Charles & Diana: La Deuxième Partie (Like Father, Like Son).

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A few weeks back as I pored through IG (Instagram) that day, I kept noticing that the latest viral storm involved the worlds of dance and the royals.  As the story unfolded, I became increasingly ticked off.  Here was everyone, mostly dancers across the globe, whom I religiously follow, feigning indignation at Lara Spencer’s bullying of HRH Prince George of Cambridge because he studies ballet at the age of six.  

I soon sought out the clip in question and quietly awaited how the usual defenders of the royals would react.  Firstly, I do not believe for a second that Ms Spencer’s intended to bully as its been alleged that she did.  She was presenting a light entertaining piece about the royals, about whom the American audience at large know precious little.  Indeed, had an American, Meghan, HRH Duchess of Sussex not married HRH Prince Henry, Duke of Sussex in May 2018, it is highly improbable that Good Morning America would have run the story about Prince George also taking ballet classes at his school in Battersea.  

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There was no malicious intent on Ms. Spencer’s part; however, she was being sexist and classist in trying to make the royals somewhat relatable to an American audience.  It was an entertainment news item, in an American breakfast show when there is no time for getting too deep into any given subject and certainly not an entertainment story.  Nonetheless, there was she being tarred and feathered with dancers partout, calling for her to be fired and demanding that she issue an apology toute de suite.  

There is a damn good reason why dancers do not speak when onstage and that damn well ought to apply more often when offstage.  Not once did the optics of their outrage at Ms. Spencer, occur to any of these solipsistic bunheads.  Honest to god, here are they up in arms in defence of a royal whilst having remained perfectly mute as when onstage about the racially predatory abuse and bullying of another royal, Meghan, HRH Duchess of Sussex.  Of course, in having chosen to not hold their tongues as previously and consistently they have as the Duchess of Sussex has been abused, more speaks volumes about them than not.  

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For never once having said anything in protest of Meghan, HRH Duchess of Sussex’s bullying and abuse at the hands of Piers Morgan, Lady Colin Campbell, Amanda Plattel, Janet Street-Porter shows the entrenched apathy the world over at racism towards blacks.  All of the aforementioned have all fallen silent and written not a single article in defence of Prince George being bullied by that uncivilised American, Lara Spencer.  Naturally, so huge was the backlash that Lara Spencer had to swiftly issue an apology.  Again, at no time did any of the DailyMail gang of racially predatory Meghan-hating, race-baiting, click-baiting detractors show their cowardly faces. 

How could they have?  By far, they are the biggest bullies.  Unlike Ms. Spencer, her remarks were a one-off, I do not believe she intended to report on the Cambridge’s children on a weekly basis and in a disparaging manner.  American six-year-olds do not take ballet classes as part of their curriculum; that is why Ms. Spencer was going for a light, easy laugh.  She was showing to the American audience how removed from their reality, the royals are.  

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Each day with Jeffrey Epstein’s all too convenient death – that was definitely not a suicide, the racially predatory ghouls in English print media have remained conspicuously silent.  Truly if Lady Colin Campbell, Piers Morgan et al cared about the monarchy, why are they not up in arms and castigating HRH Prince Andrew, Duke of York of having been a dark and bothersome thorn for the crown?  Where is their outrage?  Where are the multiple daily articles wherein Prince Andrew is taken to task for proving himself not fit to be counted a royal?  

Don’t these idiots realise that in remaining in hiding and mum through the tsunami of Epstein’s resurgence and death, they come off as having been purely racist and malicious in their attacks on the Duchess of Sussex.  The longer they remain silent and cease their attack articles on Meghan, HRH Duchess of Sussex, reveal how purely malicious, personal and racist their coverage has been.  They have now got zero credibility.  

Naturally, as the braying against Prince Andrew grew louder and there were more daring calls for him to face justice, the loyal defenders of the RF sat back and said nothing.  When finally the Lara Spencer controversy blew over, Piers Morgan re-emerged and went right back to feeding on TRH Duke & Duchess of Sussex.  The new attack word is hypocrite; naturally, the Sussexes are hypocrites for flying by private jet.  After the fact, it would emerge that the Sussexes likely travelled to be at Elton John’s French estate, following the suicide of an energetic, charismatic colleague of Prince Harry’s on August 5, 2019.  

In this exquisite clip, we get a prime example of the true hypocrisy; here is Piers Morgan caterwauling as per usual, defending his right to bully and prey on Meghan, HRH Duchess of Sussex and like every racist boor, he is shrill in denying that it has anything to do with race.  As the future Countess of Sandwich, Julie Montagu, Viscountess Hinchingbrooke and fellow American alludes, the reason for the Sussexes travelling by private jets may be down to serious and valid threats that they may be subjected to, owing to Meghan being black.  Naturally, straight away as he race-baits and gleefully so, Piers states that it has nothing to do race; he refuses to concede that much of the hatred towards the Sussexes could be rooted in racism and that there couldn’t possibly be death threats aplenty against the Sussexes.  

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Julie Montagu, Viscountess Hinchingbrooke.

Rather, the tone deaf racist boor counters by stating that Diana was infinitely more famous than Meghan is; granted but he fails to realise that Diana was white and would have receive not a single death threat for being white.  The fact that Meghan is black and the first black to marry a senior royal are grounds enough for violent racists to be boldly making death threats against the Sussexes.  

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This is to what Julie Montagu was referring, instead, in a defence of his right to maintain his shrill racially predatory attack campaign, Piers Morgan shrilly states more nonsense.  Piers even becomes incandescent with rage at Julie Montagu’s suggestion that Meghan will do things in an American way.  Naturally, Piers protests and, in essence, says that Britons will not be overrun by Americans.  The past month has revealed the real hypocrisy of the English print medium, just as with the Lara Spencer scandal, which they could not criticise as it reflected their own bullying, Piers Morgan et al fell silent with the avalanche of details that have surfaced with Jeffrey Epstein’s death; murder, suicide… you decide.  

The glaring refusal of Piers Morgan and the rest of DM’s gaggle of shrill racists to so much as once mention Prince Andrew, has rather unwittingly cast a very harsh light on that other source of royal scandal, HRH Prince William, Duke of Cambridge.  Of course, this was never their intention – they aren’t that intellectually sophisticated.  Rather than pounce on the Andrew angle, if they are so keen on hurling mud at royals, they remained mum.  This has only given rise to questions of what exactly has been going on in the Cambridges’ marriage.  There was William shaking arse with his bottom boy, Thomas van Straubenzee in Verbier whilst also playing the field and hooking up on the dance floor with a woman who definitely was not Catherine, HRH Duchess of Cambridge.  

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This is the same Prince William who earlier in 2019 met with the editorial board at the DailyMail,  Like the scarf incident at Christmas 2018, more and more this is not about Wallis Simpson and King Edward VIII; however, it most definitely is matter of history repeating itself within the British royal family by way of HRH Prince Charles, Prince of Wales’ jealousy and the very real threat that he saw Diana, Princess of Wales posing early in their marriage.  For Charles, Diana was a complete enigma.  Not only did he not love her but how could the public be so obsessed with her?  How is it that he who was born to be king, be eclipsed by someone who was not even a blood princess?  

This dynamic is now repeating a generation later as desperate to rein Meghan, HRH Duchess of Sussex in, HRH Prince William, Duke of Cambridge met with the DailyMail’s editorial board.  For William, just like Charles, he is threatened by Meghan, HRH Duchess of Sussex’s star power.  Meghan shines brighter than both Catherine, HRH Duchess of Cambridge and himself, the future Prince of Wales.  Naturally, all along, HRH Prince Henry was dismissed as being second fiddle; William was deferred to and it was expected by William that Harry would know his role and keep his place.  

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Yet, there she is, Meghan, HRH Duchess of Sussex with more glamour and star power than both Cambridges combined.  It is in the nature of scholar souls to engage in dirty pool and set about to ruin someone by doing so in the background.  History repeats itself in that, like his father before him, William has been blindsided and thrown by the public’s reaction to someone not a blood royal.  It isn’t just that Meghan, HRH Duchess of Sussex is black, rather, William has been groomed from birth to expect everyone to be less revered than himself in the dynastic hierarchy.  That assumption, as are all assumptions, is untenable.  For all kinds of reasons, Meghan is far more popular than either William or Catherine – to say nothing of both combined.  

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Misha Nonoo-Hess & Meghan, HRH Duchess of Sussex.  

William for being a scholar soul and with his astrological, numerological and overleaves chosen would never choose a wife who could prove more popular than himself,  Shrewdly persevering, Catherine a warrior’s warrior would never go in for being showy as is an artisan or sage’s wont.  Artisans are simply far too complex for mere scholars to fathom.  The fact that artisans input on five channels where kings, warrior and scholars merely input on a single channel, would lead to unease on the part of a scholar who has been groomed from birth to be deferred to and groomed to be most popular.  That Meghan, has been one of the most shrewd and accomplished women in English history – she is the reincarnated Margaret Beaufort matriarch of the Tudor dynasty – is all the more reason why one cannot expect her to turn up playing wallflower here and now.  

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For Meghan, William is as interesting as a mastered rubric’s cube; he is flat, one-dimensional and bland.  The fact that Meghan’s task companion is a warrior and that she, Meghan, is married to a warrior, HRH Prince Henry, Duke of Sussex, her father-in-law HRH Prince Charles Prince of Wales and Catherine, HRH Duchess of Cambridge, her sister-in-law are also warrior souls, gives her an edge in understanding and knowing just what to expect from the Cambridges.  It is no coincidence that Charles’ second wife would turn out to be a scholar, Camilla, HRH Duchess of Cornwall and as such, someone who would not prove the egotistical challenge that Diana, Princess of Wales proved for being an artisan with star power.  

Indeed, like father like son as William a scholar would marry a warrior soul, Catherine, HRH Duchess of Cambridge who also happens to be his task companion.  Meghan and her forthrightness and singleness of purpose, with her healthy star power has proven a threat for William.  Meghan has also proven a jolt of energy for the Cambridges; they have finally had to get off their arses and stop playing house and do something that is more than simply turning up, grinning, shaking hands then bolting.  This is what the revival of the King’s Cup Regatta as a means of fundraising for some of their charities represents.  Meghan has shown with her ventures, the Together cookbook and Smart Works fashion collection that like the Prince Charles’ Prince’s Trust, she is all about raising money.  She gets it – the monarchy is a business.  

No amount of meetings with the DailyMail‘s editorial board is going to change the fact that Meghan’s star power is rooted in history.  How this has manifested itself here, is her expert command of stagecraft.  She is commanding of an audience in a manner that neither William nor Catherine is.  All this recent rubbish on the part of the DailyMail talking about Catherine has found her voice… all of 8 years on; indeed, it is a voice that she has been forced to suddenly find with little mastery simply because the very real threat and presence of Meghan behoves the Cambridges to do more than breed.  As compared to the Sussexes, the Cambridges are rather bone idle, truth be told.  Just as Charles was threatened by Diana’s greater popularity, so too is William threatened by Meghan’s greater worldliness, star power and commanding stage presence.  

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This is precisely why Meghan, HRH Duchess of Sussex’s stellar stage command at the 2018 British Fashion Awards has been scrubbed from the internet.  At the end of the day, the very shrewd Meghan, HRH Duchess of Sussex – which artisan soul is not both shrewd and complex – is confident of one fact: intellect is the most powerful asset to possess when incarnate.  Meghan is better educated than both Cambridges and she is vastly more worldly and articulate and displays greater intellect and emotional intelligence than Catherine, HRH Duchess of Cambridge hands down.  Charles does not call Meghan Tungsten for no reason…. besides just as Charles is rather shrewdly aware, William, though not inconsequential, is nonetheless stupid.  

No matter how William colludes, conspires and sabotages from behind the scenes, it is as futile as trying to sabotage and undo the work that Margaret Beaufort did back there in time… impossible.  For both Charles and William both Diana and Meghan would prove both enigmatic and difficult.  Both men for being warrior and scholar souls respectively input solely on one channel.  Both Diana and Meghan for being artisan souls input on five channels.  We artisans are the most complex creatures, who are not readily understood and are usually dismissed as unstable, too wilful, undisciplined, crazy, lunatic, artsy-fartsy et al.  Where artisans and sages are at home in the arts or looking like the contestants on Rupaul’s Drag Race, warrior and scholars are anything but, unless of course they are a scholar or warrior with sage or artisan task companion and with lots of sage or artisan influences in their casting.  

Where Charles differs from William is that his task companion is a priest which means that he, like all priests, would be given to serving a higher ideal which in Charles’ case has to to do with stewardship of the environment and not just the realm to which he is destined to govern.  Again, I cannot strongly enough state how much scholars are given to being shit-disturbers, fault-finding and given to being stubborn and categorising everyone and everything into its own neat little box/list as deemed by scholar arrogance to be correct.  In William, this is even more pronounced as his being born to be king, has heightened this innate scholar arrogance; furthermore, his attitude of 9 in its negative manifestation leaves him being prejudicial to all that is other and not like oneself.  

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(HRH Prince Henry, Duke of Sussex at the wedding of Michael Hess and Misha Nonoo.  What I love about this photograph is the more than passing resemblance between Henry and Roman Abramovitch.  About a dozen years ago, I had the most lucid dream of both men deep in conversation and I was struck then how much they looked alike; this is the first photo that captures this similitude in the look of their eyes.  I think that they are, perhaps, connected at the level of soul either entity mates or cadre mates.)  

The long and short of it all is that William met with the editorial board of the DailyMail in his campaign to demonise and eliminate the affront that Meghan, HRH Duchess of Sussex represents to his prejudicial scholarly sensibilities.  Still, he has yet to go tour a predominantly black Commonwealth Nation; unlike his brother, HRH Prince Henry, Duke of Sussex who through Sentebale has kept in touch with his black roots in his immediate past life.  Regardless of how much he and Catherine, run around making speeches all of a sudden, they can never eclipse the cool sophistication of Meghan, HRH Duchess of Sussex’s commanding stagecraft.  

Apart from being task companions, William and Catherine are a formidable force to reckon with… and it is all in the numbers.  Catherine is born 9.1.82 = 9.1.3 = 4.  William is born 21.6.82 = 3.9.2 = 5.  For any pairing to smoothly, harmoniously work, one must have at least two numbers in common.  The Cambridges have 9 and 3 in common.  I have spoken in the past of how debilitating William’s attitude of 9 leaves him hamstrung by prejudice, which clearly leaves him ill at ease or disfavouring blacks – hence the meeting with the DailyMail’s editorial board.  In Catherine’s case, the 9 is in the energy body.  9s are perfectionists who readily dismiss and banish anyone and everyone who comes near them who by their personal standers do not measure up and are deemed imperfect in some way.  

Again, Warriors (Catherine/Henry & Charles also Philip) are the dominant partner in any relationship.  For that reason, Catherine is rather threatened by Meghan’s forthrightness, American boldness, most of all, she is grossly threatened by Meghan’s commanding stage presence and the fact that Meghan, like every performer before her who is an artisan soul sets the tone and captures one’s attention like no warrior ever can, would prove disquieting for Catherine; in Meghan, Catherine is made readily aware that she is imperfect in some way.  Diana was the quintessential artisan soul with star power, she was also like another artisan of commanding star power in the 20th century, Marilyn Monroe.  Diana’s body type was Lunar/Mercury – she was luminous, empathetic, fluid, changeable, unpredictable.  With Marilyn Monroe, there was also Lunar energy; however, that artisan soul was Venus/Lunar… you could not get more bewitchingly famous than that.  In other words, she was gorgeously voluptuous – as we well know – but could cast a spell on anyone… and did.  

Also, an artisan, Meghan incidentally, is the same soul age as was Marilyn Monroe.  Meghan, however, has a Venus/Solar body type.  No surprise then that the very powerful Tudor matriarch, Margaret Beaufort would reincarnate with a body type that has the most spiritually senior royal, HRH Prince Charles, Prince of Wales referring to her as Tungsten.  Not only is she winningly appealing but Meghan’s body type of Venus/Solar suggests someone who is inordinately ambitious and also fully in control and is more shrewd than Diana ever was.  Both William and Catherine are deeply intimidated by Meghan.  Catherine’s body type is Saturn/Mercury/Venus.  That saturnine energy only accentuates that 9 energy in her makeup.  She is steely, guarded and like every warrior who ever lived fiercely competitive.  She is the dominant partner in that marriage – I should think that this does cause William a great deal of stress.  William, of course, is a lot like his mum, he is Lunar/Mars/Saturn.  At the end of the day, like Diana, he is not always ‘there’ and is not someone whom one would ever think of as an intellect… spacey is more to the point; this is why he cluelessly sat with his back to the horses on entering the 1902 state landau on his wedding day outside Westminster Abbey.  

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No matter how the Cambridges are threatened by Meghan and engage in a campaign to rein her in and sabotage her star power, as the Kingdom Choir sang so jubilantly, Meghan’s light will ever shine uneclipsed regardless of what prejudicial William and tightwad, faultfinding Catherine think or do.  It is really risible watching them try and rebrand Catherine as a public speaker.  Catherine can never walk onto any stage anywhere and have the audience be wowed and react so beautifully as the heavily artisan and sage-souled audience at the 2018 British Fashion Awards did to her surprise appearance.  Meghan proved her mettle in giving the world the greatest bit of theatre as she walked up the west steps at St. George’s Chapel, Windsor Castle on her wedding day, walking up the aisle like no royal bride ever had; she was declaring loudly and clearly, “I’m back!” as at the core of her being, the soul which previously had been Margaret Beaufort, entered the chapel alone beneath the stain glass windows at the west door with a tribute to her son in that past life, HM King Henry VII, then walked whilst escorted by HRH Prince Charles, Prince of Wales, across the tomb of HM King Henry VIII whom she mentored and for whom, she Meghan, then Margaret Beaufort was his greatest mentor.  

Meghan with every speech eclipses and exposes the flawed campaign of the Cambridges to try and make her a laughing stock, banished and inconsequential.  For crying out loud, Meghan is an artisan, not a self-restraining warrior nor a dull blithering scholar who was openly dismissed whilst on the balcony on his wedding day by his new wife.  Catherine for 8 years never once thought to start speaking publicly, yet, all of a sudden, there she is, comparably making an arse of herself.  She has been a deeply self-absorbed controlling element in her husband’s life, given to smoking, dieting all in hopes of being praying mantis and boyishly androgynous, the way a good public school-groomed husbands like those cherished proclivities sustained.  

Numerologically, the Cambridges are better suited elsewhere on the Timeline than here.  They are both not remotely adept at living in a world where being media savvy  is mandatory.  Saturnine, smug and colonial in their sensibilities, it is hard to fathom how they have managed to do little to nothing until the arrival of Meghan on the scene to cause them to suddenly become eager to engage and undertake royal engagements as well as raising funds for charities.  Since 2011, they went to Hollywood, wowed no one and have not been invited back since.  

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Truly, all that Catherine in her whimpering speeches can do is address childhood issues rather than commanding the respect and attention of adults as with Meghan at the 2018 British Fashion Awards which have been conveniently scrubbed from the internet as it is puts into relief the commanding force which Meghan represents.  Artisans, like Meghan, Marilyn Monroe, Diana, Princess of Wales and countless others bring the magic by merely being, especially so when on stage… this is an innate gift that neither Catherine nor William possess in the slightest.  

For sporty Catherine to be suddenly thrust out there to be making speeches only further highlights how desperately the Cambridges are threatened by the appearance of Meghan in their midst.  Just listen to this god-awful boldfaced sophistry!  She has not found any voice anywhere. 

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You cannot find what you never had to lose in the first place.  She is a mousy little thing who looks like a chain-smoking, eating disorder mess which would be in keeping with the 9 numerology obsession with perfection.  This You Magazine insert in the Mail on Sunday is the result of the Cambridges meeting with the editorial board of the DailyMail. 

It changes nothing because as earlier in the week proved as TRH Duke & Duchess of Sussex demonstrated when presenting four-month old Archie Mountbatten-Windsor to Archbishop emeritus, Desmond Tutu and the eagerly awaiting world, the Cambridges by comparison are like week-old lettuce…  limp.  Just look at that exquisitely shaped African skull on Archie…  it readily conjures images of family gatherings where every black aunt, cousin and mother want to gently, lovingly massage the uniquely large skull with its rear extension, their long melanin-rich fingers massaging love and pride deep into the very DNA of yet another handsome son of Africa. 

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Archie is such a beautiful, well-aware, engaged youngster.  Indeed, in spades, he demonstrated at all of four months that he is indeed an older soul as his mum, Meghan, HRH Duchess of Sussex stated whilst visiting with the Tutus.  Truth be told, Archie is the oldest soul senior royal.  He is the same age as HRH Prince Charles, Prince of Wales – both 7th level Mature souls; however, Archie is a priest soul and more cardinally cast than warrior soul, Charles.  

One thing that the Sussexes tour of Africa has proven, is that though the campaign waged by the British media, especially so the DailyMail has been damning, it changes nothing.  There hatred does not encompass how the world perceives the Sussexes; they are lovely couple, truly in love and parents to the most awesomely spiritually evolved child, Archie Harrison Mountbatten-Windsor.  

*I should point out, however, that I have not done the overleaves for prince Louis of Cambridge or his sister princess Charlotte of Cambridge.  Thus, of the senior royals channelled at this stage, Archie is the oldest soul, though, he may well not be based on the other senior royals whose overleaves I have not done.  END.  

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©2013-2022 Arvin da Brgha.  All Rights Reserved.  

An Incredible Baby Boy!

HRH Prince Henry, Duke of Sussex announces the birth of his son.  

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Lips trembled and I came undone whilst watching this beautiful spirit revealing his sheer delight at becoming a father.  As a last-born, I always more readily identified with this man rather than his brother.  

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Archie Harrison Mountbatten-Windsor being introduced to his great-grandmother HM Queen Elizabeth II whilst his grandmother, Doria Ragland, his great-grandfather HRH Prince Philip, Duke of Edinburgh by his enraptured parents, TRH Duke & Duchess of Sussex.  

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Doria Ragland, grandmother of Archie Harrison Mountbatten-Windsor, Earl of Dumbarton.  This woman has the most exquisitely beautiful papaya-seed succulent, ensouled eyes.  

The wedding of Prince Harry and Meghan Markle, Pre-Ceremony, Windsor, Berkshire, UK - 19 May 2018

Meghan Markle en route to be wedded and pronounced, Meghan, HRH Duchess of Sussex.  

There is a reason why there was so much beauty and love overflowing at the marriage of TRH Duke & Duchess of Sussex, for less than a year later they would give birth to a most remarkable older soul.  Before getting to that, I still think that the best dressed woman at their nuptials was the dowager Duchess of Westminster who looked for all the world as though she were merely traipsing about her lair in her favourite muumuu.  There was something so disarmingly unpretentious yet elegant about the look and air she projected.  

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At once delicate and vulnerable; it is so immensely satisfying to see this young man flower into the true essence of his being.  

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As Meghan possessed of a true sense of theatre, she who was formerly Margaret Beaufort, entered and strode the knave of St. George’s Chapel alone… a Queen returned, she joined her lover and invited us in to share in a love that was tangible, real and undeniable.  

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Less than a year later, the love blossomed into the most beautiful, magical flower.  

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There he is, Archie Harrison Mountbatten-Windsor, of all the senior royals he would prove the oldest soul.  This young man will prove a most uplifting member of the British Royal family.  

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Mountbatten-Windsor, Archie H. 6/5/2019

Michael: This young fragment is a seventh-level mature priest – second life thereat.  Archie is in the perseveration mode with a goal of stagnation.  A, realist Archie does not yet have a centre. 

Archie’s, as can be expected, does not have chief features. 

Archie’s body type is Venus/Mercury/Mars. 

The fragment Archie is second-cast in the second cadence.  Archie is a member of greater cadence four.  Archie’s entity is five, cadre six, greater cadre 7 pod 418. 

Archie’s essence twin is a priest and the slave task companion is likely to be known at a later date. 

Archie’s three primary needs are: exchange, acceptance and communion. 

There are 6 past-life associations with Arvin and 7 with Merlin.  ­­­­­­­­­­­­­­­

This fragment does have a facilitating agreement with the father, HRH Prince Henry, Duke of Sussex to be his son; he also has one with the artisan, his mother Meghan, HRH Duchess of Sussex and it is that of parent/child.  All three, along with HM, The Queen are of course cadre mates. 

We would say that this inspirational fragment is likely to have some notoriety as would be expected and can serve to inspire others to cross perceived boundaries. 

The higher ideal has to do with unification. 

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HRH Prince Charles, Prince of Wales his paternal grandfather has to date been the oldest-souled senior royal.  Like HRH Prince Charles, Archie is a seventh-level mature soul; however, whereas Charles a warrior soul is an ordinal fragment, his grandson, Archie is an exalted fragment for being a priest.  Priests are the feel-good great souls.  I rather suspect that this man will go on to have the same inspirational effect as have Barack H. Obama, Nelson Mandela and Martin Luther King Jr. all of whom are priest souls.  

Of course, President Obama is a young-souled priest, whereas both Martin Luther King Jr. and Nelson Mandela were both sixth mature priest souls.  Archie is an older soul than the latter two mature-souled priests and like both, his role will prove rather uplifting and inspirational to blacks globally.  Indeed, there is no happenstance that as TRH Duke & Duchess of Sussex departed St. George’s Chapel in the Ascot landau, after their nuptials, the Kingdom Choir sang, This Little Light of Mine.  

All priests have one thing in common; they have the most radiant, magnetic eyes.  You never forget their eyes; indeed, their inner beauty of spirit is more readily reflected in their eyes than with any other role – at least, that has been my experience of priest souls.  Priests constitute roughly eight percent of all souls in the cosmos.  They are greatly motivated by a sense of justice and are in the world to both inspire and promote harmony.  With his father’s double sixness, Archie, born a six day, is well equipped to inspire and empathise with the needs of many.  He is, like his father, greatly gifted with the ability to inspire others.  Archie also happens to be a cadre mate of both his parents TRH Duke & Duchess of Sussex, plus his paternal great-grandmother, HM The Queen.  

One thing is guaranteed, as the only priest soul who is a senior royal*, Archie is going to be a standout like no other.  This is a family of slaves, scholars, warriors and artisans.  I think that his parents’ open and abiding love speaks to them serving as parents to this rare soul being born into the BRF.  In a way, he is the perfect maturation of the qualities that his paternal grandmother embodied; Diana, Princess of Wales with her inordinate empathy and compassion gave birth to a deeply empathetic warrior, HRH Prince Henry, Duke of Sussex, who in turn has fathered the very embodiment of all the higher ideals that both mother (Diana) and son (Harry) have represented.  

*As I have not had channelled the Michael Overleaves of the other two children of TRH Duke & Duchess – HRH Prince George of Cambridge; George is an early mature king soul and an entity mate of Archie’s, HRH Princess Charlotte of Cambridge and HRH Prince Louis of Cambridge, I do not know if any of them are older souled than HRH Prince Charles or Archie.  I also do not know if either of them is an exalted role – King, Priest or Sage, though, neither of them strike me as any of those three roles.  

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Mr. & Mrs. Thomas Kingston

Third royal wedding in twelve months, featured the handsome Lady Gabriella Windsor – look at that neck! As always, one looks for the notable sartorial moments.  

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Carole Middleton wearing the best hat and outfit that easily surpassed the Catherine Walker ensemble which she wore to her daughter, Catherine, HRH Duchess of Cambridge’s wedding and her outfit at the royal wedding of TRH Duke & Duchess of Sussex last year.  

TRH Prince & Princess Michael of Kent

Look, as we West Indians always say, ‘there is always a but’ her blackamoor brooch notwithstanding, I am always a sucker for a woman with a prominent forehead and HRH Princess Michael of Kent has always been a favourite of mine.  

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I definitely did not like her lilac outfit at the wedding; the mother of the bride looked infinitely more elegant in what she wore later to the reception.  

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HRH Princess Anne, The Princess Royal, Lady Frederick Windsor and HRH Prince Henry, Duke of Sussex.  

Hands down, Lady Frederick Windsor was the best-dressed lady at the recent royal wedding – that hat, those feathers that soothing blue… perfection.  

TRH Duke & Duchess of Kent

HRH Princess Marina, HRH Prince George TRH Duke & Duchess of Kent.  

Without doubt, the most handsome Windsor male of the past century.  Of course, that tiara was worn this past weekend at the royal wedding of the Mr. & Mrs. Kingston. 

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HM The Queen at Lady Gabriella Winndsor’s wedding.  

HRH Prince Philip Duke of Edinburgh

HRH Prince Philip, Duke of Edinburgh at Lady Gabriella Windsor’s wedding.  

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James Middleton attending the recent royal wedding at St. George’s Chapel, Windsor Castle, Berkshire.  

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There is no stronger validation for the fact that all gap-toothed Caucasians having been black in their immediate past life than this photograph of James Middleton.  James is a spitting image of a black Haitian former co*worker in Montréal.  Same vibe, same eyes and the exact same teeth.   Jean-Yves was a pretty laid back man, who loved fishing and riding donkeys in his native Haiti.  One gets the same vibe of James; his is a look that I have seen many times throughout the West Indian community – laid back men with the same gap-toothed smile.  Moreover, his smile is exactly like that of a voluptuous woman who lived in Sandy Point, St. Kitts when I was a child; who knows, perhaps, James is her reborn.  

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Here’s to love!  Here’s to this beautiful dream called life.  Here’s to HM The Queen.  God Save the Queen!  

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Most of all, thank you for your ongoing support, happy to have you vicariously along for this most lucid of flying dreams.  Be well as ever, and don’t forget to push off and start flying for magic is the stuff of the sweetest dreams.  I love you more.  

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©2013-2022 Arvin da Brgha.  All Rights Reserved.  

Otello: Race and the Arts.

After having pored through an interesting OperaCanada article that featured the opera Otello’s lead, Russell Thomas, and a predictably snide review in The Star – look there is no black lobby in Canada, so one can always be expected to be as curt and dismissive of blacks at every turn; this is after all the culture where the obsession with Jazz is almost as fever-pitched as the predatory late-night runs of Klansmen with nooses at the ready – I comfortably settled into my usual ring three seat, next to trusty Lucian Mann-Chomedy and warmly awaited the magic that is theatre to unfold.  

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After a month that was not soon revisited, my mind was at times distracted by the dreck that one must at times endure in order to get by.  I thought of the heaviness in the air that the subject matter of the opera addressed; the quartet of retired ladies who usually chat about who has taken ill, moved to hospice or died since last they gathered, did a lot of coughing, sniffing and whispering.  And as these things are as predictable as flies on shit, sure enough, I heard one of them whisper, “Meghan Markle.”  Will these people ever just leave the damn woman alone and stop hunting her at every opportunity?  

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Otello, Verdi’s take on Shakespeare’s take on race relations did also from the row of retired and widowed ladies spirit the whisper of O. J. Simpson’s name.  Some things just never change… alas.  Indeed, at some moments as I looked at Otello onstage, I began to realise how we as a people are stigmatised and stereotypically projected onto.  I soon got greater insight to why Meghan, HRH Duchess of Sussex is so reviled.  Objectified, she as a black woman was only ever to have been nothing more than a bit of rough, a tryst.  

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Naturally, HRH Prince Henry, Duke of Sussex with his double sixness is seen as being readily taken advantage of and needed to be protected against the lascivious bit of rough who clearly conned her way into the royal family.  Born September 15, 1984, Henry born in the year of the rat has quite beautifully empathetic, compassionate numbers and with his double sixness is given to OCD behaviour as displayed by his need to fidget with his clothing – right hand inside his jacket et al.  Six people are awesome beings and Henry, a double six, is no exception.  15.9.1984 = 6.6.1 = 4.  

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With Otello, this projection of the black male as emotionally volatile, violent, easily manipulated has certainly proven an archetype that fits blind fools like Tiger Woods and O. J. Simpson to the letter.  Either way, it was uncomfortable to watch this production in places as it so mirrored the warped perception of a people by persons who question our humanity and who never seem able to perceive us beyond their generationally custodial perception of a people. 

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Be that as it may, I so hungered to be removed from the morass through which I recently waded at the end of which, I dismissively remarked of yet another power-mad woman in the work place: “She certainly doesn’t look like a fucking horse for no good reason…  Oh please, it’s just a matter of time before she rots the fuck in hell, eating every pope’s arse!”  If you cannot take offence then don’t damn well give offence…  Honest to god, some women in the work place are nothing but dickless faggots addicted to creating drama for the sheer sport of it and simply because they are just so drunk with power… to say nothing of being bored out of their frigging minds.  Well, like a bowel movement, it did not take too long for me to sniff, flush and walk the fuck away from the BS,  

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This Desdemona was an earthy, warm, beautifully soulful portrayal of a wronged woman, a woman dominated by an insecure and deceived man.  This production was a beautiful sweeping affair; I especially loved the dark broody look of the sets that captured the essence of the human condition portrayed.  Indeed, it proved a good elixir after all the dross that I had recently endured in the work place.  

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During Otello’s intermission, I received a forwarded Instagram post from an old dancer friend, which he labelled #everythingwasbeautifulattheballet.  Of course, it was a direct response to my last blog, which highlighted the intense isolation and racial animus that I experienced for two god fuck-all maudlin years in Winnipeg.  Yes, indeed, the world of art is saturated with lisping, bottom-feeding, small ‘b’ bigoted boors who see positively nothing remotely gauche about this sort of fare well into the 21st century.  

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On yet another too cold, rainy day, which proved all too reminiscent of Vancouver, I abandoned my art-filled lair in search of more inspiration the day after the opera.  I cannot quite recall a season in recent memory that has proven both so cold and rainy as this protracted winter.  

That’s right, the day before attending Otello, there was a break in the perpetual rains that gave way to snow and hail…  truly, the dog days of summer cannot get here fast enough.  As more of the city’s 19th century streetcar tracks were being ripped up and replaced so that the racket that is the TTC outdoor workers and the local constabulary can make a killing in overtime, it took close to 40 minutes on a bus for me and my fuck du jour to get from Yonge and Dundas to Dundas and McCaul.  

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My date, a lissom twenty-something with smoky hazel eyes, which were vaguely reminiscent of Merlin’s, was good company.  I had for the past several hours pummelled his prostate as his daddy issues were satisfied and my angst from work place tensions were nicely dispensed with.  We men when in our 20s can be so alarmingly insecure; I have often wondered how Merlin managed to stay with me during those angst-ridden and redundantly solipsistic years.  

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My date on exiting the Yayoi Kusama Infinity Room expressed chagrin at not having done magic mushrooms before leaving my place where incense and Jazz magically perfumed the air, intoxicating our spirits as we riotously fucked our way out of winter’s gnawing frigidity.  

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Without question, no trip to the AGO is completely inspiring without a visit to the galleries where the stellar art of Inuit artists are housed.  There are some real masterpieces in the AGO collection.  

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As it was the tail end of this exhibition and I still had not visited, I simply had to make it there.  Whilst walking along the long corridor to the start of the exhibition my fey-eyed beauty suggested that we take a break and go make out in a stall in the washrooms.  Fingers interlaced, I assured him that there was better intimacy to be had the sooner we got through the exhibition and hightailed it back to my place by Uber.  

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To my very discriminating eye, the moment I saw this verbose title, I fully expected to observe a show that was curated by too much extraneous fare and not enough impressionist art.  Tumescent and impatient, I had no time for reading, reading and reading more yada yada, all of which was to compensate for the lack of genuine, to say nothing of quality, impressionist art.  Just as well, I was growing achingly moist by the minute as both my energetic ectomorph and I hungered to be carnally consumed with each other… yet again.  

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This marvellous bronze fully captivated me; it would prove my favourite piece in the shoddily curated exhibition.  

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Highlights from a rather underwhelming show.   

Detail featuring two of the most beautiful creatures.  Their depiction is not the most masterfully executed but there is something rapturous about the look of the dogs as they ambled with their human companions on a journey which they had taken countless times before that made me stop and gaze overlong whilst being truly inspired.  

Detail of what for me proved sheer magnificence… the lighting is phenomenally executed.  

A masterpiece to be sure; however, where it was hung and the palette of the salon were decidedly inappropriate.  This was all I needed to see to finally wink the left eye at my horny power bottom and to speed home by Uber in the rain for noisy, exhausting, passionate play.  

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As ever, for your ongoing support I am both deeply grateful and indebted.  Sweet dreams and don’t you ever forget to push off and start flying because life is a most beautiful drink.  Cheers! 

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© 2013-2022 Arvin da Brgha.  All Rights Reserved.  

Skater.

Skater (1964). Skater — painting by Alex Colville. Skater 1964. Acrylic polymer emulsion on hardboard 113 x 69.8 cm.

Acrylic polymer emulsion on Hardboard

113 x 69.8 cm.

© 1964 Alex Colville.

Provenance: Museum of Modern Art, New York City.

About Alex Colville

Without doubt, one of my favourite Alex Colvilles.

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© 2013-2022 Arvin da Brgha.  All Rights Reserved.

Portrait No. 3.

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Oil on canvas

© 2005 Li Dafang.

Provenance: Uli Sigg Collection, Switzerland.

Sadly, I couldn’t find the dimensions of this exquisite gem anywhere on all that is Google…  I oftentimes reflect on how bedazzled Merlin would be, had he lived, to be in the age of eBooks, Google et al… scholar soul to the core as he was/is.  Naturally, as he read multiple books daily, I am sure he would have owned a Nook, Kindle, KOBO, of course, and others.

Then again, I do believe that he would also want to have the tactile bond that actual books represent: the smell, the weight – the way he would slightly squint when getting ready to lick index finger to turn the page.  There is a certain ritual to having a book in hand.  Too, I remember, even now, how he would peer over the rim of his gold-rimmed spectacles to leer at my seductively writhing body…

I love the artist’s use of light and colour; too, the muse’s cool gaze as it pierces straight through to the soul of the observer… masterful.

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© 2013-2022 Arvin da Brgha.  All Rights Reserved.

Pink Chair II.

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Conté Drawing

3.5 x 4.0 Feet

© 1992 George Hawken

Provenance: Artist’s private collection.

Though this drawing of me was completed before I left Toronto for Vancouver in 1994, I never did see it until returning to living in Toronto, from Montréal, in 2004.  I loved it and still do.  The work is my favourite George Hawken and, of course, as it is a one-of-a-kind and not in my possession; this, of course, makes it that much more covetous!

What I especially love about it is that whilst living in New York City in 1983, I dreamt of the drawing and didn’t, at the time, realise that it was me; the eye-colour in the drawing is the same as a very exotic-looking female past-life of mine about whom I often dreamt back then – especially when studying classical dance in Winnipeg prior to that (1980-82).

At the time of that dream of this drawing which was yet to be – I had not even yet met George Hawken, Merlin and I were staying in the Chelsea loft of Natch and Zammy, the Artistic Director and his dancer lover, who since passed of AIDS, of Les Ballets Trockadero de Monte Carlo.

Of course, prior to leaving for Vancouver, I was happily ensconced in relationships with Daryll Newcombe, Gustavo Vadim – the masochistic art thief in Washington D.C. and Manhattan cabaret singer, Frans Bloem… plus a few others.

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© 2013-2022 Arvin da Brgha.  All Rights Reserved.

Ball Game.

Ball-Game

Oil on Canvas

36 x 36 Inches

© 2013 Wim Heldens

Provenance: Private collection

http://www.wimheldens.com/

Love Wim’s masterful sensual use of light and colour.

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Twenty years ago, when flying in to Manhattan from Vancouver to be with then lover, Mahattan cabaret singer, Frans Bloem, I would meet Wim.  As all I ever do is sense energy and think of anyone encountered as a Michael Overleaves puzzle – is this a warrior or just a cynic? – I knew without a doubt that he was an old soul.  Like every other old soul encountered whose overleaves I have done, I felt a sense of home, acceptance and harmony for being in his presence.

At the time, Wim was sick in bed with the flu and so I went out shopping and got him some Campbell’s soup – what  do I know about making homemade soup? –  and spent part of an evening hanging with him.  The interlude was truly memorable; it was like being in a dream which, incidentally, is also another hallmark for me of being in the presence of an old soul.

Wim truly is a great human.

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© 2013-2022 Arvin da Brgha.  All Rights Reserved.