This dream, set in dynastic Egypt, deftly betrays what a powerfully focussed and strong woman Harella was. The dream was first that day.
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Iman still from Michael Jackson video Remember the Time.
I was sat on a wonderful divan in a beautifully opulent place. Instinctively, I knew that this was in Egypt. It was during the height of pharaonic Egypt.There were two stout women here with me who were light-skinned. Hard to tell whether they were Mitanni or light-skinned Blacks. They were cooks and were fussing over me asking me to eat up.I ate from a plate which had these different shoots on it. One of them was papyrus shoots, some bamboo shoots and a wild Nile delta mushroom. It was strictly vegetarian fare.As well, there was a purplish tuber like baby eggplants. I ate with a fork which was very heavy-looking. Clearly, I did possess some rank at birth. I would point out the items I wanted to eat next and would then have it fed to me by either woman.
At one point, I was told by one of the women,“Yes, you even remember what your favourites were last time.”
Catch of the Day. Drawing. 2008 Arnaqu Ashevak
At this point, into the room walked a tall Black woman of Ethiopian features and complexion but who was not too dark. Definitely, she was from the Upper Nile region.I can’t quite do justice here as to how supremely regal this woman was. She was quite simply the most regal and powerful creature imaginable.The two eyes that this woman wore were large, brown and soulful. You felt her soul itself looking out and into you.I did not think of her as having been Merlin in a past life. However, it is quite possible that this woman’s soul I knew quite recently as Merlin during its last incarnation.When she entered the room, the women looked at each other and one of them said in a sotto voce,“Ah yes, she’s brought him with her.”
The Iconic Iman
There was a Black man, who was a little darker-complected, there with her. Seemingly a relation or priest, perhaps, he might even have been a eunuch. He remained in an outer room. She was quite simply the Queen, the Pharaoh’s wife.On entering, she began walking around us and speaking. She was very stylised in her movements. She wore a tunic of gold thread and strips of gold filigree.In places, her dress looked metallic. In its sparse, linear, understated opulence, it seemed not unlike something that Cynthia McFadden would design.The dress throughout was festooned with the designs, all in gold, of open papyrus leaves. They were very tiny and sat inside of little squares.In one square there would be a papyrus applied, such that it would be very iridescent, whilst on the next square it was very dull with a matte finish look to it. The resulting effect was one of row after row, square after square, of papyruses.Each square was exactly half an inch square. The detail on this dress was absolutely golden. It was supported by half-inch-wide straps which, of course, had the same square papyrus design.
Blue Bird, Drawing 2009 Kenojuak Ashevak
Next to her flawless complexion, she was simply statuesque. Her neck was easily six to ten inches longer than the infamously long neck of Ann Cokossi, Princess of Togo – the regal lady’s neck was longer than Iman’s. Iman was clearly descended from the same stock.It was not Iman. She did have long hair that was finely braided in the fashion of a Maasai male’s. The hair was swept up off her face and into a very intricate arrangement.There were several beads throughout her stylised hair and some of them were cowrie beads. There were other shells and some precious stones as well.Her makeup was exquisitely applied and clearly was a several-hour affair. The eyes, of course, were the most detailed.I really did not get a sense of it being the famous Nefertiti Akhenaten. However, the man that she was with was undesirable and totally untrustworthy.I got the sense that it was someone related to me, as in myself, in a past life. Her companion male never did enter the room.Whilst speaking with the woman who sat there on the chair feeding me, the queen kept on slowly gliding about the room. This woman was like the Queen Mother or, perhaps, the dowager.
Four Eyes and Groovy, Drawing 2025 Michael Massie
Whilst she spoke, I was beginning to become refamiliarised with the palace intrigue.Throughout the salon, where we sat, there were a whole series of spies. Soon enough, I could discern the holes throughout the walls so that the spies could get a good command of what was going down.There was a great deal of subterfuge here. There was a whole caste of spies. There were spies who were in the service of the priesthood. Spies of the Queen’s and still there were spies of the Pharaoh’s.Still there were spies of the harem among which were a subclass and more powerful caste of spies for the eunuchs. In addition, all the different levels of the royals had their own battery of spies.All about the room, every one of those holes had a designated spy who reported back to his dynastic figurehead in the hierarchy.This was a very brief dream, I must add here. However, it was very lucid, real and totally lived-in a dream.I had a sense of being there in time. It was not just an observer dream. I was really in the body of that royal child who could have been no more than six years old.
Arctic Assembly, Lithograph 1996 Kenojuak Ashevak
This occurred at nighttime and it was somewhat damp in the room though simultaneously briny from the arid desert air. The whole language was about intonation and innuendo.As a matter of fact, the whole language was so ritualised and stylised that it was more slow and subtle than is movement in the Noh theatre of Japan. This was all about gestures and the myriad gestures that could be implied from the relations of one gesture juxtapose to another.It took me awhile to get the knack of it. However, I became totally lucid as to what was going down.It all came back to me. Indeed, even at the age of six, I was already quite proficient in the nuances of this very complex court language.As she spoke, the Queen’s arms and other parts of her body would be perpetually in motion. It was danced – this language. The whole language was codified and layered beyond anything wildly imaginable in this day and age of superficiality.This was deception on the order of high art. What was spoken was mere camouflage. The spoken word was not even an nth of the layered language.Along with it, what her body was doing and the subtlety of movements indicated what was really implied by what was said. More to the point, it was what was not implied by what was not said.
Birds and Foliage, Stonecut 1970 Kenojuak Ashevak
By comparison, the most sophisticated Parisienne would be considered a primitive communicator.This was all very complex court politics, indeed. Then, at one point, the Queen went and stood thereby freezing her movement and this is what one had to try and discern.This was because the every placement of every limb and muscle, on her body, carried great impact by way of what was being communicated. This was very much so an African tongue being spoken here.At times, it was slow whilst at other times dizzyingly sped up and rapid fire.
*It seemed more closely to resemble Jazz vocalesing à la Betty Carter sophistication though, truth be told, even Betty Carter’s skills were primitive by comparison. I can’t impress enough how truly complex was this language and mode of communicating. END.
Yet I got the complete picture of what she was communicating. The Queen was speaking of the child – my six-year-old former self. I feigned ignorance at the time though it was obvious that I was the subject of discussion.This had to do with the care of the child.“How was the child coming along?” she had inquired.I could very well have been her child. It was obviously the custom for royal children to be separated, from their mothers at birth, the higher placed they were at birth.I was here in this dream, of a past life experience, in the care of two women who were as if wet-nurses/governesses to me.
Flower Bird, Stonecut 1970 Kenojuak Ashevak
At another point, the Queen had produced this papyrus fan from beneath the delicate folds of the heavy-looking dress.It was a plain fan made of papyrus. However, it was covered in hieroglyphs. This was also a very ancient fan which she had inherited.The fan was being strategically used, as part of the deceptive code, to foil the spies all about the room. When coming closer to us, the Queen had smiled a very bland smile in my direction.This was, of course, so that nothing whatsoever could be read into it by any of the spying factions. The Queen slowly leaned in to look at the food that I ate.Inspecting it, she offered the gesture of showing her trust in the cooks by taking a piece of shoot from the plate to eat.This was all theatre for as she had slipped the food to her mouth she waved the fan over her mouth whilst saying, in rapid-fire sotto voce, a couple of very strategic sentences. It was absolutely sublime.It was directed at the dowager Queen Mother who, for being more practised in the art, feigned utter ignorance of anything so paranoid as subterfuge. It was priceless!This was clearly the height of late young soul to early mature soul intrigue. Though she could never have been overheard in saying what she had, the fan was placed to prevent the visiting Queen being lip-read.These spies, after all, were very expert. I do recall one man having been seated across from me earlier. He was a spy and basically he was visiting to learn the every minutia of my mouth mechanics during speech.It was all very subtle, though very archly shrewd and deadly, the way in which he came to do his job and record my mouth’s every idiosyncrasy during speech.The queen had performed, in that one gesture, such a winning sleight of hand. She was letting the Queen Mother know that she trusted her by actually tasting the food that she was feeding the child – me, in that past life.It seemed, after all, to be an impromptu visit which means that the food could well have been laced with poison for unsuspecting me. I suppose that if it were necessary, I could have been eliminated by the dowager Queen Mother or the Queen herself.
A Birthday Bull for John from Bill, 1990 Drawing Bill Reid
When she had directly stood in the centre of the room, earlier, the Queen had picked up her right foot off the floor. She had very subtly managed not to have shifted her weight or allowed for any movement whatsoever in her upper body.The Queen then began doing what seemed a predecessor of the frappé and began horizontally waving her foot from the ankle. The movement betrayed a gesture akin to ‘no’. This, of course, did not in the least betray everything that was going on elsewhere in her body.As there were so many items of furniture about the room, it was obvious that from where the holes were placed in the walls that one could not make out the codified foot movements.This was so mind-bogglingly delicious. The foot being incorporated, in the language, was a most clever invention.The moment at which she picked up her foot, it was as though I had sat up awake in bed. It was that vividly recalled from past life experience.‘Yes!’ I thought to myself and laughed a small breath which the dowager Queen Mother, to my side, immediately stifled with a sharp intake of breath.One clearly did not laugh in the Queen’s presence. The subtleties of the language here, in this point in dynastic Egypt, were phenomenally stratospheric.This was communication taken to heights unheard of since, in any court life, on this planet.There were times as she slowly moved about the room that the Queen had ritually placed the fan to her beguiling face, to fan herself, whilst letting out little phrases for us to hear.
Electric Raven, Stonecut 2019 Quvianaqtuk Pudlat
On one occasion, her back was to us and her arm in back made a series of quick gestures that were not unlike sign language. Meanwhile, the fan was to her face giving us a double stream of code to simultaneously decipher.To the point of being frightening, the Queen was very deceptive. It was hard to ever see her eyes. The Queen used language such that the eyes could never have been seen.More could be read from her eyes adding to what she was saying. For this reason, she almost exclusively kept her lids such that it kept her gaze cast out and down to the floor.Her head, of course, was never lowered and the rapid eye movements which she employed were also very strategic. When she spoke, one was never to make eye contact with her.It would imply too much simply because we were being spied on. This was indeed a very restrictive existence.There we were, in a fish bowl of sorts, being spied on by sharks who completely surrounded us waiting their turn to hungrily make prey of us. Since she was the Queen, one could never look at her eyes.However, I was possessed of more than my six-year-old self making me a very probing and curious soul. The Queen picked up on this and was acutely made uncomfortable by it.It was as though there was now some new development in my maturation which spelt trouble. Naturally, you just knew that there was any number of long discussions to come as to what to do with this ‘one’ meaning my poor, possessed self.It was as though, for having stepped into my former self’s six-year-old body, I could have spelt his very untimely and not accidental death. Regardless, this woman and I were deeply connected.
Mother and Cubs, Lithograph 1977 Kananginak Pootoogook
I could sense from her a real familial, maternal even, bond. The Queen was very much so in tune with me. There was an element of this communication which was low-level telepathic.Indeed, there were times when she had thusly engaged me. It was chiefly done for putting me at ease. It was also how she had to stay bonded to me for having had me taken from her, of custom, at birth.What was really interesting here was that the concept of reincarnation was definitely fully accepted and religiously incorporated in the schemata of dynastic life. The dowager Queen Mother and governess, too, were both convinced that I was someone in the royal family who had reincarnated.My choice of food favourites were validation enough for them. I was very much so favoured by the Queen. She was warm towards me.However, she never physically expressed this. There was always, however, a very strong psychic fusion between us with most of the energies coming from her to me.She was connected to me – this much was unmistakable. I never did see the eunuch who had accompanied her, however, he was very powerful an influence in their lives.For this reason, more so than the placement of the spies, the Queen never once was demonstrative of her feelings towards me. She did let up on reaching towards the plate of food.One had the sense, of the eunuch who had accompanied her, that he was the one person who had connections to all the spying factions within the inner royal circle. He waited outside in the antechamber and his presence was more closely being paid attention to, than even the Queen’s, at times.There had also been musicians about the room playing music. This was simply to drown out the conversation being heard by the battery of spies. The musicians were placed along all four walls to really drown out the conversation. This then precluded conversation from making it to the periphery of the room and the spies just beyond its walls.This was a very palatial suite. It was dimly lit and sparsely decorated yet in the finest style. A very comfortable and socially elevated milieu it was. A most elevated dream experience.
Miriam Gone Home, Oil on Canvas 2002 Dorette Pollard
*As it is the forty-fifth anniversary of Merlin’s birth, I had asked prior to sleep in a lengthy meditation, to become opened up to experiencing aspects of a past life experience between Merlin and me.I asked only that it be of a positive nature and that it be in no way an unpleasant experience. The last thing that I wanted was to have some dream which mirrored the less pleasant aspects of Merlin’s end-of-life experience.Voilà, there it was – a most vivid, awakened dream experience. I have no idea which person here could have been Merlin.I fully identified with the six-year-old and, indeed, I was experiencing the dream inside his body and, at times, from a detached perspective. Then, too, I did identify with the much-feared eunuch outside the door.So I don’t know if he was me or, perhaps, even Merlin. The very loving energies of the Queen Mother could more easily have been Merlin, in a past life, than the Queen herself.
**The musicians about the room, against the far walls, were all distinctly Nubian. They were exquisitely beautiful and the quirk that they each had was that they were, for obvious reasons, each of them both blind and deaf.This, of course, did not detract from their stellar musicianship; at times they did sing. However, for being both blind and deaf they could not be expected to be picking up on any of the codified language and body signals that formed this most layered of spied-on, palace intrigues in dynastic Egypt.I should think, too, that this was at the heights of the Middle Kingdom before the advent of Akhenaten’s ascension. This sort of intrigue, and frankly rut, is precisely what he was likely sick of and seeking to escape when initiating his monotheistic religion.Of course, with so much centuries-old intrigue, clearly he would have been seen as the ultimate obstruction – a heretic who had to be annihilated at all costs and things righted in his demise. This, of course, is precisely what did take place.Again, despite the vogue since the nineteenth century to make a truly African civilisation anything but, everyone one and everything here was distinctly African: the music, the looks, the sense of fashion, styles and hair styles.The Queen’s eyes were not only phenomenally powerful but her head had that distinctly African/Black high-foreheaded look. The Queen’s neck was almost giraffe-like.
PBS broadcast of The Gershwin Prize for Popular Song to Sir Elton John and Bernie Taupin. I will pay any money to drink the elixir from this glorious human’s chalice in concert. Fly! This man’s interpretation of this song has trigger more than a few flying dreams. Sang!
Two rats during the course of eighteen months produce one million offspring. You’ve long transcended being a cultural infestation; you are a fucking plague and Karma, that most vicious of cunts, will yet dispense with you!
Catherine, HRH Princess of Wales, Duchess of Cambridge: The Black Queen
Windsor, Catherine, HRH Princess of Wales, Duchess of Cambridge 9/1/1982
Michael: This fragment is a fifth-level mature warrior – third life thereat. Catherine is in the perseveration mode with a goal of growth. A pragmatist, Catherine is in the moving part of intellectual centre.
Catherine’s primary chief feature is stubbornness and the secondary, arrogance.
Catherine’s body type is Saturn/Mercury/Venus.
The fragment Catherine is fourth-cast in the sixth cadence. Catherine is a member of greater cadence one. Catherine’s entity is four, cadre one, greater cadre 6 pod 208.
Catherine’s essence twin is a warrior and the task companion a scholar, her husband, HRH Prince William Duke of Cambridge.
Catherine’s three primary needs are: expansion, power and expression.
There are 10 past-life associations with Arvin and 8 with Merlin. _____________________________________________
Blackamoor Brooch Worn by Baroness Marie-Christine
Reputed to have the largest collection of tiaras, odd isn’t it that prior to having attended HM The Queen’s 2017 Christmas Lunch at Buckingham Palace when HRH Prince Henry’s affianced Meghan Markle made her inaugural attendance, never before had HRH Princess Michael of Kent worn this brooch. A brooch it is that is decidedly offensive in its racially focussed animus towards blacks. How does one account for this bold, racist display, if one did not have the sanction of those who matter?
HRH Princess Michael of Kent 15/1/1945 Monkey 6.7.8 = 3
For, HRH Princess Michael of Kent, the person who matters is not HM The Queen – we have no idea how HM The Queen is perceived by senior royals, though, there are obvious factions who see HM The Queen as having overstayed her tenure. Who could HRH Princess Michael of Kent have been sucking up to by wearing that brooch? Who were the puppet masters of that emboldened display of venal bigotry? Who was “Princess Pushy,” HRH Princess Michael of Kent taking orders from?
Lord Frederick Windsor, 6/4/1979 Goat 6.1.9 = 7
The male royal with closest connection to HRH Prince William, Duke of Cambridge is HRH Princess Michael of Kent’s only son, Lord Frederick Windsor. Indeed, Freddie & William are so close that it was to Frederick’s daughter, Maud’s, school in Battersea that the Cambridges’ firstborn, HRH Prince George of Cambridge, began his schooling. Why are they so close – apart from a possible soul connection (entity, cadre, pod) and past-life connections, Frederick Windsor, William and Catherine, The Black Queen all have 9 in their numerological makeup. The hallmark of persons with 9, is that they are all shit-disturbers and love plotting, scheming and sabotaging persons of whom they do not approve. No 9 person ever misses an opportunity to fuck with someone… anyone. 9 persons are incredibly insecure.
HRH Prince Michael of Kent 4/7/1942 Horse 4.2.9 = 6
Though these persons do not see themselves as being racially prejudiced – they simply are defending their way of life and how they perceive that their way of life ought to look – its makeup and exclusivity. Also possessed of 9, Frederick would have been much informed by his father’s worldview and perception of reality. All four persons being 9s, would willingly support William and Catherine, The Black Queen’s edict not to have to countenance blacks being deserving of being in their midst, indeed, being socially acceptable in their midst. The impact that this would have had on the royal households cannot be overlooked. This bold racist slight against Meghan, Duchess of Sussex would have left much of the royal householders at Kensington Palace feeling themselves fully entitled to be openly racist towards both Harry & Meghan. Without doubt, this toxic environment would be a significant factor for the Sussexes not to have moved in to the newly renovated apartment next-door at Kensington Palace to the Cambridges, rather they would end up setting up their household at Frogmore Cottage.
Catherine, HRH Princess of Wales, Duchess of Cambridge 9/1/1982 Rooster 9.1.3 = 4
HRH Prince William, Prince of Wales, Duke of Cambridge 21/6/1982 Dog 3.9.2 = 5
Lord Frederick Windsor’s close friend, the future sovereign, William, the Duke of Cambridge is also – along with his wife, Catherine, The Black Queen – possessed of 9 in his numerological makeup. Above all else, William is noted to be a petty, fault-finding, toxic (like all 9s) intensely discriminating, stubborn man who is also inordinately dense and unaware.
HRH Prince Henry of Wales & Meghan Markle December, 2017.
Be that as it may, both the royal rota journalists and their racist hateful fans would readily conclude that in a bid to garner sympathy, Meghan actually presented the brooch to HRH Princess Michael of Kent and asked her to wear it to HM The Queen’s 2017 Buckingham Palace lunch, with the senior Kent princess not having any idea of the brooch’s racially offensive symbology. Indeed, both the print media and Meghan racist detractors have simply glossed over that pivotal episode, which signalled the declaration of a warring campaign of harassment, racism and bullying that would be focussed on both Henry & Meghan and coming chiefly from the Cambridges and all their cronies, the Kents and royal households alike.
TRH Duke & Duchess of Cambridge with HRH Prince Henry of Wales.
When was HRH Prince Henry ever reported to have been rude and disproving of Catherine Middleton because she was not a suitable spousal candidate for a royal and his much-loved brother?
Mask Slippage on A Berry Royal Christmas on BBC
William is carefully studied and great at slight of hand; at least, this is the case when he is making tightly choreographed appearances, which do not allow for moments of spontaneity. He enters, hands clasped, he makes a speech with a joke that displays the same saccharine, clipped laughter. In the above GIF, Catherine, The Black Queen, is seen brushing off her husband, the future sovereign, HRH Prince William. This quintessentially is the response of someone (Catherine, The Black Queen) possessed of a first number of 9. They are rude, dismissive and never mask their true feelings. William is truly beneath the thumb of his wife, Catherine, The Black Queen. Look at the way that William ducks down, neurotically rubs his arm and then looks to see if anyone has caught the behaviour, which clearly is never supposed to be observed beyond the walls of either Amner Hall or Kensington Palace.
Royal Wedding HRH Prince William & Catherine Middleton, 29.4.2011
Though there were multiple examples of William’s lack of awareness and his inability to mask his appalling lack of sophistication when in spontaneous live events, as at his wedding in April, 2011, a prime example of his behaviour on leaving Westminster Abbey with his new bride. At the second hour and 9th minute of the above video, [02.09.25] and the next two minutes William is totally self-absorbed and completely unaware of his new wife, Catherine, The Black Queen. He fidgets and is unable to properly put on his white gloves. Next, he gets into the Imperial State Landau and sits with his back to the horses; he, as it were, was sat such that his back potentially was to the crowds during procession. When finally he was directed aright by the footman, who knowingly looked at Pippa Middleton whose response validated that it was common knowledge that William is a fool, he then shifted to correctly sit, facing to the back of the horses. Naturally, totally unaware, he simply shifted from one seat to the other and remained seated as his new wife entered the landau. Selfishly, he is then observed shoving Catherine, The Black Queen‘s, beautiful Alexander McQueen gown out of the way and off his uniform.
Royal Wedding HRH Prince Henry & Meghan Markle, 19.5.2018.
At the fourth hour and 7th minute [04.07.00] of The Royal Wedding of HRH Prince Henry and Meghan Markle, Harry takes the time to speak to his new wife and then puts on his hat and gloves.
Windsor, HRH Prince Henry, Duke of Sussex 15/9/1984 London, England
Michael: This feisty fragment is a fifth-level mature warrior -– fourth life thereat – to his sixth-level mature brother, William. Henry is in the power mode with a goal of growth. A sceptic, he is in the moving part of intellectual centre.
Body type is Mars/Saturn.
Henry’s primary chief feature is arrogance and the secondary stubbornness.
The fragment Henry is first-cast in second cadence; he is a fragment of greater cadence three. Henry’s entity is one, cadre six, greater cadre 7, pod 418 – Henry is an entity mate of his paternal grandmother, HM Queen Elizabeth II.
Henry’s essence twin is a warrior and he has a scholar task companion.
Henry’s primary needs are: freedom, adventure and exchange.
There are 9 past-life associations with Arvin and 5 with Merlin.
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Henry, infinitely more aware than his brother, then gets into the Ascot Landau and does what his brother never did. Throughout, he remained standing in the Ascot landau, gave his new wife a hand inside then after she was comfortable sat, like a true gentleman, he then sat besides his wife. Their father, HRH Prince Charles, Prince of Wales also did the honourable thing and stood whilst his new bride, Diana, Princess of Wales stepped into the Imperial State landau and was comfortably sat at the foot of the steps at St. Paul’s Cathedral one glorious July day in 1981 whilst I then lived in Winnipeg during my studies at the Royal Winnipeg Ballet’s school.
Duchess of Sussex, Endeavour Fund Awards 2020, Mansion House.
What Meghan possesses in spades is intellect and emotional intelligence, which eclipsed and served as so glaring a foil that Catherine, The Black Queen, would not have been human if she would not have felt threatened by Meghan. Unlike Catherine, The Black Queen & William, Meghan is a keen strategist because like her mother-in-law, Diana, Princess of Wales, she is an artisan soul. As Diana deftly illustrated during her interview with Martin Bashir, she was not an airhead and clueless lost soul as she was mistakenly perceived. This is not uncommon a response to artisans; however, what all artisans possess, is the ability to see through to the heart of anything and anyone. When you know the structure of anything, right down to the subatomic level, you can never be threatened by it.
Diana, Princess of Wales – The Aquarian Disruptor. Diana Was Supremely Aware
Diana, Princess of Wales.
One of the most powerful women in the 20th century lets her mask down and reveals how deeply misunderstood she was. What you are looking at, is an artisan soul in essence, being fully lived in and fully in control. Diana, Princess of Wales was always three steps ahead of any of the sharks with whom she swam. The parallels between Diana and Meghan are not coincidental. Both women are artisan souls who whilst within the Firm were feared and great pressure was exerted to impede the progress of both feared women.
HRH Prince Harry, The Duke of Sussex & Meghan, The Duchess of Sussex
That there were no doubts that Meghan wanted to send a message as to who was the architect of the racist campaign against her and her husband, HRH Prince Henry, Duke of Sussex and also why she would choose never to have her black son brought up amongst such persons, is revealed by the choice made to announce their stepping back as senior royals; the announcement to step down as senior royals was done on the eve of Catherine, The Black Queen’s 38th birthday – thus, she sent a parting shot, making it perfectly obvious who needed to be wiped arse with on Meghan’s departure. Meghan is an infinitely more shrewd and complex artisan soul than was Diana, Princess of Wales. Meghan has master numbers of 11 – such persons will always leave their detractors dazed and unaware; they are visionary, bold and decisive… as is Meghan. Unlike Diana, Princess of Wales, Meghan did not feel that all she had was the comfort of the Firm; a self-made woman, Meghan knew that she could walk out the racially predatory and suffocating confines of the Cambridges’ court and not just survive but thrive.
Catherine, HRH Princess of Wales, Duchess of Cambridge, The Black Queen.
Catherine, The Black Queen, is a scorned wife and a mousy, jealous, petty, small-minded boor, who was perfectly at ease with the blackamoor brooch being used. Catherine, The Black Queen’s husband, HRH Prince William, Duke of Cambridge is moving centred. All such persons are inordinately high-sexed individuals. Not only are they physically active persons but they have a voraciously engaged sexual appetite. As a warrior, Catherine, The Black Queen, is amply able to fulfil such needs of her husband’s. Nonetheless, as a moving centred individual, who also happens to be both male and a scholar soul, it is virtually impossible for William not to have a roving eye and to act on those urges… always.
A Service of Celebration for Commonwealth Day LIVE – BBC 2020
Catherine, The Black Queen’s behaviour on taking a seat, along with her task companion, that equally dense plank, William, at Westminster Abbey at the 2020 Commonwealth Day Service, betrays what a crass boor, the perpetually fake-grinning, inarticulate, mousy pretentious toff she truly is. Look at the Cambridges from the 6th through 9th minutes. They are clipped and William makes a point to mask Catherine as they take their seats so that Catherine, The Black Queen will not have to acknowledge Meghan. When sat, Catherine, The Black Queen makes a point of turning directly to speak with Sophie, the Countess of Wessex behind her whilst being sure to never look in the Sussexes’ direction.
TRH The Duke & Duchess of Cambridge with HRH Prince George & HRH Princess Charlotte
What 21st century woman would go trotting out a pre-mid-twentieth century pram but an aspirant, insecure lower class Briton ever intent on impressing her overlords. Both of them, the Cambridges, are so frighteningly pretentious; just one look at that photograph and how possibly could Meghan not have been scoffed at by such starchy, uptight, mean-spirited perpetually fault-finding persons both numerologically possessed of 9. They, the Cambridges, were prepared to racially attack with their royal household gang of low-browed bigots, Harry’s wife as it was pure sport; it is always sport to racially prey on blacks. Indeed, how better to make that lazy broodmare, Catherine, The Black Queen have to work and go tour the predominantly black Commonwealth nations than by stepping down?
Royal Wedding HRH Prince Henry & Meghan Markle, 19.5.2018.
Look at William at the 04.00.00 mark on and his interactions with his father, whom he does not even realise, is embarrassed by his behaviour as before all the world’s 2 billion persons onlooking, he openly ridicules the preacher and by extension his brother, his brother’s new wife and her people and culture. This is the same little kiss-arse who ran to Israel to solemnly place his hand on a millennia-old wall, which no one on Haida Gwai could give a living shit about.
Windsor, HRH Prince William, The Prince of Wales, (The Duke of Cambridge) 21/6/1982, London
Michael: This fragment is sixth-level mature scholar – third life thereat. William is in the observation mode with a goal of acceptance. A pragmatist, he is in the intellectual part of moving centre.
Body type is Lunar/Mars/Saturn.
William’s primary chief feature is stubbornness – death of his mother, Diana, Princess of Wales, was the triggering event and the secondary arrogance.
The fragment William is third-cast in sixth cadence; he is a member of greater cadence seven. William’s entity is four, cadre one, greater cadre 6, pod 208.
William’s essence twin is a scholar and he has a warrior task companion to whom he is married, Catherine, HRH Duchess of Cambridge.
William’s primary needs are: exchange, freedom and security.
There are 6 past-life associations with Arvin and 3 with Merlin.
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William lacks sophistication and by his every action, he betrays what a small-minded bigot he is and thereby reveals himself working in tandem with his task companion that listless Edward Gorey somnambulist of zero spontaneity, zero stage presence and who is incapable of speaking articulately, eloquently and convincingly. In short, Catherine is just someone who after having persevered and ingratiated her way well beyond her class, ended up being settled on when Cressida Bonas’ sister saw no winning hand in having to pass a life, babysitting a boor, adulterer… to say nothing of bore. All Catherine, The Black Queen is capable of doing, in her glaring emotional immaturity, is focus on working with children and early this and early that developmental mental health psycho twaddle all of which has positively nothing to do with frig all anything.
And A Rocket Scientist Too
A family void spontaneity… always on… always staged. This on the heels of William’s latest adulterous dalliance. Both on either side of that path with the kids divided between them. What is Catherine, The Black Queen to do but be a saccharine, utterly transparent dolt in her response.
Diana, Princess of Wales & Meghan, The Duchess of Sussex
Both Diana, Princess of Wales and Meghan, Duchess of Sussex are artisan souls, who proved unfathomable women, women who proved too powerful to not be threatening. Look at them both, where did they get this power from? Where did they intend to use this power and why do they want for change? In the case of Diana, hers was a fairy story in which both the media and public were vastly invested. With Meghan, however, hers was a fairy story that simply could not be tolerated. In every way, the affront of a black duchess, a black royal simply had to be challenged at every turn, in every way… every day. Both the media and public were hellbent on invalidating, obstructing and destroying the marriage of Henry & Meghan, if alas they could not have prevented their wedding.
Windsor, Diana Princess of Wales July 1/1961<O>August 31/1997.
Michael: The fragment who was Diana Frances is a second-level mature artisan and was in the passion mode with a goal of acceptance, a pragmatist in the moving part of emotional centre.
She had a Lunar/Mercury body type.
Diana’s primary chief feature was stubbornness with a secondary, not of self-destruction but of self-deprecation.
Diana Frances was first-cast in her cadence and her cadence is fifth in the greater cadence. She is a member of entity one, cadre six, greater cadre 48, pod/node 380.
This fragment’s essence twin is a discarnate artisan and her task companion is a discarnate sage, both of whom are staying near her, waiting for her to become oriented to her situation.
Here we had an artisan with drama in her casting but also with a very deep need to serve both the common and the higher good, which she did with grace, charm and a good deal of conviction.
*These Michael Overleaves were channelled in early September, 1997 just after Diana’s death by Sarah J. Chambers who was part of the original Michael group and part of the composite Jessica Lansing in the Chelsea Quinn-Yarbro Michael Teachings books. END.
Michael: This fragment is a mid-cycle mature artisan in the tradition of the deceased mother-in-law fragment who was Diana, Princess of Wales — third life thereat. Meghan is in the observation mode with a goal of acceptance. An idealist, Meghan is in the moving part of emotional centre.
Meghan’s primary chief feature is self-deprecation and the secondary of mild impatience.
Meghan’s body type is Venus/Solar.
The fragment Meghan is fourth-cast in the fifth cadence. Meghan is a member of greater cadence four. Meghan is a member of entity one, cadre six, greater cadre 7, pod 418 — she is an entity mate of both her spouse, HRH Prince Henry of Wales with whom she shares 20 past lives and also an obvious entity mate of Her Majesty, The Queen.
Meghan’s essence twin is an artisan and the task companion a warrior.
Meghan’s three primary needs are: expression, acceptance and expansion.
There are 4 past-life associations with Arvin and 6 with Merlin.
Incidentally, this artisan has been a member of the British royal family twice before. Firstly, as Margaret Beaufort, Countess of Richmond and Derby, she was the cousin of King Henry VI and mother of King Henry VII. As such, she was the matriarch of the House of Tudor. Her grandson was Henry VIII and her great-granddaughter, Queen Elizabeth I.
This artisan in that lifetime was involved in the sacraments of the church being included in the newly established college system. She founded Christ College, Cambridge and was instrumental with the founding of St. John’s College as well.
Secondly, she was HRH Prince Edward, Duke of York and Albany and younger brother to George III, whose father the Prince of Wales, HRH Prince Frederick died before ascending the throne after George II. In that lifetime, the artisan (now Meghan, HRH Duchess of Sussex) was interested in military structure. He, of course, died young of a then unknown illness but which had to do with dysentery.
Incidentally, in the current incarnation, Meghan, HRH Duchess of Sussex has suffered from gastroenteritis, which is related to the last-life health issues – this is the immediate past life and not that in 18th century when the artisan died aged 28.
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Diana, Princess of Wales
Without reason, even when it was obvious that Diana was no saint, however, so strong was the investment in that fair story that both the media and public were prepared to turn a blind eye. Diana like every artisan was a shrewd strategist who was always three steps ahead of her enemy.
Something Bad Will Happen
Diana was at war with Camilla Parker-Bowles – interestingly, the media never refer to the latter as such, yet going on a decade after her marriage, they continue referring to Catherine, HRH Duchess of Cambridge as Kate Middleton, so strong is the need to be classist boors in British society – and unlike any royal bride before her, Diana aired her linen in public with the Andrew Morton 1992 biography. Only an artisan soul would have had the balls and vision to pull that off, knowing that by so doing, she would win public support.
Windsor, HM Queen Camilla 17/7/1947.
Michael: Yes, this scholar is at the mid-level of the mature soul cycle — third life thereat. Camilla is in caution mode with a goal of growth. A pragmatist, Camilla is in the moving part of intellectual centre.
Body type is Lunar/Venus.
Camilla‘s primary chief feature is impatience and the secondary arrogance.
The fragment Camilla is third-cast in sixth cadence; Camilla is a fragment of greater cadence seven. Camilla‘s entity is five, cadre six, greater cadre 7, pod 129.
Camilla’s essence twin is a scholar and the task companion is a warrior.
Camilla’s primary needs are: exchange, freedom and power.
There are 10 past-life associations with Arvin and 6 with Merlin. (July, 2017).
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An older soul than Diana, Princess of Wales, Camilla, HRH Duchess of Cornwall is better suited to be HRH Prince Charles, Prince of Wales’ spouse. In general, Warriors and Scholars make better companions and, of course, in such pairings, the warrior is always the dominant partner. This is why no matter how you cut it, Catherine, The Black Duchess is the dominant partner in the Cambridges’ marriage – they, of course, also happen to be task companions, which only adds more texture and complexity to their bond, which is rigid in terms of who gets into their inner circle – they both do have a primary chief feature of stubbornness.
TRH The Prince & Princess of Wales
The Cambridges in their every outing with Meghan and Harry wasted no time in telegraphing just exactly their displeasure at having her in their midst. Meghan was a welcome addition to the monarchy and the royal family as a senior royal for as HM The Queen saw it, in a Commonwealth whose member states are predominantly black, having a Commonwealth Youth Ambassador’s wife be black was a masterful move and one which would assure The Queen’s legacy as she comes to the end of her life. However, William and, more importantly, Catherine, The Black Queen could not give a damn; they are the imminent future of the monarchy and they do not care about Meghan or anyone who looks like Meghan. Again, this is a couple who have chosen not to tour any predominantly black Commonwealth nation since being wedded nine years ago. There is no such thing as happenstance. Both William and Catherine, The Black Queen have a chief feature of stubbornness and such persons never change and are never open to change or deviation from the norm and their position on any subject. They – persons with a primary chief feature of stubbornness – are difficult, intransigent persons and both the Cambridges’ 9s only add to their difficult nature.
TRH Duke & Duchess of Cambridge in Pakistan
In the Cambridge’s world, they want a realm that adheres to the Brahmanism of their worldview: Whites, Asians and blacks somewhere comfortably distant with the rest of the uncivilised teeming humanity. They are no different to the average white of their generation – they are alarmingly racist; however, their brand of racism is so sophisticated that one never ever discusses race. Why would they? That would be giving away the power enjoyed by those who thrive on racism. Their realm is mirrored by the teeming trolls who in the tens of thousands flock to tabloid online outlets to spew their vitriol at this fairy story that should never have been that they, the print media and the Cambridges will stop at nothing to nullify. Now that they have succeeded in banishing that black bitch from the realm, their current focus is on divorce watch.
The Scarf Brushoff, Christmas 2018, Sandringham
At every turn that goddamn black bitch was to be lynched, unrelentingly vilified and ostracised in no uncertain terms. At the core of it all are the Cambridges, who have smugly, idly sat back and watched their scheme unfold. Of course, like HRH Prince Andrew, Duke of York, the Cambridges’ have failed to realise that they do not have absolute power to have things turn out as they would wish them to.
More Blithering Idiocy During Lockdown
At their core, all racialised persons are cowards. Indeed, how cowardly have the Cambridges proven themselves as they have fled to Amner Hall yet try and remain relevant with these PR outings that only highlight the source of Catherine, The Black Queen’s grudge of Meghan. Listen to Catherine, The Black Queen speak; she is a weak, mousy, inarticulate bore who no doubt is bullied by the boor next to her for being such a dense, listless plank. Catherine, The Black Queen is as wooden as HM Queen Mary was a dour, starchy-looking, mean-spirited boor.
Racist Caricature of Meghan, The Duchess of Sussex
In two short years, the Cambridges managed to have reset the fairy story to better reflect their sense of what a fairy story should be. How like all the childless, spinster white females for whom the fairy story of being rescued by a prince, like Harry, the Cambridges had to wage war to restore order to the realm. Not only is it an attack on an individual; it is also an attack on an entire people. The Cambridges have decided that you do not belong; you are not welcome within upper echelons of the epitome of civilised, classist society.
TRH Duke & Duchess of Sussex with HRH Prince Archie
If for a nanosecond you think that race has nothing to do with how Meghan was treated within the royal households, the print media and British society at large then you sadly have failed to realise that fairy stories are not real. The callous truth is that if HRH Prince Henry, Duke of Sussex had taken a Jewish, East Indian, East Asian or Muslim wife, there is positively no way in high hell that such a wife would have been meted out the same treatment in general and especially in the print media’s tabloid cesspool as has so racially predatorily been meted out to Meghan… and Harry. There is no way, had Harry married a Jew, East Indian, East Asian or Muslim, that one would want to give offence to Jews, East Indians are way too favoured to be openly ridiculed and discriminated against and god only knows, the very real threat of retaliatory violence from radicalised Muslims, would have Britons making of such a marriage a fairy story like no other and proof that they were no longer a stuffy classist society; rather, as per a marriage by Harry to a Jew, East Indian, East Asian or Muslim, the United Kingdom was truly an inclusive, modern society.
Baroness Marie-Christine & HRH Prince Michael of Kent
After the blackamoor brooch incident, seven months earlier, you can bet that Meghan did not want that vile, flat-arsed woman, HRH Princess Michael of Kent, at her wedding. Clearly, though, she was overruled. Just imagine if Meghan were Jewish and HRH Princess Michael of Kent had shown up wearing a swastika to The Queen’s Christmas Lunch in 2017 at Buckingham Palace; there would have been outrage across the globe and there is positively no way that she would not have been banned from the wedding. Even if Meghan were to have objected to her presence, she would clearly have been overruled and was.
TRH Diana & Charles, Prince & Princess of Wales
Much of the decision to step away, is due in part to the Cambridges; however, HM The Queen has to take some ownership of this turn of events. This has always been her MO. Perhaps, it is because she takes seriously her role as supreme governor of the Church of England; however, HM The Queen has one weak spot and it played out with the Sussexes treatment in the media as has previously occurred. The Queen simply does not become involved; instead, she would rather that things play themselves out.
Captain Peter Townsend & HRH Princess Margaret
Previously, this was the same response that Her Majesty employed during her sister, HRH Princess Margaret’s life when tormented by the politics of whom she had fallen in love with. Rather than get involved, The Queen was cold and resolute in not getting involved and letting the thing play itself out – much to the detriment of her own sister.
HM Queen Elizabeth II & John, 8th Earl Spencer 29/7/1981
Again, with Diana, Princess of Wales, The Queen was cool, indifferent and just hung back and let the thing play itself out. There was a great deal that HM The Queen could have done; she could better have protected Diana, Princess of Wales when she clearly knew that the young bride was but a lamb to the slaughter – look at HM The Queen’s indifference to Earl Spencer on the carriage ride back from St. Paul’s Cathedral to Buckingham Palace after her heir had just wedded a woman whom she, HM The Queen, knew her son, HRH Prince Charles, Princes of Wales, did not love. Look at the HM The Queen riding back from St. Paul’s Cathedral with Earl Spencer; she clearly could not have cared less about him and his soused babbling.
Catherine, HRH Duchess of Cambridge
Catherine, HRH Duchess of Cambridge, The Black Queen has been the architect of all this vicious vendetta against the Sussexes. Back in November 2016, HRH Prince Henry of Wales, released a scathing attack on the print media for their focussed agendum of vilifying, demonising and character assassinating his then fiancée, Meghan Markle. Months later, in May 2017, though, it was an established fact that HRH Prince Henry was committed to and in love with Ms. Markle, Catherine, The Black Queen and her family banned Meghan from attending, Pippa Middleton’s marriage to James Matthews; Meghan was, however, permitted to attend the wedding reception. This act betrayed Catherine, The Black Queen’s petty, mean-spirited persona. She is possessed of a 9 energy body and like females with 9 energy body, Catherine, The Black Queen is possessed of a spiteful, malicious, sadistic disposition. Catherine, The Black Queen has always been the dominant partner in her marriage to the hapless, dolt, HRH Prince William, Duke of Cambridge, who is an emotionally juvenile, spiteful boor as a result of his parents’ loveless marriage and divorce; William has also never recovered from his mother’s death, which he considers murder. As with Catherine, The Black Queen’s rude dismissal of her husband, the future sovereign, during the taping of the BBC’s A Berry Royal Christmas in 2019, this woman, Catherine, The Black Queen, simply does not give a damn. She has had a tough go of it not being of aristocratic birth as with all past Queen Consorts; she suffered mightily in the cutthroat world of Britain’s rigid class system and damned if it did not leave her scarred and compensatorily arrogant, discriminating and a vulgar boor.
Catherine, HRH Duchess of Cambridge, Chinese State Banquet
No matter how the print media try and paint this woman as elegant, stylish and the epitome of class – all of which are just non-too-veiled racialised language – she is an inarticulate, bland, sadistic boor who for being a warrior soul – in perseverance mode no less – would compete with Meghan or any other woman who married her brother-in-law. Even if HRH Prince Henry of Wales had wedded Cressida Bonas, Catherine, The Black Queen’s reaction to her would have been the same. Catherine, The Black Queen would have been less favoured by the public than blonde Cressida and for that, there would be nothing but misery meted out by Cressida by Catherine, The Black Queen behind the scenes. The fact that racism is so rife in classist Britain, gave Catherine, The Black Queen the upper hand against the threat of her brother-in-law’s wife.
Catherine, HRH The Duchess of Cambridge
Added to all that, Catherine, The Black Queena warrior – all warriors make the most formidable foes – is in perseverance mode, which means that she would stop at nothing to see that Meghan was literally driven out of the kingdom. It does not matter that like a disproportionate number of Caucasian persons born after the mid-1970s, Catherine, The Black Queen is averse to being around blacks, thus it would have been to Catherine, The Black Queen’s advantage as HM The Queen deemed having the black duchess, Meghan, Duchess of Sussex going on those Commonwealth tours to predominantly black Commonwealth nations which she, Catherine, The Black Queen, still cannot bring herself to undertaking. No matter how prejudicial HRH Prince William, Duke of Cambridge is, he is ruled by a wife who is more prejudicial and sadistic than he is. Anyone who intimately knows Catherine, HRH Duchess of Cambridge would readily admit that hers is a bitchy, biting, sarcastic sense of humour that is given to being vengeful, mean-spirited and adversarial.
Royal Wedding HRH Prince William & Catherine Middleton, 29.4.2011
Here in the 02:14:00 minute mark Catherine, The Black Queen on her wedding day is supremely in control. Of one thing she is assured, she is now to be the mother of a future sovereign and in time Queen Mother. She has a confidence which befits her knowledge of her place in dynastic history but she also has a focus which betrays her being a warrior soul in perseverance mode.
Royal Wedding HRH Prince Henry & Meghan Markle, 19.5.2018.
From the 04:20:00 minute mark, Meghan proves a contrast and validation of her role in essence. As an artisan soul, she becomes almost manic-euphoric as her multiplicity of channels become engaged and she becomes caught up in fantasy merging with reality – the same artisan soul euphoria was evidenced as newlywedded Diana, Princess of Wales walked down the aisle at St. Paul’s Cathedral in July, 1981. A warrior would never do this and certainly, Catherine who had focussed on becoming Queen Consort for years and also a warrior in perseverance, was singly focussed on being poised, regal and glossily plastic.
Catherine, HRH The Duchess of Cambridge Royal Netherlands State Banquet
By the time that Meghan came along, Catherine, The Black Queen had morphed into the unpleasant aspects of her nineness and comfortably secured in her role in history and within the Windsor dynasty as future Queen Consort and future Queen Mother to HRH Prince George – should William predecease her. Warrior souls compete with everyone and everything and where Catherine, The Black Queen is most admirable is as Sporty Kate. Her athleticism is truly admirable – I often wonder what she must be like racing on horseback. However, in all other areas of her life, she is surpassed by Meghan. Catherine, The Black Queen lacks the stage presence, she is inordinately inarticulate all by herself, to say nothing to being compared to trained thespian Meghan who excels at being centre stage. Meghan can command one’s attention where Catherine, The Black Queen never can.
Camilla, The Princess of Wales & Catherine, HRH The Duchess of Cambridge
Catherine, The Black Queen has a power which befits her role as a warrior in essence. Catherine, The Black Queen is supremely confident in the fact that not only is she a future Queen Consort, she also is very likely to be Queen Mother; this is a role which Camilla will never fulfil as she did not give birth to any blood royal child. Until Meghan came along, all that Catherine, The Black Queen had in the way of competition was Camilla – she who would never be mother of a future sovereign; indeed, where is the threat to Catherine, The Black Queen from Camilla? This awareness of her place and power had Catherine withdraw to the Middleton seat in Bucklebury, Berkshire rather than visit with her father-in-law HRH Prince Charles and his wife, Camilla with whom he has no heirs after HRH Prince George of Cambridge was born and for months thereafter.
Catherine, HRH The Duchess of Cambridge American State Banquet
Thus, Camilla is no threat to Catherine, The Black Queen. Indeed, both Camilla and Catherine, The Black Queen are comrades-in-arms as they both are solid, single-channel roles which preyed on artisan soul threats to their power. Artisan Diana, Princess of Wales was bullied and driven to divorce by Camilla, who considered Diana a nuisance and a threat. Similarly, Catherine, The Black Queen has considered Meghan, also an artisan soul like Diana, a threat to her power. What Diana & Meghan possess is the artisan’s inability to remain singly focussed on the task in hand. Also, both Diana & Meghan were/are emotionally centred artisan souls who would have found it virtually impossible to stay the course when subjected to the campaigns that each uniquely met in the way of Camilla and Diana, and now Meghan and Catherine, The Black Queen.
The Sussexes & Cambridges at Royal Foundation Summit, 2018
Look at Catherine, The Black Queen in action; she hangs back and says positively little to nothing, allowing Meghan to shine… or does Meghan actually shine? Of course, in the tradition of a nine energy-bodied female, she hangs back because in the tradition of being a snide, snarky passive-aggressive, condescending Caucasian who traditionally fault-finds, criticises and is negative in response to everything about someone black, Catherine, The Black Queen, knows that to hang back wins her favour throughout the realm. Catherine, The Black Queen, hangs back grinning like a Cheshire cat as she knows that she has the non-blacks of the realm in her palm; she knows that the more Meghan speaks, the more she will be resented. This is good for Catherine, The Black Queen because she simply cannot speak whilst sharing the same stage with Meghan; however, in a society and world where race is everything, Catherine, The Black Queen’s liability proves an asset.
LONDON, ENGLAND – MARCH 17: Catherine, Duchess of Cambridge takes a drink of Guinness as she meets with soldiers of the 1st battalion Irish Guards in their canteen following their St Patricks day parade at Cavalry Barracks on March 17, 2017 in London, England. (Photo by Richard Pohle – WPA Pool/Getty Images)
True to her role in essence, warrior soul, for Catherine, The Black Queen, clothes are uniform. Indeed, the future Queen Consort, like the sovereign, is at the apex of the United Kingdom’s Armed Forces. With a chiefly Saturn body type, Catherine, The Black Queen, is tall, angular, steely and given to being power-focussed and competitive. Another reason where both Camilla and Catherine, The Black Queen were destined to succeed in their campaigns against their perceived biggest threats is seen in all four royal women’s body-types, their centreing plus primary needs.
Diana, Princess of Wales & Camilla, HRH The Princess of Wales
Both Camilla & Diana though rivals had the same body types: Lunar/Venus; however, as they are very different soul types Diana (artisan), Camilla (scholar) their use of those energies, especially the lunar energy, would be markedly different. Catherine, The Black Queen is Saturn/Mercury/Venus body-type whereas Meghan is Venus/Solar body-type. For an artisan soul, this puts Meghan in a league stratospherically above and beyond Catherine, The Black Queen and she would always have greater mass appeal than Catherine, The Black Queen, as a result.
Catherine, HRH The Duchess of Cambridge & Meghan, HRH The Duchess of Sussex
How could Catherine, The Black Queen, not be jealous of Meghan; moreover, what tempers that friction is that Catherine, The Black Queen, is focussed in the intellectual centre as compared to Meghan in the emotional centre. This is precisely why in her interview with ITV’s Tom Bradby, Meghan focussed on how she was feeling and how no one took the time to ask how she was doing? Both Camilla and Catherine, The Black Queen are focussed in the intellectual centre and similarly, as with Meghan, Diana was focussed in the emotional centre. Both Camilla and Catherine, The Black Queen would perceive their rivals, Diana and Meghan respectively as weak and a nuisance for being focussed in the emotional centre.
Anna the protagonist of the TV series V is a perfect embodiment of Catherine, HRH Duchess of Cambridge: The Black Queen’s true persona.
Not only is Catherine, The Black Queen, a warrior in perseverance mode, which is as devastating a foe as one can encounter, she also has power as one of her three primary needs. The woman is bad-ass maniacal when threatened and to top it off, she has a task companion, William her husband, who is moving centred. Everything she utters in her scheming pillow talk, like an attack dog en chaleur, William would unfailingly execute.
Catherine, The Black Queen: Warrior, perseverance, power, intellectual centre.
The Black Queen, Catherine, HRH Duchess of Cambridge with a nine energy body with primary need of power does cast quite a long sadistic shadow. Like Anna in V in the clip above, the Cambridges with their 9 numerological makeup, wanted not to have their dynasty diluted/sullied by the presence of Meghan; she is not fit to be within their realm. In her campaign to dispense with the threat of Meghan, Duchess of Sussex, Catherine, The Black Queen, needed the obsequious sadomasochistic loyalty of persons, also numerologically possessed of 9, in the media.
Lady Colin Campbell 17.8.1949 Ox 8.7.3 = 9.
Chatting with Lady C
Pay close attention to minutes 1:14 through 2:05. Listen to that laugh; if that is not a likkle Trenchtown skekkle, I don’t know what is. So goddamn fake, you can almost smell the formaldehyde. More than that, like Thomas Markle Sr., TRH Prince & Princess of Wales, HRH Prince Michael of Kent, Lord Frederick Windsor, the failed fluid-gendered, old bat has got that archly toxic and bigoted 9 in her makeup. She is no more aristocratic than the paucity of nacre sliding down her orangutan breasts are decidedly Poundland fare. A true pity that Lily Safra pulped the wrong work of fiction.
Piers Morgan 30.3.1965 Sheep 3.6.9 = 9 Double 9s.
Double the toxicity from the drunken, racist eunuch, who as can be expected, sees nothing remotely racist in his and other media Brits’ lynching of Meghan, Duchess of Sussex. No matter how Piers et al try turning their stale piss into wine, Catherine, The Black Queen, has not found her voice – you cannot find what you never had to lose, is not the epitome of class, style and royalty. Catherine is The Black Queen, a paragon of 9 toxicity grown rabid with power; the media and Britons at large still have yet to address her rude dismissal of their future sovereign during BBC’s A Berry Royal Christmas.Catherine, The Black Queen, is, like Anna, the usurper Queen in the American TV series V – there can be but one queen and Diana her mother on the TV series V had to be slain. Just as these venal 9s in media refuse to expose or fixate on HRH Prince Andrew, Duke of York’s sexually predatory behaviour and paedophilia, is precisely why they have yet to expose Catherine, The Black Queen, for precisely what she is. Both the paedophile and racial predator are white; besides, perpetuating racial animus towards blacks is the most lucrative business venture in media.
James Matthews, Pippa Middleton & Catherine, HRH The Duchess of Cambridge Pippa Middleton 6/9/1983 Pig 6.6.9 = 3.
Fact is, if Meghan were difficult and given to being a toxic diva, there would have been reports from ‘sources’ advantageously leaked, of course, by Catherine, The Black Queen, that Meghan refused to attend Pippa Middleton’s wedding because she was not a royal. Indeed, if Meghan were truly difficult, after having been excluded from the church ceremony, clearly by Catherine, The Black Queen, and by extension William, Meghan would then have insisted to Harry that she was not going to attend the reception – especially the reception of a non-royal. That is how a diva would have responded.
Tom Bradby, ITN & Meghan, HRH Duchess of Sussex
Nonetheless, in keeping with the media narrative, in collusion with the Cambridges, of vilifying, demonising and racially preying on the black duchess who does not belong, as soon as the royal wedding of TRH Duke & Duchess of Sussex was concluded, the divorce watch was on – a media blitzkrieg against the Duchess of Sussex was begun with every effort made never ever to mention her race as Meghan, Duchess of Sussex fast became the most famous lynched black woman in history.
Tyler Perry & Oprah Winfrey
Well, there you have it. Go think twice if you believe that the Duke & Duchess of Sussex are going to be suffering for leaving the royal fold and being successfully driven out of Britain by Catherine, The Black Queen and her pussy-whipped dolt, William, in collusion with the royal households and the media spinning lies in place of the truth.
Catherine, HRH The Princess of Wales, The Duchess of Cambridge Oil on Canvas, Paul Emsley National Portrait Gallery. The Black Queen Perfectly Captured
My first reaction on seeing this masterful portrait of Catherine, HRH Princess of Wales, Duchess of Cambridge during my visit in 2017 to London’s National Portrait Gallery was visceral. Straight away, I was reminded of all the times to that point – once every weekend for at least the first 18 months after their marriage, you simply cannot capture everything on one viewing – that I had looked at the Royal Wedding of TRH Prince & Princess of Wales, Duke & Duchess of Cambridge and how much they rowed on the way back to Buckingham Palace during the imperial state landau carriage ride, as well as how utterly dismissive of him Catherine, The Black Queen, was whilst standing on the palace balcony. This portrait perfectly captures Catherine, The Black Queen’s false personality, her sadistic/Saturn body type and primary need for power. Most of all, this is the portrait of a woman whose first number – her energy body – is 9.
The Five Sovereigns Portrait: HM The Queen, HM King George VI, future sovereigns, HM King Charles III, HRH Prince William, Prince of Wales & HRH Prince George of Wales
After having been successfully lynched in the British tabloid media, Catherine, HRH Princes s of Wales, Duchess of Cambridge, The Black Queen went one better and made her point by having her place as mother of future sovereign, Queen Consort and future Queen mother solidified against the threat of the abundantly more popular Meghan, Duchess of Sussex. Just as she had stood, grinning sarcastically at Royal Ascot sticking her tongue out whilst being regaled by senior royals, Catherine, The Black Queen had her campaign of banishing the otiose black threat magnified by tearing her arse in Meghan and Harry’s faces with the 2019 Queen’s Christmas message where the photos on display eclipsed and banished the Sussexes’ existence by including sovereigns and their direct heirs.
TRH The Prince & Princess of Wales
Alas, history is the most callous of whores and she is never economical with the truth. In time, history will reveal Catherine, The Black Queen as truly unsavoury fare, who was the architect of all that transpired in the Sussexes’ banishment from court. Actions ever betray the truth and it is not happenstance that Catherine, The Black Queen has refused to undertake a tour of any predominantly black Commonwealth nation 9 years into what is not the most loved up or blissful of royal marriages. Her 9 betrays her true nature. More than that, that Catherine, The Black Queen was not of aristocratic birth is precisely why this hideous racism has blossomed within the royal family, royal households and media. You most certainly cannot accuse aristocratic persons like Ashley & India Hicks of being racist boors as has episodically manifested with Catherine, The Black Queen being a warrior with need for power and the most powerful royal at court at present. More than any other royal, Catherine, The Black Queen, is the most powerful royal at present. HM The Queen is at the end of her reign. Charles has no power as his Queen Consort will never be loved as long as the memory of Diana, Princess of Wales survives. More than that, Camilla also has no power as she will never be Queen Mother and no issue of hers will ever be sovereign. William is weak, unaware and bullied by his wife, Catherine, The Black Queen. Catherine, The Black Queen is the most powerful royal, especially since she does have a primary need of power in dynastic Britain. When HM The Queen passes, Catherine, The Black Queen will set about cutting adrift the predominantly black Commonwealth nations with the same disregard as her campaign to banish the threat represented by the blackamoor brooch – Meghan, the self-made vastly more articulate, charismatic American outsider and Black woman to boot.
Racialised Death Threat Caricature Against HRH Prince Harry, The Duke of Sussex
Most of all, what Catherine, The Black Queen has unleashed with her grudging campaign against Meghan has taken on a life of its own, which as with HRH Prince Andrew, Duke of York, she could not have fathom. Catherine, The Black Queen, in collusion with William, the royal households, the tabloid media engaged in the deliciously indulgent game of racist bullying which has seen an explosion of racist attacks against the Sussexes and by extension the British Royal Family. This is not to be taken lightly and one of the chief reason for the Sussexes having removed themselves from the cesspool that is Britain is the very real threat that they faced for being in Britain. This all began with a scheming, jealous, bigoted nine-energy body insecure woman who has never fully gotten over her being not of aristocratic birth into a world where she now finds herself at the apex of power. Of course, just as with HM Camilla, Queen Consort who for causing Diana, Princess of Wales to experience sheer hell, Catherine, The Black Queen will also – for not being of aristocratic birth – always be insecure and Meghan’s ascendancy only heightened how woefully ill-equipped Catherine, The Black Queen ever will be. All of that was assured, when Catherine, The Black Queen chose to be racially predatory towards Meghan – by extension Harry and everyone else – thereby revealing her true nature to all who are not blind. History will be callously ruthless to Catherine, The Black Queen; indeed, how utterly prophetic Paul Emsley’s portrait of Catherine, The Black Queen has proven. Remarkably, that portrait will stand the test of time to best illumine the dark, sinister and sadistic persona which lies beneath the façade of Catherine, The Black Queen as she beguiles the blind in the here and now.
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Shirley Horn – Here’s to Life with Paul Williams Conducting The Boston Pops
Dreams are the poetic expression of the soul. 