Stellar Galactic Museum of Anthropology.

In this the first dream, I was having a very heated argument with a group of Christian fundamentalists.  This concerned the book of Revelations in the New Testament. My point was that there was no longer any need for them to fixate on the nihilism of that book.  There was no need for them to fixate on the actualisation of the Armageddon construct. I was pointing out that much of the suffering in the world was due to the Christian obsession with violence.  For this reason, for the last two millennia, their culture has done nothing but produce men of inordinate violence.

Further, I tried to point out that none of these fatalistic visions were ever prophesied by Christ.  Rather, they were the result of a fearful culture’s way of trying to come to grips with having murdered Christ. The New Testament was simply the Christian Church’s way of manipulating the life of Christ, after his murder, to suit their ends.  For having murdered Christ, they have been karmically fated to being a violent culture. Seeing that it was pointless to be engaged with these blind and lost souls, I chose to move on.  To say the least, the energies between us were tense.

*Then, too, it was best that I moved on.  The longer that I engaged them, it proved fairly obvious that I would have to up my frequency becoming light and thus invisible to the blind. Truth be told, they would shortly start ridding me of my soul.  After all, I clearly was a heretic in full!  END.

The Whitfield Condo, Toronto

An area that seemed like a school, this proved the reality of the third dream, where there were kids who wore navy blue tunics.  They were in their early teens and were going out to a courtyard. We were coming back from a precipice.  Everyone here represented several nationalities.  Some Hispanic kids, who were clearly well-off, attended the private school. Looking down at all these people far below, we were out on a balcony.  I thought to myself at the time that I simply couldn’t afford to go falling over this balcony. In the meanwhile, I energetically waved down to the group below.  I was encouraging them to financially invest in Africa by supporting African industries.

There was nothing in the world that they had to be ashamed of.  They ought to be more proud of their African heritage and their African nations.  Indeed, they needed desperately to wake up to the realisation of just how much that they actually had. Some ten feet away were two white horizontal iron bars that formed a container from the precipice.  Naturally, one was expected to use common sense and not go beyond the two restraining bars. Going to the right of a guy, who did not want to move, I grabbed a hold of the upper bar.  I gymnastically snaked my body through both bars and made it onto the safe side of them again.

One girl was approaching her father, to speak with him, as he was surrounded by people.  Though daytime, it happened also to be overcast.  For being otherwise engaged, her father couldn’t speak to her. To drive away her disappointment, I grabbed her and started dancing which her father appreciated with a warm smile.  She had been quite insistent on speaking to him, however, there was no way that he could have then seen her. I was trying to get her to see that her father’s diplomatic affairs meant that there were times, even to her, when he was simply unavailable.  At the time, he was in the midst of being interviewed by a television crew.

One Delisle Condo, Toronto

I was in a darkened room, at night time, in this the fourth dream.  Somehow, Isha da Braga and other family members were also present.  A man was lying there on a bed and his physique was that of a warrior or even a king soul incarnate. He was a pure white-haired man.  It was the natural hair colour not due to his agedness physically.  He had been across the bed on which I lay.  At the time, I was not the least bit tired. I was supposed to be in repose and there was an implicit order that he not be awakened.  There were several talons – fishing flies, however, they were unlike their waking state counterparts.

Apparently intended for me to keep, they were laid out on my pillow.  Beyond the head of the bed was the lone door to the room.  The look of the door and the room made it seem fairly sepulchral. Meanwhile, another man had entered the room through those doors.  He stood in the centre of the room before me.  He wore a gossamer-looking outfit which fell to just below his calves. It was as if a futuristic version on the chainmail suit of ages past.  Bronze-coloured, it fitted his body pretty much like a wet suit would.  There were some metallic-looking strips that crossed the outfit.

Behind him were the largest wings imaginable.  These were definitely not some theatrical contraptions, they were his.  Adding greater drama to his entrance, they flared out behind him and upwards. To say the least, he was quite the mythic figure.  Sadly though, the intensity of the outfit’s glow obscured the look of his face.  For that reason, it was hard to say whether he was Amerindian, Indian, Asian, Black or White. On remembering that dream of September 4, 1988, I instinctively sat up.  Straight away, I knew that he would approach the bed.  I also knew that whilst standing there at the foot of bed, he would perform some all-important ritual.

Meanwhile, Penina da Braga and Isha were telling me not to get up.  That was because I wasn’t supposed to disturb the man, who lay there, soundly asleep. Frankly, I did not much care about the archetypal king/warrior-souled man soundly asleep on the bed with me.  As I explained to them, I was more concerned with the winged incredibly tall man. I knew that he was there to collect the fishing flies from me.  For that reason, I told them that I was afraid that the winged man may take off, thus making it potentially impossible to get them to him.

Their confusion was distracting; so, with that, I finally got from the bed and left the area.  As I left the sepulchral room, I realised that I had been someone who had been quite revered in a past life. Apparently, this had been in parts of the West Indies – the Virgin Islands and mainland America.  As I walked from the room, I had been told this by a guide. Seemingly, I had been a skilled diplomat which was when I had earlier been out on the balcony.  At the time, I had been looking down to the masses and spurring on their spirits. I was respected and much-loved by the locals.

*The immensely powerful, gossamer-suited, winged and exceptionally tall man was not the Eurocentric angel.  He was not, for that matter, some mythic archetype. He was an extra-human and it was also clear that regardless his packaging, he was clearly a king soul.  There was no getting around that fact. I found that it was quite impactful being in his presence.  I also had a strong sense that he was someone with whom I have been familiar, in the dreamtime, throughout my life. This is one of those rare times that he has manifested in the dreamtime.  I do believe that this is the first time that his manifestation has been recorded in this audio-cassette medium.  END.

In a courtyard area, I found myself in this the fifth dream, on an estate that was close to the sea.  A man was being surrounded by five Italian guys who were being problematic. Clearly, these men were thugs and the henchmen of someone with whom he was acquainted.  Eventually, his mother had shown up wearing this beautiful floral-printed dress.  The dress was a sleeveless design. She was a short study of the babushka archetype.  There was no way to get around the fact that this man was Russian.  I had had to tell his white-haired mother, to stop being emotionally panicked, to leave the scene. She could, by her distress, have proven detrimental to his survival.  Besides, quietly I had told her to go get help by dialling 9-1-1.  Except that when she went to the balcony, she started shining some large spotlights.

Seeing the logic of her actions, I told her that whatever she did, she had to always keep them trained on her son.  In the meantime, the henchmen kept on closing in on him.  The heavies all wore bathing suits. On the order of Charlton Heston, he was a tall majestic-looking man.  A very warrior-spirited, mid-aged man was her son. The house was a papaya-toned, West Indian-orange-into-peach tone, to slight-tangerine-red impressive structure.  Surrounding the house, in the modern style, was a large stone wall. There were marvellous sculptural openings in the wall.  They were lyrically curvaceous and suggested slow aqueous movement.  The style architecturally was really quite timeless. Set some twenty feet from the house, the wall was an impressive complement to it and was some ten-to-eleven feet tall.  The wall was the same colour as the side of the house.

The earthen yard was a roughhewed affair, with exposed roots everywhere, as top soil had long ago been wind-and-rain swept aside.  The wall was in three phases, to accommodate the sloping grade of the property, dropping a couple of feet along the way.  The distance between a drop-off in the wall was roughly ten feet. When one got down to the seashore, there was a van circling in the air overhead.  This van had the same green tonality of most military helicopters.  The look was of that army camouflage gear that is sported the world over. The craft was definitely not a helicopter.  A network of vary-sized antennae shot from all sides of the van-like craft that silently hovered in the air.  Down on the shore, parked next to the sea, were a couple of tractor-trailers. Their being placed so close to the ocean, I thought was dangerous.  Both of them were white with one being silver in the back.  Clearly claimed by the ocean, they had been abandoned there to rust away.

I couldn’t believe the environmental negligence of whoever had done this.  Not realising that the henchmen had landed on the beach and entered the house, a man had come and parked his car down on the beach. Meanwhile, the girl – who had wanted to talk to her diplomatic father – had learnt that these same people had savagely butchered one of her brothers.  They had then disposed of his body at sea. The man being confronted by the murderous henchmen had come down to the sea.  He was there to investigate who they were and why they had landed on his beachfront property. A number of people had seen them come ashore and had yelled out after them.  The concerned were neighbours of the Russian man. These people then took it on themselves to call the authorities.  With that, the murderous henchmen had fled.

By the rising tides, the butchered corpse was slowly beginning to be dragged out to sea.  The murderers had fled, behind the house, to the sheer cliff, rock face where there were several abandoned buildings. These men had split up at once, taking off in divergent directions, to escape being caught together.  Running helter-skelter, they veered off in separate directions when fleeing apprehension. Taking cover myself, I then went indoors; once inside, I immediately looked around when trying to get my bearings.  There, I saw a man lying on the floor who was bent over. Splendidly furnished with an eclectic array of antiques and mementos of a well-travelled life, the interior of this house was busy.  The décor here was in the Santa Fe style and warm it was too.

The man was on the lowest of the three levels, of the split-level house, thus leaving him closer to the sea.  Theatrical, the house was wide-open and inviting.  This layout afforded a commanding view of the wetness of nature’s womb outside. As each of the three levels had its own sitting room area, he was in that level’s sitting room.  The seating was always in the centre of the central hall-like room. There were lots of potted plants that towered up in search of the comfortably far-off ceilings.  They were all big-leafed and, for the most part, succulents. In this one area, it was absolutely beautiful – where the guy was knocked out and on the floor.  Coming closer, I realised that it was my current lover, Gustavo Vadim.  He had been badly beaten up by the marauding, interloping murderers.

Shore Bird on the Tundra, Kenojuak Ashevak

One of the henchmen, wearing a skimpy little bathing suit, went down before the Russian man’s mother and started masturbating in front of her.  As she sat there, on the chair, the henchman air-jacked off though never having taken his hard-on from his tight-fitting spandex. The poor dear was being totally traumatised by his boorish behaviour.  Seated there, she really did want to get a load of that throbbing piece of raw tenderloin.  I found it quite comical to look at her. I, at the time, was up on a ledge that formed part of the structure’s girders.  Just as outside, in the stone walls, the same sculptural schemata were reproduced on the walls inside the house.  There in one of these openings I had comfortably sat. Hiding out of view of them, I had been crouching down.  To my left, from where I perched birdlike, was the central living space in which were the sitting areas.

A really beautiful organic house; it was not unlike that sublime masterpiece which I explored in the dreams on Thursday, February 16, 1989. As one walked down the length of the house, towards the sea, the partition on which I hid was off to the right.  Beyond the central living space, the same sculptural wall was repeated far opposite across the house. Too, that wall had groovy openings in its three-foot-thick frame.  Here too, as outside, the same colour schemata prevailed.  Here in this part of the house, it was dark as there were not many windows in the structure. There were, interestingly enough, no central skylights in this house.  This, I thought, was a design flaw. As they went off to get dressed in casual wear, one of the Italian guys had seen me.  I must say that they were an über-poilu bunch.

The fact that they had been able to inflict a great deal of damage on their target, they openly celebrated.  One of them had gone and gotten the guy, who reminded me of Gustavo, putting him on the gas range. Turning on the gas, they then struck a match on his genitals and arse.  I couldn’t believe my eyes.  Both his anterior and posterior sexes were on fire.  Rushing to his aid, I snapped at them telling them to layoff persecuting him. Grabbing his body, I pulled him off the range and covered his singeing sexes.  I then reached over and put out the glowing blue-flamed gas range. The Italian guy, it turned out, drank a lot of whiskey then he violently spat out the liquor at me.  With lightning ease, I caught it in my mouth and rapidly spat it back at him. He had followed the liquor with a spurt of flame which, of course, was meant to set me alight.  The stunt had failed as intended.  I had no intentions of being burned as he had intended.

The way in which I blew the breath out had amazed me.  The sound of my breath was a thunderous quake.  The process was empowering and felt as though a wind tunnel had opened up.  Out of my body, there blew all this warm air. Though I had feared that he would throw a match at me, setting my breath and self on fire, it never did happen.  In the same position, as a frog’s limbs, Gustavo was crumpled on the floor. Crouched forwards, I turned him back, attempting to right his body.  Gustavo, however, remained on his knees.  His spread arse cut quite the impressive inviting image. Finally, on seeing his face, I could see a semblance of Gustavo’s face.  More importantly, this reincarnationally was the amalgamated face of his soul over the ages.  The nostrils were more flared than Gustavo’s.

Though not dead, he was as if in a deep comatose state.  Nonetheless, he was sexually inviting, expansive and to the point of being submissive. Furious, I shrieked at the henchmen and ordered them to instantly get the fuck out of the house.  They were very rebellious though. Getting outside, I rushed after them and made sure that they were taking their leave of the property.  When the authorities pulled up, tires screeching, they had gone down into their car. Tearing from their cars, they abandoned them fleeing on foot.  Before the house, there was a sheer rock cliff which was some eight feet high.  Where the millennia of water runoff had created deep cracks in it, there were deep fissures in the rock face.

This is what had caused the earth, in the yard, to become so eroded leaving a bare rocklike surface.  Whilst I hid out down in a dugout, I saw the arrival of backups.  They arrived in futuristic, EHV(extra-human vehicle)-like machinery. As if made from malleable chrome alloy, they were silver.  In that sense, they appeared as if animated machinery effortlessly floating through the air. Removing myself from the chaos, I went off on an exploratory tour inside a large complex that seemed like a museum.  There, I saw several strange-looking persons who seemed not wholly human. I couldn’t though quite fathom what it was about them that made them, as it were, not quite homo sapiens.  Finally, nothing on display made precious sense to me.  With that, I took my leave of the complex.

In the Garden, Shawn Hunt

The persons there were also openly making fun of Blacks though not necessarily me.  Since I did not appreciate this, I took off.  I was then in this area with a guy whom I initially thought was Black. He energetically seemed Black.  I had been too distracted, by the goings-on outside, to have paid him much attention.  There was considerable fighting taking place outside the dugout. The Italian henchmen were caught in a stakeout with persons who were obviously extra-human.  They seemed more so like sentinels – automatons, if you like, rather than humanoids. With a large pylon slab in it, the dugout was metallic and less than six feet deep.  On the other side of the pylon was a doorway.  The guy was always on my right as we hid out. Soon it became apparent that the EH sentinels were aware of our being in hiding.  What’s more, they were actually protecting us from being overwhelmed by the Italian henchmen.

When they appeared to do battle with the sentinels, the Italian-looking guys had the most incredibly large guns.  A woman in army fatigues had jumped back away from a bullet. With ferocious skill she had grabbed a bullet, ripping through space, from the air then violently tossed it down into the dugout where we were.  Eventually, she had managed to shoot one of the sentinels. Soon enough, they received backup from the army fatigue-coloured crafts that had appeared as if out of nowhere.  At the time, for the first time, the guy that I was with pointed out the sentinels to me. Not until they had come close enough did I realise that they were as different to us, indeed, as were we to them.  They had spindly arachnidan legs.  Their bodies were round squat and robotic-looking whilst their heads were small as compared to their rotund bodies.

However, these were not mere machinery, they were unmistakably sentient.  They could fight and were rather immune to battle fire.  Seemingly, in composition, their bodies were made of material that was fairly close to steel. Long-limbed, their legs were frightfully skinny.  Terminating in a spear-like or pin-like sharp point, their arms were sticklike and long.  A bipedal race they were whose locomotion was rather nimble. Their legs were in three sections with no discernible feet.  They moved as if their extended feet were perpetually en pointe.  The henchmen were tossing out these round pellets which seemed some new sort of anti-personnel grenade. The sentinel would quickly grab a hold of the grenades and instantaneously diffuse them.  They managed to throw one down at us and, at that point, the guy got up and made to leave the dugout.

I was uncertain whether or not he had been shot.  When he was crawling from the dugout, I could tell from the shortness of his legs – as compared to the length of his back – that he was White rather than Black. This man was, in fact, Gustavo and I called after him and asked him not to leave the dugout.  Reassuringly, he told me that he would be back.  Nonetheless, I did not like being left alone without his grounding company. When he started coming back, his face was now different.  He wore a green mask which had a large diamond-shaped, quartz crystal in it.  Another person also came from the hall that went down into the earth. Whilst he was walking there, he and the others all looked like cartoon or animated figures.  What they were, in fact, were astral entities that we were witnessing.  This creature then came out to do battle with the sentinels.

The creature wore all-black flowing garments that independently billowed in the non-extant wind.  A plaque on the slab read ‘Minerva’ or some such ancient name.  This woman represented yet another mythological archetype. I went, beyond the courtyard, to explore the inside of the structure.  There, I saw an exhibit of species of sentient beings.  They were, some of them, humanoid. Some were Black but these species were, for the most part, not members of our own homo sapiens species.  As it was an anthropological exhibition, at the time, there were several other persons there taking in the exhibit. With some of the other humans about marvelling aloud at the vast array of sentient life forms, it was all very revelatory.  They were all alien to anything that one could fathom evolving here on Gaia.

I had not stayed very long in ‘the hall of species’ which is what it was called.  In a soothing blue-walled salon, one hall was adorned with beautiful tapestries. The designs here were most unusual.  They sprung from vastly different aesthetic sensibilities than those to which the human experience has given expression. One guy who was there, an older man, was talking aloud of the exhibit.  He was White and from time to time kept on looking back at me whilst throwing shade. Here was this asinine human, identifying with EHs, when he hadn’t even been able to accomplish the same with his own kind.  He was also Gay and, for greater impact, doing an affected lisp.

He was a tour guide.  He was speciously trying to show how these alien cultures also had connections to ancient Greece.  This monologue of his was so much bullshit and, yet again, another example of racist absurdities. Dismissing him and his ilk, I moved on picking up the pace of my walk.  The entire place was a series of stairs that went up, and then down, sometimes even winding but along them the exhibits were visible.

*The sense of the winding stair-interiored museum was not unlike the layout of the Guggenheim Museum on New York City’s Fifth Avenue.  END.

Owls on Parade, Kenojuak Ashevak

As in the waking state, this undoubtedly was not the conventional approach to museum exhibits.  The beautiful courtyard was littered with chairs that were of a pinkish-red-toned iron. They faced up towards the courtyard’s piece de resistance which was a lovely stand of the most unusual-looking trees.  The sunlight here could best be described as starlight because its intensity suggested that this was not being illumined by Sol. After having seen it earlier, now I was seeing it in greater detail.  They were preparing to serve a meal there.  At that point, I did not get too involved.  The mythic woman/creature Minerva was also there in the museum of alien anthropology. The other species aesthetically were simply fantastical.  The chromium stick-limbed sentinels were also represented in the exhibit.  I had taken cover in the museum, which was completely underground, to escape becoming caught up in the fighting aboveground.

Under no circumstances did I want to have to get involved in warfare.  The man had been spirited away during battle, by one of the hovering vehicles, by the whitish-silver, sentient chrome beings. The craft had circled the property, before touching down in the sea, away from being overrun by the Italian-looking guys on land.  The henchmen had no way of making it out to sea to overwhelm the sentinels’ crafts. There were lots of especially tall coconut trees that ringed the estate of the marvellous split-level dwelling.  The craft had made it ashore, at which point, then morphed into looking like an abandoned car. In that way, its transformed shell served as clever camouflage.  There were several antennae on it as did all the others have antennae.  When they had been in the house, they were in constant communication with their crafts.

This was the point at which I made the realisation that the Italian-looking men, in bathing suits, were extra-human got up in human disguise.  This is why it had made it so confusing to fully discern what was afoot. As they were way bigger and more space-aged, than anything native to Earth, the guns that the Italian-looking extra-humans used were a dead giveaway.  Though they were young-looking, there was something about them that suggested that they did not fit into the ageing process governed by Sol’s unique vibration. Warrior-spirited, they were an adversarial people.  Clearly, they were there to capture humans for their own purposes whether for research or something else.

That something else, whilst I was in the museum of EH anthropology, I thought meant capturing human specimens for sale to museums like the one that I toured. Either way, they were sadistic, extremely unpleasant sentient extra-humans to be around.  Theirs was a young-souled focus that was not unlike the rapacious exploitations that began 500 years ago on this planet – which prevail to this today.

Prismatic Loon, Kenojuak Ashevak

These dreams occurred on Sunday, April 25, 1993 whilst the Moon transited both Gemini and my first house.  Unlike dreams from this date previously shared herein, on February 16, 2013, these dreams, however, were had during the ‘B’ or second sleep cycle that day. They were, to say the least, rather transformative dreams. As per the Minerva mythological woman in this dream, I am beginning to think that she may have been connected to the same mythological female in that dream set on the Moon.  Indeed, this dream may also have been set here on Earth’s Moon. I will also go one further and presume that the dream of the inverted Machu Pichuesque, canyonned civilisation may well have been set on Earth’s Moon.  Who are we to say that this is not the case?  We are a planetary civilisation where ignorance and superstition are the order of the land. 

I think that it makes perfect sense for there to be a museum of anthropology on the Moon.  Said museum would, of course, bear examples of all the species which from time to time frequent or have frequented the planet.  I am sure with each species on display that there would be a history as to its connection to Earth. Were they engaged in deep sea marine studies or mining – aquatic or land-based?  Were they engaged in trade, research, exchanges with some levels of Earthly governments? Again, as with the canyonned Machu Pichuesque civilisation, December 29, 1990. There was the sense of the dugout and that dream of October 6, 1997 wherein the 500-plus-storeyed skyscrapers sat inside portal-like canyons.  I do believe that all three of these dreams are connected and were centred on the Moon. 

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Raye Live 2025 Montreux Jazz Festival

She’s a dynamite Jazz singer in the making!

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Two rats during the course of eighteen months produce one million offspring. You’ve long transcended being a cultural infestation; you are a fucking plague and Karma, that most vicious of cunts, will yet dispense with you!

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©2013-2026 Arvin da Brgha.  All Rights Reserved.

Past-Life Dream Set In Intrigue-Filled Dynastic Egypt.

This dream, set in dynastic Egypt, deftly betrays what a powerfully focussed and strong woman Harella was.  The dream was first that day.  

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Iman still from Michael Jackson video Remember the Time.

I was sat on a wonderful divan in a beautifully opulent place.  Instinctively, I knew that this was in Egypt.  It was during the height of pharaonic Egypt. There were two stout women here with me who were light-skinned.  Hard to tell whether they were Mitanni or light-skinned Blacks.  They were cooks and were fussing over me asking me to eat up.I ate from a plate which had these different shoots on it.  One of them was papyrus shoots, some bamboo shoots and a wild Nile delta mushroom.  It was strictly vegetarian fare.As well, there was a purplish tuber like baby eggplants.  I ate with a fork which was very heavy-looking.  Clearly, I did possess some rank at birth.  I would point out the items I wanted to eat next and would then have it fed to me by either woman.

At one point, I was told by one of the women, “Yes, you even remember what your favourites were last time.”

Catch of the Day. Drawing. 2008 Arnaqu Ashevak

At this point, into the room walked a tall Black woman of Ethiopian features and complexion but who was not too dark.  Definitely, she was from the Upper Nile region. I can’t quite do justice here as to how supremely regal this woman was.  She was quite simply the most regal and powerful creature imaginable. The two eyes that this woman wore were large, brown and soulful.  You felt her soul itself looking out and into you. I did not think of her as having been Merlin in a past life.  However, it is quite possible that this woman’s soul I knew quite recently as Merlin during its last incarnation. When she entered the room, the women looked at each other and one of them said in a sotto voce, “Ah yes, she’s brought him with her.”

The Iconic Iman

There was a Black man, who was a little darker-complected, there with her.  Seemingly a relation or priest, perhaps, he might even have been a eunuch. He remained in an outer room.  She was quite simply the Queen, the Pharaoh’s wife. On entering, she began walking around us and speaking.  She was very stylised in her movements.  She wore a tunic of gold thread and strips of gold filigree. In places, her dress looked metallic.  In its sparse, linear, understated opulence, it seemed not unlike something that Cynthia McFadden would design. The dress throughout was festooned with the designs, all in gold, of open papyrus leaves.  They were very tiny and sat inside of little squares. In one square there would be a papyrus applied, such that it would be very iridescent, whilst on the next square it was very dull with a matte finish look to it.  The resulting effect was one of row after row, square after square, of papyruses. Each square was exactly half an inch square.  The detail on this dress was absolutely golden.  It was supported by half-inch-wide straps which, of course, had the same square papyrus design.

Blue Bird, Drawing 2009 Kenojuak Ashevak

Next to her flawless complexion, she was simply statuesque.  Her neck was easily six to ten inches longer than the infamously long neck of Ann Cokossi, Princess of Togo – the regal lady’s neck was longer than Iman’s.  Iman was clearly descended from the same stock. It was not Iman.  She did have long hair that was finely braided in the fashion of a Maasai male’s.  The hair was swept up off her face and into a very intricate arrangement. There were several beads throughout her stylised hair and some of them were cowrie beads.  There were other shells and some precious stones as well. Her makeup was exquisitely applied and clearly was a several-hour affair.  The eyes, of course, were the most detailed. I really did not get a sense of it being the famous Nefertiti Akhenaten.  However, the man that she was with was undesirable and totally untrustworthy. I got the sense that it was someone related to me, as in myself, in a past life.  Her companion male never did enter the room. Whilst speaking with the woman who sat there on the chair feeding me, the queen kept on slowly gliding about the room.  This woman was like the Queen Mother or, perhaps, the dowager.

Four Eyes and Groovy, Drawing 2025 Michael Massie

Whilst she spoke, I was beginning to become refamiliarised with the palace intrigue. Throughout the salon, where we sat, there were a whole series of spies.  Soon enough, I could discern the holes throughout the walls so that the spies could get a good command of what was going down. There was a great deal of subterfuge here.  There was a whole caste of spies.  There were spies who were in the service of the priesthood.  Spies of the Queen’s and still there were spies of the Pharaoh’s. Still there were spies of the harem among which were a subclass and more powerful caste of spies for the eunuchs.  In addition, all the different levels of the royals had their own battery of spies. All about the room, every one of those holes had a designated spy who reported back to his dynastic figurehead in the hierarchy. This was a very brief dream, I must add here.  However, it was very lucid, real and totally lived-in a dream. I had a sense of being there in time.  It was not just an observer dream.  I was really in the body of that royal child who could have been no more than six years old.

Arctic Assembly, Lithograph 1996 Kenojuak Ashevak

This occurred at nighttime and it was somewhat damp in the room though simultaneously briny from the arid desert air.  The whole language was about intonation and innuendo. As a matter of fact, the whole language was so ritualised and stylised that it was more slow and subtle than is movement in the Noh theatre of Japan.  This was all about gestures and the myriad gestures that could be implied from the relations of one gesture juxtapose to another. It took me awhile to get the knack of it.  However, I became totally lucid as to what was going down. It all came back to me.  Indeed, even at the age of six, I was already quite proficient in the nuances of this very complex court language. As she spoke, the Queen’s arms and other parts of her body would be perpetually in motion.  It was danced – this language.  The whole language was codified and layered beyond anything wildly imaginable in this day and age of superficiality. This was deception on the order of high art.  What was spoken was mere camouflage.  The spoken word was not even an nth of the layered language. Along with it, what her body was doing and the subtlety of movements indicated what was really implied by what was said.  More to the point, it was what was not implied by what was not said.

Birds and Foliage, Stonecut 1970 Kenojuak Ashevak

By comparison, the most sophisticated Parisienne would be considered a primitive communicator. This was all very complex court politics, indeed.  Then, at one point, the Queen went and stood thereby freezing her movement and this is what one had to try and discern. This was because the every placement of every limb and muscle, on her body, carried great impact by way of what was being communicated.  This was very much so an African tongue being spoken here. At times, it was slow whilst at other times dizzyingly sped up and rapid fire.

*It seemed more closely to resemble Jazz vocalesing à la Betty Carter sophistication though, truth be told, even Betty Carter’s skills were primitive by comparison.  I can’t impress enough how truly complex was this language and mode of communicating.  END.

Yet I got the complete picture of what she was communicating.  The Queen was speaking of the child – my six-year-old former self.  I feigned ignorance at the time though it was obvious that I was the subject of discussion. This had to do with the care of the child. “How was the child coming along?” she had inquired. I could very well have been her child.  It was obviously the custom for royal children to be separated, from their mothers at birth, the higher placed they were at birth. I was here in this dream, of a past life experience, in the care of two women who were as if wet-nurses/governesses to me.

Flower Bird, Stonecut 1970 Kenojuak Ashevak

At another point, the Queen had produced this papyrus fan from beneath the delicate folds of the heavy-looking dress. It was a plain fan made of papyrus.  However, it was covered in hieroglyphs.  This was also a very ancient fan which she had inherited. The fan was being strategically used, as part of the deceptive code, to foil the spies all about the room.  When coming closer to us, the Queen had smiled a very bland smile in my direction. This was, of course, so that nothing whatsoever could be read into it by any of the spying factions.  The Queen slowly leaned in to look at the food that I ate. Inspecting it, she offered the gesture of showing her trust in the cooks by taking a piece of shoot from the plate to eat. This was all theatre for as she had slipped the food to her mouth she waved the fan over her mouth whilst saying, in rapid-fire sotto voce, a couple of very strategic sentences.  It was absolutely sublime. It was directed at the dowager Queen Mother who, for being more practised in the art, feigned utter ignorance of anything so paranoid as subterfuge.  It was priceless! This was clearly the height of late young soul to early mature soul intrigue.  Though she could never have been overheard in saying what she had, the fan was placed to prevent the visiting Queen being lip-read. These spies, after all, were very expert.  I do recall one man having been seated across from me earlier.  He was a spy and basically he was visiting to learn the every minutia of my mouth mechanics during speech. It was all very subtle, though very archly shrewd and deadly, the way in which he came to do his job and record my mouth’s every idiosyncrasy during speech. The queen had performed, in that one gesture, such a winning sleight of hand.  She was letting the Queen Mother know that she trusted her by actually tasting the food that she was feeding the child – me, in that past life. It seemed, after all, to be an impromptu visit which means that the food could well have been laced with poison for unsuspecting me.  I suppose that if it were necessary, I could have been eliminated by the dowager Queen Mother or the Queen herself.

A Birthday Bull for John from Bill, 1990 Drawing Bill Reid

When she had directly stood in the centre of the room, earlier, the Queen had picked up her right foot off the floor.  She had very subtly managed not to have shifted her weight or allowed for any movement whatsoever in her upper body. The Queen then began doing what seemed a predecessor of the frappé and began horizontally waving her foot from the ankle.  The movement betrayed a gesture akin to ‘no’.  This, of course, did not in the least betray everything that was going on elsewhere in her body. As there were so many items of furniture about the room, it was obvious that from where the holes were placed in the walls that one could not make out the codified foot movements. This was so mind-bogglingly delicious.  The foot being incorporated, in the language, was a most clever invention. The moment at which she picked up her foot, it was as though I had sat up awake in bed.  It was that vividly recalled from past life experience. ‘Yes!’ I thought to myself and laughed a small breath which the dowager Queen Mother, to my side, immediately stifled with a sharp intake of breath. One clearly did not laugh in the Queen’s presence.  The subtleties of the language here, in this point in dynastic Egypt, were phenomenally stratospheric. This was communication taken to heights unheard of since, in any court life, on this planet. There were times as she slowly moved about the room that the Queen had ritually placed the fan to her beguiling face, to fan herself, whilst letting out little phrases for us to hear.

Electric Raven, Stonecut 2019 Quvianaqtuk Pudlat

On one occasion, her back was to us and her arm in back made a series of quick gestures that were not unlike sign language.  Meanwhile, the fan was to her face giving us a double stream of code to simultaneously decipher. To the point of being frightening, the Queen was very deceptive.  It was hard to ever see her eyes.  The Queen used language such that the eyes could never have been seen. More could be read from her eyes adding to what she was saying.  For this reason, she almost exclusively kept her lids such that it kept her gaze cast out and down to the floor. Her head, of course, was never lowered and the rapid eye movements which she employed were also very strategic.  When she spoke, one was never to make eye contact with her. It would imply too much simply because we were being spied on.  This was indeed a very restrictive existence. There we were, in a fish bowl of sorts, being spied on by sharks who completely surrounded us waiting their turn to hungrily make prey of us.  Since she was the Queen, one could never look at her eyes. However, I was possessed of more than my six-year-old self making me a very probing and curious soul.  The Queen picked up on this and was acutely made uncomfortable by it. It was as though there was now some new development in my maturation which spelt trouble.  Naturally, you just knew that there was any number of long discussions to come as to what to do with this ‘one’ meaning my poor, possessed self. It was as though, for having stepped into my former self’s six-year-old body, I could have spelt his very untimely and not accidental death.  Regardless, this woman and I were deeply connected.

Mother and Cubs, Lithograph 1977 Kananginak Pootoogook

I could sense from her a real familial, maternal even, bond.  The Queen was very much so in tune with me.  There was an element of this communication which was low-level telepathic. Indeed, there were times when she had thusly engaged me.  It was chiefly done for putting me at ease.  It was also how she had to stay bonded to me for having had me taken from her, of custom, at birth. What was really interesting here was that the concept of reincarnation was definitely fully accepted and religiously incorporated in the schemata of dynastic life.  The dowager Queen Mother and governess, too, were both convinced that I was someone in the royal family who had reincarnated. My choice of food favourites were validation enough for them.  I was very much so favoured by the Queen.  She was warm towards me. However, she never physically expressed this.  There was always, however, a very strong psychic fusion between us with most of the energies coming from her to me. She was connected to me – this much was unmistakable.  I never did see the eunuch who had accompanied her, however, he was very powerful an influence in their lives. For this reason, more so than the placement of the spies, the Queen never once was demonstrative of her feelings towards me.  She did let up on reaching towards the plate of food. One had the sense, of the eunuch who had accompanied her, that he was the one person who had connections to all the spying factions within the inner royal circle.  He waited outside in the antechamber and his presence was more closely being paid attention to, than even the Queen’s, at times. There had also been musicians about the room playing music.  This was simply to drown out the conversation being heard by the battery of spies. The musicians were placed along all four walls to really drown out the conversation.  This then precluded conversation from making it to the periphery of the room and the spies just beyond its walls. This was a very palatial suite.  It was dimly lit and sparsely decorated yet in the finest style.  A very comfortable and socially elevated milieu it was.  A most elevated dream experience.

Miriam Gone Home, Oil on Canvas 2002 Dorette Pollard

*As it is the forty-fifth anniversary of Merlin’s birth, I had asked prior to sleep in a lengthy meditation, to become opened up to experiencing aspects of a past life experience between Merlin and me. I asked only that it be of a positive nature and that it be in no way an unpleasant experience.  The last thing that I wanted was to have some dream which mirrored the less pleasant aspects of Merlin’s end-of-life experience. Voilà, there it was – a most vivid, awakened dream experience.  I have no idea which person here could have been Merlin. I fully identified with the six-year-old and, indeed, I was experiencing the dream inside his body and, at times, from a detached perspective.  Then, too, I did identify with the much-feared eunuch outside the door. So I don’t know if he was me or, perhaps, even Merlin.  The very loving energies of the Queen Mother could more easily have been Merlin, in a past life, than the Queen herself.

**The musicians about the room, against the far walls, were all distinctly Nubian.  They were exquisitely beautiful and the quirk that they each had was that they were, for obvious reasons, each of them both blind and deaf. This, of course, did not detract from their stellar musicianship; at times they did sing.  However, for being both blind and deaf they could not be expected to be picking up on any of the codified language and body signals that formed this most layered of spied-on, palace intrigues in dynastic Egypt. I should think, too, that this was at the heights of the Middle Kingdom before the advent of Akhenaten’s ascension.  This sort of intrigue, and frankly rut, is precisely what he was likely sick of and seeking to escape when initiating his monotheistic religion. Of course, with so much centuries-old intrigue, clearly he would have been seen as the ultimate obstruction – a heretic who had to be annihilated at all costs and things righted in his demise.  This, of course, is precisely what did take place. Again, despite the vogue since the nineteenth century to make a truly African civilisation anything but, everyone one and everything here was distinctly African: the music, the looks, the sense of fashion, styles and hair styles. The Queen’s eyes were not only phenomenally powerful but her head had that distinctly African/Black high-foreheaded look.  The Queen’s neck was almost giraffe-like.

She made Iman look no-necked by comparison.  END.

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Jacob Lusk singing Bennie and the Jets.

PBS broadcast of The Gershwin Prize for Popular Song to Sir Elton John and Bernie Taupin. I will pay any money to drink the elixir from this glorious human’s chalice in concert. Fly! This man’s interpretation of this song has trigger more than a few flying dreams. Sang!

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Two rats during the course of eighteen months produce one million offspring. You’ve long transcended being a cultural infestation; you are a fucking plague and Karma, that most vicious of cunts, will yet dispense with you!

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©2013-2026 Arvin da Brgha.  All Rights Reserved.

Jessye Norman & Glenn Gould.

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As I work 7 days a week, I was debating whether or not to attend the Twelfth Glenn Gould Prize Gala at the Four Seasons Centre for the Performing Arts.  That morning en route home from some errands, I discovered that someone had jumped from a neighbourhood condo.  I got in and realised that there was no more feet-dragging; to hell with being dog-tired.  I got on the phone and called up Lucian Mann-Chomedy and said, “My darling, we are going to the Jessye Norman Gala!”  As ever, always positive, Lucian chimed in, “Oh my, oh yes, how lovely.  Well, I’ll be both honoured and delighted.”  Indeed, life is for living!  

glenn gould

Merlin and I met Friday, October 1, 1982 in a Hell’s Kitchen Walk-up, the following Monday evening, on his return to Toronto, Merlin called up crying.  The man whom he had spent so much of our first evening together speaking of, had died; Glenn Gould had died.  For the seven years that we were together, Merlin listened to Glenn Gould’s interpretation of J. S. Bach’s Goldberg Variations at least thrice weekly.  Indeed, the first gift I purchased Merlin, was a recently released recording of the Goldberg Variations at Christmas 1982: I think that it is safe to say that that gift sealed the deal, I was a keeper for sure.  

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As I had waited until the last minute to get seats, I was sat in Ring 4 rather than the usual Ring 3.  This, alas, was my view of the stage and of course, the butterflies are from the set for Atom Egoyan’s masterful staging of Mozart’s Cosi Fan Tutte, which the moment I saw the set, I began chuckling to Lucian on recall of Tracy Dahl’s unsurpassed performance as Despina.  

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As I was too busy trying to throw something together for Instagram, I was heard gasping when it was announced that the head of the Glenn Gould Foundation’s Jury this twelfth prize was none other than the actor, Viggo Mortensen, who then walked out onto stage.  He, indeed, who in a few days time will be attending the Governors Ball where he may or may not be holding an Oscar.  

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Out onto the stage arrived the Twelfth Prize Laureate, Jessye Norman.  Truly, it was a shock to the very core to see Madame being ushered out in a wheelchair.   Suddenly, I was reminded of the events of earlier which caused me to rush home and purchase two tickets for the event.  That aside, there was no greater joy than drinking of her soul’s inspiring beauty.  

This beautiful gala was so filled with touchstones for me, none more so than the moment that bass baritone, Ryan Speedo Green was in full song.  When he sang, “Aprite un po’ quegli occhi” from Wolfgang A. Mozart’s Le Nozze di Figaro.  

Yes, indeed, this marvellous aria’s orchestration included a harpsichord.  Straight away, I was teary-eyed as memories of the truly eccentric and delightful Milan Newcombe readily surfaced; Milan will ever remain a lover like no other.  

Elektra2

During the intermission, I ran into two old friends not seen in at least 1.5 decades; we spoke of nothing but our surprise at Ms. Norman’s entrance.  Life really does march full speed ahead.  

After the intermission, it was the announcement of the Glenn Gould Foundation’s Progidy Prize with the recipient being none other than, Cécile McLorin-Salvant, the most fabulous Jazz singer on the planet.  Is this not an evening to remember during Black History Month indeed.  

This stunningly unforgettable gala was closed out by the final recitalist being the divinely gifted soprano and Glenn Gould Foundation Prize juror, Sondra Radvanovsky in full song, singing Verdi.  

The gala concluded with Ms. Norman returning to the stage and singing a duet with Cécile McLorin-Salvant.  This was a moving, emotionally intense evening and my life was greatly enriched for having chosen to attend.  The gala was nothing short of magical.  

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As a tribute to this marvellous evening in the theatre, I will include herein two dreams, which were originally audio-cassette-recorded in the 1990s.  Before each deam, one of Glenn Gould, the other Jessye Norman, I will include each individual’s Michael Overleaves.  

GG

Gould, Glenn Herbert 25/9/32 – 4/10/82, Toronto

This fragment was a sixth level mature artisan in the repression mode, with a goal of growth, an idealist in the moving part of intellectual centre.
He had a Mercury/Saturn body type.

Glenn’s primary chief feature was self-destruction with a secondary of arrogance.

Glenn was third-cast in his cadence and his cadence is fourth in the greater cadence. He is a member of entity four, cadre five, greater cadre 17, pod/node 819.

This fragment has an artisan essence twin who was alive during Glenn’s life but there were no plans to meet. This fragment is still incarnate on the physical plane.

The fragment who was Glenn has a scholar task companion, who was in a previous life, Carl Philip Emmanuel Bach. They were not incarnate at the same time.

However, the fragment who was Glenn was exerting considerable influence on Carl Philip Emmanuel.

These two fragments had many lives together, once as luthiers, three times as court musicians, nine times as brothers of the cloth, twice as brothers in the flesh, as well as completing several important life monads, including student/mentor and master/slave.

In the immediate past life, the fragment who was Glenn had as his three primary needs: security, communion and exchange. Only the first of these was ever even partially satisfied.

So here we had a warrior-cast artisan who had seriously conflicting overleaves and a primary chief feature of self-destruction. He had a goal of growth but a repression mode which would not allow him to flourish.

He had a need for communion, but was sexually ambivalent and socially inept. Undeniably, he had great talent but took no pleasure from performing in public.

This fragment has a great deal of scholar energy that was used in the immediate past life to enable Glenn Herbert to painstakingly examine and interpret the works of Johann Sebastian Bach.

He was very interested in form and structure for all of his adult life. This fragment was, unfortunately, the victim of a severe obsessive-compulsive disorder, also for all of his adult life, which worsened considerably during his third and fourth decades.

This fragment did not, as popular wisdom teaches, retire from public life because of any strong beliefs in the recording industry. Glenn Herbert retired from public life because he could no longer bear to be in crowds, even if he was distanced by a proscenium.

Needless to say, this fragment did not complete work on his fourth internal monad.  

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A Glenn Gould

Astral Plane Glenn Gould Recital!

Nothing is more uplifting than finding oneself at a great musical performance on the astral plane.  This dream was about being richly inspired and by Glenn Herbert Gould, no less; it was truly marvellous an adventure for the spirit.

The dream occurred, on Tuesday, October 6, 1992, whilst the Moon transited both Aquarius and my ninth house.

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I am in France where I leisurely browsed through a store; perhaps, it was somewhere in Paris.  It seemed here like at nighttime.  Whilst in one corner of the store, I noticed that there were all these big slabs of cheese in packaged containers.

There was a woman coordinating the display of the cheeses.  Sometimes the cheese was being grated and other times not.  There and then, I decided that I was going to buy one slab of the cheese that was packaged in a rectangular box.

The cheese was about an inch thick and about eight inches long.  The cardboard box that it was in was white and almost like the size of a box of Cream of Wheat.

Surprisingly, the box was rather heavy.  Though not unlike cheddar, it was a dark cheese.  The smell of this cheese was really hard – quite the bite to it.

It had seemingly been opened for too long as parts of it was growing hardened and turning colour.  I knew straight off the bat that I wanted to have some to take home with me.

So, off I went to purchase the slab that I liked.  Everyone here was, of course, speaking French which I quite so understood and liked.  Interestingly, I too was speaking very competently in French.

It was obvious that I was not too heavily accented as the others were pleasant-enough with me.

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The second dream had me leaving the store; I then found myself hovering in the air.  Whilst in flight, I went into a building which had a green – oxidised-copper – roof.  It was part of a long set of buildings that had very, very tall stone chimneys.

These were chimneys that were not unlike the ones at the Palais du Louvre.  As a matter of fact, the building was similar to the Canadian Parliament buildings though it was not those buildings.

This complex was considerably longer.  These were a series of complex buildings.  Here, I was easily thirty storeys up whilst in flight.  I looked down at the complex which at maximum could not have been more than five storeys tall.

After having contemplatively observed the complex for awhile, I began very slowly gliding down through the air.  I intently studied a procession of persons, way below, who were bailing out of very large buses; they were, as a matter of fact, tour buses.

This was all happening in a courtyard-like area and away from the bustle of the street.  I next noticed some men who appeared; they seemed, in their long, flowing white robes, to be priests.

They were not Arabic or Muslims in caftans; rather, they were definitely Whites.  The buildings here were long on the order of Palais Richelieu in Paris.  When I finally alighted, we had to go through this incredible entrance.

This led into a wonderful sandstone building; it was very modern with a neo-classical design.  On the order of being imposing, the door to this place was massive.  They seemed to be the doors to a temple.

To get to the entrance, there were many steps which one had to climb.  On entering, off to the right, there was a passage that one could take.

An aisle led along another passage; it seemed illumined by a skylight.  The priestly men had all entered before me.  They preceded a procession of adherents who had come to partake of some ritual.

I had gone to explore, off to the left, because it was the wing of the building that had reminded me of the Palais du Louvre.  Going there, I wandered about being fascinated by the place.

Some women were posing for artists in this particular wing.  They wore modern garb but were very exceptionally beautiful.  What was most intriguing about their look was that it was exactly as they would have appeared on the finished canvases.

They were very nubile young women; they had to hold their poses for interminably long periods.  Here several kids kept on going through the place; they were seemingly art students.

They were all very North American, middle class with their loud, snobbish bourgeois affectations.  Right away, it was obvious that all the muses were still virgins.

Theirs was an innocence that could never be affected.  They were all teenage girls whose bodies were very voluptuous and full.  These were not skinny people at all.

There was one point at which one girl was holding different poses.  Each girl would be painted by from three-to-five artists, at a time.  Thus every pose would be captured from different perspectives.

At one point, they told her to take a break; they then reverted back to an earlier pose.  This was so that they could return to that work and put some more work into finishing it up.

When she changed the pose, she had also turned some 180 degrees.  This particular model, whom I was studying, wore socks with Oriental-looking sandals.

Inside her socks she kept little items of hers.  Whilst she was making the transition, she simply reached up her foot and pulled up her right leg to reach down into the socks.

Hers was a pair of blue-coloured socks – pale blue.  To just above the ankles was the extent to which the socks rose.  Looking at her, she took out something from about her ankle which looked like a wafer.

Not the least bit self-conscious, she ate it at once; it seemed like a chocolate wafer which she favoured.  She seemingly needed it to get an energy boost so that she could stay focussed on the tedious work that she did.

After having found it all very interesting, I moved on sufficiently knowledgeable of the goings on here.  Walking along a corridor, I ended up going into a room where everyone was very strange.

A guy there was a lot like Galen Shim – my very beautiful, Hong Kong-born, Eurasian friend.  He reclined on a bed with his head close to the door.  When I came in, I noticed that he was naked.  When giving him a massage, I began by oiling his body.

It was quite fragrant oil.  Rubbing down his body, I began working on his toes and feet.  Afterwards, I got up to leave but he very silently began coming with me.

So out we went and joined the procession of persons; among them this time were several kids.  Mostly, they were teenagers – amongst whom I did not want to be.

Galen or the guy who seemed like him, here the guy was not wearing glasses as before nor would Galen for that matter, and I kept walking through the place.  Pretty soon, after we had left the noisy kids, we started hearing the most beautiful music.

This was one of the rare times that I found the music of the pipe organ to be beautiful.  Within the complex, we happened on this wonderful cathedral inside which were most of the people from the procession.

On entering the structure, it seemed more like a concert hall.  We soon learnt that the hall was specifically built so that only Johannes Sebastian Bach’s music could be played there.

Never before had I heard classical music sound so beautiful.  We stood there transfixed whilst listening together.  Who then should I notice way at the front of the hall, at the pipe organ that sat high on the dais-like stage, but Glenn Gould.  I could see his right profile as if in close-up.

My god, this was rapture and then some.  He was playing with such rapt abandon that I steadied myself and whispered more to myself than to Galen,

“My god, what an incredible dream to be having…”

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There seemed to be a skylight on the side of the high-ceilinged nave.  Instead of there being stained glass windows, windows for that matter, there was only intense light raining down through what seemed to be a skylight system.

The centre of the halved skylight was a wonderful neoclassical, oxidised, copper-looking, greenish flying buttress.  Here the look, though modern, was more in the style of Islamic mosques or even Moorish architecture rather than the classic Gothic signatures.

A series of the most intricate and complex circles intertwined, like some riotous jungle vine, in the cathedral-like, concert hall’s stonework.  Breathtakingly beautiful it was.  I stood there, just inside the entrance to the hall, on the left of the wide aisle.

This was a very wide-bodied structure.  As you progressed down the aisle, there were different levels where one could go up and sit.  These were either on the right or left.  The central aisle was covered by the most beautifully designed red carpet.

This place was considerably wider than Notre Dame Cathedral.  Unlike the Parisian Gothic structure, it was not a darkened affair.  Here it was very intensely bright out.  The light coming in on the right and left side of the flying buttress-like, central girder fell through a slightly frosted glass.

The light was an intense – almost aquatic – blue.  Interestingly, there were no beams or columns, supporting the unusual central, flying buttress-like beam.  For looking at the light, one became slightly languorous.  I felt paralysed with pleasure; there before me, down the massive hall, sat Glenn Gould.

He wore the most thick-fabricked garb; it seemed from an earlier age.  All the men in the white gowns were up at the front.  They were all transfixed – as well they should have been.

Though I love Johannes Sebastian Bach, at the time, I had some reservations as I am not especially fond of pipe organs.  I suppose that it is because it has always had too many religious associations during my childhood.

The persons attending the concert were there simply to recharge their batteries.  They seemed, all of them, as if not quite in their bodies for being so transfixed – they were otherwise-engaged.

Eerily, I had a sense that these were all persons who were between lives as is Glenn Gould.  They were in a form of processing, a form of deep meditation on the order of sleep, as they prepared for the next incarnation.

This fugue was the most complex music imaginable.  Indeed, the music seemed designed for those between lives.  The fugue was composed for astral plane habitués who, sans bodies, could best endure the music’s intensity.

Getting a sense that I really shouldn’t be there, plus the fact that I finally couldn’t get into the pipe organ, I started taking my leave of the place.

Galen, or the person who seemed a lot like him, and I then went out front.  There we waited for the specific tour buses to show up and take us away.  Whilst I waited with Galen, or the person who seemed a lot like him, I was joined by Pandora.

It seemed that most of the people who were here were very young-souled.  They seemed to be on a pilgrimage, like visiting the original Gohonzon in Japan or going on the Hajj, at Mecca.

As the pipe organ played, I could hear in the tone of the place a faint whisper from the men in white robes.  Their thoughts, it turned out, could be telepathically heard.  Even earlier, when I had been hovering in flight high above the complex, I knew that this was more so a political institution rather than not.

This was a structure which was just as colossal as the temple at Karnak and considerably older.  This place was mind-bogglingly complex and massive.  The temple was posited directly in the centre of it all.

Just like La Chapelle in Paris is comparably dwarfed, by its surroundings, so too the massive concert hall-like temple was dwarfed by the complex.  This architectural marvel was simply soul-inspiring.

Whilst all the buses were waiting, I took to one of the buses with Pandora.  I had gotten impatient waiting to be assigned to one.  We spoke in French because everyone else here did the same.

This was not unlike a Parisian bus – the seats all faced each other.  Seated close to the front, we were on the left side of the aisle behind the driver.

As though getting close to Saint-Sulpice Métro, I got up and said goodbye to Pandora.  I wanted to get off there then walk back to her rue de Grenelle apartment.

Pandora planned to go out then come home later so had asked me to wait for her at her place.  Here it seemed as if nighttime coming on to dawn.

Speaking guardedly in French, I made sure that I was speaking properly and not just fumbling partout.  Really, I rather enjoyed this experience of being together with Pandora.

I was very serene enjoying the very beautiful experience.  Galen, or the person who seemed a lot like him, had silently slipped from my side when Pandora came and joined me.

*Of course, it would turn out that the person in question was Louka Duplessis and not Galen.  I would meet Louka, who accompanied me in this dream, the day following this dream.

Just prior to meeting for the first time, it is not uncommon for me to dream of persons.

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Jessye Norman

Norman, Jessye 15/9/45,  Georgia

Jessye is a first level old priest in the passion mode, with a goal of rejection – functioning for the most part in the positive pole of discrimination, a spiritualist, in the emotional part of intellectual centre.

She has a Jupiter/Saturn body type.

Jessye’s primary chief feature is arrogance, with a secondary of stubbornness.

This fragment was third-cast in her cadence and her cadence is fifth in the greater cadence.  She is a member of entity five, cadre six, greater cadre 33, pod/node 212.

She has a discarnate priest essence twin whom she did know earlier in this life but this fragment died in Vietnam.  She has a warrior task companion and they have worked together and continue to do so occasionally.

Her three primary needs are: freedom, expression and power.

The warrior energy gives Jessye tremendous organisational powers and her stubbornness has enabled her to stick in there when the going got very rough many times.

Jessye is a warrior-cast priest who has been a spiritual rebel in this life.  This is, by the way, not the first time this fragment has sung professionally.  This fragment was a well-known castrato in seventeenth century Italy and performed many times before the crowned heads of Europe.

Jessye has great need to serve her concept of the higher ideal and has done so admirably by combining the folk music of her people with her operatic repertoire.

She performs well, as do most entity five fragments.  This fragment has always enjoyed her work.  Singing has been an extension of her inner spirituality.  It is, in fact, a form of meditation for her.  

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Now that’s a Hollywood wife!

Jessye

These rather lucidly awakened dreams were experienced with an intense sense of wonder and joy, on Monday, July 2, 1990.  At the time, the Moon transited both Scorpio and my sixth house.

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This first dream found me in a very busy place.  When going south towards the Danforth, it was not unlike being on Broadview Ave.  It was at nighttime.  I came there and found that there were tons and tons of Black people.

Even so, it seemed like Toronto and at Broadview Subway station because there are all these streetcars there.  One of the streetcars was improperly parked, as a result, it was going to go and turn around.

Waiting for it to do what it had to do, there was another streetcar out in the street.  It was really more like a red-rocket streetcar.  It was not like one of the newer ones.

Everyone here was Black.  There were no Whites or other non-Blacks that I saw.  Everybody was in the street which was very jam-packed.  They were getting ready to cross, after the streetcar had passed, to go in.

There was now a system, where you paid your fare aboard the streetcar, so that you did not have to enter the front doors of the station on Broadview.

When you got aboard the streetcar, it was mandatory that you pay a fare.  So it did not matter whether you paid a fare at the proper entrance or not.  There were many people queuing up to get aboard a streetcar.

Passing these people who were seated there, I went through the proper entrance.  One of them seemed like Gabriella Vartan and they were talking about me.

I came around and began going down the steps, into the nether regions, en route to the trains.  There was this little old lady who was taking her time, holding up things, so I pushed her to my right.

I made my way down then had to go around taking another flight of stairs; I then kept on going.  There were a whole lot of levels to this subway system.

When I got down, there was this little cul-de-sac where there were these Black guys – homeboys – hanging out.  However, they were not Black American.

I found one of them very attractive and smiled at him.  He, however, was very homophobic.  He went running upstairs to go call the police on me.

The train then came into the subway and it was a very, very large train.  It towered very high to the ceiling.  It was like an Amtrak train which seemed like a double Decker train.  It was mostly silver, however, it turned out not to have been double Decker.

When it stopped, I began running full speed because I did not want the guy to come back and board the same car as me.  I ran to the front of the train only to find that one couldn’t board there.  Instead, one could only enter this train where the cars joined each other.

You could enter the front or backdoors of each car but not the front ones of the first car.  It was very sleek, round and Deco like a train from the 1930s.

The whole place did have a feel of the ‘30s to it.  It was very neo-Gothic like the Chrysler or McGraw-Hill buildings in New York City, or for that matter, even the Empire State Building.

It was reminiscent of very early in the twentieth century which was all about great architecture – of things being large, mammoth and spiralling upwards, too, things getting faster and faster.

That sense of adventure about the wonderful world of commerce that one had created.  It was that time when people had not yet begun to see, as we now know, the consequences of things being bigger and better and faster and all the effects on nature.

I got onto the train heading, again, towards the front.  Somehow, I felt relieved because I had lost the guy.  I was there and noticed a stout man who was either High-Yellow or, perhaps, even White.

The people here were very strange because they were just rather unusual.  Even though they looked White, they seemed more bronzish, actual bronze, than the pinkish tonality of the waking state.

This was not a place that I knew.  It was very otherworldly here, I soon realised.  I did not get a seat and as I stood there I then noticed a woman.  She was standing at the very front of the train.

The train progressed with unusual speeds, I immediately noticed.  When the train had shaken, the stout man had tried to brace himself by putting out his foot that was already out in the aisle.

In the process, he had stomped me and I had had to pull my foot out from under his and pushed his away.  He wore business attire, a suit and tie, as though en route to an office job.

The woman who was standing up was playing on a wooden flute-like instrument that was less than a foot long.  However, the thing about all this was that she had unusually short arms.

They were fully functional hands with tiny little fingers that nimbly danced over the valves of the wooden, wind instrument.  Her arms were like a Thalidomide-damaged child’s.

Then I noticed too that there were other people on the train, about three or four musicians, practicing as well.  I soon realised that everyone on board had some sort of physical deformity.

They were just ill-proportioned people with torsos that were too long or arms that were too short.  Arms too long or what have you, moreover, this also applied to the legs.

The most pronounced cases were always the musicians like the female flautist – two or three of the other musicians were male.

Someone else who was on the train began laughing and, out of nervousness, I joined in.  The person was laughing at the woman.  She, however, hadn’t paid them any mind.

Nobody else was paying people, who were laughing, any mind.  They did not see anything wrong with the people who were being laughed at.

I then got off the train and was out in this concourse area, where the trains arrived, before I went upstairs.  Before I would go upstairs I saw this child seated in the middle of this white blanket that seemed more like diaper material than flannel.

The child wore a salmon-coloured merino.  He had little, white, cloth diapers on.  The infant had, again, very unusually, unusually short, short legs that made it look almost like a child because it was seated upright on its bottom.

However, it had a very big torso – matured, such that the child seemed like a very big, big child for its age.  Its head was very large with a very developed large and soulful-looking face.

At the time it made me thing of Jake Hudson.  Jake does have a very large head and face.  I was trying to connect with him.  He reached out his short little arms, crying out and said,

“Dad, I want to go.”

There was this youngish man, who was blond like the child, and he seemed not unlike the guy Olaf Knight.  He picked up his son and used the blanket, on which the child sat, that had these straps and put him around his shoulder.

Like an African mother would, carry her child when in the fields, thus he was carried on his father’s back.  He walked off with the child, who was holding on to him, except that the child was really an adult male.

It was all very strange here in this otherworldly place.

I ended up coming upstairs and going out in the outdoors.  There were people here – again, mostly Black people.  I was talking to them when I heard the strains of Richard Strauss‘s Four Last Songs beginning.

I beamed and excused myself from the people, with whom I was interacting, and went running off up this plaza.  It was a clay-tiled plaza and when I got there, I saw the symphony. 

I went and sat in lotus position and sat very close to the front.  There was a gathering of persons in a semicircle and I was, as a matter of fact, the closest to the stage.

The stage was above on a dais and it was edged by old gold juniper.  The juniper was really, really nice and quite fragrant, refreshingly so, to the smell.

Along came, from around a corner walking, Jessye Norman – the high priestess herself.  She had been preceded by her divine voice’s magic.  She was, of course, singing Four Last Songs.

She wore a beautiful, beautiful, glistening black dress that seemed almost organic with a life of its own.  It was twinkling on and off but the lights were lifelike like fireflies.

They were sequins but they seemed, somehow, to be organic.  It had hues of gold, silver, bronze, and dark green hues like pine and blue hues like lapis lazuli.  It was very, very intensely rich a fabric.

She started singing the first song, Frühling, and it was very hauntingly beautiful.  She saw me and beamed down at me.  It was so connected between us.  I was so enthralled and overpowered; I was quite smitten by her.

I thought very rapturously awakened,

‘Yes!  I’m having a dream of Jessye Norman.  So very good to see her again, my god here she is and performing Four Last Songs.’

She then came almost to the lip of the stage and stopped as though about to sneeze.  Then she held her breath and started laughing because it was so hysterical.

The look on my face was one of being truly horrified for her.  This had actually caused her to crack up.  Then she began singing again and began making gestures for me to move or be removed.

I was stunned and thought this some sort of betrayal.

‘Why is she snubbing me like this?’ I wondered.

Then these two huge, burly guys came to eject me out of the area.  As I was leaving, I could hear her starting to sing again.  I was very, very upset.

Image result for large many floored steep roofed house

I was, in the second dream, in this large house that was a very many-storeyed place.  It had many apartments.  I came out and it had a very slanted roof that one could go out onto.  This roof was, however, very dangerously precipitous.

I was looking about and thinking of Carl Leroiderien because, somehow, someone was talking about him.  This White man was talking to me and telling me that Carl had been enquiring after me.

He then went on to ask me if I smoked dope which I denied.  I can’t think of it doing anything for me except, perhaps, to make me sneeze at the most.  Sometimes if mixed with hashish, I then got a massive headache.

“It doesn’t do anything for me, I don’t really like it.  I don’t see the point to it and I don’t smoke it.”

At the time that he was saying this, we were climbing some very, very steep stairs.  Then at that point, after she had given her performance, I encountered Jessye Norman again.  She was seated on a bench and called me over.

She said hello very warmly and apologised saying,

“I hope you weren’t upset.  You realise that it was a misunderstanding.  I wasn’t laughing at you; it’s just that you don’t seem to realise where you were.

“You were, well there are certain degrees of protocol and you were ahead of the dignitaries.

“And you shouldn’t have been so close to the stage because one of the reasons why your nose started bleeding was, in this dimension, if you’re this close to the stage… when I’m singing, when I hit certain notes it can shatter your eardrums but also shatter your mind.

“So you see it was very crucial that I get you out of there.  Also, I was having a very bad allergic reaction to the plants at the edge of the dais.  They made me want to sneeze.  It wasn’t at all you or exclusively you.”

In having embraced me thus, she was being most healing.  I did, in fact, have quite the nosebleed.  As I was being hustled out of the place, by the burly guards, it was then that I realised that my nose was bleeding.

At the time, I had thought it strange.  As this dream progressed very lucidly and linearly, there was no point at which either burly guard had so much as touched me.

I was so upset.  It was so very good, after the fact, to have had her explain as she did.

*This dream really does validate the notion that all persons encountered in the dreamtime, without exceptions, are separate entities and not figments of one’s imagination.  END.

When I was being bounced by her, I was so stunned, upset and humiliated.  Had she not explained as she had just done, I would have awakened from this dream with a totally different perception of events.

I had also no way of knowing that she was having an allergic reaction to the juniper which, at the time, I found so wonderfully soothing.  What’s more, I hadn’t a clue that I had thrown the Chi of the place by having disrespected protocol.

I would never have thought that my nosebleed was due to her singing.  In fact, it is possible that I could have awakened and not recalled that, indeed, I had had a nosebleed which I had totally forgotten until she had mentioned it.

Jessye Norman has indeed straddled, with great élan and diplomacy, many a dimension with great frequency and fluency.

I then began holding her hand and told her that there were times that I had dreams of her, in which there were sometimes cetacean-looking creatures that came and did formations around her as she sang hyper-dimensionally.

She was just enthralled and pleased.  She squeezed my hands and laughed a healthy, really wonderful laugh.  She was quite smitten by me and encouraged me to write it all down.

Her eyes here were so very large, soulfully dark and focussed right into me.  It gave me a high just to have experienced them.

I was wearing, when close to the stage, a satin merino-like shirt.  So at the time of being bounced out, I had passingly thought that I had been dressed too scantily for her liking.

In any event, it was quite interesting.

a madonna mtv 1990

This third dream was truly hysterical.  It seemed like on Eglinton Avenue East, between Yonge Street and Mount Pleasant Road.  It was at nighttime.  There was a lot of goings on.

Shirley MacLaine was there, Warren Beatty and Madonna Ciccone, as well.  Warren Beatty was the man of the hour and the centre of everybody’s attention.

He had a great deal of sexual energy and magnetism.  He had been performing for the camera and for everybody around.  It felt very staid to me though.

One very interesting thing that happened was that he had been heavily drinking and, whilst laughing, had bent forward.  He then began uncontrollably coughing and was holding his chest and faking a massive heart attack.

Next thing you knew, we were in a very crowded area and it turned out that he had not been faking the heart attack.  He had a very, massive, massive heart attack.

He was dead just like that.  He was gone within moments.  It was just incredible.  Shirley MacLaine became utterly hysterical.  Her bawling was like from some Greek tragedy.

She went into a trance-like frenzied state and began calling on astral guides and her Pleiadean guides.  Pulling out a very impressive clutch of crystals, she threw herself onto him and tried healing him of death.

She was placing them all over his body – at the chakras and elsewhere.  It was too humourous for words.

Meanwhile, as Warren Beatty died, Madonna came rushing up to the scene.  It had all been too late and they couldn’t rush him to a hospital.  There was no way that he could have been revived.

They had been out in some desert area having a big party; there were no doctors around.  There was nothing that they could do; he couldn’t be saved.  He was dead… he was gone.

Shirley MacLaine started cursing to the gods, saying,

“This is so unfair.

“He hasn’t even been able to make the sequel to Dick Tracy.  And right when he’s at the top of his career this is happening?”

“Well you know this will really immortalise him now.  Definitely, this is great publicity, right at this point in his career.” someone had dryly said who was not attached to his whole entourage.

I had heard this but Shirley MacLaine hadn’t heard it.  Madonna came and whatever she thought about I could telepathically hear it.  Her immediate response was,

‘Oh shit!  This is just going to fuck up my goddamn career.

‘If only I’d gotten a child by him.  Shit why did I have to have that abortion of his child.  Shit!’

She was thinking fast.  She was someone who knew how to manipulate the media.  She was really pissed off because it would have meant immediate Hollywood sainthood for her, were she to go on and have Warren Beatty’s only child, after he had tragically died.

She was really pissed off because this was media manipulation beyond her wildest schemes,

‘I’ve got to get him out of here.  I’ve got to have the best genetic engineers flown in immediately…’

I was stunned when I read her thoughts because, of course, she intended to harvest his seed and impregnate herself and then have a premature love child of Warren Beatty’s.

I was stunned by this woman’s phenomenal megalomania.

‘During the autopsy, I’ll have his sperm taken out and I’ll have it copyrighted.  It’ll be my possession.  I’ll have it engineered so that I’ll have a child… a son.  God we can even have twins…’

She, all the while, was cowering over his face… kissing him and doing the wailing widow number,

‘…Can you imagine, Madonna?’

She privately squealed to herself – unaware, of course, that she was broadcasting to someone like me.  She was so triumphant at having had that idea because all she knew was that people who so loved Warren Beatty would take to her now.

She was insecure as to whether or not she would endure through time.  However, with this, she knew that she would automatically become iconic.  She would become truly the virgin mother!

She would be actually giving birth to some dead man’s child – he of course being, Warren Beatty.  It was destiny.  After all, she was ‘the’ Madonna.

She had this flash that this was why she had always been so drawn to crucifixes.  She was going to capitalise on the whole drama by making sure that it would be a son.

Of course, not to be outdone by that old, other Holy Mother with the virgin birth, she would eclipse that Madonna by having twin sons.  Again, La Stupenda squealed with delight to herself.

I passingly wondered if I were the only one to be privy to her thoughts.  Then I realised that from my detachment, as everyone bawled and was truly horrified as though these were Olympians and not mere mortals, that I was the only one.

‘What could be better than having two Warren Beatty lookalikes crawling around the planet and who were his twins?  And his only heirs!  With today’s genetic engineering it will be a great coup.

‘Think of the press!  I’ll be guaranteed perpetual immortality.  I’ll be iconised for all history…’

I thought then and there,

‘My god, this woman is monstrous.’

In any event, the funeral was upon us and by some strange quirk of the dreamtime, I was very much so a part of the funeral.  I was as though a fly on the wall, as it were, and aren’t you lucky?

Why, was I participating?  I do not know?

In any event, I was dressed to the nines.  I had on a wonderful, lace outfit with a mantilla with my veil covering my face.  I was part, somehow, of the funeral party.

It turned out that Warren Beatty had had five wives and, at the point at which he died, his fifth wife was a High-Yellow woman.  She was part Black, part White, partly Latina.

He had had all these wives.  They had always been paid and kept to remain silent.  They were never brought out in the public or media.  It was one of Hollywood’s biggest secrets.

People, obviously, never knew about it.  It had never once been spoken about.  There was an interesting turn to all of this… I had been going along Eglinton East on the south side.  It was as though I was going towards Yonge Street; however, it was not Eglinton Avenue East.

Madonna was going to be late because, luckily, it was that time of the month for her.  She was off having herself impregnated, by way of a turkey baster, with Warren Beatty’s frozen sperm – the planet’s most expensively rare caviar fertiliser of sorts.

I was attending the funeral with a short woman who was the fifth wife’s mother.  She seemed a lot like Sybil Ben-Daniel and wore a brown coat over her dress.  I walked with my right arm embracing her as she was on my right.

I had burly bodyguards all about me, before, beside and behind me.  They were real Mossad-goon-cum-Wrestlemania types.  My pants were those flare-legged Giorgio Armanis that allowed me to stride throwing my legs.

There was a lot of train to them and I had such utter style.  I had enormous energies about me and great flare.  My eyes were bedazzling even though mantilla-veiled.

They were what were, of course, fuelling my high spirits.  The onlookers were lapping up my entrance; I felt wonderful.

We then went into the church and the mother was talking about,

“We want the money to go to the Church because the Church is really the staple of society and civilisation.  The Church does so much good.”

I just decided to let her babble on and kept my tongue in check.  However, I cussed her under my breath saying,

“You demented old fool.  What Church are you talking about?”

The church had a metallic-silver front and it looked not unlike York Cinemas on Eglinton Avenue East.  It was not a very big church on the inside.  As we got inside, I turned around and hissed at one of the bodyguards because he had earlier stepped on my train.

Of course, we were surrounded then by the paparazzi and the little people.  His Bigfoot’s footprint was there on the pant’s train.  I reached back and slapped his face real hard calling him a fucking asshole.

Of course, I knew that it was safe to do it here because everyone here knew, only too well, that side of me.  However, I couldn’t wreck my public image doing so outside.

As we got closer to the church, I began striding firmer with each step in anticipation of getting his oafish arse.  I was really careful not to show that side of me when in public.

I started going down the aisle and there at the end was Warren Beatty’s corpse in the open casket.  It was a pure black casket that glistened.  It was a dark black wood and a really gorgeous casket.

Escorting the mother-in-law, I came all the way down the aisle.  I decided that I would go into the first pew on the right.  The first pew on the left actually went further down the aisle and did go past the casket.

It held men in white flowing robes; they were priest of whatever denomination this was – very cream, ivory-coloured and obviously very Catholic.

I went and sat down and immediately behind me was the fifth wife’s family.  They were very Hispanic-looking more so than Black.  They were very handsome in that family.

I turned around and smiled at one of the men and the energies coming from them weren’t as I had expected – I had thought that they would hate me.

I knew Madonna; I was apparently part of her hangers on.  Somehow, I had known her through dance.  I thought that, for that association, they would hate me.  However, they displayed no such hostilities towards me.  

_001roses

Finally, the fifth wife came and was walking very slowly, regally.  She carried a globular bouquet consisting of tiny, little white roses that were sprinkled in amongst some baby’s breath.  There were one or two little red roses as well.

She wore a white, lace outfit.  Deliberately dressed as though attending her wedding, she was not though veiled.  She came down to the casket and knelt before it, like Jacqueline Kennedy-Onassis at the rotunda, staking her claim on history by her performance.

She sobbed in a controlled breath and then got up and walked around to the right end of the casket.  Facing the church, she was now behind it and up on the altar.  She was before the pews on the left side of the aisle.

She knelt down again and this time began wailing and ululating.  She was doing ritual port de bras with her torso and head as well.  She kept on holding on to the bouquet.

It was a very Latin; a very emotional display; definitely, not Jacqueline Kennedy-Onassis.  It was very soulful and moving.  One really felt for her.

Finally, Madonna made her entrance and began slowly progressing down the aisle.  There was utter silence in the place because everybody was thinking,

‘Oh dear, poor Madonna was slutting with Warren Beatty at the point of his death.  Here is the fifth wife and is she going to create a scene or not?’

Well, of course, she is.  The fifth wife is Latin so, of course, there will be theatre.

When the fifth wife had been crossing the casket, I took in her body which was very wide-beamed.  I knew then, in a flash, that she was pregnant with Warren Beatty’s child and four months pregnant.

It was clearly no Immaculate Conception as per Madonna’s little trick.  She was a very big-boned woman.  She got up when Madonna entered the church and stopped crying.

Madonna saw her and avoided her glance as I turned and watched this fascinating bit of theatre unfold.  Everyone was really excited at the potential fireworks about to go off.

She started coming down to confront Madonna.  I immediately and intuitively knew that there was a gun inside the bouquet that the fifth wife so firmly clutched.

Positioning the gun, the fifth wife began holding the bouquet to her stomach.  Madonna, staying her ground, kept on proudly walking down the aisle.

She wore black; it was an outfit that was not dissimilar to mine.  She wore a short veil and not a mantilla like I did.

She came walking down towards the casket staying closer to the left pews.  The fifth wife came around the right side of the casket and was walking down the right side of the aisle looking at Madonna.

She had a very, very vexed and determined – an almost trance-like, expression of self-absorption on her face.  All the energy in her body was directed at Madonna.

When she was about five feet away from Madonna, she held up the bouquet and callously said,

“I’m going to blow your fucking brains out!”

It was filled with so much venom that it reverberated throughout the very high-ceilinged-though-tiny church.  It was also very Gothic an interior.

Madonna stopped truly catatonically horrified.  You could see it beyond the veil.  She had no entourage or bodyguards.  She showed up alone, so confident was she of the coup that she had just scored at the geneticist’s.

She was so flustered that she gallantly stuttered back,

“I dare you…”

She was very nervous and said very quickly with a weak, little laugh.  She was also vamping à la Breathless Mahoney – the character she played in Warren Beatty’s Dick Tracy film.

She was, however, visibly ashen.  Madonna was visibly shaken with fear.

Those persons in the left pews automatically screamed out and crouched down for cover because the fifth wife had held up the bouquet in both her outstretched arms like the gun that it so obviously hid.

“Come on.  You wouldn’t want to do that.  That’s just stupid…” Madonna bravely said.

“…You can’t do that.  Besides Warren’s already dead.  What are you trying to prove?  You can’t do this to me!  Don’t be stupid.”

The woman, however, started slowly walking towards her not buying her bullshit.  At that, Madonna turned around and started to bolt and she fell down over her long-trained dress.

She had already made it to the back of the pews on the left.  She was much too vain, to run outside and possibly be murdered in front of the little people.  So she got up and began running around the far side of the pews.

Of course, as she ran away, the fifth wife could easily have shot her in the back.  Then Madonna got really pissed off, stopped against the far left wall of the church, holding out her palm at her attacker saying,

“Stop it!  You don’t want to do this.  This is stupid.  You can’t kill me.  I’m Madonna!”

She was just winded; the expression on her face was unbridled rage, fear, terror, chutzpah, all in one.  Then the fifth wife pulled the trigger, which was the only sound in the place, releasing the magazine.

Madonna cried out and began pleading with her.  It was truly a spectacle.  It was really pathetic.  The fifth wife then pulled on the trigger and there was a loud plopping sound.

Everybody just screamed and the place became flooded with blinding blue light.  It turned out to have been an older-model camera and the flashbulb from the camera as it went off.  

Image result for large old flashbulb paparazzi camera

At that, the fifth wife laughed this loud, truly callous, heavy-from-the-womb, ripe, wicked, vindictive, victorious-all-in-one laugh.  It echoed throughout the church.

When her echo collapsed, as Madonna stood there truly disempowered, the fifth wife uttered in a weary breath,

“I always said to Warren that you’re an ugly slut.  This picture will prove it.”

At that the fifth wife turned and came and sat down on the pew next to me.  Her Latina family members were just going wild clapping and hysterically shrieking.

Now that’s a Hollywood wife!

Poor Madonna was still standing there involuntarily shaking.  She was holding her chest and gasping for air like an asthmatic.  Her left hand placed on her chest, with her right hand holding on to the pew, thus she stayed her ground.

Although her hand was on her chest, she was being most clever.  However I knew that really where it should have been was at her pussy because what the fifth wife instinctively knew, as did I, was that she had just miscarried.  Madonna was profusely bleeding.

Poor Madonna was so humiliated.  The look on her face was truly sad; she was sweaty and runny-nosed.  She soon collapsed and had to be taken away.  Of course, she would be beaten out of having Warren Beatty’s heir by the fifth wife.

The whole thing was so funny and hysterical.  I was so stunned that the fifth wife was going to pull this stunt.  I really thought that it was a gun; I had, at least, gotten this flash that it was a gun.

The idea to have a bolt release, affecting a gun, was truly ingenious.  The picture turned out to be truly horrific.  It was all a joke being played on Madonna by Hollywood’s film elites who could not have cared less about her and her parvenu ambitions.

The whole affair was so very wickedly political.  The whole thing was so hysterical.  I wondered as to what next was going to happen.

Is the fifth wife going to come forward and produce the first Warren Beatty heir – the true child?  A child that would look like Warren Beatty – more like a child of the future being of multiracial heritage and a bronzed version of Warren Beatty would the fifth wife bear.

What then will she do about Madonna’s copyright of Warren Beatty’s sperm?  Will the fifth wife, for producing the heir, win the legal rights to them and have them destroyed if she chooses to?

Will this not, in fact, begin a Pop Religion rivalling the King, Elvis Presley’s, if Madonna had won custody of the sperm and gone on to impregnate herself and bear those miscarried twin sons because of her bonds to Warren Beatty and his two pseudo-virgin-birthed children – sons at that?

Truly, this is iconography for the new millennium, indeed.

*A very, very interesting dream.  Certainly, that I would be dreaming about these people is interesting enough.  I don’t pay much attention to any of them beyond the passing.

I had seen Dick Tracy three weeks ago.  That the whole thing would evolve the way it did was rather insightful.  I was totally surprised, as much so, as was Madonna in the church.

I really did think that she was going to be shot.  I thought that it would be so messy.

You know, I just did not want having anybody’s can’t-wash-out bloodstains on my Giorgio Armani pants.

A truly, truly funny dream this was.

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*What can I say, dreams are purely experiential.  I dream it and awaken, immediately bringing forth the dream experiences, committing those experiences to audio-cassette tapes. 

I rather enjoyed being alone and visiting with Jessye Norman in the earlier dream.  Clearly, those dreams were set on a parallel Earth in another dimension and one in which the mostly Black population is differently proportioned than we humans of waking state Earth are. 

On the eve of the Oscars, I thought this a fitting offering.  I could never have fathomed the outcome of the fifth wife’s agendum until it unfolded.  Ingenious, to say the least, was her use of the bouquet. 

As ever, sweet dreams and don’t forget to push off and start flying… and so what if you bump into a wall, just attempt doing so again and this time believe that you can effortless transcend the barrier.  Perception is, alas, everything. 

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As ever my dear sweet ennobled friends, I am ever grateful for your continued support.  Please do spread the word, far and wide about this happening dream joint on the cosmic wide web.  Always remember to push off and start flying… I love you more.  

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