Tea Time!

HM The Queen. 21.4.1926 Tiger 3.7.7 = 8

All sevens can see beyond the veil and they are always without exception very refined, reserved and do not do uncouth nor drama. Why is that you ask? At the core of their being, such persons are callously amoral – they do not care… they do not empathise. So then let’s peer beyond the gullible small-islanders’ inability to look beyond the rigorously maintained façade of the major players of the BRF and, in particular, relative to the Duke & Duchess of Sussex.

Diana, Princess of Wales 1961 <O> 1997

Why would HM The Queen take so long to present after Diana’s death? She did not give a damn, the woman was an inconvenience and she was not going to honour her by appearing before the little people, who clearly loved Diana above all others in the kingdom. She detested Diana. She also had to come to terms with the fact that Diana was eliminated and clearly a lot of atoning had to be done to eventually face the public. Her appearance with the windows of Buckingham Palace open was a cold, ugly affair. Don’t ever forget, PM Tony Blair had to beg HM The Queen to come forward and address the very pained public.

HM The Queen’s Tribute to Diana, Princess of Wales

Apart from this utterly saccharine speech, there were moments captured of HM The Queen outside Buckingham Palace on the family’s return from Balmoral. Whilst Charles, William and Harry attended The Queen and HRH Prince Philip, Duke of Edinburgh, the Queen’s reaction to the grieving subjects was a cold nasty affair. There was one point where someone reached out to her in their moment of grief and despair at Diana’s death and she simply shuddered and moved on with a smile that was the fakest most mechanical movement of facial muscles imaginable. Regardless what she said in that speech, this is the same woman who did absolutely nothing as Diana emotionally and mentally fell apart whilst the rest of the BRF and staffers abused Diana. Of course, it goes without saying, Diana was struggling with the fact that she was not loved and they all knew that Charles and Camilla were true lovers – especially if that child sequestered in Australia is the adulterers’. Nonetheless, they could, none of them: HM Queen Elizabeth, The Queen Mother, Charles, Philip, Anne and the entire ghoulish cast, have given two fucks how mightily Diana suffered. Tough!

Diana, Princess of Wales & Dodi Al-Fayed

Regardless what one may think of Mohamed Al-Fayed; there is very little to suggest that the man was just a grieving father. He had the means to have had the truth of the matter rigorously investigated. The classist, racist British establishment and the BRF did not want the disgrace, as they perceived it, of the mother of a future king of the realm being wedded to an Arabic, moneyed Moslem whom they thought of as being too brash and having bought his way in, when in fact he was not especially wanted. There was a price to pay.

Dodi Al-Fayed 17.4.1955 Goat 8.3.5 = 7

Dodi and Diana had two numbers in common, 8 & 7. For both of them, theirs was a 7 in the fourth position; this placement of 7 is more often than not the sign of public assassination – and not just merely assassination. Numbers do not lie; Mohamed knows the truth. Besides, as a father, he would have had countless dreams after Dodi’s passing in which he would have been enlightened as to what really took place and who the source of the assassination order would have been. The Duke of Lancaster would not have been unaware.

Duke & Duchess of Sussex, St. Paul’s Cathedral June 03, 2022.

Just remember, what is past, is present, is future. Everything that the Sussexes are being put through, is precisely what Mohamed Al-Fayed experienced from the British Establishment, aristocracy and BRF. Of course Mohamed Al-Fayed certainly had no qualms about telling them all to go to hell and did, as well he should have. They crucified his son for having the temerity to seek to join the BRF by proxy.

Mohamed Al Fayed 27.1.1929 Dragon 9.1.4 = 5

They would have been spied on by Mi5 and CIA and obviously, the very day that Dodi went out and purchased a 700$k engagement ring for a known expectant, Diana, Princess of Wales, they incredulously perished in a car crash. Of course, Diana survived; however, she was not meant to have survived so she was then put down. It takes a copious dosage of morphine or whatever else they did, to have Diana finally stop being a goddamn pain in the arse. Never forget that she had provoked their ire by producing a firstborn with decidedly Bourbon markers. In all of this, of course, was Mohamed Al-Fayed whose numerology coupled with his wealth, assured that he did not give a damn and called it as he saw it, which is to say that he was and remains spot on about what went down.

Diana, Princess of Wales

Diana’s appalling treatment by the senior royals, of which HM The Queen was keenly aware, was savage in the extreme. One should not be in the least surprised that Meghan, a Black American self-made woman with more charisma, intellect and eloquence than the slovenly broodmare who gave birth to the blasted freak, Prince Damien, was racially preyed on and driven out of the kingdom. Good fucking god, how in high hell do you explain that hideous woman, Princess Michael of Kent being at Meghan’s wedding after she had worn the blackamoor brooch to The Queen’s Christmas lunch, 2017. She then was sat closer to the Prince & Princess of Wales (Camilla rightfully should be called the Princess of Wales because she literally cannibalised Diana, Princess of Wales; calling her Duchess of Cornwall is too good – she should be labelled as what she is) and the Duke & Duchess of Cambridge at The Queen’s platinum jubilee service of thanksgiving at St. Paul’s Cathedral on June 03, 2022 than even the Wessexes, whilst the Sussexes were sat across the aisle and behind the Wessexes and next to the disgraced Duke of York’s two daughters and their admirable spouses. All this would have been with the tacit approval of HM The Queen, yet I certainly hope that the Sussexes do not see the monarch as being in any way an ally of theirs; she is not.

Lord Snowdon, Princess Michael of Kent & Mark-Francis Vandelli

Per the ubiquity of a fly on shit, there has been Princess Michael of Kent aka Princess Blackamoor, partout. She was forever holding holier-than-thou court in the royal box at Wimbledon 2022 as if the point needed to be stressed further, beyond the seating at St. Paul’s Cathedral on June 03, 2022. But lapping it up in spades, she most certainly was. Less than a month prior, there was Lord Snowdon, who sat like the Kents, close to the Cambridges and next to that aesthetically challenged buffoon with the mannish spouse, and on leaving St. Paul’s Cathedral, made a point of completely ignoring the Sussexes as they waited at the top of the stairs for their ride. Snowdon, at the time, snickered and went to chat up the clown, who had been seen embraced and his loyalty assured by William recently photographed for effect, hugging him, as they smugly telegraphed to the world their collective snub of the Sussexes. Of course, there sat Snowdon in the royal box at Wimbledon, who had been found being intimately same-sexed, which male royal never does, sat next to that blasted classist boor, minor TV thespian and snob, legs crossed and his mangina’s anal verge likely just-so softly plush for being filler-saturated. Of course, it goes without saying, his plush bussy was also likely waxed and bleached. Charmant. Sooner or later, Princess Blackamoor will crawl the frig into her casket and when she does, she most definitely will rot the fuck in hell with Idi Amin sat on her god-fugly face – the vile racist swine. Rule number 1, you don’t like Black people… fuck you! As Merlin once remarked, “What good is Black rage if it’s kept in a Ming vase on the mantel?”

Martina Hingis & Duchess of Cambridge at Wimbledon

As if it were not enough to drive home the fact that the Cambridges are really hyper-obsessed with putting that BBD – no, not big Black dick, Black Bitch/Diva, Meghan, in her place, Catherine just had to invite Martina Hingis to the royal box. Not as if she had won multiple grand slams at Wimbledon or something, like the Williams sisters.

Prince William day after the Sussexes’ interview with Oprah Winfrey aired.

Of course, Hingis was notorious back in the day to have alleged that there was no racism in tennis and she had no clue what the Williams sisters and their father were going on about. Always, the racists give themselves away by readily opining about the non-existence of racism.

Lady Gabriella Windsor-Kingston

Princess Blackamoor’s daughter who always looks like the sporty buffoon’s very mannish wife’s twin brother who’s recently fully transitioned. Surprise, surprise, though Princess Blackamoor feigned approval, in the end her ambiguous-gendered spawn came to her senses and married a perfectly sensible WASP, rather than the Dravidian, who though not Black, is not White.

Olivia Bentley

Of course, the only one who was both elegant and the epitome of class, was the very stylish, acerbic Olivia Bentley of Made in Chelsea, who obviously does not hang around with grifters whose baby daddy has of late been dropping soap and being somebody’s bitch. This was at the recent service of thanksgiving for a loved royal confidante.

Michael Fagan

So strange this tale and, of course, whatever you want to believe of what was said to have actually occurred, you are free to so choose. Asking for cigarettes is certainly telling.

Philip, Anne & Elizabeth.

Here’s a little insight into HM The Queen’s amoral 7thness; she returned to London from Malta, gave birth to HRH Princess Anne, Princess Royal then returned to Malta sans new-born mere days later. Naturally, it was the nannies’ duty to care for the new-born. Why should any Queen have to be a mere mother, indeed. Back to Malta she returned to her favoured stallion.

Of course, 8 years later after some obvious froideur, along comes what would in her tenth decade prove her own nightmare and Jeffrey Epstein’s prized blackmail, sex-crazed royal addict, whose second offspring bears an uncanny resemblance to the much favoured steed, Porchy.

As with Mohamed Al-Fayed, the Windsors and their organisation have got all the power to act like a unchallenged crime syndicate. Just as Mohamed was dismissed by the media as being a cuckoo, grieving old man for asking pertinent questions at the death of his son, Dodi Al-Fayed and his new love, Diana Princess of Wales, so too they have managed to have Meghan, Duchess of Sussex eviscerated in the media. Too bad for them though that they do not control American media and Meghan is an American and has power players in her corner who will always matter. Just look at the power of the Windsors. Lady Colin Campbell has never been able to write a biography about the Duke & Duchess of Cambridge. Obviously, this is because Prince William, a tempestuous stubborn customer, has made it perfectly clear to all the royal rota hacks and more importantly all the heads of the book publishing houses that there is to be no permission or approval of biographies of either him or his dull-as-dishwater wife with an equally violent temper.

Eleven years into their marriage and the only biography to have been written about either the Duke or Duchess of Cambridge has beenWilliam at 40″ by Robert Jobson. Lady Colin Campbell writing her scathing tomes on the Sussexes is all about income stream for her. In the long term, she is hoping that this puts her in favour with the Cambridges, who see her for the gutter-sniping fraud that she is. Just think about it, the Poundland Countess, with her very own castle, has never written a book about Camilla, Charles or William and Catherine. How free is the press in the kingdom, if one cannot write about some members of the BRF? As such, it is a land of flagrant propaganda and little else as the pantomime rolls from one generation to the next as it has from one millennium to the next.

Moreover, when it pleases the Windsors and the firm to be oversaturated in the media, there is always a sacrificial lamb proffered. Diana was never liked by her husband, even less so by his mother, who knew all along that she was a convenient cover for Charles’s dalliances and Australian-disposed baggage, all of which would be conveniently covered up with Diana being skewered in the media. There are two things that the modern BRF do with predicable élan: royal weddings, which sell the fairy story and then the scandals follow thereafter. Charles and Diana, the wedding of the century, followed soon thereafter by Sarah, Duchess of York being fed to the Fleet Street abattoirs. Of course, as we have now come to see, “Fergie” was the initially proffered lamb, as it turns out, it was so much smoke and mirrors to cover the Wales’ toxic sham of a marriage, which was coming fast undone.

Lady Colin Campbell

There is a part of me that secretly likes this woman because at the end of the day, she is Jamaican and there is only one word which does not exist in Jamaican patois… shy! Guaranteed, you will laugh loudest when with Jamaicans!

Lady Colin Campbell Books:

Publication Order of Standalone Novels

Empress Bianca(2008)It’s been pulped and I’ve a copy

Publication Order of Non-Fiction Books

Lady Colin Campbell’s Guide to Being a Modern Lady(1986)
Diana in Private(1992)
The Royal Marriages(1993)
A Life Worth Living(1997)
The Real Diana(2005)
Daughter of Narcissus(2009)
The Untold Life of Queen Elizabeth, The Queen Mother(2012)
The Queen’s Marriage(2018)
People of Colour and the Royals(2019)
Meghan and Harry(2020)

Voilà! Not a single biography of adulterers Charles & Camilla. So too none of Prince Philip, HM The Queen, HRH Princess Anne, Princess Royal and, of course, none of either William and Catherine, together or alone. How in high hell can the most deliciously scathing biographer of the realm not once have put pen to paper and written from Porchy to Rose Hanbury and all the juicy tea.

Penelope Knatchbull, Countess Mountbatten of Burma

Furthermore, where is that biography of Prince Philip and Penelope, star-crossed lovers? Indeed, Penelope Knatchbull, Countess Mountbatten of Burma was not only well-sat at the Westminster Abbey service of thanksgiving for HRH Prince Philip, Duke of Edinburgh but also, she was the only non-Windsor family member in attendance at HRH Prince Philip’s funeral in April 2021, ‘trusted confidante’ of the late prince as she was… take a sip dears. God only knows, it is not as if, Lady Colin Campbell has another 50 years of living and writing to go; certainly, the recent passing of the elegant Lily Safra should have given her pause. Stop inciting hatred for dollars on YouTube and get to writing! Just look at the wealth of material: Porchy, Penelope, Camilla, Tampon-Prince, their Australian-sequestered love child… and obvious others.

Meghan, Duchess of Sussex & Henry, Duke of Sussex

Speaking of biographies… I will not include herein a picture of his fucking ugly face; however, suffice it to say, no other group are possessed of need to incite anti-Black racism as are some Jews, in particular Ashkenazi. Of course, such persons are always, as is the cultural norm, readily believed and their word seen as divine law. As I am Afro-Sephardic, I could not give a goddamn whom so fuck-all takes offence. This man has written a scathing biography, which is lauded in all quarters because god only knows, not only does he clearly walk on water but he obviously farts Skittles.

15/9/1984 Rat Henry, Duke of Sussex 6.6.1 = 4

4/8/1981  Rooster Meghan, Duchess of Sussex 4.3.4  = 11

6/5/2019 Pig Archie Harrison 6.2.5 = 4

4/6/2021 Ox Lilibet Diana 4.1.6 = 11

In numerology there are no lies… as in dreams. There is perfect synergy between Harry’s and Archie’s numbers, just as the same is true between Meghan’s and Lilibet Diana’s numbers. According to one of many lies being peddled by this charlatan biographer, who is just loving inciting more hatred for Meghan for having stepped out of her pre-ordained line – some people – Meghan could not have been born in 1981 and clearly is possibly as old as 46. Well, I have run the numbers and each child will numerologically have at least 2 numbers as the parent with whom they have a parenting bond. Obviously, as with Archie & Harry, Lilibet Diana would have to have been born with master number 11 like Meghan for there to be that harmony. Also, Lilibet Diana would be born with master numbers when it is so closely bonded a family; it is literally them against the Windsor’s world, which is considerable.

Meghan, Lilibet Diana & Mrs. Misan Harriman and Kids

4/8/1981 Rooster Meghan Markle 4.3.4 = 11

4/8/1975 Rabbit Meghan Markle 4.3.7 = 5

4/8/1976 Dragon Meghan Markle 4.3.8 = 6

4/8/1977 Snake Meghan Markle 4.3.9 = 7

4/8/1978 Horse Meghan Markle 4.3.1 = 8

4/8/1979 Goat Meghan Markle 4.3.2 = 9

4/8/1980 Monkey Meghan Markle 4.3.3 = 1

Archie, Harry, Meghan & Lilibet Diana

The only numbers which makes sense vis-à-vis Lilibet Diana’s and Harry’s, for that matter, are those of August 4, 1981, year of the Rooster. That leaves Meghan with master numbers of 11, which always denotes a life of destiny and such people are incredibly astute, come fully prepared for the journey ahead. If Archie and Harry are so simpatico, then clearly Lilibet Diana would have to be equally simpatico with her mum, Meghan and that she is to a mum born, August 4, 1981. End of discussion. Of course, like Orly Taitz herr Schmuckface just knows that for having his head so far up god’s ass, he speaks/writes the truth. Well, of course, the children do not exist; they are invisible, Meghan was never pregnant, it was a pillow. And on and on and fuck-all, on and on.

Boris Johnson Bigoted Warts And All…

Of course, he it was who had some rather bigoted choice observations, unsolicited, of President Barack Obama. But enough about vile buffoons, biting off infinitely more than they can chew – the Skittles-farting clown. This is the thing about some Jews, they are always being given a pass when they are racially predatory towards Blacks. And this is where BRF-sanctioned, character assassination biographer du jour, who has already been called out for having appropriated persons quotes and used as sources and warped their quotes in his vendetta against the schwarze shiksa, proves himself just another anti-Black racist. As though, only Jews are supposed to have ever experienced persecution, just as with Tina Brown (not Jewish), Mr. Schmuckface writes a 300-page plus book and never once mentions Princess Michael of Kent’s blackamoor brooch, which has been the biggest exposé of the racism to which Meghan, Duchess of Sussex was subjected. Since then as if to drive home the point, that blasted flat-arsed, hideous Rhino-legged racist swine, Princess Blackamoor, has been upfront and prominently placed at every opportunity.

Just Who Made Who Cry, Definitively Answered

Honest to frigging god, do you think that herr Schmuckface would have written a biography about a Jewish fiancée of Harry’s, who had been subjected to anti-Semitism when a minor royal showed up at HM The Queen’s Christmas lunch, wearing a swastika brooch and claiming not to have known that it was offensive and in this hyperbole, claiming that it was a Hindu cross brooch. Though it is true and even an Ethiopian and Navajo cross, we all, the world over, know that a damn swastika is a symbol of hideous anti-Semitism. Herr Schmuckface is a vicious coward; he knows that all he has to do, is go out there and say that Meghan made Catherine cry and that settles it. He is after all a Jew – it must be so. He is a damn bigot and a liar. The proof that Catherine made Meghan cry is validated by her behaviour at the March 2020 Commonwealth Service of Thanksgiving at Westminster Abbey. Catherine had been rude to Meghan in the lead up to the royal wedding about the bridesmaids’ tights. Catherine is an insecure woman, who was threatened by Meghan’s greater charisma, intellect and eloquence. The proof that Catherine made Meghan cry, is validated when she came up to take her seat at Westminster Abbey and though Meghan waved her right wrist that was placed on a her lap as she pointedly smiled at Catherine, Catherine refused to look at or acknowledge Meghan. At that point, the world was convinced that Meghan had made Catherine cry, which is all the more reason, Catherine deliberately ignored Meghan to perpetuate the lie, thanks to Camilla Tominey’s exclusive warped version, in the Daily Telegraph in November 2018, of what occurred after the Sussexes’ successful first tour in the South Pacific.

Catherine Meeting Jews at Buckingham Palace Garden Party

Most of all, Catherine is a White female who happens to be prejudiced towards Blacks – energy body of 9 – and she does not give a damn that it came to this. She will be Queen Consort and has given birth to the future sovereign… she does not have to give a damn what anyone thinks. To hell with the yank imposter and a Black one at that. Catherine, William for that matter, favour Jews and she has time and again demonstrated unease around Blacks, though, at this point, she has been made aware that optics are more important than personal bias. End of discussion.

Prince Damien holds court with his racially predatory kin

Just like that yenta, Angela Whiny-whatshername, and Tina Brown, there must never be any discussion of anti-Black racism with regards the BRF’s senior and minor titled royals. They have gleefully torn their flat arses in the negro from Compton’s face since that day in December 2017 and as recently as the thanksgiving service at St. Paul’s Cathedral on June 03, 2022, yet there is no connection to racism neither are the BRF racist. Just like Tina and the two Jews in question, the time is long past to stop cutting HM The Queen slack. She has been aware of this hideous racism all along and done nothing; indeed, it has gone on like a bad joke month after month, after month. The best way to condone repugnant behaviour is to ignore it and do nothing about it. Herr Schmuckface has lied about who made whom cry and he has a serious credibility issue when he runs his ugly head off in excess of 300 pages and never once mentions the blackamoor brooch; talk about a clear-cut case of bias. To hell with the lot of these BRF-bought or purely sycophantic biographers.

Listen to Catherine in the background; in the original version – long scrapped from YouTube – she accuses the amateur photographer of having stalked them and seen recently doing so. All this triggers William who is her task companion as well as the ordinal partner in their pairing. The poor man doesn’t stand a chance, she said that he was there and that is that. Of course, it behoves William to at all times have security tracking with them… anywhere… at all times. There are no excuses. William sounds so vulnerable and pained; it is also an image of the Cambridges that must not be seen. When you are going to go to such great lengths to demonise your own brother and his Black wife; you cannot have it both ways. At the risk of stating the obvious, it takes two hands to clap.

TRH Duke & Duchess of Cambridge, 2011

Now we come to the modern age, and time to throw another fairy story wedding. William was finally presented to the realm and as stupid can only be expected to do stupid, there was he got into the carriage and sat with his back to the horses and then remained sat whilst his new bride entered the carriage. Neither his brother nor father sat their arse down until their new wife was sat in the carriage – no uncouth, unaware dolts, Charles & Harry. Of course, from day one, the Cambridges openly rowed in full view of everyone on the ride back to Buckingham Palace and again on the balcony, they hissed at each other. Far be it from the blind to have taken notice of anything so obvious as truth. Of course, this wedding occurred long after the inconvenience of Diana was dealt with once and for all and she was put down… truly off to the abattoir she was sent and conveniently so in a tunnel where none of the many street level surveillance cameras could have caught anything.

TRH Duke & Duchess of Sussex, 2018

Now the fairy story needed to be updated and the Windsors prove themselves progressive and inclusive; the Commonwealth after all is not exclusively Caucasian. It is one thing to talk the talk but you have got to be able to walk the walk. As HRH Prince Charles and Doria Ragland returned to the quire after having signed the registry, there was HRH Prince William openly ridiculing Meghan and her culture before her mother, Doria. This he also did before his embarrassed father, the Hollywood players across the quire aisle, HM The Queen and the entire world. When the Sussexes proved too popular and eclipsed the Cambridges, the bigoted Cambridges had to sabotage the Sussexes. As in the past, after a fairy story wedding, time for scandal. Without a sacrificial lamb delivered to the Fleet Street abattoirs, the pantomime and the Windsors lose their lustre… their very appeal. What better way to annul the very existence of the Duchess of Sussex and her marriage into the BRF, start a campaign to vilify and demonise her. Of course, though not dissimilar to North Korea in its jaundiced coverage of the Windsors, the Fleet Street abattoirs keep offering too much grizzle and shank. All this, as was the case with Sarah, Duchess of York and her fall from grace, is to cover the scandals within the thorny marriage of the Cambridges.

Interesting isn’t; then again, there are no coincidences. The official portrait of the Cambridges has Catherine wearing a green dress. The night that actor, Will Smith slapped comedian Chris Rock, his wife, Jada Pinkett Smith was wearing a green dress with yards of train. Green is the negative colour of 9/toxic energy; Jada has four 9s in her numerology. Catherine was not comfortable, sat next to Meghan in the royal box at Wimbledon and thus wore green and had her sister-in-law sat between her and her sister, Pippa Middleton-Matthews. Persons with 9 are more toxic, bitchy and vile for wearing green. Catherine studied art history and she knows the vibration that clothes and jewellery effect; she is subtle, vicious but does not go unnoticed by those with eyes to see. Green, of course, represents nature, life, moss, arboreal splendour and its negative aspect is reflected in all things that are venomous, acidic, toxic.

Duke & Duchess of Sussex & Oprah Winfrey
Margot Robbie Accepts for Brad Pitt 2020 BAFTA Awards

What these sorry saps did not factor into the equation, was Meghan collecting her rock, Harry, and saying, “life is not a dress rehearsal and I don’t do Prissy. Let’s get the hell outta here!” Like Sarah, Duchess of York, Meghan was supposed to have stuck around and been walked all over by the BRF and Fleet Street. And this is why the Sussexes have won, from HM The Queen on down to that blasted buffoon, to say nothing of the many dalliances exposed and whispered about.

Just as William did not attend Wimbledon on the same day that Lord Snowdon was sat his Athenian arse next to the minor thespian put-through, so too he is very careful to never have James Middleton show up at Wimbledon and definitely not sat in the royal box whilst he is there. Naturally, one would not want to have persons start entertaining the thought that James has been ridden like a prized polo pony for many moons now. There is a reason why, James is kept safely out of reach, if only to pop up time and again, doing his best Saint Francis of Assisi… a right sissy that one… to be sure. So as much as they would like to have wanted the Sussexes about being shat on by Fleet Street and the rest of the realm, to serve as foil for the Cambridges’ fractured, messy marriage – exhibit Prince Damien for one – they have got no end of thinly veiled scandals percolating just below the surface.

Duke & Duchess of Sussex Enter St. Paul’s Cathedral, June 03, 2022

What the whole debacle in St. Paul’s Cathedral on June 03, 2022 revealed at HM The Queen’s platinum jubilee service of thanksgiving, is how weak the Windsors are next to the Sussexes. The Queen deliberately did not attend because she wanted to have the Sussexes embarrassed before the world without her being present and looking as though complicit. What… no shit, pigs don’t fly! She has spent the better part of ten, eight in an official capacity, decades pulling the wool over the eyes of the somnambulant clowns of her island realm but few else are duped by her and her clan’s antics. Why even go so low as to have the Sussexes sat where they were but then to top it off, just as her being at the Sussexes’ wedding, Princess Blackamoor was sat within fart-sniffing distance of the Prince & Princess of Wales as well as the Duke & Duchess of Cambridge. They have no power; when the Sussexes exited the island sanatorium, the Windsors lost their power to thoroughly fuck with and manipulate them. They have upped their attacks by having a spate of biographies printed; however, everyone of them fail to mention the blackamoor brooch incident because, clearly, all these biographers are sanctioned and directed on how to focus the narrative of the runaway slave, Meghan. To not mention the blackamoor brooch incident and Princess Blackamoor’s subsequent prominence, does one thing and one thing only; it exposes the fact that the Windsors are die-hard racists. All the nonsense of Commonwealth unity is a damn farce.

Reptilian Spawn, Prince Damien Born to Toxic 9 Energy Body Mother

Don’t you worry your sweet little head, you’ve got scandal aplenty with Prince Damien chomping at the bit to get on with life and cause you no end of dread and embarrassment. As for Prince Damien, two other royals had a fourth number of 7 and they were both assassinated: Diana, Princess of Wales (1/7/1961 Ox 1.8.7 = 7) and Lord Louis Mountbatten, Earl of Burma 25/6/1900 Rat 7.4.5 = 7). It is very possible that either of his parents will choose to have Prince Damien put down for being a royal pain in the arse; it is what they do and have always done.

HM The Queen at 96

HM The Queen’s reign has been possessed of her amoral nature; it has had a cycle of abuses that show utter disregard for human decency, compassion, as well as, both emotional and mental wellbeing. During her reign there has been one consistency, no care for senior royals wellbeing if they are not in line to be future sovereign. From HRH Princess Margaret, her sister – whose emotional and mental health she ruined by her ruthless inconsiderateness. Not just her having abandoned the new-born HRH Princess Anne to return to HRH Prince Philip in Malta, in later years, she would turn a blind eye and allow the utter abuse of Diana, Princess of Wales who had been simply used for approved heirs, to say nothing how Sarah, Duchess of York has been abused and kept around like a despised corgi just so that one can kick it at every opportunity.

Do Drink Up… Backstory Time.

Lady Diana Spencer & Camilla Parker Bowles, 1980

Diana was not a stranger to them. As the preceding photograph attests, seven years into her marriage to Andrew Parker-Bowles, (who incidentally was also a lover of HRH Princess Anne, Princess Royal), there was Camilla, clearly having an affair with HRH Prince Charles, Prince of Wales, whilst grooming Lady Diana Spencer to be Charles’ approved concubine; how not unlike Ghislaine Maxwell was the very married Mrs. Camilla Parker-Bowles. All of this, HM The Queen would have been intimately aware of and clearly approved of. So a barely legal, Lady Diana Spencer was being squired, groomed and proffered by Camilla who by that point had sequestered her lovechild with HRH Prince Charles to the colonies in Australia. Obviously, HM The Queen had a direct hand in the lovechild being removed from the scene; there are simply some scandals that cannot be tolerated. The scandals that spring from the Fleet Street abattoirs do so with the royal seal of approval by none other than HM The Queen.

Diana, Princess of Wales & King Juan-Carlos de Bourbon

Diana, for being a mature soul artisan, was no pushover. She was a quick study, when she saw that she was merely a convenient, acceptable womb and that Camilla, her handler, would never stop meddling in her marriage to Camilla’s true lover, like any artisan-soul worth their adventurous, dramatic salt, Diana went off and engaged in revenge lust with the continent’s biggest royal lothario. That dalliance is precisely why HM King Juan-Carlos of Spain, father of Diana’s lovechild, was disinvited at the last minute to the royal wedding of HRH Prince Charles of Wales and Lady Diana Spencer. What was HM The Queen to do at that point, Charles & Diana were already set to be wedded and she, after all, had long abandoned Philip and been besotted and sired by Lord Porchester – and you can bet that she did not give a goddamn what anyone thought. As Charles ignored and carried on with Camila immediately after his wedding, Diana simply resumed relations with King Juan-Carlos and a pregnancy was expected so who would be any the wiser. Meanwhile, she knew damn well that as Queen, she could rip off Porchy’s clothes and mount him on the Buckingham Palace balcony at trooping the colour and not a single damn fool on the island realm would have seen any such thing. Period.

Royal Wedding, Duke & Duchess of York, 1986

Well, of course, Porchy’s boy, HM The Queen’s favoured lovechild was going to have a full 5-star wedding at Westminster Abbey. Another royal wedding, means more tourists after all and more merch income. Pretty soon, though, the fairy story started turning into an abundant flock of lambs for the Fleet Street abattoirs. Toe-sucking and pretty soon, Fergie was cast into the wilderness; not in direct line for the throne anyway, which afforded her to be diversionary scandal. Then faster than a sneeze, there was Diana making perfectly frigging goddamn clear that she was done playing along or playing nice. Never mind that before Penelope Knatchbull, there was HRH Princess Alexandra of Kent, yet HRH Prince Philip made it perfectly clear that he did not ever want to see Sarah, Duchess of York in the same room as him after her divorce. To that end, she was not invited to William and Catherine’s wedding and Meghan and Harry insisted that she be at their wedding; however, she was sat across the quire aisle from the rest of the royals. Incidentally, the Sussexes should not have been surprised at their placement at St. Paul’s Cathedral on June 03, 2022 as this was what HM The Queen decreed. Nonetheless, HM The Queen also made sure that Princess Blackamoor was placed close to the Waleses and Cambridges at St. Paul’s Cathedral on June 03, 2022.

James Hewitt & Diana, Princess of Wales

Diana started taking lovers. Naturally, to toss off Diana and begin her character assassination at the Fleet Street abattoirs, HM The Queen in a move to protect and avenge her honour, has the notion of HRH Prince Harry being Diana’s lovechild with James Hewitt floated. What a very convenient arsenal to draw on, as she was so intimate with this development two decades early with the lovechild with Porchy; simultaneously, it goes a long way to make the notion of Charles & Camilla more feasible in future, which like a turtle she has managed to live to see that PR rebranding of the adulterous Camilla the Ghislaine Maxwell-like groomer and Charles the Tampon prince. Naturally, James Hewitt was just another lamb proffered by HM The Queen and her syndicate, to protect Prince William’s true parentage and thereby get back at Diana for having fucked with not just Charles & Camilla but herself, HM The Queen, by fucking HM King Juan-Carlos of Spain. Of course, in due course as Charles was off loving Camilla and many male lovers, Diana, Princess of Wales wasted little time, taking lovers married or not as has always been the royal way.

After HM The Queen went out and had her lovechild with Lord Porchester, who turned into a real karmic tsunami, Philip for near five decades openly lived a life of passion and companionship with the very married Countess of Burma, Penelope Knatchbull. Just like Porchy’s lovechild, they do as they please and do not give a damn what the little islanders think. Of course, Philip lived to see the day that he was avenged for having been humiliated by a lovechild being in line to the throne ahead of his daughter, HRH Princess Anne, Princess Royal.

Of course, well before there was the very married Penelope Knatchbull, Countess of Burma, there was HRH Princess Alexandra of Kent, HM King George V’s granddaughter and daughter of HRH Prince George, Duke of Kent. Princess Alexandra’s numerology: 25/12/1936 Rat! 7.1.2 = 1. Philip’s affair with Princess Alexandra is what caused the rift in the sovereign’s marriage which resulted in HM The Queen’s affair with the Porchmeister and eventually their passion produced the rather barrel-hipped porchfest, Prince Andrew who exposed the lust and passion that produced him in the debauched affair that saw Jeffrey Epstein, Ghislaine Maxwell and Virginia Roberts-Giuffre being more than tangential bit players and infamous persons known the world over, one to whom they had to pay hush money. This is where it now gets interesting, after Andrew’s birth there was no going back and soon it was Penelope Knatchbull, the very married Countess of Burma with whom Prince Philip was passionately consumed. Penelope’s numerology is most interesting: 16.4.1953 Snake. 7.2.2 = 11. Both women are 7 energy bodied, you can’t get more amoral than that – they can also see dead people, auras et al. The more excitingly fascinating of the two royal mistresses of Prince Philip’s would hands down be Penelope; she has master number 11. These persons are inordinately charming and incredibly powerful and exceptionally gifted in the sexual arts. Moreover, Penelope is born in the year of the Snake; they can be monstrous, which is why Chinese traditionally avoided having babies in the year of the snake for fear that they would give birth to a female. For Princess Alexandra, a Rat, she was just in it for the adventure and with amoral 7 energy body, it was damn great sex and she was not going to not get her fix. Again, it is what the royals have always done.

Harry & Meghan Engagement Interview BBC

One of the most important things that HRH Prince Harry said in his engagement interview, occurred when he corrected BBC host, Mishal Husain by stating, “Or they think they know!” If HM The Queen wants the realm to know, it will be filtered via the abattoirs on Fleet Street. Everything else will be smoke and mirrors and the standard, “Never explain. Never complain” rules the day. Indeed, when you’ve much to hide, so say you.

Royals and their lovers indeed. HRH Princess Margaret, Countess Snowdon 21/8/1930 Horse 3.2.6 = 11

Margaret was possessed of master number 11; she did not give a living shit and said and did as she pleased. She was also innately talented and exceedingly charismatic. She had three lovers of note and only one of them did she share 2 numbers in common. This would have been her one true love, Peter Townsend (22/11/1914 Tiger 4.6.3 = 4). Peter, however, was divorced and his wife was still alive, which means that as the Governor of the Church of England, HM The Queen could not have sanctioned Margaret’s marriage to her true love and divorced spouse. With two numbers in common, it is very likely that there was a high degree of past-life connection between Margaret and Peter Townsend. He was shipped off to Belgium so that she could not have her star-crossed lover on the side. As karma would have it within ten years of Margaret being bitterly separated from Peter Townsend by his relocation to Belgium, Prince Philip was ploughing Princess Alexandra and before the decade was out, HM The Queen had her lovechild with Lord Prochester, HRH Prince Andrew, Duke of York and we know damn well how all that karma turned out, Epstein, Maxwell, Roberts-Giuffre. All the more reason why it was callous in the extreme to have dispatched Peter Townsend to Belgium. Margaret could have wedded whomever and kept Peter as lover, open or otherwise; this after all, is what both HM The Queen and Prince Philip did… it is what the royals have always done.

Margaret having been told to suck it up and get on with living, then settled for Antony Armstrong-Jones, 1st Earl Snowdon. It is hard to see what had these two walking down the aisle, unless Antony Armstrong-Jones (7/3/1930 Horse 7.1.5 = 4) was hung like a prized steed. Margaret and Antony did not a single number in common share; she had to have kids and if he loved being pegged by strap-on or cock, he would not have been the first royal male with same-sex proclivities. Finally, having had enough of playing at happily married, Margaret dispensed with her pegged hubby and cut to the chase. She took Roddy Llewellyn (9/10/1947 Pig 9.1.4 = 5) as her lover. She needed to be well-ploughed and often and when that is the order, no one fills the role better than a Pig. Pigs are loud, lusty, sexually obsessive souls who will happily fulfil themselves and partners as often as possible. Soused on drink and nicotine all Princess Margaret wanted was damn good sex and that is just what Roddy would have provided. Like the Earl Snowdon, Margaret and Roddy had no numbers in common. At 17 years Margaret’s junior, Roddy was merely a throbbing sex toy and knew his role.

Please, Switch to Elderflower; It Is Most Soothing…

Catherine Bullies William at James Bond Premier

Catherine has mastered the art of cussing behind clenched teeth whilst smiling that ever-present smile of hers. Her 9 energy body here is toxic in the extreme and that is why for most of the time, William’s face is warped into a pursed-lipped silence. William is a submissive; he is a bottom who loves being bullied by his wife and it is part of their psychosexual dynamic. Catherine is a dominatrix. Who again made whom cry?

Look at the Froideur Between Cambridges at No Time to Die Premier

Catherine peppered William with abuse common to dominatrixes whilst smiling and looking his way; just look at her exasperation at the 40 second mark. On arriving at the top of the stairs, Catherine looked across to William who had still not made it up. She cuts the eye at him and does not give a damn who the world over noticed.

Bottoms Up! Now we learn where best fake-toothed, bald, submissive Billy likes to wear his crown jewels! If that is not rich…. of course, it has always been there. You can even see it in the way Catherine triggers William in the clip of them out bike-riding and encountering an amateur photographer. Of course, William’s mum, Diana, Princess of Wales was 1 energy-bodied and that is the sign of the dominatrix/bully. I have also known four women along life’s journey and everyone of them had men whom they utterly controlled, emasculated and pussy-whipped their every breath. Heck, two of those women, with energy body of 9, loved using a strap-on on their lovers/partners.

#PrinceofPegging

Perhaps, indeed, he loves being pegged by James Middleton, Earl of Insolvency. Again, William’s fourth number is 5, it signifies male sexual fluidity, submissive behaviour, sexual excess, sexual scandal; furthermore, William is moving centred and all such persons are highly sex-focussed individuals. 5 represents excess – excessive submission. All this has happened throughout the history of the royal family; now, we live in an age where very little goes unnoticed.

Just look at William in both photographs on separate occasions; his lips are pursed and he is self-contained, emasculated and submissive. William is also jealous as hell but there isn’t a damn thing that he can do about it. A woman loves whom she loves and that’s that! Meanwhile, Catherine (9/1/1982 Rooster 9.1.3 = 4) does not waste time in telegraphing her heightened sexuality when focussed on Ben; she is all over and into Sir Ben Ainslie (5/2/1977 Dragon 5.7.4 = 7). This has been going on at least since 2014 and always, no one ever makes mention. In light of what we know about Prince Philip and HM The Queen, in this generation, we also do have a parallel dynamic. Catherine has made it perfectly clear, time and again, that William is a goddamn irritant. Not to be overlooked, is the fact that Dragons and Dogs do NOT get along; there is no way that William would ever feel comfortable around Ben and will be consumed with jealousy rather than not with regards Ben; Catherine intuitively knows this and plays it up even more. Make no mistake about it, there is more than flirting at play here. What’s poor Willy to do but go self-peg or cocksuck a couple of fags (British version or is that a pun?).

Catherine openly flirts with Ben and what does it say about their relationship when he adjusts her helmet; it is the most bold display of their intimacy. Of course, on the day of this Commonwealth invitational sailing event between Britain and New Zealand – Britain won – Catherine could not have bothered nor would she have dropped the sailing event, to attend Wembley Stadium with her husband, William, whilst the ladies England team squared off against Germany in the Ladies Euros 2022 finals, which they won. There was William alone and unattended by his wife, Catherine, who was in Plymouth openly flirting with her very intimate friend, Ben Ainslie.

Sir Ben Ainslie and Wife, Royal Box Wimbledon 2022

More important for Catherine was spending sportive quality time with Sir Ben. Well, of course, Sir Ben is married but so too is Penelope Knatchbull and Princess Alexandra wedded when they were the open lovers of Prince Philip’s, HM The Queen or no queen, to say nothing of the rest of humanity. But did anyone ever notice or write biographies and harp on as though the sky were imminently about to collapse?

Honestly, though they only have one match numerologically, there may be a strong past-life history between both Ben & Catherine or they may well be entity/cadre mates; either way, she is a warrior and all warrior souls whether male or female are very highly sexed persons, for whom there is never any shame in their game when they want to be sexually satisfied. Catherine is no different and she has the perfect partner. More sex workers and street walkers are warrior souls than any other role… so you know.

You definitely do not see Catherine ever looking this downright maudlin when in the company of Sir Ben Ainslie. “Lady sings the blues. She’s got it bad…” Sing it Billie Holiday. You wait, Billy, she’s gonna peg you good. Take a sip and breathe dears… exhale; isn’t Elderflower superb?

William is an insipid, foul-tempered man-child, who does find ready support in the court buffoon, whose wife is as equally dominant as is Catherine. He, too, likely does love being pegged. This could have been such smooth sailing; however, you just had to go tempting karma by being nasty little upfront racists towards Meghan, Duchess of Sussex. Now that she is gone, you’ve blown your cover… from Prince Damien to personal preference on how to wear the crown jewels, are truly unmasking.

It’s Okay, Take A Minute…
The Camera Never Lies!
Marquess & Marchioness of Cholmondeley, Earl & Countess of Rocksavage, Houghton Hall

If you going to reincarnate and work as a team on a life devoted to stewardship, this remarkably august pair would be as fine a blueprint as you could hope for. I don’t know if they are task companions or essence twins but what I do know, is that they are without doubt august mature souls with a strong past-life history. They do a remarkable job of not just maintaining an estate, Houghton Hall, they have handsomely adapted it to survive and thrive in modern times.

David 27/6/60 Rat 9.6.4 = 1 Marquess & Rose 15/3/84 Rat 6.9.4 = 1 Marchioness of Cholmondeley

All four of their numbers match; this is a bucolic reward incarnation for both and it has to do with a lifetime, which was chosen at the level of soul because they had richly earned/deserved it. As the 7th Marquess of Cholmondeley his 9 energy body is vastly different to Catherine’s. For one, he was born into the aristocracy and for another a woman with 9 energy body is vastly more acerbic, predatory than a male with 9 energy body; Catherine was also not of aristocratic birth, which only steeled her 9 energy body’s exoskeleton. Rose’s 6 energy body means that as also of aristocratic birth, she is all about being grounded, family-focussed and eschewing drama. This couple so get each other that it would not be surprising if they regularly finished each other’s sentences, experienced a strong degree of telepathy, most definitely communicate rather actively in dreams and when they are together can effect magical stillness when in a room. They are quite remarkable. Life is a business; they get it and run a business they do. As any good rat knows, life is about balance and duality. They indulge and when they play, they lose themselves.

Cambridges & Rocksavages

Much has been whispered at tea about this pairing of couples. Honey, I don’t read tea leaves. I am inclined to believe that Catherine wanted Rose frozen out, simply because Catherine is a warrior soul and all warrior souls are quick to do battle, anywhere, anytime, with whomsoever with enemies real or imagined, many of whom prove the latter. Catherine, as with Meghan, is easily threatened. In this case, Rose’s aristocratic birth would be reason enough to look to freeze her out.

The Rocksavages are mature souls and as Rats, they could give two frigs about trifling drama; they are far too sophisticated to get caught up in that. They are aristocratic; one does as one has always done. It is the spouse’s duty to accept and live with it or suffer the consequences. William’s fourth number of 5 means that as there has been smoke, and copious amounts, I might add, I say there most definitely is a raging fire… hey, blame it on climate change.

Fortnum & Mason Elderflower Tea

Wasn’t that sublime? It’s remarkably elegant and sensual. I find it also induces the most languorously lucid dreams. Always good to take the time for tea. Cheers. Speaking of dreams, I think the link to this dream almost 30 years ago, is a fitting metaphor for how the BRF, Fleet Street and the island realm dwellers relate to the Sussexes. Don’t, like the dog in this dream, be like the aforementioned: BRF, Fleet Street and island dwellers of the realm.

Go on, let them yap… soar higher still.
Buster at My Birthday Dinner

Saturday past, as it is a holiday weekend here, my spouse and I crated Buster and took him to my sister Pandora’s. There we had too much Moet, can you possibly ever have too much champagne, and had an early birthday dinner with luscious raspberry-covered cake ahead of my 62nd on Tuesday. 2/8/1960 Rat 2.1.8 = 11. Buster sat on the desk, looking out the window because since Pandora and hubby moved back to town from Ottawa, her two cats – mother and daughter – can’t seem to make heads or tail of him. Buster scurries about and now it’s gotten to the point of a hiss there, a hiss here. Either way, he calms himself by taking to the window and gazing up at the Aura condominium, which towers higher still than those across Bay Street.

Miles Davis Quintet, 1964 Live in Milan

Miles Davis – Trumpet

Wayne Shorter – Saxophone

Herbie Hancock – Piano

Ron Carter – Bass

Tony Williams – Drums

Ron Carter 4/5/1937 Ox 4.9.2 = 5

As this is the 65th anniversary of Ron Carter’s career as Jazz bassist extraordinaire, I thought this concert a fitting tribute. Jazz is the magical language of Black love and spirituality. From Emmett Till to George Floyd, honestly, how can you possibly expect us to suffer the repugnant affront of you, seeking to cancel Jazz, cancel Black culture by your grudging ubiquity? You will never do.

One of these days, Buster’s gonna catch a pigeon.

As ever, life is like a flying dream; if you look down, you’re fucked. Enjoy the ride and fear no one!

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©2013-2022 Arvin da Brgha. All Rights Reserved.

4.3.4 = 11

mini meghan2

Meghan, HRH Duchess of Sussex has the most masterful numbers. She does, indeed, have master numbers: 11. Look at those eyes, the eyes of Queen Mother, to HM King Henry VI, grandmother to HM King Henry VIII and great-grandmother to HM Queen Elizabeth I. She has staying power, thanks to those double 4s and with an attitude of 3, she is renowned for being most articulate and a skilled communicator of the message.

4 – focussed, solid, self-made, resolute, inner-directed, reincarnated with an agendum.

3 – attitude of 3 – gracious living, the great communicator, when one speaks others listen. There is only win-win, failure is never an option for these persons. Incidentally, Ben Mulroney is an attitude of 3, which is why he is a gracious interviewer – non-confrontational. Also, I have noticed that a lot of persons who planned a life in the public sphere tend to have 9 and 3 in their make up, as in both HRH Prince William, Duke of Cambridge and his lovely wife, Catherine, HRH Duchess of Cambridge. Incidentally, these three persons, Ben and the Cambridges would have been very relaxed in each others company and true to her 9 energy body, Catherine would likely have made a dig at her husband along the lines, ‘He certainly has a great head of hair…’ As it is perfectly naturally for straight men to be attracted to each other, they would not be human if they did not, both men would have been pleasantly warmed by the other’s make-up with their similar 9 and 3. Catherine and Ben both are 9 energy body; they would have found each other more than passingly fascinating. Catherine is a warrior which means that she will always be steely; as for Ben, don’t know his overleaves but I am guessing that he is more so on the expression axis rather than not – an artisan or sage soul. In my experience, whereas 9 women can be extremely rude and dismissive, 9 men are reserved and not given to readily passing judgment.

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There is also the matter of Catherine, HRH Duchess of Cambridge being in perseverance mode, which is as unrelenting a foe as you can ever imagine, on top of which she is a warrior. This woman was born to be Queen Consort and that’s the end of that, there will be no Camilla rewriting the script. Interestingly enough, both Diana, Princess of Wales’ sons are wedded to very strong women – as well they should be. In both cases, both couples are entity mates, which is as good a partnering as one can hope for. Meghan, however, with double 4s and master number of 11 is here to rule as when previously she had as Queen Mother and Tudor dynasty matriarch.

meghan geniture

Not only is 11 a master number but it also leaves all such persons lone wolves, regardless how popular they are. This explains why Meghan, HRH Duchess of Sussex will faster-than-a-sneeze dispense with persons when need be. And yes, she has every damn right to be done with the blasted dreck that do not know the meaning of family: honour, fealty, discretion. I am, where the master number 11 is concerned, just such a person… 2.1.8 = 11. Of course, like Catherine, HRH Duchess of Cambridge that attitude of 1 means that I am more inclined to be shy and reserved than ‘on’. At least that was the rule when Merlin was incarnate and we were together. Now, more of the 11 comes to the fore and I simply give two-fucks and sound off loudly and most articulately.

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Recently, owing to a host of prickly transits, to say nothing of the mercury retrograde, I have found myself beset with some entanglements that have provoked the less polished side of my Venus/Uranus conjunction. This all began around the time that I wrote the blog about that blasted tarbaby frog finally showing his true colours. I had no less than 8 French Canadians getting up in my business, demanding that I delete aforementioned blog and that these were the indiscretions of youth. Bitch please! After having lived in Montréal for seven years with the best task companion/comrade-in-arms an equally seventh level mature soul, though, she a warrior, we gave as good as we got. Of course, said warrior became my wife at Palais du Justice on Bob Marley’s birthday in 1999. Today, we remain the best of friends and she now he, has a fully beard than I have ever sported…. alas, I digress. A couple of weeks ago, I was being regaled by my sister who lives in Nevis about my mother’s cousin whose funeral it was that day. She died at age 107 and was attended by quite the turn out with le tout Nevis’ elites in tow. Though I have never met, her great-granddaughter was part of the descendants who eulogised the grand dame; that great-granddaughter was Mel B (Scary Spice) of Spice Girls fame. I have though several times met my fathers cousin, the inimitable and truly regal, Cicely Tyson, wife of Jazz genius, Miles Davis a man who did not gladly suffer people who hate him or his race…. as well he damn ought to have.

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As I entered the little school in my neighbourhood, a spry spirit who always is good for a laugh, beamed on seeing me as he sat on his scooter with equally situated mates and inquired, “And who will you be voting for?” to which I shot back, “You can damn well bet it won’t be for no blasted motherfucking, cocksucking tarbaby-arsed frog!” raucous laughter peppered the air as I went in and voted conservative for the first time in my life. Enough of that sissy-arsed twat, who is nothing more than Modi’s pappishow with his displaced femme au foyer, fag-hag frau, Madame Plotte-Visage herself, who looks more and more each day like Tammy Faye Bakker. You don’t like black people… go fuck yourself… god only knows, you did not invent Jazz!

Days earlier en route home with my little suitcase in tow, I got up off the bench to take the Wellesley 94 bus eastbound to my art-filled lair. The bus pulled in and queerly parked such that the back door was a good three feet away – I have never seen the appeal of metric… nothing beats knowing whether you are dealing with 9.5 or 10.5 inches! Though my suitcase was too heavy, I was prepared to step off the platform to make for the rear doors, yet, the doors did not open. Finally, I joined the Dravidian male who had been waiting to board the rear doors as well. When I got to the front door, noisily pulling my suitcase, I looked up stunned as the doors slammed shut just as I was getting ready to board. The doors then opened after the driver looked at me with a smug smirk creasing her lizard-lipped face. I got in and as ever, I said thank you. As I progressed towards the double seats by the rear door, the bus suddenly broke, causing me to lurch forward. Taking it all in stride, I opted not to assume anything by this trio of events which most blacks would see after the third incident as being racially provocative. Up the couple of steps I got with my heavy suitcase; this only made me realise my advancing years as suddenly the urge to pee came on. I had switched from Bleu par Chanel a couple of years back when senior leak suddenly meant that after five minutes Bleu fades and gives way to god forbid that most malodourous of bouquets: loud-smelling, dribbled piss. Now it is Christian Dior’s Sauvage as the scent lingers and dissipates any provoked thoughts of raunchy water sports.

Having made my way to the back seat, there were all told less than a dozen souls on the bus. On arriving at the first stop from the station, the driver got up at Church Street. I thought that there must be someone wheelchair bound, trying to board, hence she got from her seat to assist. As I was otherwise engaged in thoughts libidinal and what I’d like to do with that burly mesomorph at work, whose woman just upped and left him, I remained focussed on artisan channels 3 to 5 instead. Just then, I noticed the bus driver step up the two steps and make it towards me, seated at the centre of the bus’ long back seat. Leaning her, her nasty-looking perm straight out of the 90s, she gruffly barked at me in a manner that suggested that couth had ever been foreign to her. “Look, everybody has bad days okay. There’s no need to swear at me.” I said nothing, looking instead past her as the thought occurred to me that the bus was being driven by duppy incarnate. Since my name ain’t Shaneequa, I remained calm and looked up at a face warped uglier by rage, which I also found uncomfortably too close. I was hemmed in. “Get off my bus or I call the police!” As I chose to say nothing or move a single muscle, she got even more incandescent with irrationally unprovoked rage, “That’s it get off my bus now, I’m calling the police!” As she turned to walk away, it gave a good look at her flat-arsed, no-calved god fugly hideousness and I got up and began making it for the bus’ front doors. As I slowly strode for the front doors, I expertly memorised her bus ID and every detail of slender hipped, extra-vertebrae-looking alien body and realised that she was likely trans; either way, just then a definite non sequitur. For once, I said nothing on exiting and as I really needed to pee, thought of hailing a cab when noticing another bus directly in back of the scene of my misadventure. I got aboard, said hello to the driver, a guapo Filipino and grabbed a seat on the even less populated bus. Also, I memorised the ID information associated with his bus. On exiting the bus, as per usual, I said thanks and exchanged pleasantries. As soon as I got situated at home, with Buster on my lap purring away, I took to the TTC’s site and chose the tab that allows for filing complaints. In exquisite detail, as well you are I shared what occurred and confidently knew that at no point would any of the bus’ cameras capture me saying anything to the female driver. She is, as per her contract, never to leave her seat nor confront a passenger. I have never seen her since.

Well in the grip of Mercury retrograde, I strolled into one of many little joints which I love frequenting as I like chatting with the proprietors and in the process, giving them my business. On close to a decade of frequenting this particular store, where I picked up a lottery ticket or two, my bike was leaning against the row of sugary treats, I turned just in time to see an old weathered hag out on Yonge Street beadily gawking in and cutting her hateful eyes at me. Possessed of some right afforded her by god only knows fuck-all whom – the blasted motherfuck, she bounded into the store, well into her ninth decade and looking and smelling of ill-health and poverty, “Get that goddamn bike outta here.” I was wearing my helmet with lights attached front and back in broad daylight as one does. Without so much as missing a beat, I launched into her with a ferocity, she likely had never before encountered, which is why she felt perfectly entitled to take such liberties. “Get your fucking ugly arse out of here, go the fuck to Wal-Mart make your way to the back of the store and tell them I sent you to put a down paying on your fucking casket as you are obviously too fucking poor to afford to die all this time…” Never having had her racially predatory behaviour challenged before, she stood there suddenly catatonic. “Go on, here you go, start that fucking down paying today…” with that, I tossed the few coins in my pocket at her feet and barged on in full throttle loud, vituperativeness. “Pick it the fuck up, high time your fucking ugly, broke arse and casket were lowered into the ground. Come in here opening your motherfucking lizard-lipped mouth, barking at me. Pick it the blasted motherfuck up and crawl the fuck in your casket.” She tried to weakly say something to which I kept up my defense against being racially preyed on, “Shut up and die, go on… scoot. There’s no need for your fuck-all ugly, broke arse, smelly cunt hanging around… get the fuck off the planet.” Never ever during a mercury retrograde will this venus-uranus leo hold his tongue when being racially preyed on. Faster than the loudest sneeze, I rammed my fist up her rotting arse, yanked and ripped at her calcified soul, pulled it out, wiped arse with it, then slapped her silly in the face before making her gag on a soul being held hostage by her useless maudlin existence. I have become so less inclined to tolerate this perpetual abuse which we as blacks endure on a daily basis yet pretend as though it does not exist. There are, though, times when you need to protest. Back in 1988 after meeting Wayne Robson’s firstborn, as I moved south down the west side of Bond Street to go visit Merlin at St. Michael’s Hospital who was suffering his first bout of AIDS-related pneumocystis, I screamed at the top of my lungs at an old Caucasian female who on noticing me began hurriedly crossing to the east side of Bond, “I don’t want your fucking handbag…” Never ceases to amaze the arsenal of behaviour that non-blacks project onto us as they get their racially predatory fix: sniffing, outright ridicule, dragging feet, yawning, bumping into you, blowing cigarette smoke in your direction… those are the passive racially predatory acts. More often, it is like that act in the convenience store, so racially obsessed that one feels oneself perfectly entitled to project that ignorance in a malicious, accusatory, bullying manner towards blacks. Indeed, ever notice the inordinate number of overweight blacks; they like all persons who were sexually preyed on in their early years more often than not develop eating disorders.

With Meghan, HRH Duchess of Sussex’s lynching daily in print media, social media and just about everywhere else, I have become increasing intolerant of any and all such BS. Do not because I am black start, apropos of fuck-all nothing, braying about how much you hate and can’t stand that Meghan bitch as if the blasted fuck these arsewipes know the woman. Out of the blue someone whom I thought had long made the only logical move viable to her sorry arse and crawled into her casket, called up trying for the nth time to get me to start today and join that pyramid scheme of hers for which she is ever travelling to some rah-rah seminar and on the cusp of getting rich yet still ain’t and needs you to join this very day; this, I can assure you, is about as appealing as trying to get me to bed some moneyed old fuck with a micro penis and bad breath. Nah… I’m all about the dharma.

Last summer everyone called up, demanding to know if I were not going to the Raptors championship parade. Hell no! Crowds you say… not happening. The day of the parade, I kept being called up by excited friends, asking me if I was watching and wasn’t it phenomenal. Very matter of factly, I declared to one, “When these fucking Goys do Yom Kippur, they certainly do know how to go all out.” Of course, after having explained myself days later at a dinner party, the point was well taken. This is a country with soft ethnic cleansing of blacks: negative immigration and population growth, a entrenched history of employment discrimination, which sees blacks being ghettoised in casual positions in the work place, especially at crown corporations (government-owned) – I have worked at two: Canada Post and the Toronto Convention Centre; in the case of the former, I arrived in Montréal from Vancouver to find myself the first full-time black in the work place; as fighting is nothing but foreplay in my books, I organised a lone Haitienne and got her to file a Human Rights complaint which she won. This resulted in back pay and all the mostly Haitian blacks awarded full-time and back pay where they had served as casual for 5, 10, 15 years. Naturally, the messenger/lightning rod always comes into someone cross-hairs. At one point, where they tried firing me the local union president told me to go to hell and go back to Canada; thus, I ventured into my firing interview with a lawyer in tow – had never happened before and was not then fired after multiple frantic calls to Ottawa to find out how to deal with him. Before being fired, that blasted porcine pequiste fucker decided to avail himself of my tax dollars by running in the federal election, thankfully he did not win but when he tried two years later, I wrote to Jack Layton who had frequented our Cabbagetown home in the 80s when we lived next door to a rather parvenu and highly snobbish Alfred Sung and informed Mr. Layton that if he did not withdraw that vile racist, my lawyer and I would go to the media and expose him – the letter of course was cced to all the other federal party leaders. In the end, the Bloc Quebecois thanked me for the letter and ran a black Haitienne in the riding from which the union head was summarily dropped and that Haitienne, Ms. Bardot won her seat, only to be replaced in Papineau riding by that blasted, racist tarbaby-arsed frog… but I digress. Two million persons cheering on black excellence when this is a country that actively eradicates any participation of blacks in its cultural fabric – hello JazzFM where you would be dismissed as stupid for thinking that Jazz is black culture. Sure, there are window-dressing blacks in the TV medium but they are not the norm. Not a single prominent Canadian protested and demanded that the vile racist politician resign when his blackface past emerged. Naturally, his people stridently argued in his defense. Would that these ungrateful fucks who hold the country to ransom would finally fuck off and leave. No one outside of Québec, who does not work in the government, is remotely bilingual. Seven years of living in Montréal made one thing perfectly clear: theirs, by its sheer ubiquity is nothing more than a northern confederate flag… and they certainly are possessed of unapologetic xenophobia. The only people deserving of having a party in the Canadian parliament, which not all Canadians can vote for, are the First Nations and Inuit peoples.

Back in late 1982 whilst Merlin and I held up in the Trockadero loft in Manhattan’s Chelsea on Sixth Avenue below 23rd Street, I got in one evening after looking at rehearsal of the Nanette Bearden Dance Company, to find Merlin having dinner and strategising with Jim Henson. As they shared the same agent, Joyce Ketay, they were prepping and throwing around ideas for how to thematically film the series, Fraggle Rock which would be shot in the coming new year in Toronto at CBC’s studios. Merlin had made his favourite dish a chicken paprikash which John Hirsch had taught him. Joining them, I dug in to what was my favourite of Merlin’s prepared meals. I will always remember Jim saying, “first you start with a compliment and then you hang back and listen, listen to what’s said but most of all, what is not said…” Sage advise that I have always followed. What I love about us artisan souls is that we always reveal our nature and the fact that we input on five channels whenever we speak. Listen to Naomi Campbell in her acceptance speech for the CFDA Icon Award. Straight out of left field in the tenth minute, she remarks, “God my lips are dry… sorry.” No other soul but an artisan soul would shift subjects so abruptly so seamlessly and carry on without so much as missing a beat. This quirk of ours, mine, Naomi, Meghan and every last artisan soul who has ever breathed, makes for a master tactician and someone not easily understood or shaken. With a destiny number that proves master numbers like Meghan, HRH Duchess of Sussex, she is a 11 – she is a diamond through and through and why HRH Prince Charles, Prince of Wales refers to her as Tungsten.

As ever, life is like a flying dream; if you look down, you’re fucked. Enjoy the ride and fear no one!

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©2013-2022 Arvin da Brgha. All Rights Reserved.

Jessye Norman & Glenn Gould.

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As I work 7 days a week, I was debating whether or not to attend the Twelfth Glenn Gould Prize Gala at the Four Seasons Centre for the Performing Arts.  That morning en route home from some errands, I discovered that someone had jumped from a neighbourhood condo.  I got in and realised that there was no more feet-dragging; to hell with being dog-tired.  I got on the phone and called up Lucian Mann-Chomedy and said, “My darling, we are going to the Jessye Norman Gala!”  As ever, always positive, Lucian chimed in, “Oh my, oh yes, how lovely.  Well, I’ll be both honoured and delighted.”  Indeed, life is for living!  

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Merlin and I met Friday, October 1, 1982 in a Hell’s Kitchen Walk-up, the following Monday evening, on his return to Toronto, Merlin called up crying.  The man whom he had spent so much of our first evening together speaking of, had died; Glenn Gould had died.  For the seven years that we were together, Merlin listened to Glenn Gould’s interpretation of J. S. Bach’s Goldberg Variations at least thrice weekly.  Indeed, the first gift I purchased Merlin, was a recently released recording of the Goldberg Variations at Christmas 1982: I think that it is safe to say that that gift sealed the deal, I was a keeper for sure.  

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As I had waited until the last minute to get seats, I was sat in Ring 4 rather than the usual Ring 3.  This, alas, was my view of the stage and of course, the butterflies are from the set for Atom Egoyan’s masterful staging of Mozart’s Cosi Fan Tutte, which the moment I saw the set, I began chuckling to Lucian on recall of Tracy Dahl’s unsurpassed performance as Despina.  

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As I was too busy trying to throw something together for Instagram, I was heard gasping when it was announced that the head of the Glenn Gould Foundation’s Jury this twelfth prize was none other than the actor, Viggo Mortensen, who then walked out onto stage.  He, indeed, who in a few days time will be attending the Governors Ball where he may or may not be holding an Oscar.  

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Out onto the stage arrived the Twelfth Prize Laureate, Jessye Norman.  Truly, it was a shock to the very core to see Madame being ushered out in a wheelchair.   Suddenly, I was reminded of the events of earlier which caused me to rush home and purchase two tickets for the event.  That aside, there was no greater joy than drinking of her soul’s inspiring beauty.  

This beautiful gala was so filled with touchstones for me, none more so than the moment that bass baritone, Ryan Speedo Green was in full song.  When he sang, “Aprite un po’ quegli occhi” from Wolfgang A. Mozart’s Le Nozze di Figaro.  

Yes, indeed, this marvellous aria’s orchestration included a harpsichord.  Straight away, I was teary-eyed as memories of the truly eccentric and delightful Milan Newcombe readily surfaced; Milan will ever remain a lover like no other.  

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During the intermission, I ran into two old friends not seen in at least 1.5 decades; we spoke of nothing but our surprise at Ms. Norman’s entrance.  Life really does march full speed ahead.  

After the intermission, it was the announcement of the Glenn Gould Foundation’s Progidy Prize with the recipient being none other than, Cécile McLorin-Salvant, the most fabulous Jazz singer on the planet.  Is this not an evening to remember during Black History Month indeed.  

This stunningly unforgettable gala was closed out by the final recitalist being the divinely gifted soprano and Glenn Gould Foundation Prize juror, Sondra Radvanovsky in full song, singing Verdi.  

The gala concluded with Ms. Norman returning to the stage and singing a duet with Cécile McLorin-Salvant.  This was a moving, emotionally intense evening and my life was greatly enriched for having chosen to attend.  The gala was nothing short of magical.  

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As a tribute to this marvellous evening in the theatre, I will include herein two dreams, which were originally audio-cassette-recorded in the 1990s.  Before each deam, one of Glenn Gould, the other Jessye Norman, I will include each individual’s Michael Overleaves.  

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Gould, Glenn Herbert 25/9/32 – 4/10/82, Toronto

This fragment was a sixth level mature artisan in the repression mode, with a goal of growth, an idealist in the moving part of intellectual centre.
He had a Mercury/Saturn body type.

Glenn’s primary chief feature was self-destruction with a secondary of arrogance.

Glenn was third-cast in his cadence and his cadence is fourth in the greater cadence. He is a member of entity four, cadre five, greater cadre 17, pod/node 819.

This fragment has an artisan essence twin who was alive during Glenn’s life but there were no plans to meet. This fragment is still incarnate on the physical plane.

The fragment who was Glenn has a scholar task companion, who was in a previous life, Carl Philip Emmanuel Bach. They were not incarnate at the same time.

However, the fragment who was Glenn was exerting considerable influence on Carl Philip Emmanuel.

These two fragments had many lives together, once as luthiers, three times as court musicians, nine times as brothers of the cloth, twice as brothers in the flesh, as well as completing several important life monads, including student/mentor and master/slave.

In the immediate past life, the fragment who was Glenn had as his three primary needs: security, communion and exchange. Only the first of these was ever even partially satisfied.

So here we had a warrior-cast artisan who had seriously conflicting overleaves and a primary chief feature of self-destruction. He had a goal of growth but a repression mode which would not allow him to flourish.

He had a need for communion, but was sexually ambivalent and socially inept. Undeniably, he had great talent but took no pleasure from performing in public.

This fragment has a great deal of scholar energy that was used in the immediate past life to enable Glenn Herbert to painstakingly examine and interpret the works of Johann Sebastian Bach.

He was very interested in form and structure for all of his adult life. This fragment was, unfortunately, the victim of a severe obsessive-compulsive disorder, also for all of his adult life, which worsened considerably during his third and fourth decades.

This fragment did not, as popular wisdom teaches, retire from public life because of any strong beliefs in the recording industry. Glenn Herbert retired from public life because he could no longer bear to be in crowds, even if he was distanced by a proscenium.

Needless to say, this fragment did not complete work on his fourth internal monad.  

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A Glenn Gould

Astral Plane Glenn Gould Recital!

Nothing is more uplifting than finding oneself at a great musical performance on the astral plane.  This dream was about being richly inspired and by Glenn Herbert Gould, no less; it was truly marvellous an adventure for the spirit.

The dream occurred, on Tuesday, October 6, 1992, whilst the Moon transited both Aquarius and my ninth house.

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I am in France where I leisurely browsed through a store; perhaps, it was somewhere in Paris.  It seemed here like at nighttime.  Whilst in one corner of the store, I noticed that there were all these big slabs of cheese in packaged containers.

There was a woman coordinating the display of the cheeses.  Sometimes the cheese was being grated and other times not.  There and then, I decided that I was going to buy one slab of the cheese that was packaged in a rectangular box.

The cheese was about an inch thick and about eight inches long.  The cardboard box that it was in was white and almost like the size of a box of Cream of Wheat.

Surprisingly, the box was rather heavy.  Though not unlike cheddar, it was a dark cheese.  The smell of this cheese was really hard – quite the bite to it.

It had seemingly been opened for too long as parts of it was growing hardened and turning colour.  I knew straight off the bat that I wanted to have some to take home with me.

So, off I went to purchase the slab that I liked.  Everyone here was, of course, speaking French which I quite so understood and liked.  Interestingly, I too was speaking very competently in French.

It was obvious that I was not too heavily accented as the others were pleasant-enough with me.

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The second dream had me leaving the store; I then found myself hovering in the air.  Whilst in flight, I went into a building which had a green – oxidised-copper – roof.  It was part of a long set of buildings that had very, very tall stone chimneys.

These were chimneys that were not unlike the ones at the Palais du Louvre.  As a matter of fact, the building was similar to the Canadian Parliament buildings though it was not those buildings.

This complex was considerably longer.  These were a series of complex buildings.  Here, I was easily thirty storeys up whilst in flight.  I looked down at the complex which at maximum could not have been more than five storeys tall.

After having contemplatively observed the complex for awhile, I began very slowly gliding down through the air.  I intently studied a procession of persons, way below, who were bailing out of very large buses; they were, as a matter of fact, tour buses.

This was all happening in a courtyard-like area and away from the bustle of the street.  I next noticed some men who appeared; they seemed, in their long, flowing white robes, to be priests.

They were not Arabic or Muslims in caftans; rather, they were definitely Whites.  The buildings here were long on the order of Palais Richelieu in Paris.  When I finally alighted, we had to go through this incredible entrance.

This led into a wonderful sandstone building; it was very modern with a neo-classical design.  On the order of being imposing, the door to this place was massive.  They seemed to be the doors to a temple.

To get to the entrance, there were many steps which one had to climb.  On entering, off to the right, there was a passage that one could take.

An aisle led along another passage; it seemed illumined by a skylight.  The priestly men had all entered before me.  They preceded a procession of adherents who had come to partake of some ritual.

I had gone to explore, off to the left, because it was the wing of the building that had reminded me of the Palais du Louvre.  Going there, I wandered about being fascinated by the place.

Some women were posing for artists in this particular wing.  They wore modern garb but were very exceptionally beautiful.  What was most intriguing about their look was that it was exactly as they would have appeared on the finished canvases.

They were very nubile young women; they had to hold their poses for interminably long periods.  Here several kids kept on going through the place; they were seemingly art students.

They were all very North American, middle class with their loud, snobbish bourgeois affectations.  Right away, it was obvious that all the muses were still virgins.

Theirs was an innocence that could never be affected.  They were all teenage girls whose bodies were very voluptuous and full.  These were not skinny people at all.

There was one point at which one girl was holding different poses.  Each girl would be painted by from three-to-five artists, at a time.  Thus every pose would be captured from different perspectives.

At one point, they told her to take a break; they then reverted back to an earlier pose.  This was so that they could return to that work and put some more work into finishing it up.

When she changed the pose, she had also turned some 180 degrees.  This particular model, whom I was studying, wore socks with Oriental-looking sandals.

Inside her socks she kept little items of hers.  Whilst she was making the transition, she simply reached up her foot and pulled up her right leg to reach down into the socks.

Hers was a pair of blue-coloured socks – pale blue.  To just above the ankles was the extent to which the socks rose.  Looking at her, she took out something from about her ankle which looked like a wafer.

Not the least bit self-conscious, she ate it at once; it seemed like a chocolate wafer which she favoured.  She seemingly needed it to get an energy boost so that she could stay focussed on the tedious work that she did.

After having found it all very interesting, I moved on sufficiently knowledgeable of the goings on here.  Walking along a corridor, I ended up going into a room where everyone was very strange.

A guy there was a lot like Galen Shim – my very beautiful, Hong Kong-born, Eurasian friend.  He reclined on a bed with his head close to the door.  When I came in, I noticed that he was naked.  When giving him a massage, I began by oiling his body.

It was quite fragrant oil.  Rubbing down his body, I began working on his toes and feet.  Afterwards, I got up to leave but he very silently began coming with me.

So out we went and joined the procession of persons; among them this time were several kids.  Mostly, they were teenagers – amongst whom I did not want to be.

Galen or the guy who seemed like him, here the guy was not wearing glasses as before nor would Galen for that matter, and I kept walking through the place.  Pretty soon, after we had left the noisy kids, we started hearing the most beautiful music.

This was one of the rare times that I found the music of the pipe organ to be beautiful.  Within the complex, we happened on this wonderful cathedral inside which were most of the people from the procession.

On entering the structure, it seemed more like a concert hall.  We soon learnt that the hall was specifically built so that only Johannes Sebastian Bach’s music could be played there.

Never before had I heard classical music sound so beautiful.  We stood there transfixed whilst listening together.  Who then should I notice way at the front of the hall, at the pipe organ that sat high on the dais-like stage, but Glenn Gould.  I could see his right profile as if in close-up.

My god, this was rapture and then some.  He was playing with such rapt abandon that I steadied myself and whispered more to myself than to Galen,

“My god, what an incredible dream to be having…”

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There seemed to be a skylight on the side of the high-ceilinged nave.  Instead of there being stained glass windows, windows for that matter, there was only intense light raining down through what seemed to be a skylight system.

The centre of the halved skylight was a wonderful neoclassical, oxidised, copper-looking, greenish flying buttress.  Here the look, though modern, was more in the style of Islamic mosques or even Moorish architecture rather than the classic Gothic signatures.

A series of the most intricate and complex circles intertwined, like some riotous jungle vine, in the cathedral-like, concert hall’s stonework.  Breathtakingly beautiful it was.  I stood there, just inside the entrance to the hall, on the left of the wide aisle.

This was a very wide-bodied structure.  As you progressed down the aisle, there were different levels where one could go up and sit.  These were either on the right or left.  The central aisle was covered by the most beautifully designed red carpet.

This place was considerably wider than Notre Dame Cathedral.  Unlike the Parisian Gothic structure, it was not a darkened affair.  Here it was very intensely bright out.  The light coming in on the right and left side of the flying buttress-like, central girder fell through a slightly frosted glass.

The light was an intense – almost aquatic – blue.  Interestingly, there were no beams or columns, supporting the unusual central, flying buttress-like beam.  For looking at the light, one became slightly languorous.  I felt paralysed with pleasure; there before me, down the massive hall, sat Glenn Gould.

He wore the most thick-fabricked garb; it seemed from an earlier age.  All the men in the white gowns were up at the front.  They were all transfixed – as well they should have been.

Though I love Johannes Sebastian Bach, at the time, I had some reservations as I am not especially fond of pipe organs.  I suppose that it is because it has always had too many religious associations during my childhood.

The persons attending the concert were there simply to recharge their batteries.  They seemed, all of them, as if not quite in their bodies for being so transfixed – they were otherwise-engaged.

Eerily, I had a sense that these were all persons who were between lives as is Glenn Gould.  They were in a form of processing, a form of deep meditation on the order of sleep, as they prepared for the next incarnation.

This fugue was the most complex music imaginable.  Indeed, the music seemed designed for those between lives.  The fugue was composed for astral plane habitués who, sans bodies, could best endure the music’s intensity.

Getting a sense that I really shouldn’t be there, plus the fact that I finally couldn’t get into the pipe organ, I started taking my leave of the place.

Galen, or the person who seemed a lot like him, and I then went out front.  There we waited for the specific tour buses to show up and take us away.  Whilst I waited with Galen, or the person who seemed a lot like him, I was joined by Pandora.

It seemed that most of the people who were here were very young-souled.  They seemed to be on a pilgrimage, like visiting the original Gohonzon in Japan or going on the Hajj, at Mecca.

As the pipe organ played, I could hear in the tone of the place a faint whisper from the men in white robes.  Their thoughts, it turned out, could be telepathically heard.  Even earlier, when I had been hovering in flight high above the complex, I knew that this was more so a political institution rather than not.

This was a structure which was just as colossal as the temple at Karnak and considerably older.  This place was mind-bogglingly complex and massive.  The temple was posited directly in the centre of it all.

Just like La Chapelle in Paris is comparably dwarfed, by its surroundings, so too the massive concert hall-like temple was dwarfed by the complex.  This architectural marvel was simply soul-inspiring.

Whilst all the buses were waiting, I took to one of the buses with Pandora.  I had gotten impatient waiting to be assigned to one.  We spoke in French because everyone else here did the same.

This was not unlike a Parisian bus – the seats all faced each other.  Seated close to the front, we were on the left side of the aisle behind the driver.

As though getting close to Saint-Sulpice Métro, I got up and said goodbye to Pandora.  I wanted to get off there then walk back to her rue de Grenelle apartment.

Pandora planned to go out then come home later so had asked me to wait for her at her place.  Here it seemed as if nighttime coming on to dawn.

Speaking guardedly in French, I made sure that I was speaking properly and not just fumbling partout.  Really, I rather enjoyed this experience of being together with Pandora.

I was very serene enjoying the very beautiful experience.  Galen, or the person who seemed a lot like him, had silently slipped from my side when Pandora came and joined me.

*Of course, it would turn out that the person in question was Louka Duplessis and not Galen.  I would meet Louka, who accompanied me in this dream, the day following this dream.

Just prior to meeting for the first time, it is not uncommon for me to dream of persons.

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Jessye Norman

Norman, Jessye 15/9/45,  Georgia

Jessye is a first level old priest in the passion mode, with a goal of rejection – functioning for the most part in the positive pole of discrimination, a spiritualist, in the emotional part of intellectual centre.

She has a Jupiter/Saturn body type.

Jessye’s primary chief feature is arrogance, with a secondary of stubbornness.

This fragment was third-cast in her cadence and her cadence is fifth in the greater cadence.  She is a member of entity five, cadre six, greater cadre 33, pod/node 212.

She has a discarnate priest essence twin whom she did know earlier in this life but this fragment died in Vietnam.  She has a warrior task companion and they have worked together and continue to do so occasionally.

Her three primary needs are: freedom, expression and power.

The warrior energy gives Jessye tremendous organisational powers and her stubbornness has enabled her to stick in there when the going got very rough many times.

Jessye is a warrior-cast priest who has been a spiritual rebel in this life.  This is, by the way, not the first time this fragment has sung professionally.  This fragment was a well-known castrato in seventeenth century Italy and performed many times before the crowned heads of Europe.

Jessye has great need to serve her concept of the higher ideal and has done so admirably by combining the folk music of her people with her operatic repertoire.

She performs well, as do most entity five fragments.  This fragment has always enjoyed her work.  Singing has been an extension of her inner spirituality.  It is, in fact, a form of meditation for her.  

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Now that’s a Hollywood wife!

Jessye

These rather lucidly awakened dreams were experienced with an intense sense of wonder and joy, on Monday, July 2, 1990.  At the time, the Moon transited both Scorpio and my sixth house.

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This first dream found me in a very busy place.  When going south towards the Danforth, it was not unlike being on Broadview Ave.  It was at nighttime.  I came there and found that there were tons and tons of Black people.

Even so, it seemed like Toronto and at Broadview Subway station because there are all these streetcars there.  One of the streetcars was improperly parked, as a result, it was going to go and turn around.

Waiting for it to do what it had to do, there was another streetcar out in the street.  It was really more like a red-rocket streetcar.  It was not like one of the newer ones.

Everyone here was Black.  There were no Whites or other non-Blacks that I saw.  Everybody was in the street which was very jam-packed.  They were getting ready to cross, after the streetcar had passed, to go in.

There was now a system, where you paid your fare aboard the streetcar, so that you did not have to enter the front doors of the station on Broadview.

When you got aboard the streetcar, it was mandatory that you pay a fare.  So it did not matter whether you paid a fare at the proper entrance or not.  There were many people queuing up to get aboard a streetcar.

Passing these people who were seated there, I went through the proper entrance.  One of them seemed like Gabriella Vartan and they were talking about me.

I came around and began going down the steps, into the nether regions, en route to the trains.  There was this little old lady who was taking her time, holding up things, so I pushed her to my right.

I made my way down then had to go around taking another flight of stairs; I then kept on going.  There were a whole lot of levels to this subway system.

When I got down, there was this little cul-de-sac where there were these Black guys – homeboys – hanging out.  However, they were not Black American.

I found one of them very attractive and smiled at him.  He, however, was very homophobic.  He went running upstairs to go call the police on me.

The train then came into the subway and it was a very, very large train.  It towered very high to the ceiling.  It was like an Amtrak train which seemed like a double Decker train.  It was mostly silver, however, it turned out not to have been double Decker.

When it stopped, I began running full speed because I did not want the guy to come back and board the same car as me.  I ran to the front of the train only to find that one couldn’t board there.  Instead, one could only enter this train where the cars joined each other.

You could enter the front or backdoors of each car but not the front ones of the first car.  It was very sleek, round and Deco like a train from the 1930s.

The whole place did have a feel of the ‘30s to it.  It was very neo-Gothic like the Chrysler or McGraw-Hill buildings in New York City, or for that matter, even the Empire State Building.

It was reminiscent of very early in the twentieth century which was all about great architecture – of things being large, mammoth and spiralling upwards, too, things getting faster and faster.

That sense of adventure about the wonderful world of commerce that one had created.  It was that time when people had not yet begun to see, as we now know, the consequences of things being bigger and better and faster and all the effects on nature.

I got onto the train heading, again, towards the front.  Somehow, I felt relieved because I had lost the guy.  I was there and noticed a stout man who was either High-Yellow or, perhaps, even White.

The people here were very strange because they were just rather unusual.  Even though they looked White, they seemed more bronzish, actual bronze, than the pinkish tonality of the waking state.

This was not a place that I knew.  It was very otherworldly here, I soon realised.  I did not get a seat and as I stood there I then noticed a woman.  She was standing at the very front of the train.

The train progressed with unusual speeds, I immediately noticed.  When the train had shaken, the stout man had tried to brace himself by putting out his foot that was already out in the aisle.

In the process, he had stomped me and I had had to pull my foot out from under his and pushed his away.  He wore business attire, a suit and tie, as though en route to an office job.

The woman who was standing up was playing on a wooden flute-like instrument that was less than a foot long.  However, the thing about all this was that she had unusually short arms.

They were fully functional hands with tiny little fingers that nimbly danced over the valves of the wooden, wind instrument.  Her arms were like a Thalidomide-damaged child’s.

Then I noticed too that there were other people on the train, about three or four musicians, practicing as well.  I soon realised that everyone on board had some sort of physical deformity.

They were just ill-proportioned people with torsos that were too long or arms that were too short.  Arms too long or what have you, moreover, this also applied to the legs.

The most pronounced cases were always the musicians like the female flautist – two or three of the other musicians were male.

Someone else who was on the train began laughing and, out of nervousness, I joined in.  The person was laughing at the woman.  She, however, hadn’t paid them any mind.

Nobody else was paying people, who were laughing, any mind.  They did not see anything wrong with the people who were being laughed at.

I then got off the train and was out in this concourse area, where the trains arrived, before I went upstairs.  Before I would go upstairs I saw this child seated in the middle of this white blanket that seemed more like diaper material than flannel.

The child wore a salmon-coloured merino.  He had little, white, cloth diapers on.  The infant had, again, very unusually, unusually short, short legs that made it look almost like a child because it was seated upright on its bottom.

However, it had a very big torso – matured, such that the child seemed like a very big, big child for its age.  Its head was very large with a very developed large and soulful-looking face.

At the time it made me thing of Jake Hudson.  Jake does have a very large head and face.  I was trying to connect with him.  He reached out his short little arms, crying out and said,

“Dad, I want to go.”

There was this youngish man, who was blond like the child, and he seemed not unlike the guy Olaf Knight.  He picked up his son and used the blanket, on which the child sat, that had these straps and put him around his shoulder.

Like an African mother would, carry her child when in the fields, thus he was carried on his father’s back.  He walked off with the child, who was holding on to him, except that the child was really an adult male.

It was all very strange here in this otherworldly place.

I ended up coming upstairs and going out in the outdoors.  There were people here – again, mostly Black people.  I was talking to them when I heard the strains of Richard Strauss‘s Four Last Songs beginning.

I beamed and excused myself from the people, with whom I was interacting, and went running off up this plaza.  It was a clay-tiled plaza and when I got there, I saw the symphony. 

I went and sat in lotus position and sat very close to the front.  There was a gathering of persons in a semicircle and I was, as a matter of fact, the closest to the stage.

The stage was above on a dais and it was edged by old gold juniper.  The juniper was really, really nice and quite fragrant, refreshingly so, to the smell.

Along came, from around a corner walking, Jessye Norman – the high priestess herself.  She had been preceded by her divine voice’s magic.  She was, of course, singing Four Last Songs.

She wore a beautiful, beautiful, glistening black dress that seemed almost organic with a life of its own.  It was twinkling on and off but the lights were lifelike like fireflies.

They were sequins but they seemed, somehow, to be organic.  It had hues of gold, silver, bronze, and dark green hues like pine and blue hues like lapis lazuli.  It was very, very intensely rich a fabric.

She started singing the first song, Frühling, and it was very hauntingly beautiful.  She saw me and beamed down at me.  It was so connected between us.  I was so enthralled and overpowered; I was quite smitten by her.

I thought very rapturously awakened,

‘Yes!  I’m having a dream of Jessye Norman.  So very good to see her again, my god here she is and performing Four Last Songs.’

She then came almost to the lip of the stage and stopped as though about to sneeze.  Then she held her breath and started laughing because it was so hysterical.

The look on my face was one of being truly horrified for her.  This had actually caused her to crack up.  Then she began singing again and began making gestures for me to move or be removed.

I was stunned and thought this some sort of betrayal.

‘Why is she snubbing me like this?’ I wondered.

Then these two huge, burly guys came to eject me out of the area.  As I was leaving, I could hear her starting to sing again.  I was very, very upset.

Image result for large many floored steep roofed house

I was, in the second dream, in this large house that was a very many-storeyed place.  It had many apartments.  I came out and it had a very slanted roof that one could go out onto.  This roof was, however, very dangerously precipitous.

I was looking about and thinking of Carl Leroiderien because, somehow, someone was talking about him.  This White man was talking to me and telling me that Carl had been enquiring after me.

He then went on to ask me if I smoked dope which I denied.  I can’t think of it doing anything for me except, perhaps, to make me sneeze at the most.  Sometimes if mixed with hashish, I then got a massive headache.

“It doesn’t do anything for me, I don’t really like it.  I don’t see the point to it and I don’t smoke it.”

At the time that he was saying this, we were climbing some very, very steep stairs.  Then at that point, after she had given her performance, I encountered Jessye Norman again.  She was seated on a bench and called me over.

She said hello very warmly and apologised saying,

“I hope you weren’t upset.  You realise that it was a misunderstanding.  I wasn’t laughing at you; it’s just that you don’t seem to realise where you were.

“You were, well there are certain degrees of protocol and you were ahead of the dignitaries.

“And you shouldn’t have been so close to the stage because one of the reasons why your nose started bleeding was, in this dimension, if you’re this close to the stage… when I’m singing, when I hit certain notes it can shatter your eardrums but also shatter your mind.

“So you see it was very crucial that I get you out of there.  Also, I was having a very bad allergic reaction to the plants at the edge of the dais.  They made me want to sneeze.  It wasn’t at all you or exclusively you.”

In having embraced me thus, she was being most healing.  I did, in fact, have quite the nosebleed.  As I was being hustled out of the place, by the burly guards, it was then that I realised that my nose was bleeding.

At the time, I had thought it strange.  As this dream progressed very lucidly and linearly, there was no point at which either burly guard had so much as touched me.

I was so upset.  It was so very good, after the fact, to have had her explain as she did.

*This dream really does validate the notion that all persons encountered in the dreamtime, without exceptions, are separate entities and not figments of one’s imagination.  END.

When I was being bounced by her, I was so stunned, upset and humiliated.  Had she not explained as she had just done, I would have awakened from this dream with a totally different perception of events.

I had also no way of knowing that she was having an allergic reaction to the juniper which, at the time, I found so wonderfully soothing.  What’s more, I hadn’t a clue that I had thrown the Chi of the place by having disrespected protocol.

I would never have thought that my nosebleed was due to her singing.  In fact, it is possible that I could have awakened and not recalled that, indeed, I had had a nosebleed which I had totally forgotten until she had mentioned it.

Jessye Norman has indeed straddled, with great élan and diplomacy, many a dimension with great frequency and fluency.

I then began holding her hand and told her that there were times that I had dreams of her, in which there were sometimes cetacean-looking creatures that came and did formations around her as she sang hyper-dimensionally.

She was just enthralled and pleased.  She squeezed my hands and laughed a healthy, really wonderful laugh.  She was quite smitten by me and encouraged me to write it all down.

Her eyes here were so very large, soulfully dark and focussed right into me.  It gave me a high just to have experienced them.

I was wearing, when close to the stage, a satin merino-like shirt.  So at the time of being bounced out, I had passingly thought that I had been dressed too scantily for her liking.

In any event, it was quite interesting.

a madonna mtv 1990

This third dream was truly hysterical.  It seemed like on Eglinton Avenue East, between Yonge Street and Mount Pleasant Road.  It was at nighttime.  There was a lot of goings on.

Shirley MacLaine was there, Warren Beatty and Madonna Ciccone, as well.  Warren Beatty was the man of the hour and the centre of everybody’s attention.

He had a great deal of sexual energy and magnetism.  He had been performing for the camera and for everybody around.  It felt very staid to me though.

One very interesting thing that happened was that he had been heavily drinking and, whilst laughing, had bent forward.  He then began uncontrollably coughing and was holding his chest and faking a massive heart attack.

Next thing you knew, we were in a very crowded area and it turned out that he had not been faking the heart attack.  He had a very, massive, massive heart attack.

He was dead just like that.  He was gone within moments.  It was just incredible.  Shirley MacLaine became utterly hysterical.  Her bawling was like from some Greek tragedy.

She went into a trance-like frenzied state and began calling on astral guides and her Pleiadean guides.  Pulling out a very impressive clutch of crystals, she threw herself onto him and tried healing him of death.

She was placing them all over his body – at the chakras and elsewhere.  It was too humourous for words.

Meanwhile, as Warren Beatty died, Madonna came rushing up to the scene.  It had all been too late and they couldn’t rush him to a hospital.  There was no way that he could have been revived.

They had been out in some desert area having a big party; there were no doctors around.  There was nothing that they could do; he couldn’t be saved.  He was dead… he was gone.

Shirley MacLaine started cursing to the gods, saying,

“This is so unfair.

“He hasn’t even been able to make the sequel to Dick Tracy.  And right when he’s at the top of his career this is happening?”

“Well you know this will really immortalise him now.  Definitely, this is great publicity, right at this point in his career.” someone had dryly said who was not attached to his whole entourage.

I had heard this but Shirley MacLaine hadn’t heard it.  Madonna came and whatever she thought about I could telepathically hear it.  Her immediate response was,

‘Oh shit!  This is just going to fuck up my goddamn career.

‘If only I’d gotten a child by him.  Shit why did I have to have that abortion of his child.  Shit!’

She was thinking fast.  She was someone who knew how to manipulate the media.  She was really pissed off because it would have meant immediate Hollywood sainthood for her, were she to go on and have Warren Beatty’s only child, after he had tragically died.

She was really pissed off because this was media manipulation beyond her wildest schemes,

‘I’ve got to get him out of here.  I’ve got to have the best genetic engineers flown in immediately…’

I was stunned when I read her thoughts because, of course, she intended to harvest his seed and impregnate herself and then have a premature love child of Warren Beatty’s.

I was stunned by this woman’s phenomenal megalomania.

‘During the autopsy, I’ll have his sperm taken out and I’ll have it copyrighted.  It’ll be my possession.  I’ll have it engineered so that I’ll have a child… a son.  God we can even have twins…’

She, all the while, was cowering over his face… kissing him and doing the wailing widow number,

‘…Can you imagine, Madonna?’

She privately squealed to herself – unaware, of course, that she was broadcasting to someone like me.  She was so triumphant at having had that idea because all she knew was that people who so loved Warren Beatty would take to her now.

She was insecure as to whether or not she would endure through time.  However, with this, she knew that she would automatically become iconic.  She would become truly the virgin mother!

She would be actually giving birth to some dead man’s child – he of course being, Warren Beatty.  It was destiny.  After all, she was ‘the’ Madonna.

She had this flash that this was why she had always been so drawn to crucifixes.  She was going to capitalise on the whole drama by making sure that it would be a son.

Of course, not to be outdone by that old, other Holy Mother with the virgin birth, she would eclipse that Madonna by having twin sons.  Again, La Stupenda squealed with delight to herself.

I passingly wondered if I were the only one to be privy to her thoughts.  Then I realised that from my detachment, as everyone bawled and was truly horrified as though these were Olympians and not mere mortals, that I was the only one.

‘What could be better than having two Warren Beatty lookalikes crawling around the planet and who were his twins?  And his only heirs!  With today’s genetic engineering it will be a great coup.

‘Think of the press!  I’ll be guaranteed perpetual immortality.  I’ll be iconised for all history…’

I thought then and there,

‘My god, this woman is monstrous.’

In any event, the funeral was upon us and by some strange quirk of the dreamtime, I was very much so a part of the funeral.  I was as though a fly on the wall, as it were, and aren’t you lucky?

Why, was I participating?  I do not know?

In any event, I was dressed to the nines.  I had on a wonderful, lace outfit with a mantilla with my veil covering my face.  I was part, somehow, of the funeral party.

It turned out that Warren Beatty had had five wives and, at the point at which he died, his fifth wife was a High-Yellow woman.  She was part Black, part White, partly Latina.

He had had all these wives.  They had always been paid and kept to remain silent.  They were never brought out in the public or media.  It was one of Hollywood’s biggest secrets.

People, obviously, never knew about it.  It had never once been spoken about.  There was an interesting turn to all of this… I had been going along Eglinton East on the south side.  It was as though I was going towards Yonge Street; however, it was not Eglinton Avenue East.

Madonna was going to be late because, luckily, it was that time of the month for her.  She was off having herself impregnated, by way of a turkey baster, with Warren Beatty’s frozen sperm – the planet’s most expensively rare caviar fertiliser of sorts.

I was attending the funeral with a short woman who was the fifth wife’s mother.  She seemed a lot like Sybil Ben-Daniel and wore a brown coat over her dress.  I walked with my right arm embracing her as she was on my right.

I had burly bodyguards all about me, before, beside and behind me.  They were real Mossad-goon-cum-Wrestlemania types.  My pants were those flare-legged Giorgio Armanis that allowed me to stride throwing my legs.

There was a lot of train to them and I had such utter style.  I had enormous energies about me and great flare.  My eyes were bedazzling even though mantilla-veiled.

They were what were, of course, fuelling my high spirits.  The onlookers were lapping up my entrance; I felt wonderful.

We then went into the church and the mother was talking about,

“We want the money to go to the Church because the Church is really the staple of society and civilisation.  The Church does so much good.”

I just decided to let her babble on and kept my tongue in check.  However, I cussed her under my breath saying,

“You demented old fool.  What Church are you talking about?”

The church had a metallic-silver front and it looked not unlike York Cinemas on Eglinton Avenue East.  It was not a very big church on the inside.  As we got inside, I turned around and hissed at one of the bodyguards because he had earlier stepped on my train.

Of course, we were surrounded then by the paparazzi and the little people.  His Bigfoot’s footprint was there on the pant’s train.  I reached back and slapped his face real hard calling him a fucking asshole.

Of course, I knew that it was safe to do it here because everyone here knew, only too well, that side of me.  However, I couldn’t wreck my public image doing so outside.

As we got closer to the church, I began striding firmer with each step in anticipation of getting his oafish arse.  I was really careful not to show that side of me when in public.

I started going down the aisle and there at the end was Warren Beatty’s corpse in the open casket.  It was a pure black casket that glistened.  It was a dark black wood and a really gorgeous casket.

Escorting the mother-in-law, I came all the way down the aisle.  I decided that I would go into the first pew on the right.  The first pew on the left actually went further down the aisle and did go past the casket.

It held men in white flowing robes; they were priest of whatever denomination this was – very cream, ivory-coloured and obviously very Catholic.

I went and sat down and immediately behind me was the fifth wife’s family.  They were very Hispanic-looking more so than Black.  They were very handsome in that family.

I turned around and smiled at one of the men and the energies coming from them weren’t as I had expected – I had thought that they would hate me.

I knew Madonna; I was apparently part of her hangers on.  Somehow, I had known her through dance.  I thought that, for that association, they would hate me.  However, they displayed no such hostilities towards me.  

_001roses

Finally, the fifth wife came and was walking very slowly, regally.  She carried a globular bouquet consisting of tiny, little white roses that were sprinkled in amongst some baby’s breath.  There were one or two little red roses as well.

She wore a white, lace outfit.  Deliberately dressed as though attending her wedding, she was not though veiled.  She came down to the casket and knelt before it, like Jacqueline Kennedy-Onassis at the rotunda, staking her claim on history by her performance.

She sobbed in a controlled breath and then got up and walked around to the right end of the casket.  Facing the church, she was now behind it and up on the altar.  She was before the pews on the left side of the aisle.

She knelt down again and this time began wailing and ululating.  She was doing ritual port de bras with her torso and head as well.  She kept on holding on to the bouquet.

It was a very Latin; a very emotional display; definitely, not Jacqueline Kennedy-Onassis.  It was very soulful and moving.  One really felt for her.

Finally, Madonna made her entrance and began slowly progressing down the aisle.  There was utter silence in the place because everybody was thinking,

‘Oh dear, poor Madonna was slutting with Warren Beatty at the point of his death.  Here is the fifth wife and is she going to create a scene or not?’

Well, of course, she is.  The fifth wife is Latin so, of course, there will be theatre.

When the fifth wife had been crossing the casket, I took in her body which was very wide-beamed.  I knew then, in a flash, that she was pregnant with Warren Beatty’s child and four months pregnant.

It was clearly no Immaculate Conception as per Madonna’s little trick.  She was a very big-boned woman.  She got up when Madonna entered the church and stopped crying.

Madonna saw her and avoided her glance as I turned and watched this fascinating bit of theatre unfold.  Everyone was really excited at the potential fireworks about to go off.

She started coming down to confront Madonna.  I immediately and intuitively knew that there was a gun inside the bouquet that the fifth wife so firmly clutched.

Positioning the gun, the fifth wife began holding the bouquet to her stomach.  Madonna, staying her ground, kept on proudly walking down the aisle.

She wore black; it was an outfit that was not dissimilar to mine.  She wore a short veil and not a mantilla like I did.

She came walking down towards the casket staying closer to the left pews.  The fifth wife came around the right side of the casket and was walking down the right side of the aisle looking at Madonna.

She had a very, very vexed and determined – an almost trance-like, expression of self-absorption on her face.  All the energy in her body was directed at Madonna.

When she was about five feet away from Madonna, she held up the bouquet and callously said,

“I’m going to blow your fucking brains out!”

It was filled with so much venom that it reverberated throughout the very high-ceilinged-though-tiny church.  It was also very Gothic an interior.

Madonna stopped truly catatonically horrified.  You could see it beyond the veil.  She had no entourage or bodyguards.  She showed up alone, so confident was she of the coup that she had just scored at the geneticist’s.

She was so flustered that she gallantly stuttered back,

“I dare you…”

She was very nervous and said very quickly with a weak, little laugh.  She was also vamping à la Breathless Mahoney – the character she played in Warren Beatty’s Dick Tracy film.

She was, however, visibly ashen.  Madonna was visibly shaken with fear.

Those persons in the left pews automatically screamed out and crouched down for cover because the fifth wife had held up the bouquet in both her outstretched arms like the gun that it so obviously hid.

“Come on.  You wouldn’t want to do that.  That’s just stupid…” Madonna bravely said.

“…You can’t do that.  Besides Warren’s already dead.  What are you trying to prove?  You can’t do this to me!  Don’t be stupid.”

The woman, however, started slowly walking towards her not buying her bullshit.  At that, Madonna turned around and started to bolt and she fell down over her long-trained dress.

She had already made it to the back of the pews on the left.  She was much too vain, to run outside and possibly be murdered in front of the little people.  So she got up and began running around the far side of the pews.

Of course, as she ran away, the fifth wife could easily have shot her in the back.  Then Madonna got really pissed off, stopped against the far left wall of the church, holding out her palm at her attacker saying,

“Stop it!  You don’t want to do this.  This is stupid.  You can’t kill me.  I’m Madonna!”

She was just winded; the expression on her face was unbridled rage, fear, terror, chutzpah, all in one.  Then the fifth wife pulled the trigger, which was the only sound in the place, releasing the magazine.

Madonna cried out and began pleading with her.  It was truly a spectacle.  It was really pathetic.  The fifth wife then pulled on the trigger and there was a loud plopping sound.

Everybody just screamed and the place became flooded with blinding blue light.  It turned out to have been an older-model camera and the flashbulb from the camera as it went off.  

Image result for large old flashbulb paparazzi camera

At that, the fifth wife laughed this loud, truly callous, heavy-from-the-womb, ripe, wicked, vindictive, victorious-all-in-one laugh.  It echoed throughout the church.

When her echo collapsed, as Madonna stood there truly disempowered, the fifth wife uttered in a weary breath,

“I always said to Warren that you’re an ugly slut.  This picture will prove it.”

At that the fifth wife turned and came and sat down on the pew next to me.  Her Latina family members were just going wild clapping and hysterically shrieking.

Now that’s a Hollywood wife!

Poor Madonna was still standing there involuntarily shaking.  She was holding her chest and gasping for air like an asthmatic.  Her left hand placed on her chest, with her right hand holding on to the pew, thus she stayed her ground.

Although her hand was on her chest, she was being most clever.  However I knew that really where it should have been was at her pussy because what the fifth wife instinctively knew, as did I, was that she had just miscarried.  Madonna was profusely bleeding.

Poor Madonna was so humiliated.  The look on her face was truly sad; she was sweaty and runny-nosed.  She soon collapsed and had to be taken away.  Of course, she would be beaten out of having Warren Beatty’s heir by the fifth wife.

The whole thing was so funny and hysterical.  I was so stunned that the fifth wife was going to pull this stunt.  I really thought that it was a gun; I had, at least, gotten this flash that it was a gun.

The idea to have a bolt release, affecting a gun, was truly ingenious.  The picture turned out to be truly horrific.  It was all a joke being played on Madonna by Hollywood’s film elites who could not have cared less about her and her parvenu ambitions.

The whole affair was so very wickedly political.  The whole thing was so hysterical.  I wondered as to what next was going to happen.

Is the fifth wife going to come forward and produce the first Warren Beatty heir – the true child?  A child that would look like Warren Beatty – more like a child of the future being of multiracial heritage and a bronzed version of Warren Beatty would the fifth wife bear.

What then will she do about Madonna’s copyright of Warren Beatty’s sperm?  Will the fifth wife, for producing the heir, win the legal rights to them and have them destroyed if she chooses to?

Will this not, in fact, begin a Pop Religion rivalling the King, Elvis Presley’s, if Madonna had won custody of the sperm and gone on to impregnate herself and bear those miscarried twin sons because of her bonds to Warren Beatty and his two pseudo-virgin-birthed children – sons at that?

Truly, this is iconography for the new millennium, indeed.

*A very, very interesting dream.  Certainly, that I would be dreaming about these people is interesting enough.  I don’t pay much attention to any of them beyond the passing.

I had seen Dick Tracy three weeks ago.  That the whole thing would evolve the way it did was rather insightful.  I was totally surprised, as much so, as was Madonna in the church.

I really did think that she was going to be shot.  I thought that it would be so messy.

You know, I just did not want having anybody’s can’t-wash-out bloodstains on my Giorgio Armani pants.

A truly, truly funny dream this was.

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*What can I say, dreams are purely experiential.  I dream it and awaken, immediately bringing forth the dream experiences, committing those experiences to audio-cassette tapes. 

I rather enjoyed being alone and visiting with Jessye Norman in the earlier dream.  Clearly, those dreams were set on a parallel Earth in another dimension and one in which the mostly Black population is differently proportioned than we humans of waking state Earth are. 

On the eve of the Oscars, I thought this a fitting offering.  I could never have fathomed the outcome of the fifth wife’s agendum until it unfolded.  Ingenious, to say the least, was her use of the bouquet. 

As ever, sweet dreams and don’t forget to push off and start flying… and so what if you bump into a wall, just attempt doing so again and this time believe that you can effortless transcend the barrier.  Perception is, alas, everything. 

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As ever my dear sweet ennobled friends, I am ever grateful for your continued support.  Please do spread the word, far and wide about this happening dream joint on the cosmic wide web.  Always remember to push off and start flying… I love you more.  

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©2013-2022

Arvin da Brgha.  All Rights Reserved.  

An Awakened Dream Like No Other!

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On the final full day of this trip to London, it was also the 29th anniversary of Merlin’s passing.  I had planned on visiting Spencer House, the Monday evening prior; however, the event which was a ticketed lecture had been cancelled –  this was my only chance at getting to Spencer House.  

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Climbing from the Underground at Green Park, the park was relatively empty and there was a crisp bite to the early morning air as I walked along the periphery of the park’s western edge.  I opted to take that route and be close to the park’s trees than use the suggested route – St. James Street and St. James Place.  The only persons in the park were intermittent joggers, looking fit; strange in November it was to see persons running in shorts.  

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Walking along, I passed a narrow break in the shrubbery; the narrow path that ran beneath on the houses stated that it was a private road and to keep out.  A few more steps revealed the signage; yes, indeed, this was the place that I was looking for.  Turning back, I made for the private narrow pathway and awaited as a tanned, moneyed man approached with a wonderful, happy dog before him.  The fat little thing tried its best to act on his vibes and grumbled; staying my ground, I waited for him to get closer, said hello and asked if this was the way to Spencer House.  

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“Is this the way to Spencer House?” 

“It is a private path…” he replied from behind thicker, darker and more-expensive-than-mine sunglasses, to which I brushed past his American accent by elegantly rebutting, “Thanks, I’ll find my way…”  

Entrance to Spencer House: looking west to Green Park & East.  

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On entering Spencer House, I noticed that the splayed and slightly bloated feeling that began on approaching the stately home continued.  Inside were two men; both were rather pleasant.  We began speaking; for the next half an hour, we warmly visited.  Seemingly, there was a group tour booked and they thought that I had simply arrived especially early.  

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As members for the guided tour arrived, I slipped into the ante room and enjoyed the still-life.  Remarkably, there was a real ease for being in his place, which seemed more than passingly familiar.  Finally, when enough of us were arrived for the tour, a silver-haired lady with clear, focussed eyes entered the foyer, walked up to me and smiling, we warmly greeted.  A group of no more than twenty-five persons, the informal gathering was cosy and engaging.  

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As the tour began in earnest, it dawned on me that this house was remarkably familiar.  There were no doubts in my mind that I had never previously visited it; however, even the tour guide approached me and asked when I had last been to the house.  She was convinced that I had been there before and scoffed at my response that I had never before visited the stately home.  She had done so because I seemed with uncanny accuracy to know which door to next use to progress on the tour.  That aside, the energy between us flowed with the greatest ease.  

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As she spoke, the guide mentioned that Jerry Hall and Rupert Murdoch, who lived in the same street as Spencer House had actually had their wedding reception in the Georgian masterpiece.  As she spoke of the ladder, I suddenly experienced a vision and it was of seeing the room as it looked during Georgian times; however, as in dreams everything was back-to-front from the current life experience.  Indeed, I had definitely been in this room in the past; moreover, I had a rather memorable dream, which was set in this house.  Then as I intently looked to one corner of the room, the rather knowledgeable tour guide announced that in that very corner, Vice Admiral Horatio Nelson loved sitting in that spot as he was a frequent and favoured guest to the house as the 2nd Earl Spencer had been First Lord of the Admiralty.  

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In this marvellous salon is a painting of the Death of General Wolfe… it is even more grand and emotive than the painting of General Wolfe’s death on the Plains of Abraham at the Royal Ontario Museum.  

During that time, as a countertenor with Merlin (then female) my accompanist on harpsichord that I would have encountered Vice Admiral Horatio Nelson, 1st Viscount Nelson.  I have dreamt of this man many times and some were set in the very house where, though it had not been planned, on the 29th anniversary of Merlin’s passing, I was taking a tour.  

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Just before we left the library, the tour guide then announced as she drew our attention outside the window from the library, there on the grounds of Green Park were cattle and other livestock kept.  Indeed, in one such past-life dream, which was set at Spencer House, there was the intense smell of livestock.  For this reason, I had assumed on awaking that this stately home on the edge of vast acreage was situated in the English countryside rather than in London.  

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Definitely, this room – the great room – was familiar; however, somehow, it did not seem as large as it ought to have been.  

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The view from the great room out to the beauty of Green Park.  Suddenly, it dawned on me as I looked out the window that is why on Armistice Day after I left the splendid exhibition: Russia, Royalty & the Romanovs at Queen’s Gallery, Buckingham Palace and cut through Green Park en route to Green Park Station, I felt so joyous. 

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That is why too, for moving past Spencer House earlier on November 11, 2018 and in essence, becoming harmonised with the locale of a past life that I would have such lucid flying dream activity on returning to the hotel that late afternoon and napping.  

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Without doubt one specific dream was centred in this room and there, a play was being staged in the past life dream.  In between acts, one retired to this room from the great room and visited whilst the performers took almost forever at costume changes.  

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This was the setting of great music and laughter; indeed, I may well have performed for the Georgian glitterati on this balcony/stage-like staircase.  

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Lady Spencer’s room.  lovely.  

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The Music Room where 2.5 centuries earlier, Merlin and I were in creative full bloom.  I had a really powerful response when in this room.  I was left teary eyed and on looking in the mirror, I actually saw the outline of my aura; it was silvery as it picked up the stunning sunlight streaming through the windows on either side.  Somewhere in spirit, Merlin was with me and there was further validation that this place, this day… indeed, nothing is coincidental.  

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This room was pure sensory overload.  I felt gay and as though on the cusp of flying.  This visit was more adventure than even I could have imagined.  When the tour was concluded, I warmly parted with the staff and assured them that I would be back.  Then out into all this balmy, glorious sunshine, I headed into St. James Street and made my way to Piccadilly Street. 

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Feeling way too glorious, I decided against using the Underground and instead, headed east along Piccadilly and slipped into the Burlington Arcade’s splendour, browsed then went coffee table book-shopping at the Royal Academy.  Though I hardly had room to pack the six books.  Well in excess of 300£, the handle-barred and zoot suit-wearing poseur – eccentricity is never affected, asked way too condescendingly what did I mean by VAT “dear” and why would I get money back.  You blasted, silly little twit; as I do not gladly suffer fools, I shot back, “Look do us both a favour and go restock these… and try finding a brain while you are at it…” the latter stated whilst walking away from the counter; you’ll get no commission from me.  Who are these people, forever trying so damn hard? 

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With that, it was across the street into Fortnum & Mason to buy more teas and rose petal marmalade and jelly.  From there, further easterly I bopped and grooved in the glorious sunlight and circumambulated Piccadilly Circus and bailed into Coventry Street and into the crowded intensity of Leicester Square. 

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From there, I snuck from the rear of the National Gallery and inside.  

The delightful guide at Spencer House had insisted that I return to the National Gallery before leaving London and catch the Mantegna and Bellini exhibition.  She could not have spoken more highly of it.  I did tell her that I had reservations about seeing Italian art as it was much too ecclesiastic for my liking.  However, since she had been such a gracious host, I decided to just this once to go with an open mind and just explore. 

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You cannot believe how fast, I got out of there.  As I said to the West African museum worker, who asked why I had left the show so quickly, “You cannot imagine how deeply disturbing I find a culture that goes to such great length to never address in their art their savagely ‘civilising’ influence in the world.  It is as though it never happened or they played positively no role whatsoever in the brutal murder, enslavement, extinction of peoples and cultures.  His response was, to the victor go the spoils and the shaping of history in his image; he added that he was very very proud that I am aware, unlike so many of us.  With that, we bumped fists and it was back out into the bright sunlight of this glorious day.  

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Apart from the usual suspects, Yodas seemingly levitating – now there’s a gig! – I made it past a rather engaging African artist who had the soul of a sage if ever anyone ever did.  Being drawn to its beauty, I drew closer to get a really good shot of St. Martin-in-the-Fields and it was then I made the most glorious of discoveries.  

Well, there could be no better way to restore the spirit after the disquiet that I experienced for moving through the Mantegna & Bellini show.  Great art should reflect life, not neatly reinvent and compartmentalise away all that which one would rather not address – likely, though, Bellini had no knowledge of Columbian expeditions to the New World. 

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Presentation at the Temple – Giovanni Bellini c 1460

Certainly, the prominent artists of the 16th century: Tintoretto, Botticelli, Michelangelo, Leonardo da Vinci, Titian were supported by the Church of Rome, which by its patronage of these artists was intent on depicting itself in a glowing ecclesiastical light rather than the brutal realism which afforded it the prominence and wealth it then enjoyed… which endures even now. 

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So with that, richly inspired by both the guitarist and Spencer House and all that it represented, I slipped into the National Portrait Gallery, to drink once more Wim Heldens masterful Oil on Canvas of the collectors Harry and Carol Ann Djanogly – she passed earlier this year.  Satiated of spirit, it was off to grab a bite and then a nap of glorious dream-filled sleep – one of which was a flying dream.  God it felt goodly glorious to have returned in spirit to Spencer House.  

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After having overslept by a hair, it was a mad dash by Underground and taxi make it by mere minutes to Royal Albert Hall.  One of my favourite concert halls, any show would do.  

Ah nothing beats a good old nostalgic adventure.

Interior of Royal Albert Hall.  

Intermission from the stalls at Royal Albert Hall.  

You cannot beat a room full of love and wonderment.  Truly spectacular.  Of course, it goes without saying that Merlin was wild about Jim Henson, George Lucas and Steven Spielberg.  This was a glorious way to have capped off a great trip and to remember the life of an extraordinarily phenomenal human being, Merlin.  

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And like that, the following day, I was returned to Toronto, my art-filled home and this most glorious photograph of the most magical fellow who made life truly a happening, for seven glorious, love-filled and magical years.  

As ever, sweet dreams and thanks for your ongoing support.  

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©2013-2022 Arvin da Brgha.  All Rights Reserved.  

Marta.

Marta 74 George Hawken Intaglio on Paper

Marta

Intaglio on Paper

©1974 George Hawken

Provenance: Carleton University Art Gallery, Ottawa, Canada.

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A Hawken with which I am not familiar… it’s fast become a favourite.  

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©2013-2022 Arvin da Brgha.  All Rights Reserved.