#WaroftheWaleses

The latest red carpet parade of the now Prince & Princess of Wales 3.0, (William & Catherine), Charles & Diana – The second Elizabethan Age’s original Prince and Princess of Wales, Charles & Camilla 2.0 – did not disappoint in its hissing drama. Naturally, the Fleet Street abattoirs did not surprise the sceptical in their quaint sophistry, to paint this gaudy Picasso portrait as though it were a sublime Gainsborough tableau.

As you are well aware, this hissing red carpet tango has been going on for years. Catherine can be seen brushing off William at the top of the stairs at the Royal Albert Hall as they stood with the senior royals for obligatory photo call at the premier of the James Bond film No Time To Die. Also, Catherine on joining the senior royals on the steps, could be seen cutting her eyes at William, with whom she had been earlier rowing on the red carpet. All throughout her seething animus, William kept pursing his lips as he enjoyed getting under Catherine’s skin as he is cockily assured in his relationship with Rose, Countess Rocksavage. William’s pursed lips betray the fact that though it is his wont to be loud and verbally abusive, he could not do so in public. This, of course, gives Catherine an advantage as she can grin, hiss and cuss him out at such times without him verbally assaulting her.

Again, in Boston, Catherine Makes to Hold Hands and Is Rebuffed by William.

Fast forward, post HLM Queen Elizabeth’s death and the now Prince and Princess of Wales, still at war, are in Boston. God only knows why? So lovely it was to see President Biden, meeting him on the Boston waterfront like one does a whore, then the President returned to Washington D. C. where he had been hosting French President Emmanuel Macron. Desperate to squash the truth, William again in the #WaroftheWaleses brushes off Catherine’s attempt at handholding. Now married near a dozen years, this handholding business they never engaged in. William in 2013 had an affair with a banker in the City and thereafter, they did not start handholding. Of course, with Harry and Meghan’s supernova on the royal scene, their handholding and genuine love for each other proved disruptive. Similarly, like a supernova 400 light years away, before you knew what next, the Black American woman was erased from the royal portraits as the #WaroftheWaleses turned outward and were united in cannibalising that “Yank,” that damn Black ‘bully’ American from their midst.

BAFTA Awards 2023 Red Carpet, Catherine Aggressively Replies, “Or What?”

Now fast forward to the recent BAFTA Awards, which rather extensively will be the subject of the next blog. Here’s when the hissing peaked in their usual style of continuing the #WaroftheWaleses. Catherine makes to hold hands and is again rebuffed by William. This, of course, came days after he had spent St. Valentine’s Day with Rose, Countess Rocksavage.

Just listen to that woman with female genitalia in the middle of her face, Camilla Tominey, engaging in more specious revisionism. Though there are none so blind as those who deliberately choose not to see, some of us are neither blind nor given to obsequiousness. Camilla Tominey is a known liar. Catherine tries to hold hands with William, he rebuffs as in Boston, she then immediately hits his bottom after he pulls away and conveniently waves to the little people. Betraying her energy body of 9, her being a warrior soul and one of her personal needs being power, Catherine immediately shot back, “Or What?” whilst grinning her fake-assed face off.

So then, let’s break down what is really going on here! Firstly, William and Catherine would never have gotten dressed together; therefore, on coming down when their car arrived, William would have been livid. Catherine deliberately wore black opera gloves to make a point. All Toffs know that one always wears matching opera gloves. Therefore, Catherine ought to have been wearing a black or smoky grey dress with black opera gloves. Had Catherine elected to wear white gloves with the white Alexander McQueen dress that she wore, she could not have made her point.

That’s right, Catherine was outing Peggalicious! As there is never just one hanger in any closet, Catherine in the #WaroftheWaleses upped her game. If William will not spend St. Valentine’s Day with her, she was going to take the war to the red carpet. Again, do not ever underestimate the resolve of a warrior soul when they choose to do battle; for all warriors, fighting is foreplay. Prince Henry, is also a fifth level mature soul Warrior like Catherine, and SPARE certainly does lay bare his warrior mettle through and through. Catherine and William’s rowing would be like Angelina Jolie and Brad Pitt in their rivetingly combustible film, Mr. & Mrs. Smith.

As previously shared on this blog, (Pink Chair I & II) in October, 2021, https://dreampoetica.com/2021/10/24/pink-chair-i-ii/ I have been into S&M and all its play. And it was my experience that all males who are into being pegged, also go in for being fisted. That’s right, Catherine was aggressively outing William’s game. Not only is he Peggalicious but he also loves getting good and fisted. For obvious reasons, one never wears long white latex or rubber gloves in fisting. Catherine has to know that she has to go all out, because the day the Prime Minister stands in Parliament and states, “It is with regret that Buckingham Palace announces that TRH Prince and Princess of Wales are to separate, it will be open season on her. Faster than lightning striking the CN Tower, the Fleet Street abattoirs will then turn on Catherine.

In the #WaroftheRoses, Catherine broke with tradition and wore a white dress to highlight the black opera gloves, which were a nod to long, black latex or rubber fisting gloves. Catherine is shrewd and one of the interesting observations that Meghan, Duchess of Sussex made in her Oprah interview, is that Catherine is a good person. By so doing, like equally shrewd Catherine, Meghan who never once mentioned his name, was alluding to what a anti-Black racist boor, William is, which his number 9 second position (mindset) attests and which has been validated in Prince Harry’s phenomenally successful SPARE, which I’ve now thrice read.

If you are going to wear a white dress to an important function, where the Prince of Wales is president of BAFTA, you do not wear black gloves with a white dress. It is always monochromatic from head to toe. Catherine did not give a damn about being royal next to mere Hollywood and the Oscars coming up this month; if she cared, she would have worn her hair up as she did at the premier of the James Bond film, No Time To Die, in September 2021 at the Royal Albert Hall. Of course, along with the opera gloves, weaving some pearls into her beautifully coiffed hair would have carried off the look and made it truly royal. As it is, Catherine came off as nothing more than coalmining fare, playing at being a royal.

12 Years A Fail

Frankly, 12 years on, it is time she changed her armour, starting with her hair; she would be better served with a close-cropped hairdo. A dozen years on, it is too much hair and too much of the damn boring same. In the #WaroftheWaleses, Catherine is literally fighting for her man, for her life and everything that entails. Unlike both Diana, Princess of Wales and Meghan, Duchess of Sussex, Catherine is void charisma and is embarrassingly inarticulate – unlike Meghan, she will fare miserably if William were to serve her with divorce; if that were the case, I rather suspect that she will walk away with the little bastard, Damien. Honest to god, is it any wonder William is off watering Rose’s garden. Some femme au foyer that, talk about 12 years a fail. How in the hell can this woman not cook? And, of course, the Fleet Street abattoirs just laughed it off but they are keeping score and will change colour and pounce on her faster than an octopus its prey!

At the end of the day, Catherine is a woman in deep pain and with all that rowing in public, there has got to be a lot of emotional and mental abuse from both sides behind closed doors. Regardless of anything else, I will always support a woman in an abusive relationship, especially in this dynamic. No matter what, like his father before him, William will not adversely suffer, if he were to dispose of Catherine by way of divorce or god forbid worse; that is the nature of the game. Her escalated ageing can be put down to the fact that Catherine is clearly a serious drinker and also is mightily stressed about the fact that like Diana, Princess of Wales, there are three persons in her marriage. Certainly, the Courtesan Queen will be of no solace to Catherine.

Falling Apart; Clearly Fairy Tales Are Not Real

Just look at Catherine, she stumbles and what proves a fitting metaphor of their relationship, William does not react. He is long over this woman, he just wants her gone from his life. It truly is a sad state of affairs. In the meantime, we await the coronation, which every entertainer and their shadow is shunning thanks to SPARE and their loyalties to the Sussexes. Let’s see if the Courtesan Queen’s grandkids are kited with coronets and tiaras on the day whilst the Sussexes’ son, Archie, on his fourth birthday remains not styled as a prince.

Something has definitely shifted in the #WaroftheWaleses. Since Catherine’s rude brushoff in 2019, William clearly enjoys the upper hand and can care less about her. He knows that the kingdom is aware of heir marital strife; he is also keenly aware that she will never win that PR war when it arrives. Especially so if he ends up with Rose, Countess Rocksavage, Catherine will be discarded to the Fleet Street abattoirs, much as Diana was, where they will truly flay her soul. At least Diana was charming, radiant, beautiful and beloved by most everyone.

Certainly, it will be a smooth transition moving into the role of Duchess of Cornwall. Plus que ça change, plus c’est… mais oui. Honest to god, I swear there is a strap-on imprint on Rose’s gown. Look at how much happier Peggalicious looks – that just-pegged glow is undeniable. Indeed, look at how much more regally Rose oozes the royal mystique. All things aside, the no-chinned ‘model’ scores only a few points less on the all-important toddler scare-ometer than the Courtesan Queen. Clearly not breeding material, House of Windsor sidepieces are therefore not chosen for their beauty.

The latest salvo of the House of Windsor is truly myopic. As Fleet Street gleefully reports, the #TampaxKing in a fit of rage, instigated by the #CourtesanQueen has evicted the Sussexes from Frogmore Cottage. Hooray for that! At 120 rooms, the Earl & Countess of Wessex’s Bagshot Park costs then £90,000 per annum. Similarly, the kinder-lover Yorkist paedophile pays on his 30 room pile, Royal Lodge a whopping £12,000 per annum. Now get this, after having paid back the costs of renovations, and installed a £5,000 copper bathtub, the Sussexes were having to pay £216,000 per annum for the 12 room Frogmore Cottage. What more proof does one need of the House of Windsor being a racist hellhole when the otiose Black wife, the ‘Yank’ has to cough up 2.4 times as much as the Wessexes to the Crown Estate and 18 times as much as the harboured Yorkist paedophile. Let’s hope that the Sussexes rip out that damn copper bathtub and have it shipped to Montecito. Thanks for desperately seeking to score brownie points with the island kingdom’s shitty racist boors but you’ve just saved the Sussexes loads of cheddar. In all of this, you can bet your bottom shilling that the warring Waleses, in particular the pegged & fisted Bourbon bastard, was behind the drive to have the Sussexes evicted. Oh thank you dumb and blinded by racially predatory obsession your gormliness. Good, now that you’ve gotten the Sussexes evicted just Keep Calm et Va Chier!

Puerto Rican Iris Chacon Performing in Venezuela

Get it Iris! So despite the #WaroftheWaleses, life keeps on boogieing right along with Prince Harry’s SPARE performing brilliantly. At this rate, I think for being banished to Ray Mill House, the Courtesan Queen will demand titles for her Parker-Bowles offspring, whilst still nothing for Archie and Lilibet. Seriously, who the fuck are these people? There is a point at which, you cannot expect intelligent people to buy this nonsense about unconscious bias. The royals are part of a racist institution; they know it and they themselves are as well and don’t give a damn that it is fairly obvious to all with eyes to see. Well, they damn sure got rid of the Black woman in their midst; however, does this mean that their volatile marriage will adapt and the #WaroftheWaleses just become another convenient institutional partnership, like Philip and Elizabeth with each taking lovers and having children with other lovers as was the case with recently departed Philip and Elizabeth? Who knows, who truly fucking cares?

Well, if you can’t flip pancakes and can do little more than gurn like a lost, famished fox, from September 2021 to February 2023, you had better be able to shake it like Iris Chacon. No matter how you cut it, sooner or later, task companions or not, there is a very strong likelihood that this marriage which is clearly in its late stages of viability, will likely end in separation, followed by divorce.

Wayne Shorter Quartet, 2012 Paris Salle Pleyel

Wayne Shorter – Saxophones

John Patitucci – Bass

Danilo Perez – Piano

Brian Blade – Drums

Wayne Shorter, 25.8.1933 [Rooster 7.6.4 = 8] <O> 2.3.2023 Sweet and blissful dreams ennobled Shaman. Your memory ever will be a blessing of the most inspired dreams.

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As ever, life is like a flying dream; if you look down, you’re fucked. Enjoy the ride and fear no one!

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©2013-2023 Arvin da Brgha. All Rights Reserved.

You’re Not A Spare; You’re Harry, King of Hearts. SPARE Book Review

Prince Henry, Duke of Sussex, King of Hearts!

Prince Harry, Duke of Sussex on Late Show with Stephen Colbert Promoting SPARE

Whenever I travel to a city, I always stay within close distance to a crystal store. I want to be exposed to their vibration and thereby harmonise with that city’s groove. In November 2018 when in town for the 100th anniversary of Armistice Day and Royal Ballet’s production of La Bayadère, I stayed at a hotel in Russell Square so that I could be in walking distance to the British Museum, Covent Garden. I got to the Astrology Shop in Covent Garden and took my time, trying to find a couple of crystals that I could keep in my pockets at all times. Besides, the best most fragrant sagebrush can be found at the Astrology Shop. The day of the Remembrance Ceremony, I stood just to the right of the Cenotaph and opposite the balcony where eventually Meghan, HRH Duchess of Sussex stood with the German President’s wife. I wanted to be there because I knew that HLM Queen Elizabeth II, looking at the state of those canker sores on her shins, was not much longer for this world.

Meghan, HRH Duchess of Sussex Remembrance Ceremony, 2018

Standing there, at times I had to reach into each pant pocket and clutch the crystal therein after the vile hateful remarks of positively everyone about me made of Harry’s wife, Meghan, before she and the rest of the royal party came to those three balconies. There were times when for sending focussed light energy directly to Meghan to protect from the island kingdom’s racially predatory, hateful focus, the crystals actually became warm in each palm. I was exhausted at the end of the ceremony, eventually making my way to the Queen’s Gallery at Buckingham Palace and taking in a beautiful exhibition that celebrated Queen Victoria’s empire building family, not before the most hilarious cab ride.

The beauty of Prince Harry’s book is that it so undisputedly validates what I have expounded all along about the major royal principals, based chiefly on their numerology. Yes, of course, I have also relied on their Michael Overleaves; however, what I have never done is focussed on their astrology, which is often not remotely accurate. The truly leonine person, for example, is not someone born with the Sun in leo but someone with the Moon in Leo, though, that is obviously possible. Though a Leo, my Sagittarian Moon is a more accurate insight to my emotional makeup than anything else. That aside, the numerology, which never lies, is the real measure of any person’s true character.

Princess Eugenie & Jack Brooksbank at Pippa Middleton’s May 2017 wedding

When initially the Telegraph’s royal reporter, Camilla Tominey speciously reported that Meghan had made Catherine cry, I knew after a quick review of the principals’ numerology that it was a lie. Clearly, the church guests rule was specifically intended to ban Meghan from attending the church portion of the Middleton-Matthews wedding. If Meghan were seen attending the church service then both Catherine and Pippa would readily have been eclipsed. This was an early example of specious and wholly arbitrary rules employed to keep the Yank, the Black Yank, out of the picture.

As Prince Harry, King of Hearts, has poignantly documented in SPARE, the truth, his and Meghan’s had to be revealed to show the extent to which the Waleses’ monstrosity was being protected by the Fleet Street abattoirs. How could these Britons realistically think that they could dismiss a ‘Yank’ in their midst and it not get out. It is not the age of steamships and telegrams. Everything is out there. What the senior royals and their Fleet Street abattoir hacks did not envision, was Henry & Meghan walking.

Obviously, the book is hands down a winner! Here are my takeaways. As to why Harry was so self-revelatory; this has always been one big high stakes PR game. In revealing chatter about his todger and drug use, he readily squashed any potential of the tabloids coming out and releasing this to eclipse his book and, as it were, shame Prince Harry. The most hysterical thing for me was when I was called by a friend and asked if that was a lucid dream that Harry was having when staying at Courtney Cox’s place. That provided a good laugh as I assured him that he was talking about the effects of doing drugs at the party but since nothing less than 9.5 inches ever goes in my mouth and I’ve never done drugs, it had to have been about a drug trip but what drugs I hadn’t a clue. Certainly, dreams don’t go there as in that experience that Harry described.

Young Virgin Auto-Sodomized by the Horns of Her Own Chastity Oil on Canvas 1954 Salvador Ali

Sometimes, what passes for reality is truly as though a bad drug experience. Though I lived at 380 Assiniboine Avenue’s Bessborough apartments in Winnipeg, I spent evenings from time to time at Arjun’s tiny apartment on Broadway Avenue. One afternoon, in the midst of winter as I walked home in shoes and socks that were soaked with loud-smelling piss, he had pulled up, and offered me a ride; it’s too cold to be on foot, he negotiated with the warmest smile that matched his large, light brown eyes. He truly was a godsend. I got in hardly able to walk and he thought that I had injured myself; my shoes and socks were frozen to my feet. Someone, though, I had a pretty good suspicion who it was, pissed into my locker with the grated wire door and into my socks and shoes. This only ever occurred when there were snow squalls and the temperatures well below -30°C with the wind chill. He drove a cab for extra cash as he struggled post divorce. Arjun was horrified when he saw my swollen, frozen feet with socks and shoes hard to remove. He made a mean curry chicken and after he would give me a beautiful massage after having tied me off and performed the most maddeningly slow, warm-oiled manual massage to climax whilst we sat opposite each other, naked on dining room chairs. Most of all, Arjun taught me numerology; he felt it was necessary as he discovered that I had master number 11. I always recalled him saying that my little accidents at the Royal Winnipeg Ballet school whenever it heavily snowed was like a bad dream. Faithfully, as promised, he was always there waiting for me outside when it snowed and was bitterly cold as I emerged in piss-soaked socks and shoes. The moment that I saw Princess Michael of Kent in that blackamoor brooch, I became a staunch supporter of Meghan’s. I knew what harrowing put-through it was to be a lone Black, entering into what is a traditionally all-White institution, an institution which after having amassed fantastic wealth from the enslavement of Black Africans could not be expected to be anything but racially hostile to Blacks, which has been most focussed in William and his wife, Catherine.

Standing there at the Cenotaph in November, 2018, and seeing HM The Queen for the last time, I was keenly reminded of how important it was to support Meghan. First hand, from all the people around me, who said the most vile hateful things, all I could do was visualise. Holding on to those crystals, I sent her light energy from the crystals, to enlighten and protect her from the hateful maelstrom being directed her way. As the ceremony endured, I thought of that energy being used to replenish the bile being projected onto her which I then drew away and had the plane trees on either side of me absorb, send to their roots to have it eaten, cleansed and returned from the warm earth, travelling to me via the plane trees’ crowns and the cycle perpetuated. There was no way that Meghan would not have been the focussed campaign of rejection and racial animus from William and Catherine for both being possessed of 9 in their numerology.

Too, it was good to have gotten a thorough appreciation of warrior soul, Prince Harry’s time in the combat zone. He was as soldier who had performed in the war theatre and had survived. Harry needed to have devoted the second of three parts of his inspiring memoir to his military service as a way to present himself to his newly adopted homeland, America.

Above all else, Americans respect veterans. This is such a poignant photograph of soldier Harry. He has been on a mission to avenge his mother, Diana, Princess of Wales’ murder and nothing and no one will deter him on his quest. All the successes of the Sussexes are directly a result of Diana, Princess of Wales being there in their corner.

This book is not just about the structural racism of the House of Windsor and British society as a result of its past as colonisers and enslaving imperialists, it unveils a rather telling aspect of post colonialism. In all my seven decades, I know of no one Black: rich, middle class, creative or otherwise who has ever once spoken of a desire to go on an African safari, have been or know of such things. Prince Harry accounts of his retreats to Botswana’s Okavango delta speak volumes. Here is a realm of human experience, which just a few thousand miles away, tens of millions of Blacks are held captive in poverty, the vestiges of post-Apartheid colonial South Africa, which still stridently exists – political window dressing notwithstanding, and about this they know positively nothing. Seeing this aspect of human civilisation through Prince Harry’s eyes, was deeply inspiring but profoundly devastating. The very essence of Africa, one giant getaway for predominantly Whites to enjoy unencumbered by the misery of Black Africans, Blacks elsewhere about which they have no input, was plainly revealed in Prince Harry’s journeys. The most devastating part which made me break down and cry was listening to Prince William, he of the prejudiced 9 mindset, insisting that Africa was his not Harry’s; A whole fucking continent, the homeland of a diverse, culturally rich people the world over of Black African descent, being spoken of as though Africa were the exclusive property of a blasted White male who could not be anymore out of touch with the 21st century than if he were teleported back in time to Han Dynasty China. Of course, what William was referring to, was the rich animal kingdoms in Africa which exists nowhere else; he couldn’t in the least have given a shit about the dredged scourge that is Black Africans’ lives and their culture.

Of course, in that moment, I was reminded of the vast disconnected that exists between Blacks, the diabolical lengths we go to, to deny our Blackness and our connectedness to other Blacks. Knowing that he was going to die, Merlin wrote letters to many of his professional associates, most in the States. As they shared the same eponymous agency, Joyce Ketay, which later became part of the Gersch Agency, Merlin wrote to actor, Joe Morton whom he had directed in plays and who starred in in the film, Brother From Another Planet. They always got on famously. On receiving the mail in November, 1989, Joe called up from L. A. and said that he would be coming up to see Merlin. It was the most noble gesture. Joe flew into town and my sister and I met him at Toronto’s Pearson International Airport and the evening was both healing and bucolic. I ordered Chinese takeout and went around to Parliament Street to collect the food with Joe and filled him in on how long Merlin had been ill; we got in and my lover who had not been able to hold down a meal in several days, joined in and picked at the food and did not even throw up. As this was the age, long before cell phones’ ubiquity, Joe used our phone to call his wife in L. A. and check in. Some time later, we were having refreshments, they coffee – I can’t abide the stuff and I tea. At some point, Merlin had misjudged his strength and the distance to the coffee table piled high with books, one of which was Luigi Serafini’s magical masterpiece, Codex Seraphinianus. From my perspective across the room all the spilled coffee had not been sopped up and not wanting it to damage the books, I got up and used my napkin to clean up the rest of the spilled fare. Almost violently, Joe snatched his Sprint phone card, from atop one of the large coffee table books, creating an awkward millisecond of social aggression. This is the sort of thing that if Merlin were not ill and he were not staying in our house, I’d have walked Joe to the door and violently slam it on him. After he got up in the early hours, my sister came by and drove him out to the airport where a very large moon was close to the horizon. When I got back to the house, Merlin apologised and said that it was most devastating because he realised that if he were Black rather than Jewish, Joe would not have bothered to fly into town and visit him. It was one of the many times that Merlin, an ardent student of Black literature, who relished just about every Black author there was, touched on the subject of Black on Black racism. I always remember him saying, there is no such thing as being half Jewish, mixed Jewish. You are a Jew! Period! Yet the vogue has been for so many Blacks, exhibiting the most embarrassing self-loathing, claiming not to be Black. As Merlin once joked, well if you have a Black parent how can you not be Black, do these people think anyone mistakes them for Chinese? Said Merlin, what is a Jew with a single Jewish parent referred to as, a Goyish, a mixed Goy. Trust Merlin to always see the humour in everything; however, this need to deny one’s Blackness, is precisely why Joe never procreated with a Black woman. How the hell do you go to someone’s house and consider them a damn thief in their own house? I’d be rather surprised if with his success, Joe has ever been on a safari to Botswana. Merlin passed exactly a week later.

Two men could not have been more different. Indeed, it is a good thing that William is the shit-disturbing, stubborn, pugnacious, bully that he is. He truly represents the collective psyche of White Britain, having to face up to its past as colonisers, enslavers and just blood-thirsty savages. That history has given rise to royal heirs who are archly anti-Black in their perspective and conversely pro-Jewish in their preferences. There is nothing wrong in their preference but you cannot be so daft as to put out there your embarrassing perceptions. Furthermore, it does one’s credibility little to no good when a disproportionate number of the pundits who are savagely attacking Meghan and Harry are Jewish. Recently, even Judge Judy has gotten on the bandwagon of preying on the Sussexes. One of the things that all these persons are keen to do, which Merlin first pointed out to me in the early days of our relations in 1980s New York City, is that when being racially predatory towards Blacks, Jews are ever mindful never to bring race into their discussions and open animus towards Blacks. As he then pointed out, once challenged, one can then scream to the rafters that one is being anti-Semitic. One of the errors of all such persons as they savagely prey on Meghan and being openly racist, is not one of them so much as said boo fuck-all when George Floyd was savagely murdered. It was no business of theirs; of course, in having said nothing by way of protesting, one was clearly supporting such hideous racially predatory savagery. Then along comes Meghan et voilà, Methenny and others are barking mad with rage against that Black bitch Meghan whom they hate; of course, as Merlin long ago pointed out and has been validated, they never once mention Meghan’s Blackness.

Carefully chosen words from a man who could not be more disinterested in Black civilisation than if he were a Klansman. Indeed, there were times on that tour where they were supposed to be representing HLM Queen Elizabeth II where their relationships disrepair could not have been more obvious. Of course, Catherine just had to be photographed standing around with a drink in hand… drunk and debauched indeed.

Of course, we finally got validation of Catherine’s energy body of 9 being revealed as the bully behind who made whom cry. Not only was she a rude, dismissive, confrontational 9 energy-bodied boor, Catherine had to go one step forward and lay down the law as to who was boss, she wore a white dress to Meghan’s wedding – so, too, did Camilla to Diana’s wedding in July, 1981. The bitch wore white, that’s how you know who made who cry. All the incidents reported by Prince Harry in SPARE are evidence of both Meghan and Harry being racially harassed and racially preyed on in the workplace. One of the signatures of 11 master number is that it gives one a keen intellect; one is ill-inclined to gladly suffer fools. Who is Catherine to a self-made accomplished actor? Catherine is a blithering idiot who can do not more than gurn like a mad loon because finally, you cannot expect a fucking mad loon to behave like a self-possessed, strong woman.

It may be a family; however, it is also a workplace and it is fairly obvious that Meghan was the target of a campaign that involved mental and emotional abuse, which was orchestrated by the Waleses and in concert with Courtesan Queen Camilla as it suited her to be an ugly duchess who just could not resist going there as she so relished with Harry’s mother and Meghan’s mother-in-law, Diana, Princess of Wales.

Prince William Goes Off Displaying Short Fused Nature

What I am thoroughly convinced of, by Meghan’s body language when they emerged at the Cambridge Gates at Windsor Castle in September 2022, is that she exhibited signs that not only was she regularly yelled at and abused but either or both, Catherine or William; however, either or both may well have physically assaulted Meghan whilst she lived at Nott Cott. How could they live at Nott Cott when in the palace proper was that vile racist bully, Princess Michael of Kent.

“If You Don’t Mind, Take Your Finger Out of My Face.” Meghan, Duchess of Sussex to HRH Prince William, Prince of Wales.

What Meghan was making perfectly clear, William is milquetoast and furthermore, she did not want his smelly, bussy-poking finger anywhere near her goddamn face. There is no mistaking who had the upper hand in that power dynamic, William and Catherine’s vile machinations notwithstanding.

As much as we know that Prince William loves getting pegged, part of that psychosexual dynamic of being bottomed, is almost always being violently impatient, rude and bullying. This is a scene with which Prince William would be intimately familiar. For one thing, his fourth number of 5 guarantees being debauched and it always means sexual infamy – scandal or multiple scandals that are sexual beyond the norm will manifest and more importantly, make their way into the culture, becoming common knowledge. It is not about Prince William being Gay or Bisexual, it is simply a psychosexual dynamic which at its core is sadomasochistic. William’s desire to be pegged, bottomed and owned, comes as a relief from the domineering, bullying almost brutalising aspects of his personality when he is not sexually focussed. Again, William is moving centred so more than most, he ever would need a sexual outlet. Fourth number of 5, rules excess, infamy.

Prince Harry Bird Watching with Archie & Meghan

There is magic all around, you just have to be accurately focussed to capture those moments, which are ever present. These moments of magic, like the incident related in SPARE of the crash of the Queen Elizabeth Christmas tree ornament, are moments which reinforce that Diana, Princess of Wales is not far off. Indeed, loved ones with whom one remains bonded, will never lose being focussed on us here and now. As there are another 400 pages of this memoir, SPARE, yet to be released, I fully expect more of the Waleses, Charles and Camilla’s ugliness to be further revealed. Beautifully written, this is a most raw, honest and scathingly focussed memoir. Godspeed Henry, Meghan, Archie & Lilibet your work is ably fortified by Diana’s guidance and protection. God save a most noble Prince Harry, King of Hearts.

A Love Supreme. John Coltrane. 1965. Full Album

John Coltrane – Soprano & Tenor Saxophone

Jimmy Garrison – Double Bass

McCoy Tyner – Piano

Elvin Jones – Drums

This handsome gem played nonstop as I pored through SPARE, getting to know Henry’s raw, inspiring, beautiful soul. John Coltrane’s creative genius certainly got me through some rough patches in the book, especially, his early trauma at the violent murder of his mother, Diana, Princess of Wales. I cannot state enough, but whenever I have dreamt of Henry he has always been relaxed, unpretentious and barefooted, which really made me sit up and take notice during the Netflix & Archewell Productions, co-production of Harry and Meghan, the docuseries. Above all else, special mention must be made of J. R. Moehringer, SPARE’s masterful ghost-writer; he did one hell of a job.

As ever, life is like a flying dream; if you look down, you’re fucked. Enjoy the ride and fear no one!

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©2013-2023 Arvin da Brgha. All Rights Reserved.

Netflix’s Masterful Crown Jewel (Season 5)

Cast of season 5 of the Crown.

Knowing when to leave is key to perfect timing. Elizabeth was a mean, grasping, manipulative – it is the hallmark of slave souls – vindictive operator. It is good that she has finally taken leave. Elizabeth acted as though the crown was hers to wear for at least a millennium.

Just look at HRH Prince Richard, Duke of Gloucester incredulously peer across at HM King Charles III with his beefy equerry sat directly behind him in the royal box; of course, there was no room for the Earl and Countess of Wessex as a result. There was sat the Duke of Gloucester who with a look telegraphed, “Well, will you look at that! He’s got his lover right here in the royal box for the world to see. What must cousin Lilibet, looking down from above, be thinking? Major Jonathan Thompson is not even in uniform but crossdressing in civilian suit. Just look at him, a mere senior footman standing in the royal box and clapping away as though he were a royal spouse… Also, pay keen attention to the Duchess of Gloucester as she keenly eyes Catherine, HRH Princess of Wales. That look betrays the tectonic state of the Waleses’ marriage. One would think that the Duchess of Gloucester is eyeing up Catherine as she cannot believe the woman would have the nerve to sit there after openly flirting with Sir Ben Ainslie and telegraphing to all the world that they are fucking their brains out.

Indeed! Though the Fleet Street abattoirs are ill-inclined to betray the ugly truths of House of Windsor, rest assured that the American media, especially American tabloid media, could not care less. Of course, they have a vested interested in the Windsor dynasty as a second American woman has recently wedded and been met with undiluted hatred and rejection. Although, that rejection is decidedly racist, nonetheless, all Americans are Americans and will defend another over any foreigner, especially so when America fought and won a war to depose that very dynasty.

Darlings I’ve simply got to start ordering teas by the hamper… The Second Carolean era just keeps on giving…

Lesley Manville as Princess Margaret in tour de force confrontation with Imelda Staunton’s Queen Elizabeth

This actor did a phenomenal job of bringing forth the true fire that was HRH Princess Margaret, Countess Snowdon’s. God, it was delicious theatre, watching her rip into her mean-spirited sister and giving it to her good when she called her on the fact that Elizabeth deliberately interfered in her life and caused her pain and ruin whilst never having done any such thing to her slutty daughter, Anne. As the Crown depicted and passingly implied, Princess Anne could have fucked Tim Lawrence in the open on a farm and no one would have noticed or reported it in the media. Her performance brings to mind that every actor who ever portrays HRH Princess Margaret must study Elizabeth Taylor in the Mike Nichols classic, “Who’s Afraid of Virginia Woolf?” This is why in the earlier season of the Crown, the actor Helena Bonham Carter’s casting was wrong. She was stiff and hadn’t the passion or fire to convincingly project Margaret’s rage

The actor who played Queen Mary was perfectly placed. The scene was brief and a flashback that was of major import. Look at her, there she is dripping in pearls and finery as the Romanovs did. She gave the order for their murder and all because she waned the Romanov jewellery, coming to her. A truly vile character. Her inclusion beautifully sets up next season, which deals with Diana’s murder and this scene of Mary giving the order to have the Romanov’s murder, so she could get their jewels, establishes that no one should think otherwise when it comes to next season, Season 6, and Diana’s murder.

Romanovs Executed

The producers and creative geniuses of The Crown Season 5 did their homework and boy did they execute masterfully, beautifully. This entire episode sets up what’s to come in Season 6, Diana, Princess of Wales’s death. By laying the groundwork and showing that because HM Queen Mary’s callous avariciousness, the Romanovs would be slaughtered just so that Queen Mary, who considered the Tsarina a rival, could get her hands on the Russian royals’ jewels. Queen Mary was a vile, ruthless Victorian misogynist who, of course, was Queen Elizabeth’s chief mentor. There can be no doubt that the late Queen Elizabeth viewed Diana, Princess of Wales as much a rival as Queen Mary viewed the Tsarina. For that, like Alexandra, the Tsarina, Diana had to be murdered for proving herself a damn threat. She ruined the fairy story by not playing along; most of all, she threatened the institution by preparing to start a rival dynasty with Mohamed Al-Fayed’s son, Dodi, a non-White Muslim.

Tampax Moments Last Forever

Goodness me, whatever shall the little people think? Who damn well cares what they think? The royals do as they have always done!

Here, again, the casting of Netflix’s The Crown, season 5, is flawless. Nuanced and perfectly measured, both actors bring forth the appropriate amount of repugnant arrogance and conceited lack of awareness. Perfectly timed, as though murdered Diana’s revenge, Season 5 lays bare the adulterers’ vulgarity just as they accede the throne. King Charles III, the Tampax King with his two teddies – one inanimate from childhood, the other a virile, kilted, furry teddy that throbs and makes nights at Highgrove especially pleasurable whilst the failed future King Mother and Courtesan Queen languishes away at Ray Mill; one thing is plainly obvious, the Courtesan Queen does not crochet doilies at Ray Mill.

Having nicely set up the case for Diana, Princess of Wales having been murdered in the upcoming season 6 of the Crown, one other thing ought to be taken into account. In 1918, when Queen Elizabeth’s mentor, Queen Mary gave the order to have the Romanovs murdered, that would be signified by the planet Uranus – one dynasty overthrows or eliminates another. Uranus rules violent upheaval, revolutionary action and usually from one institution against another. As Diana, Princess of Wales was a most disruptive rebel, the only course of action left Queen Mary’s devout mentor, Queen Elizabeth II, was to eliminate the threat of Diana. Diana was about to marry a non-White Muslim and start a rival dynasty, which would have utterly eclipsed the Windsors not just at the Fleet Street abattoirs but world media.

Diana and Dodi died at Diana’s natal Pluto’s transit forming a square; that coupled with her fourth numerological signature of 7, meant very public and totally unexpected assassination. A Uranus return takes roughly 84 years, Queen Elizabeth reacted 79 years later as Queen Mary had to the threat of a rival dynasty, the Romanovs relocating to the United Kingdom – there is a five year window on either side for that Uranus return’s effect to be initialised. Closer to the exacting 84 years and Diana and Dodi would have had a wedding and begun a family that would simply have eclipsed Charles and Diana’s wedding as clearly Diana would finally have found true love. There is positively no way that the well-groomed Victorian misogynist, Queen Elizabeth II, would have tolerated any such affront to her dynasty, especially when Diana would have avenged herself by bearing step-siblings of the future supreme governor of the Church of England to a Muslim. The Windsor dynasty was violently preventing the eventualisation of a rival dynasty begun by Diana, Princess of Wales and one of an opposing faith.

Imelda Staunton as Queen Elizabeth II was sublime casting. She is pitch perfect and gets every nuanced idiosyncrasy right. As Elizabeth II is a mature slave soul, a sage soul in passion mode with emotional centring would be disastrous. Imelda may well be a slave soul herself.

Though a departure from season 5, I do feel that there needs be some commentary on the actors who played the major roles across the five seasons. Claire Foy was a major reason for the Crown’s initial success and gave The Crown the legs to become the seminal British royal family drama that it has become. She is diffident, economical and sublime. The complete opposite can be said for Olivia Colman, who is Olivia in every role she plays. She is crass, common and as conspicuously frightful and self-conscious as a damn ostrich.

As Princess Margaret’s casting is concerned, Vanessa Kirby was ravishing to look at; she had depth, emotional rawness when required and was utterly captivating to watch. Hers was a brilliant performance. Helena Bonham Carter was simply a toft playing a toft and Princess Margaret was never a toft; she was royal to the core. Clearly, Lesley Manville captures the essence of Margaret’s inner rage. Helena was supposed to have captured Margaret’s passion, debauchery and her creative brilliance and that never materialised.

As there is only one Diana, there is only one actor who has singularly, successfully captured the essence of Diana, Princess of Wales and not until Elizabeth Debicki in Season 5 of The Crown has this been achieved. Spot on, this actor’s portrayal is note perfect and as close to channelling Diana, as it were, as you can possibly hope for. Singularly focussed, she gives an award-worthy performance of rare brilliance.

Just look at this artist step aside and allow the very essence of discarnate Diana, Princess of Wales to move in and prosecute her case. This is a most brilliant performance, in a season teeming with stellar performances. There has never been a more successfully cast group of actors for any one season of this fantastic series.

I’ve a little Diana, Princess of Wales anecdote. The night of the preceding photograph in October, 1991, I was across King Street West at Simcoe Street at Roy Thomson Hall for an Emmanuel Ax recital. As I had seasons tickets to the Toronto Symphony Orchestra, I managed with plans for a hook up after the concert to attend. God only knows, I could never abide Emmanuel Ax’s too-short arms and legs as he bobs around the stool, trying to make keys and pedals. I have only ever had two favourite pianists whom I have seen live, Vladimir Horowitz and the scholarly high priest himself, Alfred Brendel (his Michael Overleaves will conclude this blog). Of course, for having met and loved Merlin, Glenn Gould has become a favourite, forming the perfect troika of inspiring classical pianists.

When the recital concluded, I made my way north along Simcoe Street to King Street West where I planned to go in search of some stimulating companionship. The placed was packed and I hadn’t a clue what was up. Finally, someone said that Princess Diana was at the Royal Alexandra Theatre, which was going to be letting out soon. Making my way west along the south side of King Street West, I stood opposite the theatre’s entrance and realised that it was no place to be. Gingerly, I made my way west along the street, made it across the intersection and began doubling back due east along the north side of King Street West. Charmingly, I bobbed and dodged my way until I was second row deep behind a diminutive Filipina, who stood behind he barricade in front of which was a conga line of persons in wheelchairs. Obviously, as this was the early 90s, cell phones were as yet ubiquitous and why I would have a camera for going to the symphony would be a gauche notion at the time. The sturdy-looking limousine pulled up and to my left, though I could not see, the doors to the theatre opened and impresario Ed Mirvish emerged with the world’s most photographed woman.

Never had I witnessed such a massive explosion of klieg fabulousness as that moment as Diana, Princess of Wales stepped away from her hosts and stepped into the marquee lights. She was tall, commanding and arrestingly beautiful. Eventually, when she made her way down the roster of wheelchair fans, she reached from time to time to the sheer pandemonium of squeals, cries, shrieks and outstretched trembling arms baring frantic trembling fingers. As nothing she said could be heard, I managed to clasp her hand, said “we love you more” as she worked the crowd like a pro. What struck me about her in that moment as the flashbulbs went off, like a million stars simultaneously going nova, was how steely, masculine, tall and warrior-like she was. In that moment, her striking blue eyes so focussed and direct, she with her statuesque singleness of devotion, was like a Maasai warrior aloft whilst dancing. Then my darlings, Diana, Princess of Wales, did the most phenomenal thing that left me teary eyed, she got to the limousine and as the passenger side rear door was opened, she got inside elongating her neck, whilst bracing her body on the car’s frame when swinging her knees together, feet together, pushing off from the metatarsals and swinging are rangy legs into the car in one of the most sublime port de bras witnessed. Well, you better believe that I was hooked to the core. Of course, to that point, she was merely the ultimate self-absorbed famous person whose motto seemed to be, “I’m a rich White girl, take my picture.”

Of course, four years later, Diana, Princess of Wales, now separated from the future, HM King Charles III, made it perfectly clear that she was in control and not the crazy wingnut that she and every artisan at some point or another will be dismissed as by the masses. Diana, Princess of Wales’s interview with Martin Bashir aired on the BBC on Guy Fawkes Night, November 5, 1995. That move will see her transcend history as someone who was infinitely more shrewd and astute than the mere mortals of her age were aware. Unlike Oliver Cromwell, Diana, Princess of Wales successfully prosecuted her case to the kingdom, the world and most importantly, history. Naturally, like Cromwell, her interview and the subsequent relationship with the Muslim Al-Fayed family would be deemed treasonous by the Victorian misogynist, Queen Elizabeth II, who just as ruthlessly and casually had her assassinated as her mentor Queen Mary had Tsarina Alexandra and her family a Uranus return earlier.

Mou Mou, the most gloriously well-written and acted episode of The Crown. At every turn, the actor who portrayed Mohamed Al-Fayed left me teary-eyed or smiling by his brilliant performance. He effortlessly captured every idiosyncrasy of the Mohamed we have come to know in the media. The actor deftly captured the essence of this endearing mensch with bravura and sublime impishness. It was the only episode that I immediately had to re-watch to both fall in love and get all the nuances that the teary fog of me had missed. Of course, there were many beautiful scenes but one which was rather telling is of The Queen sending her emissaries to have items of the Duke of Windsor’s removed from his French chateau. This shows the Victorian misogynist mentoring of Queen Elizabeth by Queen Mary – ever grasping and coveting all manner of material things. No care in the world for the Duke & Duchess of Windsor whilst he was living but the moment he passes, they are keen on the Duchess’s invitation to swoop in and claw at whatever they fancied… crass.

Indeed, in time, how could anyone possibly have expected HM The Queen, to have related to the Duke & Duchess of Sussex otherwise. She was groomed by the monstrous Victorian misogynist, HM Queen Mary to be shrewdly calculating, murderous if necessary, defender of the saturnal aspects of what being Sovereign entails. She and the rest of he senior royals could have behaved no differently to the Sussexes. Most of all, The Queen did not care to countenance any talk of racism being in any way associated with the House of Windsor. Just suck it up and get on with it, despite, the hideous open racial harassment from HRH Princess Michael of Kent, sporting the blackamoor brooch. Trust me, if she were to emboldened to go public with the racially predatory lynching of Meghan, you can bet that there was unrelenting, unfathomable racism within the royal family and the institution towards the Sussexes.

Could there have been a better cast member for this season, 5, of The Crown. This actor performed his role immaculately to the letter. The fluidity and communion of spirits between him and Mohamed Al-Fayed was successfully captured by both actors’ nuanced and elegant performances, even when Mohamed was being inelegant.

This actor, though similar in look, did not capture the essence of whom Penelope Knatchbull, Countess Mountbatten of Burma is. Above all else, with a energy body of 7, the late Prince Philip’s lover at her very core is a courtesan and would not only damn well do as she pleases but not give a damn who noticed. With a first number of 7, Penelope is almost mannish in her domineering energy body and would prove vastly intimidating for the late Queen Elizabeth II, who already had a secondary chief feature of self-deprecation which means that she would have serious self-esteem issues. Energy body of 7 and born in the year of the snake, the late Queen Elizabeth II was no match for this woman.

The role would have been better served if the actor, Gillian Anderson, who capably showed her mettle were to have been cast as Penelope. Ms. Anderson ensouled the very essence of the persona of Baroness Thatcher. A snake female, Penelope, with an energy body of 7, is the kind of customer who would take a riding crop and beat to death a mere mortal and get away with it; she would also not ever once think about the incident thereafter. All snake women possessed of an energy body of 7 are true courtesans; they are supremely amoral. Gillian would have the right steely comportment to deftly portrait the real Penelope, which may have positively nothing to do with the persona the public sees; and isn’t this almost always the case for famous persons?

Well, hold on tightly duckies, there is lots more to come. Season 6 of the Crown promises Diana’s murder. More than that, it should have flashbacks to the marriage of the Duke & Duchess of York as in penultimate seasons 7 & 8, the fallout of paedophilia allegations for associating with Jeffrey Epstein will see his cancer-stricken mother come undone. Of course, HM The Queen died aged 96; more importantly, she died 25 years after Diana, Princess of Wales’s murder. It takes 24 years for a grand Solar cycle to unfold and all self-karma, created when a karmic debt is initiated as in Diana’s murder, leads to the debtor’s self-immolation. Philip and Elizabeth slowly immolated as the avenging of Diana’s murder took its toll, Philip at exactly 24 years and Elizabeth II a year later. There are no coincidences and Time reveals all truth.

There can be no mistaking the fact that the structural racism, the case for which was made by HRH Princess Michael of Kent’s blackamoor brooch incident and Prince Harry’s memoir SPARE, nicely serve as ample source material for seasons 7 & 8. By then, all the tea with regards Catherine and Ben Ainslie, William’s Tampax moment, which has left him #PrinceofPegging to say nothing of Charles and his teddies one 70 plus years old and other other a virile furry equerry. Let’s also not forget Rose and her come-back pussy, which resulted in the then Cambridges being banished to Adelaide Cottage from Anmer Hall. Also, Camilla’s obvious racism should be highlighted by her need for a parapluie when touring the amongst the ‘darkies’ so that she doesn’t have to shake their hands, which explains why she did not go to the night time declaration of statehood in Barbados and her recent touching a Black girl’s sleeve rather than hold her hand. Then, too, there is the banishment and exodus of the Sussexes to America to successfully escape the hideous spitefulness of the next generation Waleses.

Brendel, Alfred 5/1/1931 Czech Republic

Michael: This fragment is a first level old scholar – second life thereat.  Alfred is in the perseverance mode with a goal of dominance.  A pragmatist, he is in the moving part of intellectual centre. 

Body type is Lunar/Mars /Mercury. 

Alfred’s primary chief feature is self-deprecation and the secondary stubbornness. 

The fragment Alfred is fourth-cast in first cadence, he is a member of greater cadence two.  Alfred’s entity is two, cadre five, greater cadre 6, pod 208. 

Alfred’s essence twin is a scholar and his warrior task companion is known to him. 

Alfred’s three primary needs are: exchange, communion and security. 

There are 6 past-life associations with Arvin and 4 with Merlin. 

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Haiti, Josephine Baker – Cécile McLorin Salvant & Wynton Marsalis and the Jazz at Lincoln Center Orchestra

As ever, Life is like a flying dream; if you look down, you’re fucked. Enjoy the ride and fear no one!

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