Astral Projecting Into Dreamtime.

montreal2.

Recently, in the blog: Nancy …. and more, I spoke much of sage entity mate, Milan Newcombe – incidentally, Frans Bloem is also an entity mate.  In any event, during that tribute to Nancy Wilson, which also proved a tribute to mature sage entity mate, Milan, I spoke of how for having made love and sleeping together with Milan would frequently trigger the languorous process of astrally projecting from the sleeping body and progressing into the dreamtime whilst remaining lucidly self aware.  

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Interestingly enough, Jan Hartley whom I encountered on immediately astral projecting is another mature sage soul entity mate of mine and Merlin’s.  She is a freak-all fabulous Jamaican amazon, who is just as iconic and statuesque as Grace Jones who happens to be another cadre rather than entity mate.  Eden Battersea who appears in said dream, I also dream often of.  The energy between us was always simpatico.  I think that it is safe to state that Eden is likely an entity mate; however, I have never had her Michael Overleaves channelled.  

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©Alex Grey

A week prior to these dreams, Milan and I had been to Montréal where we had quite the time at the 350th anniversary celebrations and parade for the continent’s most cosmopolitan French city.  At the time of these dreams, it was Monday, May 25, 1992 and the Moon then transited both Pisces and my natal 9th house.  

astral projected self-portrait

Astral Projected Self-Portrait.

Crayola on Paper 

©1984-2022 Arvin da Brgha. 

What I love about this self-portrait of myself whilst astrally projected, is that it perfectly depicts what takes place during the process of astral projecting on May 25, 1992.  There are many forms that the body takes on during astral projection; as in the self-portrait, in this dream I stayed connected to the physical body by way of the crown chakra rather than the solar plexus chakra.  Dream experiences such as these and the process of moving from being fully awakened in the waking state to remaining lucidly focussed into the dreamtime marvellously validate how beautiful it is to be incarnate; we truly are magical beings – and there were no drugs involved in getting one to groove out…

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*Prior to sleep, I did a great deal of meditation and energetic work with the crystals.  Soon, I became bloated and expansive and fell into a free-flowing awareness.  I saw a very large, slow-moving galaxy-like, cluster of spiral light.  It slowly rotated and was the most gloriously hypnotic, grounding experience. 

At one point, I too felt as though my body was also turning.  All sense of the normal parametres bled away and the room and bed seemed to drift away, leaving me slowing turning in the blackness of space.  Milan Newcombe was close by, his breathing while already asleep, kept me grounded.  Interestingly enough, the transition from this experience into the dreamtime was almost seamless.  

Although, at one point, it had become so displacing that I had had to forcefully grab hold of the bed and force myself to sit upright in bed, to come out of the experience.  This, of course, caused Milan to stir but he did not awaken.  END.  

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                                                            Dream one.  I was on a brown and red-covered bed and it was very dark here.  Interestingly enough, as the sense of the room about me fell away, I would find myself on this other bed, in a totally different space.  I then had an acute awareness of something being there on the bed with me.  It was most upsetting. 

I could not quite figure out what was going on.  It felt like something like a cat but I knew that Whoopi was not about, since I was after all asleep at Milan’s apartment.  By the time of the dream, Milan had already gotten up and moved about the apartment.  Also I knew that it was not energetically something as terrifying as a snake. 

However, it was very uncomfortable and quite weighted as a matter of fact.  Felt as though that just below the edge of the futon, on which I slept, that a hole had opened up in the floor, to the right.  Seemingly, a hole had in fact opened up in space itself.  The wall of the room was as if also impacted with one of these holes. 

This one was considerably larger and more powerful than the one on the floor.  Sequentially, it had also appeared after the one on the floor.  This thing was so ominous that I felt as though, were I to have gotten up, it would have simply sucked me into its vortex.  I knew intuitively that were I to have fallen into its pull, I’d have fallen to my death. 

There was a strong sense of them being a black void and very ominous but one which I could not quite see.  Simultaneously, my body felt so ridiculously bloated.  I just hated the way that my body felt, I literally felt trapped in my own body.  I simply wanted to get out of the shell of my body. 

At that, I willed my self to get out, to get up.  Impatient with the feeling of being weighed down, I decided to astrally project, to move beyond my body.  Decided that I had had more than enough of this feeling of being helpless and entrapped by my own, leaden, bloated body.  Struggling, I pushed against my own body.  

It was as if the blackhole which had manifested beside the bed had so much gravity that it was literally crushing my body.  My chest and entire body felt as though leaden, as if strapped in to the bed.  I simply could not get up.  Since my physical body could not get up, I impatiently said, “Well fuck, I’m going to get up.” 

It’s as though, I had been infused by Milan’s very intense nonconformist energy, for which I do so truly love him.  “No, Arvin.  I have simply got to get up.  I will not suffer this.” 

With herculean effort, I willed myself to a crouched position then made my way down to the foot of the bed.  Turning around, I was surprised to see that my body was still lying, a very slow-breathing shell of a space.  Knew immediately that I was astral projecting and did not have to freak out, thinking that this was my death.  I also did not want to have to see my body and become overly focussed on it, so that I could really trip out, as it were. 

Turning around, I got up, keeping my back turned to my body.  When I got up, I was still aware of the great void being there.  There was a heavy bleed of energy out the crown chakra, atop my head.  This was as if I had the crown of a baobab coming from my head’s crown chakra but a baobab of light energy.  

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It was funnel-like and spiralled out, then moved back down and outwards, before veering off to behind me to my body, lying asleep on the bed.  What was really interesting about the vortices’ energy, was that they had warped the funnel of light energy, out and towards them, before it was then trailed back down to my body.  It had the appearance of a not fully vertical tornado that manages to swirl way off its central axis, in the cloud, before making contact with ground. 

Getting up, I started walking deliberately, as though in slow motion.  Moving with focussed intent, I managed to effortlessly move through the closed french doors, in Milan’s Spadina Avenue two-storey apartment and crossed the hallway into the kitchen.  The further I got from the french doors and the magnetic black holes, the lighter I became and the easier it was to manipulate in my light body.  I had gone there in the first place to collect messages from the answering machine, as I knew that Pandora had tried to call me from Paris, in the waking state, while I slept. 

Who should be in the kitchen but Eden Battersea and Jan Hartley, both Black Jamaicans from the work environment.  Jan was very much so in charge and in her element, as she cooked and Eden tidied up the rest of the kitchen.  It was also unusually dark here, just as it was in the bedroom, where the holes seemed to suck so much of the light from the room.  Eden was by the fridge, except that there was more space at the counter beside the phone and fridge. 

Eden was there making a sandwich of some sort.  Jan was at the table, chopping of things as she had pots going on the stove, preparing food.  She was quite warm and friendly, energetically greeting me.  I went to the answering machine to check and see if in fact Pandora had yet called from Paris. 

However, there were some problems because I could not find the buttons to start playback of the messages.  It was also a quite different machine to the one from the waking state.  Now, it was an elongated black and brown affair, very unusual-looking.  Jan soon joined me in trying to figure out, how the devil to figure the workings of the thing. 

But then she turned and looking into my face said, from under furrowed brows.  “Buh chile ah wha rang wid ounu face.  Chile yu muss tekk kare ah yur face an ting no man.”  At that, she drew closer, putting her hand over my face. 

Though she did not squeeze or anything, she then said in that loud Jamaican voice of hers, “Clean it way ma…”  I then rubbed my fingers across my nose, thinking of things in the waking state. 

*Presently I do have a bad cold in the waking state.  There have also been lots of problems since I began growing in my moustache, clogged pours more often than not, turning into puss-filled zits.  Ick!  I suffer from a patch of ingrown follicles at the same spot in the moustache. 

Every time I shave it down, it then gets problematic and soon enough gets infected and puss filled thanks to naturally curly black hair becoming ingrown.  Charmant.  This, of course, because I also have such legendary oily skin.  END. 

Cleaning my face with a napkin from the counter top, I would see all this puss on my face.  I was stunned by how realistic it all was.  Jan was so protectively nurturing of me.  Then she began rambling away in Jamaican patois, about not having any trust in technological appliances. 

She threatened to send it off to the states where she would have two of her sons, fix it up for her.  Finally, she could not be bothered, so was not going to do anything about it.  Thoroughly enjoyed her energy.  Going up on this ladder, I went up onto a stand, in the kitchen. 

This was when I realised that the answering machine was connected to another machine; a black box which had these long beaker-like tubes.  They were much like the tubes in the old radios.  A little red spark of laser light, powered the machinery.  Asked Jan if there were not any calls that had come through for me. 

Eden then turned around, looking over her right shoulder at me, when answering, “Sorette, or Soret I think it was, called.” 

“No you mean Pandora, don’t you?” 

“No, I’m quite sure the machine said Saurette.”  Finally, we figured out how the bloody machine worked and it was a strange one indeed.  Somehow, the calls were being routed off-planet, not as to satellites, but to another Star system.  So I thought that perhaps Saurette was the name of a Star from which the messages came. 

Thus it was a static-saturated trunk call but one which was travelling through hyper space.  Very interesting.  Eventually, we got to a message from Pandora, in which she was saying that she would meet me later.  She let me know that she was okay and had gotten my message without any trouble. 

i then announced that I was going to go back out to the salon, which is Milan’s quarter of the house.  Told them that I was planning to go get dressed and go out and meet Pandora.  It was then that I noticed that there was a pair of shorts that I’d left behind at Milan’s, sometime before.  More importantly, the clothes that I slept in were there but discarded since of course I was in an out-of-body state. 

They were the clothes I wanted to put on anyway.  An extra pair of pants sat about; they were jeans.  I was surprised to see that I had left so many clothes laying around at Milan’s place.  They laid across a chaise longue much like Milan has. 

A bed, very shortened, sat on this mattress frame.  I had been on it before.  Jan came in and took it up, banging it against the mattress frame, shaking it out.  I helped her move it, after she asked that I give her a hand. 

We moved it from the outer room, which looks out onto Spadina Avenue to the salon where the harpsichord sits.  The space was like Milan’s apartment but much larger and much more furnished with antiques.  Even here, it was more cluttered than Milan’s beautifully eclectic space.  We took it out to the inner salon which here was like a dining room space. 

There was another bed there with no mattress, which we were going to go use.  We were both barefooted at the time, when she noticed that there was broken shards of a mirror, which were laying about on the floor.  Some were even on the wooden bed frame.  A medium tone wood, it definitely was not a dark wood. 

Jan kicked away the shard with her right big toe.  When I told her to be careful she boisterously chimed, “Me na kno say ma?  Me knoe man, me knoe say ah so de sinting go.  Yu ha fe wartch yur self too chile.” 

Jan was so refreshingly good to be around.  Really, it was quite a pleasure to have helped her out and drink of her spirit.  At this point, I was fully dressed, then announced to her, in a convincing Jamaican accent, “Yeah me dear, me garn gu lang dong ya su, fe book up pan me sista an dem.” 

She cackled, enjoying my accent then affectionately waved me off, “Okay den chile, laita on, fu uknu.”  As I walked, I began going through the closed french doors of the salon.  I effortlessly moved through them as before. 

buenos aires2

                                                            Dream two.  In an instant from effortlessly passing through the closed glass French doors, I was posited out on the side of this very, very wide boulevard, in broad daylight.  Even for me, a seasoned adept at the exigencies of the dreamtime’s pandimensionality, it was a surprising transition.  In an instantaneous puff, there I was, elsewhere.  I had materialised along this boulevard, which had no vehicular traffic whatsoever. 

The thing about this transition was that I had total and clear lucid continuity of consciousness whilst moving from one dream locale to the next.  What was even more bizarre about this, was that I was striding westwards going through the closed door.  In an instant, my stride continued but now I was going eastwards, in the opposite direction.  It was light out whilst in the company of half a dozen men, who were wearing green overalls. 

It was militia garb, tucked into very long, thick riding boots.  With them, they carried long black, billy clubs like the London Bobbies.  I had also materialised in the presence of Penina, Pericles, Pandora, Isha, all my siblings except as per usual, Rio.  It is rare that I ever dream of this man, even in childhood when he was around. 

Pericles was wearing a brown silk shirt, over his brown, baggy slacks; he looked very dapper.  Terribly elegant and very refined with himself, as well he is.  Pandora wore a long flowing skirt that was pleated.  White, it was covered with beautiful floral designs in blue and red. 

Tiny rose petals, in fact, they were.  She wore a navy blue jacket with gold buttons that looked like the classic Chanel suit.  Very large-buttoned, this beautiful suit truly was elegant.  Isha wore a similar suit but there was more colour and flare in her suit. 

A less conservative approach than Pandora’s was Isha’s.  Penina’s outfit, I cannot even now recall.  Undoubtedly, it was not some overdone number, very low key, as is her style.  Functional and comfortable, her criteria. 

Incidentally, the secondary players in this dream were Pandora and Pericles.  On my arrival, I saw this guy and immediately thought of Karl Weller°, from the work environment.  Looking into his face, I said to him, “My god, I thought that you’d have been taller.”  We were standing on an incline but were face-to-face. 

On closer inspection, when looking in his face, I realised how more so he looked like John Milachek.  He looked at me with this look on his face, which was so loving and filled with longing for me.  Throughout, he remained silent, never once having said a word.  Again, I told him that I thought that he’d have been taller. 

He was one of the soldier-militiamen, so that was why he could not get too engaged with me.  Though he never reciprocated, it was obvious that the feelings were mutual.  Another guardsman passingly seemed like Milan; however, I had not spent much time looking at him.  There was an obvious, loving bond between us. 

This was also about acknowledging the fact that we had just met in the waking state.  But it was all done without words; rather, it was done at the level of soul.  It was very electric between us.  So thrilled was I that I broke into song, singing and winding up me waist and celebrating. 

I wind up on the other guy who passingly reminded me of Milan, without giving so much as a damn what others were going to say.  My lips pursed, my arsed cock high, out and ready.  Yes indeed, I was ready to rock and in heat, too.  Pericles sucked his teeth in disgust, turning away from me, saying, “He’s becoming more and more of a problem. 

“And a total embarrassment for this family.  I just do not know how we can put up with this.  Look, what am I doing here anyway?”  Turning around on my heels, I grabbed the long riding whip, from a guy and violently struck Pericles, booming into him, “Shut up!

“I’ll have none of this.  I have every intention of expressing who I am and being who the fuck, I am.  I’m not intent on pleasing you or anybody.”  With that, I continued my frenetic attack on him, whipping him into shape as it were. 

“Shut your narrow-minded ass, the fuck up!”  Forcefully, I cut him down to size and laid into him, all eyes, whip and rage, “I will have abso-fucking-lutely, none of this.  You own nothing here, nor are you running anything.  You’re not doing anything, except as per usual to stand here on the sidelines, passing judgment. 

“That’s all you ever do.  So shut the fuck up!”  I was truly livid with him or anyone trying to rein me in.  Incensed at this sphinctered rigidity, I abruptly took my leave, turning back to head across the extra wide, deserted 

A Brimstone Hill Sandy Point Panorama

                                                            Dream three.  Almost immediately, it became the lane up Crab Hill next to our house there.  This lane, of course, separated us from the very disputatious Florence Pole°.  Just as before, while in the midst of my stride, I was posited from one locale to the next.  Again, much was different here. 

Though there was continuity of lucid awareness, it had also transformed from bright daylight, to the stark finality of night time.  When I came down to the road, the McHughs’ house was there.  Going out into the street, I was surprised to find that it was considerably wider than in the waking state.  There were lots of ancient-looking bas relief.  This was so stunningly incredible.  Thus the effect was one of her legs seemed improperly attached to her body.  This was all about getting to a Space of Spirit and Intellect, where one was then free to creatively explore. 

This was in essence a creative incubator, at the level of the astral plane.  After all, everything about this experience from the projection out of my body, lying there asleep behind me, was truly about ascending to a higher stratum of the astral plane.  This abandonment was so mind warpingly complex, yet paradoxically simple in its sheer eloquence, that all I could do was throw my head back and riotously laugh.  Along with myself, there were other waking state locals there experiencing this as spectators. 

We were getting such a high at what these great masters could pull off.  It was as if, prior to setting out on their impactful incarnations, this is the astral school where souls like Martha Graham and George Balanchine° went to master their creative expressionism.  Quite simply, this was the school where great masters went to work it out, before reincarnating with an agendum to take the world by visionary, revolutionary, creative expressionistic storm.  Everyone of these people would evolve the art and styles would be created as a result of these souls attending this astral plane school of high priestdom. 

This is the only way to describe the scope of this realm’s essence.  These were a very august-souled people, who were mastering their art.  The art of pure creative expressionism.  They then announced,   “Okay, okay, okay. 

“Here comes the other guys.”  This led to the introduction to the opposing team of players.  One of them was seemingly the ancestral forebear of the McHughs, our Crab Hill neighbours.  There were obviously a great many Europeans in the McHughs’ family tree, on Baron McHugh’s side. 

The matriarch on the father’s side was then brought out of the McHughs and proved a very skeletal, ancient white.  She had apparently had a double mastectomy.  Very senior easily centuries old-looking, she was borne up by a couple of attendants, who were of Amerindian descent.  Everybody then started laughing, all the players on both teams, because she was so full of fear. 

She was possessed of an enormous amount of sexual guilt because of her nakedness.  Her body was truly bizarre.  It was quite concave; it was collapsed in on itself and birdlike.  When it got down to the hips, they disproportionately ballooned. 

Quite simply, she had a hideous mess for a body.  More to the point, it was all about how very uncomfortable some persons in the waking state, of southern Eurpean cultural heritage, are so guilt-ridden.  This is about how they see sex as being base and dirty.  As a result, such persons become so acutely uncomfortable in their bodies. 

There was another white who passed by in a blue and white muu-muu.  It was hard to tell which sex the individual was.  What was really interesting about this all, is the fact that the McHugh matriarch had been initially clothed, then stripped naked.  This is what had caused her such distress. 

For being so absurd in her self-denial, the others who were perfectly at ease with their nakedness, had begun laughing at the bizarreness of her.  She was lost in her beliefs.  The person went down between the McHughs and Saunders residences.  Two of the most grotesque thighs supported the gargantuanly hideous body. 

They were stubby little legs under this grotesquely bloated body.  If that were not enough, there was then a third Caucasian who looked like one of those early washing machines, from the 1950s.  The ones that had the roll wringers atop the round-lidded container.  This individual was Boteroesque in the true sense of the word. 

Very baby-souled, indeed, in focus.  Totally ill-proportioned and as well completely ashamed of their bodies.  They were so not into their bodies, that they were resoundingly subjected to ridicule.  They were a moment of Comedia dell’Arte. 

At that, I turned around and walked across the street heading as if towards Florence Pole’s verandah.  There were many more steps up to the verandah, which here was quite raised off the ground.  Going up on the steps, there were several of the naked giant people seated there, who were laughing their heads off at these freaks of daymare fare.  Not everyone was naked however. 

Going up on the last step, I sat down to the right, passing this woman.  On sitting down, I’d looked down into her eyes, with her on my left.  Ahead of me there was a guy standing up, who could have been earlier seated where I now sat.  The woman turned out to be pretty much so like the actor Kathy Bates, trying to verify, I called out the name, “Kathy Bates. 

“Hi, how are you?  You know that year, the Oscars were such a low-key affair and then there you were, breezing in with a spectacular win.  You were so refreshing and it was so refreshing.  Look, I’m really happy for you.” 

She energetically thanked me.  Kathy wore a brown large blouse.  Refreshingly, she wore no make-up whatsoever, a lot like that other grounded actor, Tyne Daley that way.  She was so refreshingly real and normal. 

Very clear, strong brown eyes, that were totally self-possessed, centred and contented.  Good for her.  The skirt matched the blouse, both covered in these daisies in various stages of maturation from bud to full bloom, then on to withering expiration.  Some were tight buds, buds breaking open. 

Daisies opening, others still in full bloom, still others past their prime.  Some after their zenith, some with three or four petals left.  A few still with only one withered petal left and some more with nothing but a petal-naked seed pod.  There were all very tiny, all the full bloom daisies less than one third the size of a dime. 

Quite a beautiful ensemble and I rather admired it while we spoke, from time to time pulling away from the unobstructed beauty of her warm eyes, to look at them.  Even for me, it was a bit humbling to have to look into so serene a pair of eyes.  Excitedly she called out to a man who was down below the steps, who turned out to be her husband.  Energetically, she had him come up and join us. 

He was a stout man and he reminded me of the actor, Jeffrey Jones, who played emperor Franz Joseph in the cinematic tour de force Amadeus.  He carried a wonderful little child who had the sweetest, sunniest disposition.  The husband did, though, have a rather distended stomach.  At one point, she got up and went to sit on the edge of the verandah. 

I knew that she had gone there because she had found my eye contact a tad too direct, which it always is, whether in the waking state or dreamtime.  She had kept on looking away, for no other reason than that my gaze was a bit too intense.  I was not upset by it, accepting her choice.  Alas, it was not the end of the world. 

Her husband remained where he was, originally on her right, with the boy.  He was excitedly speaking about what the naked giants were able to pull off with their bodies.  He seemed about 37 years old and undoubtedly an actor; theatre or perhaps an acting coach.  They were a really refreshing group of persons to be around. 

It turns out that they were mostly white on the steps.  The boy sat on his father’s lap, wearing a sunny shirt to match his wonderful personality.  It was covered throughout with sunflowers in bloom.  This little man had such beautiful little teeth, against his generous gums. 

Perfect teeth, on the four year old.  His hair was brown to black, with a beautiful natural oily sheen to it but one that was not problematic, falling in a bang on his forehead.  He had such beautiful, smiling sunny eyes.  God it was breathtaking to look at him because here was a soul incarnate in the most sunny of childhoods. 

Spectacular!  He was happy and a precocious, charmer.  As I looked at him and he was smiling, he suddenly got dead serious on making eye contact with me.  Time seemed to stand still as the most intense fusion occurred between us; it was really quite powerful. 

“I wonder if you are Merlin?” I thought to myself whilst reciprocally looking directly into his.  He looked at me saying absolutely nothing, his lips pursed, knowing, then broke into the most glorious, knowing laughter.  It was as if to say, “Well, you tell me.  What do you think?”  

It was very direct and very connected.  With that, I reached out to him, rubbed his little thighs, to which he giggled with utter abandon.  This child asked so many questions, of adults who actually took the time to be there for him and not relegate him as a bit player in their agenda.  Very impressive parenting approach, to which he was focussed. 

Goodness, this kid was so filled with life, positive life.  Good for him.  Kathy Bates then leaned forward, asking after me.  She then drew to my attention, the vista across the way where our Crab Hill house used to be. 

There had been a fire, burning the entire structure to the ground.  Apparently, it was arson but the saving grace was reconnecting with the genip tree, which though considerably larger, towered seemingly more so, without the grounding of the house.  The trunk was so thick that I squealed with delight, letting everyone know that I was the one who had planted the mango tree.  It had been singed on one side, during the fire. 

Remarkably, it had survived the fire and not burnt down, for which I was grateful.  Looking across the street to the McHughs’ yard where their truck used to be, there was now a majestic poplar tree and in St.  Kitts at that but it was quite sturdy and strong.  Quite handsome and though thin-trunked, I was quite pleased to see it in these parts.  It was not unlike a columnal oak, spiralling up as it did. 

Every time that the breeze blew through it, the leaves rustled, beautifully laughing; it was the most exquisite drink.  It affected a great tranquillity to the evolved Chi of the place.  Standing up, the steps were quite high, as I looked down into the road.  As a matter of fact, the lane was considerably wider and being used here as a street. 

At that point, I saw Pericles, Isha and Pandora.  I had pulled up my leg, on seeing this young black boy.  He was beautifully dark-skinned and slightly over weight.  As he walked towards us, on noticing Whites on the step, he immediately became very subdued and self-conscious. 

As a matter of fact, he was quite afraid of being taunted and harassed by whites. 

*Which finally is a reality that all blacks experience, with varying degrees of intensity and frequency.  It was all about the psychic abuse that one is perpetually subjected to.  Outright ridicule, crossing to the other side of the street, women clutching their handbags.  Being sniffed at rudely and spat at with cutting aggressiveness. 

Nasty, animalistic behaviour, all of it.  Aggression that is daily perpetuated, to justify the absurdism of their arbitrary superiority.  Finally, their acute insecurity about being arbitrarily superior.  A very mad, twisted little World that we all inhabit, in the waking state: both blacks and whites, for its a displacement of spirit that we are as if unable to constructively address and affect. 

Quite interesting to experience this degree of WST (waking state transference) and I really reached out compassionately to the young black man.  Finally, I knew that I could only do so much for him; he would have to make his own way.  Penina then came over, bearing this pair of pants that was on a hanger.  It came with a pair of briefs attached inside. 

She instructed the young boy.  She was letting him know that it was time for him to go run the race and she had not spent all this time coaching him, for him not to win.  She was her usual feisty self.  Humorously, she went about bolstering his spirits. 

It served to pull him away from the vortex of predatory racial animus that he was succumbing to.  This exactly was what he needed then and there, being spirited away from the black hole of racism.  This was about the debilitating effects of racism on black males in the waking state.  Excusing myself, I said, “Oh good, there is Pandora. 

“Allow me, to go down and greet Pandora, again.”  Rushing down, she beamed at me as we warmly greeted each other.  Wrapping arms about the other’s waist, we walked away with her on my immediate left.  Languorously, we had kept directly looking into each other’s eyes. 

You could feel the mostly white waking state humans back on the steps, admiringly looking on at us.  Pericles was coming towards us and it was obvious that he could not be avoided.  However, we lapsed back into looking into each other’s eyes, in that way snubbing him, letting him know that we had no intention of acknowledging his narrow-minded energy.  He was royally pissed off at that, as well he should have. 

Finally, we did not care for his arrogance.  Isha was there with Gina Morton and some other girlie friends, ponging ‘tory, as is their wont.  Hurriedly, I invited Pandora to come along, at which point we walked around the road past the Crab Hill property.  I was supposedly taking her to the poplar tree.  

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                                                            Dream four.  Yet again things immediately shifted and now it was an entire city block, which was not like anything in Crab Hill at all.  Turns out, this strange city had been burnt completely to the ground.  Quite so, it seemed to be an industrial complex, with all these exposed frame work of the larger buildings.  Many of the skyscrapers here still had their steel ribbing in tact. 

It was all very garish a sight.  As we crossed, I pointed out all the exposed pipes and burnt out wood everywhere.  Somehow, many of these wasted structures had become organically transformed.  The wooden beams were now exposed, black charcoaled sculptural signatures. 

In one locale, a set of pipes came up out of the ground.  Conscientiously, I pointed out that we had better get out of there.  My concern was that the pipes were bleeding gas, which was not only invisible but unscented as well.  Noticed as I inspected that one of the pipes had a heat vapour rising from where it was broken; this was not a good sign. 

So we decided to turn right, heading down this off-street from the major thoroughfare.  Along it, there were lots of exposed pieces of plastics which were mixed into the mortar along the side of the road.  It was quite interesting to see how this civilisation chose to recycle its plastics, burying them in the mixture to help make more affordable and durable roads.  The road did incline downwards as we went along it. 

This then took us to this large, old wooden building, which still stood.  It was pink with louvres which covered the outside, where just inside there was a verandah with an indoor garden.  Glass louvres shut out the elements allowing the plants to grow healthily.  But in the very last apartment, I noticed that there were two of them that were totally abandoned. 

I was thinking at the time that we could easily move into them.  Fixed up, they’d prove wonderful large apartments and a wonderful place to live.  Saw no reason why we could not fix them up and end up getting good rates for them, on resale.  Arriving at the last apartment, I excitedly announced to Pandora, that it was where Hélène Plotte-de Visage lived. 

We were able to peer inside the apartment.  It was reminiscent of the cottage that she owned on Ontario Street; however, this was differently laid out.  It was then and there that I recalled being there to visit with her, earlier in another dream.  It was a beautiful apartment, laid out so that it was like a stage set, on several levels. 

No walls just different levels, adding a sense of spaciousness to the space.  A piano then began playing, which was soon accompanied by a chorus of singing kids.  Realised then that she was a pianist and a school teacher to these kids.  We went walking past as Hélène got up to sing a Christmas carol, which they were rehearsing, at all of summertime. 

To hear the carol at summertime, reminded Pandora and I simultaneously of our childhood Christmases in Crab Hill, where it was of course a perpetual summer.  Looking at each other, we had a moment of true intimacy, smiling lovingly at each other.  We were so moved that we sweetly laughed whilst enjoying the tight groove that only the two of us, could have fathomed then and there.  Hélène’s apartment was at the end of the complex, that led to a wonderful garden, to the side of the building. 

Here the road dead-ended into this beautiful large park.  There was a road that ran east-west, because we had gone due south, along the road.  The east-west street presented us with a choice and I suggested that we go right and so we did.  We walked on the south side of the street, which inclined, with the park close by. 

We’d originally turned right to get onto this street.  We crossed to the north side to get on the same side of the street as the park.  When we got up, this street dead-ended into a plaza before the park.  There were lots of people just hanging out, kicking back. 

Here, it was very mellow.  Mostly, they seemed to be a bunch of hippies, with several of them wearing the same high-riding boots.  Though the garb bordered on that of some skinheads, they were, however, not such persons.  A long backed, high-yellow woman was there with her family. 

She had two daughters and a son.  One of the daughters had great potentials of becoming a spectacular model.  She did look not unlike the East Indian-German, beauteous supermodel Yasmine Ghauri, though, a younger version.  She wore a blue bathing suit, which I noticed when she got up off the picnic blanket to stretch out. 

They were in our way but not obtrusively so.  We continued along and happened on these very young-souled  Americans.  We instinctively held on tighter to each other because these people were so aggressively young-souled.  It was fairly obvious to us that we were likely to be at least verbally attacked by them. 

Thus we chose to shield ourselves from their potentially stinging sarcasm.  As we moved along, I was amazed to find that one person to our left, in passing, was Bruno Lambsdorff.  Saw another young, high-yellow girl because she so reminded me of Martha Wexler, I called out to her.  She wore a white silk blouse. 

When we came over, she joined us immediately, holding hands with us and walking between Pandora and me.  A dark-complected black girl then came up, whose hair was braided.  The other’s hair, like Pandora’s was gathered back in a loose bun.  So too was mine, for that matter. 

As we intimately progressed, enjoying each other’s company, we were aware of the onlookers, trying to fathom the extent and nature of our connection.  It was as though to them, the high-yellow girl was too beautiful to be an offspring or sibling of ours.  Most of all, we were gathered thus to shield and protect ourselves against the vicissitudes of rough-going racial animus that foamingly swirled about us.  Arriving in the plaza area, the two girls had these yellow-handled camcorders. 

The rest of the tiny machines were black, which they placed over their eyes, with their right hands, to begin filming away.  Isha started dancing, at which point, I suggested that Pandora ought to go join in the dance.  Myself, I let them know that I was unsure whether or not I wanted to be dancing.  Pandora was decked out in these high heels, doing these wonderful, elegant movements. 

Isha, quite out of character, was also wearing high heels.  She was dancing away to which I added, by energetically scatting away.  Soon enough, people started materialising, to check out our performance but I, however, did not want to be so hemmed in.  Further, I suggested that they visit while I head off to explore some more. 

Pandora, however, decided that she wanted to continue along, in my company, so I galdly accepted her offer.  

tour bus2

                                                            Dream five.  We headed off and soon got aboard this tour bus, where there were all these Japanese persons.  We began reading this book together; that famous Hindu book of worship.  It was a new version of it.  It had been updated, because a new religion had recently been born to the world. 

This was all very scary for us, as we read on.  It spoke about after the history of things.  Accordingly, after Lord Buddha there was the ambisexual Buddha, which did not make much sense.  So I read the fine print of this blue covered text, of religious writings. 

Here there were poems and historical accounts of events.  There were excerpts from the Lotus Sutra to the front, of the text, with newer religions in the middle section of the publication.  The end of the book, spoke of this new religion’s rise.  It informed that the Great Master was known to have been born in Israel. 

The complete statistics of his birth, astrologically, were listed.  At the time, all that I could think was that he was implying that the reborn Christ was going to be reborn in Israel.  Twice in a row, I thought.  Talk about lightning striking twice. 

This of course was a reference to Christ who had long come and gone but interestingly enough, he was referred then as the Buddha.  This was very current; the moment that we stepped on board the bus.  The bus seemed to be on Canada’s west coast.  This was a very densely populous Asian city. 

There were also a ton of whites here, as well.  They also had very thick Australian accents.  I found it all so bizarre that anyone could so casually be sitting around reading this book.  But almost everyone on the bus was. 

These people were very young-souled and frenetic.  Pandora and I were the only blacks here.  Incidentally, who should be on board but a blond guy, who was wearing shorts.  He was Australian and stood there, looking down at me because I was reading the book. 

Soon, he leapt into this whole sermon that was of a religious, fundamentalist bent.  He was, though, not a Christian fundamentalist but a zealous devotee of this newly formed world religion.  These people were terribly zealous and went about trying to confiscate the book, from so many people who were on the bus.  It just was not right. 

I fast blew my cool and leapt to my feet, “Hey now, wait a minute! You have no such, fucking right.  Stop it!”  The incredible thing about this dream too, was that one had to have a tattoo of the national flag of one’s country of origin. 

It was then that I knew that they were definitely from Australia.  The Asian tourists meanwhile were very young-souled but younger still than the zealous Australians.  They all stood there on the bus, holding it hostage for many people.  Stealthily, Pandora had gotten up and charmingly excused herself from the bus. 

When I had turned to say something to her, found out that she was nowhere at hand.  An Asian man now sat next to me, whose face much reminded me of Rio’s.  He was however Chinese and very fat-faced and his face was ravaged by acne.  They were eating quite ravenously together but soon it turned out that they could not digest food because they would immediately throw up after eating. 

The windows on the bus, were constantly being opened, allowing them the chance to throw up their food.  They were like babies whose digestive system were not yet fully developed.  This was clearly a reference to where these people were at reincarnationally.  They were quite simply a bus load of baby-souled tourists. 

One couple had actually had to stick their baby out the window, in a bid to have it fully throw up everything, along with its parents.  I was so fucking incensed and had no intention of idly sitting by and tolerate any of this repressive outrageous shit.  Shrieking at the standing Australians, I let loose, “Damn it, get off the bus! With your fucking, goddamn-assed insolence… get off!” 

At that, I began taking the books, anything and forcefully began ejecting them.  When that couple had put out the baby to throw up, a large group of people; mostly whites, had begun piling onto the bus.  Some were also Australians but different to the original group of fanatics already on board.  The Australian fanatic who had started the attack wore these silver-rimmed glasses, which did not contain the wild intensity of his close-set eyes. 

He was tall, wearing unusually short, cut-off jeans.  On his thigh was the tattooed flag.  The pants were quite ripped up, completing the look were his weathered Birkenstocks.  He wore a large backpack, over top his cut-off-sleeved shirt. 

This man was very arrogantly blind in his young-souled awareness.  Quite gung ho as a matter of fact was he.  Of the new arrivals a white couple stood out.  The man was so pale-skinned that his near white completion made him glow in the intense light; it was incredible. 

He carried a baby of about six months old.  Both father and child had unusually large heads, with the child being just as pale as him.  At the time, all I could think of was Srivatsan Gurucharan.  They were in profile, on the steps at the front of the bus, waiting for others ahead of them to settle in, before they could properly enter. 

The East Asians on the first set of seats, had had to put out their child to throw up.  During emergencies the windows could be opened from the bottom, which is exactly what was being done.  The windows were extended to a maximum of forty five degrees, allowing just enough room for an infant to be shoved through, to vomit.  The father held the child by the armpits and the crotch in a diving position so that it could throw up. 

And boy did the infant ever go on a binge.  Everybody here, had these little bowls that they ate what seemed steamed bamboo shoots and other foods.  For some strange reason, all of these adults lacked the capacity to fully digest their food.  Pretty soon, I was beating the living shit out of everyone on the bus. 

Simply could not tolerate having any of this shit go down.  My main target was the bespectacled zealot.  Grabbing him, I began kicking and shoving him, to get him off the bus, all the while screaming expletives at him, “How dear you?  Get out of here, with your fucking goddamn-assed, stupidity and damn insensitivity!

“Get out!”  Using the book, I whipped, pushed and kicked all of them, out of my sight.  Frankly, I was surprised at my own behaviour.  I had not a clue where I was getting all this energy from. 

Just could not tolerate their stinking insolence.  They were completely stunned by my energy.  They themselves, knew in their heart of hearts that I was wrong.  After all I was black, not an Australian. 

Though they could not deny my eloquence and greater awareness.  Honey chile, I was one wrongly provoked, coloured queen, in this experience.  Was going to have none of this shit.  Soon enough, I got all of them off the bus. 

Those who did not get forcefully ejected, did themselves some good and scurried out of there, knowing that all hell had broken loose and I would come after them too.  They knew only too well that this bus was not going anywhere, as long as there was one irate coloured queen on board.  You simply had to bail out, toute de suite.  We soon got off, when I realised this guy who was seated next to me, was not in fact Pandora. 

I went outside in search of her, going up the road.  Then when I returned sometime later, realised that the front of the bus had this large staircase leading up to it.  The bus driver then called out to me, asking if I was coming along or not.  Now the bus was more so like a Hovercraft rather than a bus. 

This was a rather long transport and definitely not a bus, though, not a train.  So, perhaps, these persons had been throwing up earlier, due to possible sea sickness.  Although I do doubt very much, if this were the case.  I think rather that this had much to do with the fact that this had everything to do with their being baby and early-young souls.  

Reclining Buddha of Galvihara-sunny

                                                            Dream six.  I then went up this hill, where there were lots of tall, beautiful old-souled looking trees.  There I found Pandora and she had said very sleepily that she did not think that she wanted to go along after all.  She encouraged me to do so but surely I did not have to stay with her.  She was being very introspective, claiming that she would rather be alone. 

Reassuringly, she let me know that we woud doubtless reconnect later on.  She was being accommodatingly amiable.  I then went up and climbed over this banister, to get up this iron plank.  As I did so, there was a fat, stubby-legged, lobster red, tanned Australian coming off. 

He was coming off the transport and passing him, I brushed back my hand forcefully, saying, “Come on, get off the damn thing and get going.”  At that, he was sent rumbling down the ramp, though, he had been trying his Jurassic best to inch down, fearful as he was, of possibly falling.  I then got back aboard the transport, which when inside seemed, conventionally enough, to be a bus.  Settled in again, my stomach lurched at the intense smell of all the vomit everywhere. 

It was then that I wondered, if my being on the bus, meant that I too was a very young soul, a la baby or early-young soul at the most.  Possibly not even young-souled as yet.  I had always thought myself a much older soul than that.  After all, look at the degree to which I dream. 

On further reflection, I thought that perhaps I was mature-souled.  For one, the dreaming suggested as much.  Furthermore, mature souls tend to be plunked down in the mire of baby and young souls, who try their every which nerve.  Seeking some air, I had turned to open up the window, only to have the smell slap me in the face. 

The stench was even worse when I shoved open the window.  An up draught brought the putrid smell of vomit on the ground, outside the window, high up my sinuses.  Overwhelmed, I decided to awake and be rid of the stench. 

*Interestingly enough, when the book spoke about the Ambisexual Buddha, it was clearly speaking of Christ.  The dates for his birth, were not using the Julian calendar.  It was clearly the Jewish calendar.  However this was clearly a reference to Christ. 

Here, he was depicted as being very lusty, passionate, with a strong martial element to his body, all of which was borne out by his chart, whose statistics were included.  This made absolute sense to me; after all, how could it not have been the case.  This was a king soul on his last life.  As someone at the penultimate level of old souldom, he would have been very casual and indifferent to the gender preference with regards to matters of intimacy.  

All he would have seen was a soul incarnate, a soul which innately has no sex.  Certainly, there must have been some physical intimacy between him and the prostitute, Mary Magdalene.  In this way he would want to show her acceptance, as well to heal her of any bitterness or guilt she may feel for being a social outcast.  How too, could he not have had some moments of physical intimacy with some of the more passionate, older-souled members of his disciples. 

Same-sex experiences have always been part of the human condition and certainly the incidence of male same-sex experience, has been widely documented in Middle Eastern cultures.                             

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To paraphrase Scotiabank: you are more magical than you realise!  Put away the crutches and excuses, take a deep breath, accept that you are phenomenal and deserving, let go, move within and start living the magical wonder that is you… and don’t forget to push off and start flying.  

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©2013-2025 Arvin da Brgha.  All Rights Reserved.  

On The Sunny Side of The Street, It’s Black History Month!

Happy Black History Month!  Who cares about the Oscars?  The most important point of power in all situations is being able to see through to the structure of anything.  Those who cannot manipulate real time events to show themselves, chosen, entitled, special, ‘genius’ and all that nonsense will ever cheat, lie and steal.  Please do tell in in what other universe would there be a tie between Katherine Hepburn and Barbra Streisand for Best Actress but in this one where the most venal racists run the show and everyone looks like another variation on Jackie ‘blasted god-fugly’ Stallone.

Go on, give each other awards; what does it finally matter when you know nothing of being cool and sophisticated as in those whom you so revile, vilify, loathe, incite others to hate – all the while crying of being victimised.  You know… those marvellous people whose spirit you will  never crush, despite the attempts of Orly Taitz and the returned de Torquemada – now no less fugly got up in reincarnational drag – Jackson, Woods and Cosby and you just know that the swine has only just begun.  They, those marvellous people, who like dreams – wherein only truth and beauty exist – are the ones to have invented Jazz and whose spirit will never be eclipsed by your god-fugly ugliness.  Yes, them… they who don’t need awards to show how special, chosen and what marvellous geniuses one so over-compensatorily is not!

Alas, for the truly marvellous people every day of the year is awards season; despite your alarming ugliness, you have positively no power over any of us when we set feet into our homes.  There, despite your lunacy, we affirm our creaturehood, our beauty or phenomenalness and we turn on some Jazz which can speak to no one else as it speaks to every last one of us – not you!  So while you infest the culture, like some fetid mould – which thankfully are never lasting – just know that the ugliness of your lies can in no way invalidate the beauty of Miles Davis, Duke Ellington, Ella Fitzgerald, Betty Carter, Lena Horne, Anita Baker, Sarah Vaughan, Diana Ross, Natalie Cole… and countless others.

So go on and speciously raise your rear right leg and take to the airwaves claiming, “Jazz has its roots in Klezmer!”  Just remember this: forgiveness is the price a damn fool would gladly pay to forget anything.  Clearly, you do not know Black people and come November, we won’t collectively have taken leave of senses and do as you would wish… not after Orly…  Who cares about the Oscar vote?  Our vote is the one that truly matters…  Remember eight years ago… “I’m Voting For Her!”  We do not forget… where is that displaced haus frau anyway?  You know, the one who was partout on TV demanding that the unchosen sheeple, “Vote For Hillary!” followed by that demented laugh of hers… perhaps, she is too distracted these days trying to recall with which hand she ate last night.

Truly empowered are they who always say what the fuck they mean and never leave any doubt as to their resolve.

Incidentally, all the Jazz artists mentioned in this blog, I have to date done their Michael Overleaves.  Some are listed in the Michael Overleaves Appendix page those which aren’t were only recently channelled; they are… Natalie Cole, Anita Baker and Lena Horne.  Not in the least surprised was I to have found that Natalie Cole is an entity mate.  Every time I hear her voice, I am instantaneously catapulted to a groove that I can only call a soul high…  So then here are her Michael Overleaves with one of my favourite video performances of hers.  Every idiosyncrasy of hers resonates to the very core of my being… God she could represent!

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*Richard is New York City academician whom Merlin met during the final couple of years of his life.  This man had the most uncanny resemblance energetically to Merlin and I only met him a week after Merlin’s passing as he ventured to Toronto; he had previously planned to, to bid Merlin farewell.  Alas, unlike Joe Morton who flew in from Los Angeles for 24 hours to be with Merlin, Richard  had been too late but came nonetheless; the gesture was truly noble of spirit and was greatly appreciated.

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©2013-2025 Arvin da Brgha.  All Rights Reserved.

Mood Indigo.

Duke Ellington and Orchestra.

Nothing like some Ellington after a truly sublime dream.  These are our high-priests.  Happy Black History Month!

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© 2013-2025 Arvin da Brgha.  All Rights Reserved.

Basin Street Blues.

© 1964 Bell Telephone Hour, NBC TV.

1926 Basin Street Blues. Spencer Williams

1929 Basin Street Blues: Louis Armstrong.

Trumpet/Vocals: Louis Armstrong

Trombone: Russell Moore

Clarinet: Eddie Shu

Bass: Arvell Shaw

Piano: Billy Kyle

Drums: Danny Barcelona

Pops… the very heart and soul of Jazz.

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© 2013-2025 Arvin da Brgha.  All Rights Reserved.

A Most Noble Shaman, Sarah!

Image

These next dreams are a wonderful journey into the rarefied world of Black musical genius.  The dreams were had on the eve of my thirtieth birthday, also a time, when America was about to unleash its warring might on Iraq – a campaign which would span some two-plus decades. 

The dreams were some of the most lucidly awakened.  Most of all, the dream with Sarah Vaughan was one of the most glorious dream experiences imaginable. 

A bit of leap off here but after all these dreams shared herein, it suddenly occurred to me that I’ve not done something as natural as having shared the Michael Overleaves of persons herein.  Merlin and I were/are Task Companions and that was his sixth life at 7th level mature, artisan-cast Scholar in acceptance (yeah!)  I am, of course, also 7th level mature, bluntly combative sceptic third life thereat in 6th position (hello the dreams!) of third cadence of third greater cadence, growth and passion. 

I became a Michael Student, on discovering the Quinn-Yabro Michael books, when Merlin was sick with full-blown AIDS in summer 1988 and it was the most arrestingly humbling experience to have met original group member SC 9 years later, herein referred to as Mathilde Duchenne – the pseudonym is a nod to a life in Barbados wherein she was a madam and I was her most prized worker – statuesque, stunning and entertained the seafarers, one of whom was a reincarnated king soul – who in an earlier famous incarnation was then sixth young, passion, dominance, idealism – Saladin, at whose court I danced with a cadence mate in fifth position (known in this life) and our respective Essence Twins whilst my then soldier TC (Merlin) whilst part of Richard Coeur de Lion’s crusading troops saw me dance and was blown away. 

This most recent get-together with my TC, then Merlin, was our 43rd and seven glorious years they were which continued long after both, of course, indulging in moments of sublime essence contact and energy transference as betrayed in the very lucid astral plane dreams herein…  For me, having been brought up by a musically gifted mother – whose love was sadly not readily forthcoming, she was though innately stylish and possessed of inordinate intellect.  She was also for long decades the only West Indian to have had her hymns published in the hymnal of the American Wesleyan church’s West Indian branch the Pilgrim Church – all that young-souled religiosity did wonders to hone my scepticism.  Harella was fourth mature Scholar… I’ve an obvious soft spot for scholars and 33 years after her passing my opinions and love for her have matured favourably rather than not. 

In any event, Harella was always singing and I have always loved Sarah Vaughan because something about her always reminds me of Harella, the complexion, the look, the round shoulders, the almost non-extant neck but the voice: warm, nurturing, maternal and stellar.  Though I’ve always been fanatical about Betty Carter – weeee! – I grew to love Sarah Vaughan when Merlin and his mentor, John Hirsch, grew even closer for both being full-blown with AIDS and we having spent so much time together; just the four of us, Merlin and me, and John – fifth mature warrior and his artisan task companion, Montréalais artist, Bryan Trottier, who proved a vile piece of work on Merlin’s passing which was months after John’s…

Bryan was repression mode, cynic, moving part of emotional centre, rejection goal and slid tremendously into acceptance and the negative pole thereof thus making him rather ingratiating and proving himself one phuch-all lugubrious sycophant with secondary CF of self-destruction, hence the bottle as pacifier in later life.  Bryan was then in the thrall of über-shit disturber, cum lost village idiot clown – with no discernible talent save being able to scheme and con her way from one nanosecond to the next, Elektra Skanczchowicz – fifth young slave in power mode with penchant for leather and for interfering in others’ lives and wanting to phuch with someone… anyone…  I am so glad to be rid of that ludicrous no-talent clown!  What is it about slaves and me in this lifetime? If it is not an old slave, I am loathe to have to interact with such fragments overlong – they really do present my impatience with a thorough challenge what with being 6/3/3 on a third life – vituperatively and with the greatest panache, ‘Go take your $hit elsewhere!’ 

These are things that are good to know.  I think one validates being a serious Michael Student as when in that dream recently shared of the female First Nation’s artist’s daughter that I speculated to self that she was likely in dominance – A couple of exquisite, old-souled gems.  For me, this is good work because it is so good to transcend the obvious pitfalls of waking state Maya.  Trust you me, most people in the waking state simply project their labels automatically.  It is no end of tedium to have some somnambulant lost soul start aggressively projecting onto you their embarrassingly myopic views when encountering me for seeing someone Black and god forbid male.  Don’t you realise that I am you in a past and future life, get over your tunnelled little perspective? 

Obviously, names were changed but I would be damned if I was not going to have some delicious fun assigning appropriate pseudonyms in the process – this incidentally was something at which Merlin excelled…  Although, since I have a fondness for Dravidian names, there are times when such names are used rather than cutting pseudonyms like Elektra’s, for example Mathilde Duchenne’s adept, V, is known where herein encountered as, Kritika Bhatt. 

To date, I’ve charted some 200 plus Michael Overleaves and it would well have been more, were it not for my protracted slow dance with starving artistdom. 

Whilst the Moon transited both Sagittarius and my seventh house, on Wednesday, August 1, 1990, I would awaken into these most luscious of dreams. 

<O>

Very intense and very involved these dreams and again there was a great deal of travel here.  I was in a city which was very moisture-heavy.

It was dark out; it seemed as though the light, though at daytime, was blocked out because there was a mist or there were a lot of moisture-heavy clouds which left the place really grey out.

It was a very ancient city and very much so like London, England.  In parts, it also seemed like Paris.  However, it was a mélange of London, England and, too, Bangkok.

It was at night-time and I was in a place where I saw the river.  This river was very much like the River Thames.

It was just as wide as the River Thames is and the river was very black and swollen.  It was fast-flowing and very ripe with a great sense of moisture.

As I was standing in this area, it was like standing in a circus.  It was a place much like Trafalgar Square.  This place, however, was not as large.  There was a central monument that had steps going up to it.

I was on the steps and looking off over the embankment.  The predominant stone of the architecture here was the same tone of limestone as was used in the Pont Neuf, as well as many buildings in Paris and in certain parts of London, England.

I was trying to look over the embankment because Arne Naess, who is Diana Ross’s husband, was talking.  I could see him and he had his back turned to me.

He was giving a tour and talking about how much he really does like his two sons and how happy he is to be a father again.

The first son, he said, was like Michael and I suppose that he meant like Michael Jackson.  Perhaps, he does have another son named Michael.  If not it would, I suppose, mean that Ross was quite a performer.

“Ross is very much so like his mother…” he was saying, “…and very much so a night creature.”

“An exhibitionist, there is no way that he’s not going to be a performer,” Arne was saying with resignation.

“Then Evan Ross” (Naess) he said, laughing at the mention of his last son’s name, “Evan is so much like me.

“If I turn in at eight o’clock or ten o’clock, whenever I turn in, Evan does too.  We’re very close and he always sleeps right through.

“He’s not a problem; a very silent and very, very contented child.  Not a problem at all.  I’m very, very pleased that I’m close with him.”

He then pointed out the bridge which had a terrace, like the terrace Tuileries along the banks of the Rive Seine, where you could walk by the water’s edge.  He said that he had bought this bridge for Diana Ross, as a result, it was now private property.

It was part of his vast real estate holdings in London, England.  It was, he shared, a present for Diana Ross.  As he said that, I then saw Diana Ross walking – her left profile and back visible from my vantage point.

She wore a London Fog or Burberry coat that went down to just below her knees with her bare legs visible.  It was beige, creamish-coloured as were the matching high heels that she wore.

Her hair was pulled back off her face and gathered in a loose curly puff in the back.  It was shoulder length hair.  I noticed as she walked that the belt around her waist was tied very tightly.

As if to protect herself from the chill of the dank air, Ms. Ross had her arms wrapped around her waist.  She was walking along the bridge alone and there was no traffic at all on this now private bridge.

He had said that he had bought it because,

“She has always loved walking on this bridge.  It means a lot to her and where she’d always go to when she returned to London… to think and meditate.

“It was one of the few places where she could really escape, not just in London but the world.”

Apparently, when he bought it for her, she was in Paris and called to let her know.

“She immediately got on her plane, dropping all her engagements, and flew here.  She was so ecstatic, screaming with delight.

“She was genuinely happy,” he said.

“It’s her own little retreat and she can walk on it whenever she desires,” he said.

It was very nice to watch her walk whilst totally self-absorbed.

I was trying to think of which bridge it was because it very much so reminded me of the Pont Neuf.  However, I know that it wasn’t that bridge because I got a strong sense that it was in London and not Paris.

It was on the St. James Park side of the Mall and going towards the Admiralty Arch.  On your left, you were actually able to see Admiralty Arch.

It was very, very black with age but also because of the ton of moisture-soaked moss.  It was covered here with a ton of ivy.

This was interesting because when I had dreamt of Francesca, for the first time, there was a great deal of the same large-leafed ivy on the building.  It was a very small circus – pedestrian and not for traffic.

I thought that it felt a great deal like London so decided to take a little walk and went up to cross the mall and go up towards Admiralty Arch.

I wanted to go in that direction, to check to see if I would happen on Trafalgar Square, thereby validating that it was London.

I headed off and soon noticed that there were many people in the city and a bustling city it was too.  Everybody was very quietly introspective.

Not too much noise and confusion or clutter.  I was zinging with energy for being in this very august city walking very rapidly.

As I was going, I saw a very modern complex.  It sat way across, like on the distant side of Trafalgar Square, to the north.

It was very large, very modern and of a very unusual design.  A lot of glass, steel and green chrome and very polished brass and not gold.

*Incidentally, in time, London, England would know just such a building.  It is the egg-shaped London City Hall.  However, here in the dream as it laid incubating in the architect’s creative imagination, it was lots of dark, soulful, green chrome and brass.  The latter is, however, not part of the actualised schema.  END.

**The building is actually the Swiss Re or Gherkin Tower not the London City Hall.  END.

When I was leaving the pedestrian place, I had turned around and looked in the direction of Buckingham Palace.  There, I saw a perfect, perfect, tiny chapel like Sainte Chapelle in Paris.  However, this one was even smaller.

As was like Sainte Chapelle, it was as if for the exclusive use of royalty.  It was in the Gothic style and with a very tall spire.  It was so squat to the ground that it almost seemed like it was a hut more than a cathedral.  Nonetheless, it was very Gothic.

In fact, it more so resembled those gold-spired Buddhist temples in Bangkok that are very dome-shaped with very, very tall spires.  This chapel’s spire was way taller than the chapel was.  This chapel was also white limestone – more appropriately, it was white marble.

I was going along the street and looking up at the buildings to try and make them out as I went.  Sometimes I would even have to step off the curb, briefly going into the street, to get a good look at the buildings.

It was so cluttered here that it reminded me of the crowdedness of the environs of the Hippodrome.  As I was going along, I noticed up ahead a tall, modern building that was blue.

It was as tall as the post office tower in London but bluer, even skinnier and easily taller.  Behind that in the distance, in all that fog, I could then make out what seemed the CN tower.

I thought then and there,

‘What city is this anyway, London?  Bangkok?  Toronto?  After all Toronto can’t be that close to London.’

I knew that it clearly couldn’t have been London, England.  It was so very modern on the other side of the road and looked very North American.

As I had earlier, I then looked off to the left.  This time I was way on the other side of the Mall, well beyond heading into Soho and past Trafalgar Square, heading as if up towards Piccadilly Circus.

There, I saw a very interesting sight.  What I now saw was a duplicate cathedral of the Gothic spired shrine that lorded where Buckingham Palace ought to have been.  This one was made of white gold and was glimmering in the light even though it was foggy.

It was therefore not a blinding reflection of the Sun.  It was zinging with a life all its own.  It was absolutely magnetic.  I thought,

‘Well, darlings, you’re definitely not in Kansas.’

I then decided that I would go off.  I really wanted to go explore the other side of the river.  I wanted to be able to see Diana Ross.  If not, I thought that I could go into the mall close by to try and find out what city this was.

I just wanted to explore the place.  Even more, what place was this where the predominant signature here architecturally was deco?  However, all was very modern with very deco lines to everything.

I went off and when I went into the mall, there was a restaurant that I went into.  It was green on the inside with depictions of plants everywhere and a lot of white.  There were as well waiters in green and white uniforms.

It was like a fast-food joint.  I recalled this man saying that he was a vegetarian and he wanted to know if they did not have anything that he could have.  He was stout and White.

There were these doors that led out into a beautiful, little, enclosed garden which was too Zen for words.  I decided to go out to drink up its beauty.

I also wanted to know if I couldn’t use it as a shortcut to wherever the bridge was.  I wanted to get to Diana Ross’s private bridge.  Finally, it was all that I wanted to see.  I was, however, having problems getting the door to open.

Finally, when someone was coming in, I went out the door.  I had not made an effort to buy anything.  It was a burger joint and a very posh upscale one at that.

When you left the eatery, by going through the back, it was in a park that was off from the street.  It was very, very beautiful here.  I wandered my way through it enjoying its large sycamores and other trees.

There were lots of heavy, old-wooded trees.  It was very expansive and healthy here.  I went around and came upon this very huge building.  It was a very, very exclusive and expensive hotel.

There was another tiny, little private street.  It was one which celebrities used to access the hotel when staying there.  The entrance was for celebrities and, of course, royalty.

This was so that they could not be bothered out front, on the busy thoroughfare, and have to deal with the nuisance of the paparazzi.

It was a white hotel of the same stone and looked as the buildings in Whitehall, London.  A very, very big and colossal building it was.

I went around and all you saw were well-healed people coming and going from the hotel.  They were all Black and very, very wealthy.

They looked very much so like Black Americans rather than Black Africans or Black Europeans or West Indians.  They were also in the entertainment business.  They were very much so musicians in the Jazz genre.

There was a very tall, High-Yellow woman.  She looked a lot like Stephanie Dabney – former prima ballerina with the Dance Theatre of Harlem.  She was older and had an entourage with her.

She had a whole load of suitcases and equipment as she awaited her ride.  There was a beautiful, black, convertible Porsche that was seated there.

Diana Ross’s son was in a yellow shirt and shorts.  The shirt was very bright yellow with a little floral design on it.  He was standing there looking much older than he is in real life.

He was looking at the car admiringly smiling at it and you knew that he wanted one.  You could tell that he just wanted to get into it and drive it.  It was Ross and you could see the definite resemblance to both her and him – his parents – in his face.

There were tons of security people as well as porters in navy-blue uniforms.  The porters’ was almost like a cadet’s uniform with gold stripes around the sleeves and gold buttons.  They wore hats; it was all very soigné and posh.

The musicians were very soulful, well-travelled, Black American, Jazz musicians.  They were very tall with distinctive features.  Theirs were faces that looked more iconically like African masks than anything else.

I then got going along not wanting to be seen gawking at anyone.  That was when I noticed another woman who turned out, in fact, to have been a much younger version of Betty Carter.

It was her and she also had an entourage of her own though one not as big as the other woman’s.  I saw her with a man.  Studying her right profile as she was talking, I intently looked at her.

However, I declined going over and interacting with her.  She was very well-fortified spiritually and did not want to be a celebrity.  She wanted to be left alone.  That much was obvious.

I went along and you could hear the river which was off to the right and the hotel was on the left of the tiny, little, private road.  To the right were all these heavy, big trees on this private road.

It basically was on the embankment of the river where there was a terrace with steps that led down to the River Thames with these huge, colossal trees that lined the top of the cliff.

You had to meander down the old, stone staircase which was, of course, dank and mossy.  There were different, little landings on the way down to the dark, fast-flowing and swollen river far below.

The further down you went, the greater the vista as more of the overhanging trees were out of distracting view and gave a better view of the very, very wide and commanding river.  It was noisy but very soothingly so.

When I got down to the first landing who should I see, off to the left in a corner, but Tina Turner.  She wore high heels, a skirt and a suit.

It was supposedly an Azzadine Alaïa.  It was a powder-grey, pinstriped suit and so powder-grey, in fact, that it was almost silver.  She was, indeed, looking fine.

It matched the exact colour of her hair which here was grey.  She had it pulled back off her face and wore a blue band from ear-to-ear that kept her mane back in place.

It was a beautiful, soothing, blue colour with tons of jewels throughout it.  It was not a mandarin collar.  Rather, it was a small-lapelled suit which was buttoned high up almost to the neck.

She was searching through her bag and was with a couple of men.  These men were a part of her entourage.

She was standing there having just left the hotel where she had been received, along with the other luminaries, by Diana Ross who was holding court.

This beautiful place was where Diana Ross was staying now.  She had had Tina Turner and the others by for tea – very formal.  Tina Turner had come out to wait for her ride but had slipped down onto the landing on the terrace to talk with these men.

When I saw her my spirits soared and I graciously said,

“Hello Tina…”

I clasped my hands in the Buddhist prayer manner and added,

“…How are you?  Kuon Ganjo…” at that I bowed to her as I walked by.

She was on my left and I did not want to stop and interrupt her.  By not stopping, I wanted her to be at ease and not feel her space being invaded by a proprietary fan.

She was in conversation, however, warmly smiled at me being very polite and appreciative.  I was pleased that here was another celebrity and she was not being rude.

She was being reverential in return and appreciative by way of the reference that I made to our both being Buddhists.  She smiled acknowledging me, to which I awkwardly added, as I was so stunned that she would acknowledge me let alone be so warm,

“And god bless…”

She thanked me.

I then went and looked over the edge.  The view from the terrace was so breathtakingly gorgeous.

Listening to the music of the ripened river was like the same resonant rapture I experienced when, on the embankment in London, England, I saw the River Thames for the first time in this life.  It was quite incredible.

I decided to proceed down and came down to another landing.  There were two of the musicians who are presently in Betty Carter’s band – the piano player and the bassist.  They were alone together.

I suppose that the man, to whom Betty Carter was talking upstairs on the private road, was the drummer.  I thought that it made perfect sense because here were the other two members of the quartet.

They were talking of Tina Turner saying,

“And did you notice that her blouse is a definite Ruth or Louise Browne of Los Angeles.”

This was obviously a very au courrant, very expensive designer.  They were very impressed with it.  I thought it funny because here were these wonderful, elevated musicians yet they were quite impressed by celebrities.

Then again, they were very young and were just starting out in their very august careers in the business.  So, of course, it made a great deal of sense that they should be star-struck.

I admiringly stood there and shyly said hello to them.  They warmly, gentlemanly responded.

I then moved off and went to stand facing the mighty river.  I was being made high, by all this beauty, having seen all these stellar musicians – these icons of Black culture.

Diana Ross.  I saw Betty Carter in this dream.  I saw Tina Turner in this dream.  These are three very elevated, Jazz singers in their own spheres with all these Jazz musicians.

It was quite a dream indeed and very, very, soulful.  It was very definitely on the astral plane because of the feel of it and the nature of it.

The intensity of the dream and the way in which I was so at peace with both nature and persons encountered, for being in this high-astral plane place which was possessed of such harmony, spoke to this being a dream of high moment for me.

When I stood there on the terrace, drinking in the thunderous roar and the healingly soothing, symphony of the River Thames rushing by below, I felt that sense of home and oneness.

It proved to be the end of that particular and very, very intense, involved and most multilayered of dreams.

<O>

It was night time, in the second dream this day.  I was in the streets of a place which I did not recognise.  There was a woman who was trying to park a very light blue, beautiful, beautiful car.  It was more like a station wagon in design.

It turned out to have been Sarah Vaughan – driving the station wagon – who, of course, is now passed on.

It was in a locale that I did not quite recognise at all.  Again, the feel here was of being still on the astral plane – not surprising, considering that Sarah Vaughan is now an astral plane habituée.

There were some other cars parked, as well, along that side of the street.  It was a very fine car, very heavy-looking.  It was almost like a Sherman tank and not a flimsy, little, computer-turned out car.  A very sturdy automobile it was.

She was quite meticulously trying to parallel-park the car.  She was quite obviously not accustomed to driving herself nor, for that matter, was she particularly comfortable driving.

However, all this was secondary to what was going on because she was singing.  She was warming up and by doing so, what she was doing, was singing an aria.

She was singing a male – tenor’s aria from an opera.  She was singing away.  She had such an incredible voice.  Ms. Vaughan’s voice proved a superbly stellar instrument.

I was astounded because here I was standing off to the side watching her try to park the car.  I was intently looking at her left profile studying her face, her round shoulders and almost nonexistent neck.

In that sense, she was so much like Harella.

She would sing very heavy-sounding bass and sounded just like a man.  Then she would do her vocalesing and slip into a very high-pitched and very complex dimension.

She was hitting high Cs that were just the warm up for where she would take you.  I really was transported by her singing.  It would be just this wonderful, wonderful vista onto which she would soar taking me along.

Such beautiful, beautiful feats musically that you can’t possibly share here in the waking state – it could only be experienced or articulated in the dreamtime’s pandimensionality.  It simply made me soar within.  It was quite incredible.

After she had parked the car, it opened.  Yvette Morehead came out and went and sat down.  She went and sat on a park bench and seemed as if a bag lady or confused.

I never did see Sarah Vaughan come out of the car.

I then moved on… it was just time to move on.  I don’t recall, in the least, having interacted with Yvette.

<O>

Art: Africa on her mind.

Graphite on Paper

11 x 14 Inches

© 2013 Orlando J. Black

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