KARL LAGERFELD: A LINE OF BEAUTY. Met Gala 2023

Karl Lagerfeld, one of the most eccentric, creative geniuses of the 20th/21st centuries. This is a tribute to the Metropolitan Museum of Art’s Costume Institute Benefit, 2023. Who can forget the 90s each Saturday evening, watching Toronto’s Jeanne Beker on CityTV’s FT: Fashion Television. I always looked forward to any segment that featured the gloved, fast-talking eccentric with this fan and clipped laughter. His fashions are, of course, legendary and the Chanel suit was reborn with understated elegance thanks to him. What’s more, always in Lagerfeld’s orbit were exciting personalities and eccentrics like André Leon-Talley, Anna Piaggi, Baroness Amanda Harlech, Inès de La Fressange & the archly eccentric Isabella Blow.

This year, the Costume Institute’s Ball was co-chaired by Roger Federer, Penelope Cruz, Michaela Coel, Dua Lipa & Anna Wintour. Later this month, KARL LAGERFELD A LINE OF BEAUTY celebrates Lagerfeld’s reign as creative genius at Balmain, Patou, Chloé, Fendi & Chanel.

Yung Miami, I loved the theatricality of this costume. She carried it off handsomely, has a great personality and was escorted by the ever debonair, Diddy!

More fashion brands by the season, it would appear. Chi Ossé is a New York City Council member and his numerology suggests a lifetime in politics. I love the cut and tailoring of his bespoke attire.

Eddie Redmayne and his wife, Hannah Bagshawe are beautifully dressed; his suit’s detailing is elegantly understated and there is a lot of lines and textures going on with her Alexander McQueen, none of which outdoor each other.

Ariana DeBose though having won an Oscar for her explosive star turn in Steven Spielberg’s remark of West Side Story, earned herself no end of scorn for turning up at the 2023 BAFTA Awards and turning her performance into some ‘woke, hip hop, American affair as the locals interpreted it. When are Americans going to dispense with Britons and their stinking sphinctered condescension. Beautiful gown. Love her style.

Vittoria Ceretti, is one of the next wave of catwalk goddesses strutting, vamping and leaving us all besotted. She is über chic and then some. Elegant.

Though previously ruled by the inimitable Karl Lagerfeld, Balmain is now the house of young creative genius, Olivier Rousteing. His creations are truly futuristic yet grounded in practicality, sensuality and function. Above all else, humour reigns.

New York City Ice Spice beautifully evokes Lagerfeld’s fluid style with the camera prop, which was definitely not in common use by the time of her reincarnation – whoever she last was. Love her curves and attitude. Elegant.

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Conan Gray’s existence was sheer mystery to me until he appeared, dripping of fluid style at the 2023 Met Gala. His fluidity and fan are marvellous odes to Lagerfeld, indeed.

This devastatingly handsome, phenomenally multifaceted performer, Jeremy Pope, is a joy to behold whether onscreen or onstage. Here’s to the next generation’s of sexy leading man. The Costume Institute’s ball is a theatrical event, who better to bring this year’s showstopper. Ingenious creativity on the part of Olivier Rousteing yet again.

Usher chose to highlight the designs of a young African-American designer. As ever, he looks suave, cool and as sophisticated as crooners before him: Teddy Pendergrass, Barry White and Marvin Gaye.

Emily Adams Bode, fashion designer and next generation industry superstar. She is ethereally elegant in this pale yellow design.

Toronto Born fashion designer and activist, Aurora James, is elegant, understated; she brought some Canadian content to the Costume Institute Ball, 2023.

Isabelle Boemeke aka Isotope, young nuclear clean energy activist also attended the ball.

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Dynamic American photographer, Tyler Mitchell was stylishly elegant in an eclectic design by Bode.

Los Angeles Clippers basketball star, Russell Westbrook arrived in a colourful but subdued suit, was part of the collection of athletes in attendance.

NFL championship quarterback Patrick Mahomes and his wife, Brittany arrived outfitted in BOSS designs.

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Coming on strong, the devastatingly dashing Italian tennis player, Matteo Berrettini serves up nothing but aces in this superb Boss suit.

Columbian heartthrob, singer, entertainer, Maluma turned out looking elegantly fluid in this Boss ensemble. I still do not get the appeal of tattoos but there you have it.

British model, Liberty Ross and her American music producer husband, Jimmy Iovine showed up rockign Burberry.

What would a costume ball be without Queens turning up and boy does Mary J. Blige deliver show stopping theatrical style.

The riveting actor, Jodie Comer turned up kitted in Burberry and looking every bit the thespian.

British born, BAFTA award winning actor, Naomi Ackie seems to have been the only attendee whose Burberry outfit was not the current deep dark blue and black schemata.

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BAFTA Award winner for best supporting actor, 2023, Barry McKeoghan came through wearing the blue and black Burberry of the season.

Burna Boy, one of three African kings rolled up in Burberry.

Up next, Skepta full of style and swagger as ever.

Completing the troika, the most dynamically charismatic Stormzy, the third of the African kings.

A man of exceeding charm and cool, Dr. Dre rounds out the Burberry brigade.

Britney Griner & Cherelle Griner were delightful – so glad her adventure turned out handsomely – Both were rocking bespoke Calvin Klein.

African model, Adut Akech brings her warm beauty to the proceedings, owning her Carolina Herrera gown.

Anna Wintour & Bill Nighy walk the red carpet at the Costume Ball.

Andy Roddick & Brooklyn Decker; she is pitch perfect… lovely.

Angéle, Belgian singer, goes for an edgier more avant-garde approach; it works.

Film producer, Fabiola Beracasa Beckman’s approach was mature and elegant.

The Brazilian amazon, Gisele Bündchen, went for a gorgeous vintage Chanel affair that did not disappoint.

Eaddy Kiernan Bunzel’s, Vogue contributing editor, approach was sleek, elegant and it came together beautifully. Gotta love those shoes!

The One! The Icon! Queen. Naomi pulled out another vintage design; She was stunning…. but of course.

TV producer and philanthropist, Christine Chiu, handsomely pulled out all the stops! #BAM

Seemingly, a funny thing happened on the way to the ball for Marion Cotillard… The hair? Whatever.

Bollywood meets little red riding hood and who else but powerhouse, co-chair Penelope Cruz can winningly pull this look off. Fabulous!

I am reminded of Irina Shayk’s leather outfit at last year’s Met Gala by Lily James’s black leather ball gown. Wow!

Chameleon Nicole Kidman wore the dress that featured in her Chanel N°5 perfume ad back in the naughties directed by Bazz Luhrmann. As ever, stylish, cool and elegant.

Korean singer/rapper Jennie Kim went for a edgy girly/sex kitten look. Cool!

Everybody’s Queen, living her best life and proving an inimitable inspiration to us all. Lizzo rocks the glamour of Chanel pearls and comes up winning as always.

Another co-chair, Dua Lipa, opted for Chanel and it worked beautifully. One very stunning woman and look at that Tiffany & Co necklace.

Baroness Dambisa Moyo was elegant in a Chanel with colours that a reminiscent of African fabrics. Elegant.

90s catwalk Queen, Carolyn Murphy came out rocking that amazing yellow, layered tulle affair. Her presence brought back some sweet memories of the 90s.

Canadian actor, Whitney Peak, magically pulled off the bejewelled flapper decked in tulle/chiffon and diaphanous cloud of white. She was a dreamy vision of beauty.

Gossip Girl castmate of Whitney’s, Margaret Qualley, nicely pulled off the ballet ribbons and short cocktail dress, even at the Met Gala it worked beautifully.

The most exciting actor of her generation, Margot Robbie always seems on the cusp of explosive, infectious laughter. Elegant. Sophisticated.

Lauren Santo Domingo, maverick, editor and philanthropist was coolly elegant, especially so when being unintentionally photo-bombed by Lil Nas X’s painted arse.

Kristen Stewart’s turn as Diana, Princess of Wales was one of greatest revelations to say nothing of a truly commanding performance. Elegantly, this artist disappears into her roles and, more importantly, her private life is a non-negotiable.

Baroness Amanda Harlech turned up to pay respect to Karl Lagerfeld, wearing a Chanel haute couture gown which I am almost certain she modelled when his muse and later working for Lagerfeld after having been introduced by André Leon Talley as a result of a fallout with the astounding creative genius, John Galliano.

Who else but Cardi B. can stick her mile-long nails into cucumber and swirl it about a plate of gravy, sopping it up and then get that slice of cucumber into her mouth without disturbing her flawless lipstick? No one beats Cardi B. that’s who. Always, she is a welcome and refreshing sight.

Maude Apatow’s appearance was more elegant relative to last year. I do not know her work as an actor but she’s got a quiet dignity that is readily admirable.

Vanessa Kirby to date has turned in one of the two best acting turns on Netflix’s The Crown. Her turn as Princess Margaret was riveting and totally engrossing. What a thoroughly fascinating actor and she looks damn good here too.

Though this actor’s personal life seems to have taken up permanent residence in the tabloids over the past 1.5 years, I have no idea what her acting chops are like. Not because of lack of interest, as a lucid dreamer, the less I look at films and TV the less intrusion there is on my dreamlife’s integrity. This though is a rather beautiful Chloé dress chosen by Olivia Wilde.

Margaret Zhan, Editor-in-Chief Vogue China and other impressive accomplishments aside, this star turn at the Met ball was impressive. I love her dress and the hair colour rocks.

Choupette!

Jared Leto as Choupette & Karl Lagerfeld whom he will portray in upcoming biopic.

Karen Elson’s Christian Siriano dress seems slightly to have missed the mark; will she be invited back?

Ava Max’s cottony confection is a truly delicious indulgence worth pursuing.

Something tells me this woman doesn’t get out much. One does not wear a goddamn hat and certainly not one to rival Nicki Minaj’s Yosemite Sam’s affair from last year’s Met Gala to an evening event. Come on Alex Newell. Just no!

Darling, it’s called a tea cosy, it’s not meant to be worn to a ball. Grace Elizabeth on the tail end of her 15 minutes. Next!

Gabriella Karefa-Johnson clearly did not get the memo; white next to mounds of rolling fat is not slimming. Clearly, she does not have a stylist.

Actor Alexandra Daddario opted for a pale, layered Dior and it actually beautifully works.

The ever elegant Miranda Kerr swanned to the ball in an ethereal white Dior.

Vogue marketing editor, Alexandra Michler Kopelman shows off her baby bump and expectant glow, both shown off in a beautiful two-toned Dior.

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Costume Institute Ball co-chair, Roger Federer was exceptionally refined in Dior attire.

The man with the best ‘whatever’ attitude to life circumstances, Pete Davidson exudes his unmatched cool in masterfully cut Dior.

Hey you only live once in each lifetime. I’m loving the audacity but if it were me, I would have opted for some silver talons hauts; the nails are truly next-level glam. Bravo!

Like his ex, Kristen Stewart, there is so much that’s mysterious about Robert Pattinson. He is, though, a stunning actor and beautifully attired here in Dior.

English actor, Harris Dickinson is decidedly tall and unmistakable in his Dunhill gear. I am not in the least familiar with his acting chops.

Scotsman, James McAvoy who packs serious metal, came admirably attired with a fan in an homage to Karl Lagerfeld. A winner all around, of course and he is wearing Dunhill at that.

Glenn Close always goes big and this year’s Met Gala found her in her element. She was escorted by designer Erdem Moralıoğlu whose elegant design she wore.

Fendi creative director Kim Jones, is also joined by Fendi family director of Jewellery design (r) Silvia Venturini & Delfina Delettrez. They are on a work assignment; they are not there to look glam.

Suki Waterhouse attended with her lover, Robert Pattinson in a flowery Fendi that was both cool and breezy.

Uma Abedin returns this year in a glorious Fendi design which along with hair, makeup and earrings is pure flawless elegance.

Eva Chen’s silver and green with matching green opera gloves are Audrey Hepburn chic; this colour combination actually works and beautifully set off her glowing complexion.

Gwendoline Christie flesh-toned gown does her no favours. This colour next to her pale complexion renders her almost invisible. Stylist fail.

Yet, again, this Korean actress does not put a foot wrong in the style department. Song Hye-kyo is always elegant.

Precious Lee chose handsomely when opting for this Fendi design. It is flattering of her commanding presence and both elegant and restrained in all the right proportions. Stunning woman and the black leather opera gloves only add to her fierceness; she is gifted and a self-aware model.

Kate Moss and daughter, Lila Moss were demure in their pale pink Fendi outfits.

Christina Ricci is chameleon; she is a boss. Lovely Fendi design.

Sometimes, you only need one Hadid to bring it. Gigi definitely came through in this memorable Givenchy design.

What a difference a year makes, and some Disney funding, Halle Bailey this year has scored a style coup in Gucci design. Showtime!

I positively love every film this Oscar winning actor stars in. Jessica Chastain’s Gucci is flawless.

Though not familiar with the British actor’s work, Daisy Edgar-Jones’ Gucci here is daring without being risqué; she’s on point.

By far, one of my favourite couples: great actor, gorgeous model whose chemistry is sizzling. Dapper and ever debonair, he is handsome to her cool intoxicating beauty.

Three-time Emmy award winner, Julia Garner, is fittingly commanding in this caped Gucci ensemble.

Like Viola Davis and Angela Bassett, Salma Hayek has been cheated out of a deserved best actress Oscar for her star turn in Frida. That notwithstanding, she remains the most ravishing film actor of her generation and always a joy to behold on or offscreen.

Show the children how it’s done, Jordan Roth. Why it is so difficult to stand on the red carpet and not be pigeon-toed? Sienna Miller and others take note. Seriously!

Congratulations to the G.O.A.T Serena Williams on the good news of adding to her beautiful family with Alexis Ohanian. As ever, Serena looks marvellous.

Bad Bunny is the moment. Bad Bunny is hopping! Style and so much more!

Kylie Jenner brings the glam factor wherever she vamps. This is a beautiful Jean-Paul Gaultier design.

I’ve not really seen Yara Shahidi walk the red carpet before; I don’t know if it is just a matter of her being a face but this design and her body are not harmonised. Then again it could just be me and the fact that her right foot has triggered my number one pet peeve, it is sickled in.

Devon Aoki, that most exotic of oiseaux, walks the Met Gala 2023 carpet with designer Jeremy Scott whose design she clearly here favours.

Karl Lagerfeld

Carla Bruni had the gall to diss Meghan, Duchess of Sussex on her IG page then quickly pulled it down and featured Prince Harry’s SPARE shortly afterwards and offered a review that haemorrhaged obsequiousness partout. Of course, it did not go either unnoticed or unchallenged by yours truly. The blasted, vile, depilated macaque Couchon. You don’t like Blacks… Fuck You!

That’s right, keep doing your Icarian turn, Cara Delevingne; no one can ever resist a delicious slice of schadenfreude…

Caroline Lebar, team Karl Lagerfeld honcho, coming through owing the place and spreading her light.

Amber Valletta, another 90s catwalk champ; always good to see her.

Survivor. Legend. Boss. Diane von Fürstenberg. G.O.A.T that’s who!

Last year, in her Prabal Gurung pink outfit, Michelle Yeoh was not only a standout but she had winner written all over her aura. And just like that, she returns to Met Gala having become the first Asian to win best actress Oscar. Go Lady! Always, she is exceptionally elegant.

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Bryan Tree Henry got the memo. Go big or go home! Solid!

Alton Mason ain’t funning. This gorgeous star means business. This was one of the most beautiful costumes on the night. This is a Lagerfeld bride that gives Claudia Schiffer a run for her dimpled gorgeousness.

Oh my darlings, it’s the deliciously arousing Manu Rios back to keep our pulses racing. Gosh but he’s delightful.

African-American beauty queen turned actress, Rachel Smith, was a regal vision in a smoky silver strapless Lavin.

Then along came that delightful amazon, Karlie Kloss in a long black Loewe sheath. Her jewellery was spot-on and unlike Kim Kardashian’s, her pearls did work. The bowed shoes handsomely added to her allure.

Nichapat Suphap contributing editor for Vogue Thailand was smartly elegant in her black opera gloves to set off the black and white Louis Vuitton gown.

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Sino-Korean Hong Kong rapper, Jackson Wang, did not disappoint when it came to delivering his trademak style and swagger. Gorgeous.

Curvaceous model, Paloma Elsesser arrived on the arm of the designer Raul Lopez whose LUAR designed her très chic gown.

John Galliano, creative director Maison Margiela. Genius. Visionary. Shaman.

Great-granddaughter of John Paul Getty, Ivy Getty models and focusses on chiefly being an artist. For Met Gala 2023, Ivy chose this exquisitely elegant one-shouldered, tulle-covered Maison Margiela grown with multiple tassels of dripping sable-toned fringe. Details. Details. Details.

TKF Twigs, like Jennifer Lopez, one always get the feeling that at some point FKA Twigs will resume relations with Robert Pattinson. Time will tell. As with Ivy Getty’s design, there are a lot of details in this masterfully constructed design. These are the designs of a true master couturier and that John Galliano has always been and remains. So very good to see his creative genius having a home to flourish. John Galliano is as equally eccentric and just as ravishing a creative genius as was Karl Lagerfeld.

Marc Jacobs bringing flair, self-possession and pride like no one else… and those nails!

Fiery Brazilian singer, Anitta, came through in a sculptural Marc Jacob designs with contrasting white opera gloves and the most handsome Tiffany & Co. diamond necklace with sizeable ruby pendant. Yes!

At long last, Paris Hilton is a mum and looking just as ‘hot’ as ever. I could not believe that during her interview with La La Anthony, she declared that it was her first time at the Met Gala. She looked beyond elegant whilst being walked by Marc Jacobs in his eponymous designs.

Giving Kylie a run for her money, Kendall Jenner arrived taller than usual in a shimmering minimal design by Marc Jacobs. How she and Paris Hilton managed those heels is a true mystery.

Kim Petras’s Marc Jacobs design was a bit too busy and crunched at the bustier. Just as long as she wasn’t with that triffling they/them/it/other blob was just fine. Besides, the Met is not about the alarmingly drab.

Ew! You bred with that? Georgina Chapman in Marchesa. Moving right along.

Erykah Badu doing Erykah Badu; I should think that her shadow has grown bored by now. Thankfully, no shadow has had to hang around, moored to a put-through appendage for centuries… so there’s that.

David Byrne pulls up on a white bike and what’s not to love? He sports an eye-searing white bespoke suit from Martin Greenfield of Brooklyn as only he can carry off cool.

Michael Kors in Michael Kors; of course, the best dressed men always wear shades.

You can always count on Emily Blunt to bring on the old Hollywood glamour; the lace is everything. Elegant.

Artist (singer/actor) Kaitlyn Dever decided to set pulses racing in this dramatic red gown and work it did. What a truly stunning gown.

Vanessa Hudgens came through, laying on the glamour with a serious side order of sexy; that train and the eyes are fierce.

Lea Michele has survived much and still standing she does rather elegantly. Stunning; just look at that shower of shimmering metallic silver.

The very versatile actor, Ashley Park, evokes the old Hollywood glamour vibe and beautifully so.

Actor/producer, Kerry Washington’s look at last year’s Met Gala was more dramatic than her look this season. I rather favour her Tory Burch drama gown from last year to this fishtail gown. Either way, she is as ever stunning; her smoky eyes and that choker are everything.

Emma Chamberlain, internet phenom, wore a faux two-piece Miu Miu in powder blue.

Sydney Sweeney, young versatile American actor with the dreamiest eyes, wore not surprisingly a dreamy pastel Miu Miu affair.

Ashley Graham, another model, effectively used by designers to best ‘walk’ their designs at the Costume Institute Ball’s red carpet. Obviously, as arrangements go, it is a win win. I personally do not like the look of fishtail but this Nina Ricci design’s colour schemata against Graham’s tawny complexion works beautifully.

This Oscar de la Renta design chosen by Lily Aldrige is far superior than her Kaithe design worn at Met Gala 2022. The elegance of this strapless affair cannot be denied. The contrasting giant salmon bow and train may, though, be distracting.

Every time I see Doja Cat, I am readily disinclined to become focussed on either her or her music. Even her ode to Choupette is off; why not choose a design from one of the houses with which Karl Lagerfeld was associated. For me, she never draws you in and I have no idea what her music is like, old fossil that I am becoming. Her feline prosthetics and makeup are spot-on.

Though this is a very beautiful design worn by gifted actor, Amanda Seyfried, sorry, I just can’t get past the pigeon-toed pose. How does this daft, archly gauche pose ever look good to either photographer or subject? Beautiful colour, the cut is superb and her hair is gloriously styled.

Allison Williams, American actor/scream queen, is elegantly presented in this ode to couturier, Karl Lagerfeld in this timeless Patou design. I love the cut and colour.

Alia Bhatt, Indo-British actor, is beautifully turned out in this Met Gala favourite designer Prabal Gurung design. The shimmering princess ball gown of white tulle is ethereally chic.

Quinta Brunson has novaed onto the TV cosmos, bagging Emmy awards along the way. I do believe that this is her first Met Gala. Sheer black overtop creamy pink with matching two-toned train works handsomely.

After last year’s powder blue princess, tulled affair, also by Prabal Gurung, Quannah Chasinghorse has opted this year for an edgier look and this time in pink. I suppose that I am more partial to last year’s look, as here was more southwest jewellery on display then. Perhaps, it is the opera gloves but they lend an air of punk which may not have been the intention; nonetheless, love her energy.

Yellowstone actress, Kelsey Asbille Chow cuts a dramatic figure with her fire engine red Prabal Gurung with train. So who exactly doesn’t like a garter?

Rita Ora and her haute exoticism looked truly drop-dead gorgeous in this double-trained black number.

Gorgeous African model Anok Yai is all that and lots more. Loving the dark brown fishnet veil adding more drama to her fringe and gold bustier Prabal design.

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Taika Waititi is boldly debonair in this long flowing smoky gray coat with double stranded pearls and more confidence than a can of sardines. The man is damn fine.

Gabrielle Union has always been a favourite actor of mine; she is so readily engaging from role to role. She really earned a major supporter in me when she and her dashing husband, Dwayne Wade, spoke very passionately at the NAACP Awards this year in support of their MTF daughter, Trans and LGBTQ+ rights. These is nothing demure about an extra thick red leather coat atop red gown with tail. Bravo!

Maya Hawke, actor daughter of Uma Thurman & Ethan Hawke, in this pose looks not dissimilar to a young Shirley MacLaine. That aside, I love the white-on-white look and the feathery details plus train nicely carries it off.

British actor, Letitia Wright is one of these born somnambulant Blacks who are forever grateful for being over lorded by the god of what is clearly one’s enemy’s religion. Trust you me, if it were that important, you would not be afforded access to their religion, anymore than a Black is afforded a best actress Oscar. Her choice of Prada design merely betrays how self-restrained her perceptions. All alas is choice.

This woman swans through life, being feared/adored for being a moneyed Jew but she will never be nothing more than a vile anti-Black racist. One does not forget! All the moneyed men in the world and she will never rise above the repugnant conceit that had her sat for that pose.

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Coming on strong, it’s none other than Chinese singer/dancer/rapper, Kai Xu Kun. What’s not to love, we share the same birthday! Beautifully attired, love the jewellery, coat’s detailing and those Prada shoes are everything.

Rami Malek’s Freddie Mercury will standout in time as one of the best biopic performances in cinema. Clean, unfussy elegance.

Kodi Smit-McPhee’s appearance this year soars stratospherically above his Met Gala 2022 appearance. The shoes and the blue detailing are restrained… elegant.

Broadway actor, Jeremy Strong successfully transitioned to TV and in the process won himself Golden Globe & Emmy Awards for his turn on Succession. There’s flair but he is a man with a family to support and seemingly not the slightest focussed on celebrity. Admirable.

Dwayne wade continues to impress and inspire millions. Tall, dark, devastatingly handsome, he drips nobility of spirit like no one else. His is such a beautifully cut coat. Fabulous human.

Was anyone else wearing Ralph Lauren? Does it even matter? Jennifer Lopez looked regal and hers was the only fascinator/hat worn to an evening event which proved not to be a faux pas. Jennifer was the moment at this year’s Met Gala 2023. The lines, the fabrics, the colour co-ordination all made for the most handsomely elegant look. Queen!

Grammy Award-winning, Broadway/TV singer/actor, Julliard alumna, Phillipa Soo showed up. That’s all that matters, love the riot of black and white getting it on for a handsome design by Richard Quinn. Go Mama!

Eileen Gu’s Robert Wun red polka dots design is not what I expected of an explosive athlete. She looks beautifully poised and elegant.

This is a massive turnaround, after that unaware indulgent horror at the 2023 Oscars, TEMS does not here commit a fashion faux pas, as these feathery tendrils though fascinator, do not obstruct and look glaringly out of place. Will she ever live down her Oscars appearance? Lips, nose, eyes, brows, love her look and the feathers at the bustier, plus the fishnet veil do it for me; she has the most alluring eyes. I want those opera gloves… Keep doing you, Darling.

Model/Actor Camila Morrone came through rocking her Rodarte design: lace, velvet, slight fishtail and train. Sensational!

Always stylish, Alexa Chung opted from an eclectic design that’s both busy and avant garde. What does it matter, it’s Alexa that’s who and it works.

Chinese model, He Cong comes on strong. This is an awesome outfit.

Ghanian-British actor/filmmaker, Michaela Coel is also co-chair of this year’s Met Gala. Her diaphanous cocoa design by Schiaparelli nicely sets off her gorgeous complexion. Her cornrows are exquisite and those golden heels are perfecton. Love her, simply stunning!

Well, much like her relationship with her escort last year, her beading did not hold up too well. Ms. Kardashian has looked way more stunning at past Met Galas.

Natasha Poonawalla, India’s vaccine Queen, showed up in a futuristic mirrored Schiaparelli and cast shards of her light partout.

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Jordan Roth is Showbiz incarnate. And boy does he know how to infuse the right dash of drama into his theatricality. Go on, show them how it’s done. What better ode to Karl Lagerfeld could there be than being a human fan; hands down best dressed attendee at Met Gala 2023.

Diddy arrived representing Sean Jean with the grandest gestures. What was most refreshing was him grabbing the black battery operated fan from production as he chatted with hostess, La La Anthony who was a gorgeous vision in white. God was she light years more sophisticated than last year. Brilliant. Back to Diddy, the black on black on black is divine.

La La Anthony’s praises I cannot sing enough. This year’s chosen design knocked it out of the park, relative to last years design, which left her looking shorter and it was way too busy and the hat was just so wrong. Not to knock Derek Blasberg but La La Anthony by far was the better host this year. Go on Lady, rock it!

Comedic actor, Rachel Brosnahan came through in cape, starburst pasties all in black with come hither eye makeup. Rather alluring.

Singer/comedic actor, Keke Palmer came through in a strapless multi-beaded column gown accompanied by a billowing powder blue and mauve cape. She looked marvellous.

Julia Carey also chose a swirling geometric Simkhai and did not put a foot wrong, right down to being accompanied by her charming partner, James Corden who opted for a brilliant blue jacket to match his cool.

Mindy Kaling made a massive revolution in her Met Gala appearance this year over last year when she chose a Prabal Gurung design. Accompanied by Jonathan Simkhai, An intricate layered design, there is a lot happening here; most of all, Kaling looks light years more body confident and this photograph does not do justice to the amount of weight loss that she’s healthily achieved. Simply stunning.

Billie Eilish opted to attend in a Simone Rocha design that looked better suited to a themed gathering at Halloween. Perhaps, my take on her look is coloured by the fact that I simply do not get the draw of this artist.

Model Imaan Hammam chose a sleek white column with train Standing Ground design. The stark white handsomely set off her tawny complexion and gave added drama to her amazing locks.

Designer Stella McCartney wore a beaded black jacket/mini dress with dramatic leggings and chunky footwear as she walked with Madelyn Cline & Audrey Plaza.

Actor Madelyn Cline opted for a gun-metal gray and black strapless sheath with modest train as she walked in with Stella McCartney.

Quirky actor, Audrey Plaza, I believe that her social behaviour is chiefly rooted in her personal vibrational dynamics than anything else. Interesting design they are not standouts, this speaks more to the design elements rather than not.

Filmmaker Baz Luhrmann and his wife, Catherine Martin came fully kitted in Thom Browne (he at least did) and looked marvellous for it.

As with last year’s Met Gala, Thom Browne was heavily represented this year, starting with Korean model, So-Ra Choi. Hers was a massive oversized coat which asymmetrically draped about her body in heavy fabric, all of which was winningly capped off with a black fishnet veil which nicely highlighted her heavy lipstick. Powerful.

Writer, Amy Fine Collins, 30-year veteran at Vanity Fair Magazine came with the general black & white theme with stabs of red, a braided hairstyle that matched the ribbing in her beautiful Thom Browne skirt.

The ever fluid Janelle Monae chose another oversized jacket/coat dress with its hoop exposed. Then, darlings, she moved the coat from atop the hooping and began vogueing with the malleable hoop exposing her body-hugging outfit. She like Amy Fine Collins opted for a dog bag that completed the little girl in adult clothing theme to this masterfully cut Thom Browne design.

Disney alumna, Jenna Ortega has that magical aura which allows her to convincingly inhabit whatever role she is focussed in. Here, thanks to the sweep of her train and her confident swagger, her costume is evocative of the swashbuckling pirate.

Bella Ramsey’s pose more than her costume is the winning photograph. She seems as though a mere child wide awake at the ball, neither groggy nor fazed. She is stunningly august-souled.

Another Disney alumna, whose matured into a pop princess, is Olivia Rodrigo whose costume is utterly marvellous. Love Thom Browne’s use of prime colours black and white and the range of combinations are incredible. Ms. Rodrigo is seriously fabulous…. what a great dress.

Not really classic tweed, there is something about the fibres and fabric that’s evocative of another age. The tailoring, the ribbing, the oversized stitches, to say nothing of the fishnet veil are all winners. The real standouts are the exposed hips compensating for the monochromatic gloves is an ingenious detail that successfully works, especially so on singer, Teyana Taylor.

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Athlete Shai Gilgeous-Alexander brings it, in this elegantly cut Thom Browne where white rather than black predominates. Gorgeous ensemble.

African Writer and entertainer, Trevor Noah looked decidedly handsome in his cornrows and the usual innocent smirk.

Pusha T. sports the rapper’s signature cornrows which nicely complement his two-toned Thom Browne suit.

Here’s a rather straight forward Thom Browne outfit being worn by actor Alexander Skarsgård.

The master himself, designer Tom Ford adding commanding power, style and elegance to the costume ball.

Pierce Brosnan wears Tom Ford whilst his beautiful wife, Keely Shaye Smith, is adorned in Monique LHuillier. Gosh she’s glamourous.

Next up, Seth Meyers and wife, Alexi Ashe. He definitely is attired in Tom Ford, she though I am not certain of.

The always elegant, Joan Smalls brings her light and glamour to the gathering. Who doesn’t look sensational in black lace? Smashing!

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Always expect Bradley Cooper to be among the most stylish at any gathering. Suave and elegant.

Dee & Tommy Hilfiger appropriately attired in Tommy Hilfiger. Still going strong.

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NFL wide receiver, Stefon Diggs looking every bit like a power athlete. Handsome man in a very beautifully cut suit.

Singer Jack Harlow returns to the Met Gala, looking even more dashing than last year. Here, he does look like the subject of a 17th century Flemish painting.

Tory Burch of her eponymous design house came through as last year, looking next-level poised and glamourous. That is a very beautiful dress.

Indie folk Queen, Phoebe Bridgers wore one of the more elegant designs of Met Gala 2023. The beading and shoulder details evoke flapper/Edwardian glamour.

Emily Rajatkowski, of course, showed up. I think that I am being to get this human. This design is a bit understated for her ‘out there’ persona; it is beautiful.

Model Liu Wen, chose wisely. Off the shoulder, bouquet of white roses wrapped in a black column, black opera gloves capped off by perfect makeup.

What a difference a year makes. Just look at Nicole Peltz Beckham. She has so grown into her role of being on the world stage and a recognised actor. She glows, is more relaxed and clearly comfortable in her skin. They are genuinely a couple, Brooklyn looks ever more comfortable being her plus one. Her black ribbon choker is everything.

Go Priyanka! The Citadel is some serious chops! The white opera gloves and Nick Jonas’s leather jacket, to say nothing of the Bulgari necklace beautifully complement their synergy.

Rhianna and A$AP Rocky have graced the costume ball this year… and she is yet again expectant and it shows. Rhianna always seems to be most comfortable at the Met Gala and enjoying herself.

EGOT(Emmy Grammy Oscar & Tony) Viola Davis is coming through that’s who. No one does pink and red like Valentino and no one wears colours better than the masterful actor, Viola.

Oscar-nominated actor, Stephanie Hsu presented a beautiful interpretation on Hollywood Glamour, which in the age of gender fluidity was celebrated with the tie’s inclusion. This dress was magnificent.

Another actor at the Costume Ball, Florence Pugh certainly brought that drama in a headdress that worked at night for its theatricality and not dissimilar to the delightful Poppy Delevingne’s blue feather fascinator worn at Jack Brooksbank and Princess Eugenie’s delightful wedding. Pugh’s black fascinator was nicely set off by the floor length black ribbon that kept her business in check as this seemed to want to spill out from the exquisite white gown with train.

Designer Vera Wang attended in a design that was light and airy; mostly tulle there was an ode to Karl Lagerfeld with the use of an oversized pearl-like necklace and his first name on the train.

Actor Lily Collins wore a black and white version of Vera’s gown with Karl’s name on the black rather than pale train.

Donatella wore a beaded pink column that was minimalist and elegant.

Actor Anne Hathaway, who rarely does events like these, looked radiant as ever in a pearl ribbing, trained gown that was a clear ode to Karl Lagerfeld.

Charlotte Tilbury wore a jade green Versace which handsomely set off her healthy red mane. Exuberant.

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Sino-Canadian actor, Simu Liu looked naturally refined in this snug Versace; love those shoes.

Vivienne Westwood 8/4/1941<O>29/12/2022 Snake 8.3.9 = 2

Actor Elle Fanning, who attended Vivienne Westwood’s London memorial February past, along with Kate Moss, Victoria Beckham, Anna Wintour, Chryssie Hynde, the ever bewitching Lily Cole, Bob Goldof, Bianca Jagger, Zhandra Rhodes, Edward Eninnful, Vanessa Redgrave, Bella Freud, Marchioness of Bath Emma Thynn, Stormzy, Twiggy, Marc Jacobs, Farida Kelfa, Yasmin, Amber & Simon Le Bon, Erdem Moralioglu, Tracy Emin, Paloma Faith & Alexa Chung. Elle’s floral crown and bouquet is a fitting tribute to the departed creative genius, Karl Lagerfeld.

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Finneas O’Connell always looks Straight outta the closet as he hides out in this Vivienne Westwood coat.

Chloe Fineman did a horrible job of hosting the red carpet at Met Gala 2023 along with the unflappable Derek Blasberg who did his elegant best to make sure that none of that shit got on his shoes. Her Jackson Wiederhoeft was chic and understated, all eclipsed by her deplorable social skills on the evening.

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Broadway star, Ben Platt was memorable in his white with black trimming suit proved a smash.

Unlike last Met Gala’s leather clad dominatrix chic, this year, Irina Shayk went for a totally different approach and opted for Yohji Yamamoto’s ethereal white design.

Hugh Jackman here is attired in Zegna, his wife, Deborah-Lee Furness’s attire I never discovered. As ever, the partners always look blissfully harmonious. Elegant.

NOTABLE

Agnes Chiu, president Entertainment, Condé Nast & Tom Gilmore also attended the Costume Institute Ball. All these notables are here gathered as their outfits’ designers were not readily found anywhere. Look good they did nonetheless.

When your mum is Anna Wintour, you are going to show up. The lovely Bee Corrozzini and filmmaker partner, Francesco were cool, relaxed, adding the wow factor to the evening.

Everyone’s favourite crooner, Josh Groban, who currently stars on Broadway, arrived with Natalie McQueen, tatts and all. He’s marvellously attired… smooth as ever.

Willow Bay & Bob Iger turned up in honour of Karl Lagerfeld. Gosh her gown is next-level fabulous whilst he kept it real in Karl Lagerfeld sneakers.

Kargo Global CEO, Harry Kargman and partner Jill Kargman attended the Costume Institute Ball celebration of Karl Lagerfeld’s creative genius. She looks marvellous.

Condé Nast CEO, Roger Lynch & partner Cathleen Lynch attended this year’s Met Gala. Her dark blue gown is supremely elegant.

Instagram CEO, Adam Mosseri & partner Monica Mosseri graced the evening with their dignified presence. There is a lot of detailing here, her dark elegant attired dress nicely complemented by the black opera gloves.

Grace Murdoch and her mum, Wendi Deng Murdoch attended the Met Gala in beautiful pastel gowns, looking ethereal with mum anchored by that exquisite necklace.

Tony-nominated (win it) Wendell Pierce stepped away from starring on Broadway to attend the evening’s Gala. He was joined by the chic, Erika Woods. Good luck, June 11th Mr. Pierce!

Blackstone Group CEO Stephen Schwarzman was accompanied by the shimmering Christine Schwarzman in a gold one-shouldered gown. Glamourous… mais oui!

Charles Shaffer, Anna Wintour’s son and partner Elizabeth Cordry bringing their warm glamour to the ball.

Entertainment executive, Casey Wasserman & partner Jennifer Chandler brought their warmth and glamour to the ball.

Adrienne E. Adams, speaker of the New York City Council attended the ball in a beautiful single shoulder lace affair. Elegant with a most warm beautiful smile.

Dr. Lisa Airan attended in a beautiful yellow flowing gown, radiating her light. Beautiful earrings.

Model Montana Cox breezed through in a minimalist lean black sheath.

She’s just a Broadway Baby! Yeah, Micaela Diamond is coming through that’s who. Currently, on Broadway in Parade, she wore an exquisite lilac gown to the ball.

Vogue & Teen Vogue director, Lisa Love was chic in vintage coat dress attire. Refined.

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Broadway Tony-nominated actor, Jonathan Groff came through with a touch of theatricality to his suit and looked every inch the winner.

Well, of course, Vogue creative editorial director Mark Guiducci would attend the glamourous ball. The white tie was sublime.

Two-time Emmy-nominated E! presenter and Variety executive, Marc Malkin came through and did not disappoint in his red carpet turn at this year’s Met Gala. From the tie, to jacket, to nails, he wore dignified iconic style like a pro.

Norwegian billionaire, Gustav Magnar Witzoe must be the obsession of every latter day Andrew Cunanan, working the 1% sugar daddy circuit. Gustav, of course, is a model… no shit! Darling… does it even matter if it is not art?

Karl was many things beyond eccentric and creative genius of the highest order; he was also the godfather to Hudson Kroenig who along with Choupette has inherited the majority of his vast fortune. Sweet and blissful dreams Karl; thank you for having grace this world with your stellar magic. No, not adieu, à la prochaine!

Hand in Hand – Mulgrew Miller Full Album 1993

1. Grew’s Tune

2. For Those Who Do

3. Thinkin’ Out Loud

4. Leilani’s Leap

5. Like The Morning

6. Hand In Hand

7. Return Trip

8. Waltz For Monk

9. Neither Here Nor There

Christian McBride – Bass

Lewis Nash – Drums

Joe Henderson – Tenor Saxophone

Eddie Henderson – Trumpet, Flugelhorn

Mulgrew Miller – Piano

Kenny Garrett – Soprano & Alto Saxophones

Steve Nelson – Vibraphone

This past week, I had the most lucid of dreams; this was decidedly beyond the norm. It was set at the cosy intimate funkiness of the Village Vanguard; this reanimation was, though, set on the astral plane. As in all astral plane-focussed dreams, the basement Jazz club had ridiculously high vaulted ceilings and the ambiance in the place seemed millennia old. Everyone here was of 9 strand DNA heritage and the most refined of souls. I sat at a deuce, alone, nursing a glass of Henny and smoking a decent Cohiba. Onstage the divinely gifted astral plane habitué Mulgrew Miller was alone, playing the most mind-altering Jazz piano not often heard this side of the dreamtime. I drew on a quickened breath as walking to join me, was Merlin; he wore a panama hat and a parrot brooch, both favourites of his and his loose slacks were held in place with suspenders. What was different here, was Merlin looked as he did in the life prior to being reborn in Toronto. In that life, Merlin was born creole (high yellow) in Louisiana and made his way to New York City during the Harlem Renaissance; he was an amateur Jazz musician. He sat, put his arm around me and we kissed; it had been too long since I had felt such quiet ecstasy on kissing a lover most rare. Just like that, I awoke and began flooding my art-filled home with Mulgrew Miller’s Hand in Hand.

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As ever, life is like a flying dream; if you look down, you’re fucked. Enjoy the ride and fear no one!

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©2013-2023 Arvin da Brgha. All Rights Reserved.

Theft of the American Crown Jewels…

These are America’s Crown Jewels.

1. Cambodian Crown Jewels, British Art Dealer 2. Koh-i-Noor Diamond, Imperial State Crown of UK 3. Benin Bronzes, British Museum 4. Elgin Marbles, British Museum

Like the Cambodian Crown Jewels, the Kohinoor, the Benin Bronzes and the Elgin Marbles, the rapacious barbarians of the island kingdom must have them. If it is of value then it is theirs for the taking as it has been for 1.5 millennia, most especially so for the last century with regards American awards and the last half millennium through enslavement of African peoples, the spoils of Apartheid at the dehumanising expense of South Africa’s millennia aged original inhabitants. Justifying that rape and pillage has occurred with a reanimation of Brahminism.

When Will Smith walked onstage at the 94th Academy Awards and slapped Chris Rock; he kicked opened the doors for a sea-change; however, at the time, no one could quite perceive the event for the golden opportunity it actually is. Within days of the shocking event, the violent Black man who to that point had the squeakiest image in Hollywood, at least for a Black man, was dealt with. The Academy board of governors decided to ban Will Smith from appearing at the Oscars for ten years.

Back in the autumn of 1983, Merlin and I were holding up in actor, Joe Morton’s Upper West Side one-bedroom apartment that looked south. It was there that we took vows and became committed to each other until one of us passed… we kept those vows. Joe was off in England filming a television series whilst I nursed an injury caused when in a nasty car crash. We looked at a lot of film from Joe’s library, one of which was Black Orpheus. One evening, Merlin cooked a chicken paprikash and had two other couples over, both Black. There was talk about the Oscars earlier that year and how exciting it was that Louis Gossett Jr. had one best-supporting actor Oscar for An Officer And A Gentleman, which was a landmark first. After dinner and more great sex, we returned to the discussion about the Oscars that year and Hollywood politics. I had failed to see anything exciting about winning a best-supporting actor rather than best actor Oscar. Merlin in his charming way made an analogy after he declared that not in our lifetimes would a Black woman ever win best actress Oscar; Merlin was also just brutality pragmatic and honest that way.

Hollywood, Merlin stating the obvious, was a business of make-believe where one staged the desired outcome. In that sense, Merlin shared it was the greatest propaganda tool. It is a world where reality is made in the image of what those in control, would want it to be; in such a reality, Blacks could never be seen to be triumphant. Merlin then touched on the 1936 Olympics in Berlin where Jesse Owens won four gold medals before the debased terror, Adolf Hitler, thereby shattering his belief and propaganda of a master race that’s superior and always the winner. That event, said Merlin, was a real time event which could not be manipulated to achieve the desired outcome as Hitler would have it. Then, said Merlin, Hollywood and its awards are the antithesis of real time events like the Olympics. In the world of Hollywood, even if nominated, Blacks simply were never going to be allowed to win Oscars, just being nominated was good enough and a show of Hollywood elitists’ largesse. Hollywood said Merlin is a Jewish town, after all, and thus Blacks could never be expected to win Oscars, unlike winning Grammys or even Tonys. Besides, said Merlin, Hollywood elites were obsessed with making it in London society and were in bed with royals and getting to play in the truly big leagues. At the time, that angle escaped me; however, he had made the reference to Ben Kinsley winning best actor Oscar that year for his phenomenal performance in Gandhi which Merlin and I had seen the autumn prior at the Ziegfeld Cinema on West 54th Street at midnight, which I then thought the height of sophistication.

The following afternoon, Shawn Kerwin dropped by whilst we listened to the marathon live matinée broadcast of the Metropolitan Opera Centennial Gala. Shawn had designed the golden rolodex which was on display at Lincoln Center and dropped by as she would soon be designing a play back in Toronto that Merlin would be directing. The concert was mind-blowing; we made more love, napped into evening, made more love and then had dinner in the neighbourhood, came home and talked long into the night after he finished devouring another book. As was customary in those nightly discussions, we revisited the talk of the Oscars. Merlin apologised if he sounded pessimistic but he assured me that not during our lifetimes would a Black woman win best actress Oscar. Alas, that proved true for him and just about true for me; truth be told, if 9/11 had not occurred, Halle Berry would not have won best actress Oscar at the 2002 Oscars.

Along with Will Smith slapping Chris Rock – as well he damn well ought to have, based on the latter’s hideous Netflix special of March 2023 – the unfolding drama of the Sussexes has made total sense of Merlin’s predictions of four decades earlier. I have come to see how Hollywood keeps Black actresses at bay by favouring Britons and other White non-Americans. This is not just a disservice to American cinema but it is also illegal activity. I came to see how in Meghan, Duchess of Sussex’s lynching at the hands of the Prince & Princess of Wales in concert with the Courtesan Queen cast greater insights to what causes the embargo on Black actresses winning a best actress Oscar. William is president of BAFTA which has its only foreign branch in Hollywood, which it dubiously called BAFTA North America – it has nothing to do with Canada and everything to exclusively do with Hollywood.

So why after their wedding and their first royal tour to Canada did William and Catherine, now Prince & Princess of Wales, travel to Los Angeles? As the newly minted president of BAFTA he had to be feted in Hollywood where he was expected to continue the tradition of British film artists, being disproportionately represented and winning at an American awards. They had to continue a relationship begun by Prince Philip in 1959 as first President of BAFTA. As a fledging awards, BAFTA desperately needed the cachet that the Oscars afford; old world Hollywood glamour, worldwide brand recognition and star power that remains unsurpassed.

From Prince Philip 1959 to 1965, the baton was passed on Prince Louis Battenberg (Earl Louis Mountbatten 1966 to 1972, Princess Anne, Princess Royal 1973 to 2001. Next up was Lord Richard Attenborough 2002 to 2010; the current BAFTA president, Prince William, Prince of Wales from 2010 to present.

So with the current BAFTA president, we get Tom Hanks sitting in the royal box at a Aston Villa game and we all know that this football team has been BAFTA president, William’s favourite team since childhood. The day after, Tom’s wife, Rita Wilson, attended the 2023 BAFTA Awards where its President, which is customary, rowed with his hawkish wife, Catherine, Princess of Wales. Another example of influence peddling, Mr. Hanks is a multiple Oscar winner, two-time Oscar winner Michael Douglas and his Welsh wife, Catherine Zeta-Jones live in an apartment at St. James’s Palace. Again, Oscar winners are favoured and you can bet that these American Oscar winners have been afforded honorary membership in members clubs like Annabel’s as part of the influence peddling as the BAFTA president hobnobs with Hollywood movers and shakers, in a bid to secure work and Oscar nominations for Britons working in Hollywood.

Well, if the angry Black male, Will Smith, is going to be censored for disrupting the Oscar telecast then Tom Hanks and the Douglas Zeta-Joneses should lose their Oscar vote for clearly engaging in influence peddling with the president of BAFTA. The Windsors are notorious for engaging in sketchy business deals, what with the now King Charles III, taking bags of cash from Saudi members of the Bin Laden family. There would also be nothing to stop William and his predecessors from engaging in accommodating Hollywood A listers for the sake of securing nominations for Britons at what is an American awards, the Oscars; of course, in keeping with all that elbow rubbing offered by royals, the Tonys, Grammys and Emmys will gladly favour British talent. It is not America’s responsibility to provide work for British actors and industry professionals. With a populations five times as large as the UK’s, there is clearly a dearth of talent out there, such that America never needs to go courting or employing Britons over Americans. And that it is all about influence peddling and getting to hobnob with royals, where do you see Americans favouring Canadian talent, which relative to UK’s is considerable with a population twice as large as Canada’s should see more Canadian actors being nominated and winning Oscars all this time.

1. The Great Ziegfeld Luise Rainer, 1936 2. The Good Earth Luise Rainer, 1937 3. Gone With The Wind Vivien Leigh, 1939 4. Suspicion Joan Fontaine, 1941 5. Mrs. Miniver Greer Garson, 1942 6. To Each His Own Olivia de Havilland, 1946 7. The Heiress Olivia de Havilland, 1949 8. A Streetcar Named Desire Vivien Leigh, 1951 9. Butterfield 8 Elizabeth Taylor, 1960 10. Mary Poppins Julie Andrews, 1964

Just look at this, 20 best actress Oscars afforded British actresses for an American award.

11. Darling Julie Christie, 1965 12. Who’s Afraid of Virginia Woolf Elizabeth Taylor, 1966 13. The Prime of Miss Jean Brodie Maggie Smith, 1969 14. Women in Love Glenda Jackson, 1970 15. A Touch of Class Glenda Jackson, 1973 16. Driving Miss Daisy Jessica Tandy, 1989 17. Howards End Emma Thompson, 1992 18. The Queen Helen Mirren, 2006 19. The Reader Kate Winslet, 2008 20. The Favourite Olivia Colman, 2018

Naturally, with the House of Windsor involved, acquiring Oscars is infinitely easier accomplished than trying to spirit the great pyramids of Giza to London, which if it were possible, there’d likely be one at the expanded forecourt of the British Museum, one on The Regent’s Park and the other in Hyde Park. Obviously, Princess Anne’s tenure as BAFTA president likely saw her innate disdain for Yanks and general arrogance rule, which resulted in little return on investment. The same was true when Louis Mountbatten was BAFTA president. Of course, with Woody Allen, Steven Spielberg on Epstein’s flight manifests and Roman Polanski being too ‘special’ to prosecute, Old Dickie was in his element in Hollywood. Let’s face it, the IRA had nothing to do with Mountbatten’s explosive demise, born 25.6.1900 Year of the Rat, as ever numbers never lie. 7.4.5 = 7. Two 7s and a 5 alluding to sexual scandal; one or more 7s especially if one is placed in the fourth position, will indicate assassination of a public figure. In Mountbatten’s case, the poor villagers were sick of their sons being preyed on by a known paedophile and that was that.

1. Amorous Prince David, Prince of Wales & Earl Mountbatten in India. 2. David & Louis frolicking in Hawaii. 3. David & Louis playing. 4. Prince Charles, Prince of Wales & Earl Mountbatten. 5. Charles & Mountbatten. 6. Prince Charles, Prince of Wales & Jimmy Savile. 7. Gary Glitter. 8. Jimmy Savile & Gary Glitter. 9. Steven Spielberg & BAFTA President, Richard Attenborough. 10. Steven Spielberg & Harvey Weinstein. 11. Jeffrey Epstein, Prince Andrew, Duke of York, Woody Allen, Bill Clinton & Donald Trump. 12. Prince Andrew & Jeffrey Epstein. 13. Jeffrey Epstein & Donald Trump. 14. Prince Charles & Equerry Jonathan Thompson. 14 Prince Charles & Valet Michael Fawcett.

Prince Louis of Battenberg aka Earl Louis Mountbatten was human and it would certainly not have been the first time that persons associated with the House of Windsor, have had a preference for minor meat or favoured paedophiles. Sexual predators who are deemed untouchable for being of royal, Queer or Jewish persuasion rule a town called Hollywood and you can bet your bottom dollar that there is no room in their worldview for Black actresses being worthy enough for best actress Oscars. I’ll always remember going to an Upper West Side dinner party in winter 1983 whilst Merlin was in Toronto, working on Fraggle Rock with Jim Henson and talk of Hollywood came up. I was with a dancer who was transitioning to the world of fashion and design and successfully at that. Before then, he had lived for a couple of years with a famous actor in Hollywood; he hated having a sugar daddy so returned to New York. Aaron, who was great fun, died too young of AIDS but I’ll always remember his assessment of Hollywood: the world’s most exclusive escort service successfully masquerading as an entertainment business. “It is nothing more than Mecca if you are a sexual predator.” Two others at that dinner party wholeheartedly agreed with Aaron’s perception. Aaron had the thickest cock I have yet in all my years seen; thankfully, he happened to have been the most aggressive bottom yet encountered.

Indeed, what Merlin implied by not in our lifetimes, would there be a Black best actress Oscar winner, is that the Oscar is the penultimate icon of White female exclusivity and superiority. It is the most racist iconography in American culture. It is also tied to the UK Royal family in a display of American inferiority complex after having fought a war to be rid of Britons and their monarchy. Especially sobering is the fact that the very President of BAFTA, Prince William, Prince of Wales has been outed in his brother, Prince Harry’s phenomenal royal memoir, SPARE, as being the leader of the racially predatory campaign of harassment, mental, emotional and likely physical abuse, all of which was glaringly accomplished with the tacit collusion of the Fleet Street abattoirs and persons like Princess Michael of Kent who happens to be the mother of the Prince’s known closest royal friend, Lord Frederick Windsor.

Meghan, an American actress has been treated like absolute filth, yet no one in Hollywood has spoken up in her defence. Meghan’s articulateness and impeccable social skills are seen as reasons enough to resent the ‘Yank’. Moreover, Meghan is that most unacceptable of propositions not just to the British royal family but to the very core of its collective consciousness, Meghan is Black and descended of slaves of which no nation profited more mightily from the enslavement of displaced Black Africans than the British and its royal family. Of course, Hollywood does not care to get involved because the only sanctioned troubled history that is celebrated by the Academy, is the pain, struggle of Jews in Europe which resulted in the Holocaust. For that reason, it is almost an existential threat to the Academy and Hollywood’s sense of self and entitlement to ever have to acknowledge Black American history in America cinema. Indeed, Hollywood has never even done more than exploit the indigenous American population’s rape and pillage of culture and genocide of a people, because as with Black Americans, it would prove more worthy of American cinematic focus for obvious historic reasons than sectarian European history.

Anything and anyone who remotely threatens Hollywood’s sense of self and its agendum of focussing almost exclusively on the Holocaust with respect to what is deemed disturbing history and worthy of being focussed on and highlighted, is simply cancelled. Good god, look at Tom Cruise in what clearly is sectarian bias, no matter how much of a box office champ and how compelling his acting chops have been, an Oscar continues to elude him. Apart from his blockbuster actions films, all of them, what I love about Tom Cruise is how exquisitely he captures young soul angst with his acting. From Rain Man (1988), to Jerry Maguire (1996) or the exquisitely cinematic, Eyes Wide Shut (1999) the man’s a brilliant actor and no one but a young soul would so daringly do his own stunts in film after film after action film. All this deliberate denial because he is a Scientologist; just imagine if Jews were being so targeted and overlooked by the Academy but there it is in bold, unmistakable reality.

Similarly, James Cameron, a Canadian, is simply not great enough of be imbued with genius such that his towering greatness must be celebrated. In 2009, that society that serves as a paragon of racialised superior consciousness (Britain) and arrogantly so, did not award a single BAFTA to James Cameron’s 1997 film, Titanic though receiving 10 nominations. In America that year with 14 nominations, Titanic was awarded 11 Oscars. As far as Britons are concerned, it is not a British film, therefore they do not care and their grudge and disdain for ‘Yanks’ is all the more reason why Titanic was shut out of the BAFTAs. How is this even possible when there was a direct involvement with Britain with this very real and ground-breaking film? The Titanic did set sail from Britain for America; Britons were lost at sea when the Titanic sank.

Not wanting to seem like an afterthought and god forbid a third-tier awards, on taking over as BAFTA president, Richard Attenborough had the awards moved up to February, post Oscars April or May, thereby preceding the Oscars. This afforded the BAFTAs cachet as they were seen as a forerunner of how the Oscar winners would be determined. In a bid to maintain relevance and continue its role of influence peddling in an American industry, BAFTA has set up a wing in Beverly Hills and had the balls to call it the North American wing; leave Canada out of your influence peddling racket, the objective is to influence the Oscar nominations and winners. Of course, in turn Oscar winners find themselves being afforded the exclusivity of the royal treatment as with Tom Hanks at the Aston Villa game on the eve of the 2023 BAFTAs and Oscar winners Michael Douglas and Catherine Zeta-Jones being allowed to live in an apartment at St. James’s Palace. So that no one should go getting ideas, she is a Briton and he, of course, is Jewish Hollywood royalty and it certainly would not be extended beyond such persons. Certainly, not when the current BAFTA president and his wife and known anti-Black racists.

Thanks to Britons’ gross sense of entitlement and flagrant superiority complex, they do not care what the world thinks. Their awards criteria and their members decide who is deserving of winning a British award and you can bet it won’t be a damn Yank. From Beyoncé being snubbed at the Grammys in favour of Harry Styles then having the Brit Awards favour Harry Styles over anyone else. This fruity little drip regardless how flagrantly he swishes his AMS (arse-munching ‘stache) and cross-dresses, above all else, he is a White male and he will not be ridiculed by radio DJs the world over. I’ll always remember my proud First Nations brief lover whilst at a pow wow in Merritt, B.C. saying, “Gay people are first and always White people… people like you and me do not count at the end of the day.” Sage words indeed. Look at this silly photo of the flagrant little industry-used manwhore, I am reminded of the swell little, ridiculously hysterical French-Canadian actor friend of Merlin’s. From the moment we met, it was evident that it was merely a matter of time before we would be carrying on like gibbons en chaleur. A friend of his had approached Merlin and asked if I would step in for him whilst he covered elsewhere for someone whose lover was severely ill and dying of AIDS. It was supposed to have lasted all of two, at the most, six weeks.

Standing in for a friend of Merlin’s, dressing on Cats at the Elgin Theatre, was a memorable experience because Jean-François and I would be sharing the same floor backstage as the Andrew Lloyd Webber musical printed money like it was going out of style. Post intermission, JF and I would have the most fun. As all theatre folk are predominantly sage souls, which he was, he was entertainingly witty and given to reciting dialogue from a range of Bette Davis films. Mostly, Lauri whose wife also did wigs and makeup was fun to be around as JF and I carried on. One Wednesday, after matinée performance, JF and I returned to the theatre off the Victoria Street tech entrance. We had just rushed down from the top of the street where it dead ends into Ryerson Polytechnic Institute, which now goes by whatever name du jour. As we returned, we were laughing hysterically which Lauri with a sly wink declared, he could well imagine what trouble we’d been up to. Truth be told, we were detained by aggressive security as JF, Toronto Dance Theatre dancer René Highway who was a lover of Merlin’s who preceded me by at least two others, actor Denis Simpson of TV’s Polka Dot Door were caught in a stall together being riotously salacious. Little did I know that as I banged on the side of the stall, “Oh fuck yeah, put your fucking tongue right there!” there was a security guard in the stall next door spying on us. His radio went off, giving away the plot and to prevent my raucous laughter, Denis began aggressively kissing me. The damage was done though, because before we could scramble out of there, the security guard’s colleague had come to join him as he braced himself against the door in an attempt to have us detained. In no mood to be messed with, I grabbed JF’s half finished Styrofoam cup of coffee and tossed it over the stall door onto the killjoy guard. Though we tried to bolt, his backup had locked us inside. Denis copped hauteur and feigning outrage, demanded to be let out at once as he had nothing to do with any of this. The cheek! Tall, imposingly debonair, just like that Denis abandoned us with René, who never said more than two words at any given time, slithering out with Denis. Merlin said of René, you have a great fuck then afterwards, there’s nothing there; simply no signs of intellect. You can bet your bottom dollar, I howled at his assessment. After too much silly cop-playing nonsense, JF and I were released and told to never set foot on the campus again… as fucking if.

Stage left alcove with Lauri close by, JF fell to his knees, doing a deadpan Bette Davis impersonation from Jezebel, “Arvin. Arvin, I’m on my knees… I’m pleading to you…” All the while he kept looking from my crotch to my face his eyes large and yearning whilst suggestively licking his lips; Lauri’s laughter in the corner almost drowned out the caterwauling coming from onstage. Next, it was my turn to be witty, removing the band that gathered my recently permed hair, my Bette Davis rebuttal came from Cabin in the Cotton as I giggled and replied, “Well, of course, I’d love to hogtie and fuck you silly but I just permed my hair… bye now.” Turning, I made towards Lauri in the alcove whose laughter was continuous and just then, JF put his hand in my hair, making it an unruly mess. With that, he took off rushing to the back and through the door onto Victoria Street with me giving spirited chase. As it was the mid-1980s the street was a darkened affair with the foreboding sight of St. Michael’s Hospital across on the east side of the street. Facing north on the west side on the street, JF squatted on the kerb and began offering his arse whilst I grabbed his hips and soon we both dissolved in laughter, working off the stress from being earlier held hostage by aggressive security up the street.

Of course, today Victoria Street is no longer a deserted affair after dark. Last year, Massey Hall at the southwest corner of Shuter and Victoria streets reopened after 190$m renovations. Of course, it is just in time for the 70th anniversary of the most phenomenal live Jazz concert recording with the famous ‘Salt Peanuts’ performance. To Massey Hall’s rear and half a block down Victoria Street is the back of the Elgin Theatre. The 60-storey Massy Tower condominiums sit on the east side of Yonge Street and two doors north of the Elgin Theatre’s marquee between Queen Street East to the south and Shuter to the north. Jean-François was devastatingly funny and vulgarly laughed at everyone and everything; he was as intimidating as he was diminutive. He favoured me as ours was a physical relationship that was purely fraternal and nothing more than robust, healthy sexual play.

A couple of years after Merlin’s passing, I was then habituated in the Beaches, one of Toronto’s more glorious neighbourhoods which, like Moore Park, is lorded over by the tallest oaks, and bordered to the south by the boardwalk, beach and Lake Ontario beyond, which proves a putrid malodorous cocktail in springtime. The Beaches’ high street is Queen Street East with its noisy 501 streetcars; I then lived just beyond the end of the Queen streetcar loop at Neville Park on the south side of Queen. To the north the Upper Beaches was the tonier part of the neighbourhood with the most commanding views of the city and lake beyond or below. I really loved living there. About that time, in 1991, I received a call with news of Jean-François. I had last seen JF a couple of months earlier as he came by and visited but we didn’t have sex; Merlin was dead of AIDS, which meant that I had unredeemably become perished fruit. Years earlier when we had just moved to Cabbagetown’s 20 Amelia Street, JF dropped by unannounced whilst we visited with chef Gary Martin who was a source of playful raucous man-loving. Having heard about me JF came calling, whilst we visited in the back garden, Merlin cock-sucking a joint, Gary sharing on it, JF lit up a cigarette and offered it as he tried charming me; grabbing his hand at the wrist, I elegantly moved the cigarette away and coolly stated fact, “Sorry, I never suck on anything less than nine and a half inches… ever.” Jean-François tossed his head back and roared and declared that he was besotted. Gary cooked yet another sublime dinner and after, Merlin continued enjoying a joint whilst onlooking at me ploughing Gary who always had to have the large mirror in the hall on the floor to look at himself being ploughed right; Jean-François leapt in and kept his faced hungrily buried between my pumping buttocks.

Luckily, in a big city, you can nicely experience a new incarnation which has positively nothing to do with your previous existence. Soon enough, lovers aplenty were de rigueur and I began exploring my true metier, the world of S&M. For Jean-François, in a bid not to become HIV-infected, he began going after barely legal youth, freshly arrived in the big city and on the make, whom he enticed with his snazzy motorcycle. So it was as JF brought home a couple of straight boys to his lovely apartment above a drugstore along Eglinton Avenue West just west of Upper Forest Hill, his couple of tricks stole his sporty motorcycle after murdering him, cutting off his cock and sticking it into the gash of his slit throat. There unsurprisingly was blood everywhere and my response on hearing the news of JF’s demise, was to have done as he would have, “Well thank god those fucking forensic guys carry a tweezer in their toolbox…” a quip at JF’s tiny, boyish cock. The laughter the friend and I roared, was a fitting tribute to JF and also the only way to have responded to such shocking news of such a violent passing… Jean-François honestly would have appreciated the humour of the situation.

So there was the BAFTA President, Prince William, Prince of Wales with his combustible wife kitted out in her ‘fist-me-now’ black opera gloves, onlooking as Cate Blanchett won best actress BAFTA for TAR, a film which frankly is much ado about fuck-all. It is about her iconic whiteness – her blondness and blue-eyed superiority which is what the Oscars are about; however, when it comes to best actress the BAFTAs afforded the royal seal of approval. Thus Michelle Yeoh sat there at Royal Festival Hall and watched Cate win best actress BAFTA and that was that. Britons do not give a damn; besides, they are royals and all that, never mind that that blasted uncouth boor will break protocol more frequently than a duck shitting, lui même Madame Plotte-Visage, the Courtesan Queen – more of that later.

1. Kerry Condon 2. Dolly De Leon 3. Carey Mulligan 4. Angela Bassett 5. Hong Chau 6. Jamie Lee Curtis

So the BAFTAs decide that this is a good enough field for best supporting actress BAFTAs 2023. Of course, Kerry Condon is not a Yank and is close to being British for being Irish and that’s that. In this pre-Oscars awards, both Angela Bassett and Jamie Lee Curtis were passed over.

1. Cate Blanchett. 2. Viola Davis 3. Michelle Yeoh 4. Danielle Deadwyler 5. Emma Thompson 6. Ana de Armas

With the Oscars, Cate Blanchett who had been favoured was defeated by Michelle Yeoh. Of course, though much was made of Angela Bassett being a sore loser to Jamie Lee Curtis for the best supporting actress Oscar, Jamie Lee won it for two reasons, she is second generation member of a Hollywood acting dynasty; more importantly, she is Jewish and in Hollywood that trumps everything else. With Michelle Yeoh’s historic win, no one dare levelled accusations that it was mere tokenism or some woke agendum.

1. Ana de Armas 2. Andrea Riseborough 3. Cate Blanchett 4. Michelle Williams 5. Michelle Yeoh

For that matter, there was no talk anywhere of Cate Blanchett having been cheated out of her rightful best actress Oscar award. Naturally, the argument is that Black actresses are just not good enough or worthy enough to be cinematically lauded. Of course, Angela Bassett, Viola Davis and Danielle Deadwyler, in the case of the latter two, they portrayed not just strong Black women but they were also historical figures. This for Hollywood is wholly unacceptable; American history simply cannot expand to cinematically include African Americans. What’s more, avoiding American history at all costs is preferable, this explains why a film like Everything, Everywhere All At Once fared so well at the Oscars, it had positively nothing to do with American history and did not in any way threaten what Hollywood deems the only history worthy of being cinematically celebrated by the Oscars. As the saying goes, in Hollywood – the land of make believe, Shoah business is the only American history worth celebrating… cartographers be damned. And unlike the unpredictability of Jesse Owens’ performance before Hitler in 1936, Hollywood does not real-time events. Hollywood as 1968’s best actress Oscar tie validated, is about manipulating reality to serve its need and one’s heroic place within the culture: better than, special, innately entitled.

Broadway Actor, Audra McDonald

Though Hollywood would like to keep Black actresses oppressed and give the impression that they are not capable of commanding the screen and thus not deserving of Oscars for best actress, that is all challenged by the fact that Audra McDonald, is the most decorated leading actress on Broadway in its history with 6 Tony awards. Naturally, if Audra were an actress in Hollywood, she would never have been considered for any Oscar nomination above supporting actress. Hell, even Viola Davis won best supporting actress Oscar for a role which was always a lead on Broadway and won a Tony award in that category for the play adapted to film, Fences.

Halle Berry Best Actress Oscar Acceptance Speech 74th Academy Awards, 2002

Just look at how Briton, Helen Mirren looks on at Halle Berry during her best actress Oscar acceptance speech in 2002. She was clearly displeased and thought that the award ought not to have gone to some Black upstart, who was making some ridiculous ‘race’ speech or other. There, too, was that blasted little garden gnome whom we know is a favoured inner circle member at the court of the ugly-no-blasted-motherfuck Courtesan Queen, who has time and again made no effort to hide her disinterest in the otiose Persons of Colour the world over.

Maori Dancers Performing Haka at Commonwealth Service, Westminster Abbey, 2023

Just look at the way she walked past the barefooted Maori celebrants outside Westminster Abbey at the Commonwealth Day Service, 2023. It was heart-warming to see the Duchess of Edinburgh bump her left shoulder into HM King Charles III’s right shoulder and humour him as he clearly needed to be pulled away from the displeasure, he no doubt would have been experiencing for being born in the Year of the Rat and disrespected by that blasted Couchon, who has been unrelentingly wrecking the House of Windsor for near half a century. The damage ‘Ugly Duchess’ continues doing to HLM Queen Elizabeth II’s 70-year legacy, is incalculable.

Perception Is All.

The video above is of French colonials in the then French colony of Vietnam. That was in 1900, not 1900 years ago or 19,000 years ago. In less than 6 generations tribal perceptions change little. This is how the White tribe perceives non-Whites with varying degrees of scorn and animus. What most Whites have had to do is aggressively adapt such that this primal perception of their place in the scheme of things, is deeply guarded, camouflaged and made to seem irrelevant. Of course, the power of the gun assures them that this sense of self and place in the scheme of things are little challenged.

Indeed, the House of Windsor has been possessed of this entrenched sense of self and place, in its most recent incarnation, since the reign of Queen Victoria. The two White females tossing grain and coins at the ‘natives’ in Vietnam, were contemporaries of Queen Victoria’s, whose misogynoir was emulated and upheld by Queen Mary who groomed both Queen Elizabeth, Queen Mother and HLM Queen Elizabeth II.

Queen Elizabeth II Sharing Racist Anecdote

One should not be surprised at the Queen’s 1969 documentary in which she tells a racist joke, to which Charles heartily laughed. Charles’s heir, rather than son, Peggalicious & Fisted is an avowed anti-Black racist; of course, so too is the Courtesan Queen, who has made no bones about giving no fucks about the otiose little non-White peoples.

Royal Tour 2019: St. Kitts & Nevis, St. Vincent, Grenada, St. Lucia & Barbados

The four minute mark of the above video and on their arrival in St. Vincent, Camilla carries her trusty parapluie and to make sure that she doesn’t have to shake any of the ‘natives’ hands, she carries a handbag in the free hand. This woman is a right piece of work and a true heir of the French colonials tossing grain and coins at the Vietnamese.

Just look at her! Couchon…

The infamous open ridicule of Inuit throat singers, causing Governor-General Johnston to look at her as though she were a lunatic from Mars will not soon be forgotten.

Just Look at the Old Kook; Always Looking As Though She Just Fell Off Her Broom

Her most recent I’ve-no-fucks-left-to-give moment: 2023 Commonwealth Service at Westminster Abbey. She just walked past the irrelevant persons of colour and of course compensatorilly clutched her hat as though it were Dorothy’s cabin about to take off; as if she’s not always got a broom to hand.

1. Norma Shearer 1930 2. Luise Rainer 1936 & 1937 3. Judy Holliday 1950 4. Simone Signoret 1959 5. Elizabeth Taylor 1960 & 1966 6. Barbra Streisand 1968 7. Marlee Matlin 1986 8. Helen Hunt 1997 9. Gwyneth Paltrow 10. Natalie Portman

There is much that you can glean from the line up of the best actress Oscar winners above. They are an insight into where power lies in Hollywood and one should never be mistaken about that. This power block is whom, much like the two French colonials in 1900 decide what pittance Blacks in American cinema receive. Of course, had 9/11 never occurred, there would have been no need for Halle Berry to have won best actress Oscar in 2002. This was hastily done as there was great fear that if terrorism were to become de rigueur, a guaranteed weekly affair across America, one would need to lay low and not provoke wrath from the American public at large. Of course, by the 76th Oscars two years later, there was no such threat and it has been back to the norm of Black actresses chances of winning best actress Oscar decidedly negligible.

How Like French Colonials in Vietnam, One Tosses A Best Supporting Actress to A Black Actress Now and Again

That Hollywood does not have two fucks to give what it looks like, was validated when in 1968, it was speciously alleged that there was a tie and just as with Gwyneth’s Cinderella Oscar, so too was Barbra Streisand awarded an Oscar because one can and did. Obviously, it is not a question of Black actresses not having acting chops, deserving of best actress Oscar, just as with the French colonials of 1900 Vietnam, Hollywood’s elite have long decided that Black actresses are not deserving of any such accolade; goddamn it, they are just not people enough. Goodness, that would make them more than maids, whores, junkies and dumbasses.

Hollywood as throughout human history, is just another society with its various strata and the one stratum that gets you lifetime membership at LouLou’s, Annabel’s and Maison Estelle is the one that sees you awarded best actress. In the case of best actor Oscar that’ll get you membership at Mark’s, Harry’s and Oswald’s. Alas, Black women need not dream; as Meghan has validated, Black actresses are the one group of actresses who are most undesirable whether for senior royal status or Hollywood’s ruling elite. Don’t ever fool yourself into thinking that Hollywood’s elite are a liberal bunch; they are the most vile, racist, royal sycophants on the planet – this is why Oscar winners Catherine Zeta-Jones and Michael Douglas live in an apartment at St. James’s Palace. They have wanted in, have gotten in and it’ll all culminate with Prince George marrying a nice Jewish girl – actress or otherwise. It will happen; in the meantime, they – royals and Hollywood elites – have seen to it that Meghan’s Cinderella moment could be undone and how handsomely they toiled and won. It’s a perfect business arrangement, Hollywood wants the exclusivity of royal sanction and access and for the royals and their shitty, third tier BAFTA awards, Brits get Oscars in return for preferred Hollywood elites sitting in the royal box at an Aston Villa game, living at St. James’s Palace and everything else in between, including all the minor meat they favour.

Hell, what’s all that to Harry and Meghan; they’ve got each other and are growing richer in spades with every venture they explore. Meanwhile, when the Pegged & Fisted Bourbon bastard finally gets a divorce, the inarticulate Edward Gorey silent era ingenue will draw on her coalminer pedigree and go full Jerry Springer on the House of Windsor. No Sir, Catherine will not go quietly and doe-eyed like her mother-in-law, Diana, Princess of Wales did. She will fight dirty and shake up the pantomime in ways that not even Hollywood could fathom.

Whether Emmy Awards, Grammy Awards, Oscar Awards or Tony Awards (EGOTs), American awards are about celebrating American culture with the able contribution of American actors and artisans being cited. Clearly, as demonstrated by repeated instances mentioned herein this blog, there is a clear-cut case of influence peddling on the part of the Presidents of BAFTA past and present, resulting in examples cited be it Michael Douglas & Catherine Zeta-Jones Oscar winners living in an apartment at St. James’s Palace to fellow Oscar winner Tom Hanks, being afforded VIP access to Aston Villa matches. If indeed Armenian-Americans were the most powerful group in Hollywood, American Cinema, then there would doubtless be greater inclusivity and all American actresses being celebrated for their work. Indeed, all aspects of American culture would be celebrated in such a paradigm. As is obvious from Viola Davis winning a best supporting actress Oscar for a role which is a leading role, clearly there is a validated case of discrimination and double-standards at play.

Warriors of the High Country

Oil on Canvas

24 x 20

©2008 James Ayers

American cinema has to reflect American culture in all its pandimensionality and this is not the case. From the number of British and Jewish actresses who have won best actress Oscars relative to Black and Hispanic/Latina American, there is a definite case for legally challenging the discriminatory practices of the status quo. When is there going to be a film about the human drama that unfolded as a result of the terror attacks on 9/11? When are there going to be historically accurate films, telling the story of Indigenous Americans sacrifices and genocide. Heroic films from varying perspectives have yet to be made that dealt with the human costs of the American civil war. It is incumbent on the actors unions and others in the industry to challenge this discriminatory practice by way of legal action, ACLU, class action lawsuits, hearings in congress and legal action going all the way to the United States Supreme Court. The exclusion of Viola Davis or Danielle Deadwyler at the 95th Oscars is a clear example when they were passed over in favour of a British actress, Andrea Riseborough who appeared in a utterly dismissible film and performance about which no one knew a damn thing. Two Black actresses were passed over at the Oscar nominations for very strong roles where at the BAFTAs they were celebrated by being nominated.

If any practice is an insult to intellect, demonstrates influence peddling and proves a clear-cut case of discrimination based on race and or gender then there is no dearth of lawyers in America, who cannot take on an American actors union class action suit to address and correct so glaring an ugly case of racism in America, to say nothing of that decades long practice being an injustice. Hollywood elites do not fill movie theatres, nor for that matter do Britons seeing American films lead to blockbuster box office results… Americans do! Unlike the Festival International du Film Cannes and Toronto International Film Festival, the Academy Awards, despite tacking on international to the name, is not an international film festival. Furthermore, the Academy Awards are an American film awards and not obliged to be featuring and awarding prizes to Britons as the awards have become. If you want an Oscar then damn well choose to reincarnate an American. Period. Just as if you want to be elected American President, the onus is on you to choose to reincarnate an American born citizen. The House of Windsor has no right to be wielding influence on the Oscars or any other aspect of American society; a damn war was fought and won about being bullied and over-lorded by Britons and their royals. If this is not challenged in due course, the problem of Black actresses being passed over in favour will endure for the foreseeable decades of this century and well into the next. Of course, if Blacks protest this, Hollywood’s elites in collusion with the British royals will simply see to it that all many of non-Black non-Whites will suddenly be favoured and awarded Oscars.

Brits Are Not Played Off At An American Awards, Or Are the Academy Awards Exclusively An American Awards?

Darling, the rules are very clear; if you don’t like Black people, fuck you!

Samara Joy live in NYC [full concert] | Trinity Church Wall Street | Nov 8, 2022

Samara Joy – Vocals

Ben Paterson – Piano

Felix Moseholm – Bass

Evan Sherman – Drums

At long last, a griot of the highest order has incarnated among us; long live Black high art, Jazz!

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As ever, life is like a flying dream; if you look down, you’re fucked. Enjoy the ride and fear no one!

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©2013-2023 Arvin da Brgha. All Rights Reserved.

Oh What Joy!

Samara Joy 11/11/1999 Rabbit 2.4.5 = 11

six parts Sarah, four parts Ella, along comes Samara and oh what absolute Joy!

Samara Joy Stardust Hoagy Carmichael

Vocals Samara Joy

Keys Richard Clemens

Drums Cook Broadnax

Bass Bryce Sebastian

©2022 Grant’s Tomb, New York City

Nothing warms the soul like the beauty of the Black voice in musical flight; it is the very essence of who we are. This is why, Jazz has always been and will always be Black culture… know that. Happy Black History month because we matter!

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As ever, life is like a flying dream; if you look down, you’re fucked. Enjoy the ride and fear no one!

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©2013-2023 Arvin da Brgha. All Rights Reserved.

You’re Not A Spare; You’re Harry, King of Hearts. SPARE Book Review

Prince Henry, Duke of Sussex, King of Hearts!

Prince Harry, Duke of Sussex on Late Show with Stephen Colbert Promoting SPARE

Whenever I travel to a city, I always stay within close distance to a crystal store. I want to be exposed to their vibration and thereby harmonise with that city’s groove. In November 2018 when in town for the 100th anniversary of Armistice Day and Royal Ballet’s production of La Bayadère, I stayed at a hotel in Russell Square so that I could be in walking distance to the British Museum, Covent Garden. I got to the Astrology Shop in Covent Garden and took my time, trying to find a couple of crystals that I could keep in my pockets at all times. Besides, the best most fragrant sagebrush can be found at the Astrology Shop. The day of the Remembrance Ceremony, I stood just to the right of the Cenotaph and opposite the balcony where eventually Meghan, HRH Duchess of Sussex stood with the German President’s wife. I wanted to be there because I knew that HLM Queen Elizabeth II, looking at the state of those canker sores on her shins, was not much longer for this world.

Meghan, HRH Duchess of Sussex Remembrance Ceremony, 2018

Standing there, at times I had to reach into each pant pocket and clutch the crystal therein after the vile hateful remarks of positively everyone about me made of Harry’s wife, Meghan, before she and the rest of the royal party came to those three balconies. There were times when for sending focussed light energy directly to Meghan to protect from the island kingdom’s racially predatory, hateful focus, the crystals actually became warm in each palm. I was exhausted at the end of the ceremony, eventually making my way to the Queen’s Gallery at Buckingham Palace and taking in a beautiful exhibition that celebrated Queen Victoria’s empire building family, not before the most hilarious cab ride.

The beauty of Prince Harry’s book is that it so undisputedly validates what I have expounded all along about the major royal principals, based chiefly on their numerology. Yes, of course, I have also relied on their Michael Overleaves; however, what I have never done is focussed on their astrology, which is often not remotely accurate. The truly leonine person, for example, is not someone born with the Sun in leo but someone with the Moon in Leo, though, that is obviously possible. Though a Leo, my Sagittarian Moon is a more accurate insight to my emotional makeup than anything else. That aside, the numerology, which never lies, is the real measure of any person’s true character.

Princess Eugenie & Jack Brooksbank at Pippa Middleton’s May 2017 wedding

When initially the Telegraph’s royal reporter, Camilla Tominey speciously reported that Meghan had made Catherine cry, I knew after a quick review of the principals’ numerology that it was a lie. Clearly, the church guests rule was specifically intended to ban Meghan from attending the church portion of the Middleton-Matthews wedding. If Meghan were seen attending the church service then both Catherine and Pippa would readily have been eclipsed. This was an early example of specious and wholly arbitrary rules employed to keep the Yank, the Black Yank, out of the picture.

As Prince Harry, King of Hearts, has poignantly documented in SPARE, the truth, his and Meghan’s had to be revealed to show the extent to which the Waleses’ monstrosity was being protected by the Fleet Street abattoirs. How could these Britons realistically think that they could dismiss a ‘Yank’ in their midst and it not get out. It is not the age of steamships and telegrams. Everything is out there. What the senior royals and their Fleet Street abattoir hacks did not envision, was Henry & Meghan walking.

Obviously, the book is hands down a winner! Here are my takeaways. As to why Harry was so self-revelatory; this has always been one big high stakes PR game. In revealing chatter about his todger and drug use, he readily squashed any potential of the tabloids coming out and releasing this to eclipse his book and, as it were, shame Prince Harry. The most hysterical thing for me was when I was called by a friend and asked if that was a lucid dream that Harry was having when staying at Courtney Cox’s place. That provided a good laugh as I assured him that he was talking about the effects of doing drugs at the party but since nothing less than 9.5 inches ever goes in my mouth and I’ve never done drugs, it had to have been about a drug trip but what drugs I hadn’t a clue. Certainly, dreams don’t go there as in that experience that Harry described.

Young Virgin Auto-Sodomized by the Horns of Her Own Chastity Oil on Canvas 1954 Salvador Ali

Sometimes, what passes for reality is truly as though a bad drug experience. Though I lived at 380 Assiniboine Avenue’s Bessborough apartments in Winnipeg, I spent evenings from time to time at Arjun’s tiny apartment on Broadway Avenue. One afternoon, in the midst of winter as I walked home in shoes and socks that were soaked with loud-smelling piss, he had pulled up, and offered me a ride; it’s too cold to be on foot, he negotiated with the warmest smile that matched his large, light brown eyes. He truly was a godsend. I got in hardly able to walk and he thought that I had injured myself; my shoes and socks were frozen to my feet. Someone, though, I had a pretty good suspicion who it was, pissed into my locker with the grated wire door and into my socks and shoes. This only ever occurred when there were snow squalls and the temperatures well below -30°C with the wind chill. He drove a cab for extra cash as he struggled post divorce. Arjun was horrified when he saw my swollen, frozen feet with socks and shoes hard to remove. He made a mean curry chicken and after he would give me a beautiful massage after having tied me off and performed the most maddeningly slow, warm-oiled manual massage to climax whilst we sat opposite each other, naked on dining room chairs. Most of all, Arjun taught me numerology; he felt it was necessary as he discovered that I had master number 11. I always recalled him saying that my little accidents at the Royal Winnipeg Ballet school whenever it heavily snowed was like a bad dream. Faithfully, as promised, he was always there waiting for me outside when it snowed and was bitterly cold as I emerged in piss-soaked socks and shoes. The moment that I saw Princess Michael of Kent in that blackamoor brooch, I became a staunch supporter of Meghan’s. I knew what harrowing put-through it was to be a lone Black, entering into what is a traditionally all-White institution, an institution which after having amassed fantastic wealth from the enslavement of Black Africans could not be expected to be anything but racially hostile to Blacks, which has been most focussed in William and his wife, Catherine.

Standing there at the Cenotaph in November, 2018, and seeing HM The Queen for the last time, I was keenly reminded of how important it was to support Meghan. First hand, from all the people around me, who said the most vile hateful things, all I could do was visualise. Holding on to those crystals, I sent her light energy from the crystals, to enlighten and protect her from the hateful maelstrom being directed her way. As the ceremony endured, I thought of that energy being used to replenish the bile being projected onto her which I then drew away and had the plane trees on either side of me absorb, send to their roots to have it eaten, cleansed and returned from the warm earth, travelling to me via the plane trees’ crowns and the cycle perpetuated. There was no way that Meghan would not have been the focussed campaign of rejection and racial animus from William and Catherine for both being possessed of 9 in their numerology.

Too, it was good to have gotten a thorough appreciation of warrior soul, Prince Harry’s time in the combat zone. He was as soldier who had performed in the war theatre and had survived. Harry needed to have devoted the second of three parts of his inspiring memoir to his military service as a way to present himself to his newly adopted homeland, America.

Above all else, Americans respect veterans. This is such a poignant photograph of soldier Harry. He has been on a mission to avenge his mother, Diana, Princess of Wales’ murder and nothing and no one will deter him on his quest. All the successes of the Sussexes are directly a result of Diana, Princess of Wales being there in their corner.

This book is not just about the structural racism of the House of Windsor and British society as a result of its past as colonisers and enslaving imperialists, it unveils a rather telling aspect of post colonialism. In all my seven decades, I know of no one Black: rich, middle class, creative or otherwise who has ever once spoken of a desire to go on an African safari, have been or know of such things. Prince Harry accounts of his retreats to Botswana’s Okavango delta speak volumes. Here is a realm of human experience, which just a few thousand miles away, tens of millions of Blacks are held captive in poverty, the vestiges of post-Apartheid colonial South Africa, which still stridently exists – political window dressing notwithstanding, and about this they know positively nothing. Seeing this aspect of human civilisation through Prince Harry’s eyes, was deeply inspiring but profoundly devastating. The very essence of Africa, one giant getaway for predominantly Whites to enjoy unencumbered by the misery of Black Africans, Blacks elsewhere about which they have no input, was plainly revealed in Prince Harry’s journeys. The most devastating part which made me break down and cry was listening to Prince William, he of the prejudiced 9 mindset, insisting that Africa was his not Harry’s; A whole fucking continent, the homeland of a diverse, culturally rich people the world over of Black African descent, being spoken of as though Africa were the exclusive property of a blasted White male who could not be anymore out of touch with the 21st century than if he were teleported back in time to Han Dynasty China. Of course, what William was referring to, was the rich animal kingdoms in Africa which exists nowhere else; he couldn’t in the least have given a shit about the dredged scourge that is Black Africans’ lives and their culture.

Of course, in that moment, I was reminded of the vast disconnected that exists between Blacks, the diabolical lengths we go to, to deny our Blackness and our connectedness to other Blacks. Knowing that he was going to die, Merlin wrote letters to many of his professional associates, most in the States. As they shared the same eponymous agency, Joyce Ketay, which later became part of the Gersch Agency, Merlin wrote to actor, Joe Morton whom he had directed in plays and who starred in in the film, Brother From Another Planet. They always got on famously. On receiving the mail in November, 1989, Joe called up from L. A. and said that he would be coming up to see Merlin. It was the most noble gesture. Joe flew into town and my sister and I met him at Toronto’s Pearson International Airport and the evening was both healing and bucolic. I ordered Chinese takeout and went around to Parliament Street to collect the food with Joe and filled him in on how long Merlin had been ill; we got in and my lover who had not been able to hold down a meal in several days, joined in and picked at the food and did not even throw up. As this was the age, long before cell phones’ ubiquity, Joe used our phone to call his wife in L. A. and check in. Some time later, we were having refreshments, they coffee – I can’t abide the stuff and I tea. At some point, Merlin had misjudged his strength and the distance to the coffee table piled high with books, one of which was Luigi Serafini’s magical masterpiece, Codex Seraphinianus. From my perspective across the room all the spilled coffee had not been sopped up and not wanting it to damage the books, I got up and used my napkin to clean up the rest of the spilled fare. Almost violently, Joe snatched his Sprint phone card, from atop one of the large coffee table books, creating an awkward millisecond of social aggression. This is the sort of thing that if Merlin were not ill and he were not staying in our house, I’d have walked Joe to the door and violently slam it on him. After he got up in the early hours, my sister came by and drove him out to the airport where a very large moon was close to the horizon. When I got back to the house, Merlin apologised and said that it was most devastating because he realised that if he were Black rather than Jewish, Joe would not have bothered to fly into town and visit him. It was one of the many times that Merlin, an ardent student of Black literature, who relished just about every Black author there was, touched on the subject of Black on Black racism. I always remember him saying, there is no such thing as being half Jewish, mixed Jewish. You are a Jew! Period! Yet the vogue has been for so many Blacks, exhibiting the most embarrassing self-loathing, claiming not to be Black. As Merlin once joked, well if you have a Black parent how can you not be Black, do these people think anyone mistakes them for Chinese? Said Merlin, what is a Jew with a single Jewish parent referred to as, a Goyish, a mixed Goy. Trust Merlin to always see the humour in everything; however, this need to deny one’s Blackness, is precisely why Joe never procreated with a Black woman. How the hell do you go to someone’s house and consider them a damn thief in their own house? I’d be rather surprised if with his success, Joe has ever been on a safari to Botswana. Merlin passed exactly a week later.

Two men could not have been more different. Indeed, it is a good thing that William is the shit-disturbing, stubborn, pugnacious, bully that he is. He truly represents the collective psyche of White Britain, having to face up to its past as colonisers, enslavers and just blood-thirsty savages. That history has given rise to royal heirs who are archly anti-Black in their perspective and conversely pro-Jewish in their preferences. There is nothing wrong in their preference but you cannot be so daft as to put out there your embarrassing perceptions. Furthermore, it does one’s credibility little to no good when a disproportionate number of the pundits who are savagely attacking Meghan and Harry are Jewish. Recently, even Judge Judy has gotten on the bandwagon of preying on the Sussexes. One of the things that all these persons are keen to do, which Merlin first pointed out to me in the early days of our relations in 1980s New York City, is that when being racially predatory towards Blacks, Jews are ever mindful never to bring race into their discussions and open animus towards Blacks. As he then pointed out, once challenged, one can then scream to the rafters that one is being anti-Semitic. One of the errors of all such persons as they savagely prey on Meghan and being openly racist, is not one of them so much as said boo fuck-all when George Floyd was savagely murdered. It was no business of theirs; of course, in having said nothing by way of protesting, one was clearly supporting such hideous racially predatory savagery. Then along comes Meghan et voilà, Methenny and others are barking mad with rage against that Black bitch Meghan whom they hate; of course, as Merlin long ago pointed out and has been validated, they never once mention Meghan’s Blackness.

Carefully chosen words from a man who could not be more disinterested in Black civilisation than if he were a Klansman. Indeed, there were times on that tour where they were supposed to be representing HLM Queen Elizabeth II where their relationships disrepair could not have been more obvious. Of course, Catherine just had to be photographed standing around with a drink in hand… drunk and debauched indeed.

Of course, we finally got validation of Catherine’s energy body of 9 being revealed as the bully behind who made whom cry. Not only was she a rude, dismissive, confrontational 9 energy-bodied boor, Catherine had to go one step forward and lay down the law as to who was boss, she wore a white dress to Meghan’s wedding – so, too, did Camilla to Diana’s wedding in July, 1981. The bitch wore white, that’s how you know who made who cry. All the incidents reported by Prince Harry in SPARE are evidence of both Meghan and Harry being racially harassed and racially preyed on in the workplace. One of the signatures of 11 master number is that it gives one a keen intellect; one is ill-inclined to gladly suffer fools. Who is Catherine to a self-made accomplished actor? Catherine is a blithering idiot who can do not more than gurn like a mad loon because finally, you cannot expect a fucking mad loon to behave like a self-possessed, strong woman.

It may be a family; however, it is also a workplace and it is fairly obvious that Meghan was the target of a campaign that involved mental and emotional abuse, which was orchestrated by the Waleses and in concert with Courtesan Queen Camilla as it suited her to be an ugly duchess who just could not resist going there as she so relished with Harry’s mother and Meghan’s mother-in-law, Diana, Princess of Wales.

Prince William Goes Off Displaying Short Fused Nature

What I am thoroughly convinced of, by Meghan’s body language when they emerged at the Cambridge Gates at Windsor Castle in September 2022, is that she exhibited signs that not only was she regularly yelled at and abused but either or both, Catherine or William; however, either or both may well have physically assaulted Meghan whilst she lived at Nott Cott. How could they live at Nott Cott when in the palace proper was that vile racist bully, Princess Michael of Kent.

“If You Don’t Mind, Take Your Finger Out of My Face.” Meghan, Duchess of Sussex to HRH Prince William, Prince of Wales.

What Meghan was making perfectly clear, William is milquetoast and furthermore, she did not want his smelly, bussy-poking finger anywhere near her goddamn face. There is no mistaking who had the upper hand in that power dynamic, William and Catherine’s vile machinations notwithstanding.

As much as we know that Prince William loves getting pegged, part of that psychosexual dynamic of being bottomed, is almost always being violently impatient, rude and bullying. This is a scene with which Prince William would be intimately familiar. For one thing, his fourth number of 5 guarantees being debauched and it always means sexual infamy – scandal or multiple scandals that are sexual beyond the norm will manifest and more importantly, make their way into the culture, becoming common knowledge. It is not about Prince William being Gay or Bisexual, it is simply a psychosexual dynamic which at its core is sadomasochistic. William’s desire to be pegged, bottomed and owned, comes as a relief from the domineering, bullying almost brutalising aspects of his personality when he is not sexually focussed. Again, William is moving centred so more than most, he ever would need a sexual outlet. Fourth number of 5, rules excess, infamy.

Prince Harry Bird Watching with Archie & Meghan

There is magic all around, you just have to be accurately focussed to capture those moments, which are ever present. These moments of magic, like the incident related in SPARE of the crash of the Queen Elizabeth Christmas tree ornament, are moments which reinforce that Diana, Princess of Wales is not far off. Indeed, loved ones with whom one remains bonded, will never lose being focussed on us here and now. As there are another 400 pages of this memoir, SPARE, yet to be released, I fully expect more of the Waleses, Charles and Camilla’s ugliness to be further revealed. Beautifully written, this is a most raw, honest and scathingly focussed memoir. Godspeed Henry, Meghan, Archie & Lilibet your work is ably fortified by Diana’s guidance and protection. God save a most noble Prince Harry, King of Hearts.

A Love Supreme. John Coltrane. 1965. Full Album

John Coltrane – Soprano & Tenor Saxophone

Jimmy Garrison – Double Bass

McCoy Tyner – Piano

Elvin Jones – Drums

This handsome gem played nonstop as I pored through SPARE, getting to know Henry’s raw, inspiring, beautiful soul. John Coltrane’s creative genius certainly got me through some rough patches in the book, especially, his early trauma at the violent murder of his mother, Diana, Princess of Wales. I cannot state enough, but whenever I have dreamt of Henry he has always been relaxed, unpretentious and barefooted, which really made me sit up and take notice during the Netflix & Archewell Productions, co-production of Harry and Meghan, the docuseries. Above all else, special mention must be made of J. R. Moehringer, SPARE’s masterful ghost-writer; he did one hell of a job.

As ever, life is like a flying dream; if you look down, you’re fucked. Enjoy the ride and fear no one!

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©2013-2023 Arvin da Brgha. All Rights Reserved.

Oh To Be Black & Jew

Al Jolson giving possible birth to the notion that Jazz has its roots in Klezmer.

Al Jolson Singing Mammy!

Though someone’s perception of you is no damn business of yours, it does though matter when it is a whole people’s deliberate intention to demonise, vilify and portray a people as goddamn fools.

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At the time of Henry and Meghan’s royal wedding, there was a dearth of Jews commenting on social media about their union. There were no Jewish celebrities opining about how they thought that it was great that an American, an American actress was marrying into the royal family. Nothing. Zilch. Nada. There is more to discern in people’s silence than in exactly when they are silent.

The Woman Is Fucking Nuts. Who Can Possibly Find This Remotely Appealing.
Mic Drop President Barack H. Obama

Sorry Sweetheart, you are an inarticulate, embarrassment. STFU and STFD, Basta!

Catherine, HRH Duchess of Cambridge/Princess of Wales by Paul Emsley National Portrait Gallery London 2012

Now that the Sussexes, Henry & Meghan, have massively succeeded in articulating their truth in the Netflix and Archewell Productions co-production, which to date has had 241 million viewing hours, the dynamic has shifted. The war campaign has now entered a new phase. To date, it has been the toxic Royal Rota hacks and their plants/sympathisers in America who have been flapping their dirty yaps at Meghan’s expense. All the lies that they have hammered away at the low-browed, knuckle-dragging cultist of the island kingdom have been exposed to Americans and the rest of the world.

Catherine, HRH Duchess of Cambridge/Princess of Wales Wearing Jenny Packham in Jamaica, March 2022.

Just look at this 9 energy-bodied, self-toxic boor; she is vile. Most of all, she is the most inarticulate, mumbling, sarcastic, bitchy socially displaced moron imaginable. Let me make it perfectly clear, you think it nothing to abuse Meghan to the nth degree because she, after all, is just a mere goddamn nigger – let’s get real. Well guess what idiots, ever will I be most fuck-all indefatigable in defending Meghan’s honour. All of this for the simple fact that she is a Black woman. There is no greater symbol of structural racism than the British institution of monarchy.

The Crypt Dweller Giving Her First Speech As A Royal & Desperately Trying To Sound A Right Toff

The United Kingdom’s recent half millennium was caught up in the savage pillage of empire from the Orient, across Africa to the Caribbean and North America at the heart of that vast imperial expansion was slavery, cheap dehumanised labour, to get sugar, cotton, spices and all manner of commodities back to the heart of the empire, London. Catherine, to be fair, dresses up nicely but beyond that, she is a hollow, burnt out, inarticulate, mumbling, blasted embarrassment.

Here is the mumbling inarticulate self-toxic, 9 energy body boor, trying to look professional and upping her game in 2021 after Meghan had breezed through and showed this bit of sodden cardboard, who seemed to think that she was being cast for the role of Sleeping Beauty, how it’s done.

Windsor, Diana, Princess of Wales  July 1/1961<O>August 31/1997.

Michael: The fragment who was Diana Frances is a second level mature artisan and was in the passion mode with a goal of acceptance, a pragmatist in the moving part of emotional centre. 

She had a Lunar/Mercury body type. 

Diana’s primary chief feature was stubbornness with a secondary, not of self-destruction but of self-deprecation. 

Diana Frances was first-cast in her cadence and her cadence is fifth in the greater cadence.  She is a member of entity one, cadre six, greater cadre 48, pod/node 380. 

This fragment’s essence twin is a discarnate artisan and her task companion is a discarnate sage, both of whom are staying near her, waiting for her to become oriented to her situation. 

Here we had an artisan with drama in her casting but also with a very deep need to serve both the common and the higher good, which she did with grace, charm and a good deal of conviction.

*One of the reasons why Diana, Princess of Wales felt so out of her depth amongst the royal family, is because she is from pod 380, most of the senior royals are all from the 400 series pods. She would have felt just as isolated as Meghan for being Black in a milieu where structural racism is deeply entrenched.

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The fact is, the roles of these persons are deftly validated by their behaviour and the choices that they have made to date. Diana, Princess of Wales was shy and guarded at the start of her reign as the most loved woman on the planet; however, when she found her feet, she was unsurpassed. Diana was an early mature soul artisan. Artisan souls bring a certain magical je ne sais quoi to whatever they are focussed, especially most alluringly so when female. Prime examples of artisan souls with this glamour effect and also persons who can magically articulate the message are: Marilyn Monroe, Martha Graham, Evelyn Hart, Whitney Houston, Ella Fitzgerald, Naomi Campbell, Judith Jamieson, Annette Bening, Billie Holiday and Natalie Cole. All these female performers add great death, delicacy, eloquence and beauty to their art, regardless the medium. The reason why Catherine does not have the charm and charisma that was Diana, Princess of Wales’s is because she is a warrior soul; besides her overleaves do not lend themselves to being soft and alluringly charismatic.

Windsor, Meghan HRH Duchess of Sussex 4/8/1981

Michael: This fragment is a mid-cycle mature artisan in the tradition of the deceased mother fragment who was Diana, Princess of Wales — third life thereat.  Meghan is in the observation mode with a goal of acceptance.  An idealist, Meghan is in the moving part of emotional centre. 

Meghan’s primary chief feature is self-deprecation and the secondary of mild impatience. 

Meghan’s body type is Venus/Solar. 

The fragment Meghan is fourth-cast in the fifth cadence.  Meghan is a member of greater cadence four.  Meghan is a member of entity one, cadre six, greater cadre 7, pod 418 — she is an entity mate of both her spouse, HRH Prince Henry Duke of Sussex with whom she shares 20 past lives and also an obvious entity mate of Her Majesty, Queen Elizabeth II. 

Meghan’s essence twin is an artisan and the task companion a warrior. 

Meghan’s three primary needs are: expression, acceptance and expansion.

There are 4 past-life associations with Arvin and 6 with Merlin. 

Incidentally, this artisan has been a member of the British royal family twice before.  Firstly, as Margaret Beaufort, Countess of Richmond and Derby, she was the cousin of King Henry VI and mother of King Henry VII.  As such she was the matriarch of the House of Tudor.  Her grandson was Henry VIII and her great-granddaughter, Elizabeth I. 

This artisan in that lifetime was involved in the sacraments of the church, being included in the newly established college system.  She founded Christ College, Cambridge and was instrumental with the founding of St. John’s College as well. 

Secondly, she was HRH Prince Edward, Duke of York and Albany and younger brother to George III, whose father the Prince of Wales, HRH Prince Frederick died before ascending the throne after George II.  In that lifetime, the artisan (now Meghan, HRH Duchess of Sussex) was interested in military structure.  He, of course, died young of a then unknown illness but which had to do with dysentery. 

Incidentally, in the current incarnation, Meghan, HRH Duchess of Sussex has suffered from gastroenteritis, which is related to the last-life health issues – this is the immediate past life and not that in 18th century when the artisan died aged 28.

*Two artisans, Diana and Meghan possessed of inordinate eloquence, star power and charisma. Both Diana and Meghan had/have a goal of acceptance; this is the great goal and all such persons have great appeal and are much loved. For less spiritually evolved souls, these persons with goal of acceptance can provoke suspicion and fear; they can even experience the opposite of their goal which is rejection and certainly, thanks to race and her unique role within the monarchy’s history, Meghan has proven a source of great fear and phenomenal rejection. She has mightily threatened the fair story and the White tribe’s sense of its superior blood’s purity and Meghan has caused many to feel truly displaced as their Caucasian blood/genetics is being threatened by the African/Black blood/genetics, which means no longer guaranteed blonde and blue-eyed offspring.

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Meghan, Duchess of Sussex Opening Remarks at One Young World Summit, 2022

Most of all, like Diana, Princess of Wales, Meghan, Duchess of Sussex is an artisan soul and also an early mature soul artisan. Regardless of what one projects onto Meghan, she possesses magical qualities, like Diana did, when she takes to a mic. For Catherine, a mic is Kryptonite. Full stop.

This Is The First and Only Royal Foundation Meeting/Interview with Meghan Participating

Meghan performed handsomely as one can expect of an artisan soul with a goal of acceptance and an actor to boot. However, as is obvious from Prince William’s posture and his having had the last word in the interview, he was hawkish and Meghan performed too well. She, as far as William is concerned, upstaged not just his mumbling idiot wife but he himself. How dare she upstage him when he has been groomed from birth to be the star? She was a damn Yank and a show-off, trying to act as though this were the Meghan show. What kind of institution is that which would misogynistically want a woman to merely be an appendage. In the modern age, one has to be on and represent. Charles as with Diana and William as with Catherine have to realise that there are times when it is important based on the chosen charities that the wife has to go off and engage and make speeches to drive both attention and funding to chosen charities. If you have a blithering idiot for a wife who merely goes out and shakes hands but cameras are not allowed inside to see what an embarrassing zombie the damn woman is, then what is the point? There is no value for money there. And you can bet that William would have overbearingly been giving critiques and directives to Meghan as to what she can and cannot say or do. I cannot state enough how difficult persons with 9 mindset are to deal with. They do not listen and they never take anyone’s counsel. They know and no one is good enough to tell them anything. Just imagine that degree of conceit being exalted in someone with tunnelled vision for having a stellium in their birth chart and groomed from the word go to be sovereign.

No matter how persons here and now arse-kiss the current heir to the throne, history, the final arbiter, will dismiss William as one of the most woefully inept sovereigns, who was out of touch and a difficult prick and a half. This photograph perfectly encapsulates who these two 9-energied persons are. He is from another age and time, full of self-import and entitlement and she just another fake, gurning White female who wants the world at her feet whilst not giving a living damn. No other couple on the world stage embodies the myopia of 9 energy than these two. He will not be acceding the throne in the age of HM King Edward VII or for that matter that of HM George V when good old HM Queen Mary maintained the social rigidity of the Victorian Age to the hilt.

The Queen has died and had no assurances that the realm over which she ruled, is going to be in capably fantastic hands of a regal couple who will be able to steward the dynasty through the remainder of the century. Having been to St. Andrews and acquired an art history degree by the time of her fifth wedding anniversary, Catherine should have proven herself an asset to the Crown. All she did was an introduction to an exhibition at the National Portrait Gallery about early photography, in early 2018, seven years into her marriage. At her disposal that archly lazy and socially discriminating boor has done positively nothing to uplift, inspire and proven herself a loved figure. Who gives a rat’s arse how insecure and rigid William is. Putting to good use her academic credentials, she could, by The Queen’s passing, have done three arts related televised shows per year. As arts patron of the Royal Ballet, she could have been ably assisted in hosting a television production, which would then be shown on one the BBC networks. Cameras would follow her around as she films a day at ballet rehearsals then at opening night she is attendant for a ballet like the Nutcracker so that children across the social strata are introduced to a world which could prove both inspirational and possibly lifechanging. That is a show that could then be sold internationally and those funds go to engage working class kids to become and be supported in pursuing careers in the arts. Similarly, another telecast could be mounted for the production of say the Royal Opera’s Marriage of Figaro.

Portrait of HM Queen Victoria With Her Family, Exhibition At Queen’s Gallery November 2018 Royal Collection Trust

Still another production could feature the young and capable academically accredited Catherine, giving a behind the scenes tour of some aspect of the Royal Collection Trust, which would in due course form part of the rotating exhibitions that move from the Queen’s Gallery, to Holyrood House and Windsor Castle. All that exposure garners more revenue as persons would come from across the globe to take in these exhibitions presented by the future Queen Consort, Catherine. Instead, she has supposedly been playing femme au foyer with a large staff of nannies and servants as though anyone is being fooled by the fact that their invisibility could be for no other reason than the couple being heavily engaged in their extramarital affairs.

This has never transpired because Catherine is too damn lazy and more importantly, William is far too snobbish to want to afford the little people access because such initiatives by Catherine would afford the social lepers, as his 9 mindset would see the little people, access to art to which they are not entitled. This same snobbery and bigotry is precisely why Meghan did not stand a chance. Working in tandem, of course, Meghan could have hosted similar telecasts which featured actors in rehearsal before the premier of a theatrical production. All this would usher in a time of great artistic activity, which would have its full manifestation during William’s reign and prove a hallmark of that era. That snobbery is why after the Grenfell Tower fire in June 2017, not far from where I was staying in Chelsea when visiting London that Summer, Meghan for 9 months worked with the ‘little people’ and produced the Together cookbook, for which she would have been resented by William and Catherine as it would be deemed to be showing them up.

Windsor, HM Camilla, Queen Consort 17/7/1947.

Michael: Yes, this scholar is at the mid-level of the mature soul cycle — third life thereat.  Camilla is in caution mode with a goal of growth.  A pragmatist, Camilla is in the moving part of intellectual centre. 

Body type is Lunar/Venus. 

Camilla‘s primary chief feature is impatience and the secondary arrogance. 

The fragment Camilla is third-cast in sixth cadence; Camilla is a fragment of greater cadence seven.  Camilla‘s entity is five, cadre six, greater cadre 7, pod 129. 

Camilla’s essence twin is a scholar and the task companion is a warrior. 

Camilla’s primary needs are: exchange, freedom and power. 

There are 10 past-life associations with Arvin and 6 with Merlin .  (July, 2017)

*Camilla is an early mature soul, much as Diana and Meghan were/are. The mature soul cycle is where one makes/incurs a great deal of karma for fucking with others’ lives. This is what Camilla, the Courtesan Queen did in spades and what she has resumed doing with Meghan as she had with Diana, Princess of Wales. There is no greater conceitedly stubborn and interfering soul than a scholar soul. Camilla had a direct hand in Diana’s emotional distress and her eventual divorce which led in time to her being murdered. This has left the Courtesan Queen a very nasty piece of work and this you have seen acted out in her openly rude behaviour towards Blacks and taking lunch with known racists and attackers of Meghan at Mayfair’s Murano.

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Never mind Catherine, the real dynamic in all of this has been, all along both William and the Courtesan Queen. Both Camilla and William are mature Scholar souls. Scholar souls are the only souls which do not pair with another soul on a particular axis as for example: Slaves/Priests on the inspiration axis, Artisans/Sages on the expression axis and lastly Warriors/Kings on the action axis. For this reason, Scholars are very insular and do suffer from delusions and folie de grandeur; more often than not, they are archly prejudiced and like to put everyone and everything in its little box. Everything is anal retentively categorised into their rigid little boxes and they do not waiver on this purely arbitrary prejudicial perspective of theirs – each and every one of them. Also, as a rule, Scholar souls do not favour being Black and do not like Blacks – on the surface they prefer being in milieu and in societies where rather than the arts and creativity, knowledge is favoured.

Windsor, HRH Prince William Prince of Wales 21/6/1982 London, England

Michael: This fragment is sixth-level mature scholar – third life thereat.  William is in the observation mode with a goal of acceptance.  A pragmatist, he is in the intellectual part of moving centre. 

Body type is Lunar/Mars/Saturn. 

William’s primary chief feature is stubbornness – death of his mother, Diana, Princess of Wales, was the triggering event and the secondary arrogance. 

The fragment William is third-cast in sixth cadence; he is a member of greater cadence seven.  William’s entity is four, cadre one, greater cadre 6, pod 208. 

William’s essence twin is a scholar and he has a warrior task companion to whom he is married, Catherine, HRH Princess of Wales. 

William’s primary needs are: exchange, freedom and security. 

There are 6 past-life associations with Arvin and 3 with Merlin.

*Like Diana, Princess of Wales, his mother, and Meghan, William a scholar soul also has a goal of acceptance. However, unlike both women, he is moving centred; this means that he shoots his mouth off before thinking through things. He takes action without realising that he has not got a truly objective, clear overview of the issues in hand. Moreover, William was born with a stellium in his astrological chart which means that he can never clearly see the forest for the trees. His scholarly conceit means that he will act as though for being destined to be sovereign, he has a right to openly discriminate without a care in the world; this is what he engaged in at his brother’s wedding. William has become so corrupted that he is almost exclusively focussed in his opposite goal of rejection, which is what his campaign of opposing Meghan’s very existence is all about.  

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HRH Prince William, Prince of Wales & HM Queen Camilla, Queen Consort

As is obvious, Prince William is a sixth mature scholar soul. This is the most difficult level of any cycle, be it young, mature or old soul cycle. There is no peace for such persons and they can and often do create more karma than had been part of the life plan. In the case of William for being a scholar soul, he just had to be a shit-disturbing, conceited bigot and interfere in both his brother’s and his brother’s wife’s lives without a care in the world. I cannot express enough how very dangerous William is. More hired hands, more assassins and bullies are scholar souls than any other soul. There is positively no way that life within the institution was going to be smooth sailing for Meghan. She was too good to be true and most White scholar souls when they are prejudice will favour Whites, of course, and then Jews and Asians but almost never or very rarely Blacks – if the job requires they will go through the motion but they truly do consider Blacks not to be fully equal, fully human. Full stop.

There are two other very important parts of the puzzle to factor here. Not only are William and the Courtesan Queen on their third life at their respective soul ages; however, both scholar souls have the exact casting in cadence, cadence and greater cadence. They are both in the third (warrior/combative/interfering) position in the sixth (priest/megalomaniacal/Napoleonic/god-complex delusionality) cadence. As if all that were not enough, both though not pod mates (Camilla 129 and William 208) are also in greater cadence seven (king/dictatorial/bossy/abusive/vindictive). Of course, this would have left the Courtesan readily obsessed with fucking with Diana, Princess of Wales just as much as it has left William obsessed with fucking with Meghan, using his obediently pegged and bothered sex slave, Jason Knauf. Camilla and William are as though one and the same personality as they are singularly focussed on fucking with a more popular royal. Scholars are readily threatened by sages and artisans because both soul types are on the expression axis and have a ready wit, appeal and theatricality that scholars almost always find threatening as it highlights their own sense of dullness and lack of mass appeal and sexiness. Obviously, there are exceptions to all such basic personality types with regards to the roles; however, when you look at both Diana, Princess of Wales (Lunar/Mercury) and Meghan (Venus/Solar) body types both Camilla and William would respectively be threatened by each hugely more popular royal. Venus/Solar body type means that no matter how the collective consciousness tries to invalidate and demonise Meghan, more than all the current senior royals, she will transcend time and be the most powerful and popular royal from this age. People well into the future will be astonished that anyone had to endure so much bullshit merely for being Black and marrying into the royal family.

William and Catherine socialising whilst on duty. As a rule, Scholars souls are not touchy-feely types; this is why at times, Catherine has to be the one to initiate tenderness between them. Of course, this is totally opposite to the Sussexes who are warrior (Henry) and artisan (Meghan) souls which are very simpatico and when it works is a very dynamic, sizzling relationship with lots of touching and empathetic communion of souls. Whilst Catherine and William are task companions, unbreakable bond, Henry and Meghan are entity mates and would be deeply bonded and simpatico.

HM Queen Camilla, Queen Consort & HRH Prince William, Prince of Wales

The second oldest soul of the senior royals, William is at the difficult six level of the mature cycle. What makes William singularly problematic for the Windsor dynasty, is his chief feature of Stubbornness. The chief feature is the fatal flaw which causes one not to achieve one’s goal and leaves the life in disarray; it is also the most difficult chief feature to overcome. William’s stubbornness means that though he can be as charming as are all persons with a goal of acceptance, he does though almost exclusively come from a place of rejection the opposite of his goal. People in stubbornness are difficult, bullying and under no circumstances do they tolerate change or anything that is different – this cannot be emphatically stated enough! Under no circumstances did Meghan stand a chance with this difficult individual. There is never a single instance where William is photographed being warm and inclusive of Meghan, not whilst on the balcony at trooping the colour or at any other time. There is the infamous Christmas at Sandringham where when Meghan looked back to speak to William, he stopped turned away and began fidgeting with his scarf. It was a snub and was deliberate. Of course, for the White tribe the most powerful word when dealing with Blacks, to whom one owes enormous karma, is NO! Scholar souls are devoid emotionality and as they do not pair with any other soul type, they are loners and innately reticent snobs.

Simply Beautiful Jennifer Hudson Kennedy Center Honors Al Green 2014

Yes, you are Diana! Yes, you are Meghan! Simply beautiful, you are Diana and Meghan, and those who know nothing of beauty, fear you most!

Just as the Courtesan Queen scholar, Camilla made Diana’s life miserable and triggered her emotional and mental abuse, so too has the Pegged Bourbon lovechild caused Meghan emotional and mental anguish by having the Fleet Street abattoirs and the palace leakers, especially that nez brun queer, Jason Knauf, REJECT, demonise and racially lynch Meghan, leaving her the most hated Black woman in history. This notion that Catherine and William have played no role in the Sussexes’ departure is sheer bullshit. They are guilty as sin. Catherine would have hated and been rude and dismissive of Chelsy Davy and Cressida Bonas, especially like Meghan, Chelsy and Cressida are better looking than Catherine. Catherine is ridiculously insecure and her 9 energy body would have her bullying and treating any wife of Henry’s like a dog. Catherine is a displaced commoner, which is all the more reason why she would be power mad; she does too have a primary need for Power which is a mark of megalomania.

You Bring Me Joy, Yolanda Adams Tribute to Anita Baker, BET Awards 2018

Let’s send some love for both Diana, Princess of Wales’s beloved son, Henry and Meghan, Duchess of Sussex for the abuse they have endured at the hands of grudging, interfering, racist scholars. Sing it Yolanda Adams!

Windsor, HRH Prince Henry, Duke of Sussex 15/9/1984 London, England

Michael: This feisty fragment is a fifth-level mature warrior -– fourth life thereat – to his sixth-level mature brother, William.  Henry is in the power mode with a goal of growth.  A sceptic, he is in the moving part of intellectual centre. 

Body type is Mars/Saturn. 

Henry’s primary chief feature is arrogance and the secondary stubbornness. 

The fragment Henry is first-cast in second cadence; he is a fragment of greater cadence three.  Henry’s entity is one, cadre six, greater cadre 7, pod 418 – Henry is an entity mate of his paternal grandmother, HM Queen Elizabeth II. 

Henry’s essence twin is a warrior and he has a scholar task companion. 

Henry’s primary needs are: freedom, adventure and exchange. 

There are 9 past-life associations with Arvin and 5 with Merlin. 

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Where Camilla saw Diana as too ‘showy’ and a threat that had to be eliminated – remember, more guns for hire, assassins and saboteurs are scholar souls than not, William also saw his mother and her emotionality as a bit of an embarrassment. Had Diana survived, he would have been just as cool towards her on becoming a parent as he was towards his father, HM King Charles III. Though HM King Charles III is the oldest soul senior royal, seventh mature warrior soul, like all such souls, yours truly included, they do not do drama and have no patience for confusion. Where it all gets interesting, is the other warrior soul in this mix, Prince Henry, Duke of Sussex who as a fifth mature warrior is going to be drama on an operatic scale which is precisely what is unfolding. Do not for a nanosecond think of Henry as a mental case, he is a source of deep fear for the senior royals as he has the shrewdest most Machiavellian overleaves; no matter what, Henry will triumph… know that. As he was Black in his immediate past life, Henry will fight to the last man standing in defence of his wife and children, persons of Black African heritage. Henry’s having been Black in his immediate past life is validated by his connection to Africa, Black Africa and his work with Prince Seeiso of Lesotho, his AIDS charity, Sentebale and deep connection to Botswana and the ease with which he has always been in his skin when in the company of Blacks, unlike William and Catherine who clearly cannot or choose never to mask their racial animus towards Blacks.

Fifth mature lives are all about being expansive and such persons do accomplish a great deal; coupled with that, Henry has a goal of growth. Such people do not stand still, they will be born of humble means and end up living on New York City’s billionaires row in a penthouse. They will be the first to sign up to go into space, the Moon or Mars; they are daring and will always take that leap of faith that others would think horrifying. Furthermore, Henry has an attitude of sceptic, this is the most complex and most powerful manner in which to be focussed intellectually. It is the attitude of the master strategist and as rigorously shrewd as a chest master. Regardless of how Henry is portrayed by the media, he is the most intelligent royal and infinitely more complex and smarter than both his father and brother; HLM Queen Elizabeth II knew this as hers was a goal of dominance and a realist, she saw everything and everyone as they truly were. This is why during the Netflix documentary Henry’s description of what happened at the Sandringham Summit, is precisely what would have happened, William would have been a yelling bully, Charles dithering and lying all over the map and the Queen relishing watching Henry come into his own in a most tense power struggle. Topping it all off, Henry is in power mode, these people are operatic in the scope of the lives they lead and they do accomplish much. They are able to attract into their lives only that which they desire. There is no way that Henry could remain a part of a dynasty, wherein his brother he knows to be both stupid and clueless. Most of all, William is an anti-Black racist and there is no way Henry would be able to either tolerate or support any such Sovereign. This was never about stepping away and abandoning The Queen, it was about telling his brother to go fuck himself – for a sceptic, Henry knows that his brother is an idiot and neither holding his tongue nor kowtowing proved an acceptable proposition to Henry. Also, Catherine and William are in the 200s pod series whilst HLM The Queen, Henry, Meghan, Prince George and Prince Archie are all cadre mates in the 400s pod series. The current Waleses do not get it and Henry was not prepared to stick around and tolerate the abuse or participate in his brother and his wife’s clown show: pegging, love children, philandering, perpetually rowing night and day. Thus far, the Waleses have been adulterous which has likely resulted in a lovechild between them, Damian with Ben Ainslie and a daughter with Rose, Countess Rocksavage. Mature souls prefer mating for life and running stable households, unless of course that mature soul couple are miserable with their partner as is abundantly clear with William and Catherine.

A House Is Not A Home Luther Vandross 19th NAACP Image Awards 1987

And above all else, we own the music, we bring the music. My eldest sister who now permanently lives in Nevis came to town in recent months, for having been in lockdown for way too long; she just wanted to get away. I was last in Nevis in 2000 to introduce my wife to the place who thought it was the most far out trip imaginable; personally, it is way too bright in the Tropics. I who have collected art since my teen years, have preferred working at night time and living with windows heavily draped at all times. With a collection that is more than 90 percent works on paper, I can ill afford to have my art being subjected to sunlight. All windows boarded up, affording me more space to hang art; besides, Sol is too damn bright and furthermore, it belongs the fuck outside. In any event, my sister began talking about family and who had gotten married, died and had babies; she is the encyclopaedic font of the family’s history. So then she began sharing all the chatter about Covid lockdown funeral etiquette, when she mentioned that she attended the funeral at which scary spice, Mel B. (Brown) of the Spice Girl gave the eulogy. That was news because I knew that only few persons were allowed to attend funerals. So Mel B. gave the eulogy for her beloved grandmother who happened to have been a cousin of my mum’s; my sister was invited to represent our family. So who aren’t you related to, my wife asked and off my sister went.

Meghan is Black so naturally out of the woodwork comes all this hate and animus from persons who have no business being in this lane.

Like seriously. Look METHenny what the fuck has this got to do with you and why are you being so goddamn ape batshit crazy? When were Black people jumping up and down and acting like the sky was falling when Al Gore announced his running mate, Joe Lieberman? Go educate your 20 million zombie followers all about the Falasha genocide in Israel. No, you don’t know about that? Why don’t you go back and stay the fuck in your lane, shut the fuck up and stay fucking lost? Honest to fucking g_d!

Then along comes this racist freak, Joanna Weiss. Hey Donkey, what gives? Hate Meghan all you want, it will never change the fact that Catherine is a blasted inarticulate dud. She is lazy and the only thing she is capable of doing, is working with toddlers because she is not expected to make speeches to persons sucking on pacifiers and wearing diapers. This need to make inroads into America, pushing this negative narrative about the Sussexes is transparent. Most of the persons engaging in this hate campaign are disproportionately Jewish. This woman’s article made positively no sense whatsoever; however, it is a known fact that once ‘one’ is being shrill about Blacks, one must be right. If no one can so much as look sideways in your direction why must you persist with always demonising, vilifying, racially preying on Blacks?

Jon Sopel BBC Presenter

Reporter throws back to Sopel in BBC studio on the day that the Sussexes’ firstborn was named; he smugly stated, I’ve a friend whose dog’s name is Archie. Smug born and bred little bigoted boor. Of course, there were no consequences for his vile remarks. What gives?

Constantly yammering away with the shrill hatred, inciting anti-Black racism and does so in the smug conceit that they will never be challenged for being Jewish. Yeah Tom, why don’t you, since you do not exclusively write royal biographies, turn your unbiased eye and tell the story of the Falasha genocide in Israel. That’s right, the forced sterilisation of Black Israeli Jews from Ethiopia who had their numbers reduced by 50% because they were Black and for no other reason. As for Angela Levin, she has seriously insulted the Sussexes in print time and again, whilst claiming to respect the House of Windsor. She has repeatedly referred to Henry & Meghan’s daughter Lilibet Diana as Lilibut. You fucking crass anti-Black racist Jew. Having grown up in the Caribbean with three maids with a very proud mother who fiercely instilled pride and inner fortitude in her six children; looking and sounding every bit my mum when displeased, I have been known to flatly shoot someone a look and brutally demand, Since when the fuck does being Jewish not make you White?

Adrien Brody Winning Best Acting Oscar 2003 Academy Awards

In 2002 Halle Berry became the first Black actress to win the Oscar for best actress. Chances are had 9/11 not occurred six months prior, she likely would not have won. Certainly, she had not been favoured to win. She grudgingly won and broke a Hollywood taboo; Black women are not good enough, beautiful enough, too beautiful to be threatening White actresses by winning a best actress award. To date more than a fifth of the best actress awards have been won by White British actresses; that’s right, an American award being afforded Britons instead of Black American women, or for that matter Latina American actresses to say nothing of other non-White actresses, Asian and Native American among them.

There she was dumbstruck with disbelief, gave a great speech but though that night the doors had been opened, up onto the stage walked Adrien Brody, grabbed her, stuck his tongue down her throat and sexually assaulted a Black woman before a global audience and thereby putting her back in her place and slamming the door, which ought never to have been opened, shut again. Adrien is, of course, Jewish and had any Black actor gone to the stage and done what he did to a White actress, to say nothing of a Jewish actress, their career would have been summarily lynched. Black men were lynched, murdered for looking at White women, accused of sexually assaulting White women, at times when in a different state at the time of the alleged assault, yet the ultimate double standard was being demonstrated. Adrien for being Jewish could do no wrong. At the time, as I watched the show live in Montréal where I then lived, the Jewish men at the party I attended were wildly celebratory and thought that it was a stroke of genius when Adrien did what he did. It was code, Adrien was telling Halle that all she is a damn cheap cinematic whore and should not have risen above her station. The clapping of the three Jewish males at that viewing party was hostile, degrading and lethally racist. There is positively no way that Adrien Brody would have taken to that stage, grabbed and shoved his tongue down Nicole Kidman’s throat thereby sexually assaulting her. That’s what you get for deferring to, fearing and never challenging persons who do not think your humanity of any worth.

Swing Low Sweet Chariot, Judy Garland Everybody Sing, 1938

Never let it be forgotten that this is how, you, perceive Blacks. End of discussion. How many biopics of Blacks displaying their creative genius in Jazz has Hollywood bankrolled? Precisely.

Tree I Planted At Age Seven In Back Garden in St. Kitts

When I was about six years old, at a time when I had multiple boy and girl friends in the neighbourhood, I had a rather rude awakening whose lessons have ever impacted on me. My then boyfriend was months older with the most beautiful smiling eyes and dimpled. We would always kiss when playing hide and seek and engage in intercrural sex, making passionate noises and kissing on the lips whist I’d breathlessly declare, “I love you, I love you, I love you, my darling.” One day, my childhood lover who passed last March, came by with a friend whom I had ever dismissed as an absolute oaf. He was dull, shy and frankly stupid. Could never be part of my little racy theatrical events and sexual romps. Then, my darlings, my dimpled lover had the shy oaf unsheathe the goods. In that moment my baptism as size queen was thorough. At once I fell to my knees and as though calling on past-life memories, the poilued and über thick beast was in my mouth. I was ravenous like a sexually ravaged nun. Before, I knew what next, life’s elixir shot warmly into my mouth. I got up, trembling and wanted this to not end. Oaf that he was, he quickly tidied himself. Imperiously, I dismissed my dimpled lover and callously told him that it was over between us; I had after all found love! I simply refused to speak to the dimpled scorned lover. He courted me, giving me a toy plane which I took but still demanded that he return with my throbbing bit of ecstasy. Days later, the little dimpled charlatan showed up at my house accompanied by his aunt with her embarrassing my mother when she demanded that her damn thieving son, return the toy plane that she had gifted her nephew. I was aghast. Naturally, I could not have blurted out that he was jealous because I had dropped her nephew for newfound, real, big loving.

View Northwest to Sandy Point from Brimstone Hill

Days later, as I made my way across the bridge to the grocers, I had been tormented with vile looks by my abandoned lover’s grandmother who sat on the stoop, smoking her pipe as West Indian women enjoying their senectitude are wont. Fearful of her, I managed to call out as one is expected to of elders, ‘Good afternoon…’ Faster than a bat at sundown, she shot back, “What? Fire your wayward lil arse. You blasted catamite!” I was so stunned and ashamed that I hurried to the grocers which by the time I arrived, I was crying my eyes out. The matriarch, whose granddaughter was a classmate and in time would become high commissioner in London, sternly told me that I was not to fear anyone. “Listen to me, you go back and let her know if she ever talks to you that way again, you’ll tell your mother!” Indeed. On my return instead of walking on the opposite side of the street, I paused and hissed at her, “You ever talk to me like that again, and I will tell me muddah!” She trembled and fell silent and that was that. I never thereafter lost sense of who I am and whose son I was. Fear no one could best describe my mum than anything else. Most of all, I learnt that day that shame merely gets in the way and is an utter waste of time.

And now, we eagerly await voraciously devouring its 400 plus pages and in the next blog, I shall give a most thrilling review of SPARE, Prince Henry’s ennobled defence of his and family’s honour. Go on Henry, justly tell them to fire their wayward arses, you are Diana’s son and wife of the very indomitable Meghan who previously was Margaret Beaufort.

Henry & Meghan, Duke & Duchess of Sussex, June 2022 St. Paul’s Cathedral

Dizzy Gillespie Quintet, Massey Hall May 1953, Toronto Seminal Live Jazz Recording

Dizzy Gillespie – Trumpet

Charles Mingus – Bass

Bud Powell – Piano

Max Roach – Drums

Charlie Parker – Saxophone

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Fuck you, Jazz is Black culture, the hell with you!

As ever, life is like a flying dream; if you look down, you’re fucked. Enjoy the ride and fear no one!

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©2013-2023 Arvin da Brgha. All Rights Reserved.

Gaslighting: No. 1 Response to Anti-Black Racism & How the End of A Dynasty Rather Than Monarchy Unfolds.

“What Didn’t You Do to Bury Us But You Forgot We Are Seeds.”

HM Queen Elizabeth Sharing A Racist Gorilla Joke in Royal Documentary, June 1969

Transcript of racist Joke told by HM The Queen during June 1969 BBC documentary look at the family’s private life:

HMQEII: It’s just extremely difficult sometimes to keep a straight face. When Home Secretary said to me, there’s a gorilla coming in. So I said, what an extraordinary remark to make and unkind about anybody. So, I stood in the middle of the room, pressed the bell, the doors open and there was a gorilla. And I had the most terrible trouble in keeping… you know, he had short torso, long arms and I had the most appalling trouble… (room descends into raucous laughter, that hideous breath that Whites exclusively use when being racist towards Blacks). HM King Charles III, then 20 years old, leans back in his chair, guffawing.

This is a copy of said joke that I made, in the event that the original were to yet again be scrubbed from the Internet.

Outtake from 2021 Oprah Interview which never aired during show.

One of the most important things that the Lady Susan Hussey illumined, was the degree to which ‘others’ go to great lengths to deny the existence of anti-Black racism. Surprised then was I when of all persons, Piers Morgan whilst hosting a discussion of the event, took the position that the decision to remove LSH from the royal household toute de suite, was the right one to have taken. There were two guests, an old bizarre-looking White male who thought that LSH had dutifully served the Crown for decades (6) and ought not to have been treated this way. He, of course, attacked Ngozi Fulani and declared that she had an agendum in all this.

Piers Morgan and Guests Discuss the Lady Susan Hussey Race Row

Naturally, this too is the line that Angela Levin took, as ever that blasted Yenta has to hammer away with her anti-Black racism, making money off of hating Meghan, Duchess of Sussex. The other guest was a BLM female Briton who rather illumined the Black experience and rather articulately stated that the guaranteed response to anti-Black racism is that Blacks claiming anti-Black racism will readily be gaslighted and in effect suffer even more racism.

Actor, Wayne Robson 1970s Vancouver

Early one Friday evening in April 1986, actor Wayne Robson, his lovely wife, Lynn Woodman, Merlin and I, joined two other couples in a Vietnamese, if I’m not mistaken rather than Chinese, restaurant on the south side of Gerrard Street East, just east of Broadview Avenue where the Don River delineates between downtown and east end Toronto. Broadview and Gerrard is one of the city’s Chinatowns which easterly along Gerrard Street East becomes Little India. Charles Lawther, another actor who like Wayne had not yet begun his family was present with his lovely wife, Suzette Couture. The other couple, I had never met and was sat next to them. She was a loud, big-boned, blonde whose fuck du jour, she had just returned from a holiday in the Sun where clearly apart from tanning to excess, they fucked their brains out. Meanwhile, her husband, a filmmaker was off in Europe on location and since her young daughter was undeniably on the spectrum, she was living without a care, ignoring her daughter and on the hunt for bigger dick than she had clearly wedded. Her fuck was a wealthy, South African Jew, who was the most hairy back-and-arsed freak I had yet seen and god was he racially oppressive and acutely hostile in the extreme. We were there to celebrate Wayne’s 40th birthday. Lynn and I, for being the ordinal partners of successful professionals in their circle knew our place and got on well. I always loved going to their Seaton Street apartment which sat atop a townhouse on the east side of the street and sat at the corner of Shuter Street; it was a wonderful home with mementos of Wayne’s acting career with items from the set of Popeye and a panoramic photograph of the film set, shot in Malta with actor, Robin Williams. We got back from that dinner on Gerrard Street East and Merlin became violently sick. He was being taunted for being Jewish and being with me. More than that, he was made sick by a Jew being so hideously possessed of anti-Black racial animus. By that point, I had seen it all and simply checked out and focussed on my lover’s beautiful eyes and the exquisite fare on which we dined.

Eight years later, five years after Merlin’s passing, newly arrived in Vancouver, I stayed at Les karpinsky and his lover Ken’s Sentinel Hill home with the most spectacular views. I was there for a fortnight whilst my West End apartment was being painted and repainted and smudged before I took full possession. One evening, a new friend of theirs came to dinner; he lived on the Sunshine Coast and was an expat South African Jew. As I was no longer Merlin’s significant other, which meant having to hold one’s tongue rather than not, after spending too much time blithering about everyone and everything Jewish, our dinner guest trained his scathing anti-Black racism in my direction. Naturally, much of his banter was about Steven Spielberg’s film the year prior, Schindler’s List. When asked by Les if I had seen the film, I very elegantly, murderously, dismissively, unflinchingly stated that since I am a keen student of American history and interested in only genuine American history, as Auschwitz is not in America, I saw no need to thusly engage. Our expat Joburg Jew readily acted as though I were Himmler returned. Ken who never countenanced confrontations, began clearing the dishes from the table and said he was not feeling well and wanted to go to bed. By then, Ken, Les and I spent most of our time in bed whilst great music saturated their home though not successfully drowning out our salaciousness. As our racist guest, enraged and bothered, abruptly took leave, cutting the eye at me, I bluntly stated, be sure to bring a map of America bearing Auschwitz, Treblinka and Dachau on your next visit and educate me. Having sat there uncomfortably with Ken and Les as the expat South African Ashkenazi Jew blamed the evils of this world on Blacks, chiefly South African and American Blacks, Afro-Sephardic yours truly was sure to succinctly give as fucking good as I had gotten.

Ken and Les apologised and assured me that they had no idea their new friend was such a piece of work, though, Ken did say that he had encountered that kind of intense racial animus from Jews towards Blacks and though it bizarre. Certainly, Merlin definitely did as well. The only time that Merlin ever got mad, was when someone Jewish was on TV openly inciting anti-Black racism. At such times, Merlin would become so upset that he would abruptly get up, scratching his beard at the chin and storm from the room with a weary, loud sigh. Still, at other times, Merlin would hurl whatever book he had at hand, tossing it at the TV and demand that I change the channel at once. As though to embalm ourselves from all that hideousness, after having assured Ken and Les that I was not the least bit upset and they gave assurances that the racist boor was dead to them, we were soon indulging in sexual play like stressed Bonobos. Reaching back, I held Ken’s head in place and twerked like Cardi B. as his tongue behaved as though a famished hog’s set loose in a truffle patch, “Yeah, that right, keep your fucking tongue right there!”

Camilla Tominey Justifiably Getting Served Her Racist, Lying Flat Arse

This woman who is truly, hideously clit-nosed had the temerity to attack Meghan, a Black woman, as though there are no other Black women on the planet. Camilla floated the lie that Meghan made Catherine cry and thus began the avalanche of anti-Black racism that has seen Meghan emerge as the most hated Black woman in history. To date, there have been 246 thousand plus articles by the British media, attacking Tungsten each hundred thousand for the number of years, 246, that America violently threw off the yoke of British imperial oppression.

Just like George Floyd, Meghan, Duchess of Sussex plays her role in this the 250 year cycle as Pluto transits Capricorn and violently sets aright that which needs to be dismantled and abolished. She is lancing the bile of 400 plus years of slavery that was officially begun by HM Queen Elizabeth I, who was Margaret Beaufort, Meghan’s soul in a past life’s great-granddaughter, and now culminating in the too-long reign of HM Queen Elizabeth II.

Now let’s explore what is at the heart of all this. The Waleses with their 9-focussed numerology plus the fact that they are task companions, would definitely have been behind the push to oust the Duchess of Sussex from the royal family. They would clearly not have allowed Harry to marry Meghan if they were in the Queen’s position. As events have validated, the Waleses and the Courtesan Queen have their backers whose directives they diligently obey. Of course, the Queen sanctioned the marriage as it would be good for her legacy and the racist Waleses, formerly Cambridges, had no intentions of touring a predominantly Black commonwealth nation and only finally did after Meghan and Harry were driven out and the Queen was dying of cancer.

June, 2018, a month after the Sussexes’ wedding, where the buffoon openly ridiculed his sister-in-law and her Black heritage. Naturally, William was in Jerusalem for his paternal great-grandmother, Philip’s rather ape batshit crazy mother who is buried in the city; or so the excuse was made. He went to the wailing wall to say a prayer directly to god as this is what would definitely get the cushim out of the family.

Ben Goldsmith

Apart from the fact that the royals are not a Jewish family, the intense animus towards Meghan from some Jews has raised more than a few eyebrows within the Black community. Of course, as the saying goes, when you know, you know. The diamond consortia whose tentacles stretch from South Africa, to Israel, to Antwerp, to London and New York City have and always will be a Jewish monopoly. This explains why little Lord Fauntleroy, who’s clearly still pissed that his wife fled his chopped up schmeckel for big Black cock, just had to go flapping his Prissy-arsed gums at Meghan’s expense. Who is this Putz, cussing out Meghan, Duchess of Sussex, calling her a bully if he were not one of the Waleses’ inner circle Jews?

Whenever someone Black rises above their accepted station, this mightily seems to threaten some Jews, not all Jews. In my experience, Ashkenazi Jews are almost violent in their open anti-Black racism. Just look at this woman, Orly Taitz, who told lie, after lie, after lie, followed by absurd litigious campaigns to prevent a Black male, Barack Obama, becoming American President; she can of course be credited with having given that treasonous conman and buffoon ideas and the rest is history.

Seriously, what is driving these persons to obsess and want Meghan dead. Tom Bower declaring on-air, it’s her (Meghan) I’m after. Bethenny Frankel spewing hatred when she hasn’t spent a minute, exploring the racism to which Meghan was subjected – not that it would matter in the least. Of course, there is a reason for all this. One must never be criticised but definitely one always has the right to incite anti-Black racism without Blacks daring to challenge such persons. Gathering like vultures, there’s a mounting and ubiquitous presence of the aforementioned and others like Maureen Lipman, Claudia Winkleman, Howard Stern and Richard Quest. Meghan’s presence has ‘others’ attend court as though to stake their claim and make it clear that one matters most and ought not be side-lined.

Falashas have been Jewish since long before converso Europeans became Ashkenazi Jews. Imagine, the state of Israel, committing genocide without so much as one nation on the planet, pausing to shine a light and say, wait a minute, you, Israel, committing genocide? There is no terror greater than the terror of bullying others into silence. How in god’s name do you justify targeting and sterilising the Black Ethiopian Jews, living in Israel, leaving their population diminished by 50 percent? Then again, why should one be remotely surprised? Apartheid existed not for the convenience of the Afrikaner; it was about the Oppenheimers, Shapiros and other Jewish families who control the diamond mining industry. Apartheid was much like the arrangement in Nevis, which saw Brazilian Jews – of which I am descended – engaging in the cotton trade during slavery with one caveat that enslaved Blacks were allowed to will land to their descendants thereby allowing Jews to be in Nevis without technically participating in slavery. Apartheid was another system like the one in Nevis, which was used to technically get around the obvious enslavement of Black South Africans and the hellish work conditions they endure in the diamond mining industry.

Catherine, George & William at Wimbledon, 2022

One thing is perfectly clear in all of this, in 20 years time, when HM King Charles III has long given way to HM King William V, HRH Prince George, Prince of Wales will get married. This, of course, like his parents’ marriage, will be staged at a time when there needs to be a surge in economic activity, boosting the kingdom’s wealth. Without doubt, all the grandstanding and vitriol being orchestrated here and now against Meghan, the Black duchess, will have been for one purpose only, to have William and Catherine favour a Jewish wife for George. This will the crowning achievement for Jews the world over and, of course, with a Jewish mother, thereafter the BRF becomes a very Jewish monarchy. Now it will be William and Catherine’s karma to have this whole affair blow up in their face. As with his father, William, George does have a 5 in the fourth position. This will assure that not only will he cheat on his Jewish wife but he will most likely seek to dissolve their marriage and as she is Jewish, he would be readily killed off, conveniently by accident. In that way, she stays as head of the very Jewish dynasty and her heirs affording that the Crown Jewels remain in Jewish control. If this were to happen it would occur before William’s death and after George’s Jewish wife has had royal children. In the end, William would lose the dynasty to Jews because not trusting and betraying family will be a hostile lesson to have to learn from the opposite perspective whilst still incarnate. In short, what he’s done to Harry and Meghan is likely to be returned to him via his son’s Jewish wife. Never should one be surprised by the staggering stupidity of anti-Black racist Whites.

Sam Waley Cohen

With inner circle stalwarts like Sam Waley Cohen, why else do you think there has been this global attack on Meghan, demonising her and making her the most hated Black woman in history as the Fleet Street abattoirs do as directed from the Bourbon bastard and his handlers? Meghan has been lynched like no other Black person in history as those who matter fiercely show their fealty to the future Sovereign William whose prejudice against Blacks is both readily discernible and documented. The threat of Meghan will be radically addressed with a course correction that will see the Windsors becoming a Jewish dynasty much as America’s visceral response to the effrontery of President Obama gave way to the biggest liar, buffoon, conman who proved the great White hope, though he was twice impeached and treasonously attempted a coup. So, too, will George’s Jewish spouse be seen as the second coming of Mary. Indeed, Charles and the Courtesan’s affair gave way to opportunistic King Juan Carlos, a Bourbon bastard and though not returning the kingdom to the Church of Rome, instead, delivers it up in hostile takeover to become the ultimate status of Jewish ascendancy. There will never be a single negative article about George’s Jewish Queen and the Fleet Street abattoirs will see to it that she is more loved and revered than HLM Queen Elizabeth II and all within a century of her long reign.

Hasidic Wedding

Oh my, wouldn’t that be just grand, King William V’s great-granddaughter and future sovereign’s wedding to an Orthodox Jew from one of the more conservative rabbinical families of Israel. Of course, unlike at the Sussexes wedding won’t anyone be openly ridiculing the ‘other’s’ quaint customs. This would be such sweet poetic karmic justice. As for the British tabloids, they will be most deferential to the ‘spiritually’ evolved new dynasty… so many duchies to invent.

All this because George’s father and mother, William and Catherine, are vile racists who did not want the most otiose of cushim in their midst. This probable future could not eventualise fast enough. Just like that, you lose the empire and will never get it back. Never again will the kingdom be ruled by wholesome blue-blooded protestants. Just as William has been most violently opposed to Black blood tainting the royal bloodlines, so too his handlers know that he is too damn stupid to realise that in a single generation, they are going to be able to wrestle and launch a hostile takeover of the United Kingdom’s monarchy, changing it for all time from a protestant dynasty begun by Tudor matriarch, Margaret Beaufort – now reincarnated as Meghan Markle – and changing it to Jewish dynasty with Rothschild interests as per the protestations of that blasted pussy, Ben Goldsmith.

Here were the Waleses in Los Angeles, in July 2011. This was part of their first royal tour that brought them to Canada to celebrate Canada Day, July 1, 2011. Then next they deplaned in Los Angeles where they were hosted by the Los Angeles wing of BAFTA. To date they still have not been on a royal tour to Kenya where the Prince of Wales proposed. As he is the president of BAFTA, both the Oscars and BAFTAs sneakily acquired a name change, becoming an international film awards. This enables the overwhelmingly aggressive awarding of an American acting award to Britons and for no other reasons as Hollywood is in the thrall of the Court of St. James where rubbing shoulders with aristocrats and royals is the ultimate sign of Hollywood exclusivity.

Legally, only a film festival can be open to actors from diverse countries to be eligible to be both nominated and win acting awards. The current arrangement of rebranding the Oscars international does not make it a film festival; thus, Britons are not eligible to be nominated nor win Oscars. Of course, like the diamond mining and trade in South Africa, Hollywood is not principally an Armenian industry. William as president of BAFTA ventured to Hollywood to serve the interests of British actors but chiefly, he was there at the request of the same diamond consortia who would push him to have Meghan removed from the royal family. You can take the titles all you want but you would also have to murder Harry, Meghan, Archie and Lilibet Diana to put an end to the threat they pose for being so senior in succession rank. Of course, such persons are perfectly capable of doing just that, in the meantime, they demonise the Black woman to make her and family’s elimination no surprise if it were to happen.

Just consider this, Meghan whilst a senior working royal never once wore a tiara, except at her wedding. That, I can assure you, had much to do with the power brokers who saw the Waleses lashing out and waging a campaign against Black Meghan being in the royal family. That cushim should not be allowed to wear a diamond-filled tiara. No better have the Waleses been than Orly Taitz, Tom Bower, Bethenny Frankel, Angela Levin in inciting anti-Black racism towards Meghan, Duchess of Sussex all for rising above her station. Needless to say, Princess Michael of Kent sported the blackamoor brooch as her show of solidarity with the Waleses and those Jews who were violently opposed to a Black being highly placed within the royal family. Just as Lady Susan Hussey could be removed then made to publicly apologised which was a real bit of White voodoo, so too, HLM Queen Elizabeth II ought to have stripped Princess Michael of Kent of her HRH title and had her publicly apologise to Meghan and Henry. Instead, the flat-arsed, racist snob was sat in the quire at the Sussexes’ royal wedding because The Queen will not be told what to do. Furthermore, as her cancerous immolation endured, The Queen tore her arse in the Sussexes’ faces by her antics at the Platinum Jubilee – seating at St. Paul’s Cathedral and being banned from the balcony at Trooping the Colour.