister, Pippa Middleton-Matthews. Persons with 9 are more toxic, bitchy and vile for wearing green. Catherine studied art history and she knows the vibration that clothes and jewellery effect; she is subtle, vicious but does not go unnoticed by those with eyes to see. Green, of course, represents nature, life, moss, arboreal splendour and its negative aspect is reflected in all things that are venomous, acidic, toxic.

**Duke & Duchess of Sussex & Oprah Winfrey**

Margot Robbie Accepts for Brad Pitt 2020 BAFTA Awards

What these sorry saps did not factor into the equation, was Meghan collecting her rock, Harry, and saying, “life is not a dress rehearsal and I don’t do Prissy. Let’s get the hell outta here!” Like Sarah, Duchess of York, Meghan was supposed to have stuck around and been walked all over by the BRF and Fleet Street. And this is why the Sussexes have won, from HM The Queen on down to that blasted buffoon, to say nothing of the many dalliances exposed and whispered about.

Just as William did not attend Wimbledon on the same day that Lord Snowdon was sat his Athenian arse next to the minor thespian put-through, so too he is very careful to never have James Middleton show up at Wimbledon and definitely not sat in the royal box whilst he is there. Naturally, one would not want to have persons start entertaining the thought that James has been ridden like a prized polo pony for many moons now. There is a reason why, James is kept safely out of reach, if only to pop up time and again, doing his best Saint Francis of Assisi… a right sissy that one… to be sure. So as much as they would like to have wanted the Sussexes about being shat on by Fleet Street and the rest of the realm, to serve as foil for the Cambridges’ fractured, messy marriage – exhibit Prince Damien for one – they have got no end of thinly veiled scandals percolating just below the surface.

Duke & Duchess of Sussex Enter St. Paul’s Cathedral, June 03, 2022

What the whole debacle in St. Paul’s Cathedral on June 03, 2022 revealed at HM The Queen’s platinum jubilee service of thanksgiving, is how weak the Windsors are next to the Sussexes. The Queen deliberately did not attend because she wanted to have the Sussexes embarrassed before the world without her being present and looking as though complicit. What… no shit, pigs don’t fly! She has spent the better part of ten, eight in an official capacity, decades pulling the wool over the eyes of the somnambulant clowns of her island realm but few else are duped by her and her clan’s antics. Why even go so low as to have the Sussexes sat where they were but then to top it off, just as her being at the Sussexes’ wedding, Princess Blackamoor was sat within fart-sniffing distance of the Prince & Princess of Wales as well as the Duke & Duchess of Cambridge. They have no power; when the Sussexes exited the island sanatorium, the Windsors lost their power to thoroughly fuck with and manipulate them. They have upped their attacks by having a spate of biographies printed; however, everyone of them fail to mention the blackamoor brooch incident because, clearly, all these biographers are sanctioned and directed on how to focus the narrative of the runaway slave, Meghan. To not mention the blackamoor brooch incident and Princess Blackamoor’s subsequent prominence, does one thing and one thing only; it exposes the fact that the Windsors are die-hard racists. All the nonsense of Commonwealth unity is a damn farce.

**Reptilian Spawn, Prince Damien Born to Toxic 9 Energy Body Mother**

Don’t you worry your sweet little head, you’ve got scandal aplenty with Prince Damien chomping at the bit to get on with life and cause you no end of dread and embarrassment. As for Prince Damien, two other royals had a fourth number of 7 and they were both assassinated: Diana, Princess of Wales (1/7/1961 Ox 1.8.7 = 7) and Lord Louis Mountbatten, Earl of Burma 25/6/1900 Rat 7.4.5 = 7). It is very possible that either of his parents will choose to have Prince Damien put down for being a royal pain in the arse; it is what they do and have always done.

HM The Queen’s reign has been possessed of her amoral nature; it has had a cycle of abuses that show utter disregard for human decency, compassion, as well as, both emotional and mental wellbeing. During her reign there has been one consistency, no care for senior royals wellbeing if they are not in line to be future sovereign. From HRH Princess Margaret, her sister – whose emotional and mental health she ruined by her ruthless inconsiderateness. Not just her having abandoned the new-born HRH Princess Anne to return to HRH Prince Philip in Malta, in later years, she would turn a blind eye and allow the utter abuse of Diana, Princess of Wales who had been simply used for approved heirs, to say nothing how Sarah, Duchess of York has been abused and kept around like a despised corgi just so that one can kick it at every opportunity.

Do Drink Up… Backstory Time.

**Lady Diana Spencer & Camilla Parker Bowles, 1980**

Diana was not a stranger to them. As the preceding photograph attests, seven years into her marriage to Andrew Parker-Bowles, (who incidentally was also a lover of HRH Princess Anne, Princess Royal), there was Camilla, clearly having an affair with HRH Prince Charles, Prince of Wales, whilst grooming Lady Diana Spencer to be Charles’ approved concubine; how not unlike Ghislaine Maxwell was the very married Mrs. Camilla Parker-Bowles. All of this, HM The Queen would have been intimately aware of and clearly approved of. So a barely legal, Lady Diana Spencer was being squired, groomed and proffered by Camilla who by that point had sequestered her lovechild with HRH Prince Charles to the colonies in Australia. Obviously, HM The Queen had a direct hand in the lovechild being removed from the scene; there are simply some scandals that cannot be tolerated. The scandals that spring from the Fleet Street abattoirs do so with the royal seal of approval by none other than HM The Queen.

**Diana, Princess of Wales & King Juan-Carlos de Bourbon**

Diana, for being a mature soul artisan, was no pushover. She was a quick study, when she saw that she was merely a convenient, acceptable womb and that Camilla, her handler, would never stop meddling in her marriage to Camilla’s true lover, like any artisan-soul worth their adventurous, dramatic salt, Diana went off and engaged in revenge lust with the continent’s biggest royal lothario. That dalliance is precisely why HM King Juan-Carlos of Spain, father of Diana’s lovechild, was disinvited at the last minute to the royal wedding of HRH Prince Charles of Wales and Lady Diana Spencer. What was HM The Queen to do at that point, Charles & Diana were already set to be wedded and she, after all, had long abandoned Philip and been besotted and sired by Lord Porchester – and you can bet that she did not give a goddamn what anyone thought. As Charles ignored and carried on with Camila immediately after his wedding, Diana simply resumed relations with King Juan-Carlos and a pregnancy was expected so who would be any the wiser. Meanwhile, she knew damn well that as Queen, she could rip off Porchy’s clothes and mount him on the Buckingham Palace balcony at trooping the colour and not a single damn fool on the island realm would have seen any such thing. Period.

**Royal Wedding, Duke & Duchess of York, 1986**

Well, of course, Porchy’s boy, HM The Queen’s favoured lovechild was going to have a full 5-star wedding at Westminster Abbey. Another royal wedding, means more tourists after all and more merch income. Pretty soon, though, the fairy story started turning into an abundant flock of lambs for the Fleet Street abattoirs. Toe-sucking and pretty soon, Fergie was cast into the wilderness; not in direct line for the throne anyway, which afforded her to be diversionary scandal. Then faster than a sneeze, there was Diana making perfectly frigging goddamn clear that she was done playing along or playing nice. Never mind that before Penelope Knatchbull, there was HRH Princess Alexandra of Kent, yet HRH Prince Philip made it perfectly clear that he did not ever want to see Sarah, Duchess of York in the same room as him after her divorce. To that end, she was not invited to William and Catherine’s wedding and Meghan and Harry insisted that she be at their wedding; however, she was sat across the quire aisle from the rest of the royals. Incidentally, the Sussexes should not have been surprised at their placement at St. Paul’s Cathedral on June 03, 2022 as this was what HM The Queen decreed. Nonetheless, HM The Queen also made sure that Princess Blackamoor was placed close to the Waleses and Cambridges at St. Paul’s Cathedral on June 03, 2022.

**James Hewitt & Diana, Princess of Wales**

Diana started taking lovers. Naturally, to toss off Diana and begin her character assassination at the Fleet Street abattoirs, HM The Queen in a move to protect and avenge her honour, has the notion of HRH Prince Harry being Diana’s lovechild with James Hewitt floated. What a very convenient arsenal to draw on, as she was so intimate with this development two decades early with the lovechild with Porchy; simultaneously, it goes a long way to make the notion of Charles & Camilla more feasible in future, which like a turtle she has managed to live to see that PR rebranding of the adulterous Camilla the Ghislaine Maxwell-like groomer and Charles the Tampon prince. Naturally, James Hewitt was just another lamb proffered by HM The Queen and her syndicate, to protect Prince William’s true parentage and thereby get back at Diana for having fucked with not just Charles & Camilla but herself, HM The Queen, by fucking HM King Juan-Carlos of Spain. Of course, in due course as Charles was off loving Camilla and many male lovers, Diana, Princess of Wales wasted little time, taking lovers married or not as has always been the royal way.

After HM The Queen went out and had her lovechild with Lord Porchester, who turned into a real karmic tsunami, Philip for near five decades openly lived a life of passion and companionship with the very married Countess of Burma, Penelope Knatchbull. Just like Porchy’s lovechild, they do as they please and do not give a damn what the little islanders think. Of course, Philip lived to see the day that he was avenged for having been humiliated by a lovechild being in line to the throne ahead of his daughter, HRH Princess Anne, Princess Royal.

Of course, well before there was the very married Penelope Knatchbull, Countess of Burma, there was HRH Princess Alexandra of Kent, HM King George V’s granddaughter and daughter of HRH Prince George, Duke of Kent. Princess Alexandra’s numerology: 25/12/1936 Rat! 7.1.2 = 1. Philip’s affair with Princess Alexandra is what caused the rift in the sovereign’s marriage which resulted in HM The Queen’s affair with the Porchmeister and eventually their passion produced the rather barrel-hipped porchfest, Prince Andrew who exposed the lust and passion that produced him in the debauched affair that saw Jeffrey Epstein, Ghislaine Maxwell and Virginia Roberts-Giuffre being more than tangential bit players and infamous persons known the world over, one to whom they had to pay hush money. This is where it now gets interesting, after Andrew’s birth there was no going back and soon it was Penelope Knatchbull, the very married Countess of Burma with whom Prince Philip was passionately consumed. Penelope’s numerology is most interesting: 16.4.1953 Snake. 7.2.2 = 11. Both women are 7 energy bodied, you can’t get more amoral than that – they can also see dead people, auras et al. The more excitingly fascinating of the two royal mistresses of Prince Philip’s would hands down be Penelope; she has master number 11. These persons are inordinately charming and incredibly powerful and exceptionally gifted in the sexual arts. Moreover, Penelope is born in the year of the Snake; they can be monstrous, which is why Chinese traditionally avoided having babies in the year of the snake for fear that they would give birth to a female. For Princess Alexandra, a Rat, she was just in it for the adventure and with amoral 7 energy body, it was damn great sex and she was not going to not get her fix. Again, it is what the royals have always done.

**Harry & Meghan Engagement Interview BBC**

One of the most important things that HRH Prince Harry said in his engagement interview, occurred when he corrected BBC host, Mishal Husain by stating, “Or they think they know!” If HM The Queen wants the realm to know, it will be filtered via the abattoirs on Fleet Street. Everything else will be smoke and mirrors and the standard, “Never explain. Never complain” rules the day. Indeed, when you’ve much to hide, so say you.

Royals and their lovers indeed. HRH Princess Margaret, Countess Snowdon 21/8/1930 Horse 3.2.6 = 11

Margaret was possessed of master number 11; she did not give a living shit and said and did as she pleased. She was also innately talented and exceedingly charismatic. She had three lovers of note and only one of them did she share 2 numbers in common. This would have been her one true love, Peter Townsend (22/11/1914 Tiger 4.6.3 = 4). Peter, however, was divorced and his wife was still alive, which means that as the Governor of the Church of England, HM The Queen could not have sanctioned Margaret’s marriage to her true love and divorced spouse. With two numbers in common, it is very likely that there was a high degree of past-life connection between Margaret and Peter Townsend. He was shipped off to Belgium so that she could not have her star-crossed lover on the side. As karma would have it within ten years of Margaret being bitterly separated from Peter Townsend by his relocation to Belgium, Prince Philip was ploughing Princess Alexandra and before the decade was out, HM The Queen had her lovechild with Lord Prochester, HRH Prince Andrew, Duke of York and we know damn well how all that karma turned out, Epstein, Maxwell, Roberts-Giuffre. All the more reason why it was callous in the extreme to have dispatched Peter Townsend to Belgium. Margaret could have wedded whomever and kept Peter as lover, open or otherwise; this after all, is what both HM The Queen and Prince Philip did… it is what the royals have always done.

Margaret having been told to suck it up and get on with living, then settled for Antony Armstrong-Jones, 1st Earl Snowdon. It is hard to see what had these two walking down the aisle, unless Antony Armstrong-Jones (7/3/1930 Horse 7.1.5 = 4) was hung like a prized steed. Margaret and Antony did not a single number in common share; she had to have kids and if he loved being pegged by strap-on or cock, he would not have been the first royal male with same-sex proclivities. Finally, having had enough of playing at happily married, Margaret dispensed with her pegged hubby and cut to the chase. She took Roddy Llewellyn (9/10/1947 Pig 9.1.4 = 5) as her lover. She needed to be well-ploughed and often and when that is the order, no one fills the role better than a Pig. Pigs are loud, lusty, sexually obsessive souls who will happily fulfil themselves and partners as often as possible. Soused on drink and nicotine all Princess Margaret wanted was damn good sex and that is just what Roddy would have provided. Like the Earl Snowdon, Margaret and Roddy had no numbers in common. At 17 years Margaret’s junior, Roddy was merely a throbbing sex toy and knew his role.

Please, Switch to Elderflower; It Is Most Soothing…

Catherine Bullies William at James Bond Premier

Catherine has mastered the art of cussing behind clenched teeth whilst smiling that ever-present smile of hers. Her 9 energy body here is toxic in the extreme and that is why for most of the time, William’s face is warped into a pursed-lipped silence. William is a submissive; he is a bottom who loves being bullied by his wife and it is part of their psychosexual dynamic. Catherine is a dominatrix. Who again made whom cry?

Look at the Froideur Between Cambridges at No Time to Die Premier

Catherine peppered William with abuse common to dominatrixes whilst smiling and looking his way; just look at her exasperation at the 40 second mark. On arriving at the top of the stairs, Catherine looked across to William who had still not made it up. She cuts the eye at him and does not give a damn who the world over noticed.

Bottoms Up! Now we learn where best fake-toothed, bald, submissive Billy likes to wear his crown jewels! If that is not rich…. of course, it has always been there. You can even see it in the way Catherine triggers William in the clip of them out bike-riding and encountering an amateur photographer. Of course, William’s mum, Diana, Princess of Wales was 1 energy-bodied and that is the sign of the dominatrix/bully. I have also known four women along life’s journey and everyone of them had men whom they utterly controlled, emasculated and pussy-whipped their every breath. Heck, two of those women, with energy body of 9, loved using a strap-on on their lovers/partners.

Perhaps, indeed, he loves being pegged by James Middleton, Earl of Insolvency. Again, William’s fourth number is 5, it signifies male sexual fluidity, submissive behaviour, sexual excess, sexual scandal; furthermore, William is moving centred and all such persons are highly sex-focussed individuals. 5 represents excess – excessive submission. All this has happened throughout the history of the royal family; now, we live in an age where very little goes unnoticed.

Just look at William in both photographs on separate occasions; his lips are pursed and he is self-contained, emasculated and submissive. William is also jealous as hell but there isn’t a damn thing that he can do about it. A woman loves whom she loves and that’s that! Meanwhile, Catherine (9/1/1982 Rooster 9.1.3 = 4) does not waste time in telegraphing her heightened sexuality when focussed on Ben; she is all over and into Sir Ben Ainslie (5/2/1977 Dragon 5.7.4 = 7). This has been going on at least since 2014 and always, no one ever makes mention. In light of what we know about Prince Philip and HM The Queen, in this generation, we also do have a parallel dynamic. Catherine has made it perfectly clear, time and again, that William is a goddamn irritant. Not to be overlooked, is the fact that Dragons and Dogs do NOT get along; there is no way that William would ever feel comfortable around Ben and will be consumed with jealousy rather than not with regards Ben; Catherine intuitively knows this and plays it up even more. Make no mistake about it, there is more than flirting at play here. What’s poor Willy to do but go self-peg or cocksuck a couple of fags (British version or is that a pun?).

Catherine openly flirts with Ben and what does it say about their relationship when he adjusts her helmet; it is the most bold display of their intimacy. Of course, on the day of this Commonwealth invitational sailing event between Britain and New Zealand – Britain won – Catherine could not have bothered nor would she have dropped the sailing event, to attend Wembley Stadium with her husband, William, whilst the ladies England team squared off against Germany in the Ladies Euros 2022 finals, which they won. There was William alone and unattended by his wife, Catherine, who was in Plymouth openly flirting with her very intimate friend, Ben Ainslie.

**Sir Ben Ainslie and Wife, Royal Box Wimbledon 2022**

More important for Catherine was spending sportive quality time with Sir Ben. Well, of course, Sir Ben is married but so too is Penelope Knatchbull and Princess Alexandra wedded when they were the open lovers of Prince Philip’s, HM The Queen or no queen, to say nothing of the rest of humanity. But did anyone ever notice or write biographies and harp on as though the sky were imminently about to collapse?

Honestly, though they only have one match numerologically, there may be a strong past-life history between both Ben & Catherine or they may well be entity/cadre mates; either way, she is a warrior and all warrior souls whether male or female are very highly sexed persons, for whom there is never any shame in their game when they want to be sexually satisfied. Catherine is no different and she has the perfect partner. More sex workers and street walkers are warrior souls than any other role… so you know.

You definitely do not see Catherine ever looking this downright maudlin when in the company of Sir Ben Ainslie. “Lady sings the blues. She’s got it bad…” Sing it Billie Holiday. You wait, Billy, she’s gonna peg you good. Take a sip and breathe dears… exhale; isn’t Elderflower superb?

William is an insipid, foul-tempered man-child, who does find ready support in the court buffoon, whose wife is as equally dominant as is Catherine. He, too, likely does love being pegged. This could have been such smooth sailing; however, you just had to go tempting karma by being nasty little upfront racists towards Meghan, Duchess of Sussex. Now that she is gone, you’ve blown your cover… from Prince Damien to personal preference on how to wear the crown jewels, are truly unmasking.

**Marquess & Marchioness of Cholmondeley,** **Earl & Countess of Rocksavage, Houghton Hall**

If you going to reincarnate and work as a team on a life devoted to stewardship, this remarkably august pair would be as fine a blueprint as you could hope for. I don’t know if they are task companions or essence twins but what I do know, is that they are without doubt august mature souls with a strong past-life history. They do a remarkable job of not just maintaining an estate, Houghton Hall, they have handsomely adapted it to survive and thrive in modern times.

**David 27/6/60 Rat 9.6.4 = 1 Marquess & Rose 15/3/84 Rat 6.9.4 = 1 Marchioness of Cholmondeley**

All four of their numbers match; this is a bucolic reward incarnation for both and it has to do with a lifetime, which was chosen at the level of soul because they had richly earned/deserved it. As the 7th Marquess of Cholmondeley his 9 energy body is vastly different to Catherine’s. For one, he was born into the aristocracy and for another a woman with 9 energy body is vastly more acerbic, predatory than a male with 9 energy body; Catherine was also not of aristocratic birth, which only steeled her 9 energy body’s exoskeleton. Rose’s 6 energy body means that as also of aristocratic birth, she is all about being grounded, family-focussed and eschewing drama. This couple so get each other that it would not be surprising if they regularly finished each other’s sentences, experienced a strong degree of telepathy, most definitely communicate rather actively in dreams and when they are together can effect magical stillness when in a room. They are quite remarkable. Life is a business; they get it and run a business they do. As any good rat knows, life is about balance and duality. They indulge and when they play, they lose themselves.

Much has been whispered at tea about this pairing of couples. Honey, I don’t read tea leaves. I am inclined to believe that Catherine wanted Rose frozen out, simply because Catherine is a warrior soul and all warrior souls are quick to do battle, anywhere, anytime, with whomsoever with enemies real or imagined, many of whom prove the latter. Catherine, as with Meghan, is easily threatened. In this case, Rose’s aristocratic birth would be reason enough to look to freeze her out.

The Rocksavages are mature souls and as Rats, they could give two frigs about trifling drama; they are far too sophisticated to get caught up in that. They are aristocratic; one does as one has always done. It is the spouse’s duty to accept and live with it or suffer the consequences. William’s fourth number of 5 means that as there has been smoke, and copious amounts, I might add, I say there most definitely is a raging fire… hey, blame it on climate change.

Wasn’t that sublime? It’s remarkably elegant and sensual. I find it also induces the most languorously lucid dreams. Always good to take the time for tea. Cheers. Speaking of dreams, I think the link to this dream almost 30 years ago, is a fitting metaphor for how the BRF, Fleet Street and the island realm dwellers relate to the Sussexes. Don’t, like the dog in this dream, be like the aforementioned: BRF, Fleet Street and island dwellers of the realm.

Come On, Bipeds Don’t Fly!

Go on, let them yap… soar higher still.

Saturday past, as it is a holiday weekend here, my spouse and I crated Buster and took him to my sister Pandora’s. There we had too much Moet, can you possibly ever have too much champagne, and had an early birthday dinner with luscious raspberry-covered cake ahead of my 62nd on Tuesday. 2/8/1960 Rat 2.1.8 = 11. Buster sat on the desk, looking out the window because since Pandora and hubby moved back to town from Ottawa, her two cats – mother and daughter – can’t seem to make heads or tail of him. Buster scurries about and now it’s gotten to the point of a hiss there, a hiss here. Either way, he calms himself by taking to the window and gazing up at the Aura condominium, which towers higher still than those across Bay Street.

Miles Davis Quintet, 1964 Live in Milan

Miles Davis – Trumpet

Wayne Shorter – Saxophone

Herbie Hancock – Piano

Ron Carter – Bass

Tony Williams – Drums

As this is the 65th anniversary of Ron Carter’s career as Jazz bassist extraordinaire, I thought this concert a fitting tribute. Jazz is the magical language of Black love and spirituality. From Emmett Till to George Floyd, honestly, how can you possibly expect us to suffer the repugnant affront of you, seeking to cancel Jazz, cancel Black culture by your grudging ubiquity? You will never do.

**One of these days, Buster’s gonna catch a pigeon.**

As ever, life is like a flying dream; if you look down, you’re fucked. Enjoy the ride and fear no one!

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Past-life Dream Set at Spencer House.

December 24, 2018November 13, 2022 Arvin da BrghaLeave a comment

These dreams are from the upcoming third volume of my dream memoirs. I share them here and now as within there is at least one dream which is set at Spencer House, which I finally visited in this lifetime on the occasion of the 29th anniversary of Merlin’s passing.

The dreams were recorded on audiocassettes over the course of a decade following Merlin’s passing as he had requested that I stay tuned on his passing as he intended however possible to get through to me from the other side. 250 audiocassette tapes later, at the end of that decade in among them were the most glorious dream encounters with Merlin on his passing. These dreams in their rich pandimensioality were dreamt in lucid astral plane realism in late October 1991.

As this is an excerpt from the as-yet published third volume all the dreams are in italics and everything else in normal script. Observations after the fact about dreams are not in italics and conclude with END at the end thereof. At the time, though I did not know it, the dream was set at Spencer House.

___________________________________________________________

Before ecstatically flying off in search of lives up ahead, it is oftentimes good to know where one has been. These next dreams occurred during the second or ‘B’ cycle of sleep and dreamtime that day. Prior to sleep, I had been meditating with crystals in the pyramid and was inordinately focussed in my intention. After having adequately fortified myself, I was clear in my intentions to dreamquest in search of past lives. Thus, I would vicariously revisit two past lives which were complementary. During the first life in question, I was male and Merlin was then present with me and female. We were musicians at the court of King George III where also present was the Prince Regent and future King George IV. The second life seemed to have been longer-lived and in that one I was female.

The dreams of both lives overlapped and it was good to have acquired the past-life information of those lives through Michael channeller, Sarah J. Chambers^‡. Of course, there was a dream of a third past life, it was that of my immediate past life.

This having been the first dream, it was an extremely involved odyssey. A dream it was in which I had gone off to a performance, at nighttime of course, but it was as though it had been onscreen. Before the performance had begun, there had been a comedian onstage. There had been many wings to this performance because it had been set in a house. In fact, it was a period piece. The people who had been watching this had been, as it were, very much so out of time. This was set in the late eighteenth century. There had been a very nasty racist, in fact, send-up of ‘the savages in the jungle’.

This was all in British accents and very eighteenth century language.

*As I had meditated before sleep, I had opened myself up to experiencing insights into past-life reincarnational monads. As it had turned out, I would end up gaining much insight to my reincarnational past. This was set in the parlour of a very affluent Georgian residence. There was a white comic onstage, not unlike Tom Kneebone^† — who was possibly one of the most loathsome pieces of bigoted shits that I have ever met. Otto Dix^† arsehole that he is; Tom was a vile, pinched, sphinctered nobody-arsed faggot. Whilst looking at the comic onstage, I realised that one of the reasons why I loathed Tom Kneebone — on meeting him — was because he bore such strong resonance to the past. The comic was uncannily like Tom Kneebone. By that I mean that my visceral connection to the very racist performer was because, he was me in a former life in Britain — lived at court as a white male performer.

Of course, it was not Tom Kneebone but he had the same racist, pinched, WASP lack of tolerance and awareness as the Otto Dix arsehole — such an ill-evolved piece of shit that one. END.

The comic was entertaining the guests in this salon. He was doing this whole thing about, ‘the Pickaninnies’, ‘the darkies’. Also, he had had to have an accompanist to show the ‘natives’ and their gargantuan, elephantine dicks. Clearly, from the way that he had been holding it, the cock had not even been yet erect. He was all bulging eyes that had rolled with wide-opened mouth. Everyone was just spellbindingly charmed by his wicked witticism. I, however, had not been in the least entertained by it. In fact, I had felt greatly embarrassed to have seen him.

This was like having to have faced embarrassing skeletons in one’s reincarnational closet. After his routine, it then led into this performance that they had been putting on. In point of fact, the performance actually was quite funny. Everyone would leave the salon and then come back in but they would all have on Regency dress and wore makeup specific to that era. At one point, all the women had come back in. From where I had seen the performance, through an open door, there were people off to the left in a smaller room who were not performing. They were crowded around on divans. There was a large open space on the floor where the exquisite rug sat.

There was one woman there who had had a bad sniffle; she had kept on sniffling and was near consumptive. Why does she not just get up and get lost? I was quite impatient with her. At the time, I was closer to the main players. These were people who had been sitting in the salon in front of me. There was a whole cluster of them immediately before me and to the immediate right of the large white doors that led you from room to room. Exiting that particular room into which I had looked, where the performance was taking place, were more doors. The door half, which was close to us, was open and served as the wings to the stage.

Up in front of the mantelpiece was where the performers had come on to perform their scenes. They were quite funny. There were parapluies that had wonderful little floral designs on them. The performers were made-up in such a way that their faces looked like bouquets that resembled large English white and faded yellow roses — very oversized roses. The faces of the persons were very much in keeping with the zeitgeist of the late-Georgian era. This was the look that was proper in that time. As a result, the souls that had been incarnate at that time, were wearing those faces. At two separate occasions, everybody seated in the salons had had to get up and leave then come back in.

The last time that they had come back in, all the women were dressed in long, flowing tangerine-coloured dresses that had dragged on the floor. All the dresses had little flowers on them. The tangerine colour was muted by a sheer fabric of white silk overtop the tangerine bodice. The silk had left it a seemingly faded colour. All along the grid patchwork were these tiny roses that were the colour of the fabric underneath the tangerine-coloured material. The look was very beautiful. As they had spoken, there was wonderful repartee going around the room. This one woman was croaking away, saying, “Oh why don’t they go to church, anymore?

“Doesn’t anybody go to church anymore?” She had gotten up, going around the room, to make the point. She had then come back and sat down on the arm of the chair. Her husband was very stout and he had remained seated there in an armchair. One chap, who was on one of the chaise longues where some of the other spectators were seated, was bantering away. He was very dynamic, in a sage-souled sort of way. The costume changes between sets went on almost forever; at such times, the salon would become abuzz with lively discussions about whatever socially or politically was au courrant. Of course, that had meant anything that was superficial and that they, at their level of society, had found très amusant.

This particular costume change was quite long and some of the players, who were going to have been participating in the next piece, were seated on that particular chaise longue. They were talking, amongst themselves, when this one man had said, “Well, I certainly hope that you don’t go, looking like that…” His was a very cutting double entendre because, though the dowager was quite the frump, it was really a comment on her horrid-looking face; this, in an age, long before plastic surgery could have come to the assistance of women of her class. The woman’s face was very puffy and dowdy and, also, full of makeup.

She, so without a clue, had replied, “Well, what’s wrong with me going like this?”

“In a dress, there is certainly something wrong going like that.” This was very, very witty racy banter and much filled with double entendres.

The poor frump was daft and had not quite gotten it. She was wonderfully being sent up by everyone. “Oh dear me, I never quite seem to know what to wear. The fashions changing all the time, I can hardly ever keep up…”

This had only made for more cutting, though hushed, laughter. I do not even know but it was at this point, as she had spoken, that I had seen her in close-up. I had wondered if, perhaps, she were not Francesca — the name of a past-life of mine lived in Georgian England. Just as in that last dream encounter with Francesca, during the onset of menopause, I experienced the same visceral connection with the subject. Then, as now, I was seeing her face in keen close-up. Now, I was experiencing her at a much later stage in her life. She was a late septuagenarian. Still, though, she was very much so into the heavy makeup but at this point, she had suffered from senility and was pronouncedly neurotic.

Afterwards, everybody had looked out at me and asked me if I had ever seen the performance presented like this before. One of the things that they were talking about was an expedition that had just returned from, ‘Deepest, darkest, Africa, in the Jungles.’ This was, in fact, a production of Romeo and Juliet that had been set in colonial Africa. They had openly wondered, specifically of me, if I had ever seen so racy a production. All these people were very sophisticated, sagely persons, of whom it was safe to say, they were all very much so artisan-like — in essence, they were the glitterati. More to the point, they possessed goals of discrimination and predominantly were in repression mode.

“Well actually, I had seen the original classic production.”

“Yes but have you seen any modern updates of it?” she had asked, by which she meant a production from the Georgian era.

“Well, no. Well I did but it was when I was at school, in Sandy Point.”

Of course, they did not get it at all and found my accent far too queer for words. Besides, it was all very post-modern as far as they were concerned. At that point, the lights in the salon went down, in this beautiful, large high-ceilinged place. A movie screen then appeared and Diana Ross was going to be the mother to Juliet and the Juliet was a beautiful, beautiful, long-haired High-Yellow heroine. She had seemed East Indian but was not. She had gotten up and gone running to the window because Romeo was calling her. Clearly, it was a filmed version. She was wearing a black and white checkered dress that had no sleeves.

The dress really was more like a jumper — an A-line dress. She was so gorgeous; the young actress was stupendously radiant. Presently, she was praying and the camera was a slow, sweeping crane shot that had kept on rising up and away from her left profile. Filled with so much earnestness in her face, she was quite beautiful. A teenager, she was quite the stunning little actor. The actress was not Diana Ross‘s daughter, Tracee Ellis Ross but someone who had a stunning High-Yellow resemblance to Diana Ross with those stunning eyes and with very, very gorgeous long, long wavy hair. To just above her arse, her hair was thick and beautifully cascaded down. She was very gorgeous.

When she had run to the window, she was as if a ballerina by the way that she had held out that beautiful, delicate tiny face. An exquisitely beautiful face it was that sat on that long neck of hers. Looking out the window, she had dreamily called down, “Oh Romeo. Romeo. Romeo.” Truly, it was sheer spellbinding magic.

In this the second dream, I had gone off and was walking in Crab Hill, Sandy Point. Whilst there, I had seen these unfamiliar persons. One of them had had one of the most interesting faces. She had a very unusually large face and very beautiful teeth that were somewhat compacted. She was very lovingly dark-skinned. She was unusual-bodied; her head was very, very large and her body, in comparison, very squat – unusually so. To be precise, her body was like a dwarf’s. Her legs were very stubby and bulky.

My goodness, this woman could run. She had had a great deal of physical power. A lot of Earth planets that were fixed, to be sure, were part of her makeup. I found it very, very interesting to have watched her. On having passed her, I had said hello and noticed that she had shut her eyes. That was when I had realised that this woman had almost never looked at anyone. Then, finally, I had commanded her attention and directly looked into her eyes. To have looked into her eyes was tantamount to looking into her soul.

Her eyes were so large. Hers were as if seeing, up close, the eyes of a giant cetacean. Yet, these stellar eyes were on a human face. These eyes were extremely large with the lids half-collapsed over them. The brown of the eyes was dappled and mixed in with some blues with little streaks in the blues. Talk about beauty. Nonetheless, they were very, very old-souled and very, very powerful eyes. At the time, I had thought of how much they reminded me of the eyes on the totemic cranes that I have seen throughout my life.

She had just laughed and turned her head away. She was a woman of substance and great grace; not unlike Jessye Norman°, in that sense, was she. I had specifically focussed on her right eye. Hers were not unlike the dappled blue-green colour that Owen Hawksmoor°‘s eyes take on, of course, when he is wearing his coloured contact lenses. However, her eyes were quite gorgeous. Predominantly brown but there were lots of brown and red streaks in the white of the eyes. These were from very large bulbous blood vessels. The whites of them were very white, almost caramel-coloured on closer inspection, from the timeworn passage of their agedness.

Boy, this woman had a lot of strength of character in that body. Hers was a solid, solid body. Following after this guy, I had then come back over this little barbwire fence. We clearly, I realised, cannot go getting ourselves scraped. As we had been passing, there had been a window to our right that had looked into a house. Whilst looking at the screen, on which Romeo and Julie was supposed to have been playing, we had gone and sat down. Protesting, I had said that this could not have been the case because it would only have meant that I had missed so much of the performance. In all this time, of having gone and wandered off, one would have missed too much of the production.

At that point, there had been someone on the screen performing a Shakespearean soliloquy. This clearly was an updated version of the text. I had started watching it and got back into the film. The one thing that I had not liked about it, was that there had been lots of flies on the set. After having been made uneasy by the bugs, I had gotten up and walked about for a while. When I had gotten back into looking at the production again, it was as if looking at it from the Georgian salon again. However, now it was slightly different. To myself, I had remarked that it had seemed so much like Toronto.

That was because this production, like Toronto does in summertime, had all these damn flies. All the people around me in the Georgian salon had not gotten what Toronto had meant at all. As well they understandably would not have, they had looked at me very strangely. There were flies in the air which I had kept on swatting out of the air. There was a whole scene in progress, when I had decided that I would just have to have seen the production again or, perhaps, get it on videocassette. At that point, I had simply missed too much of the production. I had realised, too, that I could easily have seen it when it made it to the Revue second-run cinemas about Toronto. At that point, I had turned and left.

*This heavy-lidded young girl could well have been me, Theresa, in my immediate past life. That life was lived in Brazil and I had a goal of dominance. Of course, on Tuesday, September 17, 1991⁽³⁹⁾, I would dream of Theresa in her adult years. Similarly, she also could have been Merlin reincarnated. In December 2006, Merlin was reborn female in the Netherlands; however, at the time of the channelled session, the female reborn Merlin’s ethnicity was not shared. Thus, this could well be Merlin reborn in early 21^st century Netherlands about whom I was dreaming. END.

I had next, in this the third dream, been up on this rise with Isha where she and I had been doing something. We had discussed the fact that I had needed more money. I had told her that my PIN number, for some bank card that I had had, was 8411. She had called up the bank and was being pushy with them. Isha was telling them that she had been very ill and incapacitated. For being bedridden, they would therefore have to let her have the money in cash with me acting on her behalf. She had assured them that I would be right over and to let me have the funds. As she had spoken on the phone, this black woman and her white husband had come by.

The man wore glasses and they were, very much so in love, embracing each other. There was a little girl with them to whom I had meltingly said, “Come here sweetheart. My goodness! You have American money and you have a 10.00$ Canadian note there, I see and a 20.00$ too. Why don’t you let me have an American bill? And some of those Canadian bills because you’re not going to need the Canadian bill.”

“Why? It’s my money.”

“Okay then, fine. Come on over here and give me some sugar,” I tried charming her as she had been off to my left. On having wrapped my left arm around her, I had kissed her on the cheek saying, “Return the kiss, please.” We had kissed and had done so, on both cheeks, in the French style. I had looked down at her parents and they were quite sweet and in love. At the time, I had been thinking of Pandora. I could not, though, have made out the mother’s face all that well from the table; I had been seated there with Isha. A square, black metallic affair with a glass top the table proved.

As a result, the table was covering the face of the woman and I could not make out who she was. At the time, I had thought of Pandora and her present beau. This child had then appeared but it was like a doll; she was so tiny and was, in fact, as if a pygmy. She proved to be Barry Thomas‘ younger sister. Every time that she had bawled, her neck had extended and craned up into the air and was pinkish-coloured like a white doll. She, though, was actually a black baby — you could tell from her facial features. She was very much so alive but she was in this rubbery body that was like a doll’s. I had put her up on a mantelpiece to sit because she had been so damn noisy and obstreperous.

Penina had come and disputatiously confronted me about what I had done to the poor little girl. Whilst Isha had been on the phone, I had gotten up and gone to take a pee. On entering into the bathroom, I had been shocked and horrified. On looking in the mirror, I had noticed that Isha had cut my hair. I had let out the most enraged scream, “Isha! How could you do this to me?” What had happened, was because of the way that I had been lying on my back, she had managed to cut off all the hair on the side of my head up to the top and on the other side as well. This was the most ludicrous haircut.

In the back, leaving the length in place, my hair was still long. “I don’t want my hair looking like some bloody Mohawk warrior’s,” I shrieked. To have seen the roots of my hair, which were unpermed, I was truly pissed off. Having my hair chopped off, was not something that I had wanted and I definitely did not want this frigging fascistic cunt fucking with me. I had been truly incensed at her. Truly enraged, I returned to confront her and found her lying down in bed. Immediately, she went on the blind defensive, “I don’t see anything wrong with it. Besides it’s already done and you might as well cut off the rest,” she had laughingly dismissed me.

“Isha how could you do this? This is exactly like when you destroyed my writings.”

Impatient with her indifference, I had launched through the air at her and begun beating the living shit out of her: hitting, slapping and kicking her. Grabbing anything that I could find, I had beaten her with it. All the rage that I had felt at her, for destroying my writings back in the mid-eighties, had come flooding out.

*Back then, when she had been confronted, she had launched into a clawing defensive attack on me as we rode home in a blinding rainstorm from Solomon King‘s wedding in Rochester, New York. END.

Earlier, I had gone to get my brush, to brush my hair and, on not having found it, had borrowed hers. On brushing my hair, I had noticed that the brush was really scraping my scalp. On having looked at things in the bathroom mirror, I had been left horror-struck. On seeing what she had done, I had sucked my teeth and decided then and there to kick her arse. I had known then and there that this would not have happened had I taken her to task, blow-for-blow, back in 1985. Also, I had seen this brown bag, a large, black canvas bag and a shoulder bag — they were all mine. In the travelling bag were these two tickets because I was going to be travelling. I had really been upset and pissed off at Isha as she had laid there under green sheets.

Penina had come into the room and tried intervening on Isha‘s behalf. Penina had tried to get me to accept the fact that what had been done, was final and to just get on with things. That had only more infuriated me. Turning on her, I had screamed, “Oh Penina, why don’t you shut up? You’re so damn stupid! Of course, you would agree anyway.”

This woman had then shown up who was Jewish and it had turned out to have been, Ariel Gothberg. She had worn this dark purple turtleneck bodysuit — over that, she had worn a brown very, very thick, woollen jacket. The jacket had lots of gold zippers that showed down the front and the length of it. The jacket had no collar. On either side of the sleeves, there were gold zippers that went midway up the arm. There were two on the breast, one zipper each, over each breast for pockets. They had little golden tassels that held the zipper. The outfit was quite nice and was in brown and black.

Ariel Gothberg had looked quite smart. I had asked her what she had thought of my hair looking like that. “Well it’s your hair and it’s natural. I think the natural version looks kind of nice, anyway. Well, you’ll decide what you have to do with it,” she had then gone off, up these stairs. Yeah, right; fuck you, you bitch, I rudely dismissed the thought of her. Whilst there, she had joined two or three other smartly dressed persons. I had come around and begun leaving then went out into the outdoors. There, I had stood by a shed whilst talking with somebody about things in St. Croix, U. S. Virgin Islands. Just then, a large plane had gone by directly overhead.

At the time, I had thought this plane too unusually close to the ground. We also were close to the ocean. The building was a long white shed, like a greenhouse, beyond a sandy slope. Generous clumps of long grass held the sand from drifting too much. We were standing just beyond a stand of palm and sea dates trees. The ocean was rather tranquil and gently breaking. The ambiance here was rather beautiful. I had then seen a large plane come by that was like an American Airlines plane; except, on the back of it, it had had this large caboose.

This was a large unusual extension that had flared out. To say the least, this was most unusual and there seemed to have been no exhaust. The bottom of the craft was very silver. Also, there were the red and blue stripes along the sides like an American Airlines carrier would bear. However, nowhere were there any demarcations, indicating that it was an American Airlines craft. Unusually so, the craft was very long. Long and sleek, like a Boeing 727, except that it had had no mid-fuselage wings; way at the back of the plane, there were some smaller wings. As it effortlessly sailed through the air, I figured, oh dear no, it is going to crash.

As it had flown by, it had bizarrely veered off to the left and head first. Next, it had shot up into the air and then come down. I had screamed aloud, horrified for the passengers aboard. Immediately, of curiosity, people had begun running towards its obvious crash site. To check things out, I had gone running around the corner of the building. There was smoke in the air but it was general pollution from the community; also, there had been no smoky fireball as with an obvious crash.

“Oh dear. I think it crashed…” I had helplessly said to a man who had reminded me much of my uncle Michel King, rather than his brother Marcel King°.

“No, it didn’t,” he had confidently said. Another plane had then come in and that was when I had suddenly remembered that I had had a flight to catch. At that, I had gone running, hurrying out of there, and gone around the building. This was a wonderful large hangar-like building. In this building, there were many persons. I had seen several travellers there. Once outside, I had had to go up an immensely long flight of stairs to have gotten up to where the plane was. On the outside, it was a pure white aircraft with two propeller engines on each its wing; the propeller engines were running at the time that I had arrived.

The wings were extended; they were actually quite long. I had demanded that they cut out the engines so that I could safely make my way to the man who had been at the gate. He was an older, dark-skinned man in uniform. He could have been Egyptian, Hispanic, East Indian or Arabic. I had had to pay him to get aboard the plane and it had come to 14.00$ for the flight. Incidentally, as he told me that, I had recalled that the PIN number was 8411, which coincidentally does add up to 14. I had given him a 20.00$ bill. He had told me not to worry, that it was already running late, and assured me that I could get my change on board the flight. I had boarded the plane which, oddly enough, was unusually low to the ground. On having entered inside the plane, it was as though you were outside again and had to go up a further flight of stairs — just like the ones that had earlier gotten me to the tarmac.

A truly dream surreal moment this proved. Penina had been concerned because, on this flight that had just come in, there was supposed to have been a little boy that we were supposed to have met. He had been coming from Nevis. I had told her that I still was really frigging pissed off — at having had my hair cut off by Isha — and could not have cared less about any little boy. So we had gotten into the plane and it was again unusually interiored. There was a wide enough single aisle with all the passengers in seats that had faced each other. This had immediately reminded me of when I was a child, prior to having taken my first flight, I had always envisioned the seating arrangement on board an aircraft to be like this. There are, of course, no such seating arrangements in conventional aircraft.

As we had moved down the aisle, we had passed a number of little boys. There was a little boy on the right of the aisle and I had thought that, perhaps, that was him. However, we had gone down with Penina having followed after me. There were, incidentally, lots of potted plants here on board the highly unconventional aircraft. The aircraft was white-interiored, as outside, and there was a lot of sunlight coming through the top of the aircraft which was completely glass-topped. The ceiling was really like a long trough in a greenhouse because there was a drain in the ceiling that had run the length of the aisle. Lord knows, we were definitely well beyond the Kansas City city limits. Also, it had been very humid inside the craft.

Many, many potted hibiscuses were present and some of them were in bloom. Just where the stem had exited from the pot, one plant had fallen over and broken. On righting the pot, I had felt for it. The plant had sadly kept on dangling over. I had called the boy’s name which was something like, ‘Orello’, to which he had immediately answered an alert yes. He had been way in the back. I had pointed him out to Penina and told her to go and take care of him. Furthermore, I had told her to get off the plane with him because she was not supposed to have been travelling anyway.

I had then gone up to the front of the craft and there I noticed that there was a large opening. Here at the front of the craft, it was as though one was in a hangar or large indoor room. Whilst other people were lost in reading, what had clearly been scripts, there was a girl doing some homework. The studious girl was very stout and wore a school uniform. Early teenaged and definitely black, she was very light-complected. A tall, gangly white male had come in; this man was very much so old. He was incredibly gentle and soul-soothingly so. He was as if a gardener or caretaker.

He had sat next to me and warmed me further when he asked, “Do you have piece of paper, please? Just something to write on.”

“Well, I don’t even know…” I had really wanted to help him out and been of service to him. He was so sweet-spirited like Catherine Angelica (‘Lica) or as Elizabeth Bowes-Lyon°, Queen Elizabeth, The Queen Mother seems — that kind of evolved grace of spirit. I could not immediately find anything and, in the meantime, the girl had not been prepared to part with any of her school paper. There, I had told him, pointing in front of me to a little desk on which were some clothes and my bag. I had gotten out my bag and started talking to him. He was very, very wonderful and very old-souled in feel. He was very healing to have been around. He had reminded me of James Tramble or Merlin’s guide as I had seen in those dreams — the tall shaman.

He had commenced writing on this piece of paper and he had asked me my name to which I had replied, “Arvin da Braga.”

“Oh really?” he good-naturedly replied.

I had then given him my statistics. Continuing on, told him that I was born on August second, nineteen sixty. We had talked on some more and then he had asked, “And what about your friend?”

“Oh Merlin? Merlin Ben-Daniel. Merlin B.” When he had asked me my name, I had initially said, “Arvin M. M, as in Merlin, spelt ‘lin’ not ‘lyn’ and which, incidentally, was my lover’s name. Merlin; spelt the same as my middle name.” As we had spoken, I had grown more and more intensely lucid and light-headed; it was as though I was channelling. “Merlin B. B, as in Bechbache, which is his mother’s family name.” We were talking about Merlin and he was doing this write-up about Merlin and me.

He had then turned to me and said, “Well anyway, I’m leaving you now and I want you to write this down.”

“Is it a number you’re giving me?”

“Just some important information. But you must remember it and you must never forget it.” What he had said was, “Proper posture leads to purpose and prosperity in time.” He had said it with the greatest enunciation and slowness.

There was a woman who had stood out in my mind as he had spoken. She was very much so like Francesca who was down below and outside an opening in the airplane. She was inside the building at a window, looking up at me and saying, “I will be with you, don’t worry. And I’ve remembered it. I’ve recorded it. And I’ll keep reciting it to you if you need me to.”

The gracious gentleman had then left. His was not unlike the yogic centred serenity of Yehudi Menuhin. At that, I had had a sense of motion and that we had travelled. The sensation was not for very long but you just knew that we had covered massive distances in what had seemed a mere breath. As I had watched him write with the greatest of care, he was right-handed. At one point, he had stopped and disruptively said as I had spoken of Merlin and me, “You’ve a very distinctive accent and it’s so layered. You can see so many languages in it.”

“Well, yes that’s because I’ve lived all over the place, actually. My upbringing was very middle class in the West Indies with maids, in fact. I like speaking this way because it’s who I am. It’s about intellect.”

“Right you are,” he had said whilst warmly smiling.

We had then gotten to where we were going but he was no longer with us. We had deplaned and come down the flight of stairs. Everybody had gathered about this courtyard and was walking around. Most people who had deplaned had been white. All the kids were in the rear and we were separated — the kids and I. I had then left everybody and started walking ahead because I had wanted to go and get Penina. She had shown up and was running to go and get Orello now that he had arrived. She had on this long, floral-printed dress that had proven to be a jumpsuit that had turned into culottes.

Her outfit was brown, yellow and green which were all one-inch slats of colour. The jumpsuit was a predominantly off-white, faded yellow number that had these yellow, brown and green horizontal slats that were crammed together and haphazardly spaced. They had created a wonderful motif on the fabric. Somehow, it seemed that I was supposed to have been deplaning. Seemingly, I had to get aboard a larger plane and continue on with my flight. For having interacted with Penina, I had missed the connecting flight. This had mightily upset me. Initially, when she had come aboard the first flight with me, I had turned to her as we had progressed down the aisle and asked if she had remembered to get all my bags.

A second flight, not unlike an American Airlines carrier, had come in through the air and landed. This had proven my signal, to have started moving and get aboard the initial flight. When I had deplaned, I was supposed to have gone to another flight. For some strange reason, everybody was marching in a circuitous route. They had gone down this street and turned off to the right; they then had gone down this wide boulevard into another courtyard. That courtyard had contained another plane which one had to board. A sareed, East Indian woman had looked back at me and energetically said, “Hurry, hurry, hurry because the engine has already started.”

“Don’t worry…” I had evenly replied. She was a really sweet gracious soul.

You could have seen the engine and when it had started, the wing that had been turned horizontally then swivelled and turned to the vertical position. This was set in a compound that was surrounded by a large white fence. Going up to the courtyard, the steps were white and the interior of the building and all the low-lying buildings around were all pure white. The look was that of permanent whitewash paint.

“…I’m coming. I’m supposed to be on this flight,” I had called out.

When I was making my way there, there was a large wooden gate that had a glass in it. One of the things that had kept me distracted, was that I had gone into this room, where Penina had been and wanted to look at the Romeo and Juliet drama again. Instead of having been able to get it on television again, there was a video music station on. The music video was set in a large room. Irene Cara was singing a song in said music video. Natalie Cole° was there, as well, as some other black entertainers. She was in a living room in that segment of the video, which was for a love song. Natalie Cole was participating in the video but not singing. Irene Cara had worn a black tunic overtop black narrow-legged pants.

Natalie Cole had worn black and white; they were very much so enjoying themselves. Soon, I had caught myself when being distracted and had gone running out of the place. I suddenly remembered the petite, beauteous East Indian woman; she had a striking resemblance to the author and socialite, Geeta Mehta. She had been telling me that I was supposed to, in fact, have been getting onto the other flight. So off I had gone, running down the road; it was a narrow stretch of earthen road. Even though it had long been closed, I had opened the door to the craft. The stewardess was slowly closing the door when I had leapt through the air and pulled it forcefully open. At the time, the engines were already running — all of them.

They had had to stop the engines so that I could make my way past them and safely get aboard the flight. I had shown her my ticket and very cleverly said, “Here’s my ticket. I’m supposed to be on board this flight; thank you very much.” Again, the interior was much like a waiting area and a greenhouse at that. There was a sense, once again, of light coming through the glass-topped ceiling of the craft. The craft’s interior was all whitewashed. There were lots of persons, mostly guys, standing about. The first thing that I had noticed, was that they were all dressed in white and were dressed in clothing from another age.

They were dressed as in the latter half of the eighteenth century — the age of Wolfgang A. Mozart^§. I had passed the flight attendants; they were off to my left and up towards the cockpit. There was the familiar large open area, as well, off to the right of the skylight. There was a narrow door that had gotten you back to the main cabin of the plane. The 18^th century persons were in the open, which had an earthen floor. Here, it was very humid and damp. These were all young and white males, who wore white clinging tunic that went down to just below the knees. They wore tight breeches, really tight, with white stockings that came up to above the knees.

They wore white shoes; large ones with white buckles. Large-sleeved white shirts, most of them, although some wore shirts whose sleeves were those of the conventional style of the waking state. They were, all of them, very young and very dark-haired. These persons had the faces that were exactly peculiar to their age. The hairstyles, the makeup and the expressionism; it exactly was what the aristocrats of late eighteenth century Vienna looked like. On having entered this craft, I had immediately noticed that there were little rooms as in a salon in eighteenth century Vienna. There were these white doors with glass panes for two-thirds of them. There were little concert hall boxes that were set up; all this occurred inside the cabin of the plane no less.

I could distinctly have heard the engines whirring away, outside the craft, whilst drinking in this most unconventional of plane interiors. We were going to take this flight and whilst in flight, there would be a performance. Everybody was an actor and like that man on the chaise longue, with the wicked tongue, also very much so sage-souled. I then went and took my place. There was a box where the performers would sit, as in an opera house, but it was on the ground. This was not a Boeing 747 series type airliner. The opera house-interiored craft had been lined with red carpeting and red velvet. The seats were all one embankment and quite plush.

There was a doorway there with a man who had been crouched down. He was dark-haired and had a mole just below his left eye. He was most handsome and looked like the soulfully august aristocrats, of the court of King Joseph II of Hapsburg-Lorraine, in the age of Wolfgang A. Mozart. His face was very, very unusually large. He had worn a ponytail that was tied back with a black ribbon. Just inside the door to my right, he had been crouched down. I had looked off and on having seen him, had smiled. He had looked up at me and was quite smitten by me.

I realised that I had found my place and had come in to the box to sit. We were obviously about to witness a drama that was clearly Romeo and Juliet that was set, in the Mozartean era, in the city of Vienna, Austria. I had gotten so energised for having been in the company of these people, whom clearly I had known at the level of soul, and thus had squealed and laughed aloud. Also, my response was in anticipation of the great fun that we shortly would share. At that, I awoke in bed.

*I was not chagrined to have awakened at that point. Already, I had been refamiliarised with all these persons. There was something very much so familiar about the handsome-moled man. We did look at each other as I took my seat and I was passingly reminded of Merlin. Beyond the eighteenth century energetics that he wore in that life, he was familiar, intimate and a companion. That was all I had needed of the very layered, very enriching and very, indeed, pandimensional aspects of this dreamquesting odyssey into a past life. This was very real and I was very much so in my element. That dream initially was definitely set in the Georgian era and the people there were all familiar.

They were all white and very much so alive. I guess that this was an astral plane projection in time, to experiencing aspects of past lives. I was able to have used the astral plane, to have transited the spiral arms of time and enter two different time frames in which I was clearly incarnate. Also, it was very much so the eighteenth century and the height of the colonial era. Here was someone who had just returned from an expedition to deepest, darkest Africa. Down to the accent and the language as it existed then, they were very much so British. The most important insight that I learned, for having revisited that lifetime, was the lasting effects of racism to which I was exposed, engaged in and was much informed by. To say the least, in this life, I am truly repulsed by racism’s ubiquity and its effects.

This explains why I am so passionately impatient with and can see and understand, so clearly, my hypersensitivity to racism. I see it for what it is and where it comes from. The second flight’s exposé into Mozartean Austria was, I am certain, more about getting insights to a past life of either Merlin’s or someone with whom I share as strong a soul connection. Perhaps, it was someone on the order of my essence twin. I am not convinced that this was Merlin, in a past life, even though I did not see the eyes in close-up. I knew them not to be his eyes. The eyes are always the dead giveaway in these instances. Though packaging changes from life to life, the eyes do not; except to change colour and grow older and softer with the reincarnational maturation of the soul, the eyes are always recognisable as self’s in past life dreams.

**Further insights that I would like to add at this time, I do believe that the latter dream of the Mozartean era, harkened back to when Merlin and I were incarnate together, again lovers, and were court musicians. This, however, was during the court of one of the English rather than Austrian monarchs. During the reign of George Hanover, King George III, which was during the 1700s to early 1800s, Merlin and I were then incarnate. Also, the Prince Regent and later King George IV was also familiar to both of us. The latter monarch would have been instrumental in the flourishing of the arts, which is why Merlin and I had creatively blossomed in that life. King George IV, when the Prince Regent and during his brief reign, had been a great patron of the arts — life at court would have been artistically fulfilling and that it clearly was. In any event, I also sang during that life. Usually, my performances were to smaller audiences of aristocrats; Merlin, then female, played the harpsichord and was my accompanist.

I guess that the Francesca lifetime could have been a complement to that lived at court during King George III’s reign — whose father was rather German and caught up in the Austrian succession intrigues during the early 18^th century. There was a late Georgian to early Victorian sensibility to the first dream; it featured a septuagenarian Francesca who rather than me in a past life, was Merlin when a harpsichordist and my then lover. These are insights gleaned from Michael Overleaves by Sarah J. Chambers who, prior to passing in 1999, channelled the Michael. What’s more, at that time, also present and likely participant in this dream was the Duke of Bronté. Of course, said duke was also the 1^st Viscount Nelson, none other than Vice Admiral Horatio Nelson^†. Naturally, in the late 18^th century, Horatio Nelson had spent much time at court whilst trying to get himself positioned after the American war of independence, which left the admiral and many others out of work. At the time that he spent at court, both Merlin and I, knew and socialised with the young, dashing admiral – the 2^nd Earl Spencer was the Lord of the Admiralty, which would have made him an invaluable contact to Earl Spencer and a frequent guest to Spencer House. No doubt, it was his tales of his adventures and especially his time spent in Nevis that served as a source of wonderment for me.

As Merlin and I were then cohabiting as lovers and professional associates, it is likely that I then expressed some interest in going off to an exotic isle like Nevis. Indeed, perhaps, the reference to deepest darkest Africa was really to the West Indies. Either way, it is obvious that the fascinating Duke of Bronté, Vice Admiral Horatio Nelson planted a seed, which would lead to my choice to reincarnate three lifetimes later in Nevis.

***I should also think that the man with the extra-large head and the striking, large mole below his left eye, should have been more readily discerned. Merlin’s dear friend, the actor, Joe Morton°, is the one who would fit this bill. Indeed, Joe does have just such a large mole below his left eye. The only difference between these two — Joe Morton and the moled actor in the dream — was their disparate races. The white male’s in the dream was the exact same large mole at the exact same position as is Joe Morton’s. Further, this Caucasian male’s teeth exactly were like Joe’s as they are in this lifetime. Again, apart from their disparate races, there was one other difference between Joe Morton and his past-life counterpart. Joe’s mouth and lips are bigger and fuller respectively and Joe’s comparably was, to say the least, a more elastic and expressive face.

To say the least, that was rather insightful a past-life dreamquest. Joe, of course, is in the fifth/sage position in his cadence which not surprisingly would leave him inclined to being so sage-like and regal in essence. Naturally, this regal energy is due to the power mode energy, which innately infuses all fifth-cast fragments, especially in cadences 1, 5 and 7. Joe, of course, is in the first cadence in his greater cadence.

****I should also like to add here that the large-moled gentleman may well have been in London; at that the time of mid-to-late 18^th century, there was a large Austro-German community in London. King George III was, of course, German. At that time that Merlin and I were then incarnate, we were rather familiar with one such German patron who happens also to be an entity mate, Arianna von Reinhard^†. Wealthy, the German patron of the arts very likely could have funded a trip to Austria and German, during which time Merlin and I could have been on a concert tour to royal courts of those countries. Who knows, perhaps, at that time, we even met and attended concerts for stellar creative genius, Wolfgang Amadeus Mozart^§. END.

At the conclusion of audiocassette-recording these dreamquests to past lives, in late October, 1991, I got about the business of choosing an appropriate musical complement. Naturally, I would end up playing some Joseph Haydn° symphonies. Back in 1987, whilst being a muse to Olaf Gamst, I was introduced to Joseph Haydn in great detail as he was a composer whom Olaf favoured. When sitting for the artist, often were the times, when he would play selections from his formidable Haydn collection. Without doubt, I would come to favour Haydn’s London Symphonies. That is why, I had crawled through a couple of secondhand record shops in a bid to build my own Haydn collection. To that end, I got out an old recording from 1977; it was still in fairly good condition. Released on the Philips label, Neville Marriner conducted the Academy of St. Martin-in-the-Fields.

For the rest of the day, I repeatedly listened to Symphony No. 104 in D Major Op. 21 ‘Londoner’. This symphony truly made my spirit soar and allowed me to remain resonant with the past-life to which I had so lucidly dreamquested.

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As ever, thanks for your ongoing support, sweet dreams.

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Being of Service… Fulfilled.

December 1, 2016November 13, 2022 Arvin da BrghaLeave a comment

Ten days after that operatic flying dream – part of which I am now convinced were glimpses into a past-life passed at the courts of King George III and King George IV during the Regency years – which is herein entitled: Time-Travelling late-Georgian/Regency Dandy, https://dreampoetica.com/2013/02/26/time-travelling-late-georgianregency-dandy/ I would dream these next three dreams. They were beautiful dreams and there was also a tie-in to dreams dreamt years earlier whilst Merlin was then incarnate. Those dreams were also shared herein and are entitled: Ensouled Proboscis Simian Humans – https://dreampoetica.com/2013/02/20/ensouled-proboscis-simian-humans/ . These were rather ravishing dreams and as was the custom that time, there was also some sexual play engaged during the dreamquest.

These dreams were lucidly lived on Wednesday, January 27, 1993. At the time, the Moon transited both Pisces and my tenth house. Moreover, the dreams were audiocassette-recorded on tape one hundred and forty and are yet to be found in volume XIV of the dream opus. Dream with the greatest of wonder and awe because regardless others perceptions of you, it is just that – another perception and has no basis in the truth of who you are at the fabulously beautiful core of your being.

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In the cobblestoned square of an old city’s campus, it was heavily raining. Also, I was part of a great entourage. This place felt like England as it was moored under a flock of grey, rain-soaked, stationary, low-hanging clouds.

Indeed, it was depressingly sombre. I was with HRH Prince Charles, Prince of Wales. HRH Princess Diana, Princess of Wales was about but they were in separate entourages.

We were to attend a church service but in separate entourages. All of this was done on Princess Diana’s insistence. She was very forceful and had quite the temper when she needed to have the final word.

There was going to be no compromises in her position. She was, in fact, rather stubborn. This gave the sense of her that she would not age very well. We were in a courtyard before coming out to be seen by the press.

Firmly, she insisted that they do everything separately. She was a vocal, strongly male-energied powerhouse. As well, she refused to stand in back of him. Moreover, she definitely was not going to be anywhere near him.

The staging was such that they would never be captured on film in the same shot. Somehow, I was serving as a valet in HRH Prince Charles’ entourage. We headed, it seemed, along Hoskins Avenue on the north side and eastwards to Toronto’s Queens Park Circle.

In the circle, stood an incredible Gothic cathedral made of red clay. This was an architectural wonder, it was so massive. Built of the same red stone as the Ontario legislative building is, the structure was rather impressive.

This building was so unique and extraordinary. To experience this building was as exciting as experiencing a great work of art. This was architecture that was rousingly uplifting.

Also, this structure was several times larger than the Cathedral of Saint John the Divine, in New York City – the largest in the world. There was a wonderful wooded area which encircled it.

From amongst the towering trees, the spectacular work of architectural art triumphantly soared. The door to the cathedral was easily thrice as high as the doors to Notre Dame Cathedral in Paris.

Moreover, the gargoyles here were supremely realistic. A superb masterpiece of Gothic architecture this cathedral was. Marvellous flying buttresses, which were even more impressive being in this tone of stone, girdered the magnificent Gothic structure.

Not unlike Notre Dame Cathedral, it sat in an island of sorts. This place was easily four times larger than Notre Dame Cathedral. Since it was still raining rather heavily, I held an umbrella for HRH Prince Charles, Prince of Wales.

We had had to go to the church on foot. When we got to the traffic light, it took forever to change. This soon made HRH Prince Charles irritable and he abruptly took off. He did resent being publicly humiliated by HRH Princess Diana, Princess of Wales who had had them proceeded on foot – in the rain no less.

Her whole scene publicly was about emasculating him; she was intent on showing him as a man with no control or power. Totally at the service of the women in his life, as it were, was he.

Obviously. from their interactions, these two did not like each other. He suggested that we return to the residence where both entourages had started out.

The residence turned out to have been a very beautiful Gothic palace. This palace was a long, dark-stoned mossy complex. Soaked for eons in seasonal rains, the palace had a moss-blackened exterior.

The weather here was interesting because the rains never really let up. Quite simply, the rains progressed from downpour to downpour and were sustained by ubiquitous drizzle. Grey and autumnal, it was beautifully relaxing, humid air.

HRH Prince Charles, Prince of Wales wore a light grey, London Fog coat. This was an exceptionally tailored coat. Holding the umbrella, I was always on the prince’s left.

We then came back to the very stately furnished apartments at the Gothic palace. HHR Prince Charles was not cohabiting, at this palace, with HRH Princess Diana.

Once we were alone, he asked if I would give him a back rub. Seemingly, he suffered rheumatoid aches because of the rains. He began absently talking and clearly was in a deep funk about his relationship with HRH Diana, Princess of Wales.

When he asked for the back rub, I thought it strange that he had said please. He then let me know how much he appreciated me. I was good for him, to have around, said he, and he wanted me to know how much he appreciated my being there.

What he really appreciated was my loyalty to him, said he. Then he told me that I did have healing hands. On coming inside, we had been properly soaked to the bones by all that rain.

His cheeks were red; a very ruddy complexion his, I noticed both when holding the umbrella for him. I knew that when we got in, that we would both relish a glass of sherry, to warm us up.

I was really concerned for him that he would catch a cold.

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In what proved the second dream, I got into this tiny cab; it was in the middle of the street and I got in on the driver’s side in back. I had gotten in whilst traffic was dashing past. I had trouble getting the door to close after me.

Once inside, it was much smaller a cab than even it had looked from the outside. Black plush leather wonderfully complimented the deluxe look and feel of the cramped interior.

The driver was French and this clearly was in Paris. We were caught in busy afternoon traffic. In a bid to cross the street, lots of people kept getting off the sidewalk and stepping into traffic.

For my tastes, it was far too chaotic with the traffic a gridlocked and bottled-in mess. For that reason, pedestrians would simply step off the sidewalk and into traffic without looking for advancing vehicles at their rear.

At the time, it was summertime out with lots of bare-armed, floral-printed dresses wafting by. Open-toed and heeled shoes busily paraded the crowded wide sidewalks.

If only to protect against Sun damage, several persons wore hats. The ladies were very conservative and proper. Rather than the 1990s, one had the sense that this was Paris of the 1920s to 1930s.

From the textures, styles, even to the hairstyles, it was definitely not contemporary times. Even the ambiance was more so 1930s Paris. On a cobblestoned road, we began going around a circle but not the Place de L’Étoile.

Then the cab driver stopped without having gotten me to my destination. Soon, we both got out with me being understandably pissed off at him. We then abandoned the cab and proceeded walking through the traffic-choked street.

This was when I saw a dashingly handsome Black man walking with a White woman. He was on her left, his moustache a distinctive, well-groomed signature. He wore a white shirt and these wonderful khaki slacks.

He was simply handsome… extraordinarily so. The Sun simply loved this man’s face. His skin, bone structure, eyes and teeth simply made the light glow that much more beautifully.

Goodness, this man was dizzyingly good-looking. Smooth, jet-black skin, it looked as though it had been pounded by some shamanic West African tanner/sculptor.

This man had all the elevated sophistication of Duke Ellington but was, of course, considerably darker than the Jazz genius. The moment that I saw him, I knew instinctively that he was the man whose faded photograph I had seen in that unoccupied house back on February 16, 1989.

Perhaps, this was myself or Essence Twin, living a very urbane life in 1930s Paris. Nonetheless, I totally connected with him; he was as familiar and connected as James Tramble or, for that matter, Merlin.

On seeing him, I became at once thrilled and uplifted. Soon, it was obvious that they could not see me. I was as if travelling back in Time and getting a glimpse into that past life. Just as now that organic bungalow was also seemingly last occupied in the 1930s.

The driver then slapped me from my euphoric daze when demanding that I pay him 160 FF. More to the point, the bum had not even gotten me to my destination!

Then again, in terms of having served as an astral guide, he had handsomely performed done his task. After all, had we stayed in the cab and driven on, I would never have seen that man whom, at the level of soul, I so intimately knew.

“What?! Are you dreaming? I’m not going to give you no more than 60 FF. Even that is too much, you still haven’t left me anywhere near rue de Grenelle in the sixth arrondissement.”

He was short, dark-haired and moustachioed. A swarthy, provincial Frenchman he proved. I most certainly did not give him a cent – let alone the rest of my time.

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In what proved the third dream, several trunks were standing about the Crab Hill, Sandy Point, St. Kitts house; several of them were standing on end. A little lapdog busied its short-legged self by scurrying about the house.

Everywhere, there were trunks packed and in the centre of the rooms. In the study, there were candles; so, I went there and began closing the windows.

As I went about closing the windows, I wondered how one could have gotten so lapsed as to have not kept the place closed and more secured. For fear that it could start raining at any time, I then began closing the doors.

Besides which, it was coming on to nighttime. The study was filled with innumerable volumes; the books were bound in rich leathers and cluttered everywhere. I really enjoyed being in the room when drinking the vista of its wealth of knowledge.

As I had closed the window, I saw Yvette Morehead’s sizeable brood outside on the steps of her house playing. Max Worsthorne was up in his house whilst looking down at me. He was very stout and handsome.

When I went to close the rest of the doors, I noticed that the papaya tree – which I had planted in childhood – had grown quite large. I came out to admire the fruit tree that I had planted and, on stepping onto the steps, saw Gowan Dalrymple outside in the yard.

He went into the old kitchen and was wearing an overall. He was so handsome and alluring-eyed. I was really warmed to have seen him. Soon, I decided to seduce him because he was one of the warmest sensualists that I met during my teenage years.

We were quite hidden from view; thus, I went into the kitchen after him and closed the bottom door after me. Whilst I was in the old kitchen with Gowan Dalrymple, Max Worsthorne could not see us.

I did, though, recall those memories of seeing him naked when a child and what an oversized cock he had. Stooping to my knees, I began giving Gowan Dalrymple a blowjob.

He had been standing there waiting; his readily tumescent cock disturbed the draping of his overalls. Opening up the blue denim overalls, I got out his cock. Before going down on him, we made very long, intense, soulful eye contact.

His were such warm, smiling penetrating eyes – they certainly are in the waking state. The thing about this experience was how awakened it was. I could smell his breath as he yearningly breathed past parted lips.

Everything about the encounter was real; the encounter was astral planed. Going down on him, I could taste the slight briny sting of his precum. His balls smelt really loud – like a man ought to.

Even whilst on my knees, I spent most of the time whilst performing fellatio, looking equally unflinchingly into his eyes. During our awakened astral plane encounter, we had hardly said a word to each other.

Gowan Dalrymple shuddered throughout as I gave him the slowest, most nerve-wracking blowjob. The sexual play truly was a sensual massage that transcended the physical bounds of his senses.

Whilst performing fellatio, I was simultaneously massaging myself to an orgasm. This, though, occurred without him or me masturbating my cock. This was a purely spiritual experience.

What we shared was essence contact… in the true sense of the word. The massage of his warm, moist, throbbing cock against my lips and into my mouth was sensually overwhelming.

This was a peak experience; it easily transcended that blowjob that I performed on the actor Mel Gibson in the dream of June 21, 1992 – the summer solstice. The feel of this motion was sublime; it was akin to the arousal of spirit one feels for watching Evelyn Hart pour her soul into an emotive port de bras.

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Photo Credits: Ulm Cathedral, Germany

Diana, HRH Princess of Wales & HRH Prince Charles, Prince of Wales. Soeul, Korea 1992

1940s Citroen CVB

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Summertime.

February 27, 2015November 13, 2022 Arvin da BrghaLeave a comment

The gold Standard… I can’t imagine a week without Ella’s shamanic beauty inspiring my soul. Ella’s Michael Overleaves to follow and now to be found in the Michael Overleaves Appendix.

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Fitzgerald, Ella 1917<O>1996

This fragment is a fifth level mature artisan – second life at current level. Ella was in the passion mode with a goal of growth. An idealist, she was in the moving part of emotional centre.

Body type is Venus/Saturn.

Ella‘s primary chief feature was stubbornness and the secondary was self-deprecation.

Casting for Ella is fifth-cast in fifth cadence; she is a member of greater cadence four. Ella’s entity is two, cadre six, greater cadre 7, pod 408.

Ella’s essence twin is an artisan and her task companion is a sage – both extant.

Ella’s three primary needs were: expression, security and power.

There are 11 past-life associations with Arvin, 4 with Merlin.

This fragment has reincarnated and lives in an area of Chicago, is a one-year-old at this time (December 2013), female.

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All or nothing at all.

February 7, 2015November 13, 2022 Arvin da BrghaLeave a comment

Vocals: Betty Carter

Double Bass: Dave Holland

Piano: Geri Allen

Drums: Jack DeJohnette

Master linguist. Griot. Shaman. The One. The voice.

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Glamour Crew.

ImageMay 16, 2014November 14, 2022 Arvin da BrghaLeave a comment

Oil on Canvas 153 x 239 Inches © 1993 Attila Richard Lukacs Provenance: Private Collection Attila Richard Lukacs. http://en.wikipedia.org/wiki/Attila_Richard_Lukacs http://www.attilarichardlukacs.com/index.php http://www.dianefarrisgallery.com/artist/lukacs/love/index.html This is what genius is all about… on another note, add a bit of moss and a few Sitkas et voilà, you’ve got Stanley Park after dark. ________________________________________________________________________________ © 2013-2023 Arvin da Brgha. All […]

Dreams are the poetic expression of the soul.

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