Meghan, The Duchess of Sussex at the Grenfell community kitchen
The morning after the June, 2017 Grenfell Tower inferno, which left the skies above Chelsea where I visited aglow, The Queen rolled up and paid the site, its devastated and displaced occupants a visit. As ever, she was fragile, gracious and commanded one’s attention and respect. She attended with Prince William as their visit was covered uninterrupted on Live local TV.
HM Queen Elizabeth II & HRH Prince William, The Duke of Cambridge
At the time, I thought it so odd that they came and commiserated, or at least appeared to have, then they were off. It was a, “so sorry for your plight now made worse with this added burden. Oh well, I guess I must be off now, carry on then!” I felt compelled to make a donation, as clearly there was no such largesse coming from the Windsor gang.
Doria and The Duke & Duchess of Sussex
The following year just shy of three months after they glorious Spring wedding, the Duke & Duchess of Sussex, accompanied by Doria arrived for a special gathering. It was such a glowing, heartwarming scene as an obviously proud, Prince Harry, looked on as his wife, Meghan, attended the book launch of Together Our Community Cookbook, for which she had written the foreword.
Together. Our Community Cookbook
Within a year of her engagement and marriage, Meghan, the American with can-do spirit, had produced a gift for the people of the devastated Grenfell Tower community, one that would be all about giving back and making their struggle less arduous. This single act was so revolutionary; Meghan with her cookbook had demonstrated the true meaning of charity. She showed up with what mattered most, something practical and useful that could be of true assistance to the community. It was obvious at the book launch on September 17, 2018 that the newly minted Duchess of Sussex was beloved by the common folk of the Grenfell community.
Royal Tour of The Duke & Duchess of Sussex, 2018
A month later, October 2018, Harry and Meghan were off on their inaugural royal tour in the southern hemisphere. The following month, November the Firm, the institution and the royals who were threatened by Meghan and what she represented, went to work. So along came Camilla Tominey of the Telegraph starting the lynching and character assassination of Meghan with the lie that “Meghan made Catherine cry.”
Marie-Christine racially attacks Meghan using blackamoor brooch, December 2017
Where was Camilla Tominey, in December 2017, the year prior, declaring that Marie-Christine, “Princess Michael of Kent made Meghan cry.” Of course, she hadn’t and did it really matter? Tough, if the Yank couldn’t take a joke, right? They threw much at Meghan behind the scenes and Meghan adapted, proving herself Tungsten and worth it.
The Duke & Duchess of Sussex The Mountbatten Music Festival, March 2020
Meghan has master number 11 and for all of us, we are phoenix-like; 11 is an immensely transformative number and it is also about mastery… self-mastery. We are empowered by the colour of red, we are empowered, focussed, strategic and dominant when thusly enrobed. Here, Meghan is being a phoenix, throwing off the mantle of royal drama, politics – family, jealousy, the Firm, the press intrusion. In the proceeding photograph, Meghan wore that stunning red dress to the Mountbatten Music Festival; it was purely strategic.
Meghan, The Duchess of Sussex on Oprah Interview, March 2021
Here, in interview with the incomparable Oprah Winfrey, Meghan is being most strategic in her choice of clothing. She wears a black Giorgio Armani lotus dress. Ever self-aware, Meghan chose this dress and its colour because she was being deadly focussed and laying down the law in a very intensely vicious fight with the royals beyond her late Majesty, The Queen. She exposed the royals’ racism, vulnerably spoke of her suicidal ideation thanks to the acute racial animus that she experienced within the institution, the family and the media. To make her point, she chose that black Giorgio Armani because the dress bore a lotus flower; the most exquisitely beautiful flower which can only bloom for being mired in a swamp… utter filth – the royals, the institution, the royal rota and British media at large.
Meghan, The Duchess of Sussex in Nigeria, May, 2024
Meghan, summer of 2024, our Queen’s got something going on… stuff is cooking… there is that red again. Two marvellous tours in both Nigeria and Columbia but that red dress was putting us on notice… do standby…
POLO Netflix Docuseries, The Duke & Duchess of Sussex executive producers, December, 2024
Coming on strong, here were Harry & Meghan, The Duke and Duchess of Sussex, executive producers for the most exciting sporting docuseries on Netflix… on any of the streamers. From Louis Devaleix’s deliciously high octane vituperativeness, tempered by his tender love for his beautiful wife, and his mother-in-law who brings out the much-loved son in him. Poroto Cambiaso and Timmy Dutta brought the youth appeal.
Louis Devaleix, Adolfo & Poroto Cambiaso, Tim Dutta, Harry & Meghan, Nacho, Delfina Figueras H & M
Too, there is the arc of father son bond of Adolfo & Poroto Cambiaso with Poroto displacing his father at the top of Argentine Polo. The beautifully shot and moving docuseries is completed by Harry & Meghan with their trusted companions Nacho & Delfina Figueras pulling it all together in a commanding and winning project for powerhouse streamer, Netflix.
Meghan 2025… Something’s Cooking!
After the seventh wave’s retreat, a horizon beyond hung shrouded in mystery. What is about to come our way, we wondered, as Meghan playfully teased us.
Meghan The Duchess of Sussex on Instagram
Goodness me, not only was Meghan returned to Instagram, but with phoenix-like heroism, she proved that mighty seventh wave that swept us all away, yet again.
Let’s Go! With Love, Meghan Netflix
Tabarnak de frigging Christ, then along comes this most soul-intoxicating aperitif, further pulling us under. We are fully submerged in Meghan’s winning magic. Netflix knows that matters not what the baying detractors say, filled with lies and nonsense, doing #Peggalicious and the little grovelling bastard’s bidding, Meghan is not just the most feared woman on the planet. Netflix knows that Meghan is the most powerful woman on the planet… not just Black woman on the planet.
The Maddening Dissonance of Trolls, Royal Experts, Meghan & Harry Detractors
So let them sit there, cackling, baying and frothing at the mouth, perpetually lying and wishing ill, from Lady Battyface Camp-Balls, to gap-toothed Lady Tittydown, or the pasty XXXL Irish bully with an arse as wide as the fucking Panama Canal, to that disproportionate gaggle of genocide-deniers who know that every lie they tell, will be readily believed. How does it even matter? This also includes the barrel-hipped nez brun who’s on the outs with #Peggalicious’s *BAC posse; he who has to date driven two persons to suicide. Why even bother paying it any mind? Neither they nor their noise is any business of Meghan’s; they do not matter!
With Love, Meghan. Netflix
And there it is, the strategy of Meghan’s self-mastery. She is back and not just with a revamped version of The Tig. This time, she has gone one better, she is got a cooking lifestyle brand on Netflix with American Riviera Orchard kitchenware, dinnerware on offer. That is the greatest master stroke. With the aptly titled lifestyle series on Netflix, Meghan is reminding the royals what it was all about. She was removed from their midst because in having spearheaded and produced the Together cookbook, she showed up the Firm, the Royals and the Media for what lazy, ne’er-do-wells the royals truly are. Imagine that, in under a year, Meghan breezes into the institution and shows them by her actions what true charity looks like. She met without fanfare with the affected, displaced, untouchable Grenfell community, gave them a renewed sense of community and in the process, created a vehicle, the Together Our Community Cookbook, which to this day spectacularly fundraises for the ravaged community.
Pancake flipped by Catherine, The Princess of Wales – Looks more like Chittlins
Go on Meghan, prove to the world, across all time, that service truly is universal. It isn’t just about showing up in a pretty frock, grinning like a semi-feral gibbon en chaleur; it’s about doing the leg work, uplifting and inspiring others. It is not about showing up gurning like a drunken loon to flip a skillet that’s as flat as #Mumblelina’s arse, talking crap about flipping pancakes. Good lord, just look at Eliza Doolittle, drunk to the gills without so much as a fuck-all clue. The poor loon, no longer attending state banquets because as is the norm for separated royals, one can no longer wear a tiara. Then, too, there was the lack of a signature on the wreath left by William at the Cenotaph at Remembrance Sunday ceremony, November, 2024.
Meghan… The World’s most powerful woman
Meghan’s arrival on the scene proved disruptive. For that, the royals have unleashed a relentless campaign of character assassination, disinformation, enlisting all manner of readily bought detractors who troll for the prospect of proximity to the royals. These agents have multiple lines of attack, one being that the duchess was never pregnant and there are no offspring of Harry’s born to Meghan. Further, they try and eviscerate her Blackness from royal history by attempting to fracture the Sussexes’ relationship. They are forever implying that the couple are separated and living apart. Furthermore, they are ever implying that Harry is sick of being in America and desperate to return to the royal fold. Naturally, as everything is readily blamed on Meghan, they suggested that the Netflix deal has runs its course and as the Sussexes are running out of money, Harry will be returning to England but preferably without Meghan.
Meghan, The Duchess of Sussex & Tyler Perry
What are these desperate fabulists on about? Princess Lilibet’s godfather is a billionaire, which means that there is zero likelihood of Meghan and Harry going broke. Furthermore, with a billionaire godfather, there is positively no way that Harry & Meghan are leaving their bucolic California dream; more importantly, there is no need for the Sussex family to relocate to England. They have been racially preyed on, their lives threatened and police protection pulled.
Master strategists, Meghan and Harry have been guided to their point of power. With Love, Meghan is about to show the world precisely why Meghan and Harry were sent packing. In a few short months, with Together Our Community Cookbook, Meghan exposed the fraudulent operations of the Firm which masquerade its staged appearances and passing them off as acts of charity. In essence, the royals do not do sweet fuck all. So Meghan’s character was attacked and made out to be a bully and wanting to do things as never before they had been done. Of course C4’s Dispatches: The King, The Prince & Their Secret Millions serves to further expose the extent of the fraudulence on the part of the royals and the great lengths to which they go to maintain and protect their unscrupulous swindle. The investigation was undertaken by C4’s Dispatches program in conjunction with The Times and Daily Mirror newspapers. Between the Together cookbook & Netflix’s With Love, Meghan, Charles & William have been further exposed for the venal, racist, money-grubbing boors that they are. Indeed, karma is like that.
Phoenix Mandala for John Hirsch by Merlin, 1979
Recently, when having my burgeoning art collection appraised, I happened on this glorious gem, created by Merlin forty-five years ago in 1979. After having been mentored by him, and directed shows at The Stratford Festival Theatre, where John Hirsch was artistic director, Merlin created the mandala for his mentor. John and his artist lover, Jean-Emile Sanscartier, lived at 187 Hudson Drive in Toronto’s tony Moore Park neighbourhood. Both Merlin & John were sick with full-blown AIDS, though, John had taken ill after Merlin. John’s last birthday, his 59th, proved quite the send-off. Everyone from the Hungarian Jewish mafia as John lovingly called his friends and colleagues was there, including Merlin & I – Merlin at that point was birdlike and frail even more so than John. Barbara & Murray Frum were there and many in the film world had also flown in from Los Angeles. It was a very grey, drizzly spring evening, for his May 1, birthday celebration. There were lots of tears, never displayed before John.
John Hirsch
Here was a man who had been spirited out of Hungary by train as every other relative in every possible direction had continued on to concentration camps and death. Though for being Black, I was made to feel at times as though the help, no one there knew, save Merlin who thought it best never to advertise the fact, that I was of Sephardic heritage to their Ashkenazy blood. Barrick Gold CEO Peter Munk had been earlier before our arrival and it had been Peter’s father, Louis who had spirited John Hirsch and other young kids by train to eventually settle in Canada. John felt especially guilty, as he confided in Merlin towards the end, in not having carried on the bloodline; of course, today it would have been possible where not so when he lived. It was overwhelming seeing this mandala after all those years tucked away. I lost a few tears but as John would have it, I began playing his ‘Ella’ the music of Ella Fitzgerald because let’s face it, we are – all of us, men-loving-men, drag queens who readily howl in tune when no one’s watching, be it Edith Piaf, Madonna, Céline Dion, Diana Ross, Aretha Franklin, Barbra Streisand, Sarah Vaughan and most of all John’s favourite, Ella!
Stratford Festival Theatre – Main Stage
In the dead of the night, on August 1, 1989, John Hirsch died at Toronto’s Mount Sinai Hospital. The next day, my 29th birthday, Merlin insisted that I go to work at the greenhouse. He wanted to be alone and privately mourn his mentor, John. Calling him at noon as the most massive thunderstorm drenched the city, we both cried silently, mostly drowned out by the rain and thunder. Excusing myself from work early, I hurried home and together we hugged and cried as John was gone, which inevitably meant that Merlin would be leaving in due course. We listened to the recording, Vladimir Horowitz At Home, then bravely headed to celebrate my birthday at a lovely restaurant in Yorkville. Merlin died three months later, on his mother’s 75th birthday.
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Hirsch, John 1/5/30, Soifok, Hungary<O>1/8/89 Toronto
Michael: John was a fifth level mature warrior in passion mode, with a goal of dominance, a pragmatist in the moving part of intellectual centre.
This fragment had a Mars/Saturn body type.
John’s primary chief feature was arrogance with a strong secondary of impatience.
This fragment has a warrior essence twin, who is alive, and they may choose to meet when the fragment who was John reincarnates, during the first two decades of the new millennium.
In fact, he may choose to be born to his essence twin who is now a 16-year-old school girl but who would probably be closer to 26 years when the fragment who was John decides to reincarnate. She is Israeli, living in the city of Jerusalem.
John was second-cast in his cadence and his cadence is fourth in the greater cadence. He is a member of entity two – making him entity mates with George Hawken and Jesse Hawken – cadre four, greater cadre 7, pod/node 414; he has known both the fragment Arvin and the fragment who was Merlin in many prior lives.
He and Merlin are, in fact, old comrades-at-arms, which is the closest non-essence bond of all.
He has an artisan task companion, who is the fragment Jean-Emile Sanscartier, his lover in the immediate past life. Unfortunately, Jean-Emile’s chief feature stood in the way of their life task and it will likely be completed in a future life together.
This is an artisan-cast warrior with strong scholar energy in his casting. There is also a great deal of drama here and in the past, this has been put to good use on the stage, both in classical Greece and in fairly contemporary times in England.
A recent pivotal life for this warrior fragment was in the late nineteenth century, in 1878, when as a Zulu Warrior/shaman; he fought alongside Cetewayo, against the British and learned the agonising power of defeat, when they lost their struggle in following years and lived to see their homeland annexed.
He also learned, in this very recent life, the power of the dance in uniting the tribe and this lesson aided him greatly in his immediate past life. (1998)
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Ella Fitzgerald in Concert in Sweden, 1963
Ella Fitzgerald – Vocals
Don Abney & Oscar Peterson – Piano
Ray Brown – Bass
Jo Jones – Drums
Herb Ellis – Guitar
Roy Eldridge – Trumpet
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*BAC – backward-pussied, ass-eating, cocksuckers of which #Peggalicious’s posse includes the foxy but straight-acting, Christian type, The Duke of Buckingham & Norfolk, Jaysun Nuffnuff – the chinless hillbilly fabulist, Jasmine, the aggressive bottom retriever, Simi, the shit-obsessed encased pet fly. There are others, of course, but they all have this much in common – they favour beards, moustaches and are passionately obsessed with dining out en derrière.
These utterly stunning dream experiences occurred on Thursday, February 16, 1989, whilst the Moon transited both Cancer and my second house.
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I was on a street and just beyond the other side of the street was the edge of a cliff; it looked down into a distant valley. It was very sunny out. I was seated in front of a house.On my right was a man who had come home from work in a car. He looked very Italian except that he seemed to be very hirsute – as though he had quite dark skin.However, on closer inspection, he turned out to be rather hirsute. A little later on, he came outside again. His neighbours were looking at him, kind of strangely, like they weren’t already accustomed to looking or reacting to him in a strange manner.
He sat down next to me outside, on the neighbouring bench to my right, both of us with backs to the neighbours. He turned and looked at me and his face was rather ape-like.It was the colour black and his hair was quite different. This man had a long widow’s peak and his face was literally the colour black. It was quite ape-like. He said nothing. More than that, he seemed rather friendly and nice.Along that street, there were kids when a car had pulled up. They were very teenage kids – all boys. A boy came out further along and returned to join one of his companions.
Then it turned out that his companion was in a car that was black and seemed to move, as it were, on air-cushioned rubber wheels. This black car of his was rather aerodynamic.After his friend took off, he then – this is the little blond timid guy – went over towards the cliff. Directly in front of the hirsute ape-like man, who was seated to my right, the blond guy went into the bushes.The young guy turned out to have been his brother – that guy who looked like a twin of his or resembled a brother. They hung out together and then he went moving on.
As he passed me, going from right to left, a friend of his was coming down the road. The road had a curve in it and went steeply up a hill. The hill, in fact, looked like the hill at Toronto’s Prospect Cemetery on the south side of Kitchener Street. His friend came down and he was wearing a helmet because he had been on some sort of vehicle. He removed the helmet, carrying it in his right hand, as they greeted each other.Strangely, they greeted by grabbing each other around the hips and rubbed their crotches together, joked and laughed. In essence, they engaged in clothed frottage.
I thought it interesting that two males would engage in open sexual play, however, this seemed the natural standard way of greeting in this culture. Clearly, this was a sign that this was not exactly Kansas.I had the distinct impression that the twin blonds had gone into the gorge to do drugs. As they were blissing out, only the crown of their golden mops was visible.They were using the very intense lushness of the rolling hills, in the valley way below, as a stimulant. Everything here was so pronouncedly healthy, even the star that shined seemed more intense and pure than Sol.I carefully looked at some of the trees and realised that they were bonsai, furry, mossy centuries-old plants that seemed to hum at a frequency higher than their arboreal counterparts on Earth.
I was able to zoom into the plants in the valley way below and experience them in intimate close-up. Of course, this I accomplished whilst remaining seated on the bench where to my right on another sat the über-poilu, intensely warm, handsome ape-like man.The helmet was the same black, light, metal-plastic alloy material as the car. It seemed to have the ability to absorb the intense sunlight, which was not scorching, and cool the interior.The blond who greeted his Italian-looking helmeted friend – they were all, incidentally, the same hirsute ape-like stock as the jet-black man seated to my right – had patted the car as he moved around its rear into the road to meet his dark-haired friend.He had patted the car much like one would a trusted horse. At that, the car had hissed and lurched to the road from its hovering stationary position a foot off the ground.
Later on, in the second dream, I was still on the same street. There were all these little kids. They were on skateboards. They came down about four, five, six, of them – little guys. One of them was Black. He was quite light-skinned. They were from a high social class. They were very friendly and nice and I warmly interacted with them.However, they were quite reserved and it wasn’t as though they weren’t friendly. As I was a stranger, for that reason, they kept me at bay.On the lower part of the street, where I was with them, it was clearly a cemetery. As far as cemeteries go, it was quite different an arrangement. It had quite large tombstones in it – monuments.
There was one woman there in black who was seemingly Italian. She was carrying on; she was grieving by this one monument. It had on it a very interesting design and some of the graves were fresh.I explained to them, the little boys, that this was where one went. However, then one came back from there and was able to live a life again like they were now living.I explained to them in those terms, however, I did not force them to look at funerals. People’s focus on funerals as the end and fear of death was the trap, I explained to them.
In this the third dream, I was under these hugely tall trees and was working at the time. Clearly, I had been working for someone like Pete Wilkens or someone like him.I had left a shovel around. The shovel had been left about and from a long, long time ago. This was on the grounds of a park-like setting where there were lots of skeletons about. The skeletons were covered with a whole bunch of ants. It was strange because it seemed as though the bones were the remnants of lunch and had just been eaten.They seemed like the skeletons for fish except that the head bone of the fish – skull – was quite flat.
The head had three sides to it and the skeleton was again a narrow filament that had two identical spines that trailed the unusual-looking skull.The skeletons were quite white and were flexible like the white cartilage of a chicken breast. There was a bunch of ants all over them.I might also add that these flexible, double-spined, fish-like skeletons were covered with ants that were quite feathery and lumpy. These ants were almost like miniature tarantulas because they were so bulky, dark, rich and, in a way, nice to look at.
There was a shovel sitting about and I realised that I had left it there, when I worked last time which was some time ago, last season. However, nobody had actually moved it because it meant that it was my responsibility to have moved it.So I ended up moving a couple of rakes – they were, in fact, more like pole saws. When trying to clear the space, I took them from one area to the next.I must say that I was quite struck by the face of that particular man that I did see, whilst he sat on the neighbouring bench to my right, in the initial dream. Even here in another dream entirely, I kept seeing him in my mind’s eye.
The fourth dream found me going back to an apartment where Merlin and I were living together. There were ants all about the apartment.I told him,“You have to get out and go away for a while so I can clean away the ants.”I then went about disinfecting the place and got rid of the ants. I was even disinfecting beneath the floorboards… everywhere.Owing to his being full-blown with AIDS, I did not want Merlin being exposed to the harmful chemicals in the disinfectants. That, certainly, could have resulted in horrific consequences on his vastly compromised immune system.
With the fifth dream, I was in a large department store. There, I saw Isis da Braga who was there to buy a scarf. At the time, I was with two males; it was a Gay situation.Owen Hawksmoor was talking to someone who had a very large nose. The man to whom Owen spoke was Black. He seemed like we vaguely knew each other. He seemed, in fact, like Don Baxter.However, the face on this man was black and had hues of red in it. Not the colour black but as Black people look. More than that, such that it looked like the nose of an animal’s would like an aardvark or some such, the nose on this man was more like a snout.He wore white; both he and Owen did. There was some function, that one had to go to, for which Owen had complimentary tickets.
These two people, whom Owen and I had encountered, were saying that they did not know where their complimentary tickets were. I said that I knew I had mine. Anyway, Owen left them and went back up a flight of steps.It was quite light out, up the staircase, as though there was a skylight hung high overhead. Owen moved on and I went in search of Isis who had passed by. She was quite embarrassed, in fact, at seeing me with my arm about a Gay person.She went in and picked up a scarf and the scarf was worth 52$, I think, because she was putting down the balance of the money – the other half – 26$. She was there shopping.It was a black scarf and it had beautiful… the borders were red and green designs. It really was quite nice. I came and leaned on the counter and said hello to my sister.
She was reserved, cool and detached. She turned to me and was beautifully made up and looked very young with beautiful, flawless, flawless skin.She spoke about the fact that she did not go shopping with me anymore. She insisted that my accusation that she did not go shopping with me anymore because I was with men was not true.She was wearing a beautiful mustard-coloured jacket and a scarf about her neck. Indeed, she was quite well-off.
*The thing about these unusually droopy noses is that they looked as though this was a race of extra-humans (extra-terrestrials) which had evolved from simian mammals who were descended from proboscis monkey stock rather than not. It is a race of primates native to Borneo and the faces of those simians are rather human.This is how this man and others in this dream would appear. However, it was more than that look. END.
In the sixth dream, I was in an office that was like an indoor greenhouse. If you like, it was a mausoleum rather than greenhouse. It was sky-lit and there were a lot of caskets about. Some of them had flowers and some of them did not.When you came in, you went down some stairs and into a more open area. There you saw a burial crypt. It was an indoor burial crypt. There was a man about as well as a grand piano.Whenever the employees of the place came in, there was a woman standing about and she would excitedly say,“We have to go out, we have to go out.”I was with those little children, from the earlier dream, who were skateboarding and whom I had instructed earlier about the whole idea of reincarnation. These children were mostly White. We were also being hustled out of the place.
The woman then said,“What is he doing? There is not another service. Why is he trying to start up that piano?”The man at the piano was large and bent over and he looked somewhat out of place being there. Before we could be ushered out of the place, I managed to run up and put some flowers – some yellow flowers, on one of the brown caskets that was there.
*He was inordinately tall and hence drooped over a lot. Whilst seated at the grand piano, his towering height made it look as though an adult seated at a dollhouse piano. Too, he was inordinately pale… END.
As we were going out, the procession was coming in and people were being hustled in. It was quite a fast procession. I stuck around and tried to see the place and see why there was so much hustling.There and then, it turned out that I saw the casket. It was very flat and plain and I thought,‘Well why is it being hustled out? If it’s a funeral why would the relations be so ecstatic?’However, it turned out that because the burial box was so flat I thought it was going to be cremated. It turned out, however, that it was for the office. There was going to be a surprise party.
It was actually a cake. It was covered up in wonderful, colourful wrapping paper. There was going to be a celebration and those were all the workers from the company. The atmosphere was quite nice and friendly.
In this the seventh dream, I was in a very, very large and busy restaurant where I ordered myself a bowl of soup. I was going to go upstairs to the bathroom but I had my bowl of soup in my hand.It was very Gothic-styled. It seemed, in fact, like the inside of a château. It was in the Gothic style except that the walls were rose granite – rose-coloured granite. It was, however, rather smooth-surfaced.I then accidentally spilled my bowl of soup. The waitress who had come to my aid was dark-haired – short, dark hair. She looked like a dancer who danced with the Winnipeg Contemporary Dancers when I was living in Winnipeg – the one who was Lebanese and had had a back injury.
Anyway, this waitress went off and I was waiting there being quite embarrassed. I was trying to rush to the toilet. I asked someone where the toilet was and they said,“No, no, not upstairs.”It turned out that the washrooms were, in fact, to the rear. So off I went to the bathroom and I was quite embarrassed. I tidied up myself and I came back out and my white cotton pants – nice, beautiful trousers; they were baggy but they came in tight and folded in a pleat at the end at the hem – were quite stained by the soup.It was a dark sort of pea soup. A dark brownish fare, like a lentil soup, it was. However, it was not like a lentil soup because it was red.
I was trying to ask this man to move, in order to get by him, en route to the washrooms. There was a couple behind a man and they were very lovey-dovey.The man had to ask them to get up to let me get to the bathroom. He did not want to get up or anything like that but he finally realised he had to get up. So he basically moved and he was quite unusually blond.Everybody in this place was very unusual-looking. They had extraordinary features about them. They were excessively good-looking but they had an outstanding feature that made them seem Thothesque.Again, noses here were very long, droopy and bent over. Their noses were almost beaklike in that sense. That was the extraordinary thing about that jet-black skinned man, in the initial dream, as well as this blond man who had the same feature.
Humanoid with exact nose as this Proboscis Simian
These persons were all exceptionally tall. They were each on the other side of seven-plus feet. Also, they were so über-poilu, it made it look like they were either jet-black when Black or yellow-white for being blond.Finally, he did move and when I was leaving, I looked at him. He was looking down at me because I was out of sorts, out of place, being there. Standing before him, he really did tower over me.Clearly, these persons were EHs – extra-humans or ETs.Another person had come by and tidied me up. He busily got me back to where I was seated. Then he had mumbled something like, “Why don’t you get out of here real fast?”
So I went out into the vestibule and I was waiting and waiting for the waitress to come by because I wanted to pay her for my bowl of soup. I think it was going to be $3 or something like that.Isis just said,“Why don’t we just get out of here?”We were waiting out front and it was busy so I finally got out. However, I was arguing and said,“That’s not the point of it.” I strongly felt that I should be paying my way. So I thought to just go back and put down my money on a table somewhere – I would feel better.However, I did finally leave, after having been more or less harassed by Isis without having paid. She was asking, “If you can save the money, why not save it?” that was her attitude.
When we were leaving there was a tall, enormously tall, man. He was White. Again, he had the same beaklike nose and there was something about his face that I found immediately sexual. His face was intensely sexualised.I was going to indulge and not leave because I so wanted to explore this man. However, Isis hustled me out of there.
Dream eight found me in the streets. I was walking with a baby – a little Black baby who was light-skinned. I carried the baby on my shoulders.It was rather nice. This time, out on the street, it was dark out and it was night time. This place we went to, that was quite busy, was bustling with lots of wonderful, wonderful people. It was very cosmopolitan here. A brief dream it was too.
I next found myself in a ninth dream experience that had a great deal of uproar and tumult to it. There were figures in black who were part of some sort of religious sect. These persons were just alarmingly fanatical.They were terrorists and they wore black. They had some sort of insignia on their bodies. As a matter of fact, they were looking for me; there was no mistaking that fact.I was in what would be Catherine Angelica Montpelier’s yard. I was trying to hide out there. There were, somehow, attempts to get me out.Then there was this truck which the people who were like security guards used. I was told where to find them and where they weren’t.
So I went into this yard and it seemed like part of Catherine Angelica Montpelier’s property and the neighbourhood in Crab Hill, Sandy Point, St. Kitts. However, it was differently set up here.There was an Indian-looking girl – Amerindian-looking and not Dravidian. She, too, had a beaklike nose and I tried to explain to her,“Well look, you know I’m being pursued…”
“Oh yes!” further, she made reference to the fact, “Oh yes, you’re the one who killed Bob… or somebody.”Up on the roof was like Bob’s brother, whoever Bob was, but it wasn’t a name that I recognised. His name was Bob, however; it was Patrice Wellesley, of all people, who was keeping a lookout.He was supposed to notify the guard-like people. I intuitively knew that on the far side of the wall, of the place where I was hiding out, was a guy and a girl. She had very long black hair and was quite militant. They were looking out for me and talking.
I was telling the Amerindian-looking girl with the Thothesque nose, who was talking to me and dropping pieces of information, to just shut up and calm down, “You don’t need to say everything and carry on and on.”However, she still kept on blabbing away.I then managed to go around the side of the house. She was with her sister and they were playing some sort of game. So I thought to actually go around, to the front of the house, to ask her who her sister was.I then went around to the front of the house and there was her sister who seemed like Diana Nottingham – with whom I modelled at OCAD and did that pose with her at OCAD that Olaf Nordstrom had painted.
Anyway, she was quite wonderfully made up in whiteface. As though she were a Kabuki actor/actress, she wore white pancake makeup. She was, in fact, an actress. She was waiting to go on and perform a role of hers.It was quite interesting because she was, in fact, filling me in on what was going on,“In point of fact Arvin, you know, basically someone died because in self-defence in a rumble with them… it was just a lazy man about town, an idler and a drifter.”He apparently ended up dying because, during some sort of attack on me, as I was defending myself he was accidentally killed. As a result, I was on the run and there was a plot – the militant group was out to get me.
Immanuel Methodist Church, Sandy Point, St. Kitts
She told me that what I could do was go behind the Methodist Church in Crab Hill, Sandy Point, St. Kitts. The place, however, was set out as if a mélange of Crab Hill, Sandy Point, St. Kitts and elsewhere.So she told me to go across the railroad tracks. On coming around, I would be able to come home free to my home in Crab Hill. However, she pointed out that all along the route there were the same guards – militant fanatics.However, I just had to play it safe. She confidently assured me that they could be headed off. I was grateful for her advice and took her directives to heart.Well, low and behold, the girl – the militant sibling – came around the yard and caught me. When she caught me, I fled in escape. I went and hid behind the wall.I am not referring to Diana or one of the two sisters who had been around the backyard but there were two other sisters. These other two sisters were part of the militant group that was on the hunt for me.
The girl pulled out a weapon and it had a little blade on it. It was quite deadly and I kept hiding myself trying to extricate myself out of the place. I did so by holding up one of the sisters, in front of me, as a hostage.Someone got spliced in the left hand. I don’t recall that it was me or if it was me, I simply did not feel any pain when attacked. The vicious-looking wound had self-healed right away. I had focussed my light energies on the wound and caused it to instantaneously self-heal.Anyway, I was able to push the sister onto them. I then made my way around to the back of the house. By this time, the brother was coming around the house from the other direction.
When I say I went around to the back of the house, it was where I had originally encountered the two militant sisters. By that point, she had already called for help from the guardsman. He was somewhat ecstatic as he came around. However, this was my chance to flee. So I climbed over the fence and immediately there was a lot of plastic on and all over everything. When I climbed over the wall it was, clearly, what in the waking state would be the very back end of the Methodist Church estate.It was covered with a heavy plastic and there was a lot of wood. There was scaffolding everywhere. I climbed along the wood and the sister – the white-faced, actor of the two sisters – had told me that I could get immunity by saying that I was coming to work on the grounds or some such.
Next, I crawled along the scaffolding and looked to my left. However, this being a dream, it had semblances to being Sandy Point but it wasn’t really Sandy Point either.I realised that there were apartments, tiny apartments, which were glass-enclosed. They were all quite in disarray. People lived there but nobody seemed to be home.Here I was trying to make my escape and if anybody had seen me, of course, I would be squealed on. Then I finally jumped down, out of the ceiling-like area, because there were crates and boxes and a straw-stuffed bed under me directly below the window.I came down to an open area and there I saw a much darker version of Artemis da Braga, my niece. She was sitting wrapped with a telephone cord about her as she played with the phone.I greeted her but I did not want to get her excited because I wanted to flee the area.
Sentient Alien Land Rover
Next, in dream ten, I came out of this beautiful house and came out into a wonderful backyard. Immediately, whilst there, I saw another of those vans. There had also been a van in the earlier dream that showed how these people, the militant people, worked.They had a van and it had another little van on the inside when it opened up claw-like. It appeared that the top and the bottom, the back rather, could open up. Inside it revealed another vehicle that was covered in a brownish greasy goop. The most interesting feature of this entire affair was that, although they looked human enough, the militiamen were not human. They were extra-human. So too was the machine which, from its goopy fluids, was sentient.It was an EH species which they were using to capture and feed one to. It seemed that the machine-like EHs were, in fact, in control of the militia-type EHs rather than the reverse.
It seemed more creature than a vehicle and, somehow, this was what I was supposed to be put in when captured. These two Black men, who were guarding the house and who let me know that they were guarding the house, were saying,“Aha! Now we’ve caught you.”You know, I thought about it and there was just no way that I was going to let them capture me.‘I’ve got to get away,’ I thought.At the time, one of them was taking a pee – both these men were Black. They were quite casual about having caught me. They apparently were going to get their supervisor who would take care of me.
The supervisor came and he looked like the guy from Trinidad who had worked as a chef at the Underground Railroad Restaurant when, long ago, I worked there. He did, at least, seem like that man.This man, who was their supervisor, was also Black. He had the semblance, the air about him, of that chef but he did not so much look a great deal like him. He was rotund and fairly light-complected.He lived in the house. Rather, he did not live in the house but he was staying in the house as a caretaker. I thought,‘I’m not going to be captured. I’m not going to be caught. I can disguise myself.’
Rendering Self Invisible by Increasing Light Vibration
I immediately started accelerating my energies and, as a result, I was able to transform myself. As I upped my frequency, I heard an increase in the universal hum.I looked down at the backs of both my outstretched hands, keenly observing the intense sunlight react to my skin in a glowing sizzling manner, until my aura intensified and became visible about my body.My aura’s light grew brighter as my skin actually glowed with increasing intensity. It continued until the skin, throughout my entire body, was indistinguishable from the rest of the intense morning sunlight. When they went down the hill and came back with the guy, I was standing there right in front of the house. It was this particular, large wooden house.
It wasn’t large, for being a bungalow, but the door was large. This house was definitely not part of the landscape in Sandy Point, St. Kitts. As I looked on, the guards came bearing the portly gentleman.I was aware from the way he – the supervisor, Zen sage – was talking that he was aware that I was there. Perhaps, he could see me but the other two – the militant guardsmen – couldn’t see me.I realised what I had done: I had made myself light so that I blended in with the landscape and couldn’t be seen. I had rendered myself invisible!
I then decided that I could further transform myself. Next, I made myself into this little white piece of what seemed like string. However, it was more like nylon. It was like shiny waxed dental floss.Such that half way there was a loop in it, it was tied in a knot. It was doubled on itself so that it was, I would guess, three to five inches long at the most.I obviously was astrally projected to another world where, rather lucidly, I was dreaming and interacting with extra-humans. The dental floss-like string was the cord of light which keeps one’s astral body connected, to the waking state body, when astral-projected during sleep.
The Light Umbilical Cord Connected to Astral Body
Immediately, the caretaker guy took the cord – the wax-like cord – which was my transformed-dreamer self in his hand. It was my astral body’s cord which was left rendered visible whilst I remained invisible.He began giving the two guardsmen a walk-through of the house in which only he should have been. It was a house that was no longer lived in. It was wooden all about and very organic.It was a house that allowed for natural light to pour in. There was a skylight. The house was low in the sense that it was dug in. The house was built such that it was somewhat half-buried below the surface. In that way, it was kept cool because it was partly below-ground. All about, on either side, as you walked in every part of this beautiful, sprawling bungalow were every manner of cactus.
These were cacti that were shaped like trees that had leaves. Absolutely stunning and incredible, they enlivened the house throughout.He gave me a tour of the place with the two guardsmen, who could not see me, in tow. As he walked them back to the front door he said,“So you see, he really couldn’t be here. You go off and look for him.”He tossed me or what was my representation – the wax-looking string or my astral body’s umbilical-like cord of light – from his right hand sending it through a doorway of the house. He then went about his business and showed them to the door and got rid of them.At this point, I rematerialised back to my regular dreamer self in this dream and I was able to let on to him that I knew that he knew of my being invisible. So I called him, on another phone in the house, and I remained absolutely silent.I then telepathically shared my thoughts with him. I inferred that I knew that he was aware that I was present in the house though invisible to most. Of course, he knew that I was there but he was just not going to acknowledge my being friendly with him.The fact is that he knew that I was in trouble. He was just trying, out of the goodness of his heart, to help me out. However, he wasn’t going to befriend me or anything like that.
Sprawling Partially Submerged Bungalow
So anyway, on my own I began exploring this beautiful, beautiful labyrinth-like bungalow. The walls of it were wooden. It was a reddish wood like redwoods normally look. It had a shiny hue to it because it was polished.I was talking about it to someone, later on in the dream, and it was in fact the same guy – the caretaker – who had accompanied me at one point. I said it seemed like it was built by Frank Lloyd Wright and he said,“No. Not really…”It seemed like it but it was a different style altogether; however, it was more or less like Frank Lloyd Wright. Seriously though, it was a totally different style.So I went about exploring the place. I went in this one room that was clearly a bedroom. I opened the door and went in – it was a glass door. I went in and on the left were shelves.
There were tiny, tiny, little cacti in pots and some of them were large and some of them were blooming. They were heliotropically craning over to one side.This place had been abandoned for quite some time. However, all the cacti in the place had managed to grow quite large. They were big, bulbous, beautiful and wonderfully lifelike.The spread to the bed was turned down and discarded. It had been left just as when last used by the owner. There was a bulldog; it was not a live one but a statue of a bulldog.This person had a great deal of style and was quite successful. I realised that the owner, the former occupant, was Black. I saw the face and I can’t say that I can recall the face but, somehow, I got the impression that the face was a face of mine if you like.
Bungalow’s Debonair Former Occupant
It was interesting because when I saw the face that is basically the information that I got from looking at the face in the photo. There was a tiny time-faded photograph of a face. It was of a Black man.This was the sense that I got from it, that it was me, in fact.There were beautiful trousers about. As well, there was a large armoire with tons and tons of beautiful, silk robes that I had worn in that life.They were worn around the house by the former occupant. There were, on the bed, some clothes. Too, there was a table beside the bed.Everything in this bungalow was very organic: the bed was very organic, the desk was and even the fixtures were very organic. As well, the cloth was very organic – by organic, I mean that it wasn’t inanimate.
It was organic because it was lifelike. More than that, it was organic because it was breathing. That’s why it had lived so long because it was quite some time since last occupied by the owner.However, it was very much so still alive. The sheet and bedding, on the bed, were woollen and greyish-coloured.The only reason why I had entered the room, in the first place, was I wanted to roam – to see if there were any signs of underwear… there was. There was tons of underwear on the shelves behind me.I wanted to check and sniff his underwear, to see if he had masturbated.
Anyway, when I got into the room, that little adventure had totally evaporated. For having seen the photograph, if you like I was quite interested in exploring the place and getting to refamiliarise myself with the place.The bedroom was just absolutely beautiful. Off to the left, rather behind the shelves and straight ahead, was the closet and the bed was to the right of the door.
Down this long hallway that was sky-lit were the tables and tables of clothing. There was a door past the shelves, on the left, and it looked into more and more clothes.I then came out of there and I went about exploring all over. This time, I went to explore all the cacti in the place. There were tons and tons of them.Shortly thereafter, I was joined by Carl Leroiderien, Merlin and someone else who seemed like Mario of Paris – Mario D’Agostino, however, it wasn’t him.I had a sense of Maxime Gascoigne-de Montigny being about and Carl Leroiderien had seemed like a custodian of the place. Carl was a caretaker or curator of the sprawling bungalow which now seemed like an historic site.When he was excitedly walking everyone through the place, to show them the place, he was referring to the owner. I was there but, again, none of these people had any awareness that I was there – not even Merlin.
He was sort of filling them in on who the owner was. From what I could see, Carl was doing a good job of it.There were cacti that were tall. There were also red ones. There was one cactus that was tall and it had needles on it. It had large, large leaves and two or three leaves like those of a royal palm’s.Most of it was like a palm tree but it was like a breadfruit leaf or some sort of leaf like a maple leaf – albeit an extra large maple leaf. It was, however, cactus.Everywhere there were plants on either side of the skylight hallways. The bungalow was a series of long halls that were all connected and veered off in different directions.
However, it was a house that had basically become a living garden such that it was organic. The cacti truly were the lungs of the house. The air was really nice and it was cool.The humans were able to live with the cacti because it was a totally self-sustainable dwelling. As the light came in heliotropically sustaining the various cacti species, it added breath, depth and dimension to the space thereby making it equally organic.Too, because it was partially submerged belowground, there was a lot of moisture from underground that kept these plants alive. The cacti were quite happy and they had grown so beautifully.It was as if they were bonsai cacti. It was quite incredible how they were all over the place throughout the house.
Then I went down some steps to another open area of the bungalow. Again, there were more cacti. We moved off and came to an area where Carl said,“Oh let’s go downstairs, I can show you the basement. You can see all these wonderful things.”When you looked out the skylight area, it was of the street, the pathway into what would seem Crab Hill, Sandy Point, St. Kitts. So I immediately was afraid to be seen yet I was assured by Carl as he stilled my nerves telepathically saying,‘Oh, it’s okay… it’s okay.’I was concerned about the people, who lived across the street, reporting me to the militia-types. There was bamboo, organic bamboo if you like, that was made into a fence.It seemed like the backyard of what was the neighbour’s house and they weren’t there. I was told it was quite safe that it was okay. The neighbours weren’t there to squeal on me.
Before you went down the steps, into this other area, there were all these beautiful, beautiful organic works that are quite common in the Orient. For example there were many objets d’art.These were objets d’art which were beautiful temples and totems. They were all made from the ivory of elephants’ tusks. It was all beautifully detailed and in miniature – all the miniature designs were made of ivory.That was the sort of stuff. This particular objet d’art was large. It was square-shaped so that it wasn’t like an elephant’s tusk. More like an obelisk, if you like, it was.They were more so little temples. They were shrines and Greek temples if you like. What was truly fascinating was how incredibly detailed they were though scaled down versions of the real architectural gems.
We moved on and now we came to an area that had nothing but wares. There were lots of baskets everywhere because this was where the ornaments were kept. They were all stored therein.Carl was the caretaker of these things. He was quite familiar with every item and, again, there were bamboo basket-like wares and objets d’art.I was told that this was, in fact, like a wine cooler. It was so delicately and intricately made. Also, the item was collapsible. It could open. The objet d’art was like a valise and it could open up.Merlin went and opened it and was prying into it. It had two African skulls or heads on it and it was quite beautifully detailed as a matter of fact.
We then moved on and came into the downstairs area. This place was like a cellar. Somehow, copious rays of sunlight made it to this part of the sprawling, multi-levelled bungalow.Even though we were further underground yet, somehow, the sunlight came in. However, I soon realised that it wasn’t sunlight. It was just this light that was white and somewhat diffuse.It was quite soft and nice to the touch. Among the many stored wares, there was something that had a white bamboo-like coil. This thing had a piece of string attached to it with two yellow sticks or shoots like chopsticks.
You could insert it and it was, in fact, quite sexual. The Mario D’Agostino character immediately grabbed it up. Whilst simulating sexual play, he was playing around with it.He was making noises filled with sexual innuendo and then said,“Umm, get undressed and put it on your cock because that’s what it’s made for.”Oh he was so happy to perform and went off to try on the item.
*Here now, some further comments set in the dream in the beautiful house. Here, the atmosphere in this house was one of serenity and it was a reflection of that particular life that one had led whence the proprietor was Black.Tall and very erudite, he seemed a man of the world. He was well-travelled. He loved beautiful music and he had a collection of things in his bedroom that were totems from his travels.He was obviously tall because there were lots of khaki and white summer pants which all gave a sense of his height. When I had first entered into the room, there was also a rack that I had bumped into.I hadn’t noticed it because it was suspended from the ceiling. It was racked with leather suspenders and an enormous collection of belts: broad belts, narrow belts, as well, skinny belts.
There were all kinds of beautiful belts. They were very expensive and they were also very organic and ancient. They weren’t brand new any of them.It was all a reflection of the person’s spirit. You never met the person but you knew the person through the house. It was beautiful and wonderfully planned out.The sprawling, organic bungalow was so multidimensional; it went off in all these directions and avenues because that was who this person was in that lifetime. In a box to call home, he was not contained or restrained.The organic house constantly veered off. It had many apartments and veered off and had many cul de sacs. There were areas where he could go and be removed from all the other areas yet be surrounded by plants.
At all times, he was surrounded by life itself and it was healthy… quite nice.Whilst at the restaurant having the lentil-looking soup, the reason for the extra-tall, obvious extra-human being impatient with me was more subtle than one may assume. With their sophisticated proboscis, it is safe to assume that smell was the most developed of this extra-human race’s senses rather than sight as is the case for we humans.Likely, there was something very off-putting to my pheromone makeup which left the seated extra-human uncomfortable. I don’t think that it was a matter of my race, Black, but my species, Earthly human, which made the über-poilu, blond extra-human uncomfortable.
As I was in his home world, he naturally felt put upon for having the unfavourable aspects of my pheromones anywhere near him. At the end of the day, he was an incarnate ensouled fragment who is one of seven soul types and with the same selection of overleaves as any Earthly human. Any Earthly human would have similarly responded to having someone of outré pheromone and species in their midst.