The Black Queen: Racism and the British Royals.

Catherine, HRH Duchess of Cambridge: The Black Queen |

 

Windsor, Catherine, HRH Duchess of Cambridge 9/1/1982

 

Michael: This fragment is a fifth-level mature warrior – third life thereat.  Catherine is in the perseveration mode with a goal of growth.  A pragmatist, Catherine is in the moving part of intellectual centre. 

 

Catherine’s primary chief feature is stubbornness and the secondary, arrogance. 

 

Catherine’s body type is Saturn/Mercury/Venus. 

 

The fragment Catherine is fourth-cast in the sixth cadence.  Catherine is a member of greater cadence one.  Catherine’s entity is four, cadre one, greater cadre 6 pod 208. 

 

Catherine’s essence twin is a warrior and the task companion a scholar, her husband, HRH Prince William Duke of Cambridge. 

 

Catherine’s three primary needs are: expansion, power and expression. 

 

There are 10 past-life associations with Arvin and 8 with Merlin.  ­­­­­­­­­­­­­­­ _____________________________________________

 

 

Reputed to have the largest collection of tiaras, odd isn’t it that prior to having attended HM The Queen’s 2017 Christmas Lunch at Buckingham Palace when HRH Prince Henry’s affianced Meghan Markle made her inaugural attendance, never before had HRH Princess Michael of Kent worn this brooch. A brooch it is that is decidedly offensive in its racially focussed animus towards blacks. How does one account for this bold, racist display, if one did not have the sanction of those who matter?

 

 

HRH Princess Michael of Kent 15/1/1945 Monkey 6.7.8 = 3

 

For, HRH Princess Michael of Kent, the person who matters is not HM The Queen – we have no idea how HM The Queen is perceived by senior royals, though, there are obvious factions who see HM The Queen as having overstayed her tenure. Who could HRH Princess Michael of Kent have been sucking up to by wearing that brooch? Who were the puppet masters of that emboldened display of venal bigotry? Who was “Princess Pushy,” HRH Princess Michael of Kent taking orders from?

 

 

Lord Frederick Windsor, 6/4/1979 Goat 6.1.9 = 7

 

The male royal with closest connection to HRH Prince William, Duke of Cambridge is HRH Princess Michael of Kent’s only son, Lord Frederick Windsor. Indeed, Freddie & William are so close that it was to Frederick’s daughter, Maud’s, school in Battersea that the Cambridges’ firstborn, HRH Prince George of Cambridge, began his schooling. Why are they so close – apart from a possible soul connection (entity, cadre, pod) and past-life connections, Frederick Windsor, William and Catherine, The Black Queen all have 9 in their numerological makeup. The hallmark of persons with 9, is that they are all shit-disturbers and love plotting, scheming and sabotaging persons of whom they do not approve. No 9 person ever misses an opportunity to fuck with someone… anyone. 9 persons are incredibly insecure.

 

 

HRH Prince Michael of Kent 4/7/1942 Horse 4.2.9 = 6

 

Though these persons do not see themselves as being racially prejudiced – they simply are defending their way of life and how they perceive that their way of life ought to look – its makeup and exclusivity. Also possessed of 9, Frederick would have been much informed by his father’s worldview and perception of reality. All four persons being 9s, would willingly support William and Catherine, The Black Queen‘s edict not to have to countenance blacks being deserving of being in their midst, indeed, being socially acceptable in their midst. The impact that this would have had on the royal households cannot be overlooked. This bold racist slight against Meghan, Duchess of Sussex would have left much of the royal householders at Kensington Palace feeling themselves fully entitled to be openly racist towards both Harry & Meghan. Without doubt, this toxic environment would be a significant factor for the Sussexes not to have moved in to the newly renovated apartment next-door at Kensington Palace to the Cambridges, rather they would end up setting up their household at Frogmore Cottage.

 

 

Catherine, HRH Duchess of Cambridge 9/1/1982 Rooster 9.1.3 = 4

 

HRH Prince William, Duke of Cambridge 21/6/1982 Dog 3.9.2 = 5

 

Lord Frederick Windsor’s close friend, the future sovereign, William, the Duke of Cambridge is also – along with his wife, Catherine, The Black Queen – possessed of 9 in his numerological makeup. Above all else, William is noted to be a petty, fault-finding, toxic (like all 9s) intensely discriminating, stubborn man who is also inordinately dense and unaware.

 

 

HRH Prince Henry of Wales & Meghan Markle December, 2017.

 

Be that as it may, both the royal rota journalists and their racist hateful fans would readily conclude that in a bid to garner sympathy, Meghan actually presented the brooch to HRH Princess Michael of Kent and asked her to wear it to HM The Queen’s 2017 Buckingham Palace lunch, with the senior Kent princess not having any idea of the brooch’s racially offensive symbology. Indeed, both the print media and Meghan racist detractors have simply glossed over that pivotal episode, which signalled the declaration of a warring campaign of harassment, racism and bullying that would be focussed on both Henry & Meghan and coming chiefly from the Cambridges and all their cronies, the Kents and royal households alike.

 

 

 

TRH Duke & Duchess of Cambridge with HRH Prince Henry of Wales.

 

When was HRH Prince Henry ever reported to have been rude and disproving of Catherine Middleton because she was not a suitable spousal candidate for a royal and his much-loved brother?

 

 

William is carefully studied and great at slight of hand; at least, this is the case when he is making tightly choreographed appearances, which do not allow for moments of spontaneity. He enters, hands clasped, he makes a speech with a joke that displays the same saccharine, clipped laughter. In the above GIF, Catherine, The Black Queen, is seen brushing off her husband, the future sovereign, HRH Prince William. This quintessentially is the response of someone (Catherine, The Black Queen) possessed of a first number of 9. They are rude, dismissive and never mask their true feelings. William is truly beneath the thumb of his wife, Catherine, The Black Queen. Look at the way that William ducks down, neurotically rubs his arm and then looks to see if anyone has caught the behaviour, which clearly is never supposed to be observed beyond the walls of either Amner Hall or Kensington Palace.

 

 

Royal Wedding HRH Prince William & Catherine Middleton, 29.4.2011

 

Though there were multiple examples of William’s lack of awareness and his inability to mask his appalling lack of sophistication when in spontaneous live events, as at his wedding in April, 2011, a prime example of his behaviour on leaving Westminster Abbey with his new bride. At the second hour and 9th minute of the above video, [02.09.25] and the next two minutes William is totally self-absorbed and completely unaware of his new wife, Catherine, The Black Queen. He fidgets and is unable to properly put on his white gloves. Next, he gets into the Imperial State Landau and sits with his back to the horses; he, as it were, was sat such that his back potentially was to the crowds during procession. When finally he was directed aright by the footman, who knowingly looked at Pippa Middleton whose response validated that it was common knowledge that William is a fool, he then shifted to correctly sit, facing to the back of the horses. Naturally, totally unaware, he simply shifted from one seat to the other and remained seated as his new wife entered the landau. Selfishly, he is then observed shoving Catherine, The Black Queen‘s, beautiful Alexander McQueen gown out of the way and off his uniform.

 

 

Royal Wedding HRH Prince Henry & Meghan Markle, 18.5.2018.

 

At the fourth hour and 7th minute [04.07.00] of The Royal Wedding of HRH Prince Henry and Meghan Markle, Harry takes the time to speak to his new wife and then puts on his hat and gloves.

 

 

Windsor, HRH Prince Henry, Duke of Sussex 15/9/1984 London, England

 

Michael: This feisty fragment is a fifth-level mature warrior -– fourth life thereat – to his sixth-level mature brother, William.  Henry is in the power mode with a goal of growth.  A sceptic, he is in the moving part of intellectual centre. 

 

Body type is Mars/Saturn. 

 

Henry’s primary chief feature is arrogance and the secondary stubbornness. 

 

The fragment Henry is first-cast in second cadence; he is a fragment of greater cadence three.  Henry’s entity is one, cadre six, greater cadre 7, pod 418 – Henry is an entity mate of his paternal grandmother, HM Queen Elizabeth II. 

 

Henry’s essence twin is a warrior and he has a scholar task companion. 

 

Henry’s primary needs are: freedom, adventure and exchange. 

 

There are 9 past-life associations with Arvin and 5 with Merlin.  ___________________________________________

 

Henry, infinitely more aware than his brother, then gets into the Ascot Landau and does what his brother never did. Throughout, he remained standing in the Ascot landau, gave his new wife a hand inside then after she was comfortable sat, like a true gentleman, he then sat besides his wife. Their father, HRH Prince Charles, Prince of Wales also did the honourable thing and stood whilst his new bride, Diana, Princess of Wales stepped into the Imperial State landau and was comfortably sat at the foot of the steps at St. Paul’s Cathedral one glorious July day in 1981 whilst I then lived in Winnipeg during my studies at the Royal Winnipeg Ballet’s school.

 

 

Duchess of Sussex, Endeavour Fund Awards 2020, Mansion House.

 

What Meghan possesses in spades is intellect and emotional intelligence, which eclipsed and served as so glaring a foil that Catherine, The Black Queen, would not have been human if she would not have felt threatened by Meghan. Unlike Catherine, The Black Queen & William, Meghan is a keen strategist because like her mother-in-law, Diana, Princess of Wales, she is an artisan soul. As Diana deftly illustrated during her interview with Martin Bashir, she was not an airhead and clueless lost soul as she was mistakenly perceived. This is not uncommon a response to artisans; however, what all artisans possess, is the ability to see through to the heart of anything and anyone. When you know the structure of anything, right down to the subatomic level, you can never be threatened by it.

 

 

 

Diana, Princess of Wales.

 

One of the most powerful women in the 20th century lets her mask down and reveals how deeply misunderstood she was. What you are looking at, is an artisan soul in essence, being fully lived in and fully in control. Diana, Princess of Wales was always three steps ahead of any of the sharks with whom she swam. The parallels between Diana and Meghan are not coincidental. Both women are artisan souls who whilst within the Firm were feared and great pressure was exerted to impede the progress of both feared women.

 

 

That there were no doubts that Meghan wanted to send a message as to who was the architect of the racist campaign against her and her husband, HRH Prince Henry, Duke of Sussex and also why she would choose never to have her black son brought up amongst such persons, is revealed by the choice made to announce their stepping back as senior royals; the announcement to step down as senior royals was done on the eve of Catherine, The Black Queen‘s 38th birthday – thus, she sent a parting shot, making it perfectly obvious who needed to be wiped arse with on Meghan’s departure. Meghan is an infinitely more shrewd and complex artisan soul than was Diana, Princess of Wales. Meghan has master numbers of 11 – such persons will always leave their detractors dazed and unaware; they are visionary, bold and decisive… as is Meghan. Unlike Diana, Princess of Wales, Meghan did not feel that all she had was the comfort of the Firm; a self-made woman, Meghan knew that she could walk out the racially predatory and suffocating confines of the Cambridges’ court and not just survive but thrive.

 

 

Catherine, HRH Duchess of Cambridge, The Black Queen.

 

Catherine, The Black Queen, is a scorned wife and a mousy, jealous, petty, small-minded boor, who was perfectly at ease with the blackamoor brooch being used. Catherine, The Black Queen‘s husband, HRH Prince William, Duke of Cambridge is moving centred. All such persons are inordinately high-sexed individuals. Not only are they physically active persons but they have a voraciously engaged sexual appetite. As a warrior, Catherine, The Black Queen, is amply able to fulfil such needs of her husband’s. Nonetheless, as a moving centred individual, who also happens to be both male and a scholar soul, it is virtually impossible for William not to have a roving eye and to act on those urges… always.

 

 

Catherine, The Black Queen‘s behaviour on taking a seat, along with her task companion, that equally dense plank, William, at Westminster Abbey at the 2020 Commonwealth Day Service, betrays what a crass boor, the perpetually fake-grinning, inarticulate, mousy pretentious toff she truly is. Look at the Cambridges from the 6th through 9th minutes. They are clipped and William makes a point to mask Catherine as they take their seats so that Catherine, The Black Queen will not have to acknowledge Meghan. When sat, Catherine, The Black Queen makes a point of turning directly to speak with Sophie, the Countess of Wessex behind her whilst being sure to never look in the Sussexes’ direction.

 

 

What 21st century woman would go trotting out a pre-mid-twentieth century pram but an aspirant, insecure lower class Briton ever intent on impressing her overlords. Both of them, the Cambridges, are so frighteningly pretentious; just one look at that photograph and how possibly could Meghan not have been scoffed at by such starchy, uptight, mean-spirited perpetually fault-finding persons both numerologically possessed of 9. They, the Cambridges, were prepared to racially attack with their royal household gang of low-browed bigots, Harry’s wife as it was pure sport; it is always sport to racially prey on blacks. Indeed, how better to make that lazy broodmare, Catherine, The Black Queen have to work and go tour the predominantly black Commonwealth nations than by stepping down?

 

 

Look at William at the 04.00.00 mark on and his interactions with his father, whom he does not even realise, is embarrassed by his behaviour as before all the world’s 2 billion persons onlooking, he openly ridicules the preacher and by extension his brother, his brother’s new wife and her people and culture. This is the same little kiss-arse who ran to Israel to solemnly place his hand on a millennia-old wall, which no one on Haida Gwai could give a living shit about.

 

 

Windsor, HRH Prince William, Duke of Cambridge 21/6/1982 London.

 

Michael: This fragment is sixth-level mature scholar – third life thereat.  William is in the observation mode with a goal of acceptance.  A pragmatist, he is in the intellectual part of moving centre. 

 

Body type is Lunar/Mars/Saturn. 

 

William’s primary chief feature is stubbornness – death of his mother, Diana, Princess of Wales, was the triggering event and the secondary arrogance. 

 

The fragment William is third-cast in sixth cadence; he is a member of greater cadence seven.  William’s entity is four, cadre one, greater cadre 6, pod 208. 

 

William’s essence twin is a scholar and he has a warrior task companion to whom he is married, Catherine, HRH Duchess of Cambridge. 

 

William’s primary needs are: exchange, freedom and security. 

 

There are 6 past-life associations with Arvin and 3 with Merlin.  __________________________________________

 

William lacks sophistication and by his every action, he betrays what a small-minded bigot he is and thereby reveals himself working in tandem with his task companion that listless Edward Gorey somnambulist of zero spontaneity, zero stage presence and who is incapable of speaking articulately, eloquently and convincingly. In short, Catherine is just someone who after having persevered and ingratiated her way well beyond her class, ended up being settled on when Cressida Bonas’ sister saw no winning hand in having to pass a life, babysitting a boor, adulterer… to say nothing of bore. All Catherine, The Black Queen is capable of doing, in her glaring emotional immaturity, is focus on working with children and early this and early that developmental mental health psycho twaddle all of which has positively nothing to do with frig all anything.

 

 

A family void spontaneity… always on… always staged. This on the heels of William’s latest adulterous dalliance. Both on either side of that path with the kids divided between them. What is Catherine, The Black Queen to do but be a saccharine, utterly transparent dolt in her response.

 

 

Both Diana, Princess of Wales and Meghan, Duchess of Sussex are artisan souls, who proved unfathomable women, women who proved too powerful to not be threatening. Look at them both, where did they get this power from? Where did they intend to use this power and why do they want for change? In the case of Diana, hers was a fairy story in which both the media and public were vastly invested. With Meghan, however, hers was a fairy story that simply could not be tolerated. In every way, the affront of a black duchess, a black royal simply had to be challenged at every turn, in every way… every day. Both the media and public were hellbent on invalidating, obstructing and destroying the marriage of Henry & Meghan, if alas they could not have prevented their wedding.

 

 

Windsor, Diana Princess of Wales July 1/1961<O>August 31/1997.

 

Michael: The fragment who was Diana Frances is a second-level mature artisan and was in the passion mode with a goal of acceptance, a pragmatist in the moving part of emotional centre. 

 

She had a Lunar/Mercury body type. 

 

Diana’s primary chief feature was stubbornness with a secondary, not of self-destruction but of self-deprecation. 

 

Diana Frances was first-cast in her cadence and her cadence is fifth in the greater cadence.  She is a member of entity one, cadre six, greater cadre 48, pod/node 380. 

 

This fragment’s essence twin is a discarnate artisan and her task companion is a discarnate sage, both of whom are staying near her, waiting for her to become oriented to her situation. 

 

Here we had an artisan with drama in her casting but also with a very deep need to serve both the common and the higher good, which she did with grace, charm and a good deal of conviction. 

 

*These Michael Overleaves were channelled in early September, 1997 just after Diana’s death by Sarah J. Chambers who was part of the original Michael group and part of the composite Jessica Lansing in the Chelsea Quinn-Yarbro Michael Teachings books. END.

 

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Windsor, Meghan HRH Duchess of Sussex 4/8/1981

 

Michael: This fragment is a mid-cycle mature artisan in the tradition of the deceased mother-in-law fragment who was Diana, Princess of Wales — third life thereat.  Meghan is in the observation mode with a goal of acceptance.  An idealist, Meghan is in the moving part of emotional centre. 

 

Meghan’s primary chief feature is self-deprecation and the secondary of mild impatience. 

 

Meghan’s body type is Venus/Solar. 

 

The fragment Meghan is fourth-cast in the fifth cadence.  Meghan is a member of greater cadence four.  Meghan is a member of entity one, cadre six, greater cadre 7, pod 418 — she is an entity mate of both her spouse, HRH Prince Henry of Wales with whom she shares 20 past lives and also an obvious entity mate of Her Majesty, The Queen. 

 

Meghan’s essence twin is an artisan and the task companion a warrior. 

 

Meghan’s three primary needs are: expression, acceptance and expansion.

 

There are 4 past-life associations with Arvin and 6 with Merlin. 

 

Incidentally, this artisan has been a member of the British royal family twice before.  Firstly, as Margaret Beaufort, Countess of Richmond and Derby, she was the cousin of King Henry VI and mother of King Henry VII.  As such, she was the matriarch of the House of Tudor.  Her grandson was Henry VIII and her great-granddaughter, Queen Elizabeth I. 

 

This artisan in that lifetime was involved in the sacraments of the church being included in the newly established college system.  She founded Christ College, Cambridge and was instrumental with the founding of St. John’s College as well. 

 

Secondly, she was HRH Prince Edward, Duke of York and Albany and younger brother to George III, whose father the Prince of Wales, HRH Prince Frederick died before ascending the throne after George II.  In that lifetime, the artisan (now Meghan, HRH Duchess of Sussex) was interested in military structure.  He, of course, died young of a then unknown illness but which had to do with dysentery. 

 

Incidentally, in the current incarnation, Meghan, HRH Duchess of Sussex has suffered from gastroenteritis, which is related to the last-life health issues – this is the immediate past life and not that in 18th century when the artisan died aged 28.  

 

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Without reason, even when it was obvious that Diana was no saint, however, so strong was the investment in that fair story that both the media and public were prepared to turn a blind eye. Diana like every artisan was a shrewd strategist who was always three steps ahead of her enemy.

 

 

Diana was at war with Camilla Parker-Bowles – interestingly, the media never refer to the latter as such, yet going on a decade after her marriage, they continue referring to Catherine, HRH Duchess of Cambridge as Kate Middleton, so strong is the need to be classist boors in British society – and unlike any royal bride before her, Diana aired her linen in public with the Andrew Morton 1992 biography. Only an artisan soul would have had the balls and vision to pull that off, knowing that by so doing, she would win public support.

 

 

Windsor, Camilla HRH Duchess of Cornwall 17/7/1947.

 

Michael: Yes, this scholar is at the mid-level of the mature soul cycle — third life thereat.  Camilla is in caution mode with a goal of growth.  A pragmatist, Camilla is in the moving part of intellectual centre. 

 

Body type is Lunar/Venus. 

 

Camilla‘s primary chief feature is impatience and the secondary arrogance. 

 

The fragment Camilla is third-cast in sixth cadence; Camilla is a fragment of greater cadence seven.  Camilla‘s entity is five, cadre six, greater cadre 7, pod 129. 

 

Camilla’s essence twin is a scholar and the task companion is a warrior. 

 

Camilla’s primary needs are: exchange, freedom and power. 

 

There are 10 past-life associations with Arvin and 6 with Merlin.  (July, 2017).

 

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An older soul than Diana, Princess of Wales, Camilla, HRH Duchess of Cornwall is better suited to be HRH Prince Charles, Prince of Wales’ spouse. In general, Warriors and Scholars make better companions and, of course, in such pairings, the warrior is always the dominant partner. This is why no matter how you cut it, Catherine, The Black Duchess is the dominant partner in the Cambridges’ marriage – they, of course, also happen to be task companions, which only adds more texture and complexity to their bond, which is rigid in terms of who gets into their inner circle – they both do have a primary chief feature of stubbornness.

 

 

The Cambridges in their every outing with Meghan and Harry wasted no time in telegraphing just exactly their displeasure at having her in their midst. Meghan was a welcome addition to the monarchy and the royal family as a senior royal for as HM The Queen saw it, in a Commonwealth whose member states are predominantly black, having a Commonwealth Youth Ambassador’s wife be black was a masterful move and one which would assure The Queen’s legacy as she comes to the end of her life. However, William and, more importantly, Catherine, The Black Queen could not give a damn; they are the imminent future of the monarchy and they do not care about Meghan or anyone who looks like Meghan. Again, this is a couple who have chosen not to tour any predominantly black Commonwealth nation since being wedded nine years ago. There is no such thing as happenstance. Both William and Catherine, The Black Queen have a chief feature of stubbornness and such persons never change and are never open to change or deviation from the norm and their position on any subject. They – persons with a primary chief feature of stubbornness – are difficult, intransigent persons and both the Cambridges’ 9s only add to their difficult nature.

 

 

In the Cambridge’s world, they want a realm that is Brahmanistic as per their worldview: Whites, Asians and blacks somewhere comfortably distant with the rest of the uncivilised teeming humanity. They are no different to the average white of their generation – they are alarmingly racist; however, their brand of racism is so sophisticated that one never ever discusses race. Why would they? That would be giving away the power enjoyed by those who thrive on racism. Their realm is mirrored by the teeming trolls who in the tens of thousands flock to tabloid online outlets to spew their vitriol at this fairy story that should never have been that they, the print media and the Cambridges will stop at nothing to nullify. Now that they have succeeded in banishing that black bitch from the realm, their current focus is on divorce watch.

 

 

At every turn that goddamn black bitch was to be lynched, unrelentingly vilified and ostracised in no uncertain terms. At the core of it all are the Cambridges, who have smugly, idly sat back and watched their scheme unfold. Of course, like HRH Prince Andrew, Duke of York, the Cambridges’ have failed to realise that they do not have absolute power to have things turn out as they would wish them to.

 

 

At their core, all racialised persons are cowards. Indeed, how cowardly have the Cambridges proven themselves as they have fled to Amner Hall yet try and remain relevant with these PR outings that only highlight the source of Catherine, The Black Queen‘s grudge of Meghan. Listen to Catherine, The Black Queen speak; she is a weak, mousy, inarticulate bore who no doubt is bullied by the boor next to her for being such a dense, listless plank. Catherine, The Black Queen is as wooden as HM Queen Mary was a dour, starchy-looking, mean-spirited boor.

 

 

In two short years, the Cambridges managed to have reset the fairy story to better reflect their sense of what a fairy story should be. How like all the childless, spinster white females for whom the fairy story of being rescued by a prince, like Harry, the Cambridges had to wage war to restore order to the realm. Not only is it an attack on an individual; it is also an attack on an entire people. The Cambridges have decided that you do not belong; you are not welcome within upper echelons of the epitome of civilised, classist society.

 

 

If for a nanosecond you think that race has nothing to do with how Meghan was treated within the royal households, the print media and British society at large then you sadly have failed to realise that fairy stories are not real. The callous truth is that if HRH Prince Henry, Duke of Sussex had taken a Jewish, East Indian, East Asian or Muslim wife, there is positively no way in high hell that such a wife would have been meted out the same treatment in general and especially in the print media’s tabloid cesspool as has so racially predatorily been meted out to Meghan… and Harry. There is no way, had Harry married a Jew, East Indian, East Asian or Muslim, that one would want to give offence to Jews, East Indians are way too favoured to be openly ridiculed and discriminated against and god only knows, the very real threat of retaliatory violence from radicalised Muslims, would have Britons making of such a marriage a fairy story like no other and proof that they were no longer a stuffy classist society; rather, as per a marriage by Harry to a Jew, East Indian, East Asian or Muslim, the United Kingdom was truly an inclusive, modern society.

 

 

After the blackamoor brooch incident, seven months earlier, you can bet that Meghan did not want that vile, flat-arsed woman, HRH Princess Michael of Kent, at her wedding. Clearly, though, she was overruled. Just imagine if Meghan were Jewish and HRH Princess Michael of Kent had shown up wearing a swastika to The Queen’s Christmas Lunch in 2017 at Buckingham Palace; there would have been outrage across the globe and there is positively no way that she would not have been banned from the wedding. Even if Meghan were to have objected to her presence, she would clearly have been overruled and was.

 

 

Much of the decision to step away, is due in part to the Cambridges; however, HM The Queen has to take some ownership of this turn of events. This has always been her MO. Perhaps, it is because she takes seriously her role as supreme governor of the Church of England; however, HM The Queen has one weak spot and it played out with the Sussexes treatment in the media as has previously occurred. The Queen simply does not become involved; instead, she would rather that things play themselves out.

 

 

Previously, this was the same response that Her Majesty employed during her sister, HRH Princess Margaret’s life when tormented by the politics of whom she had fallen in love with. Rather than get involved, The Queen was cold and resolute in not getting involved and letting the thing play itself out – much to the detriment of her own sister.

 

 

Again, with Diana, Princess of Wales, The Queen was cool, indifferent and just hung back and let the thing play itself out. There was a great deal that HM The Queen could have done; she could better have protected Diana, Princess of Wales when she clearly knew that the young bride was but a lamb to the slaughter – look at HM The Queen’s indifference to Earl Spencer on the carriage ride back from St. Paul’s Cathedral to Buckingham Palace after her heir had just wedded a woman whom she, HM The Queen, knew her son, HRH Prince Charles, Princes of Wales, did not love. Look at the 02:07:00 through 02:10:00 minutes, HM The Queen clearly could not have cared less about the Earl Spencer.

 

 

Catherine, HRH Duchess of Cambridge, The Black Queen has been the architect of all this vicious vendetta against the Sussexes. Back in November 2016, HRH Prince Henry of Wales, released a scathing attack on the print media for their focussed agendum of vilifying, demonising and character assassinating his then finacée, Meghan Markle. Months later, in May 2017, though, it was an established fact that HRH Prince Henry was committed to and in love with Ms. Markle, Catherine, The Black Queen and her family banned Meghan from attending, Pippa Middleton’s marriage to James Matthews; Meghan was, however, permitted to attend the wedding reception. This act betrayed Catherine, The Black Queen‘s petty, mean-spirited persona. She is a 9 and like females with 9 energy body, Catherine, The Black Queen is possessed of a spiteful, malicious, sadistic disposition. Catherine, The Black Queen has always been the dominant partner in her marriage to the hapless, dolt, HRH Prince William, Duke of Cambridge, who is an emotionally juvenile, spiteful boor as a result of his parents’ loveless marriage and divorce; William has also never recovered from his mother’s death, which he considers murder. As with Catherine, The Black Queen‘s rude dismissal of her husband, the future sovereign, during the taping of the BBC’s A Berry Royal Christmas in 2019, this woman, Catherine, The Black Queen, simply does not give a damn. She has had a tough go of it not being aristocratic by birth as with all past Queen Consorts; she suffered mightily in the cutthroat world of Britain’s rigid class system and damned if it did not leave her scarred and compensatorily arrogant, discriminating and a vulgar boor.

 

 

No matter how the print media try and paint this woman as elegant, stylish and the epitome of class – all of which are just non-too-veiled racialised language – she is an inarticulate, bland, sadistic boor who for being a warrior soul – in perseverance mode no less – would compete with Meghan or any other woman who married her brother-in-law. Even if HRH Prince Henry of Wales had wedded Cressida Bonas, Catherine, The Black Queen‘s reaction to her would have been the same. Catherine, The Black Queen would have been less favoured by the public than blonde Cressida and for that, there would be nothing but misery meted out by Cressida by Catherine, The Black Queen behind the scenes. The fact that racism is so rife in classist Britain, gave Catherine, The Black Queen the upper hand against the threat of her brother-in-law’s wife.

 

 

Added to all that, Catherine, The Black Queen a warrior – all warriors make the most formidable foes – is in perseverance mode, which means that she would stop at nothing to see that Meghan was literally driven out of the kingdom. It does not matter that like a disproportionate number of Caucasian persons born after the mid-1970s, Catherine, The Black Queen is averse to being around blacks, thus it would have been to Catherine, The Black Queen‘s advantage as HM The Queen deemed having the black duchess, Meghan, Duchess of Sussex going on those Commonwealth tours to predominantly black Commonwealth nations which she, Catherine, The Black Queen, still cannot bring herself to undertaking. No matter how prejudicial HRH Prince William, Duke of Cambridge is, he is ruled by a wife who is more prejudicial and sadistic than he is. Anyone who intimately knows Catherine, HRH Duchess of Cambridge would readily admit that hers is a bitchy, biting, sarcastic sense of humour that is given to being vengeful, mean-spirited and adversarial.

 

 

Here in the 02:14:00 minute mark Catherine, The Black Queen on her wedding day is supremely in control. Of one thing she is assured, she is now to be the mother of a future sovereign and in time Queen Mother. She has a confidence which befits her knowledge of her place in dynastic history but she also has a focus which betrays her being a warrior soul in perseverance mode.

 

 

From the 04:20 minute mark, Meghan proves a contrast and validation of her role in essence. As an artisan soul, she becomes almost manic-euphoric as her multiplicity of channels become engaged and she becomes caught up in fantasy merging with reality – the same artisan soul euphoria was evidenced as newlywedded Diana, Princess of Wales walked down the aisle at St. Paul’s Cathedral in July, 1981. A warrior would never do this and certainly, Catherine who had focussed on becoming Queen Consort for years and also a warrior in perseverance, was singly focussed on being poised, regal and glossily plastic.

 

 

By the time that Meghan came along, Catherine, The Black Queen had morphed into the unpleasant aspects of her nineness and comfortably secured in her role in history and within the Windsor dynasty as future Queen Consort and future Queen Mother to HRH Prince George – should William predecease her. Warrior souls compete with everyone and everything and where Catherine, The Black Queen is most admirable is as Sporty Kate. Her athleticism is truly admirable – I often wonder what she must be like racing on horseback. However, in all other areas of her life, she is surpassed by Meghan. Catherine, The Black Queen lacks the stage presence, she is inordinately inarticulate all by herself, to say nothing to being compared to trained thespian Meghan who excels at being centre stage. Meghan can command one’s attention where Catherine, The Black Queen never can.

 

 

Catherine, The Black Queen has a power which befits her role as a warrior in essence. Catherine, The Black Queen is supremely confident in the fact that not only is she a future Queen Consort, she also is very likely to be Queen Mother; this is a role which Camilla will never fulfil as she did not give birth to any blood royal child. Until Meghan came along, all that Catherine, The Black Queen had in the way of competition was Camilla – she who would never be mother of a future sovereign; indeed, where is the threat to Catherine, The Black Queen from Camilla? This awareness of her place and power had Catherine withdraw to the Middleton seat in Bucklebury, Berkshire rather than visit with her father-in-law HRH Prince Charles and his wife, Camilla with whom he has no heirs after HRH Prince George of Cambridge was born and for months thereafter.

 

 

Thus, Camilla is no threat to Catherine, The Black Queen. Indeed, both Camilla and Catherine, The Black Queen are comrades-in-arms as they both are solid, single-channel roles which preyed on artisan soul threats to their power. Artisan Diana, Princess of Wales was bullied and driven to divorce by Camilla, who considered Diana a nuisance and a threat. Similarly, Catherine, The Black Queen has considered Meghan, also an artisan soul like Diana, a threat to her power. What Diana & Meghan possess is the artisan’s inability to remain singly focussed on the task in hand. Also, both Diana & Meghan were/are emotionally centred artisan souls who would have found it virtually impossible to stay the course when subjected to the campaigns that each uniquely met in the way of Camilla and Diana, and now Meghan and Catherine, The Black Queen.

 

 

Look at Catherine, The Black Queen in action; she hangs back and says positively little to nothing, allowing Meghan to shine… or does Meghan actually shine? Of course, in the tradition of a nine energy-bodied female, she hangs back because in the tradition of being a snide, snarky passive-aggressive, condescending Caucasian who traditionally fault-finds, criticises and is negative in response to everything about someone black, Catherine, The Black Queen, knows that to hang back wins her favour throughout the realm. Catherine, The Black Queen, hangs back grinning like a Cheshire cat as she knows that she has the non-blacks of the realm in her palm; she knows that the more Meghan speaks, the more she will be resented. This is good for Catherine, The Black Queen because she simply cannot speak whilst sharing the same stage with Meghan; however, in a society and world where race is everything, Catherine, The Black Queen‘s liability proves an asset.

 

 

 

True to her role in essence, warrior soul, for Catherine, The Black Queen, clothes are uniform. Indeed, the future Queen Consort, like the sovereign, is at the apex of the United Kingdom’s Armed Forces. With a chiefly Saturn body type, Catherine, The Black Queen, is tall, angular, steely and given to being power-focussed and competitive. Another reason where both Camilla and Catherine, The Black Queen were destined to succeed in their campaigns against their perceived biggest threats is seen in all four royal women’s body-types, their centreing plus primary needs.

 

 

Both Camilla & Diana though rivals had the same body types: Lunar/Venus; however, as they are very different soul types Diana (artisan), Camilla (scholar) their use of those energies, especially the lunar energy, would be markedly different. Catherine, The Black Queen is Saturn/Mercury/Venus body-type whereas Meghan is Venus/Solar body-type. For an artisan soul, this puts Meghan in a league stratospherically above and beyond Catherine, The Black Queen and she would always have greater mass appeal than Catherine, The Black Queen, as a result.

 

 

How could Catherine, The Black Queen, not be jealous of Meghan; moreover, what tempers that friction is that Catherine, The Black Queen, is focussed in the intellectual centre as compared to Meghan in the emotional centre. This is precisely why in her interview with ITV’s Tom Bradby, Meghan focussed on how she was feeling and how no one took the time to ask how she was doing? Both Camilla and Catherine, The Black Queen are focussed in the intellectual centre and similarly, as with Meghan, Diana was focussed in the emotional centre. Both Camilla and Catherine, The Black Queen would perceive their rivals, Diana and Meghan respectively as weak and a nuisance for being focussed in the emotional centre.

 

Anna the protagonist of the TV series V is a perfect embodiment of Catherine, HRH Duchess of Cambridge: The Black Queen’s true persona.

 

Not only is Catherine, The Black Queen, a warrior in perseverance mode, which is as devastating a foe as one can encounter, she also has power as one of her three primary needs. The woman is bad-ass maniacal when threatened and to top it off, she has a task companion, William her husband, who is moving centred. Everything she utters in her scheming pillow talk, like an attack dog en chaleur, William would unfailingly execute.

 

Catherine, The Black Queen: Warrior, perseverance, power, intellectual centre.

 

The Black Queen, Catherine, HRH Duchess of Cambridge with a nine energy body with primary need of power does cast quite a long sadistic shadow. Like Anna in V in the clip above, the Cambridges with their 9 numerological makeup, wanted not to have their dynasty diluted/sullied by the presence of Meghan; she is not fit to be within their realm. In her campaign to dispense with the threat of Meghan, Duchess of Sussex, Catherine, The Black Queen, needed the obsequious sado-masochistic loyalty of persons, also numerologically possessed of 9, in the media.

 

 

Lady Colin Campbell 17.8.1949 Ox 8.7.3 = 9.

 

 

Pay close attention to minutes 1:14 through 2:05. Listen to that laugh; if that is not a likkle Trenchtown skekkle, I don’t know what is. So goddamn fake, you can almost smell the formaldehyde. More than that, like Thomas Markle Sr., TRH Duke & Duchess of Cambridge, HRH Prince Michael of Kent, Lord Frederick Windsor, the failed fluid-gendered, old bat has got that archly toxic and bigoted 9 in her makeup. She is no more aristocratic than the paucity of nacre sliding down her orangutan breasts are decidedly Poundland fare. A true pity that Lily Safra pulped the wrong work of fiction.

 

 

Piers Morgan 30.3.1965 Sheep 3.6.9 = 9 Double 9s.

 

Double the toxicity from the drunken, racist eunuch, who as can be expected, sees nothing remotely racist in his and other media Brits’ lynching of Meghan, Duchess of Sussex. No matter how Piers et al try turning their stale piss into wine, Catherine, The Black Queen, has not found her voice – you cannot find what you never had to lose, is not the epitome of class, style and royalty. Catherine is The Black Queen, a paragon of 9 toxicity grown rabid with power; the media and Britons at large still have yet to address her rude dismissal of their future sovereign during BBC’s A Berry Royal Christmas. Catherine, The Black Queen, is, like Anna, the usurper Queen in the American TV series V – there can be but one queen and Diana her mother on the TV series V had to be slain. Just as these venal 9s in media refuse to expose or fixate on HRH Prince Andrew, Duke of York’s sexually predatory behaviour and paedophilia, is precisely why they have yet to expose Catherine, The Black Queen, for precisely what she is. Both the paedophile and racial predator are white; besides, perpetuating racial animus towards blacks is the most lucrative business venture in media.

 

James Matthews, Pippa Middleton & Catherine, HRH Duchess of Cambridge
Piappa Middleton 6/9/1983 Pig 6.6.9 = 3.

 

Fact is, if Meghan were difficult and given to being a toxic diva, there would have been reports from ‘sources’ advantageously leaked, of course, by Catherine, The Black Queen, that Meghan refused to attend Pippa Middleton’s wedding because she was not a royal. Indeed, if Meghan were truly difficult, after having been excluded from the church ceremony, clearly by Catherine, The Black Queen, and by extension William, Meghan would then have insisted to Harry that she was not going to attend the reception – especially the reception of a non-royal. That is how a diva would have responded.

 

 

Nonetheless, in keeping with the media narrative, in collusion with the Cambridges, of vilifying, demonising and racially preying on the black duchess who does not belong, as soon as the royal wedding of TRH Duke & Duchess of Sussex was concluded, the divorce watch was on – a media blitzkrieg against the Duchess of Sussex was begun with every effort made never ever to mention her race as Meghan, Duchess of Sussex fast became the most famous lynched black woman in history.

 

 

Well, there you have it. Go think twice if you believe that the Duke & Duchess of Sussex are going to be suffering for leaving the royal fold and being successfully driven out of Britain by Catherine, The Black Queen and her pussy-whipped dolt, William, in collusion with the royal households and the media spinning lies in place of the truth.

 

Catherine, HRH Duchess of Cambridge Oil on Canvas Paul Emsley National Portrait Gallery. The Back Queen perfectly captured.

 

My first reaction on seeing this masterful portrait of Catherine, HRH Duchess of Cambridge during my visit in 2017 to London’s National Portrait Gallery was visceral. Straight away, I was reminded of all the times to that point – once every weekend for at least the first 18 months after their marriage, you simply cannot capture everything on one viewing – that I had looked at the Royal Wedding of TRH Duke & Duchess of Cambridge and how much they rowed on the way back to Buckingham Palace during the imperial state landau carriage ride, as well as how utterly dismissive of him Catherine, The Black Queen, was whilst standing on the palace balcony. This portrait perfectly captures Catherine, The Black Queen‘s false personality, her sadistic/Saturn body type and primary need for power. Most of all, this is the portrait of a woman whose first number – her energy body – is 9.

 

The Five Sovereigns Portrait: HM The Queen, HM King George VI, future sovereigns, HRH Prince Charles, Prince of Wales, HRH Prince William, Duke of Cambridge & HRH Prince George of Cambridge.

 

After having been successfully lynched in the British tabloid media, Catherine, HRH Duchess of Cambridge, The Black Queen went one better and made her point by having her place as mother of future sovereign, Queen Consort and future Queen mother solidified against the threat of the abundantly more popular Meghan, Duchess of Sussex. Just as she had stood, grinning sarcastically at Royal Ascot sticking her tongue out whilst being regaled by senior royals, Catherine, The Black Queen had her campaign of banishing the otiose black threat magnified by tearing her arse in Meghan and Harry’s faces with the 2019 Queen’s Christmas message where the photos on display eclipsed and banished the Sussexes’ existence by including sovereigns and their direct heirs.

 

 

Alas, history is the most callous of whores and she is never economical with the truth. In time, history will reveal Catherine, The Black Queen as truly unsavoury fare, who was the architect of all that transpired in the Sussexes’ banishment from court. Actions ever betray the truth and it is not happenstance that Catherine, The Black Queen has refused to undertake a tour of any predominantly black Commonwealth nation 9 years into what is not the most loved up or blissful of royal marriages. Her 9 betrays her true nature. More than that, that Catherine, The Black Queen was not of aristocratic birth is precisely why this hideous racism has blossomed within the royal family, royal households and media. You most certainly cannot accuse aristocratic persons like Ashley & India Hicks of being racist boors as has episodically manifested with Catherine, The Black Queen being a warrior with need for power and the most powerful royal at court at present. More than any other royal, Catherine, The Black Queen, is the most powerful royal at present. HM The Queen is at the end of her reign. Charles has no power as his Queen Consort will never be loved as long as the memory of Diana, Princess of Wales survives. More than that, Camilla also has no power as she will never be Queen Mother and no issue of hers will ever be sovereign. William is weak, unaware and bullied by his wife, Catherine, The Black Queen. Catherine, The Black Queen is the most powerful royal, especially since she does have a primary need of power in dynastic Britain. When HM The Queen passes, Catherine, The Black Queen will set about cutting adrift the predominantly black Commonwealth nations with the same disregard as her campaign to banish the threat represented by the blackamoor brooch – Meghan, the self-made vastly more articulate, charismatic American outsider and black to boot.

 

 

Most of all, what Catherine, The Black Queen has unleashed with her grudging campaign against Meghan has taken on a life of its own, which as with HRH Prince Andrew, Duke of York, she could not have fathom. Catherine, The Black Queen, in collusion with William, the royal households, the tabloid media engaged in the deliciously indulgent game of racist bullying which has seen an explosion of racist attacks against the Sussexes and by extension the British Royal Family. This is not to be taken lightly and one of the chief reason for the Sussexes having removed themselves from the cesspool that is Britain is the very real threat that they faced for being in Britain. This all began with a scheming, jealous, bigoted nine-energy body insecure woman who has never fully gotten over her being not of aristocratic birth into a world where she now finds herself at the apex of power. Of course, just as with Camilla, Duchess of Cornwall who for causing Diana, Princess of Wales to experience sheer hell, Catherine, The Black Queen will also – for not being of aristocratic birth – always be insecure and Meghan’s ascendancy only heightened how woefully ill-equipped Catherine, The Black Queen ever will be. All of that was assured, when Catherine, The Black Queen chose to be racially predatory towards Meghan – by extension Harry and everyone else – thereby revealing her true nature to all who are not blind. History will be callously ruthless to Catherine, The Black Queen; indeed, how utterly prophetic Paul Emsley’s portrait of Catherine, The Black Queen has proven. Remarkably, that portrait will stand the test of time to best illumine the dark, sinister and sadistic persona which lies beneath the façade of Catherine, The Black Queen as she beguiles the blind in the here and now.

 

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©2013-2020 Arvin da Brgha. All Rights Reserved.

Won’t Take The A Train

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As I slipped into sleep, on Friday, July 9, 1993, the Moon transited both Pisces and my tenth house – though not the least bit focussed on Merlin prior to sleep – the dream shaman would manifest and weave the most sublime magic yet.  As will become fast evident, the first three dreams that day were about process.  I was during those dreams, divesting myself of the baggage that affects one’s waking consciousness/persona.  These are waking state survival mechanisms which would be disposed of, in each successive dream, so that I could be elevated enough in spirit to have moved on to the truly noble experiences of the later dreams.  

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Whilst yet another stood beside me, I was looking into a full-length mirror.  At the time, I was with Sjaak van der Velde – friend, current lover and Manhattan cabaret singer.  As I stood there, in the near-darkened bathroom getting cleansed, I keenly looked at my face.  On looking down, I noticed that my entire body was nude; it was completely depilated.  This, of course, presented a big challenge because I am so vain – big hair and all.  I was mildly horrified that my gorgeous pencil-thin moustache was no more.

To say the least, as intended, the moustache and big hair do nothing but scream vain solipsism.  As I try warping self to stay with the ageist, lookist gang, vanity ends up making things that much more superficial.  I spent a great deal of time really scrutinising the lack of facial hair.  After assessing things, I finally came to like the naked look of my exposed upper lip.  ‘What the hell,’ I thought.  I began laughing aloud by grinning down my self-consciousness and vanity.  Soon, I grew to like my smile a lot.  It was truly wonderful.

Then who should appear in the mirror to my left, though never next to me in the dreamtime, but Len Morse.  He, too, had recently shaved his moustache in the waking state.  I was surprised to see him.  I guess that there is some soul connection that we share which was clearly being alluded to.  He has been present in a few dreams of late.  He was warmly looking out at me as if to say,  “Oh really now?  It’s nothing to be ashamed of.  Nothing to be self-conscious of…”

Frankly, I rather liked the nudeness of my face and head minus the moustache and big hair.  The whole thing was a true revelation.  I genuinely looked handsome because I wasn’t trying to run from or hide behind anything.  It was truly uplifting.  What was so empowering about the revelation, too, was the fact that the moment at which I became relaxed with myself – unconditionally accepting myself – my eyes awakened more completely.  It was as though they had never shone so brilliantly, indeed, shone so beautifully before – absolutely revolutionary!

All this maya only caused me to hysterically laugh enjoying the absurdity of trying to get caught up and lost in lookism.  ‘Who frigging cares?’  That was the essence of the wisdom being disseminated here by my higher self.  This new perspective was truly a rare and treasured gift.  It was quite the uplifting experience and one not soon forgotten.  

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Next, in the second dream, I was outdoors in the daytime.  I was in this heavily trafficked, overpopulated metropolis.  It did feel as though I was at Seventh Avenue and 23rd Street.  Whilst, crossing 23rd Street, I was on the west side of Seventh Avenue going north in Manhattan.  I wore a knapsack which was much like the one in the waking state.  Close to my chest, my arms were crossed and folded.  They clutched a book that I was currently reading.  As I passed a young, White couple, they made socially aggressive, racist remarks about me.

‘I don’t want this kind of energy, at all, in the dream state,’ I thought impatiently deflecting their ignorance.  When I got to the other side of the road, I felt unresolved about the whole thing.  So, with that, I turned to look after them.  They veered off, on seeing me eyeing them but I knew that they had wanted to cross Seventh Avenue – on the north side of 23rd Street.  They headed off going east, to the right, on the north side of 23rd Street.

Impatiently I purposefully and heavily strode on my heels, back towards them, soon overtaking them.  On catching up to them, I walked alongside.  The woman was closer to me and him closer to the traffic.  He was considerably taller than her.  They were a very waking-state-focussed, hard-edged, racially aggressive, pinched couple.  Big-boned and Yuppified – they were the epitome of North American, aggressive, merchant class greed.  In a rapid-fire, ballistic staccato, I began aggressively repaying their racist bile bit for bit.  I repaid their aggressive verbal abuse bit for bit.

They were stunned by my response.  As with the codified behaviours of the racist paradigms in the waking state, which keep racially preyed on Blacks fearful of defending themselves against such actions, I was not expected to retaliate.  I had no intentions of sublimating any aspect of self, either here or elsewhere, to suffer anyone and their bullshit.  Yet what could they have done?

They simply turned glacial and remained petrified acting as though one were, all of a sudden, not there.  I had no intentions of having them dump this kind of psychic garbage onto me.  I slapped the racial animus back in their direction and was able to divest myself of such negative energies.  Perhaps, though likely not, my response gave them pause for thought.  

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The third dream then found me going down into the belly of the underground.  I proceeded to take, what would prove, an extensive series of train rides.  I had been down in this particular sprawling subway station.  There were no pillars in between the tracks.  The station was not unlike London’s Liverpool Station and though similarly dimensioned, however, it was completely below-ground.  Whilst waiting for the train to arrive, I had gone and stood close to one of the ends of the platform.  Raising my leg, I had placed my right foot on an orange-coloured railing whilst waiting.  Close by were two White women standing and speaking.

Long, flowing, drop-waisted dresses, that were light summer fare, they both wore.  For being close to them, they fell silent and projected that cool steely edge that was informed by their racist perceptions.  This was not the kind of energy that I wanted to be around.  I strongly resented having this hideous grey light, of waking state racially-tinged maya, flooding and destabilising the Chi of the dreamtime.  Since this was not my scene, I chose to tune out their invasive, racially predatory, psychic aggression altogether.  Pretty soon, they came to realise how utterly ridiculous what they were doing was.

Immediately, they stopped their bullshit and resumed being human.  The WST (waking state transference), in which they indulged, towards me evaporated.  The air became noticeably clear… less dense-energied.  Soon thereafter, the train rolled into the station and we boarded together.  Unusually large, most impressively, there was also a dizzying amount of persons on board this train.  It took the longest while, for us to get on board, as throngs flooded out from the train at our station.  Even when finally we boarded, the bloody thing was still overgrown with humanity.

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I eventually arrived at this particular stop where, again, it was densely populated.  Wherever you looked, it was lushly overgrown here with incredibly large arboreal giants.  

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Not surprisingly, in this the fourth dream, it was impressively landscaped here.  There was a dizzying array of flora and most of them were not readily familiar.  I was up on a winding road that rose up a high hilltop.  Along the way, I encountered an old Black woman.  Goodness was she ever ancient.  Hers was a face that was on the plus side of ten millennia.  To match every lifetime-filled millennium that she had outlived, boy did she have a lot of life and personality.  This was clearly her astral body, which I was encountering, whoever this well-travelled, marvellous old soul was.  This sprawling metropolis was distinctly French.

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This place did remind me of being at Montmartre when looking down into Paris.  This metropolis, however, was several times larger than Paris.  So many eons older than Paris, was this metropolis, it even seemed vastly older than the old woman.  Her lovely dark-complected body, reminding me so of some West Indian women’s, she was so readily familiar.  This metropolis was easily twenty millennia older than Paris.  A truly august-souled metropolis this was.

The woman, along the road on the side of the hill, much reminded me of Clarice Jack who lived in The Alley, Sandy Point, St. Kitts.  Of course, Clarice lived next-door to the church that Harella built.  She was a big-boned, large-bosomed, full-figured lively gal.  She was turning about, busying herself, doing some landscaping repairs along the side of the road.  On approaching her, I asked how to get to a concert hall.  I had been en route to some destination which, presently, I could scarcely recall.  

“Oh no, no, no, my dear…  You have to go all de way back down into town.  It’s not at Palais Royale, in fact.  Don’t even think of there.  You have to go and get some other trains, to get you someplace else…”  Her tongue darted back and forth, over her ever-moist lips, as her lively rapid-fire French gave directions. 

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She had pointed, off in the distance, to what seemed like Grand Palais.  It, too, had a companion like Petit Palais in Paris.  Here, however, these stately buildings were easily four times more colossal than their waking state counterparts.  To anything in the waking state, the scale of architecture here was beyond compare.  Gargantuan doesn’t, even remotely, convey the towering scales of the proportions here.  Everything here was grown over.  The metropolis, centred in this fantastic locale, was layered with each rise and fall of the civilisation readily discernible.  In that sense, this metropolis was much like Rome is.

Everywhere, there were visible signs of crumbling architectural masterpieces.  Still, other long-abandoned structures became the outer shell for more recent revivals of themselves.  The latest additions, to an old ruin, could have occurred four millennia later and still have been easily a dozen millennia old – truly ancient.  There were so many different strata of architectural styles layered one atop the other.  This truly was a living museum of architectural giants.  It was impressive, to say the least.  One felt so utterly nouveau, for being of waking state Earth, as none of Earth’s civilisations can architecturally boast any such richness of character.

Great epochs of civilisations grew on top, through, about and around themselves in this impressive astral plane metropolis.  This place was quite beautifully landscaped.  Everywhere there were mound-like hills, like the one that I was on, which were forested areas of lush growth.  They looked like some of the better-gardened neighbourhoods of Naples.

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Next, the fifth dream had me taking my leave of her.  I went down the hill, into the metropolis, where I entered one of the city’s many termini.  This one much reminded of Gare d’Austerlitz in Paris.  Here, too, this terminus was easily seven times more colossal.  I began my marvellous adventure by taking a number of trains.  There would be a few transfers at other, just as massive, termini along the journey.  Here, at all times, I travelled with a silent astral guide who remained just to my rear.  He seemed to be younger and was definitely White.  

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There was a staggering amount of people in transit here.  People here were also very quiet.  The majority of communication was telepathically engaged.  There were so many tracks all of which were being used by trains.  This was clearly a metropolis on a planet whose population easily soared beyond 17 billion (I meant to say 70 billion).  With lots of transfer points converging all at the same terminus, this particular station was a major hub.  This travel that I was doing, the vehicular transports I was using, merely proved secondary to what was really at play here.

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I was going through different planes, travelling through different dimensions, and realities.  I was in transit – for the ease of waking consciousness, much of this has been perceptually transliterated as being modes of travel comparable to waking state paradigms.  The trains were capable of transporting one, to various locales, at protected faster-than-usual speeds.  However, the travel was definitely destined.  We travelled along a set, guided course.  It was, if you like, a willed form of travel.  It was not as though one were aimlessly wandering about a wilderness or city.

For being buried below-ground, it suggested that this was travel that was deeply rooted in the domains of the soul itself.  There was a definite route, a purposeful intent, and a clear objective for undertaking the journey.  Although for much of the time, especially when I was on the terraced hilltop with the old Black woman, I couldn’t quite recall why I was trying to make a definite rendezvous.  All that I knew was that I simply had to get there.  As it were, I had a destined appointment.  For following along certain experientially mapped out routes, one could interdimensionally travel whilst on board these trains.  

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Whilst I was on one of the trains, when in transit, I sensed that I was not alone.  Looking around, in search of someone’s familiar energetic signature, there on this utterly crowded train I found Merlin!  I was so blown away.  So that the dream wouldn’t be aborted, by my whiting out and prematurely awakening, I had to contain myself.  I can’t say here how utterly arresting it was to have seen him.  

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Not since he had walked into the salon, in that dream on Saturday, July 25, 1992, had Merlin’s beauty so moved me.  Merlin here was as real and as focussed as ever he was, the seven years that I had known him, on the other side of the dreamtime’s pandimensionality.  I was so thrilled.  I became overwhelmed with genuine happiness.  I simply couldn’t believe that this was happening.  I was acutely aware that I was dreaming.  Oh my goodness – this was enlightenment and then some.  Seeing him was akin, to having been away and upon my return opening the door, to have Whoopi come rushing towards me – her familiar pigeon-toed sweetness being the most treasured gift in my life at present.

One glimpse and you fall in love all over again.  Seeing him, I felt all the quiet rapture that I felt – on Friday, October 1, 1982 – when he ambled into my life.  On slipping in through the glass-paned door of a Hell’s Kitchen walkup, Merlin began weaving the most sustained, sublimed magic.  Merlin, to look at him, was such an encapsulation of health and inner beauty.  Goodness, I was completely blown away.  Merlin wore a light, gauze-fabricked shirt that was very much so from the Indian Subcontinent.  Caramel-coloured and ancient-looking, it was reminiscent of many of the ones he so favoured – ones which were perpetually sillaged with patchouli’s grounding signature.

The shirt was covered throughout with tiny rosebuds and other petals – exquisite.  This was so Merlin in every refreshing detail.  A long-sleeved shirt that was buttoned at the wrists, he wore, but with a bit of ballooning just aft the wrists.  So thin and loose a fabric was it that it seemed diaphanous.  Merlin was the picture of health, so much so that, his skin actually glowed near-imperceptibly.  The light was the faint glow, which was the subtle undulating glow, of his aura.  

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This was much the effect that one would observe, if photographing someone, through a soft-focussed lens.  Yet it was more than that, there was a definite hum to his aura’s vibration.  There was so much flesh and vitality to his face and the rest of his still-rakish body that I was left overjoyed at the sight of him.  His mane was beautifully coiffed in a long, leonine, gentle fall.  Interestingly, it was not at all grey or greying.  For that matter, Merlin’s hair was not greying as it was at the time of his passing.

Additionally, Merlin’s beard was not white.  He looked like a much healthier version of himself, as he was at age thirty-five, when we met.  It was so fuck-all fabulous to have seen him.  It was great to have experienced him.  Seated there, languorously looking into the forever of his familiar eyes, my spirit simply danced for joy.  I vibrationally zinged at a higher frequency, on seeing him, to have experienced him yet again.  To have drunk of his familiar spirit was that longed for elixir that my wandering soul so quenched.

Merlin silently looked over, validating that he recognised me, with the most intimate of smiles.  A smile it was by which, for too long now, I had not been warmed.  We communed, though our communication was telepathic, at the level of spirit.  Our communication was not only mentally accomplished but it was emotionally complex and thorough.  We immediately connected, more to the point, we did intimately connect.  There was no getting around the fact of this having been why I had felt so compelled to quest, to journey, in search of this concert.  

On finally having a rendez-vous with Merlin, what stellar music of souls this was.  I knew, there and then, why I had been in transit making all these connections and travelling at such great speeds.  I was in an astral plane metropolis, one which clearly served as a resting and inspirational space, for souls in transit – quite wonderful indeed.  There I sat, on the fast-moving train, flying without moving.  How utterly rapturous a living dream postcard this dream was – especially after our last profound encounter, a year ago.  Sure, there had been other dream encounters during that interval.

This, however, was a dream of high order.  This was a dream which existed at the same heights of spirit as that, on Saturday, July 25, 1992.  Merlin’s eyes were so large, clear and focussed.  Merlin here was so serene.  He was transcendent.  It blew my mind just to look at him.  For resonating with him, I felt myself quivering with rapture.  To feel the quiet purr of his spirit so close, and so familiar a spirit, was more than even I could have hoped for during pre-sleep meditations.

There was no getting around the fact that Merlin was now considerably more elevated than, when we last kissed in that dream, on Saturday, July 25, 1992.  Merlin was now more in control.  He had greater mastered his astral body since then.  Back then, he wore a cloak that had a cowl.  Merlin looked every bit the magus that he was.  It was just like the cowled cloak that he had worn in our initial dream encounter, July 1978, four years before finally meeting on the physical plane.

Merlin here was so much more elevated than ever he had been in life or since his passing.  Now, he was casually dressed but still looked every bit the magus.  Indeed, Merlin here was the dream magus ascended.  This dream was so very healing for my spirit.  Then, on Saturday, July 25, 1992, Merlin was tying up loose – as he was experienced in that sublime dream.  In that dream, Merlin thanked me for having served him nobly and in a healing capacity.

Thanks to his life task, Merlin had awakened the magus within me as I served him during his illness.  This shared task of ours enabled me to become more spiritually focussed.  As a result, as mentor to me, Merlin initiated my accelerated spiritual growth.  In this dream, Merlin was simply saying hello.  No postcard, across the seas of time and dimensions, could have been more beautiful a gift received.  I could not believe that I was seeing Merlin.  He did not, after having set out and sent me that one momentous dream on Saturday, July 25, 1992, have to send me yet another momentous dream.  Yet here he was, by express transit no less, sending me a most magus, evolved and uplifting dream postcard.

Thank goodness my mind was fully aligned with spirit and the soul, as validated by my Venus-Uranus conjunction, enabling me to assimilate the potency and depth of this most sublime of gifts from Merlin.  At that moment, when I found Merlin, the train was speedily travelling above-ground.  The glow of his aura was further highlighted by the swells of sunlight, whose crests broke and oceanically flooded into the train, from the sunny outdoors.  The merry sunlight added to the intensity of the encounter’s sensuality.  I was so captivated by Merlin’s sublime beauty that I had not caught the conductor’s announcement.

 

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A little dark-haired boy then announced that we would have to change trains.  The boy had stepped up to a round circle, in the middle of the aisle, before the doors.  In a vertical shaft of light, there the young, male astral guide stood perfectly still.  He then announced to us the different transfer points – all of which he telepathically did.  

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 Next, the sixth dream found all three of us – Merlin, the youthful astral guide and me – seated on a bunk in a rustic, near-dark, high-ceilinged bedroom.  There were marvellous, dark wooden beams, high overhead in the ceiling, which created that familiar astral plane look.  Whilst seated on the edge of the bunk, our legs dangled over the side.  Merlin was on my immediate right as we visited side-by-side.  His energies were so very warm and familiar.  The house was unmistakably large, like everything else in this dimension.  Incidentally, the ceilings here were vaulted.  There was no mistaking that this dream was set on the astral plane.

*The key signature of the astral plane is its phenomenal architecture.  The astral plane seems to serve as incubator and one from which great thinkers and movers, from time to time, come along and manifest their impressions thereof into the waking state.  These great thinkers being architects such as: Antoni Gaudí, Frank Lloyd Wright and others.  In these dreams, set on the astral plane, architecture is marked by the rustic, the aged, the organic – the fully concretised and usually in proportions that are not of this world.  Everything seems much larger and more solid than even in the waking state.

There is nothing ephemeral about the architecture of the astral plane.  The most impressive thing, about architecture on the astral plane, is the staggering amount of details that are worked into these true works of art.  Structured and sound, one always immediately feels secure, is architecture on the astral plane.  END.

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The young, astral guide was on my left, silently holding the large book of photographs, as Merlin guided me through its pages.  One series of photographs was of a guy who was water-skiing.  The guy reminded me, as a matter of fact, of Maddox Pool.  We looked at the photos which were taken, from the perspective of someone, at the rear of the boat to which he was tethered whilst skiing.  

In one of the photos he had taken away his right hand, from the grip, to energetically grin and wave.  The photos in the book were not static.  They were holographic yet, somehow, they never extended beyond the page.  They were three-dimensional but you were not looking at a film.  Instead, you were looking down into a three-dimensional holographic image which was within the borders of each photo.  It was in these shots that the waterskiing young man looked so much like Maddox.

He was dark-haired and the picture of health.  The water was crystalline and eye-scorching blue.  He was about twenty-two to twenty-three years of age – exactly the same age that I was when Merlin and I met in New York City.  Merlin telepathically explained to me, as we looked at the photographs, that this photo was representative of himself after his first bout of pneumocystis with full-blown AIDS.  Merlin told me that this was the nature of the work that he was presently doing.

Astral plane habitués, such as Merlin, after they had done work on themselves could elect to assist persons still incarnate and moving through the illness.  The crisis of AIDS was so impactful, on humanity at this point, that those who were discarnate had to direct a great deal of energy planetside to those incarnates who were moving through the experience.  When persons went from being advanced with HIV, all the way to being sick with full-blown AIDS, then they on the astral plane would work with them after their first bout of major illness.  

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Merlin explained that they were seen to have a resurgence of vitality because of the energy work, being directed to the incarnate full-blown persons, by astral plane habitués in his position.  This is precisely as had been the case with Merlin, in the spring, summer and early autumn of 1988, after his first bout of pneumocystis – all of which abruptly atrophied when he was betrayed by that stupid drunken woman, Morag O’Hoare.

Merlin also intimated that the energy work came not only from persons such as him, between lives on the astral plane, as well as from souls above and beyond the astral plane.  This was energy that they were sharing, with afflicted physical plane habitués, which they could then use to sustain their lives for a year or two or even a decade plus.  Merlin further shared that they could indefinitely live on, to the full course of their lives, if they so chose.

Though they were fully capable of surviving long-term with the virus, which allegedly led to AIDS, people planetside had not yet made the realisation that they did not have to atrophy and die because they had tested positive for the HIV virus or for going full-blown with AIDS.  This ability, of afflicted incarnates, to live on had to do with willpower.  Choice was the issue in this situation.  They must have wanted to remain incarnate.

They must have wanted to live and to accomplish certain tasks.  The nature of the support system, that one surrounded oneself with, was crucial to being able to become long-term survivors.  Persons really did not have to pass on so soon, Merlin intimated, after discovering that they were HIV positive or full-blown with AIDS.  Humanity presently had such stultifying fear of death that afflicted persons ended up, literally, terrifying themselves to death.  It did not help much that there were so many stigmas associated with AIDS.  At present humanity, for the most part, did not yet realise that death was merely but a refocussing of one’s energies.

“Death…” said Merlin “…was no big deal.  Come on, look at me.  I’m here, aren’t I?  How different am I?” he intoned in a quiet whisper rather than telepathically.  ‘Can’t argue that one,’ I thought.

Merlin was as human and as real as, he had ever been every day of our being together, during our glorious seven-year relationship.  Even though I could see him, and indeed touch him, he was so much more evolved and frankly better off for being in that dimension of purified vibration.  This was definitely not the normal domains of the dreamtime.  From the regular confines of the dreamtime, I had travelled – to this conduit space within the astral plane – to be able to experience Merlin from his regions of the astral plane which are exclusively inhabited by the discarnate.  

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We met in a dimension wherein persons, both discarnate and incarnate, could meet and interact.  It was quite solid here and rarefied too.  To be able to have experienced Merlin left me so immensely happy.  Merlin further explained that people tended to die so soon, after having become full-blown with AIDS, because the spectre of dying became a vortex of fears – enervating energies – that literally depleted their reserves of willpower and caused them to die sooner rather than later.

By becoming so obsessed, with fear of death and the stigma of dying of AIDS, those subjects simply became victims of their own fears.  Merlin said that they had to turn that vortex into a white hole rather than an imploding, enervating, gnawing black hole of fear.  Such a vortex proved a vacuum that sucked the very life out of the afflicted and caused them to die what was clearly a premature death.  Once transmuted, this vortex could be used to assist one to go on to live a very productive life.

This energy could simply be used to fuel oneself and serve as a conduit to channel pure, life-sustaining energies from discarnate souls, such as him, on the astral plane.  This would ultimately enable one to stay focussed, in the afflicted life, for considerably longer.  The thing to remember was that the mind did not have to become afflicted with fears because the body had become impaired by disease.  All over the world, Merlin assured me, the afflicted could choose to triumph over fear of imminent death and it was being done with increasing success.

This vortex of transformed fears could, according to Merlin, become a catalyst for undertaking a great deal of spiritual work.  The amount of growth that could be pulled off for becoming thus focussed, Merlin assured me, was no light matter.  As Merlin imparted this wisdom, I was being illumined to this revolutionary approach to life and death which heretofore, I had not before thought of the paradigm in this manner.  It, however, made perfect sense.  

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What was really impressive, about all this, was having Merlin return now as a teacher.  He was so wise and magus.  I felt absolutely proud of him.  He was a guide to me, sharing of the wisdom that he has gained in his trans-dimensional sojourn thus far, as the realised dream magus who had long set out ahead of his much-loved adept and companion magus.  I can’t say enough how very pleased that I was to have seen him.  I was so moved by Merlin.  It was simply profound.

I was so incredibly happy to see Merlin.  The windows to the large hall, in which we visited, were all closed.  This caused the place to be dimly and intimately lit.  Here, it was very womb-like and nurturing.  

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After that intimate visit together, followed by journeying on some more, we arrived at this the seventh dream.  On returning to the large terminus, we had to take yet another series of trains.  We arrived after much high-speed travel at another terminus.  This one was far larger than any before which I had visited.  Here, the terminus was above-ground and wide-open at both ends.  Multiple tracks were everywhere and veered off in all directions.  After we got on board the train, as before he had, the little dark-haired boy who served as astral guide came up and stood in the centre of the aisle.

Here, there were many people with kids and several persons were travelling with a ton of baggage.  They were carting around all this baggage which they really did not need.  This baggage merely served to weigh them down and impeded their forward advancement.  They did not yet realise that they did not need it.  Neither Merlin nor I had any baggage.  Similarly, the young astral guide had no baggage.  Somehow, because of the travelling requirements here, I couldn’t ride in the same car as Merlin.  Instead I rode one car behind him on the same train.

On pulling up into the large station, there was a PA notice that indicated that the train we were on would not go any further.  We would apparently have to transfer at the next station on disembarking.  The announcer said that one would be able to find one’s appropriate ride by following the colour-coded lines on the platform.  When I got off onto the platform, I began running ahead to the front of the platform in search of Merlin.  Not for anything did I want to lose him now.

A couple had impeded my progress as they wobbled along with a ridiculous amount of baggage.  The luggage was so much dream symbolism – inasmuch as there is such a thing.  These persons represented newcomers to the astral plane.  More importantly, they represented persons who had recently died and returned to the astral plane but who also happened to be fairly young-souled.  They were dead yet not already fully aware.  Just as they were spiritually blind, when incarnate, they now progressed.  They were now hobbling about, carting around all this baggage, as if they could truly ‘take it’ with them.  

 

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With them was all this Maya, the baggage of their perceptions and the worldviews, which had held them hostage whilst incarnate.  Here they were, on the astral plane, arrivés habitués carting around mindsets that were totally redundant.  What I found unique here was that no one interfered with anyone.  No one came to their aid telling them that it was not necessary for them to be carting around all this baggage.  Furthermore, they were repressed such that they appeared these Boteroesque persons – bloated in the style of Fernando Botero sculptures.

Their little merchant class worldviews had had them well-preserved, and puffed up, with pompous self-aggrandising notions of their greatness.  They did look truly South American in that pretentious sense.  They looked not unlike some of the parvenu-looking subjects of Fernando Botero’s paintings and sculptures.  They were truly lost souls both here and when previously incarnate.

I, on the other hand, was nimbly walking whilst bounding down the platform.  I had hoped to reconnect with Merlin whom I knew had also gotten off at the same stop.  Here, too, in this station all the railings were orange and sturdy-looking.  Rushing ahead of the Boteroesque couple, who vibrationally felt as if made of the heaviest metals in the universe, I noticed something truly spectacular.

High up in the walls of this terminus the wall would simply open up, much as a camera lens’s aperture would, then from the gaping hole would stream out a train at full speeds.  The train was, as it were, intersecting dimensions.  This fantastical train was, along with several others that I had noticed, simply splicing through our pocket of the astral plane en route to heaven-only-knows-where.  At the far side of the terminus another aperture-like portal would gapingly open to accommodate the approaching airborne train.

Soon after, the train would be lost into the black void which moments earlier had opened up.  Those trains, like the others, were massive and looked as though the stateliest trains from the late nineteenth-to-early twentieth centuries.  More than that, they barrelled through the air without travelling on any overhead tracks.  What’s more, they progressed as if along well-mapped out routes.

Some were higher than others.  Others intersected our little cul-de-sac of the astral plane, in a diagonal manner, cutting perfectly across the immense width of the terminus.  These trains, just like all the others, seemed so imposing for being as massive and as multi-carriaged as they were.  Despite the fantastical spectre of these trains, the matter of Merlin’s whereabouts was of paramount concern.  On noticing the initial train, I peripherally recalled that there had been a similar such train piercing through the earlier terminus.  However, its outréness had remained peripheral or not readily assimilated.

Just as described over the PA system, there was a series of colour-coded lines on the platform.  These colour-coded lines indicated where one had to venture, in order to make the appropriate connections, back to one’s final destination.  As could be expected, the trains were all very massive.  What’s more, they were distinctively leaden and stylistically looked as if straight out of the 1930s.  They were very art deco trains indeed.  

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One of the trains was silver and black.  It was a tone of black that was truly austere.  The silver was used for most of the detailing.  Its silverwork was so opulent that, by comparison, it made Erté’s deco sensibilities seem bland.  Somehow, I knew that it was the one that I was expected to take.  In all, there were two trains that I was supposed to have transferred to.  This black and silver train was energetically the densest-feeling one of all the trains that I had seen.

This, I think, was the case because it travelled between this locale and the density of the physical plane – the waking state.  Nonetheless, all that I could think of was Merlin.  I did not want to lose contact with him.  As ever, he had done in the waking state, I had initially seen him leaving the train then gone energetically bounding down the platform.  With so many people everywhere, and for having been impeded by the Boteroesque couple, I had lost sight of him.  My mind busily raced as I thought of the horror of possibly having to lose him here.  

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I did not want our encounter to end just like that.  Besides, we were supposed to have gone off somewhere.  I came down off the platform, desperate to find him again, by using a narrow flight of stone stairs.  From there, I crossed the tracks ahead of the austere-looking train that I was supposed to have taken.  No sooner than had I crossed its track that I saw, off in the far end of the terminus, an unusual-looking train.

It was stationed beneath a sunlight-flooded awning.  It was a most unique mode of transportation.  A series of long horizontal slabs, hovering off the ground, they lined one after the other.  They were, basically, the floors of boxcars that had no wheels, no sidings and no roofs to them.  They were, if you like, just a series of hovering rectangular slabs à la magic carpets.  The awning, beneath which it was stationed, gave a sense of how truly massive this hangar-like terminus was.  It was then, too, that I saw Merlin.

I had recognised him by the brown tweed cap that he always wore in the waking state.  To look at his body, he was the sexiest human imaginable.  Merlin still could work his magic on me.  Merlin wore a faded pair of blue bell-bottomed cotton slacks.  A pair of well-worn, doe-skinned shoes was familiarly upturned at the toes.

He was so true to form – realistic.  This was so very Merlin and so like the Merlin, whom I had known so very intimately, but for the fact that he was not smoking a ganja joint.  Also unlike the sublime dream encounter, on Saturday, July 25, 1992, he was not wearing his gold-rimmed round glasses.  Naturally, he did not need those things anymore.  It was so very good to see Merlin.  Here, he was my astral guru – indeed, the transcendent dream magus had returned to impart his magical wisdom.

Merlin was so phenomenally alive and real.  I was moved beyond belief to see him.  So excited was I, to have found him again, that I went rushing up to greet him where he hung out on one of the slabs.  Thrilled and delighted, I let out an excited squeal.  Soon enough, I grew immediately self-conscious of the fact that no one here verbally communicated.  In one graceful balletic leap, I went rushing up onto the platform broadly grinning.  My love for him welled up from the very bosom of my soul.  As soon as I got there, I realised that everyone else was seated in these circular groupings.  

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They sat in lotus position and faced inwards towards each other.  Merlin was part of a circle of men, seven deeply meditative men, all of whom looked just as transcendent and centred as did he.  They seemed to be so deeply engaged, at the level of spirit, as if a part of a coven of magi who were engaged in group energy work.  Their silence was impactful – there was so much being said and done in its weighty stillness.

Merlin’s eyes were so brilliant and clear yet there was a fecund agedness to them.  The clarity came from the intense focus of his energies, where he presently is, in his transition through the discarnate progression.  They were older-souled eyes; there was no way to get around that fact.  I realised, there and then, that I wasn’t supposed to have been there at all.  So pleased was I to be with him, too eager to telepathically communicate, I began chatting aloud.  It was a way to wrestle his full attention as there was no way that I could have competed with the union of spirits and minds that they shared.

They were simply too deeply telepathic,  “Look Merlin, why can’t you come on this train with me?  I don’t want to be here on this one.  When we start moving, it’s only going to aggravate my allergies which are acute right now in the waking state.  It’ll be too much wind, too much exposure to pollen.  It’s just going to affect my allergies too much.  There’ll be too much wind blowing in my face.  Look, I really don’t know if I want to do this.  Why can’t we go on the other one?”

The moment at which I paused, after having posed my questions, Merlin seized control of the dynamic.  Very firmly, he entered my mind and said, “Be still.  Be quiet.  Don’t rush.  Don’t you understand?  I don’t care to go there.  I don’t care what you want… what you desire.  I’m going to stay on this one.  Besides, it’s what I have to do.  I’m going this way…”

When he intoned that last phrase, from the inflection and weight he telepathically used, I realised that there was no way that I could leave this place but on board that austere-looking silver and black deco train.  Merlin implied, by his intonation, that the conventional old train was the one that I had to use to safely ferry me back to the waking state.  Clearly, he couldn’t take that train because it was too mechanical.

It represented the past and the density, when incarnate, of his former physically ensouled state.  He was now in a dimension of existence which was vibrationally infinitely less dense.  Even the mode of transportation, for his dimension, was more advanced.  There was no denying that these levitating slabs were being kept aloft by their focussed, united wills – Merlin and his kindred spirits’.

To have entered their midst, the air and the Chi were intensely purified.  On entering the vibrational sphere of their midst, I instantaneously felt lighter in my body.  Their seating formations only intensified their energies and focussed their thoughts and wills.  It is safe to say that in these formations, they became a unit.  They were a shared consciousness of sorts.  They did though each still possess a will of their own.  This was clearly the case with Merlin who was able, independent of his circle mates, to exert his own will when asking me not to be an intrusive presence.

He was never hostile but he simply asked that I not be so inconsiderate of their need for privacy.  Meanwhile, the six others patiently waited for him.  You cannot imagine how mentally powerful these seven men were – individually and as a shared consciousness.  They patiently waited for me to either calm down or simply take my leave of them.  What was really intriguing, in all of this, was the fact that they did not have a preference whether I should stay or leave.  That choice was exclusively up to me.

It was truly insightful – they simply had no emotional engagement and were totally objective.  This was so much like the Merlin I had always known.  It was so good to see him that I really did not want to leave.  There was no way that I would pass up on this most rare of treasures found.  On calming my nerves, I directly looked Merlin in the eye and said, “Okay, I accept…  I accept….  I accept.  I realise that I was being so selfish.  Do forgive me.  I know how selfish I can get at times.”

Yet there sat Merlin supremely long-suffering and patient.  I would not, nor could I, deny myself the elixir of those eyes.  Impishly, I added, “Okay, please, let me come some of the way with you, at least.  I don’t know.  I don’t care…”  For breaking protocol and wanting to leave this place by going in his direction, I was more or less quieting my own fears.  I would gladly have given up the ghost, as it were, just to go on journeying with him.

As his eyes warmly smiled into me, a discernible smile drifted across his large, lucidly focussed face.  I was thrilled.  He telepathically suggested that I take a seat, which I did, just outside of the circle.  Two of them shifted their positions signalling that I join the circle rather than not.  The moment that I entered the circle of beings, which included Merlin, the procession of levitating greyish slabs began moving.  They had been hovering, just above a groove that sat, between two knolls.  These rolling mounds were covered by the most verdant cropped grass that zinged with a whisper of misty dew.  

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Instantaneously, we were moving at faster-than-sound through to faster-than-light speeds.  It was immensely thrilling an experience for me.  Merlin sat with his back always to the front of the procession of slabs.  In that sense, he was in a powerful position.  We were seated towards the end of the third or fourth platform.  Each platform-like slab contained several clusters of seven asexual-looking men – even Merlin looked asexual.

Even more interesting, along the lines of the Michael Teachings, was that there were six or seven clusters of six to eight individuals in the tight circular formations.  Here everyone was in lotus position.  There were never any doubts in my mind that Merlin and every last one of these discarnate individuals were the ones whose focussed wills were directing the travel of this light trip.  This was so right up Merlin’s alley – unabashed magic.

Each levitating slab measured roughly ten feet across by close to fifty feet at least.  They were linear and, though wafer-thin, had the most softly plush comfortable surface.  They were just as soft as if we were seated on satin throw cushions.  The speeds with which we travelled were phenomenal.  I did not experience any discomfiture for moving at such great speeds.  There was simply a whizzing blur of everything, outside the confines of our progressing procession of levitating slabs.

We travelled some four feet off the ground as we jetted away from the hub terminus.  The winds never affected us, nor did my body experience the increased G-forces, for travelling at such great speeds.  The landscape sped past, even more rapidly than when on board the trains.  Of course, when on board the trains, we were then in an enclosed environment.  Yet here, as there, we were not at all affected by the winds.  As a matter of fact, this proved an infinitely smoother ride than when travelling on the conventional trains.

There weren’t any of the chattering minds, for one, as experienced when on the conventional trains.  So deeply internalised was this place that there was nothing but Zen order.  No wonder Merlin so loved Johann Sebastian Bach’s artistry because it was so wonderfully suited to the ambience of this place.  

*It was as though, this place was the grove to which he gravitated between lives.  It gave him the sense of serenity, of order and of peace, which was so readily discerned to the core of his being.  At such times, Merlin would become lost – grow intimate and private with his very spirit – for listening to Glenn Gould’s mastery of J.S. Bach’s Goldberg Variations.  Merlin’s intellect, at such times, would become expansive.  Each time, his spirit and intellect were sensed, he would be spatially experienced.  Quite simply, for experiencing him at such times, there is no other way to articulate how one would feel.  END.

All around us were wonderful, rolling green plains situated in a vast expansive vista.  Everything was so thrillingly filled with life.  For travelling at such intense speeds, we were left in a heightened state of sensitivity – or at least I definitely was.  Perhaps, this was par for the course with Merlin and his kindred spirits.  I, on the other hand, found this so new and exciting for my dreamer self.  Everything zinged with more abundant negative ions, at concentrations that were more pronounced, than in the waking state.

This dimension was a harmonious mélange of pure thought and pure emotion.  It was so invigorating and completely centring.  Pure emotion, minus the trappings of ego, it gave the sense of Merlin and his kindred spirits’ transcendent nature.  There was an audible drone discerned here, to our splicing progress through space, which seemed as if their combined breaths held in a sustained meditative hum.  Truly serene a spiritually uplifting experience this was.  How transcendent they each were, too.

This sound was so intense and pure that it can best be described as being audible light.  The sensations and emotions I experienced were so thrilling that I couldn’t believe such intensity of joy could be experienced whilst incarnate.  At that moment, the experience was heightened when Merlin and I both directly looked into each other’s eyes.  In that moment of connectivity, mere words could never do justice to what I experienced.  We were truly intimate soul-to-soul.  

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Looking off to his right, impregnating me with this most beauteous gift, Merlin oceanically poured his very soul into me.  This was the most sublime postcard yet, that he had sent across the seas of time, from his journey up ahead.  I couldn’t ever have imagined that any gift could be so profound, beautiful and cherished.  Looking to the left, I had done so as he had telepathically entered my mind, saying a warm and intimately familiar hello.

Slipping into my moist, expanded intellect, I felt the familiar purr of Merlin’s soul as he edged closer and squinged up next to me soul-to-soul.  How many nights had we gotten this close when he was incarnate…  Yet none of that – physical intimacy – could have compared to the exquisite ticklish touch of his soul deep within me.  This was such a massiveness of spirit that I experienced.  I couldn’t believe that I was feeling the intensity of sensations and insights as I was experiencing.  This was such a massive experience that to look at Merlin the giddy ecstasy that I felt caused me to whiteout.

This had been fostered, too, by the enriching stimuli that bombarded my totality as the levitating slabs sped on.  The feel of experiencing nature, as we so rapidly sped by, only made the vibrations of everything that much more pronounced.  As I moved without moving, my body quivered throughout.  Looking to my left into the most intimate pair of eyes that I have known thus far in this lifetime, I thrillingly flew whilst seated there in lotus position.  Merlin’s eyes being the pair that has been more intimate than any other…  This moment of Zen bliss caused me to quickly draw on a sharp breath.

As though I were nodding off, my body had bobbed a tad.  With that I lucidly awoke – my body quivered as I remained in bed on my back looking up into and beyond the off-white ceiling.  Merlin alas quite cleverly had hypnotised me, back into wakefulness, with one sensual look.  

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By far, those dreams were among the most truly uplifting dreams of this incarnation.  There is not a year that passes since then that I don’t recall these dreams with the greatest fondness and humility.  So, alas, dream your dreams of wonder – for having been so richly inspired by mine.  Sweet dreams, you!

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2013-2020 Arvin da Brgha.  All Rights Reserved.  

The Fawn… It Definitely Was A Miracle.

Merlin Christmas 88

On this the eve of what would have proven Merlin’s 72nd birthday, I share these rather totemic dreams.  This November 18, 2019 marks the 30th anniversary of Merlin’s passing of full-blown AIDS, on a cold November Saturday morning when icy snowflakes aimlessly drifted across the city streets.  Whilst at dinner recently, a dear friend asked if I am never saddened at the loss of Merlin and if I ever do miss him. Of course, as I write this blog, I am warmed by the fact that on December 2, 2006 – almost 13 years ago, Merlin was reincarnated in a canalled northern European city.  Merlin is now female and the third of three children – two older brothers. 

What’s more, Merlin reborn has eyes that would now be even more phenomenal than when last I gazed besotted and rhapsodic into those large, soulful hazel eyes.  Whereas Merlin was on his sixth life as a seventh level mature scholar soul, now reincarnated and female that soul is now living its first incarnation as a first level old scholar. These next dreams were dreamt in May, 1989 when Merlin was then still incarnate and at that point, he daily listened to the audiocassette recording of my dreams.  This he did because they fascinated him; more than that, he did so because ever the director, he was keen to give insight and direction. 

“Come on, Arvin, you have to be more descriptive.  I have no idea if the car was blue, green, for that matter a convertible and was it a tan or white leather interior?” 

Certainly, it can never be underestimated the pivotal role that Merlin played in the depth and thoroughness of the audiocassette recorded dreams.  He was ever a loving but tough taskmaster and happy am I to have had his loving input and direction. After having listened to the recorded dream being now shared herein, Merlin came to dinner at our 20 Amelia Street home and declared, “Well, let’s not get too caught up in trying to interpret and figure out the symbolism of those dreams.”  After, he winked, we softly kissed; his lips as ever warm and full as internally an unrelenting disease determinedly consumed his body… but never alas his spirit. 

These were potent, lucid astral plane dreams.  To say that they were totemic would be understating fact.  The dreams were a glimpse beyond the veil as Merlin shamanically wound down another incarnation and got ready to put to rest another life. Ever focussed on my spiritual maturation, I am immensely proud to have survived so long after Merlin’s passing.  Had anyone wagered that I would be still in the game 30 years later, I would have said, “You are reading the wrong tea leaves.”  

Well, here I am still shaking arse and the Rathore to the core.  These totemic dreams were dreamt on Monday, May 22, 1989, audiocassette recorded on tape IX of the 250 audiocassette recording of my dreams and yet to be found in Volume one the 25 Volume dream opus. Too, at the time, the Moon then transited both Sagittarius and my seventh house – wherein my natal Moon is posited.  Truly few are they who are brave enough to drink from the chalice that is life. 

Your support and choice to be focussed herein are both humbling and a source of inordinate pride.  I am immensely grateful. Sweet dreams and as ever do remember, death is just a shift in focus; one is merely focussed at a different frequency.  Besides, as one rather beguiling astral plane habituée put it, “Trust me, death is not wasted on the living.”  

Dreams serve as the most expedient conduit for sustaining the bonds and communion of souls between persons who are no longer focussed in the physical plane but refocussed on the astral plane between lives as astral plane habitués whilst resting, reviewing and weaving the tapestry of future incarnations.  So, drink and live in the moment.  Take a deep breath, open your eyes within – don’t be afraid – and there within the silken folds of self is the massive beauty which is spirit.. go on explore and discover the true you.  I love you more. 

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Montpelier Plantation Nevis

The first dream found me posited on a hilltop looking down into a valley which then rose up into a lower hill.  From the vantage of the mountains in Sandy Point, St. Kitts or Nevis, the view was of being down towards the ocean.  Topographically, it seemed more like St. Kitts – however, this was definitely set in Nevis.  I looked out and what did I see but a house on this hill; it was a very huge and lovely house.

Down from the sky, before the house on the rolling plains, fell a column of white light that shimmered.  The manifesting light had the power of a tornado and it was a force that moved… it undulated.  Truth be told, this was a liquefied white light – not unlike a waterspout.  As compared to the left and right sides of the shaft, it was as though the centre of the light was faded.  The centre of the column of light seemed invisible but it wasn’t.  As a matter of fact, it was sort of greyish-coloured.  

*A very fleeting dream this was but it was one that was potent.  The sky overhead was ominously dark as though the cloud cover was simply to mask something else.  There was no getting around the fact that the light was used as some sort of transport or conveyance.  The light was being used for the relay of energies between the house’s occupants, if there were any, and whatever was beyond the clouds.

The dream seemed to have abruptly collapsed because I had happened on the scene.  There was no one else about.  Too, it was the only house on the landscape.  I felt as though I had been ejected, from the dream, for having been there and witnessed what I wasn’t supposed to have been privy to.  The dream collapsed around me; I was deprived any further knowledge of what was going on.  In light of the dream that would follow, it became fairly obvious that the light column was channelling.

Eventually, the astra-human soul quality of Merlin’s would quite potently manifest.  Of course, just as in the dream of Thursday, July 7, 1988VI, again, there was a lone house on the landscape.  As will become evident, in later moments of the dreams, Merlin’s soul quality would manifest.  END.

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Satiro de Aaron Sims

The next dream immediately found me in bed with Merlin.  He got up and he looked very old.  Looking very tired and old, he turned around to me then went out into the hallway.  He turned around and asked me, “When are you going to start moving on because I’d like to die by the end of this year?  When are you going to go back to school?  I’m really tired of this; I’m tired of this illness… I just want to move on.”

He was terribly impatient.  Indeed, Merlin here was very forceful.  That was when he began shapeshifting; Merlin underwent a metamorphosis before my eyes.  He became, as he spoke, more impatient.  I watched spellbound as his physiology morphed into the very astral-looking faun – though elfin-looking, he was taller than his known humanoid self; Merlin became the archetypal Chiron.  I started crying sounding real childlike and said, “No… no!  Please, please don’t!”

His face then became part of the pink walls, thus his transformed face was flesh-toned.  Here his face looked faunlike; his eyes were on the sides.  He had the face of a faun and I only ever saw the right eye.  The eye was black-within-black.  The eye looked down at me because the head – which was the only thing visible when mounted – was up on the wall.  Shapeshifted, Merlin’s was a very hard-looking eye.

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Merlin’s eye rapaciously looked right into the soul.  An ancient eye it was.  I caressed the softness of the fur-like skin and pleaded with him and said, “Please, I can’t live without you.  I couldn’t go on.  Please don’t lose your strength and get ill,” I pleaded with the shapeshifted Merlin and cried.  I was aware of being here in bed asleep whilst dreaming and that my body was going through the motions of crying and being pained.  Merlin did not hear me, although, I thought that as I slept that I was talking aloud in my sleep.

*This was an intensely upsetting dream because it dramatised how Merlin wished to be allowed to move on.  He no longer cared to be focussed in the life.  Though it was obvious that he could have soldiered on for months more, he simply lost the desire to go on being focussed.  Clearly, this was owing to the bilious discord created by Tytanikka and Oleg’s betrayal.

Though he never physiologically resembled the classic centaur, Merlin’s face not only further morphed becoming like a fawn’s, more accurately, his head and face did have the eventual shape of a young bison’s – very Taurean, strong and potent.

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On preparing for the video to celebrate the 70th anniversary of Merlin’s birth back in 2017, I decided then to head off to the costumer, Malabar on McCaul Street where artist and lover George Hawken lived in the late 80s to early 90s.  Inspired by the first dream of Merlin had 41 years ago in July 1978, I decided to get a cowl as a tribute to the cowl Merlin wore in the inaugural dream encounter with him, four years before having met on Friday, October 1, 1982 in New York City.  So, there was I at Mount Pleasant Cemetery on Saturday, July 15, 2017 in my cowl and the panama hat purchased at Versailles to escape the heat.  I thought it fitting as Merlin always loved wearing panama hats.

My trusty friend, J.J. who happens to be an artisan entity mate whom I have known in 20 past lives –- which is a high incidence of contact -– was the director.  Initially, I had hoped to throw a white party on the lawn to the southwest of the chapel at Mount Pleasant Cemetery and have a drone film the event where a gathering of friends would raise a glass to Merlin on the anniversary of his ennobled birth.  Merlin always threw a white party each year for his birthday at his parents’ stunning backyard in north Toronto’s Servington Crescent.

The plan was not approved by the cemetery and thus, one had to improvise.  I got my panama hat and my cowl and together, we proceeded with a dozen long-stem white roses to visit Merlin’s resting place.  I had a pretty good idea what I was after.  With the matching white cowl, I wanted to evoke the magic of meeting Merlin in that initial dream which is shared in volume one of the dream memoirs, which is already published: Merlin and Arvin: A Shamanic Dream Odyssey.  

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Get your copy!  Thanks as ever for your support!

In the hardcover edition of human civilisation’s first dream memoirs, the initial dream encounter with Merlin is shared.  The dream begins on page 110 in the hardcover edition.  I wanted the same sense of wonderment and magic that I felt for having met Merlin in that first dream four years prior to having met reflected in the video.  In that dream, Merlin’s appearance was preceded by a white totemic creature which seemed, in its astral plane outréness, to be part Russian wolfhound, part alpaca, part dog.  

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So, moving to the lawn, having descended the steps of the chapel, I began walking across the open lawn towards the statuesque lion-festooned mausoleum with the five remaining white long-stem white roses.  Seven roses, of course, were left at Merlin’s grave -– one rose for each of our seven glorious years together.  As I stepped onto the lawn, it seemed magical… timeless even.  Slowly, confidently as I approached the filmmaker at the other end of the lawn, I thought of Merlin and that initial dream.  

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Just then, I very distinctly thought of Merlin greeting me by purring, “Hello Lambs.”  As if right on cue, from off stage left, an adult deer came from behind the bushes and tombstones that line the far edges of the open lawn.  Never before had I seen a deer at Mount Pleasant Cemetery.  Indeed, the good burghers of Forest Hill who clearly regularly jogged in the park-like setting stopped and were overheard remarking that they had never seen a deer in the cemetery before.  All that I could do was tear up and continue walking as the deer then bolted and ran from stage left to right as I continued my stride uninterrupted –- unfazed by the appearance of an adult deer on the grounds of the cemetery.  What is more astounding, is that J.J. at the time was filming my walk; at the last minute, I decided against a run-through as I was concerned about the natural light possibly changing if we were to rehearse the shot.  

Unbeknownst to me, the deer after having made it to stage right, then returned to the centre of the lawn and stood there perfectly still whilst observing my progression across the lawn.  J.J. who was astounded by the occurrence remarked that he had just witnessed a miracle.   There is no doubt in my mind as I tried to recapture the magic of that initial dream encounter that there was a subtle validation of that dream from the magical shaman himself on the other side by having had Merlin’s spirit step in as director emeritus and had the deer enter the shot as validation and a token of his appreciation of the love that we shared and my steadfast loyalty to him.  After crossing the lawn and turning to watch the deer stand there, looking down the lawn at me, I felt such utter peacefulness and abandonment of spirit — just as when alone and intimate in the dark with Merlin.  

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Yes, I believe in magic as did Merlin and as though an appreciation of having stridently done everything to fulfil his mandate to me, Merlin’s astral body conjure up the same magic here and now as he had in July 1978 –- four years before slipping inside a Hell’s Kitchen walk-up and readily winning me over with his sexy elfin charm, magic and sex that proved the most grounding shamanic passion… every time.  Standing there, I was reminded, too, of that dream in 1989 before Merlin passed wherein he shape-shifted and became a fawn-like creature who morphed and became one with the wall in our Cabbagetown home.  

All the music chosen for this 13-minute video is music that Merlin loved whilst incarnate and to which he returned time and again -– whether at Joe Morton’s tiny Upper West Side apartment in autumn of 1983, Toronto’s 20 Amelia Street in tony Cabbagetown.  From Glenn Gould’s mastery of Johann Sebastian Bach’s Goldberg Variations, to Elton John, Stevie Wonder, Gladys Knight and Dionne Warwick singing That’s What Friends Are For –- in that segment of the video, I included friends whom Merlin valued: Kareem Benezra, myself, Wayne Robson and his oldest and most loyal friend, the ever-gracious, Maxime Gascoigne-de Montigny.

Of course, for Stevie Wonder’s Isn’t She Lovely, I exclusively included photos of Merlin and his very handsome and gracious father, David Ben-Daniel.  Whereas I favoured Sir Paul McCartney’s Hey Jude, Merlin ever loved George Harrison and especially My Sweet Lord.  Of course, one Saturday, whilst staying at actor, Joe Morton’s Manhattan apartment, when Merlin and I secretly committed to being together, we slow-danced to Supertramp and Roger Hodgson’s unmatched magical vocals on Supertramp’s Breakfast In America.

Additionally, Jeffrey Osborne’s On the Wings of Love which was one of Merlin’s favourite ballads is also included.  Merlin loved Black male soul singers: Otis Redding, Marvin Gaye, Jeffrey Osborne –- most especially –- George Benson, Al Green, Teddy Pendergrass, Donny Hathaway, Barry White.  Most of all, I am especially proud of the video that J.J. and I have created; I think that it masterfully captures the depth of my love and fealty to the most fabulously magical shaman encountered on this incarnation’s spiritual odyssey.

Naturally, before having left for Mount Pleasant Cemetery, I had flooded my apartment with the music that appears in the video.  Perhaps, unwittingly by so doing, I was invoking Merlin’s spirit, which later joined us when he played ultimate director and pulled off the most magical bit of stage direction –- an adult deer in the middle of a cemetery in the heart of mid-town Toronto.  Lastly, I played the sublimely soulful Shirley Horn’s interpretation of, Here’s to Life!  Whilst raising a glass of coconut water, I had forgotten to pick up some champagne the evening prior and it was too early in the morning to find champagne anywhere –- the lighting was way too good.  Besides who knows if that magical deer would have been anywhere about.

Here’s to life… most of all, here’s to Merlin… here’s to dream shamans everywhere!

Merlin &amp; Arvin 1987

Merlin’s mandate to me ever remains:

“Please my darling, I want you to write about our lives together.  I promise you, however possible, I am going to send you dreams to include in the story of our love… our lives together.”

Of course, there is my Instagram account:  Instagram Arvin da Brgha

The YouTube channel is:  Arvin da Brgha YouTube

For now, here’s to life, here’s to you and thanks so much for your ongoing support all these years!

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©2013-2020 Arvin da Brgha.  All Rights Reserved.

Prophetic Dream With Diana & Archie

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Diana, Princess of Wales & HRH Prince Henry, Duke of Sussex.  

On the eve of what would have been her 58th birthday, I share a dream encounter with Diana, Princess of Wales.  At the time of the dream, July, 1996, Diana was then incarnate and would be dead less than 14 months later.  The dream suggested Diana, parenting a male child of mixed race heritage.  Naturally, at the time of the dream, she was not then yet involved with Dodi Al-Fayed.  Years later, whilst living in Montréal and transcribing the 250 audiocassette recordings of my dreams which spanned a decade, I happened on the dream.  By the time of the transcription, Diana was dead and so, on poring through the dream I thought that the male child in the dream to whom Diana seemed a mother, must have been a child of hers and Dodi’s.  

Fast forward twenty-three years from the dream in question and I am beginning to think that this exceptional male royal child was actually a dream of tuning into a future in which Diana was serving as protector of her beloved son’s own baby boy, Archie Harrison.  The skull of the baby boy in the dream who seemed like a son of Diana, Princess of Wales’, is exactly shaped like that of Archie, Diana’s grandson by way of her son, HRH Prince Henry, Duke of Sussex with his black wife, Meghan, HRH Duchess of Sussex.  

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Alas, another dream encounter with Diana, Princess of Wales.  This one would involve moving into a probable reality scenario which may well have eventualised had she not tragically died thirteen months after having had the dream. 

*Then again, it may well have been tuning into a future which has now come to pass wherein, the interracial Sussexes have a male firstborn.  END.  

As with the dream of July 9, 1993, in which I would have a most rapturous astral plane encounter with task companion, Merlin, here too there would be lots of train travel.  This means of transportation, I have come to realise is employed by the soul when one is questing and traversing the astral either to past, future or probable timelines. 

In this case, I had clearly dreamquested to a probable and non-too-distant future for Diana, Princess of Wales.  Sadly, it was not to be.  Obviously, in this probable near-future astral plane dream, Diana, Princess of Wales was fulfilled and had gone on to start a second family and was mother to a rather precocious son; a son whom I might add was clearly at least fourth level old-souled. 

At the time, it was Sunday, July 27, 1996 and the Moon then transited both Capricorn and my eighth house.  The house of death wherein is posited my retrograde Saturn, gave interesting insights to things as they might have unfolded as others’ agendum precluded Diana, Princess of Wales’s life becoming more of an inconvenience.  

*Then, too, as time has unfolded, this rather prophetic dream was actually tuning into a probable reality which has become the collective future of human civilisation and one which we enjoy today.  Here’s to TRH Duke & Duchess of Sussex and their incredible baby boy, Archie Harrison.  END.  

Of course, at the time of these dreams, I was then resident in Vancouver’s West End.  The dreams were audiocassette-recorded on tape two hundred and seventeen and to be found in volume XXII of the dream opus. 

There was much sturm und drang in parts of the dreams as it mirrored the vicious tectonics, long after Merlin’s passing, being played out legally and otherwise with persons whom I am so glad to be finally rid of.  Chief among them that STD-riddled, dominatrix poseuse and fag-hag to boot, who quixotically saw herself cast into the world to play Merlin’s protector and saviour – the dreams of lost village idiots… indeed. 

At the end of the day, Merlin never liked her and rightly so considered her a damn idiot.  At his passing, he had nothing to do with her; hence the fool spent the next two-plus decades being bedpan-changer of Merlin’s betrayers – a poor play at atonement that. 

Enough about knock-kneed caribou roadkill; the journey endures.  Besides, the bond with Merlin could never have been successfully broadsided. 

Come now my magical darlings, mischievously sport that wry smile known only to kindred spirits, slip into a luxurious plié, take my hand and let’s have ourselves a delicious group flying dream.   We are better for sharing this journey together; for your support, I love you more. 

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Whilst heading down a street in what was undoubtedly Toronto, in this the first dream, it was then daytime.  The street seemed like the one just around the corner from the Underground Railroad Restaurant, on King Street West, to the west of Sherbourne Street – Frederick Street.  Going down Frederick Street’s incline, I noticed along a back lane that there was a large building.  Too, I noticed a great many persons from past workplaces.  The building seemed to be an annex to the main workplace as I had known it.

One of the first persons whom I recognised was Milton Bloomfield.  He was wearing a pair of dark blue slacks and powder-blue short-sleeved shirt.  Excited to see him, I bounded over and went around to the back entrance.  Immediately, I began seeing persons whom I had completely forgotten about.  Indeed, some of these persons looked as though they were definitely astral plane habitués.  In particular, one old White male had that outré habitué look to him.  I was simply astounded to have seen some of these persons.  Truth be told, I had not thought of so many of them long in ages.

‘How quickly we do forget,’ I thought.

Such a very pleasant discovery of things past, it turned out to have been.  That aside, I resumed my search of Milton Bloomfield in earnest.  Again, I saw him in the distance.  This time he was walking away from me without having noticed that I was there.  In the end, though it would have been nice to have interacted with him, I just didn’t see the point in going after him.  On going around another corner, since I was amongst persons from the past, I had thought to go in search of Yaramé Snead.  I went over by some machines which no longer exist, in the waking state, seeing that she would shortly have shown up at the start of her shift.  I then saw her at a desk working away and hurried over to be with her.

Stooping down to her left and rear, I playfully called out hello to her.  On turning and seeing me, her reaction had been low-key.  I was surprised really as I thought that she would at least have been her usual boisterous self.  Her hair was beautifully braided.  Frankly, I felt putout as she seemed not the least bit pleased to have seen me.  With that, not wanting to be more of a seeming bother, I wrapped up the visit.  Since she had declined to have become engaged, I just couldn’t be bothered to have invested much energy in the encounter.

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Part of the focus of this the second dream, a man and I were together and seemingly were lovers.  Tall, he was a redhead; as such, he represented one of my more choice sexual partners.  Somehow, this man was in showbiz.  We were definitely lovers.  Whilst looking at TV Rosie O’Donnell had made remarks about him that were rather cutting.  Initially, I had thought that her remarks had been about Xerxes Hamelin.  The joke had been a crude remark wondering as, to which sex Xerxes Hamelin was.

This was in reference to her having breast reduction surgery.  As I did not appreciate the crass put-down of Xerxes Hamelin, I would abruptly take my leave.  I then went indoors of a house which, here, was like moving from the veranda indoors of the Crab Hill house.  A few persons were inside the house as I ranted, vowing to get that fat ugly dyke, Rosie O’Donnell.  There also was much laughter as I added,

“And we all know that I’m wicked enough, to do just as I say.  But first we’re going to sue her frigging Mickey ass.”  But my lover didn’t want to go through with it, he was a showbiz lawyer.  Snapping at him, I said,

“I won’t hear of it.  I will not be cutting him or her any slack.  Get her fucking ass!  There is no way that that no-classed fool is going to insult Xerxes Hamelin and get off lightly.  End of fucking discussion.  We sue!  During the show’s rehearsal when that joke came up around the production meeting table, she could have had the decency to say, ‘no way, I’m not doing that kind of humour’.  Obviously, she fucking well didn’t.

“It’s not about the fucking money; she will learn a thing or two, when I’m done with her fat-retaining, tired-looking ass.”  What really amazed me was how lucid and lived-in, in the body, I was.  I was really killer mad and out to do battle,  “There is positively no way that she’d have gone out there and made disparaging remarks about Jews.  And if you can’t knock the fucking Jews, you sure the fuck can’t haul your tired grey arse out on a stage to knock Blacks.  Just stop and think about it.  If a Jew would have her head in a nanosecond, then so the fuck will I.”  

After that, we went off together.  My lover was ever quiet and reserved whilst I did much of the talking.  In that sense, he energetically was much like Merlin.  However, it definitely was not Merlin.  

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As we walked about, we ran into Diana, Princess of Wales, who had a little child on her hip.  One had the sense that, after having divorced HRH Charles, Prince of Wales, she had gone on to start another family.  Definitely, this third child of hers was a son.  Apparently, she had always wanted a little girl but here she was with a dark-haired bouncing boy.  Obviously, from the looks of things here, Diana, Princess of Wales was going to have more than one family.

One interesting feature was that the boy was born with almost a full mouth of teeth.  I mentioned in passing that I guess if you end up grinning as much as she does, it would not be surprising to have newborns appear grin-ready.  Too, the child was already able to say some words at birth.  The child was exceptionally intelligent.  The young son’s most interesting feature was that even at less than six weeks, he was able to follow conversations.

The eyes on this child were exceptionally old-souled and wise.  Not the feigned coyness of Prince William was his demeanour.  We were in a huge stately Bentley whilst the child sat on his regal mother’s lap.  Diana, Princess of Wales sat on my left with my lover, a showbiz lawyer-celebrity, seated next to me.  My lover was of British birth; he was a well-placed Londoner and terribly well-off at that.

He was part of the few in whom Diana, Princess of Wales confided and had done so during her divorce proceedings with the Firm.  From the Bentley, we got into another car.  Although he really didn’t need it, the precocious son was travelling in a basket here.  This child perceptively was quite advanced for his mere few months of life.  He represented hands down a case for reincarnation.

Though he could talk, especially for someone less than a year old, he was still rather stubby and full of baby fat.  I took the rather self-aware child from Diana, Princess of Wales and headed for the car.  I then didn’t know whether she would be sitting in back of the car with us.  Considerately, I had opened the front door for her but she told me that it wasn’t necessary.

She then went into the back of the car at which point I returned her son to her.  In all of this, the precocious son hadn’t uttered a word of whiny protest for having been separated.  He had simply looked me in the eye whilst studying me and not, god forbid, because of something as absurd as my being Black.  This woman, his mother, was rather a genuinely sweet-personalitied soul.  Not your typical animus-charged, parvenu, New World wealthy snob, like heaven only knows so many North Americans, was she.  After we had taken off, I had mentioned that I had heard Prince William – who now was much taller than her – was very well-hung.

Furthermore, he loved roughing it with all the little willing boys at Eton.  This supposedly was hot gossip in those circles and which both my lover and Diana, Princess of Wales thought hysterical.  She expressed great pride in having produced such a fine stud for the Firm.  She mentioned that he had to start his studding practice sometime and far better that it be at Eton than with too many willing little girls the world over.  Clearly, Diana, Princess of Wales had no desire to turn grandmother just yet.  She was a very funny person with a distinctive snort-like giggle.

We then went into a store that was called something like Mayfair & Browne or something along those lines.  A small, high-end department store it was.

*The warm blues here would suggest that it was, in fact, Fortnum & Mason.  END.  

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Afterwards, we had attended the opening of Parliament where Queen Elizabeth II had naturally been present.  The Queen had asked the House of Lords to stand and, at that point, they had drawn some heavy red drapes.  At this point, there were rituals of an occult nature which were being performed.  This had been the custom for centuries and had been nobody’s business.  The few priests, who performed the rituals, spoke in an ancient tongue; olde English and Gaelic it would seem.

As part of the ceremony, the queen adopted a raspy, adversarial and tyrannical tone.  She snapped at them as they spoke to her.  Of course, this was to validate her absolute power as monarch.  She had spoken by using the same ancient tongue as they had.  Quite illuminating was all this for me.  From where we all sat, the monarch sat opposite us at the far end of the stately hall.  On the right was the House of Lords.

On the left, was the House of Peers where things were even more arcane and secretive.  Clearly, there was much more wealth possessed by the members of the House of Peers than those in the House of Lords; for one, they wore more expensive fur-lined robes.  Queen Elizabeth II then stood and put an end to the rituals.  When the priests retreated, the curtains rose again and at that point members of both houses of Parliament rose to bow to her majesty, the queen.

The Queen now looked her usual stoical self.  Next, a loud debate rang out in the House of Lords; this was the point at which bills were being introduced.  All in all, this was a very noisy affair.  This was the point at which my London-born lover was expected to have introduced my suit against Rosie O’Donnell.  However, he was blowing cold on the issue and tried to back out of it.

What caused him to have hung back was the raucous fight that had broken out between two Lords on some point or other.  In point of fact, they had been quite vituperative.  Soon after, we took our leave of Westminster Palace.  Diana, Princess of Wales was not seated with the rest of the royals.  Nor, for that matter, was the more royally scorned Sarah, Duchess of York seated with the royals.  

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The ride to the department store was no more than ten minutes.  Once inside, we had gone some escalators which took us to a cosmetics counter.  The look was pretty much like a Clinique counter, though, I really don’t think that it was such.  On seeing an extended member of the House of Windsor coming down the aisle towards us, my lover had dropped behind.  The focus of my lover’s attention was a rather princely gentleman.  He was young with full red lips but not was horsey-looking.

*This princely gentleman was, in fact, James Ogilvy – grandson of the dashing Prince George, Duke of Kent.  END.  

They exchanged pleasantries and it was clear that my lover was rather smitten with him.  I didn’t though get the sense of him, Mr. Ogilvy, that he was Gay.  From there, we kept going further down in the complex below street level.  Each time that we had come off an escalator, we had headed to the left to get the next.  This in turn had taken us down another flight.  Eventually, we arrived at a level which was clearly part of the city’s sprawling Underground.

As we walked, there were two little birdlike, old English women whose slow amble gait had gotten me fast impatient.  Finally, we managed to have pushed past them and gotten the train just in time.  Here we had travelled at fantastic speeds.  The trip was for quite some time and, somehow, it seemed as though they used magnetic conductors here in this civilisation.  There was a sense too that we had been travelling several miles, at least 100, below the surface.  

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When finally we had arrived at our destination, we had gotten out into a labyrinth of tunnels which had eventually led above-ground in a Japanese city.  We spent not very much time in Japan as it proved a stopover where we changed trains.  Moving on, we had travelled on a futuristic-looking train.  On board were two stylish, East Indian young women.  Both were clearly tired for having travelled a lot and having crossed several time zones.  A loud American was on board; she was an overweight woman.  As can be expected, she talked aloud for everyone to notice her.  She moronically complained about the trains not being aboveground and whined,

“I want it to be aboveground.  There’s nothing to see down here.  It’s all black and dark.”  She said the word ‘black’ with the same customary loathing as she had applied to African-Americans her whole life.  “Don’t they realise that there’re lots of tourists and we want to see.  It’s so boring being down here in all this blackness.”

‘Such a fucking acculturated bigoted asshole,’ I thought.  The train was painted white on the outside with lots of chrome and walnut finishing on the inside.  Very comfortable, red leather seats throughout the interior; this was a truly posh experience.  We had boarded at the front of the train.  We pulled into a station, though, only briefly; the train took off again never having opened its doors.  This time it took off in the opposite direction.  By now, my lover and I were no longer travelling together; however, I did have a travelling companion with me.

On this leg of the trip, we had moved above-ground at one point where we had passed the most glorious stand of ancient old trees.  They were ginkgoes that looked millennia-old.  Each was easily in excess of 200 feet.  I quite liked it here.  Though the vista was beautiful, it didn’t last very long as once again we were below-ground whilst ploughing through the lurching labyrinth of tunnels deep in the earth.

At the end of the trip, we had arrived at a swank hotel which seemed to be in either Switzerland or Austria.  From the hotel, my lover and I were reunited and began trying to get in touch with Diana, Princess of Wales.  He wanted to write to her instead of speaking so had sent her a fax.  Here we were a bit in the future, where everyone was automatically assigned their personal phone number with cellphone/fax.

*Truth be told, rather than a fax, it was a text.  Of course, at the point of the dream texting was well ahead of its time.  END.

No matter where one was in the world, regardless of the borders, the same phone number managed to get you.  Interestingly, they were not excessive amount of numbers.  He had sent her a fax (text) with his private number and had asked Diana, Princess of Wales to call him; he had wanted to lend his support in her divorce proceedings.  

At one point, when we had been driving, Diana, Princess of Wales opened up and spoke about her divorce from HRH Charles, Prince of Wales.  She said that it had left her feeling truly awful.  At the end of it, the one thing that she had taken away was the sense that she felt greater empathy for what Blacks suffer globally.  Said she, she had gone to a couple of stores to shop, after having been divorced, where the mere salesclerks treated her with scorn.

Nobody wanted to serve her as if she had even been hostile to them.  Diana, Princess of Wales said that it had been so overwhelming that in one case she had gone rushing back to her car in tears.  For no longer being a part of the ‘Firm’, the public simply treated her as an unfortunate laughing stock.  Some clerks had been outright rude to her.  She said that she couldn’t believe that anything could have made her so mad.

To have been denied was the most painful experience.  They were so mean-spirited and spiteful she claimed.  Her voice here was high-pitched and almost feverish when she expressed her rage at the injustices she had experienced.  She said that the idea of racial animus that she has heard Blacks speak of, she could finally understand.  Diana, Princess of Wales said that she had experienced something pretty close to it in the lack of civility that she had gotten from everyone.  Intently looking at her large clear eyes as she spoke, I was much impressed by her remarks.  She was rather ravishing-looking and was so in her element for being mother to this exceptional child.

*Long after the dream and as things played out, the male child whom Diana, Princess of Wales had parented in this dream was clearly fathered by Dodi Fayed.  Of course, at the time of the dream, I hadn’t a clue of Mr. Fayed’s existence.  The precocious boy had his father’s nose and brows.

Clearly, this dream was tuning into a probable reality which finally was not to be.  The child was clearly at least fourth level old-souled and may well have been a king or if not warrior soul. 

**More thoughts on this dream.  The fact that the lawyer who proved a lover of mine in this dream was a redhead, is at this time, I believe, a reference to HRH Prince Henry, Duke of Sussex.  As it is extremely rare that I would dream of the latter, it is not a surprise that he was translated here by my waking consciousness as anyone but Prince Harry.  Also, in light of the fact that in marrying Meghan, HRH Duchess of Sussex, Prince Harry can be said to be an advocate of sorts for racial reconciliation with regards to the ties that the BRF historically have to the enslavement of Africans.  Interestingly, that Diana, Princess of Wales should talk about having empathy for the racism that Blacks experience on a daily basis, is a dead giveaway.  The theme of race and racism is a prevalent one where her son, HRH Prince Henry, Duke of Sussex is concerned.  

For having chosen to wed an entity mate of his (HRH Prince Henry, Duke of Sussex) with whom he has a long reincarnational history and someone who has twice previously been a senior royal in the British Royal Family, is reason enough why the theme of race would be discussed and why Diana, Princess of Wales would be both empathetic and speak passionately about this issue.  Naturally, throughout the dream she would be closely bonded with a firstborn male from another marriage; however, rather than being a firstborn of hers in a subsequent marriage, this older soul child would prove to be the firstborn mix-raced child of her son, Prince Harry, who was represented by the redhead lawyer/advocate who happened to be my lover.  Indeed, Prince Harry can be seen to be an advocate for addressing and advancing racial dialogue and race relations.  Similarly, that his firstborn son, Archie is a seventh-level mature priest soul would indicate someone whose focus in life will be about inspiring, uplift, healing and harmony… god only knows that is sorely needed at this time.  

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Straighten up and fly right!  I love you more than you know…

 

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©2013-2020 Arvin da Brgha.  All Rights Reserved.  

Schadenfreude: Acts I & II… And a Dreamquest to Probable Future Life.

Recently, I caught up with an old friend from last century – that sounds so deliciously cool… in any event, whilst hanging out, I got a call from one of those deranged clowns from the world of the theatre to whom one’s only response was to simply hang up and readily call-block the damn nuisance. Who has time for yet another egomanical twat who drones on ad nauseam about life decades long past?

In any event, soon there was talk about Winnipeg and had I not heard the news? If I am honest, Winnipeg is the only place on the planet that I would never revisit… ever. For two years whilst there, if I spoke more than a thousand words, I spoke a lot. Diana, Princess of Wales’ astute remark in her televised interview with Martin Bashir, deftly betrays the hellishly bruising isolation that I knew for living in Winnipeg: “There’s no better way to dismantle a personality than to isolate it.”

For two excruciating years, I, the school’s only black, was the most invisible, ignored, objectified, ridiculed and dismissed. More than that, each of those two winters, on especially cold days when the windchill approached -40°C and below, a male colleague would piss into my locker and into my sole pair of shoes and socks. Those walks home in piss-soaked socks and shoes which by the time I made it home to my 380 Assiniboine Avenue apartment, my feet would be frozen and swollen.

Sitting across the desk from the hairy back-and-arsed, glass-beaded-eyed male in the near-dark clutter of his office, I knew that this man was the most venal, to say nothing of transparent liar. So after he sat there with that smug grin on his face, I approached him a month later, asking if he would let me become the school’s janitor to help my sorry financial situation.

Naturally, I was confident that this dim, shallow, transparent bigot hadn’t a clue that I was as shrewd to say nothing as intelligent as I am. Months earlier, after having been relentlessly pursued by a pudgy, local tea room devotee, I gave in and ended up being blown and rimmed like it was nobody’s business. Pretty soon, my paunched lover got to the business in hand. Surprisingly, he was an ex-lover of the man across from whom I sat being boldfacedly lied to. Adamantly, he insisted that I not get my hopes up because his ex had an almost violent repulsion to blacks and there was positively no way that I would ever make it into the company…. over his ex’s dead body he had declared.

That notwithstanding, I daily did extra minutes of daimoku in hopes of magically spiriting my way into the company. As long as I live, I will never forget the pain of icily frozen feet, glazed in loud syphilitic piss and the smirk and goofball idiotic grin of the circus freak fare whose cock more so resembled an extra girthsome angel trumpet flower and pushing either side of six inches when flaccid. Once my feet were so swollen that I went into my sparsely stocked kitchen and broke every glass by hurling them across the tiny space.

That episode was the only time that I have ever felt suicidal and the only thing that saved me was the thought that the fucking idiot would be the one to laugh loudest on hearing of my demise; truly, nothing more than a bipedal, STD-riddled petri dish. Neither technique nor his idiotic personality can ever explain this person’s decades-long sojourn in Winnipeg save that the glass-beaded-eyed one was dismissed by his ex-lover to be the city’s most notorious size queen.

So alas, a career which ought never to have been then morphed into many things as no size queen ever wants a prize catch out of sight. So there was I, for the few weeks that I did the job of custodian at the then Portage Avenue studios, rushing feverishly through the tasks of brilliantly cleaning the place so as not to give cause for concern, then into the offices I would take. Whilst there, because I was ever confident that for being only perceived as “black” far be it from them to passingly have associated a shrewd intellect with me. Meticulously, I pored through this man’s files of every male student dancer and then made handwritten copies of what he wrote.

Years later, whilst living in Vancouver, I reminisced with an alumnus of the school and classmate. As he spoke of why he took leave of the school and his troubles with the glass-beaded-eyed one, it suddenly came back to me; within those notes, there was the portrait of the sexually predatory taskmaster. I vaguely recalled that his description of the fellow alumnus validated what my classmate shared; he had no desire of being bedded by and being touched inappropriately in class and feeling like he was being groomed into submission – this resulted in a tense confrontation between both men once during the barre section of class.

Not only is an obvious bully a sexual predator, in my experience, said bully also proved a racial predator – despite the fact that neither academia nor medicine will acknowledge what clearly is fact. No one made me feel more dread, repulsion and loathing than the source of current infamy associated with both the company and school, the latter with which I was familiar and the subject of current media scrutiny having been for those two years a classmate.

He did not exist in a vacuum and his enabler is just as culpable, having groomed, promoted and harboured overlong said predator when of negligible talent; trifling talents, I might add, which were allowed to manifest by any means to allow and support what masqueraded as creative artistry. More bruising than having to walk home in piss-soaked socks and shoes, was having to sit there in the dark during the dress rehearsal of the company’s 1981’s production of Romeo and Juliet where the predator’s mentor sat a few rows back of me in the house and laughed his head off at my not being in the production. Indeed, so exquisitely isolated was I that I was the only one never to come down with mononucleosis when it ravaged the school. Truth be told, never once during the two years of being in Winnipeg did I have sex with anyone from either the school or the company.

Well, it certainly was well worth the wait to have the truth karmically surface and expose that vile dog as it finally has to eat its vomit. Go on bitch, start licking; ain’t a damn thing like schadenfreude to embalm old wounds.

Finally, I caught an air pocket after the spiritual turbulence that was Winnipeg and ended up in New York City without knowing a soul there. Within a year, I was dancing independently and got reviewed in the New York Times. More than that, I found there, away from the hellish, racially predatory madness that was Winnipeg, the most gloriously soulful pair of eyes yet met in this lifetime. Into my life, one cool Friday evening strode the very magical Merlin from a dream dreamt four years prior.

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A masked ball

These rather lucid astral-projected dreams occurred whilst Merlin was still then incarnate in summer of 1989.

I have come to realise that many of the dreams that have to do with being astral-projected to past or future lives often occur when the Moon transits cancer. For whatever reasons, this seems to be a strong likelihood in my experience.

I really don’t think that it matters much over which house my Cancer rules. Rather, it seems more telling that ruler of Cancer, the Moon, is in my case found in the seventh house.

Too, it should be noted that though much of my second house is dominated by Cancerian energies, Gemini sits on the second house cusp with the cusp of my third house being 20º of Cancer.

Truth be told, they were rather insightful dreams to have experienced. As such, these dreams occurred on Sunday, June 4, 1989 whilst Merlin was then incarnate.

Too, at the time, the Moon magically transited both Gemini and my first house wherein my Mars sits nicely conjunct the ascendant. This placement of Mars – along with its grand mutable square associations to Luna, Pluto and Chiron, tends to have me attract persons of less evolved spirituality who are ever ready to project their base emotions my way.

Of course, it goes without saying that I am always unwavering in deflecting that dense energy with lightning shamanic speed. Keep your dreck away from my aura!

More than that, the dreams were audiocassette-recorded on audio tapes nine through ten and are to be found in the as-yet published Volume II of the dream opus. Sweet dreams as ever and as has been recently observed – nothing says wretched existence like bipedal canines who fixate on their quadripedal kin.

One can only hope that most of these otiose overbred castoff humans do not eventually breed. What do they know of either art or dreams the lot?

*I am reposting these dreams as subsequent to having shared them in July 2015, I have since had the Michael Overleaves charted for two of the persons featured in these dreams. To that end, at each dream’s conclusion the Michael Overleaves for the applicable person will be shared. As ever, I am most grateful for your ongoing and burgeoning support. Sweet dreams and don’t forget to indulge your shamanic skills: shapeshifting, manifesting one’s aura, rendering oneself invisible, walking through walls and, of course, pushing off and starting to fly!

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A Brimstone Hill Sandy Point Panorama

In this the first dream, I saw Nicole McHugh. She was cooking with a White man in a kitchen.

He was standing around and was quite friendly so offered to help out, that sort of thing, out of the goodness of his heart. She had these large trays of food.

She was cooking a great deal of food for a great many people. The flame was an open blue-white one and, somehow, he put his hand over the flame to pull out a tray – yet it did not burn him at all.

He did not react to it. I thought that he must have been cooking for quite some time, and been accustomed to these flames, to have had the flames not burn him at all.

He did go off and he had a glass of water – some of which he drank. I went over and I thought of saying to her and did, “Would you like a spritzer or something?”

She did, in fact, say, “Yeah, that would be nice.” She had sweat on her brow because she had been working very hard.

I then went outside to look in my locker because I did, in fact, have a locker there. In an earlier scene, I had put some stuff in said locker.

There were some washing machines – tiny, tiny washing machines. This place resembled a dormitory in the basement area of a co-op or building where people lived.

I was somewhat upset because my locker had, somehow, been displaced and replaced by washing machines. They were tiny, little brownish washing machines.

I had opened the lockers just to see if maybe my lunch was inside them where, in fact, it should have been – inside the fridge. There was, however, nothing inside the lockers.

There were one or two other lockers at the end but mine was more or less in the left of centre. There, in place of my locker, was where the washing machines now were.

Nothing was removed except the one locker. I did open it and it wasn’t mine.

Inside were the contents of somebody who reminded me of that Black guy who worked part time at Nature’s Own. Tall, handsome; his mother had nicely positioned him into the company.

I then went off to get the stuff when I saw a man who seemed to be Bert Jacques but it wasn’t him. He was walking a little girl who was one of Madella Jacques, rather, Maryse Jacques’s daughter.

She was a sweet little girl who was wearing a blue dress. She was quite light-skinned and sunny.

He was walking her outside and coming across the bridge past our yard in Crab Hill, Sandy Point, St. Kitts. I was in the yard and where the orange tree was under the genip tree, in the waking state, I was putting monies into a slot.

I remember taking money out of my pocket to put in – 50¢, I had had two quarters. I noticed that there was a token as I took the money from my right pocket.

When I saw the token mixed with the money I thought, ‘Oh I must be aware not to do this.’ I then got the dime and I was trying to put it into the slot but it was having problems going in.

As a result, I moved away the metal part of the slot. Interestingly enough, you could then see the tree.

I then put in the coin but you still did not hear it fall inside with the rest of the money. I then peeped up because the slot was higher than my field of view – higher than eye level.

As a result, I had had to poke the money in; it was a dime. However, it was sort of flat on its side; it was standing up so that the face of the coin was looking out at you.

I was poking it in to help it to fall in. At this point, whilst I was on the veranda of the house, I was aware that Nicole McHugh was coming down the lane.

I had been looking into the garden where the curtain trees were on the south side of the property. Here in the dreamtime, however, the curtain trees were gone.

In their place were three or four little baby curtain trees coming up. The rest of the land was dug up and it hadn’t been watered.

The soil was drying out and so I said to myself that I would have to water it. I thought I would have to go inside and get some seeds or plant some wonderful little flowers that were going to bloom.

Until the curtain trees grew up, I figured that they would add beauty to the place. So on remembering, I said to Nicole, “Oh yes, let me get you the spritzer.”

So I went and I got her the spritzer. She came and was then going in the house.

A lady then came out of their house and there was some sort of consternation. As it turned out, a White woman had a little terrier-like dog.

The dog had a black collar and the same fur as a Calico cat. This had been Nicole’s cat which the dog had obviously bitten up or eaten it up or whatever.

So there was quite a great deal of consternation. Nicole was standing up outside a wooden half-dilapidated house.

On the far right side, there was a cement staircase much like the arrangement at The Boys’ School in The Alley, Sandy Point, St. Kitts. That part of the house, the cement part, was also crumbling.

Vida McHugh was there with Nicole and someone else – a little girl. The girl who had had the terrier was being rude.

She was cursing and saying, “Watch yourself wid me.” She had wanted to get in the door, from out on the landing, but the McHughs were in the way.

So she cursed and carried on. Eventually, she ended up rushing her way into the house.

Then I immediately was on the inside of the house where I watched this drama unfold. The events were as if an Opera and I said to myself, ‘My goodness this is Opera.’

Truly, this was much as if Opera. Then persons were coming in and there was movement – people coming down and pointing their feet.

They had on wooden toe shoes. As the movement progressed, there was advancement then retreat.

There were different forces of people. Like a ballet really, it was all being done in silence.

They had on long period costumes. The dramatisation was interesting.

Next, there was a sense of seeing the same woman, and everybody else, being extremely studious. The one woman was in a large area that had stained bronzed, clay-coloured, sand-coloured glass.

She was in the pews with the man who had been helping Nicole earlier. This was set in a large area and she was studiously reading the Bible.

She did take the Bible to be the literal word of god. Everybody else was more or less of that bent – I thought that it was so sad.

At this point, I was struck by the fact that this was where the Christ was going to be reborn. London, England, in fact, was where this was going on.

At this particular point, Diego Lunamas was about because there had been lines of people who were in the balletic part of the opera. Diego had been one of them.

At the time, he was sitting down on a set and it was lit by blue light. He was being grilled by this asinine White guy who was talking about, “Well if you believe in oversoul 7, then you also believe in overbigtoe 7, and what about oversole 8, and overhead 7?”

He was making fun of the philosophical concepts by way of the anatomy because oversoul could have been spelt, as though ‘sole,’ as in the sole of your foot. He was really stupid.

Diego was saying, “I’m not familiar with what you’re talking about.” On Diego’s behalf I interjected saying, “Through my experience, I’ve read the Seth Material which I find far more well put together an idea construct.”

At this point Seth did, in fact, come through and began channelling. His voice was booming and it shook the entire place to the beams.

This was happening outside in the street between the McHughs’ and our houses in Crab Hill, Sandy Point. A stage had been set up in the street – a bluish-white lit stage.

I thought about Diego and the guy who, was in front of him, wore a blue-white costume. The booming voice was coming from behind the McHughs’ house.

Everybody was absolutely scared because here were these god-fearing, fear-obsessed people. Totally dismissing them, this was a booming voice which claimed to be Seth; the channelled voice then began calling them fools.

They were very fearful. I thought that it was absolutely great.

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Nijinsky performing the Danse Siamoise from 'Les Orientales' by Foquine (1880-1942) performed in Paris, 1910 (sepia photo)
CHT163698 Nijinsky performing the Danse Siamoise from ‘Les Orientales’ by Foquine (1880-1942) performed in Paris, 1910 (sepia photo) by French Photographer.

In the second dream, I was in a wooden dance studio. The floor was wet because, in place of resin, they used water.

I had a sense that it was in the past, however, I seemed to be my present self. Even so, there were aspects of me that were different.

I remember the way that I postured and used my face; I knew that I had very Caucasian features. I could see the tip of my nose and yet I felt like I do now.

*I was not so much Caucasian-featured, if there’s actually such a thing – frankly there isn’t. I was, though my present self, actually Caucasian.

I was present in the exact same body and I was my usual-personaed self. However, the body was no longer Black but White.

The packaging had changed but nothing else had. END.

Ahead of me was a guy in black trousers – nylon stretch trousers. He was, in fact, the reincarnation of Vaslav Nijinsky and again male.

Again, he had very mercurial energies and he was a mover. He had exceptionally large thighs.

He could phenomenally jump and leap about. He was just incredible.

When at the barre, I was directly behind him and then just behind me was Pandora. Although, truth be told, it wasn’t Pandora herself but an aspect of Pandora’s.

I never really had made eye contact with Pandora. I remember after we had finished the barre, Nijinsky went and laid down on his stomach – in the frog position to work on his turnout.

The girls then went and they were feeling his muscle tone because it was quite unusual-looking. His feet were so pliant and flexible as well as his calf muscles.

He had eventually turned over because Dannie Cyrta, who was one of the instructors at the head of the class, was saying, “Guys, just leave him alone.”

When we were then doing the grands battements, I remember being really elongated and holding my port de bras. You had to do it turned out, doing grand battements, turned out to the front.

You had to do it out, towards the centre of the room. Also, then in second position, you were facing directly ahead of you. When doing grand battement en arrière, you did it out again.

The arm positions were up and in second position. When you did grand battements en arrière, you would put your arms up again as though you were peeping under your arm – when you were in arabesque doing the grands battements.

I remember before I was doing the exercise, whilst I was doing the current exercise, I was thinking of how I would do the position and how I had to use my port de bras. So I remember standing there in développé and you had to do these grands battements in plié and, somehow, I was in plié and I was holding my back up in port de bras.

My back was absolutely perfect; my port de bras and torso were perfectly open and I wasn’t sticking out my chest. I was thinking, ‘This is so improved.’

I remember my neck being quite elongated, with head held high, as a result. I was wearing a navy blue woollen set of tights and white dance slippers.

My feet were beautifully pointed. There was a sense of looking up.

Interestingly, my whole sense of self – attitude and posture was all about looking down my nose. This was when I realised that there was something about me that was Caucasian – physiologically.

*There was a half-mirror across the room and I was never at the front – the girls, of course, of custom were. That was when I looked and found myself, I was indeed Caucasian more Tartar than not – dark-haired.

I had a strong sense, for looking at myself in close-up without moving, that my eyes were smoky-green-coloured. My nose though aquiline was flared in the Tartar style and my teeth were gap-toothed.

This is not uncommon a feature when someone is currently Caucasian but was Black in their immediate past life – in fact, I was told by Sarah J. Chambers that it is always the case without exception as she was instructed by the Michaels.

Case in point, Madonna Ciccone, the Pop icon, who in her immediate past life was Black American entertainer, Bessie Smith – she has the same gruff raunchy persona. Prior to that, though not immediately before that life, her soul was then incarnate as Italian composer, Claudio Monteverdi.

Vis-à-vis Madonna, her life is a completion of the agendum she set out to accomplish, in her immediate past life. She thought that it sucked being Black and a woman in showbiz.

However, her immediate past life did give her an understanding of the way the world works. So she decided to take the world by the balls, a ‘give-me-what’s-mine’ approach, as it were, this time around.

Madonna, as per her immediate past life has the same talent, same drive, “Now give me what’s rightfully mine!” Power to her! END.

Dannie Cyrta was, unusually so, very nice to me. She was saying, “Yes, yes Arvin. This is perfect and is much improved.

“Everybody look at Arvin because this is the way it should be. This is as close to perfect, as you can get, in the way your torso ought to be.”

*Imagine that – the Mormon princess, Dannie Cyrta, being remotely civil towards me. She even feigned to pretend that I was not a strongly projecting phantom as she treated me back at the Royal Winnipeg Ballet’s School. END.

I remember the Nijinsky-like character, coming off the barre to look at me. The other people who were behind me were peeping around to look at me.

I felt very open and joyous. Mine was a really good, good feeling.

When we were doing the exercise and I was holding my torso, Dannie Cyrta and the rest of the people were discussing and saying, “This time he’s really ready to go out and perform and he’ll be okay.”

I felt that way too and I knew that I was going to be okay when I went out and performed. My body was quite together.

I was prepared within myself to face an audience. I felt really good for being in the studio.

*Dannie Cyrta’s energies were extremely unusual and contrary to what they were during Winnipeg days. I felt there was a good feeling in this class.

What was really sad, though, was that Dannie’s behaviour had much to do with the fact that I was not Black but Caucasian. In that sense, she truly was ‘the blind’ because she still did not realise that it was me.

To her, it was someone named Arvin but more importantly it was someone who was White. More than that, Vaslav Nijinsky is a mature sage entity mate of Merlin’s and mine. END.

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A green-eyed tartar

In this the fifth dream, I saw a beautiful hairless White boy who seemed Tartan. He was dark and handsome.

He also seemed to be a mélange of White, East Indian, Oriental and Black. He could well have been one or any of all those ethnicities because he actually had a bronze or even Hispanic look.

He had a bronzed hue to him. He was not however, for being so hued, extra-human.

Such that he seemed somewhat High-Yellow, he had taut smooth skin. He was extremely good-looking.

He seemed like a male prostitute or a gigolo. He was half-naked and teasingly aroused.

I was quite attracted to him. I made a play for him.

He seemed to be in the lane up by ‘Aunt’ Edith Dean, outside by Beryl Babbin’s wall, in Crab Hill, Sandy Point, St. Kitts. I made a play for him but he dismissively brushed me off.

He then moved off and went along his way. I felt quite rejected and naked really.

Afterwards, I was thinking that perhaps I should not have made a play for this person. Nonetheless, I had and I was not fulfilled in my desires.

My aspirations were not met but that was okay.

*What’s really interesting, too, is that he was basically a younger version of the Tartar, green-eyed, ‘Arvin’. So, in essence, though in the body during the dance class, I would see myself at a younger age.

At that time, however, I was outside of my younger-future-self’s body. I was resoundingly rejected by him – that is precisely what I would have done at that age.

Later on, of course, I was taking class with the reincarnated, Vaslav Nijinsky. A class it was which was being taught by Dannie Cyrta.

I shudder to think that in my next life, I will be a male prostitute, gigolo. Then again, it would not have been the first life passed in the much-maligned profession of providing succor to the sexually-repressed and the sexually-obsessed.

Long after this dream, I have since learnt that my essence twin is now reincarnated. He is male and was born during the second decade of the new millennium.

He is born to German, Japanese parents and lives in Germany. Our overleaves are quite similar though he is a realist.

They are, in fact, rather writerly overleaves. Too, one or both of his parents are artists; I believe that the mother has been a dancer and the father a portrait painter.

Perhaps, I was picking up on him in this dream. If not, it may well be me in a near-future incarnation.

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Photo: Costumed performers in period piece

Sandy Point, St. Kitts seen from Brimstone Hill Fortress.

Vaslav Nijinsky in costume for Siamese dance from Les Orientales.

Green-eyed Tartar young man.

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©2013-2020 Arvin da Brgha. All Rights Reserved.

Audience with Magnetic Old King Soul.

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Battle, Kathleen Deanna 13/8/48 Portsmouth Ohio

This fragment is a seventh level mature sage – second life at current level, likely will be old soul soon.  Kathleen is in the power mode with a goal of growth.  An idealist, she is in the moving part of intellectual centre. 

Body type is Venus/Mercury. 

Kathleen’s primary chief feature is arrogance and the secondary martyrdom. 

The fragment Kathleen is seventh-cast in seventh cadence; she is a member of greater cadence six – very cardinal.  Kathleen’s entity is four, cadre six, greater cadre 5, pod 408. 

Kathleen’s essence twin is a sage and her task companion is an artisan. 

Kathleen’s three primary needs are: expression, freedom and expansion. 

There are 16 past-life associations with Arvin, 14 with Merlin. 

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Image

This next dream does reflect the beauty of being in the company of spiritually evolved souls.  Said dream was the first on Monday, June 17, 1991, whilst the Moon transited both Virgo and my fourth house – close enough to the summer solstice.

Interestingly enough, there was a dream within the dream in question.  This was one of the most rhapsodic and uplifting dreams had during my fourth decade of life.

I was going out from this apartment block’s front door.  I was aware that in apartment 6, down the hall, the door was slightly opened.

I could hear some classical music being played and tried to figure out who the composer was.  It was very complex music.  I went down to the front door of the building, unusually enough, to call Whoopi.

However, I had decided not to open the door to call her because if I were to have called her there, I wouldn’t have wanted her to then start showing up at that door to be let in.

I had noticed, on the way to the door, a whole stack of mail outside the door to one of the apartments here.  It was a door, which sat in the middle of the hallway wall, where there shouldn’t have been a door.

Stranger still, it was brown unlike the other four doors which were white.  So at that, I decided to walk under the ground floor by going down into the basement.

Whilst I was going, I was still listening and then heard Kathleen Battle being introduced on the radio…  She was going to sing.

As I was walking, Whoopi appeared in the basement as I headed for the backdoor of the building.  She began playfully running amongst all the many boxes stacked high in the basement.  From time to time, the adorable cat would run ahead of me and was quite playful.

Kathleen Battle† then began to sing and, my dear sweethearts, greater music has never been woven in the waking state.  The music was highly complex indeed.  It was supremely divine.

The aria this woman sang and the beauty of her voice was supremely stellar.  It was dignified; it was divine.  It was so beautiful that, as I walked and Whoopi joyously played, my body became healed to have heard this music.

At that, I hurried Whoopi upstairs into the apartment and took to lying in the bed to more intently listen to the music.  There was much talk afterwards about the music.

There was a White man around and I was being told by him that this music was, in fact, not native to this world.  The music was not native to Earth, he claimed.

I certainly agreed with the information.  It galactically towered above any of this world’s greatest music to date.

Also, lying on the bed with me was a girl.  She deliberately was forcefully putting her feet down the bed and was trying to put them in my face as I lay in my bed with my head at the foot.  She was White and I was just too into the high just experienced with the glorious music to have had time to go fighting with anyone.

Later on, I went out to wait for a bus.  Yet here too, at the closest bus stop, the music kept on playing.  It simply permeated the fabric of the dream experience.

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*Of course, it should come as no surprise that all throughout sleep, the radio here in the waking state was on in the room whilst I slept dreaming.  END.

However, the music being filtered into the dreamtime had been considerably transformed.  Here it was uplifted and expressed in a superior light which befitted the dreamtime’s magic.

The radio being on became my leap off point to experience some truly uplifting moments in the dreamtime.  Though CBC FM was playing classical music, at the time of my dreaming, the galactic music that I was hearing far outdistanced the familiarity of classical music by light years.

It was so complex and cerebral that as I stood there, at the bus stop, I suspected it was the classical music created by cetaceans.  I speculated that a pod of dreaming cetaceans was weaving their music, in the classical idiom, in the dreamtime.

I merely happened to have tuned into it, whilst the waking state music served as the leap off point, for vicariously entering the cetaceans’ dream dimensions.  This was so much more complex than classical music.

It was an intellectual high beyond belief.  Kathleen Battle, throughout it all, kept on singing.  It blew me away, to contemplate the amount of breath work involved in Ms. Battle singing that complexly and for that length of time.

There was a guy when I got onto the bus which was like the double-deckers of London.  I was on the lower level, in the middle section, looking back to the rear.

On the same side, as I was seated, there was a guy there who seemed very familiar.  He was aware of me in the same soul-resonant way that I was him.  However, we did not interact.

Across from him, there was a rowdy guy who seemed drunk.  The police had come and taken him to the front of the bus to take him away.  Interestingly enough, the police wore the uniform of the London Bobbies with the hat and the whole gear.

When I got to where I was going, it was a wonderful, wonderful, wonderful tropical island with a beautiful mountain range.  There were two large homes and I was told that both of these homes were, in fact, owned by Kathleen Battle.

This was where she retired to recharge her batteries.

‘How fine, indeed,’ I thought.

There was a party being thrown for her by marvellous celebrities.  It was then that I recalled having been at a concert earlier prior to going out and taking the bus.

It was either at Salzburg or Bayreuth.  When Ms. Battle was onstage, she wore a blue dress that billowed in the breeze which created a wonderfully hypnotic slow-motion effect.

She had more fucking-goddamn fire planets in this dream, I can assure you, than Jacqueline Kennedy Onassis does with her six fire planets no less.  Kathleen Battle possessed, in this briefly recalled dream within a dream, great spiritualism.

She sang and what she was doing with her voice was nothing short of magic.  She was as if the ocean because each note was so liquid, time-stretched yet complex.  There were more nuances worked into each note than is, in the waking state, humanly imaginable.

It was not unlike all the funky innuendo that a female Jazz singer can cram into one little song.  It was absolutely incredible what she was doing.

operahouse2

When she was done, the house went wild.  Everybody here was so spiritually elevated.  I was up in the balcony, on the right side of the stage and I screamed down bravo with thunderously deafening passion.  My ecstatic celebration made all the people close to me laugh with enjoyment at my rapture.

As I lay asleep, my body simultaneously began zinging and tremblingly with energy as I thunderously shouted, ‘Bravo’.  When articulating my passion, I had shoved out my neck and at that my neck began elongating.

My overjoyed face moved possessed as my voice operatically roared from my soul itself.  My face ended up snaking down through the air, from the balcony to the stage, my neck like some exquisite anaconda swimming through the air bearing my proudly ecstatic face.

My face was peeled wide-open with ecstasy.  Indeed, the fire in my eyes was just phenomenal.  This dream was inordinately empowering.

It was as though I had become truly animated with a hyper-elongated neck and my face was not unlike the faces of those spiritually elevated and regal ladies that I had recently dreamt of.

Also, I was quite certain that my warping behaviour in this dream had been much inspired by the eloquence of physique that these strangely beautiful women had presented me with their august bodies in another dream of days earlier.

To have best expressed the gratitude that I felt, from my very soul itself, it was as if my neck had become a giraffe’s.  Here I was looming down over the house and up to the stage.

To begin with, in all of this, I had not even been seated at the front of the balcony.  My ‘bravo’ was a very long, extended, purely male-energied war cry.  This was pride in this woman that had nothing to do with our shared race of being both Black rather our both being human.

I was simply applauding her very soul itself for its great achievement in artistic self-expression.  In point of fact, I actually got a high from hearing the thunder of my voice when saying bravo because this very deep and resonant baritone was not my familiar register.

Moving up, I climbed up the hill to both Kathleen Battle’s houses.  There was a woman there who was White and older.  She was helping this old, old, ancient White man.  I wondered,

‘Who is this man?’

I knew straight away that he was definitely very important, in the spiritual scheme of things, here on this planet.  I thought that, perhaps, it was Herbert von Karajan but he is now passed on.

He did, after all, have quite an attachment to Kathleen Battle.  This is why she was always invited to Salzburg.

However, then too, I thought that it was more than likely Herbert von Karajan because the energies of this man were incredibly magus fitting the archetype of the magnetic old king from the Michael Teaching which Herbert von Karajan was/is.

I thought that perhaps he looked as old because he was doing so much immense energy work in his function as a sixth level old, magnetic old king soul.  Naturally, his agedness would have been a reflection of his having passed a large number of lives, to date, at sixth level old.

He was very transcendent and, you could tell, was no longer physically focussed.  More importantly, everything about this dream indicated it being very much so alive.  The dream was very much so real and set on the astral plane which is where that magnetic old king, Herbert von Karajan, now resides.

In any event, he was being helped down by this long-legged, handsome, strong-willed woman.  She much reminded me of Marella Agnelli, the wife to the CEO of FIAT motors of Italy Gianni Agnelli.  However, this woman was older than Marella Agnelli presently is.

*One of the things about some, definitely not all, wealthy persons is that their stratospheric wealth enables them to be in their element.  As they are such mature-souled, august, reincarnationally sophisticated souls, money allows these spiritually elevated persons to exist in the world unencumbered by the Maya of the wretchedness of every day existence.

Such wealth enables them to transcend the Maya of financial limitations that entraps and stifles the merely working class to upper middle class.

For the latter classes, the lines of demarcation are more nebulous than they would like to accept.  Hence, the excessive restrictiveness and obsessions with class, looks, greed, Brahmanism et al.

Some of these truly wealthy people do not suffer the strictures of belief systems.  This allows them to just live in their element and be supremely human.

This is not true of all wealthy persons because, for one, the nepotistic cupidity of Hollywood certainly validates this.  These people, such as Gianni Agnelli and Marella Agnelli, do not suffer the displacement of humanity that many greed-fixated wealthy persons experience.  END.

This woman here in the dream, in that sense, reminded me of Marella Agnelli.  The latter impresses me as someone who truly does embrace her humanity.  One gets the sense of her that she is not separated from the little people of choice.

veranda2

We then all came down after, of course, I had gladly gone to give the graciously handsome woman a hand with assisting the magus himself.  We sat in this long, long, long enclosed veranda that had a fine linen mesh covering it.

There was a wonderful breeze.  The magus was on my immediate right and talking away.  Indeed, he did make my energies zing and become reshuffled.  It was at the level of the atomic and it was subtle but noticeable.

He was talking about the music, raving about how great it was, and how fabulous Kathleen Battle had been in performance.  Next, he opened a large bottle of spirits which was like champagne but it looked more like a bottle of gin.

He then took up a magnum of some expensive champagne or other and raised it saying,

“My dear, you must have a drink.  You have earned a drink.”

He had a wonderful soulful voice.  Whatever he said became the law.  He was beingness in the flesh.  He simply held court.  You experienced his spirit, more to the point, one experienced his very soul.

He was truly what the Michael Teachings would call a magnetic old king.  One just intuitively sensed and knew it because this, after all, was the astral plane.  One did not doubt insights gleamed here.  He was so grounding to have been next to.

When he was pulling out the cork it proved very long.  In fact, it was extremely sexual what he was doing with the cork.  It was very slow and hypnotic.  I got a sexual high experiencing him uncork the champagne.

I never did look into this man’s eyes overlong because his face was so powerful and so tremendous.  He was someone who was clearly passed on.  I also knew that it was not Merlin.

I had only looked at his face, in the distance, when he was up on the hill.  He wore the most spiritually refined face imaginable.  Up close, I knew that I just did not have the power to peer overlong into this face.

I was too drunk by his magus energies that bled outwards magnetically permeating and fine tuning everything – man and nature.  Thus I had to hold the champagne flute with both my hands with my knees sexily drawn up whilst my feet rested on the edge of the chair.

Giggling, simply giddy from his energies, I said en Français,

“Champagne!  Oh god I love champagne.”

He began pouring in the champagne whilst it was fizzing.  He poured it in a decadent manner.  As it crashed into the glass there were a lot of bubbles from the bottle, gurgling aloud, where gobs of drink orgasmically splashed over the rim of the flute.

It was so sensual, so timeless and wonderful that on concentrating on his actions, I experienced the stasis of time.  I began besottedly drinking and grew giddy at the implications of the fine company that I was in and that he was serenading me at that.

It much reminded me of the garden party that I attended in Toronto with Merlin, the second to last summer of his life, when the writer Ted Allen had me sit by him spending the party regaling me and flirting with my spirit.

It was a nonsexual thing… just an intimate commune of our spirits.  Really fine and memorable it was too.  There were other family members about – Pandora as well as Harella.

He told me to move away the glass before the champagne did not spill, over onto my lap, which shortly it would have had he not prompted me.  I moved it to the right between him and me.

Immediately, on taking the first sip from the flute my mind stood still because the cool potent touch of it illumined me.  Instantly, I realised that the bottle of drink was merely a metaphor.  What I was being given was an elixir from his very soul itself.

The magus was healing me thus.  What utterly potent aqueous magic.  It was cool yet simultaneously warm.  It was all the things that the music was and more.

In fact, it was exactly what I needed after having been made drunk and high from the music of Kathleen Battle’s magic.  When he finished, it turned out that he had only poured a drink for two other persons of all the others gathered at the party.

I was so blown away by the fact that he genuinely wanted me to be sitting next to him.  Perhaps, it was because I had been considerate enough to have assisted him.  I had made it possible for him to go down, the hill from the upper mansion’s gardens, to the veranda of the lower house.

He chose not to have passed on the drink to anyone else.  It was very subtle but was not, of course, lost on me.  He did not pass it around although everyone had glasses and were quietly waiting to be served by him.

Certainly, the impressive magnum could have amply supplied every glass.  I was then told by Harella not to be greedy and she advised me to perhaps offer my glass to others.

Ignoring her, I languorously looked out beyond the mesh and thought aloud in a whisper,

“God this is such a wonderful dream.  What did I do to deserve this dream?”

Just like that the dream dissolved for me being doubtful and seemingly unappreciative.

vDream one.  Earlier, in one section of the dream as I had listened to the music, I saw an inner vision of a holographic diagram.  The hologram indicated where in the Cosmos the particular music that was playing, to which Kathleen Battle was singing, had originated.

There was this cardboard-like diagram, which much resembled an Olaf Nordstrom lithograph, which was very sculptural and intellectually placed.  Olaf Nordstrom interestingly does, in fact, have six air planets.

Simultaneously, I knew that as much as the successive diagrams were of the cosmos, they were also of the human spine, the nervous system and the human chakra points.

I could see the crown chakra which was very, very expansive.  I then saw the first chakra which was close to the tip of the spine.  I was being shown that it was very tight and needed to be opened up.

I was being told, by way of seeing this network of cables of light, one had to have one’s energies realigned.  It basically was about yoga, breath and, also, about the awakening of Kundalini energy within my body.

It was about becoming more so opened up, at all chakra points, so that I could get more flow.  Too, it was stressed that I needed more positive light into and through me.

There was a great deal of blue light flooding the diagram’s holographic systems.  There was red light, as well, in certain areas of some of the chakra points.

It was deemed to be neither good nor bad.  Rather, it was an energy that was presently focussed in my body.

I was being told that it could be successfully transmuted.  I certainly think that I know, to what it was referring, in terms of the sexual energy flow and my sexual centre’s proper functioning.

It was mentioned that it was terribly ego-based and not all that highly evolved in the end.

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As ever, thanks so much for your ongoing support; I am immensely grateful.  Sweet dreams and don;t ever forget to push off and start flying.  

 

 

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© 2013-2020 Arvin da Brgha.  All Rights Reserved.

The Markle Sparkle.

The duke and duchess were two hours late for their welcoming ceremony due to the knock-on effect of an earlier delay to their scheduled air service

Meghan, HRH Duchess of Sussex in Valentino Haute Couture in Morocco.  

Many moons ago, in the 80s when living next-door to designer, Alfred Sung on Cabbagetown’s Amelia Street, I was more obsessed with fashion than I now am.  Back then, lots of friends used to bemoan the paucity of black models appearing on catwalks of major house, in particular, Armani.  

In this 1992 Fashion Television feature portrait by Jeanne Beker, the thinking model, Veronica Webb makes passing reference to the paucity of black models in ad campaigns and even walking the catwalks of some houses.  

 

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Then along came a picture-perfect day in Berkshire when Sol shone with rays that sparkled as though laced with diamonds and platinum.  This phenomenal woman, this soul who had previously been Margaret Beaufort, she with an unparallelled sense of theatre, with poise, self-absorption and awareness in the space of a couple of hours proved herself a game changer.  That poise, elegance and revolutionary arrival onto the world stage got everyone to sit up and take notice.  Certainly, Pierpaolo Piccioli took notice.  He clearly thought that if Meghan, HRH Duchess of Sussex were going to favour haute couture in choosing Givenchy for the elegantly minimalist wedding gown then Maison Valentino had to step up and court the Duchess.  

Bored out of my mind, one day, I happened to be tune into a live event on Eva Chen’s IG @evachen212.  It was the Spring/Summer 2019 Maison Valentino Haute Couture show and as Eva shouted and praised the models and creations as they walked, I began crying.  Never had I seen so many black models walking in a show.  Then Naomi Campbell appeared, closing the show and I was simply floored.  Never had Ms. Campbell looked more radiant when walking the catwalk.  There was so much tangible love in the air, in that room.  This was a moment like no other.  There was no denying that Piccioli was courting Meghan, HRH Duchess of Sussex with that show, not just the ubiquity of black models but the number of creations that featured a bateau neckline were clear homage to the latest duchess of the House of Windsor.  

Listen to what Naomi has to say, near the end of the video, when speaking to British Vogue Editor, Edward Enninful.  There was nothing more overwhelming that seeing the response in that salon, from Naomi crying, to the adorably eccentric Reine de Charlemagne, Céline Dion crying her eyes out whilst sitting FROW along with Mr. Valentino himself, Valentino Garavani.  

Related image

Campbell, Naomi 22/5/1970 London, England

Michael: This fragment is a second-level mature artisan — third life thereat.  Naomi is in the caution mode with a goal of rejection.  A realist, Naomi is in the moving part of emotional centre. 

Naomi’s body type is Saturn/Mercury. 

Naomi’s primary chief feature is arrogance and the secondary stubbornness. 

The fragment Naomi is fifth-cast in the sixth cadence; she is a fragment of greater cadence four.  Naomi’s entity is two, cadre four, greater cadre 7, pod 414. 

Naomi’s essence twin is an artisan and her task companion is a sage. 

Naomi’s primary needs are exchange, expression and freedom. 

There are 6 past-life associations with Arvin and 4 with Merlin. 

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Valentino : Runway - Paris Fashion Week - Haute Couture Spring Summer 2019

Naomi epitomises what someone in the positive pole of discrimination looks like.  Of course, she is an artisan soul, which gives her that kaleidoscopic, chameleonesque mystique.  She also happens to be an entity mate of both John Hirsch and George Hawken; this is why George was always left speechless when she appeared on television.  He was bewitched and fascinated by her, which was rare for him where adoring famous persons was concerned.  As the recent trip by TRH Duke & Duchess of Sussex to Morocco revealed, Meghan, HRH Duchess of Sussex certainly took notice of Pierpaolo Piccioli’s homage to her discriminating  sense of fashion and design.  

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As ever, I would be remiss if I did not take this time to state how deeply appreciative of your support all these years I am… thank you.  Here’s to life.   Here’s to you dreaming the most lucid of flying dreams… cause you can!  

 

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©2013-2020 Arvin da Brgha.  All Rights Reserved. 

Astral Projecting into Dreamtime.

montreal2.

Recently, in the blog: Nancy …. and more, I spoke much of sage entity mate, Milan Newcombe – incidentally, Frans Bloem is also an entity mate.  In any event, during that tribute to Nancy Wilson, which also proved a tribute to mature sage entity mate, Milan, I spoke of how for having made love and sleeping together with Milan would frequently trigger the languorous process of astrally projecting from the sleeping body and progressing into the dreamtime whilst remaining lucidly self aware.  

Image result for astral projection

Interestingly enough, Jan Hartley whom I encountered on immediately astral projecting is another mature sage soul entity mate of mine and Merlin’s.  She is a freak-all fabulous Jamaican amazon, who is just as iconic and statuesque as Grace Jones who happens to be another cadre rather than entity mate.  Eden Battersea who appears in said dream, I also dream often of.  The energy between us was always simpatico.  I think that it is safe to state that Eden is likely an entity mate; however, I have never had her Michael Overleaves channelled.  

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©Alex Grey

A week prior to these dreams, Milan and I had been to Montréal where we had quite the time at the 350th anniversary celebrations and parade for the continent’s most cosmopolitan French city.  At the time of these dreams, it was Monday, May 25, 1992 and the Moon then transited both Pisces and my natal 9th house.  

astral projected self-portrait

Astral Projected Self-Portrait.

Crayola on Paper 

©1984-2019 Arvin da Brgha. 

What I love about this self-portrait of myself whilst astrally projected, is that it perfectly depicts what takes place during the process of astral projecting on May 25, 1992.  There are many forms that the body takes on during astral projection; as in the self-portrait, in this dream I stayed connected to the physical body by way of the crown chakra rather than the solar plexus chakra.  Dream experiences such as these and the process of moving from being fully awakened in the waking state to remaining lucidly focussed into the dreamtime marvellously validate how beautiful it is to be incarnate; we truly are magical beings – and there were no drugs involved in getting one to groove out…

harpsichord2                    

*Prior to sleep, I did a great deal of meditation and energetic work with the crystals.  Soon, I became bloated and expansive and fell into a free-flowing awareness.  I saw a very large, slow-moving galaxy-like, cluster of spiral light.  It slowly rotated and was the most gloriously hypnotic, grounding experience. 

At one point, I too felt as though my body was also turning.  All sense of the normal parametres bled away and the room and bed seemed to drift away, leaving me slowing turning in the blackness of space.  Milan Newcombe was close by, his breathing while already asleep, kept me grounded.  Interestingly enough, the transition from this experience into the dreamtime was almost seamless.  

Although, at one point, it had become so displacing that I had had to forcefully grab hold of the bed and force myself to sit upright in bed, to come out of the experience.  This, of course, caused Milan to stir but he did not awaken.  END.  

kensington market2

                                                            Dream one.  I was on a brown and red-covered bed and it was very dark here.  Interestingly enough, as the sense of the room about me fell away, I would find myself on this other bed, in a totally different space.  I then had an acute awareness of something being there on the bed with me.  It was most upsetting. 

I could not quite figure out what was going on.  It felt like something like a cat but I knew that Whoopi was not about, since I was after all asleep at Milan’s apartment.  By the time of the dream, Milan had already gotten up and moved about the apartment.  Also I knew that it was not energetically something as terrifying as a snake. 

However, it was very uncomfortable and quite weighted as a matter of fact.  Felt as though that just below the edge of the futon, on which I slept, that a hole had opened up in the floor, to the right.  Seemingly, a hole had in fact opened up in space itself.  The wall of the room was as if also impacted with one of these holes. 

This one was considerably larger and more powerful than the one on the floor.  Sequentially, it had also appeared after the one on the floor.  This thing was so ominous that I felt as though, were I to have gotten up, it would have simply sucked me into its vortex.  I knew intuitively that were I to have fallen into its pull, I’d have fallen to my death. 

There was a strong sense of them being a black void and very ominous but one which I could not quite see.  Simultaneously, my body felt so ridiculously bloated.  I just hated the way that my body felt, I literally felt trapped in my own body.  I simply wanted to get out of the shell of my body. 

At that, I willed my self to get out, to get up.  Impatient with the feeling of being weighed down, I decided to astrally project, to move beyond my body.  Decided that I had had more than enough of this feeling of being helpless and entrapped by my own, leaden, bloated body.  Struggling, I pushed against my own body.  

It was as if the blackhole which had manifested beside the bed had so much gravity that it was literally crushing my body.  My chest and entire body felt as though leaden, as if strapped in to the bed.  I simply could not get up.  Since my physical body could not get up, I impatiently said, “Well fuck, I’m going to get up.” 

It’s as though, I had been infused by Milan’s very intense nonconformist energy, for which I do so truly love him.  “No, Arvin.  I have simply got to get up.  I will not suffer this.” 

With herculean effort, I willed myself to a crouched position then made my way down to the foot of the bed.  Turning around, I was surprised to see that my body was still lying, a very slow-breathing shell of a space.  Knew immediately that I was astral projecting and did not have to freak out, thinking that this was my death.  I also did not want to have to see my body and become overly focussed on it, so that I could really trip out, as it were. 

Turning around, I got up, keeping my back turned to my body.  When I got up, I was still aware of the great void being there.  There was a heavy bleed of energy out the crown chakra, atop my head.  This was as if I had the crown of a baobab coming from my head’s crown chakra but a baobab of light energy.  

baobab2

It was funnel-like and spiralled out, then moved back down and outwards, before veering off to behind me to my body, lying asleep on the bed.  What was really interesting about the vortices’ energy, was that they had warped the funnel of light energy, out and towards them, before it was then trailed back down to my body.  It had the appearance of a not fully vertical tornado that manages to swirl way off its central axis, in the cloud, before making contact with ground. 

Getting up, I started walking deliberately, as though in slow motion.  Moving with focussed intent, I managed to effortlessly move through the closed french doors, in Milan’s Spadina Avenue two-storey apartment and crossed the hallway into the kitchen.  The further I got from the french doors and the magnetic black holes, the lighter I became and the easier it was to manipulate in my light body.  I had gone there in the first place to collect messages from the answering machine, as I knew that Pandora had tried to call me from Paris, in the waking state, while I slept. 

Who should be in the kitchen but Eden Battersea and Jan Hartley, both Black Jamaicans from the work environment.  Jan was very much so in charge and in her element, as she cooked and Eden tidied up the rest of the kitchen.  It was also unusually dark here, just as it was in the bedroom, where the holes seemed to suck so much of the light from the room.  Eden was by the fridge, except that there was more space at the counter beside the phone and fridge. 

Eden was there making a sandwich of some sort.  Jan was at the table, chopping of things as she had pots going on the stove, preparing food.  She was quite warm and friendly, energetically greeting me.  I went to the answering machine to check and see if in fact Pandora had yet called from Paris. 

However, there were some problems because I could not find the buttons to start playback of the messages.  It was also a quite different machine to the one from the waking state.  Now, it was an elongated black and brown affair, very unusual-looking.  Jan soon joined me in trying to figure out, how the devil to figure the workings of the thing. 

But then she turned and looking into my face said, from under furrowed brows.  “Buh chile ah wha rang wid ounu face.  Chile yu muss tekk kare ah yur face an ting no man.”  At that, she drew closer, putting her hand over my face. 

Though she did not squeeze or anything, she then said in that loud Jamaican voice of hers, “Clean it way ma…”  I then rubbed my fingers across my nose, thinking of things in the waking state. 

*Presently I do have a bad cold in the waking state.  There have also been lots of problems since I began growing in my moustache, clogged pours more often than not, turning into puss-filled zits.  Ick!  I suffer from a patch of ingrown follicles at the same spot in the moustache. 

Every time I shave it down, it then gets problematic and soon enough gets infected and puss filled thanks to naturally curly black hair becoming ingrown.  Charmant.  This, of course, because I also have such legendary oily skin.  END. 

Cleaning my face with a napkin from the counter top, I would see all this puss on my face.  I was stunned by how realistic it all was.  Jan was so protectively nurturing of me.  Then she began rambling away in Jamaican patois, about not having any trust in technological appliances. 

She threatened to send it off to the states where she would have two of her sons, fix it up for her.  Finally, she could not be bothered, so was not going to do anything about it.  Thoroughly enjoyed her energy.  Going up on this ladder, I went up onto a stand, in the kitchen. 

This was when I realised that the answering machine was connected to another machine; a black box which had these long beaker-like tubes.  They were much like the tubes in the old radios.  A little red spark of laser light, powered the machinery.  Asked Jan if there were not any calls that had come through for me. 

Eden then turned around, looking over her right shoulder at me, when answering, “Sorette, or Soret I think it was, called.” 

“No you mean Pandora, don’t you?” 

“No, I’m quite sure the machine said Saurette.”  Finally, we figured out how the bloody machine worked and it was a strange one indeed.  Somehow, the calls were being routed off-planet, not as to satellites, but to another Star system.  So I thought that perhaps Saurette was the name of a Star from which the messages came. 

Thus it was a static-saturated trunk call but one which was travelling through hyper space.  Very interesting.  Eventually, we got to a message from Pandora, in which she was saying that she would meet me later.  She let me know that she was okay and had gotten my message without any trouble. 

i then announced that I was going to go back out to the salon, which is Milan’s quarter of the house.  Told them that I was planning to go get dressed and go out and meet Pandora.  It was then that I noticed that there was a pair of shorts that I’d left behind at Milan’s, sometime before.  More importantly, the clothes that I slept in were there but discarded since of course I was in an out-of-body state. 

They were the clothes I wanted to put on anyway.  An extra pair of pants sat about; they were jeans.  I was surprised to see that I had left so many clothes laying around at Milan’s place.  They laid across a chaise longue much like Milan has. 

A bed, very shortened, sat on this mattress frame.  I had been on it before.  Jan came in and took it up, banging it against the mattress frame, shaking it out.  I helped her move it, after she asked that I give her a hand. 

We moved it from the outer room, which looks out onto Spadina Avenue to the salon where the harpsichord sits.  The space was like Milan’s apartment but much larger and much more furnished with antiques.  Even here, it was more cluttered than Milan’s beautifully eclectic space.  We took it out to the inner salon which here was like a dining room space. 

There was another bed there with no mattress, which we were going to go use.  We were both barefooted at the time, when she noticed that there was broken shards of a mirror, which were laying about on the floor.  Some were even on the wooden bed frame.  A medium tone wood, it definitely was not a dark wood. 

Jan kicked away the shard with her right big toe.  When I told her to be careful she boisterously chimed, “Me na kno say ma?  Me knoe man, me knoe say ah so de sinting go.  Yu ha fe wartch yur self too chile.” 

Jan was so refreshingly good to be around.  Really, it was quite a pleasure to have helped her out and drink of her spirit.  At this point, I was fully dressed, then announced to her, in a convincing Jamaican accent, “Yeah me dear, me garn gu lang dong ya su, fe book up pan me sista an dem.” 

She cackled, enjoying my accent then affectionately waved me off, “Okay den chile, laita on, fu uknu.”  As I walked, I began going through the closed french doors of the salon.  I effortlessly moved through them as before. 

buenos aires2

                                                            Dream two.  In an instant from effortlessly passing through the closed glass French doors, I was posited out on the side of this very, very wide boulevard, in broad daylight.  Even for me, a seasoned adept at the exigencies of the dreamtime’s pandimensionality, it was a surprising transition.  In an instantaneous puff, there I was, elsewhere.  I had materialised along this boulevard, which had no vehicular traffic whatsoever. 

The thing about this transition was that I had total and clear lucid continuity of consciousness whilst moving from one dream locale to the next.  What was even more bizarre about this, was that I was striding westwards going through the closed door.  In an instant, my stride continued but now I was going eastwards, in the opposite direction.  It was light out whilst in the company of half a dozen men, who were wearing green overalls. 

It was militia garb, tucked into very long, thick riding boots.  With them, they carried long black, billy clubs like the London Bobbies.  I had also materialised in the presence of Penina, Pericles, Pandora, Isha, all my siblings except as per usual, Rio.  It is rare that I ever dream of this man, even in childhood when he was around. 

Pericles was wearing a brown silk shirt, over his brown, baggy slacks; he looked very dapper.  Terribly elegant and very refined with himself, as well he is.  Pandora wore a long flowing skirt that was pleated.  White, it was covered with beautiful floral designs in blue and red. 

Tiny rose petals, in fact, they were.  She wore a navy blue jacket with gold buttons that looked like the classic Chanel suit.  Very large-buttoned, this beautiful suit truly was elegant.  Isha wore a similar suit but there was more colour and flare in her suit. 

A less conservative approach than Pandora’s was Isha’s.  Penina’s outfit, I cannot even now recall.  Undoubtedly, it was not some overdone number, very low key, as is her style.  Functional and comfortable, her criteria. 

Incidentally, the secondary players in this dream were Pandora and Pericles.  On my arrival, I saw this guy and immediately thought of Karl Weller°, from the work environment.  Looking into his face, I said to him, “My god, I thought that you’d have been taller.”  We were standing on an incline but were face-to-face. 

On closer inspection, when looking in his face, I realised how more so he looked like John Milachek.  He looked at me with this look on his face, which was so loving and filled with longing for me.  Throughout, he remained silent, never once having said a word.  Again, I told him that I thought that he’d have been taller. 

He was one of the soldier-militiamen, so that was why he could not get too engaged with me.  Though he never reciprocated, it was obvious that the feelings were mutual.  Another guardsman passingly seemed like Milan; however, I had not spent much time looking at him.  There was an obvious, loving bond between us. 

This was also about acknowledging the fact that we had just met in the waking state.  But it was all done without words; rather, it was done at the level of soul.  It was very electric between us.  So thrilled was I that I broke into song, singing and winding up me waist and celebrating. 

I wind up on the other guy who passingly reminded me of Milan, without giving so much as a damn what others were going to say.  My lips pursed, my arsed cock high, out and ready.  Yes indeed, I was ready to rock and in heat, too.  Pericles sucked his teeth in disgust, turning away from me, saying, “He’s becoming more and more of a problem. 

“And a total embarrassment for this family.  I just do not know how we can put up with this.  Look, what am I doing here anyway?”  Turning around on my heels, I grabbed the long riding whip, from a guy and violently struck Pericles, booming into him, “Shut up!

“I’ll have none of this.  I have every intention of expressing who I am and being who the fuck, I am.  I’m not intent on pleasing you or anybody.”  With that, I continued my frenetic attack on him, whipping him into shape as it were. 

“Shut your narrow-minded ass, the fuck up!”  Forcefully, I cut him down to size and laid into him, all eyes, whip and rage, “I will have abso-fucking-lutely, none of this.  You own nothing here, nor are you running anything.  You’re not doing anything, except as per usual to stand here on the sidelines, passing judgment. 

“That’s all you ever do.  So shut the fuck up!”  I was truly livid with him or anyone trying to rein me in.  Incensed at this sphinctered rigidity, I abruptly took my leave, turning back to head across the extra wide, deserted 

A Brimstone Hill Sandy Point Panorama

                                                            Dream three.  Almost immediately, it became the lane up Crab Hill next to our house there.  This lane, of course, separated us from the very disputatious Florence Pole°.  Just as before, while in the midst of my stride, I was posited from one locale to the next.  Again, much was different here. 

Though there was continuity of lucid awareness, it had also transformed from bright daylight, to the stark finality of night time.  When I came down to the road, the McHughs’ house was there.  Going out into the street, I was surprised to find that it was considerably wider than in the waking state.  There were lots of ancient-looking bas relief.  This was so stunningly incredible.  Thus the effect was one of her legs seemed improperly attached to her body.  This was all about getting to a Space of Spirit and Intellect, where one was then free to creatively explore. 

This was in essence a creative incubator, at the level of the astral plane.  After all, everything about this experience from the projection out of my body, lying there asleep behind me, was truly about ascending to a higher stratum of the astral plane.  This abandonment was so mind warpingly complex, yet paradoxically simple in its sheer eloquence, that all I could do was throw my head back and riotously laugh.  Along with myself, there were other waking state locals there experiencing this as spectators. 

We were getting such a high at what these great masters could pull off.  It was as if, prior to setting out on their impactful incarnations, this is the astral school where souls like Martha Graham and George Balanchine° went to master their creative expressionism.  Quite simply, this was the school where great masters went to work it out, before reincarnating with an agendum to take the world by visionary, revolutionary, creative expressionistic storm.  Everyone of these people would evolve the art and styles would be created as a result of these souls attending this astral plane school of high priestdom. 

This is the only way to describe the scope of this realm’s essence.  These were a very august-souled people, who were mastering their art.  The art of pure creative expressionism.  They then announced,   “Okay, okay, okay. 

“Here comes the other guys.”  This led to the introduction to the opposing team of players.  One of them was seemingly the ancestral forebear of the McHughs, our Crab Hill neighbours.  There were obviously a great many Europeans in the McHughs’ family tree, on Baron McHugh’s side. 

The matriarch on the father’s side was then brought out of the McHughs and proved a very skeletal, ancient white.  She had apparently had a double mastectomy.  Very senior easily centuries old-looking, she was borne up by a couple of attendants, who were of Amerindian descent.  Everybody then started laughing, all the players on both teams, because she was so full of fear

She was possessed of an enormous amount of sexual guilt because of her nakedness.  Her body was truly bizarre.  It was quite concave; it was collapsed in on itself and birdlike.  When it got down to the hips, they disproportionately ballooned. 

Quite simply, she had a hideous mess for a body.  More to the point, it was all about how very uncomfortable some persons in the waking state, of southern Eurpean cultural heritage, are so guilt-ridden.  This is about how they see sex as being base and dirty.  As a result, such persons become so acutely uncomfortable in their bodies. 

There was another white who passed by in a blue and white muu-muu.  It was hard to tell which sex the individual was.  What was really interesting about this all, is the fact that the McHugh matriarch had been initially clothed, then stripped naked.  This is what had caused her such distress. 

For being so absurd in her self-denial, the others who were perfectly at ease with their nakedness, had begun laughing at the bizarreness of her.  She was lost in her beliefs.  The person went down between the McHughs and Saunders residences.  Two of the most grotesque thighs supported the gargantuanly hideous body. 

They were stubby little legs under this grotesquely bloated body.  If that were not enough, there was then a third Caucasian who looked like one of those early washing machines, from the 1950s.  The ones that had the roll wringers atop the round-lidded container.  This individual was Boteroesque in the true sense of the word. 

Very baby-souled, indeed, in focus.  Totally ill-proportioned and as well completely ashamed of their bodies.  They were so not into their bodies, that they were resoundingly subjected to ridicule.  They were a moment of Comedia dell’Arte. 

At that, I turned around and walked across the street heading as if towards Florence Pole’s verandah.  There were many more steps up to the verandah, which here was quite raised off the ground.  Going up on the steps, there were several of the naked giant people seated there, who were laughing their heads off at these freaks of daymare fare.  Not everyone was naked however. 

Going up on the last step, I sat down to the right, passing this woman.  On sitting down, I’d looked down into her eyes, with her on my left.  Ahead of me there was a guy standing up, who could have been earlier seated where I now sat.  The woman turned out to be pretty much so like the actor Kathy Bates, trying to verify, I called out the name, “Kathy Bates. 

“Hi, how are you?  You know that year, the Oscars were such a low-key affair and then there you were, breezing in with a spectacular win.  You were so refreshing and it was so refreshing.  Look, I’m really happy for you.” 

She energetically thanked me.  Kathy wore a brown large blouse.  Refreshingly, she wore no make-up whatsoever, a lot like that other grounded actor, Tyne Daley that way.  She was so refreshingly real and normal. 

Very clear, strong brown eyes, that were totally self-possessed, centred and contented.  Good for her.  The skirt matched the blouse, both covered in these daisies in various stages of maturation from bud to full bloom, then on to withering expiration.  Some were tight buds, buds breaking open. 

Daisies opening, others still in full bloom, still others past their prime.  Some after their zenith, some with three or four petals left.  A few still with only one withered petal left and some more with nothing but a petal-naked seed pod.  There were all very tiny, all the full bloom daisies less than one third the size of a dime. 

Quite a beautiful ensemble and I rather admired it while we spoke, from time to time pulling away from the unobstructed beauty of her warm eyes, to look at them.  Even for me, it was a bit humbling to have to look into so serene a pair of eyes.  Excitedly she called out to a man who was down below the steps, who turned out to be her husband.  Energetically, she had him come up and join us. 

He was a stout man and he reminded me of the actor, Jeffrey Jones, who played emperor Franz Joseph in the cinematic tour de force Amadeus.  He carried a wonderful little child who had the sweetest, sunniest disposition.  The husband did, though, have a rather distended stomach.  At one point, she got up and went to sit on the edge of the verandah. 

I knew that she had gone there because she had found my eye contact a tad too direct, which it always is, whether in the waking state or dreamtime.  She had kept on looking away, for no other reason than that my gaze was a bit too intense.  I was not upset by it, accepting her choice.  Alas, it was not the end of the world. 

Her husband remained where he was, originally on her right, with the boy.  He was excitedly speaking about what the naked giants were able to pull off with their bodies.  He seemed about 37 years old and undoubtedly an actor; theatre or perhaps an acting coach.  They were a really refreshing group of persons to be around. 

It turns out that they were mostly white on the steps.  The boy sat on his father’s lap, wearing a sunny shirt to match his wonderful personality.  It was covered throughout with sunflowers in bloom.  This little man had such beautiful little teeth, against his generous gums. 

Perfect teeth, on the four year old.  His hair was brown to black, with a beautiful natural oily sheen to it but one that was not problematic, falling in a bang on his forehead.  He had such beautiful, smiling sunny eyes.  God it was breathtaking to look at him because here was a soul incarnate in the most sunny of childhoods. 

Spectacular!  He was happy and a precocious, charmer.  As I looked at him and he was smiling, he suddenly got dead serious on making eye contact with me.  Time seemed to stand still as the most intense fusion occurred between us; it was really quite powerful. 

“I wonder if you are Merlin?” I thought to myself whilst reciprocally looking directly into his.  He looked at me saying absolutely nothing, his lips pursed, knowing, then broke into the most glorious, knowing laughter.  It was as if to say, “Well, you tell me.  What do you think?”  

It was very direct and very connected.  With that, I reached out to him, rubbed his little thighs, to which he giggled with utter abandon.  This child asked so many questions, of adults who actually took the time to be there for him and not relegate him as a bit player in their agenda.  Very impressive parenting approach, to which he was focussed. 

Goodness, this kid was so filled with life, positive life.  Good for him.  Kathy Bates then leaned forward, asking after me.  She then drew to my attention, the vista across the way where our Crab Hill house used to be. 

There had been a fire, burning the entire structure to the ground.  Apparently, it was arson but the saving grace was reconnecting with the genip tree, which though considerably larger, towered seemingly more so, without the grounding of the house.  The trunk was so thick that I squealed with delight, letting everyone know that I was the one who had planted the mango tree.  It had been singed on one side, during the fire. 

Remarkably, it had survived the fire and not burnt down, for which I was grateful.  Looking across the street to the McHughs’ yard where their truck used to be, there was now a majestic poplar tree and in St.  Kitts at that but it was quite sturdy and strong.  Quite handsome and though thin-trunked, I was quite pleased to see it in these parts.  It was not unlike a columnal oak, spiralling up as it did. 

Every time that the breeze blew through it, the leaves rustled, beautifully laughing; it was the most exquisite drink.  It affected a great tranquillity to the evolved Chi of the place.  Standing up, the steps were quite high, as I looked down into the road.  As a matter of fact, the lane was considerably wider and being used here as a street. 

At that point, I saw Pericles, Isha and Pandora.  I had pulled up my leg, on seeing this young black boy.  He was beautifully dark-skinned and slightly over weight.  As he walked towards us, on noticing Whites on the step, he immediately became very subdued and self-conscious. 

As a matter of fact, he was quite afraid of being taunted and harassed by whites. 

*Which finally is a reality that all blacks experience, with varying degrees of intensity and frequency.  It was all about the psychic abuse that one is perpetually subjected to.  Outright ridicule, crossing to the other side of the street, women clutching their handbags.  Being sniffed at rudely and spat at with cutting aggressiveness. 

Nasty, animalistic behaviour, all of it.  Aggression that is daily perpetuated, to justify the absurdism of their arbitrary superiority.  Finally, their acute insecurity about being arbitrarily superior.  A very mad, twisted little World that we all inhabit, in the waking state: both blacks and whites, for its a displacement of spirit that we are as if unable to constructively address and affect. 

Quite interesting to experience this degree of WST (waking state transference) and I really reached out compassionately to the young black man.  Finally, I knew that I could only do so much for him; he would have to make his own way.  Penina then came over, bearing this pair of pants that was on a hanger.  It came with a pair of briefs attached inside. 

She instructed the young boy.  She was letting him know that it was time for him to go run the race and she had not spent all this time coaching him, for him not to win.  She was her usual feisty self.  Humorously, she went about bolstering his spirits. 

It served to pull him away from the vortex of predatory racial animus that he was succumbing to.  This exactly was what he needed then and there, being spirited away from the black hole of racism.  This was about the debilitating effects of racism on black males in the waking state.  Excusing myself, I said, “Oh good, there is Pandora. 

“Allow me, to go down and greet Pandora, again.”  Rushing down, she beamed at me as we warmly greeted each other.  Wrapping arms about the other’s waist, we walked away with her on my immediate left.  Languorously, we had kept directly looking into each other’s eyes. 

You could feel the mostly white waking state humans back on the steps, admiringly looking on at us.  Pericles was coming towards us and it was obvious that he could not be avoided.  However, we lapsed back into looking into each other’s eyes, in that way snubbing him, letting him know that we had no intention of acknowledging his narrow-minded energy.  He was royally pissed off at that, as well he should have. 

Finally, we did not care for his arrogance.  Isha was there with Gina Morton and some other girlie friends, ponging ‘tory, as is their wont.  Hurriedly, I invited Pandora to come along, at which point we walked around the road past the Crab Hill property.  I was supposedly taking her to the poplar tree.  

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                                                            Dream four.  Yet again things immediately shifted and now it was an entire city block, which was not like anything in Crab Hill at all.  Turns out, this strange city had been burnt completely to the ground.  Quite so, it seemed to be an industrial complex, with all these exposed frame work of the larger buildings.  Many of the skyscrapers here still had their steel ribbing in tact. 

It was all very garish a sight.  As we crossed, I pointed out all the exposed pipes and burnt out wood everywhere.  Somehow, many of these wasted structures had become organically transformed.  The wooden beams were now exposed, black charcoaled sculptural signatures. 

In one locale, a set of pipes came up out of the ground.  Conscientiously, I pointed out that we had better get out of there.  My concern was that the pipes were bleeding gas, which was not only invisible but unscented as well.  Noticed as I inspected that one of the pipes had a heat vapour rising from where it was broken; this was not a good sign. 

So we decided to turn right, heading down this off-street from the major thoroughfare.  Along it, there were lots of exposed pieces of plastics which were mixed into the mortar along the side of the road.  It was quite interesting to see how this civilisation chose to recycle its plastics, burying them in the mixture to help make more affordable and durable roads.  The road did incline downwards as we went along it. 

This then took us to this large, old wooden building, which still stood.  It was pink with louvres which covered the outside, where just inside there was a verandah with an indoor garden.  Glass louvres shut out the elements allowing the plants to grow healthily.  But in the very last apartment, I noticed that there were two of them that were totally abandoned. 

I was thinking at the time that we could easily move into them.  Fixed up, they’d prove wonderful large apartments and a wonderful place to live.  Saw no reason why we could not fix them up and end up getting good rates for them, on resale.  Arriving at the last apartment, I excitedly announced to Pandora, that it was where Hélène Plotte-de Visage lived. 

We were able to peer inside the apartment.  It was reminiscent of the cottage that she owned on Ontario Street; however, this was differently laid out.  It was then and there that I recalled being there to visit with her, earlier in another dream.  It was a beautiful apartment, laid out so that it was like a stage set, on several levels. 

No walls just different levels, adding a sense of spaciousness to the space.  A piano then began playing, which was soon accompanied by a chorus of singing kids.  Realised then that she was a pianist and a school teacher to these kids.  We went walking past as Hélène got up to sing a Christmas carol, which they were rehearsing, at all of summertime. 

To hear the carol at summertime, reminded Pandora and I simultaneously of our childhood Christmases in Crab Hill, where it was of course a perpetual summer.  Looking at each other, we had a moment of true intimacy, smiling lovingly at each other.  We were so moved that we sweetly laughed whilst enjoying the tight groove that only the two of us, could have fathomed then and there.  Hélène’s apartment was at the end of the complex, that led to a wonderful garden, to the side of the building. 

Here the road dead-ended into this beautiful large park.  There was a road that ran east-west, because we had gone due south, along the road.  The east-west street presented us with a choice and I suggested that we go right and so we did.  We walked on the south side of the street, which inclined, with the park close by. 

We’d originally turned right to get onto this street.  We crossed to the north side to get on the same side of the street as the park.  When we got up, this street dead-ended into a plaza before the park.  There were lots of people just hanging out, kicking back. 

Here, it was very mellow.  Mostly, they seemed to be a bunch of hippies, with several of them wearing the same high-riding boots.  Though the garb bordered on that of some skinheads, they were, however, not such persons.  A long backed, high-yellow woman was there with her family. 

She had two daughters and a son.  One of the daughters had great potentials of becoming a spectacular model.  She did look not unlike the East Indian-German, beauteous supermodel Yasmine Ghauri, though, a younger version.  She wore a blue bathing suit, which I noticed when she got up off the picnic blanket to stretch out. 

They were in our way but not obtrusively so.  We continued along and happened on these very young-souled  Americans.  We instinctively held on tighter to each other because these people were so aggressively young-souled.  It was fairly obvious to us that we were likely to be at least verbally attacked by them. 

Thus we chose to shield ourselves from their potentially stinging sarcasm.  As we moved along, I was amazed to find that one person to our left, in passing, was Bruno Lambsdorff.  Saw another young, high-yellow girl because she so reminded me of Martha Wexler, I called out to her.  She wore a white silk blouse. 

When we came over, she joined us immediately, holding hands with us and walking between Pandora and me.  A dark-complected black girl then came up, whose hair was braided.  The other’s hair, like Pandora’s was gathered back in a loose bun.  So too was mine, for that matter. 

As we intimately progressed, enjoying each other’s company, we were aware of the onlookers, trying to fathom the extent and nature of our connection.  It was as though to them, the high-yellow girl was too beautiful to be an offspring or sibling of ours.  Most of all, we were gathered thus to shield and protect ourselves against the vicissitudes of rough-going racial animus that foamingly swirled about us.  Arriving in the plaza area, the two girls had these yellow-handled camcorders. 

The rest of the tiny machines were black, which they placed over their eyes, with their right hands, to begin filming away.  Isha started dancing, at which point, I suggested that Pandora ought to go join in the dance.  Myself, I let them know that I was unsure whether or not I wanted to be dancing.  Pandora was decked out in these high heels, doing these wonderful, elegant movements. 

Isha, quite out of character, was also wearing high heels.  She was dancing away to which I added, by energetically scatting away.  Soon enough, people started materialising, to check out our performance but I, however, did not want to be so hemmed in.  Further, I suggested that they visit while I head off to explore some more. 

Pandora, however, decided that she wanted to continue along, in my company, so I galdly accepted her offer.  

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                                                            Dream five.  We headed off and soon got aboard this tour bus, where there were all these Japanese persons.  We began reading this book together; that famous Hindu book of worship.  It was a new version of it.  It had been updated, because a new religion had recently been born to the world. 

This was all very scary for us, as we read on.  It spoke about after the history of things.  Accordingly, after Lord Buddha there was the ambisexual Buddha, which did not make much sense.  So I read the fine print of this blue covered text, of religious writings. 

Here there were poems and historical accounts of events.  There were excerpts from the Lotus Sutra to the front, of the text, with newer religions in the middle section of the publication.  The end of the book, spoke of this new religion’s rise.  It informed that the Great Master was known to have been born in Israel. 

The complete statistics of his birth, astrologically, were listed.  At the time, all that I could think was that he was implying that the reborn Christ was going to be reborn in Israel.  Twice in a row, I thought.  Talk about lightning striking twice. 

This of course was a reference to Christ who had long come and gone but interestingly enough, he was referred then as the Buddha.  This was very current; the moment that we stepped on board the bus.  The bus seemed to be on Canada’s west coast.  This was a very densely populous Asian city. 

There were also a ton of whites here, as well.  They also had very thick Australian accents.  I found it all so bizarre that anyone could so casually be sitting around reading this book.  But almost everyone on the bus was. 

These people were very young-souled and frenetic.  Pandora and I were the only blacks here.  Incidentally, who should be on board but a blond guy, who was wearing shorts.  He was Australian and stood there, looking down at me because I was reading the book. 

Soon, he leapt into this whole sermon that was of a religious, fundamentalist bent.  He was, though, not a Christian fundamentalist but a zealous devotee of this newly formed world religion.  These people were terribly zealous and went about trying to confiscate the book, from so many people who were on the bus.  It just was not right. 

I fast blew my cool and leapt to my feet, “Hey now, wait a minute! You have no such, fucking right.  Stop it!”  The incredible thing about this dream too, was that one had to have a tattoo of the national flag of one’s country of origin. 

It was then that I knew that they were definitely from Australia.  The Asian tourists meanwhile were very young-souled but younger still than the zealous Australians.  They all stood there on the bus, holding it hostage for many people.  Stealthily, Pandora had gotten up and charmingly excused herself from the bus. 

When I had turned to say something to her, found out that she was nowhere at hand.  An Asian man now sat next to me, whose face much reminded me of Rio’s.  He was however Chinese and very fat-faced and his face was ravaged by acne.  They were eating quite ravenously together but soon it turned out that they could not digest food because they would immediately throw up after eating. 

The windows on the bus, were constantly being opened, allowing them the chance to throw up their food.  They were like babies whose digestive system were not yet fully developed.  This was clearly a reference to where these people were at reincarnationally.  They were quite simply a bus load of baby-souled tourists. 

One couple had actually had to stick their baby out the window, in a bid to have it fully throw up everything, along with its parents.  I was so fucking incensed and had no intention of idly sitting by and tolerate any of this repressive outrageous shit.  Shrieking at the standing Australians, I let loose, “Damn it, get off the bus! With your fucking, goddamn-assed insolence… get off!” 

At that, I began taking the books, anything and forcefully began ejecting them.  When that couple had put out the baby to throw up, a large group of people; mostly whites, had begun piling onto the bus.  Some were also Australians but different to the original group of fanatics already on board.  The Australian fanatic who had started the attack wore these silver-rimmed glasses, which did not contain the wild intensity of his close-set eyes. 

He was tall, wearing unusually short, cut-off jeans.  On his thigh was the tattooed flag.  The pants were quite ripped up, completing the look were his weathered Birkenstocks.  He wore a large backpack, over top his cut-off-sleeved shirt. 

This man was very arrogantly blind in his young-souled awareness.  Quite gung ho as a matter of fact was he.  Of the new arrivals a white couple stood out.  The man was so pale-skinned that his near white completion made him glow in the intense light; it was incredible. 

He carried a baby of about six months old.  Both father and child had unusually large heads, with the child being just as pale as him.  At the time, all I could think of was Srivatsan Gurucharan.  They were in profile, on the steps at the front of the bus, waiting for others ahead of them to settle in, before they could properly enter. 

The East Asians on the first set of seats, had had to put out their child to throw up.  During emergencies the windows could be opened from the bottom, which is exactly what was being done.  The windows were extended to a maximum of forty five degrees, allowing just enough room for an infant to be shoved through, to vomit.  The father held the child by the armpits and the crotch in a diving position so that it could throw up. 

And boy did the infant ever go on a binge.  Everybody here, had these little bowls that they ate what seemed steamed bamboo shoots and other foods.  For some strange reason, all of these adults lacked the capacity to fully digest their food.  Pretty soon, I was beating the living shit out of everyone on the bus. 

Simply could not tolerate having any of this shit go down.  My main target was the bespectacled zealot.  Grabbing him, I began kicking and shoving him, to get him off the bus, all the while screaming expletives at him, “How dear you?  Get out of here, with your fucking goddamn-assed, stupidity and damn insensitivity!

“Get out!”  Using the book, I whipped, pushed and kicked all of them, out of my sight.  Frankly, I was surprised at my own behaviour.  I had not a clue where I was getting all this energy from. 

Just could not tolerate their stinking insolence.  They were completely stunned by my energy.  They themselves, knew in their heart of hearts that I was wrong.  After all I was black, not an Australian. 

Though they could not deny my eloquence and greater awareness.  Honey chile, I was one wrongly provoked, coloured queen, in this experience.  Was going to have none of this shit.  Soon enough, I got all of them off the bus. 

Those who did not get forcefully ejected, did themselves some good and scurried out of there, knowing that all hell had broken loose and I would come after them too.  They knew only too well that this bus was not going anywhere, as long as there was one irate coloured queen on board.  You simply had to bail out, toute de suite.  We soon got off, when I realised this guy who was seated next to me, was not in fact Pandora. 

I went outside in search of her, going up the road.  Then when I returned sometime later, realised that the front of the bus had this large staircase leading up to it.  The bus driver then called out to me, asking if I was coming along or not.  Now the bus was more so like a Hovercraft rather than a bus. 

This was a rather long transport and definitely not a bus, though, not a train.  So, perhaps, these persons had been throwing up earlier, due to possible sea sickness.  Although I do doubt very much, if this were the case.  I think rather that this had much to do with the fact that this had everything to do with their being baby and early-young souls.  

Reclining Buddha of Galvihara-sunny

                                                            Dream six.  I then went up this hill, where there were lots of tall, beautiful old-souled looking trees.  There I found Pandora and she had said very sleepily that she did not think that she wanted to go along after all.  She encouraged me to do so but surely I did not have to stay with her.  She was being very introspective, claiming that she would rather be alone. 

Reassuringly, she let me know that we woud doubtless reconnect later on.  She was being accommodatingly amiable.  I then went up and climbed over this banister, to get up this iron plank.  As I did so, there was a fat, stubby-legged, lobster red, tanned Australian coming off. 

He was coming off the transport and passing him, I brushed back my hand forcefully, saying, “Come on, get off the damn thing and get going.”  At that, he was sent rumbling down the ramp, though, he had been trying his Jurassic best to inch down, fearful as he was, of possibly falling.  I then got back aboard the transport, which when inside seemed, conventionally enough, to be a bus.  Settled in again, my stomach lurched at the intense smell of all the vomit everywhere. 

It was then that I wondered, if my being on the bus, meant that I too was a very young soul, a la baby or early-young soul at the most.  Possibly not even young-souled as yet.  I had always thought myself a much older soul than that.  After all, look at the degree to which I dream. 

On further reflection, I thought that perhaps I was mature-souled.  For one, the dreaming suggested as much.  Furthermore, mature souls tend to be plunked down in the mire of baby and young souls, who try their every which nerve.  Seeking some air, I had turned to open up the window, only to have the smell slap me in the face. 

The stench was even worse when I shoved open the window.  An up draught brought the putrid smell of vomit on the ground, outside the window, high up my sinuses.  Overwhelmed, I decided to awake and be rid of the stench. 

*Interestingly enough, when the book spoke about the Ambisexual Buddha, it was clearly speaking of Christ.  The dates for his birth, were not using the Julian calendar.  It was clearly the Jewish calendar.  However this was clearly a reference to Christ. 

Here, he was depicted as being very lusty, passionate, with a strong martial element to his body, all of which was borne out by his chart, whose statistics were included.  This made absolute sense to me; after all, how could it not have been the case.  This was a king soul on his last life.  As someone at the penultimate level of old souldom, he would have been very casual and indifferent to the gender preference with regards to matters of intimacy.  

All he would have seen was a soul incarnate, a soul which innately has no sex.  Certainly, there must have been some physical intimacy between him and the prostitute, Mary Magdalene.  In this way he would want to show her acceptance, as well to heal her of any bitterness or guilt she may feel for being a social outcast.  How too, could he not have had some moments of physical intimacy with some of the more passionate, older-souled members of his disciples. 

Same-sex experiences have always been part of the human condition and certainly the incidence of male same-sex experience, has been widely documented in Middle Eastern cultures.                             

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To paraphrase Scotiabank: you are more magical than you realise!  Put away the crutches and excuses, take a deep breath, accept that you are phenomenal and deserving, let go, move within and start living the magical wonder that is you… and don’t forget to push off and start flying.  

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©2013-2020 Arvin da Brgha.  All Rights Reserved.  

Past-life Dream Set at Spencer House.

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These dreams are from the upcoming third volume of my dream memoirs.  I share them here and now as within there is at least one dream which is set at Spencer House, which I finally visited in this lifetime on the occasion of the 29th anniversary of Merlin’s passing.  

The dreams were recorded on audiocassettes over the course of a decade following Merlin’s passing as he had requested that I stay tuned on his passing as he intended however possible to get through to me from the other side.  250 audiocassette tapes later, at the end of that decade in among them were the most glorious dream encounters with Merlin on his passing.  These dreams in their rich pandimensioality were dreamt in lucid astral plane realism in late October 1991.  

As this is an excerpt from the as-yet published third volume all the dreams are in italics and everything else in normal script.  Observations after the fact about dreams are not in italics and conclude with END at the end thereof.  At the time, though I did not know it, the dream was set at Spencer House.  

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Before ecstatically flying off in search of lives up ahead, it is oftentimes good to know where one has been.  These next dreams occurred during the second or ‘B’ cycle of sleep and dreamtime that day.  Prior to sleep, I had been meditating with crystals in the pyramid and was inordinately focussed in my intention.  After having adequately fortified myself, I was clear in my intentions to dreamquest in search of past lives.  Thus, I would vicariously revisit two past lives which were complementary.  During the first life in question, I was male and Merlin was then present with me and female.  We were musicians at the court of King George III where also present was the Prince Regent and future King George IV.  The second life seemed to have been longer-lived and in that one I was female.

The dreams of both lives overlapped and it was good to have acquired the past-life information of those lives through Michael channeller, Sarah J. Chambers.  Of course, there was a dream of a third past life, it was that of my immediate past life.

painted_room

This having been the first dream, it was an extremely involved odyssey.  A dream it was in which I had gone off to a performance, at nighttime of course, but it was as though it had been onscreen.  Before the performance had begun, there had been a comedian onstage.  There had been many wings to this performance because it had been set in a house.  In fact, it was a period piece.  The people who had been watching this had been, as it were, very much so out of time.  This was set in the late eighteenth century.  There had been a very nasty racist, in fact, send-up of ‘the savages in the jungle’. 

This was all in British accents and very eighteenth century language. 

*As I had meditated before sleep, I had opened myself up to experiencing insights into past-life reincarnational monads.  As it had turned out, I would end up gaining much insight to my reincarnational past.  This was set in the parlour of a very affluent Georgian residence.  There was a white comic onstage, not unlike Tom Kneebone — who was possibly one of the most loathsome pieces of bigoted shits that I have ever met.  Otto Dix arsehole that he is; Tom was a vile, pinched, sphinctered nobody-arsed faggot.  Whilst looking at the comic onstage, I realised that one of the reasons why I loathed Tom Kneebone — on meeting him — was because he bore such strong resonance to the past.  The comic was uncannily like Tom Kneebone.  By that I mean that my visceral connection to the very racist performer was because, he was me in a former life in Britain — lived at court as a white male performer.

Of course, it was not Tom Kneebone but he had the same racist, pinched, WASP lack of tolerance and awareness as the Otto Dix arsehole — such an ill-evolved piece of shit that one.  END.

The comic was entertaining the guests in this salon.  He was doing this whole thing about, ‘the Pickaninnies’, ‘the darkies’.  Also, he had had to have an accompanist to show the ‘natives’ and their gargantuan, elephantine dicks.  Clearly, from the way that he had been holding it, the cock had not even been yet erect.  He was all bulging eyes that had rolled with wide-opened mouth.  Everyone was just spellbindingly charmed by his wicked witticism.  I, however, had not been in the least entertained by it.  In fact, I had felt greatly embarrassed to have seen him. 

This was like having to have faced embarrassing skeletons in one’s reincarnational closet.  After his routine, it then led into this performance that they had been putting on.  In point of fact, the performance actually was quite funny.  Everyone would leave the salon and then come back in but they would all have on Regency dress and wore makeup specific to that era.  At one point, all the women had come back in.  From where I had seen the performance, through an open door, there were people off to the left in a smaller room who were not performing.  They were crowded around on divans.  There was a large open space on the floor where the exquisite rug sat. 

There was one woman there who had had a bad sniffle; she had kept on sniffling and was near consumptive.  Why does she not just get up and get lost?  I was quite impatient with her.  At the time, I was closer to the main players.  These were people who had been sitting in the salon in front of me.  There was a whole cluster of them immediately before me and to the immediate right of the large white doors that led you from room to room.  Exiting that particular room into which I had looked, where the performance was taking place, were more doors.  The door half, which was close to us, was open and served as the wings to the stage. 

Up in front of the mantelpiece was where the performers had come on to perform their scenes.  They were quite funny.  There were parapluies that had wonderful little floral designs on them.  The performers were made-up in such a way that their faces looked like bouquets that resembled large English white and faded yellow roses — very oversized roses.  The faces of the persons were very much in keeping with the zeitgeist of the late-Georgian era.  This was the look that was proper in that time.  As a result, the souls that had been incarnate at that time, were wearing those faces.  At two separate occasions, everybody seated in the salons had had to get up and leave then come back in. 

The last time that they had come back in, all the women were dressed in long, flowing tangerine-coloured dresses that had dragged on the floor.  All the dresses had little flowers on them.  The tangerine colour was muted by a sheer fabric of white silk overtop the tangerine bodice.  The silk had left it a seemingly faded colour.  All along the grid patchwork were these tiny roses that were the colour of the fabric underneath the tangerine-coloured material.  The look was very beautiful.  As they had spoken, there was wonderful repartee going around the room.  This one woman was croaking away, saying, “Oh why don’t they go to church, anymore? 

“Doesn’t anybody go to church anymore?”  She had gotten up, going around the room, to make the point.  She had then come back and sat down on the arm of the chair.  Her husband was very stout and he had remained seated there in an armchair.  One chap, who was on one of the chaise longues where some of the other spectators were seated, was bantering away.  He was very dynamic, in a sage-souled sort of way.  The costume changes between sets went on almost forever; at such times, the salon would become abuzz with lively discussions about whatever socially or politically was au courrant.  Of course, that had meant anything that was superficial and that they, at their level of society, had found très amusant. 

This particular costume change was quite long and some of the players, who were going to have been participating in the next piece, were seated on that particular chaise longue.  They were talking, amongst themselves, when this one man had said, “Well, I certainly hope that you don’t go, looking like that…”  His was a very cutting double entendre because, though the dowager was quite the frump, it was really a comment on her horrid-looking face; this, in an age, long before plastic surgery could have come to the assistance of women of her class.  The woman’s face was very puffy and dowdy and, also, full of makeup. 

She, so without a clue, had replied, “Well, what’s wrong with me going like this?” 

“In a dress, there is certainly something wrong going like that.”  This was very, very witty racy banter and much filled with double entendres. 

The poor frump was daft and had not quite gotten it.  She was wonderfully being sent up by everyone.  “Oh dear me, I never quite seem to know what to wear.  The fashions changing all the time, I can hardly ever keep up…” 

This had only made for more cutting, though hushed, laughter.  I do not even know but it was at this point, as she had spoken, that I had seen her in close-up.  I had wondered if, perhaps, she were not Francesca — the name of a past-life of mine lived in Georgian England.  Just as in that last dream encounter with Francesca, during the onset of menopause, I experienced the same visceral connection with the subject.  Then, as now, I was seeing her face in keen close-up.  Now, I was experiencing her at a much later stage in her life.  She was a late septuagenarian.  Still, though, she was very much so into the heavy makeup but at this point, she had suffered from senility and was pronouncedly neurotic. 

Afterwards, everybody had looked out at me and asked me if I had ever seen the performance presented like this before.  One of the things that they were talking about was an expedition that had just returned from, ‘Deepest, darkest, Africa, in the Jungles.’  This was, in fact, a production of Romeo and Juliet that had been set in colonial Africa.  They had openly wondered, specifically of me, if I had ever seen so racy a production.  All these people were very sophisticated, sagely persons, of whom it was safe to say, they were all very much so artisan-like — in essence, they were the glitterati.  More to the point, they possessed goals of discrimination and predominantly were in repression mode. 

“Well actually, I had seen the original classic production.” 

“Yes but have you seen any modern updates of it?” she had asked, by which she meant a production from the Georgian era. 

“Well, no.  Well I did but it was when I was at school, in Sandy Point.” 

Of course, they did not get it at all and found my accent far too queer for words.  Besides, it was all very post-modern as far as they were concerned.  At that point, the lights in the salon went down, in this beautiful, large high-ceilinged place.  A movie screen then appeared and Diana Ross was going to be the mother to Juliet and the Juliet was a beautiful, beautiful, long-haired High-Yellow heroine.  She had seemed East Indian but was not.  She had gotten up and gone running to the window because Romeo was calling her.  Clearly, it was a filmed version.  She was wearing a black and white checkered dress that had no sleeves. 

The dress really was more like a jumper — an A-line dress.  She was so gorgeous; the young actress was stupendously radiant.  Presently, she was praying and the camera was a slow, sweeping crane shot that had kept on rising up and away from her left profile.  Filled with so much earnestness in her face, she was quite beautiful.  A teenager, she was quite the stunning little actor.  The actress was not Diana Ross‘s daughter, Tracee Ellis Ross but someone who had a stunning High-Yellow resemblance to Diana Ross with those stunning eyes and with very, very gorgeous long, long wavy hair.  To just above her arse, her hair was thick and beautifully cascaded down.  She was very gorgeous. 

When she had run to the window, she was as if a ballerina by the way that she had held out that beautiful, delicate tiny face.  An exquisitely beautiful face it was that sat on that long neck of hers.  Looking out the window, she had dreamily called down, “Oh Romeo.  Romeo.  Romeo.”  Truly, it was sheer spellbinding magic. 

A Brimstone Hill Sandy Point Panorama                                       

In this the second dream, I had gone off and was walking in Crab Hill, Sandy Point.  Whilst there, I had seen these unfamiliar persons.  One of them had had one of the most interesting faces.  She had a very unusually large face and very beautiful teeth that were somewhat compacted.  She was very lovingly dark-skinned.  She was unusual-bodied; her head was very, very large and her body, in comparison, very squat – unusually so.  To be precise, her body was like a dwarf’s.  Her legs were very stubby and bulky. 

My goodness, this woman could run.  She had had a great deal of physical power.  A lot of Earth planets that were fixed, to be sure, were part of her makeup.  I found it very, very interesting to have watched her.  On having passed her, I had said hello and noticed that she had shut her eyes.  That was when I had realised that this woman had almost never looked at anyone.  Then, finally, I had commanded her attention and directly looked into her eyes.  To have looked into her eyes was tantamount to looking into her soul. 

Her eyes were so large.  Hers were as if seeing, up close, the eyes of a giant cetacean.  Yet, these stellar eyes were on a human face.  These eyes were extremely large with the lids half-collapsed over them.  The brown of the eyes was dappled and mixed in with some blues with little streaks in the blues.  Talk about beauty.  Nonetheless, they were very, very old-souled and very, very powerful eyes.  At the time, I had thought of how much they reminded me of the eyes on the totemic cranes that I have seen throughout my life. 

She had just laughed and turned her head away.  She was a woman of substance and great grace; not unlike Jessye Norman°, in that sense, was she.  I had specifically focussed on her right eye.  Hers were not unlike the dappled blue-green colour that Owen Hawksmoor°‘s eyes take on, of course, when he is wearing his coloured contact lenses.  However, her eyes were quite gorgeous.  Predominantly brown but there were lots of brown and red streaks in the white of the eyes.  These were from very large bulbous blood vessels.  The whites of them were very white, almost caramel-coloured on closer inspection, from the timeworn passage of their agedness. 

Boy, this woman had a lot of strength of character in that body.  Hers was a solid, solid body.  Following after this guy, I had then come back over this little barbwire fence.  We clearly, I realised, cannot go getting ourselves scraped.  As we had been passing, there had been a window to our right that had looked into a house.  Whilst looking at the screen, on which Romeo and Julie was supposed to have been playing, we had gone and sat down.  Protesting, I had said that this could not have been the case because it would only have meant that I had missed so much of the performance.  In all this time, of having gone and wandered off, one would have missed too much of the production. 

At that point, there had been someone on the screen performing a Shakespearean soliloquy.  This clearly was an updated version of the text.  I had started watching it and got back into the film.  The one thing that I had not liked about it, was that there had been lots of flies on the set.  After having been made uneasy by the bugs, I had gotten up and walked about for a while.  When I had gotten back into looking at the production again, it was as if looking at it from the Georgian salon again.  However, now it was slightly different.  To myself, I had remarked that it had seemed so much like Toronto. 

That was because this production, like Toronto does in summertime, had all these damn flies.  All the people around me in the Georgian salon had not gotten what Toronto had meant at all.  As well they understandably would not have, they had looked at me very strangely.  There were flies in the air which I had kept on swatting out of the air.  There was a whole scene in progress, when I had decided that I would just have to have seen the production again or, perhaps, get it on videocassette.  At that point, I had simply missed too much of the production.  I had realised, too, that I could easily have seen it when it made it to the Revue second-run cinemas about Toronto.  At that point, I had turned and left. 

*This heavy-lidded young girl could well have been me, Theresa, in my immediate past life.  That life was lived in Brazil and I had a goal of dominance.  Of course, on Tuesday, September 17, 1991(39), I would dream of Theresa in her adult years.  Similarly, she also could have been Merlin reincarnated.  In December 2006, Merlin was reborn female in the Netherlands; however, at the time of the channelled session, the female reborn Merlin’s ethnicity was not shared.  Thus, this could well be Merlin reborn in early 21st century Netherlands about whom I was dreaming.  END.

I had next, in this the third dream, been up on this rise with Isha where she and I had been doing something.  We had discussed the fact that I had needed more money.  I had told her that my PIN number, for some bank card that I had had, was 8411.  She had called up the bank and was being pushy with them.  Isha was telling them that she had been very ill and incapacitated.  For being bedridden, they would therefore have to let her have the money in cash with me acting on her behalf.  She had assured them that I would be right over and to let me have the funds.  As she had spoken on the phone, this black woman and her white husband had come by. 

The man wore glasses and they were, very much so in love, embracing each other.  There was a little girl with them to whom I had meltingly said, “Come here sweetheart.  My goodness!  You have American money and you have a 10.00$ Canadian note there, I see and a 20.00$ too.  Why don’t you let me have an American bill?  And some of those Canadian bills because you’re not going to need the Canadian bill.” 

“Why?  It’s my money.” 

“Okay then, fine.  Come on over here and give me some sugar,” I tried charming her as she had been off to my left.  On having wrapped my left arm around her, I had kissed her on the cheek saying, “Return the kiss, please.”  We had kissed and had done so, on both cheeks, in the French style.  I had looked down at her parents and they were quite sweet and in love.  At the time, I had been thinking of Pandora.  I could not, though, have made out the mother’s face all that well from the table; I had been seated there with Isha.  A square, black metallic affair with a glass top the table proved. 

As a result, the table was covering the face of the woman and I could not make out who she was.  At the time, I had thought of Pandora and her present beau.  This child had then appeared but it was like a doll; she was so tiny and was, in fact, as if a pygmy.  She proved to be Barry Thomas‘ younger sister.  Every time that she had bawled, her neck had extended and craned up into the air and was pinkish-coloured like a white doll.  She, though, was actually a black baby — you could tell from her facial features.  She was very much so alive but she was in this rubbery body that was like a doll’s.  I had put her up on a mantelpiece to sit because she had been so damn noisy and obstreperous.  

Penina had come and disputatiously confronted me about what I had done to the poor little girl.  Whilst Isha had been on the phone, I had gotten up and gone to take a pee.  On entering into the bathroom, I had been shocked and horrified.  On looking in the mirror, I had noticed that Isha had cut my hair.  I had let out the most enraged scream, “Isha!  How could you do this to me?”  What had happened, was because of the way that I had been lying on my back, she had managed to cut off all the hair on the side of my head up to the top and on the other side as well.  This was the most ludicrous haircut. 

In the back, leaving the length in place, my hair was still long.  “I don’t want my hair looking like some bloody Mohawk warrior’s,” I shrieked.  To have seen the roots of my hair, which were unpermed, I was truly pissed off.  Having my hair chopped off, was not something that I had wanted and I definitely did not want this frigging fascistic cunt fucking with me.  I had been truly incensed at her.  Truly enraged, I returned to confront her and found her lying down in bed.  Immediately, she went on the blind defensive, “I don’t see anything wrong with it.  Besides it’s already done and you might as well cut off the rest,” she had laughingly dismissed me. 

“Isha how could you do this?  This is exactly like when you destroyed my writings.” 

Impatient with her indifference, I had launched through the air at her and begun beating the living shit out of her: hitting, slapping and kicking her.  Grabbing anything that I could find, I had beaten her with it.  All the rage that I had felt at her, for destroying my writings back in the mid-eighties, had come flooding out. 

*Back then, when she had been confronted, she had launched into a clawing defensive attack on me as we rode home in a blinding rainstorm from Solomon King‘s wedding in Rochester, New York.  END.

Earlier, I had gone to get my brush, to brush my hair and, on not having found it, had borrowed hers.  On brushing my hair, I had noticed that the brush was really scraping my scalp.  On having looked at things in the bathroom mirror, I had been left horror-struck.  On seeing what she had done, I had sucked my teeth and decided then and there to kick her arse.  I had known then and there that this would not have happened had I taken her to task, blow-for-blow, back in 1985.  Also, I had seen this brown bag, a large, black canvas bag and a shoulder bag — they were all mine.  In the travelling bag were these two tickets because I was going to be travelling.  I had really been upset and pissed off at Isha as she had laid there under green sheets. 

Penina had come into the room and tried intervening on Isha‘s behalf.  Penina had tried to get me to accept the fact that what had been done, was final and to just get on with things.  That had only more infuriated me.  Turning on her, I had screamed, “Oh Penina, why don’t you shut up?  You’re so damn stupid!  Of course, you would agree anyway.” 

This woman had then shown up who was Jewish and it had turned out to have been, Ariel Gothberg.  She had worn this dark purple turtleneck bodysuit — over that, she had worn a brown very, very thick, woollen jacket.  The jacket had lots of gold zippers that showed down the front and the length of it.  The jacket had no collar.  On either side of the sleeves, there were gold zippers that went midway up the arm.  There were two on the breast, one zipper each, over each breast for pockets.  They had little golden tassels that held the zipper.  The outfit was quite nice and was in brown and black. 

Ariel Gothberg had looked quite smart.  I had asked her what she had thought of my hair looking like that.  “Well it’s your hair and it’s natural.  I think the natural version looks kind of nice, anyway.  Well, you’ll decide what you have to do with it,” she had then gone off, up these stairs.  Yeah, right; fuck you, you bitch, I rudely dismissed the thought of her.  Whilst there, she had joined two or three other smartly dressed persons.  I had come around and begun leaving then went out into the outdoors.  There, I had stood by a shed whilst talking with somebody about things in St. Croix, U. S. Virgin Islands.  Just then, a large plane had gone by directly overhead. 

At the time, I had thought this plane too unusually close to the ground.  We also were close to the ocean.  The building was a long white shed, like a greenhouse, beyond a sandy slope.  Generous clumps of long grass held the sand from drifting too much.  We were standing just beyond a stand of palm and sea dates trees.  The ocean was rather tranquil and gently breaking.  The ambiance here was rather beautiful.  I had then seen a large plane come by that was like an American Airlines plane; except, on the back of it, it had had this large caboose. 

This was a large unusual extension that had flared out.  To say the least, this was most unusual and there seemed to have been no exhaust.  The bottom of the craft was very silver.  Also, there were the red and blue stripes along the sides like an American Airlines carrier would bear.  However, nowhere were there any demarcations, indicating that it was an American Airlines craft.  Unusually so, the craft was very long.  Long and sleek, like a Boeing 727, except that it had had no mid-fuselage wings;  way at the back of the plane, there were some smaller wings.  As it effortlessly sailed through the air, I figured, oh dear no, it is going to crash.   

As it had flown by, it had bizarrely veered off to the left and head first.  Next, it had shot up into the air and then come down.  I had screamed aloud, horrified for the passengers aboard.  Immediately, of curiosity, people had begun running towards its obvious crash site.  To check things out, I had gone running around the corner of the building.  There was smoke in the air but it was general pollution from the community; also, there had been no smoky fireball as with an obvious crash. 

“Oh dear.  I think it crashed…” I had helplessly said to a man who had reminded me much of my uncle Michel King, rather than his brother Marcel King°

 “No, it didn’t,” he had confidently said.  Another plane had then come in and that was when I had suddenly remembered that I had had a flight to catch.  At that, I had gone running, hurrying out of there, and gone around the building.  This was a wonderful large hangar-like building.  In this building, there were many persons.  I had seen several travellers there.  Once outside, I had had to go up an immensely long flight of stairs to have gotten up to where the plane was.  On the outside, it was a pure white aircraft with two propeller engines on each its wing; the propeller engines were running at the time that I had arrived. 

The wings were extended; they were actually quite long.  I had demanded that they cut out the engines so that I could safely make my way to the man who had been at the gate.  He was an older, dark-skinned man in uniform.  He could have been Egyptian, Hispanic, East Indian or Arabic.  I had had to pay him to get aboard the plane and it had come to 14.00$ for the flight.  Incidentally, as he told me that, I had recalled that the PIN number was 8411, which coincidentally does add up to 14.  I had given him a 20.00$ bill.  He had told me not to worry, that it was already running late, and assured me that I could get my change on board the flight.  I had boarded the plane which, oddly enough, was unusually low to the ground.  On having entered inside the plane, it was as though you were outside again and had to go up a further flight of stairs — just like the ones that had earlier gotten me to the tarmac. 

A truly dream surreal moment this proved.  Penina had been concerned because, on this flight that had just come in, there was supposed to have been a little boy that we were supposed to have met.  He had been coming from Nevis.  I had told her that I still was really frigging pissed off — at having had my hair cut off by Isha — and could not have cared less about any little boy.  So we had gotten into the plane and it was again unusually interiored.  There was a wide enough single aisle with all the passengers in seats that had faced each other.  This had immediately reminded me of when I was a child, prior to having taken my first flight, I had always envisioned the seating arrangement on board an aircraft to be like this.  There are, of course, no such seating arrangements in conventional aircraft. 

As we had moved down the aisle, we had passed a number of little boys.  There was a little boy on the right of the aisle and I had thought that, perhaps, that was him.  However, we had gone down with Penina having followed after me.  There were, incidentally, lots of potted plants here on board the highly unconventional aircraft.  The aircraft was white-interiored, as outside, and there was a lot of sunlight coming through the top of the aircraft which was completely glass-topped.  The ceiling was really like a long trough in a greenhouse because there was a drain in the ceiling that had run the length of the aisle.  Lord knows, we were definitely well beyond the Kansas City city limits.  Also, it had been very humid inside the craft. 

Many, many potted hibiscuses were present and some of them were in bloom.  Just where the stem had exited from the pot, one plant had fallen over and broken.  On righting the pot, I had felt for it.  The plant had sadly kept on dangling over.  I had called the boy’s name which was something like, ‘Orello’, to which he had immediately answered an alert yes.  He had been way in the back.  I had pointed him out to Penina and told her to go and take care of him.  Furthermore, I had told her to get off the plane with him because she was not supposed to have been travelling anyway. 

I had then gone up to the front of the craft and there I noticed that there was a large opening.  Here at the front of the craft, it was as though one was in a hangar or large indoor room.  Whilst other people were lost in reading, what had clearly been scripts, there was a girl doing some homework.  The studious girl was very stout and wore a school uniform.  Early teenaged and definitely black, she was very light-complected.  A tall, gangly white male had come in; this man was very much so old.  He was incredibly gentle and soul-soothingly so.  He was as if a gardener or caretaker. 

He had sat next to me and warmed me further when he asked, “Do you have piece of paper, please?  Just something to write on.” 

“Well, I don’t even know…” I had really wanted to help him out and been of service to him.  He was so sweet-spirited like Catherine Angelica (‘Lica)  or as Elizabeth Bowes-Lyon°, Queen Elizabeth, The Queen Mother seems — that kind of evolved grace of spirit.  I could not immediately find anything and, in the meantime, the girl had not been prepared to part with any of her school paper.  There, I had told him, pointing in front of me to a little desk on which were some clothes and my bag.  I had gotten out my bag and started talking to him.  He was very, very wonderful and very old-souled in feel.  He was very healing to have been around.  He had reminded me of James Tramble or Merlin’s guide as I had seen in those dreams — the tall shaman. 

He had commenced writing on this piece of paper and he had asked me my name to which I had replied, “Arvin da Braga.” 

“Oh really?” he good-naturedly replied.   

I had then given him my statistics.  Continuing on, told him that I was born on August second, nineteen sixty.  We had talked on some more and then he had asked, “And what about your friend?” 

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“Oh Merlin?  Merlin Ben-Daniel.  Merlin B.”  When he had asked me my name, I had initially said, “Arvin M.  M, as in Merlin, spelt ‘lin’ not ‘lyn’ and which, incidentally, was my lover’s name.  Merlin; spelt the same as my middle name.”  As we had spoken, I had grown more and more intensely lucid and light-headed; it was as though I was channelling.  “Merlin B.  B, as in Bechbache, which is his mother’s family name.”  We were talking about Merlin and he was doing this write-up about Merlin and me. 

He had then turned to me and said, “Well anyway, I’m leaving you now and I want you to write this down.” 

“Is it a number you’re giving me?” 

“Just some important information.  But you must remember it and you must never forget it.”  What he had said was, “Proper posture leads to purpose and prosperity in time.”  He had said it with the greatest enunciation and slowness. 

There was a woman who had stood out in my mind as he had spoken.  She was very much so like Francesca who was down below and outside an opening in the airplane.  She was inside the building at a window, looking up at me and saying, “I will be with you, don’t worry.  And I’ve remembered it.  I’ve recorded it.  And I’ll keep reciting it to you if you need me to.” 

The gracious gentleman had then left.  His was not unlike the yogic centred serenity of Yehudi Menuhin.  At that, I had had a sense of motion and that we had travelled.  The sensation was not for very long but you just knew that we had covered massive distances in what had seemed a mere breath.  As I had watched him write with the greatest of care, he was right-handed.  At one point, he had stopped and disruptively said as I had spoken of Merlin and me, “You’ve a very distinctive accent and it’s so layered.  You can see so many languages in it.” 

“Well, yes that’s because I’ve lived all over the place, actually.  My upbringing was very middle class in the West Indies with maids, in fact.  I like speaking this way because it’s who I am.  It’s about intellect.” 

“Right you are,” he had said whilst warmly smiling. 

We had then gotten to where we were going but he was no longer with us.  We had deplaned and come down the flight of stairs.  Everybody had gathered about this courtyard and was walking around.  Most people who had deplaned had been white.  All the kids were in the rear and we were separated — the kids and I.  I had then left everybody and started walking ahead because I had wanted to go and get Penina.  She had shown up and was running to go and get Orello now that he had arrived.  She had on this long, floral-printed dress that had proven to be a jumpsuit that had turned into culottes. 

Her outfit was brown, yellow and green which were all one-inch slats of colour.  The jumpsuit was a predominantly off-white, faded yellow number that had these yellow, brown and green horizontal slats that were crammed together and haphazardly spaced.  They had created a wonderful motif on the fabric.  Somehow, it seemed that I was supposed to have been deplaning.  Seemingly, I had to get aboard a larger plane and continue on with my flight.  For having interacted with Penina, I had missed the connecting flight.  This had mightily upset me.  Initially, when she had come aboard the first flight with me, I had turned to her as we had progressed down the aisle and asked if she had remembered to get all my bags. 

A second flight, not unlike an American Airlines carrier, had come in through the air and landed.  This had proven my signal, to have started moving and get aboard the initial flight.  When I had deplaned, I was supposed to have gone to another flight.  For some strange reason, everybody was marching in a circuitous route.  They had gone down this street and turned off to the right; they then had gone down this wide boulevard into another courtyard.  That courtyard had contained another plane which one had to board.  A sareed, East Indian woman had looked back at me and energetically said, “Hurry, hurry, hurry because the engine has already started.” 

“Don’t worry…” I had evenly replied.  She was a really sweet gracious soul. 

You could have seen the engine and when it had started, the wing that had been turned horizontally then swivelled and turned to the vertical position.  This was set in a compound that was surrounded by a large white fence.  Going up to the courtyard, the steps were white and the interior of the building and all the low-lying buildings around were all pure white.  The look was that of permanent whitewash paint. 

“…I’m coming.  I’m supposed to be on this flight,” I had called out. 

When I was making my way there, there was a large wooden gate that had a glass in it.  One of the things that had kept me distracted, was that I had gone into this room, where Penina had been and wanted to look at the Romeo and Juliet drama again.  Instead of having been able to get it on television again, there was a video music station on.  The music video was set in a large room.  Irene Cara was singing a song in said music video.  Natalie Cole° was there, as well, as some other black entertainers.  She was in a living room in that segment of the video, which was for a love song.  Natalie Cole was participating in the video but not singing.  Irene Cara had worn a black tunic overtop black narrow-legged pants. 

Natalie Cole had worn black and white; they were very much so enjoying themselves.  Soon, I had caught myself when being distracted and had gone running out of the place.  I suddenly remembered the petite, beauteous East Indian woman; she had a striking resemblance to the author and socialite, Geeta Mehta.  She had been telling me that I was supposed to, in fact, have been getting onto the other flight.  So off I had gone, running down the road; it was a narrow stretch of earthen road.  Even though it had long been closed, I had opened the door to the craft.  The stewardess was slowly closing the door when I had leapt through the air and pulled it forcefully open.  At the time, the engines were already running — all of them. 

They had had to stop the engines so that I could make my way past them and safely get aboard the flight.  I had shown her my ticket and very cleverly said, “Here’s my ticket.  I’m supposed to be on board this flight; thank you very much.”  Again, the interior was much like a waiting area and a greenhouse at that.  There was a sense, once again, of light coming through the glass-topped ceiling of the craft.  The craft’s interior was all whitewashed.  There were lots of persons, mostly guys, standing about.  The first thing that I had noticed, was that they were all dressed in white and were dressed in clothing from another age. 

They were dressed as in the latter half of the eighteenth century — the age of Wolfgang A. Mozart§.  I had passed the flight attendants; they were off to my left and up towards the cockpit.  There was the familiar large open area, as well, off to the right of the skylight.  There was a narrow door that had gotten you back to the main cabin of the plane.  The 18th century persons were in the open, which had an earthen floor.  Here, it was very humid and damp.  These were all young and white males, who wore white clinging tunic that went down to just below the knees.  They wore tight breeches, really tight, with white stockings that came up to above the knees. 

They wore white shoes; large ones with white buckles.  Large-sleeved white shirts, most of them, although some wore shirts whose sleeves were those of the conventional style of the waking state.  They were, all of them, very young and very dark-haired.  These persons had the faces that were exactly peculiar to their age.  The hairstyles, the makeup and the expressionism; it exactly was what the aristocrats of late eighteenth century Vienna looked like.  On having entered this craft, I had immediately noticed that there were little rooms as in a salon in eighteenth century Vienna.  There were these white doors with glass panes for two-thirds of them.  There were little concert hall boxes that were set up; all this occurred inside the cabin of the plane no less. 

I could distinctly have heard the engines whirring away, outside the craft, whilst drinking in this most unconventional of plane interiors.  We were going to take this flight and whilst in flight, there would be a performance.  Everybody was an actor and like that man on the chaise longue, with the wicked tongue, also very much so sage-souled.  I then went and took my place.  There was a box where the performers would sit, as in an opera house, but it was on the ground.  This was not a Boeing 747 series type airliner.  The opera house-interiored craft had been lined with red carpeting and red velvet.  The seats were all one embankment and quite plush. 

There was a doorway there with a man who had been crouched down.  He was dark-haired and had a mole just below his left eye.  He was most handsome and looked like the soulfully august aristocrats, of the court of King Joseph II of Hapsburg-Lorraine, in the age of Wolfgang A. Mozart.  His face was very, very unusually large.  He had worn a ponytail that was tied back with a black ribbon.  Just inside the door to my right, he had been crouched down.  I had looked off and on having seen him, had smiled.  He had looked up at me and was quite smitten by me. 

I realised that I had found my place and had come in to the box to sit.  We were obviously about to witness a drama that was clearly Romeo and Juliet that was set, in the Mozartean era, in the city of Vienna, Austria.  I had gotten so energised for having been in the company of these people, whom clearly I had known at the level of soul, and thus had squealed and laughed aloud.  Also, my response was in anticipation of the great fun that we shortly would share.  At that, I awoke in bed. 

*I was not chagrined to have awakened at that point.  Already, I had been refamiliarised with all these persons.  There was something very much so familiar about the handsome-moled man.  We did look at each other as I took my seat and I was passingly reminded of Merlin.  Beyond the eighteenth century energetics that he wore in that life, he was familiar, intimate and a companion.  That was all I had needed of the very layered, very enriching and very, indeed, pandimensional aspects of this dreamquesting odyssey into a past life.  This was very real and I was very much so in my element.  That dream initially was definitely set in the Georgian era and the people there were all familiar.

They were all white and very much so alive.  I guess that this was an astral plane projection in time, to experiencing aspects of past lives.  I was able to have used the astral plane, to have transited the spiral arms of time and enter two different time frames in which I was clearly incarnate.  Also, it was very much so the eighteenth century and the height of the colonial era.  Here was someone who had just returned from an expedition to deepest, darkest Africa.  Down to the accent and the language as it existed then, they were very much so British.  The most important insight that I learned, for having revisited that lifetime, was the lasting effects of racism to which I was exposed, engaged in and was much informed by.  To say the least, in this life, I am truly repulsed by racism’s ubiquity and its effects.

This explains why I am so passionately impatient with and can see and understand, so clearly, my hypersensitivity to racism.  I see it for what it is and where it comes from.  The second flight’s exposé into Mozartean Austria was, I am certain, more about getting insights to a past life of either Merlin’s or someone with whom I share as strong a soul connection.  Perhaps, it was someone on the order of my essence twin.  I am not convinced that this was Merlin, in a past life, even though I did not see the eyes in close-up.  I knew them not to be his eyes.  The eyes are always the dead giveaway in these instances.  Though packaging changes from life to life, the eyes do not; except to change colour and grow older and softer with the reincarnational maturation of the soul, the eyes are always recognisable as self’s in past life dreams.

**Further insights that I would like to add at this time, I do believe that the latter dream of the Mozartean era, harkened back to when Merlin and I were incarnate together, again lovers, and were court musicians.  This, however, was during the court of one of the English rather than Austrian monarchs.  During the reign of George Hanover, King George III, which was during the 1700s to early 1800s, Merlin and I were then incarnate.  Also, the Prince Regent and later King George IV was also familiar to both of us.  The latter monarch would have been instrumental in the flourishing of the arts, which is why Merlin and I had creatively blossomed in that life.  King George IV, when the Prince Regent and during his brief reign, had been a great patron of the arts — life at court would have been artistically fulfilling and that it clearly was.  In any event, I also sang during that life.  Usually, my performances were to smaller audiences of aristocrats; Merlin, then female, played the harpsichord and was my accompanist.

I guess that the Francesca lifetime could have been a complement to that lived at court during King George III’s reign — whose father was rather German and caught up in the Austrian succession intrigues during the early 18th century.  There was a late Georgian to early Victorian sensibility to the first dream; it featured a septuagenarian Francesca who rather than me in a past life, was Merlin when a harpsichordist and my then lover.   These are insights gleaned from Michael Overleaves by Sarah J. Chambers who, prior to passing in 1999, channelled the Michael.  What’s more, at that time, also present and likely participant in this dream was the Duke of Bronté.  Of course, said duke was also the 1st Viscount Nelson, none other than Vice Admiral Horatio Nelson.  Naturally, in the late 18th century, Horatio Nelson had spent much time at court whilst trying to get  himself positioned after the American war of independence, which left the admiral and many others out of work.  At the time that he spent at court, both Merlin and I, knew and socialised with the young, dashing admiral – the 2nd Earl Spencer was the Lord of the Admiralty, which would have made him an invaluable contact to Earl Spencer and a frequent guest to Spencer House.  No doubt, it was his tales of his adventures and especially his time spent in Nevis that served as a source of wonderment for me.

As Merlin and I were then cohabiting as lovers and professional associates, it is likely that I then expressed some interest in going off to an exotic isle like Nevis.  Indeed, perhaps, the reference to deepest darkest Africa was really to the West Indies.  Either way, it is obvious that the fascinating Duke of Bronté, Vice Admiral Horatio Nelson planted a seed, which would lead to my choice to reincarnate three lifetimes later in Nevis.

***I should also think that the man with the extra-large head and the striking, large mole below his left eye, should have been more readily discerned.  Merlin’s dear friend, the actor, Joe Morton°, is the one who would fit this bill.  Indeed, Joe does have just such a large mole below his left eye.  The only difference between these two — Joe Morton and the moled actor in the dream — was their disparate races.  The white male’s in the dream was the exact same large mole at the exact same position as is Joe Morton’s.  Further, this Caucasian male’s teeth exactly were like Joe’s as they are in this lifetime.  Again, apart from their disparate races, there was one other difference between Joe Morton and his past-life counterpart.  Joe’s mouth and lips are bigger and fuller respectively and Joe’s comparably was, to say the least, a more elastic and expressive face.

To say the least, that was rather insightful a past-life dreamquest.  Joe, of course, is in the fifth/sage position in his cadence which not surprisingly would leave him inclined to being so sage-like and regal in essence.  Naturally, this regal energy is due to the power mode energy, which innately infuses all fifth-cast fragments, especially in cadences 1, 5 and 7.  Joe, of course, is in the first cadence in his greater cadence.

****I should also like to add here that the large-moled gentleman may well have been in London; at that the time of mid-to-late 18th century, there was a large Austro-German community in London.  King George III was, of course, German.  At that time that Merlin and I were then incarnate, we were rather familiar with one such German patron who happens also to be an entity mate, Arianna von Reinhard.  Wealthy, the German patron of the arts very likely could have funded a trip to Austria and German, during which time Merlin and I could have been on a concert tour to royal courts of those countries.  Who knows, perhaps, at that time, we even met and attended concerts for stellar creative genius, Wolfgang Amadeus Mozart§.  END.  

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At the conclusion of audiocassette-recording these dreamquests to past lives, in late October, 1991, I got about the business of choosing an appropriate musical complement.  Naturally, I would end up playing some Joseph Haydn° symphonies.  Back in 1987, whilst being a muse to Olaf Gamst, I was introduced to Joseph Haydn in great detail as he was a composer whom Olaf favoured.  When sitting for the artist, often were the times, when he would play selections from his formidable Haydn collection.  Without doubt, I would come to favour Haydn’s London Symphonies.  That is why, I had crawled through a couple of secondhand record shops in a bid to build my own Haydn collection.  To that end, I got out an old recording from 1977; it was still in fairly good condition.  Released on the Philips label, Neville Marriner conducted the Academy of St. Martin-in-the-Fields.  

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For the rest of the day, I repeatedly listened to Symphony No. 104 in D Major Op. 21 ‘Londoner’.  This symphony truly made my spirit soar and allowed me to remain resonant with the past-life to which I had so lucidly dreamquested.  

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As ever, thanks for your ongoing support, sweet dreams and my dream memoirs, the first in recorded human civilisation can be found online at Amazon and wherever discerning bibliophiles satisfy their insatiable need.  

ASVMOA II

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©2013-2020 Arvin da Brgha.  All Rights Reserved.  

An Awakened Dream Like No Other!

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On the final full day of this trip to London, it was also the 29th anniversary of Merlin’s passing.  I had planned on visiting Spencer House, the Monday evening prior; however, the event which was a ticketed lecture had been cancelled –  this was my only chance at getting to Spencer House.  

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Climbing from the Underground at Green Park, the park was relatively empty and there was a crisp bite to the early morning air as I walked along the periphery of the park’s western edge.  I opted to take that route and be close to the park’s trees than use the suggested route – St. James Street and St. James Place.  The only persons in the park were intermittent joggers, looking fit; strange in November it was to see persons running in shorts.  

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Walking along, I passed a narrow break in the shrubbery; the narrow path that ran beneath on the houses stated that it was a private road and to keep out.  A few more steps revealed the signage; yes, indeed, this was the place that I was looking for.  Turning back, I made for the private narrow pathway and awaited as a tanned, moneyed man approached with a wonderful, happy dog before him.  The fat little thing tried its best to act on his vibes and grumbled; staying my ground, I waited for him to get closer, said hello and asked if this was the way to Spencer House.  

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“Is this the way to Spencer House?” 

“It is a private path…” he replied from behind thicker, darker and more-expensive-than-mine sunglasses, to which I brushed past his American accent by elegantly rebutting, “Thanks, I’ll find my way…”  

Entrance to Spencer House: looking west to Green Park & East.  

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On entering Spencer House, I noticed that the splayed and slightly bloated feeling that began on approaching the stately home continued.  Inside were two men; both were rather pleasant.  We began speaking; for the next half an hour, we warmly visited.  Seemingly, there was a group tour booked and they thought that I had simply arrived especially early.  

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As members for the guided tour arrived, I slipped into the ante room and enjoyed the still-life.  Remarkably, there was a real ease for being in his place, which seemed more than passingly familiar.  Finally, when enough of us were arrived for the tour, a silver-haired lady with clear, focussed eyes entered the foyer, walked up to me and smiling, we warmly greeted.  A group of no more than twenty-five persons, the informal gathering was cosy and engaging.  

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As the tour began in earnest, it dawned on me that this house was remarkably familiar.  There were no doubts in my mind that I had never previously visited it; however, even the tour guide approached me and asked when I had last been to the house.  She was convinced that I had been there before and scoffed at my response that I had never before visited the stately home.  She had done so because I seemed with uncanny accuracy to know which door to next use to progress on the tour.  That aside, the energy between us flowed with the greatest ease.  

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As she spoke, the guide mentioned that Jerry Hall and Rupert Murdoch, who lived in the same street as Spencer House had actually had their wedding reception in the Georgian masterpiece.  As she spoke of the ladder, I suddenly experienced a vision and it was of seeing the room as it looked during Georgian times; however, as in dreams everything was back-to-front from the current life experience.  Indeed, I had definitely been in this room in the past; moreover, I had a rather memorable dream, which was set in this house.  Then as I intently looked to one corner of the room, the rather knowledgeable tour guide announced that in that very corner, Vice Admiral Horatio Nelson loved sitting in that spot as he was a frequent and favoured guest to the house as the 2nd Earl Spencer had been First Lord of the Admiralty.  

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In this marvellous salon is a painting of the Death of General Wolfe… it is even more grand and emotive than the painting of General Wolfe’s death on the Plains of Abraham at the Royal Ontario Museum.  

During that time, as a countertenor with Merlin (then female) my accompanist on harpsichord that I would have encountered Vice Admiral Horatio Nelson, 1st Viscount Nelson.  I have dreamt of this man many times and some were set in the very house where, though it had not been planned, on the 29th anniversary of Merlin’s passing, I was taking a tour.  

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Just before we left the library, the tour guide then announced as she drew our attention outside the window from the library, there on the grounds of Green Park were cattle and other livestock kept.  Indeed, in one such past-life dream, which was set at Spencer House, there was the intense smell of livestock.  For this reason, I had assumed on awaking that this stately home on the edge of vast acreage was situated in the English countryside rather than in London.  

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Definitely, this room – the great room – was familiar; however, somehow, it did not seem as large as it ought to have been.  

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The view from the great room out to the beauty of Green Park.  Suddenly, it dawned on me as I looked out the window that is why on Armistice Day after I left the splendid exhibition: Russia, Royalty & the Romanovs at Queen’s Gallery, Buckingham Palace and cut through Green Park en route to Green Park Station, I felt so joyous. 

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That is why too, for moving past Spencer House earlier on November 11, 2018 and in essence, becoming harmonised with the locale of a past life that I would have such lucid flying dream activity on returning to the hotel that late afternoon and napping.  

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Without doubt one specific dream was centred in this room and there, a play was being staged in the past life dream.  In between acts, one retired to this room from the great room and visited whilst the performers took almost forever at costume changes.  

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This was the setting of great music and laughter; indeed, I may well have performed for the Georgian glitterati on this balcony/stage-like staircase.  

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Lady Spencer’s room.  lovely.  

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The Music Room where 2.5 centuries earlier, Merlin and I were in creative full bloom.  I had a really powerful response when in this room.  I was left teary eyed and on looking in the mirror, I actually saw the outline of my aura; it was silvery as it picked up the stunning sunlight streaming through the windows on either side.  Somewhere in spirit, Merlin was with me and there was further validation that this place, this day… indeed, nothing is coincidental.  

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This room was pure sensory overload.  I felt gay and as though on the cusp of flying.  This visit was more adventure than even I could have imagined.  When the tour was concluded, I warmly parted with the staff and assured them that I would be back.  Then out into all this balmy, glorious sunshine, I headed into St. James Street and made my way to Piccadilly Street. 

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Feeling way too glorious, I decided against using the Underground and instead, headed east along Piccadilly and slipped into the Burlington Arcade’s splendour, browsed then went coffee table book-shopping at the Royal Academy.  Though I hardly had room to pack the six books.  Well in excess of 300£, the handle-barred and zoot suit-wearing poseur – eccentricity is never affected, asked way too condescendingly what did I mean by VAT “dear” and why would I get money back.  You blasted, silly little twit; as I do not gladly suffer fools, I shot back, “Look do us both a favour and go restock these… and try finding a brain while you are at it…” the latter stated whilst walking away from the counter; you’ll get no commission from me.  Who are these people, forever trying so damn hard? 

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With that, it was across the street into Fortnum & Mason to buy more teas and rose petal marmalade and jelly.  From there, further easterly I bopped and grooved in the glorious sunlight and circumambulated Piccadilly Circus and bailed into Coventry Street and into the crowded intensity of Leicester Square. 

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From there, I snuck from the rear of the National Gallery and inside.  

The delightful guide at Spencer House had insisted that I return to the National Gallery before leaving London and catch the Mantegna and Bellini exhibition.  She could not have spoken more highly of it.  I did tell her that I had reservations about seeing Italian art as it was much too ecclesiastic for my liking.  However, since she had been such a gracious host, I decided to just this once to go with an open mind and just explore. 

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You cannot believe how fast, I got out of there.  As I said to the West African museum worker, who asked why I had left the show so quickly, “You cannot imagine how deeply disturbing I find a culture that goes to such great length to never address in their art their savagely ‘civilising’ influence in the world.  It is as though it never happened or they played positively no role whatsoever in the brutal murder, enslavement, extinction of peoples and cultures.  His response was, to the victor go the spoils and the shaping of history in his image; he added that he was very very proud that I am aware, unlike so many of us.  With that, we bumped fists and it was back out into the bright sunlight of this glorious day.  

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Apart from the usual suspects, Yodas seemingly levitating – now there’s a gig! – I made it past a rather engaging African artist who had the soul of a sage if ever anyone ever did.  Being drawn to its beauty, I drew closer to get a really good shot of St. Martin-in-the-Fields and it was then I made the most glorious of discoveries.  

Well, there could be no better way to restore the spirit after the disquiet that I experienced for moving through the Mantegna & Bellini show.  Great art should reflect life, not neatly reinvent and compartmentalise away all that which one would rather not address – likely, though, Bellini had no knowledge of Columbian expeditions to the New World. 

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Presentation at the Temple – Giovanni Bellini c 1460

Certainly, the prominent artists of the 16th century: Tintoretto, Botticelli, Michelangelo, Leonardo da Vinci, Titian were supported by the Church of Rome, which by its patronage of these artists was intent on depicting itself in a glowing ecclesiastical light rather than the brutal realism which afforded it the prominence and wealth it then enjoyed… which endures even now. 

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So with that, richly inspired by both the guitarist and Spencer House and all that it represented, I slipped into the National Portrait Gallery, to drink once more Wim Heldens masterful Oil on Canvas of the collectors Harry and Carol Ann Djanogly – she passed earlier this year.  Satiated of spirit, it was off to grab a bite and then a nap of glorious dream-filled sleep – one of which was a flying dream.  God it felt goodly glorious to have returned in spirit to Spencer House.  

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After having overslept by a hair, it was a mad dash by Underground and taxi make it by mere minutes to Royal Albert Hall.  One of my favourite concert halls, any show would do.  

Ah nothing beats a good old nostalgic adventure.

Interior of Royal Albert Hall.  

Intermission from the stalls at Royal Albert Hall.  

You cannot beat a room full of love and wonderment.  Truly spectacular.  Of course, it goes without saying that Merlin was wild about Jim Henson, George Lucas and Steven Spielberg.  This was a glorious way to have capped off a great trip and to remember the life of an extraordinarily phenomenal human being, Merlin.  

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And like that, the following day, I was returned to Toronto, my art-filled home and this most glorious photograph of the most magical fellow who made life truly a happening, for seven glorious, love-filled and magical years.  

As ever, sweet dreams and thanks for your ongoing support.  

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©2013-2020 Arvin da Brgha.  All Rights Reserved.