Stellar Galactic Museum of Anthropology.

In this the first dream, I was having a very heated argument with a group of Christian fundamentalists.  This concerned the book of Revelations in the New Testament. My point was that there was no longer any need for them to fixate on the nihilism of that book.  There was no need for them to fixate on the actualisation of the Armageddon construct. I was pointing out that much of the suffering in the world was due to the Christian obsession with violence.  For this reason, for the last two millennia, their culture has done nothing but produce men of inordinate violence.

Further, I tried to point out that none of these fatalistic visions were ever prophesied by Christ.  Rather, they were the result of a fearful culture’s way of trying to come to grips with having murdered Christ. The New Testament was simply the Christian Church’s way of manipulating the life of Christ, after his murder, to suit their ends.  For having murdered Christ, they have been karmically fated to being a violent culture. Seeing that it was pointless to be engaged with these blind and lost souls, I chose to move on.  To say the least, the energies between us were tense.

*Then, too, it was best that I moved on.  The longer that I engaged them, it proved fairly obvious that I would have to up my frequency becoming light and thus invisible to the blind. Truth be told, they would shortly start ridding me of my soul.  After all, I clearly was a heretic in full!  END.

The Whitfield Condo, Toronto

An area that seemed like a school, this proved the reality of the third dream, where there were kids who wore navy blue tunics.  They were in their early teens and were going out to a courtyard. We were coming back from a precipice.  Everyone here represented several nationalities.  Some Hispanic kids, who were clearly well-off, attended the private school. Looking down at all these people far below, we were out on a balcony.  I thought to myself at the time that I simply couldn’t afford to go falling over this balcony. In the meanwhile, I energetically waved down to the group below.  I was encouraging them to financially invest in Africa by supporting African industries.

There was nothing in the world that they had to be ashamed of.  They ought to be more proud of their African heritage and their African nations.  Indeed, they needed desperately to wake up to the realisation of just how much that they actually had. Some ten feet away were two white horizontal iron bars that formed a container from the precipice.  Naturally, one was expected to use common sense and not go beyond the two restraining bars. Going to the right of a guy, who did not want to move, I grabbed a hold of the upper bar.  I gymnastically snaked my body through both bars and made it onto the safe side of them again.

One girl was approaching her father, to speak with him, as he was surrounded by people.  Though daytime, it happened also to be overcast.  For being otherwise engaged, her father couldn’t speak to her. To drive away her disappointment, I grabbed her and started dancing which her father appreciated with a warm smile.  She had been quite insistent on speaking to him, however, there was no way that he could have then seen her. I was trying to get her to see that her father’s diplomatic affairs meant that there were times, even to her, when he was simply unavailable.  At the time, he was in the midst of being interviewed by a television crew.

One Delisle Condo, Toronto

I was in a darkened room, at night time, in this the fourth dream.  Somehow, Isha da Braga and other family members were also present.  A man was lying there on a bed and his physique was that of a warrior or even a king soul incarnate. He was a pure white-haired man.  It was the natural hair colour not due to his agedness physically.  He had been across the bed on which I lay.  At the time, I was not the least bit tired. I was supposed to be in repose and there was an implicit order that he not be awakened.  There were several talons – fishing flies, however, they were unlike their waking state counterparts.

Apparently intended for me to keep, they were laid out on my pillow.  Beyond the head of the bed was the lone door to the room.  The look of the door and the room made it seem fairly sepulchral. Meanwhile, another man had entered the room through those doors.  He stood in the centre of the room before me.  He wore a gossamer-looking outfit which fell to just below his calves. It was as if a futuristic version on the chainmail suit of ages past.  Bronze-coloured, it fitted his body pretty much like a wet suit would.  There were some metallic-looking strips that crossed the outfit.

Behind him were the largest wings imaginable.  These were definitely not some theatrical contraptions, they were his.  Adding greater drama to his entrance, they flared out behind him and upwards. To say the least, he was quite the mythic figure.  Sadly though, the intensity of the outfit’s glow obscured the look of his face.  For that reason, it was hard to say whether he was Amerindian, Indian, Asian, Black or White. On remembering that dream of September 4, 1988, I instinctively sat up.  Straight away, I knew that he would approach the bed.  I also knew that whilst standing there at the foot of bed, he would perform some all-important ritual.

Meanwhile, Penina da Braga and Isha were telling me not to get up.  That was because I wasn’t supposed to disturb the man, who lay there, soundly asleep. Frankly, I did not much care about the archetypal king/warrior-souled man soundly asleep on the bed with me.  As I explained to them, I was more concerned with the winged incredibly tall man. I knew that he was there to collect the fishing flies from me.  For that reason, I told them that I was afraid that the winged man may take off, thus making it potentially impossible to get them to him.

Their confusion was distracting; so, with that, I finally got from the bed and left the area.  As I left the sepulchral room, I realised that I had been someone who had been quite revered in a past life. Apparently, this had been in parts of the West Indies – the Virgin Islands and mainland America.  As I walked from the room, I had been told this by a guide. Seemingly, I had been a skilled diplomat which was when I had earlier been out on the balcony.  At the time, I had been looking down to the masses and spurring on their spirits. I was respected and much-loved by the locals.

*The immensely powerful, gossamer-suited, winged and exceptionally tall man was not the Eurocentric angel.  He was not, for that matter, some mythic archetype. He was an extra-human and it was also clear that regardless his packaging, he was clearly a king soul.  There was no getting around that fact. I found that it was quite impactful being in his presence.  I also had a strong sense that he was someone with whom I have been familiar, in the dreamtime, throughout my life. This is one of those rare times that he has manifested in the dreamtime.  I do believe that this is the first time that his manifestation has been recorded in this audio-cassette medium.  END.

In a courtyard area, I found myself in this the fifth dream, on an estate that was close to the sea.  A man was being surrounded by five Italian guys who were being problematic. Clearly, these men were thugs and the henchmen of someone with whom he was acquainted.  Eventually, his mother had shown up wearing this beautiful floral-printed dress.  The dress was a sleeveless design. She was a short study of the babushka archetype.  There was no way to get around the fact that this man was Russian.  I had had to tell his white-haired mother, to stop being emotionally panicked, to leave the scene. She could, by her distress, have proven detrimental to his survival.  Besides, quietly I had told her to go get help by dialling 9-1-1.  Except that when she went to the balcony, she started shining some large spotlights.

Seeing the logic of her actions, I told her that whatever she did, she had to always keep them trained on her son.  In the meantime, the henchmen kept on closing in on him.  The heavies all wore bathing suits. On the order of Charlton Heston, he was a tall majestic-looking man.  A very warrior-spirited, mid-aged man was her son. The house was a papaya-toned, West Indian-orange-into-peach tone, to slight-tangerine-red impressive structure.  Surrounding the house, in the modern style, was a large stone wall. There were marvellous sculptural openings in the wall.  They were lyrically curvaceous and suggested slow aqueous movement.  The style architecturally was really quite timeless. Set some twenty feet from the house, the wall was an impressive complement to it and was some ten-to-eleven feet tall.  The wall was the same colour as the side of the house.

The earthen yard was a roughhewed affair, with exposed roots everywhere, as top soil had long ago been wind-and-rain swept aside.  The wall was in three phases, to accommodate the sloping grade of the property, dropping a couple of feet along the way.  The distance between a drop-off in the wall was roughly ten feet. When one got down to the seashore, there was a van circling in the air overhead.  This van had the same green tonality of most military helicopters.  The look was of that army camouflage gear that is sported the world over. The craft was definitely not a helicopter.  A network of vary-sized antennae shot from all sides of the van-like craft that silently hovered in the air.  Down on the shore, parked next to the sea, were a couple of tractor-trailers. Their being placed so close to the ocean, I thought was dangerous.  Both of them were white with one being silver in the back.  Clearly claimed by the ocean, they had been abandoned there to rust away.

I couldn’t believe the environmental negligence of whoever had done this.  Not realising that the henchmen had landed on the beach and entered the house, a man had come and parked his car down on the beach. Meanwhile, the girl – who had wanted to talk to her diplomatic father – had learnt that these same people had savagely butchered one of her brothers.  They had then disposed of his body at sea. The man being confronted by the murderous henchmen had come down to the sea.  He was there to investigate who they were and why they had landed on his beachfront property. A number of people had seen them come ashore and had yelled out after them.  The concerned were neighbours of the Russian man. These people then took it on themselves to call the authorities.  With that, the murderous henchmen had fled.

By the rising tides, the butchered corpse was slowly beginning to be dragged out to sea.  The murderers had fled, behind the house, to the sheer cliff, rock face where there were several abandoned buildings. These men had split up at once, taking off in divergent directions, to escape being caught together.  Running helter-skelter, they veered off in separate directions when fleeing apprehension. Taking cover myself, I then went indoors; once inside, I immediately looked around when trying to get my bearings.  There, I saw a man lying on the floor who was bent over. Splendidly furnished with an eclectic array of antiques and mementos of a well-travelled life, the interior of this house was busy.  The décor here was in the Santa Fe style and warm it was too.

The man was on the lowest of the three levels, of the split-level house, thus leaving him closer to the sea.  Theatrical, the house was wide-open and inviting.  This layout afforded a commanding view of the wetness of nature’s womb outside. As each of the three levels had its own sitting room area, he was in that level’s sitting room.  The seating was always in the centre of the central hall-like room. There were lots of potted plants that towered up in search of the comfortably far-off ceilings.  They were all big-leafed and, for the most part, succulents. In this one area, it was absolutely beautiful – where the guy was knocked out and on the floor.  Coming closer, I realised that it was my current lover, Gustavo Vadim.  He had been badly beaten up by the marauding, interloping murderers.

Shore Bird on the Tundra, Kenojuak Ashevak

One of the henchmen, wearing a skimpy little bathing suit, went down before the Russian man’s mother and started masturbating in front of her.  As she sat there, on the chair, the henchman air-jacked off though never having taken his hard-on from his tight-fitting spandex. The poor dear was being totally traumatised by his boorish behaviour.  Seated there, she really did want to get a load of that throbbing piece of raw tenderloin.  I found it quite comical to look at her. I, at the time, was up on a ledge that formed part of the structure’s girders.  Just as outside, in the stone walls, the same sculptural schemata were reproduced on the walls inside the house.  There in one of these openings I had comfortably sat. Hiding out of view of them, I had been crouching down.  To my left, from where I perched birdlike, was the central living space in which were the sitting areas.

A really beautiful organic house; it was not unlike that sublime masterpiece which I explored in the dreams on Thursday, February 16, 1989. As one walked down the length of the house, towards the sea, the partition on which I hid was off to the right.  Beyond the central living space, the same sculptural wall was repeated far opposite across the house. Too, that wall had groovy openings in its three-foot-thick frame.  Here too, as outside, the same colour schemata prevailed.  Here in this part of the house, it was dark as there were not many windows in the structure. There were, interestingly enough, no central skylights in this house.  This, I thought, was a design flaw. As they went off to get dressed in casual wear, one of the Italian guys had seen me.  I must say that they were an über-poilu bunch.

The fact that they had been able to inflict a great deal of damage on their target, they openly celebrated.  One of them had gone and gotten the guy, who reminded me of Gustavo, putting him on the gas range. Turning on the gas, they then struck a match on his genitals and arse.  I couldn’t believe my eyes.  Both his anterior and posterior sexes were on fire.  Rushing to his aid, I snapped at them telling them to layoff persecuting him. Grabbing his body, I pulled him off the range and covered his singeing sexes.  I then reached over and put out the glowing blue-flamed gas range. The Italian guy, it turned out, drank a lot of whiskey then he violently spat out the liquor at me.  With lightning ease, I caught it in my mouth and rapidly spat it back at him. He had followed the liquor with a spurt of flame which, of course, was meant to set me alight.  The stunt had failed as intended.  I had no intentions of being burned as he had intended.

The way in which I blew the breath out had amazed me.  The sound of my breath was a thunderous quake.  The process was empowering and felt as though a wind tunnel had opened up.  Out of my body, there blew all this warm air. Though I had feared that he would throw a match at me, setting my breath and self on fire, it never did happen.  In the same position, as a frog’s limbs, Gustavo was crumpled on the floor. Crouched forwards, I turned him back, attempting to right his body.  Gustavo, however, remained on his knees.  His spread arse cut quite the impressive inviting image. Finally, on seeing his face, I could see a semblance of Gustavo’s face.  More importantly, this reincarnationally was the amalgamated face of his soul over the ages.  The nostrils were more flared than Gustavo’s.

Though not dead, he was as if in a deep comatose state.  Nonetheless, he was sexually inviting, expansive and to the point of being submissive. Furious, I shrieked at the henchmen and ordered them to instantly get the fuck out of the house.  They were very rebellious though. Getting outside, I rushed after them and made sure that they were taking their leave of the property.  When the authorities pulled up, tires screeching, they had gone down into their car. Tearing from their cars, they abandoned them fleeing on foot.  Before the house, there was a sheer rock cliff which was some eight feet high.  Where the millennia of water runoff had created deep cracks in it, there were deep fissures in the rock face.

This is what had caused the earth, in the yard, to become so eroded leaving a bare rocklike surface.  Whilst I hid out down in a dugout, I saw the arrival of backups.  They arrived in futuristic, EHV(extra-human vehicle)-like machinery. As if made from malleable chrome alloy, they were silver.  In that sense, they appeared as if animated machinery effortlessly floating through the air. Removing myself from the chaos, I went off on an exploratory tour inside a large complex that seemed like a museum.  There, I saw several strange-looking persons who seemed not wholly human. I couldn’t though quite fathom what it was about them that made them, as it were, not quite homo sapiens.  Finally, nothing on display made precious sense to me.  With that, I took my leave of the complex.

In the Garden, Shawn Hunt

The persons there were also openly making fun of Blacks though not necessarily me.  Since I did not appreciate this, I took off.  I was then in this area with a guy whom I initially thought was Black. He energetically seemed Black.  I had been too distracted, by the goings-on outside, to have paid him much attention.  There was considerable fighting taking place outside the dugout. The Italian henchmen were caught in a stakeout with persons who were obviously extra-human.  They seemed more so like sentinels – automatons, if you like, rather than humanoids. With a large pylon slab in it, the dugout was metallic and less than six feet deep.  On the other side of the pylon was a doorway.  The guy was always on my right as we hid out. Soon it became apparent that the EH sentinels were aware of our being in hiding.  What’s more, they were actually protecting us from being overwhelmed by the Italian henchmen.

When they appeared to do battle with the sentinels, the Italian-looking guys had the most incredibly large guns.  A woman in army fatigues had jumped back away from a bullet. With ferocious skill she had grabbed a bullet, ripping through space, from the air then violently tossed it down into the dugout where we were.  Eventually, she had managed to shoot one of the sentinels. Soon enough, they received backup from the army fatigue-coloured crafts that had appeared as if out of nowhere.  At the time, for the first time, the guy that I was with pointed out the sentinels to me. Not until they had come close enough did I realise that they were as different to us, indeed, as were we to them.  They had spindly arachnidan legs.  Their bodies were round squat and robotic-looking whilst their heads were small as compared to their rotund bodies.

However, these were not mere machinery, they were unmistakably sentient.  They could fight and were rather immune to battle fire.  Seemingly, in composition, their bodies were made of material that was fairly close to steel. Long-limbed, their legs were frightfully skinny.  Terminating in a spear-like or pin-like sharp point, their arms were sticklike and long.  A bipedal race they were whose locomotion was rather nimble. Their legs were in three sections with no discernible feet.  They moved as if their extended feet were perpetually en pointe.  The henchmen were tossing out these round pellets which seemed some new sort of anti-personnel grenade. The sentinel would quickly grab a hold of the grenades and instantaneously diffuse them.  They managed to throw one down at us and, at that point, the guy got up and made to leave the dugout.

I was uncertain whether or not he had been shot.  When he was crawling from the dugout, I could tell from the shortness of his legs – as compared to the length of his back – that he was White rather than Black. This man was, in fact, Gustavo and I called after him and asked him not to leave the dugout.  Reassuringly, he told me that he would be back.  Nonetheless, I did not like being left alone without his grounding company. When he started coming back, his face was now different.  He wore a green mask which had a large diamond-shaped, quartz crystal in it.  Another person also came from the hall that went down into the earth. Whilst he was walking there, he and the others all looked like cartoon or animated figures.  What they were, in fact, were astral entities that we were witnessing.  This creature then came out to do battle with the sentinels.

The creature wore all-black flowing garments that independently billowed in the non-extant wind.  A plaque on the slab read ‘Minerva’ or some such ancient name.  This woman represented yet another mythological archetype. I went, beyond the courtyard, to explore the inside of the structure.  There, I saw an exhibit of species of sentient beings.  They were, some of them, humanoid. Some were Black but these species were, for the most part, not members of our own homo sapiens species.  As it was an anthropological exhibition, at the time, there were several other persons there taking in the exhibit. With some of the other humans about marvelling aloud at the vast array of sentient life forms, it was all very revelatory.  They were all alien to anything that one could fathom evolving here on Gaia.

I had not stayed very long in ‘the hall of species’ which is what it was called.  In a soothing blue-walled salon, one hall was adorned with beautiful tapestries. The designs here were most unusual.  They sprung from vastly different aesthetic sensibilities than those to which the human experience has given expression. One guy who was there, an older man, was talking aloud of the exhibit.  He was White and from time to time kept on looking back at me whilst throwing shade. Here was this asinine human, identifying with EHs, when he hadn’t even been able to accomplish the same with his own kind.  He was also Gay and, for greater impact, doing an affected lisp.

He was a tour guide.  He was speciously trying to show how these alien cultures also had connections to ancient Greece.  This monologue of his was so much bullshit and, yet again, another example of racist absurdities. Dismissing him and his ilk, I moved on picking up the pace of my walk.  The entire place was a series of stairs that went up, and then down, sometimes even winding but along them the exhibits were visible.

*The sense of the winding stair-interiored museum was not unlike the layout of the Guggenheim Museum on New York City’s Fifth Avenue.  END.

Owls on Parade, Kenojuak Ashevak

As in the waking state, this undoubtedly was not the conventional approach to museum exhibits.  The beautiful courtyard was littered with chairs that were of a pinkish-red-toned iron. They faced up towards the courtyard’s piece de resistance which was a lovely stand of the most unusual-looking trees.  The sunlight here could best be described as starlight because its intensity suggested that this was not being illumined by Sol. After having seen it earlier, now I was seeing it in greater detail.  They were preparing to serve a meal there.  At that point, I did not get too involved.  The mythic woman/creature Minerva was also there in the museum of alien anthropology. The other species aesthetically were simply fantastical.  The chromium stick-limbed sentinels were also represented in the exhibit.  I had taken cover in the museum, which was completely underground, to escape becoming caught up in the fighting aboveground.

Under no circumstances did I want to have to get involved in warfare.  The man had been spirited away during battle, by one of the hovering vehicles, by the whitish-silver, sentient chrome beings. The craft had circled the property, before touching down in the sea, away from being overrun by the Italian-looking guys on land.  The henchmen had no way of making it out to sea to overwhelm the sentinels’ crafts. There were lots of especially tall coconut trees that ringed the estate of the marvellous split-level dwelling.  The craft had made it ashore, at which point, then morphed into looking like an abandoned car. In that way, its transformed shell served as clever camouflage.  There were several antennae on it as did all the others have antennae.  When they had been in the house, they were in constant communication with their crafts.

This was the point at which I made the realisation that the Italian-looking men, in bathing suits, were extra-human got up in human disguise.  This is why it had made it so confusing to fully discern what was afoot. As they were way bigger and more space-aged, than anything native to Earth, the guns that the Italian-looking extra-humans used were a dead giveaway.  Though they were young-looking, there was something about them that suggested that they did not fit into the ageing process governed by Sol’s unique vibration. Warrior-spirited, they were an adversarial people.  Clearly, they were there to capture humans for their own purposes whether for research or something else.

That something else, whilst I was in the museum of EH anthropology, I thought meant capturing human specimens for sale to museums like the one that I toured. Either way, they were sadistic, extremely unpleasant sentient extra-humans to be around.  Theirs was a young-souled focus that was not unlike the rapacious exploitations that began 500 years ago on this planet – which prevail to this today.

Prismatic Loon, Kenojuak Ashevak

These dreams occurred on Sunday, April 25, 1993 whilst the Moon transited both Gemini and my first house.  Unlike dreams from this date previously shared herein, on February 16, 2013, these dreams, however, were had during the ‘B’ or second sleep cycle that day. They were, to say the least, rather transformative dreams. As per the Minerva mythological woman in this dream, I am beginning to think that she may have been connected to the same mythological female in that dream set on the Moon.  Indeed, this dream may also have been set here on Earth’s Moon. I will also go one further and presume that the dream of the inverted Machu Pichuesque, canyonned civilisation may well have been set on Earth’s Moon.  Who are we to say that this is not the case?  We are a planetary civilisation where ignorance and superstition are the order of the land. 

I think that it makes perfect sense for there to be a museum of anthropology on the Moon.  Said museum would, of course, bear examples of all the species which from time to time frequent or have frequented the planet.  I am sure with each species on display that there would be a history as to its connection to Earth. Were they engaged in deep sea marine studies or mining – aquatic or land-based?  Were they engaged in trade, research, exchanges with some levels of Earthly governments? Again, as with the canyonned Machu Pichuesque civilisation, December 29, 1990. There was the sense of the dugout and that dream of October 6, 1997 wherein the 500-plus-storeyed skyscrapers sat inside portal-like canyons.  I do believe that all three of these dreams are connected and were centred on the Moon. 

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Raye Live 2025 Montreux Jazz Festival

She’s a dynamite Jazz singer in the making!

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Two rats during the course of eighteen months produce one million offspring. You’ve long transcended being a cultural infestation; you are a fucking plague and Karma, that most vicious of cunts, will yet dispense with you!

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©2013-2026 Arvin da Brgha.  All Rights Reserved.

Netflix’s Masterful Crown Jewel (Season 5)

Cast of season 5 of the Crown.

Knowing when to leave is key to perfect timing. Elizabeth was a mean, grasping, manipulative – it is the hallmark of slave souls – vindictive operator. It is good that she has finally taken leave. Elizabeth acted as though the crown was hers to wear for at least a millennium.

Just look at HRH Prince Richard, Duke of Gloucester incredulously peer across at HM King Charles III with his beefy equerry sat directly behind him in the royal box; of course, there was no room for the Earl and Countess of Wessex as a result. There was sat the Duke of Gloucester who with a look telegraphed, “Well, will you look at that! He’s got his lover right here in the royal box for the world to see. What must cousin Lilibet, looking down from above, be thinking? Major Jonathan Thompson is not even in uniform but crossdressing in civilian suit. Just look at him, a mere senior footman standing in the royal box and clapping away as though he were a royal spouse… Also, pay keen attention to the Duchess of Gloucester as she keenly eyes Catherine, HRH Princess of Wales. That look betrays the tectonic state of the Waleses’ marriage. One would think that the Duchess of Gloucester is eyeing up Catherine as she cannot believe the woman would have the nerve to sit there after openly flirting with Sir Ben Ainslie and telegraphing to all the world that they are fucking their brains out.

Indeed! Though the Fleet Street abattoirs are ill-inclined to betray the ugly truths of House of Windsor, rest assured that the American media, especially American tabloid media, could not care less. Of course, they have a vested interested in the Windsor dynasty as a second American woman has recently wedded and been met with undiluted hatred and rejection. Although, that rejection is decidedly racist, nonetheless, all Americans are Americans and will defend another over any foreigner, especially so when America fought and won a war to depose that very dynasty.

Darlings I’ve simply got to start ordering teas by the hamper… The Second Carolean era just keeps on giving…

Lesley Manville as Princess Margaret in tour de force confrontation with Imelda Staunton’s Queen Elizabeth

This actor did a phenomenal job of bringing forth the true fire that was HRH Princess Margaret, Countess Snowdon’s. God, it was delicious theatre, watching her rip into her mean-spirited sister and giving it to her good when she called her on the fact that Elizabeth deliberately interfered in her life and caused her pain and ruin whilst never having done any such thing to her slutty daughter, Anne. As the Crown depicted and passingly implied, Princess Anne could have fucked Tim Lawrence in the open on a farm and no one would have noticed or reported it in the media. Her performance brings to mind that every actor who ever portrays HRH Princess Margaret must study Elizabeth Taylor in the Mike Nichols classic, “Who’s Afraid of Virginia Woolf?” This is why in the earlier season of the Crown, the actor Helena Bonham Carter’s casting was wrong. She was stiff and hadn’t the passion or fire to convincingly project Margaret’s rage

The actor who played Queen Mary was perfectly placed. The scene was brief and a flashback that was of major import. Look at her, there she is dripping in pearls and finery as the Romanovs did. She gave the order for their murder and all because she waned the Romanov jewellery, coming to her. A truly vile character. Her inclusion beautifully sets up next season, which deals with Diana’s murder and this scene of Mary giving the order to have the Romanov’s murder, so she could get their jewels, establishes that no one should think otherwise when it comes to next season, Season 6, and Diana’s murder.

Romanovs Executed

The producers and creative geniuses of The Crown Season 5 did their homework and boy did they execute masterfully, beautifully. This entire episode sets up what’s to come in Season 6, Diana, Princess of Wales’s death. By laying the groundwork and showing that because HM Queen Mary’s callous avariciousness, the Romanovs would be slaughtered just so that Queen Mary, who considered the Tsarina a rival, could get her hands on the Russian royals’ jewels. Queen Mary was a vile, ruthless Victorian misogynist who, of course, was Queen Elizabeth’s chief mentor. There can be no doubt that the late Queen Elizabeth viewed Diana, Princess of Wales as much a rival as Queen Mary viewed the Tsarina. For that, like Alexandra, the Tsarina, Diana had to be murdered for proving herself a damn threat. She ruined the fairy story by not playing along; most of all, she threatened the institution by preparing to start a rival dynasty with Mohamed Al-Fayed’s son, Dodi, a non-White Muslim.

Tampax Moments Last Forever

Goodness me, whatever shall the little people think? Who damn well cares what they think? The royals do as they have always done!

Here, again, the casting of Netflix’s The Crown, season 5, is flawless. Nuanced and perfectly measured, both actors bring forth the appropriate amount of repugnant arrogance and conceited lack of awareness. Perfectly timed, as though murdered Diana’s revenge, Season 5 lays bare the adulterers’ vulgarity just as they accede the throne. King Charles III, the Tampax King with his two teddies – one inanimate from childhood, the other a virile, kilted, furry teddy that throbs and makes nights at Highgrove especially pleasurable whilst the failed future King Mother and Courtesan Queen languishes away at Ray Mill; one thing is plainly obvious, the Courtesan Queen does not crochet doilies at Ray Mill.

Having nicely set up the case for Diana, Princess of Wales having been murdered in the upcoming season 6 of the Crown, one other thing ought to be taken into account. In 1918, when Queen Elizabeth’s mentor, Queen Mary gave the order to have the Romanovs murdered, that would be signified by the planet Uranus – one dynasty overthrows or eliminates another. Uranus rules violent upheaval, revolutionary action and usually from one institution against another. As Diana, Princess of Wales was a most disruptive rebel, the only course of action left Queen Mary’s devout mentor, Queen Elizabeth II, was to eliminate the threat of Diana. Diana was about to marry a non-White Muslim and start a rival dynasty, which would have utterly eclipsed the Windsors not just at the Fleet Street abattoirs but world media.

Diana and Dodi died at Diana’s natal Pluto’s transit forming a square; that coupled with her fourth numerological signature of 7, meant very public and totally unexpected assassination. A Uranus return takes roughly 84 years, Queen Elizabeth reacted 79 years later as Queen Mary had to the threat of a rival dynasty, the Romanovs relocating to the United Kingdom – there is a five year window on either side for that Uranus return’s effect to be initialised. Closer to the exacting 84 years and Diana and Dodi would have had a wedding and begun a family that would simply have eclipsed Charles and Diana’s wedding as clearly Diana would finally have found true love. There is positively no way that the well-groomed Victorian misogynist, Queen Elizabeth II, would have tolerated any such affront to her dynasty, especially when Diana would have avenged herself by bearing step-siblings of the future supreme governor of the Church of England to a Muslim. The Windsor dynasty was violently preventing the eventualisation of a rival dynasty begun by Diana, Princess of Wales and one of an opposing faith.

Imelda Staunton as Queen Elizabeth II was sublime casting. She is pitch perfect and gets every nuanced idiosyncrasy right. As Elizabeth II is a mature slave soul, a sage soul in passion mode with emotional centring would be disastrous. Imelda may well be a slave soul herself.

Though a departure from season 5, I do feel that there needs be some commentary on the actors who played the major roles across the five seasons. Claire Foy was a major reason for the Crown’s initial success and gave The Crown the legs to become the seminal British royal family drama that it has become. She is diffident, economical and sublime. The complete opposite can be said for Olivia Colman, who is Olivia in every role she plays. She is crass, common and as conspicuously frightful and self-conscious as a damn ostrich.

As Princess Margaret’s casting is concerned, Vanessa Kirby was ravishing to look at; she had depth, emotional rawness when required and was utterly captivating to watch. Hers was a brilliant performance. Helena Bonham Carter was simply a toft playing a toft and Princess Margaret was never a toft; she was royal to the core. Clearly, Lesley Manville captures the essence of Margaret’s inner rage. Helena was supposed to have captured Margaret’s passion, debauchery and her creative brilliance and that never materialised.

As there is only one Diana, there is only one actor who has singularly, successfully captured the essence of Diana, Princess of Wales and not until Elizabeth Debicki in Season 5 of The Crown has this been achieved. Spot on, this actor’s portrayal is note perfect and as close to channelling Diana, as it were, as you can possibly hope for. Singularly focussed, she gives an award-worthy performance of rare brilliance.

Just look at this artist step aside and allow the very essence of discarnate Diana, Princess of Wales to move in and prosecute her case. This is a most brilliant performance, in a season teeming with stellar performances. There has never been a more successfully cast group of actors for any one season of this fantastic series.

I’ve a little Diana, Princess of Wales anecdote. The night of the preceding photograph in October, 1991, I was across King Street West at Simcoe Street at Roy Thomson Hall for an Emmanuel Ax recital. As I had seasons tickets to the Toronto Symphony Orchestra, I managed with plans for a hook up after the concert to attend. God only knows, I could never abide Emmanuel Ax’s too-short arms and legs as he bobs around the stool, trying to make keys and pedals. I have only ever had two favourite pianists whom I have seen live, Vladimir Horowitz and the scholarly high priest himself, Alfred Brendel (his Michael Overleaves will conclude this blog). Of course, for having met and loved Merlin, Glenn Gould has become a favourite, forming the perfect troika of inspiring classical pianists.

When the recital concluded, I made my way north along Simcoe Street to King Street West where I planned to go in search of some stimulating companionship. The placed was packed and I hadn’t a clue what was up. Finally, someone said that Princess Diana was at the Royal Alexandra Theatre, which was going to be letting out soon. Making my way west along the south side of King Street West, I stood opposite the theatre’s entrance and realised that it was no place to be. Gingerly, I made my way west along the street, made it across the intersection and began doubling back due east along the north side of King Street West. Charmingly, I bobbed and dodged my way until I was second row deep behind a diminutive Filipina, who stood behind he barricade in front of which was a conga line of persons in wheelchairs. Obviously, as this was the early 90s, cell phones were as yet ubiquitous and why I would have a camera for going to the symphony would be a gauche notion at the time. The sturdy-looking limousine pulled up and to my left, though I could not see, the doors to the theatre opened and impresario Ed Mirvish emerged with the world’s most photographed woman.

Never had I witnessed such a massive explosion of klieg fabulousness as that moment as Diana, Princess of Wales stepped away from her hosts and stepped into the marquee lights. She was tall, commanding and arrestingly beautiful. Eventually, when she made her way down the roster of wheelchair fans, she reached from time to time to the sheer pandemonium of squeals, cries, shrieks and outstretched trembling arms baring frantic trembling fingers. As nothing she said could be heard, I managed to clasp her hand, said “we love you more” as she worked the crowd like a pro. What struck me about her in that moment as the flashbulbs went off, like a million stars simultaneously going nova, was how steely, masculine, tall and warrior-like she was. In that moment, her striking blue eyes so focussed and direct, she with her statuesque singleness of devotion, was like a Maasai warrior aloft whilst dancing. Then my darlings, Diana, Princess of Wales, did the most phenomenal thing that left me teary eyed, she got to the limousine and as the passenger side rear door was opened, she got inside elongating her neck, whilst bracing her body on the car’s frame when swinging her knees together, feet together, pushing off from the metatarsals and swinging are rangy legs into the car in one of the most sublime port de bras witnessed. Well, you better believe that I was hooked to the core. Of course, to that point, she was merely the ultimate self-absorbed famous person whose motto seemed to be, “I’m a rich White girl, take my picture.”

Of course, four years later, Diana, Princess of Wales, now separated from the future, HM King Charles III, made it perfectly clear that she was in control and not the crazy wingnut that she and every artisan at some point or another will be dismissed as by the masses. Diana, Princess of Wales’s interview with Martin Bashir aired on the BBC on Guy Fawkes Night, November 5, 1995. That move will see her transcend history as someone who was infinitely more shrewd and astute than the mere mortals of her age were aware. Unlike Oliver Cromwell, Diana, Princess of Wales successfully prosecuted her case to the kingdom, the world and most importantly, history. Naturally, like Cromwell, her interview and the subsequent relationship with the Muslim Al-Fayed family would be deemed treasonous by the Victorian misogynist, Queen Elizabeth II, who just as ruthlessly and casually had her assassinated as her mentor Queen Mary had Tsarina Alexandra and her family a Uranus return earlier.

Mou Mou, the most gloriously well-written and acted episode of The Crown. At every turn, the actor who portrayed Mohamed Al-Fayed left me teary-eyed or smiling by his brilliant performance. He effortlessly captured every idiosyncrasy of the Mohamed we have come to know in the media. The actor deftly captured the essence of this endearing mensch with bravura and sublime impishness. It was the only episode that I immediately had to re-watch to both fall in love and get all the nuances that the teary fog of me had missed. Of course, there were many beautiful scenes but one which was rather telling is of The Queen sending her emissaries to have items of the Duke of Windsor’s removed from his French chateau. This shows the Victorian misogynist mentoring of Queen Elizabeth by Queen Mary – ever grasping and coveting all manner of material things. No care in the world for the Duke & Duchess of Windsor whilst he was living but the moment he passes, they are keen on the Duchess’s invitation to swoop in and claw at whatever they fancied… crass.

Indeed, in time, how could anyone possibly have expected HM The Queen, to have related to the Duke & Duchess of Sussex otherwise. She was groomed by the monstrous Victorian misogynist, HM Queen Mary to be shrewdly calculating, murderous if necessary, defender of the saturnal aspects of what being Sovereign entails. She and the rest of he senior royals could have behaved no differently to the Sussexes. Most of all, The Queen did not care to countenance any talk of racism being in any way associated with the House of Windsor. Just suck it up and get on with it, despite, the hideous open racial harassment from HRH Princess Michael of Kent, sporting the blackamoor brooch. Trust me, if she were to emboldened to go public with the racially predatory lynching of Meghan, you can bet that there was unrelenting, unfathomable racism within the royal family and the institution towards the Sussexes.

Could there have been a better cast member for this season, 5, of The Crown. This actor performed his role immaculately to the letter. The fluidity and communion of spirits between him and Mohamed Al-Fayed was successfully captured by both actors’ nuanced and elegant performances, even when Mohamed was being inelegant.

This actor, though similar in look, did not capture the essence of whom Penelope Knatchbull, Countess Mountbatten of Burma is. Above all else, with a energy body of 7, the late Prince Philip’s lover at her very core is a courtesan and would not only damn well do as she pleases but not give a damn who noticed. With a first number of 7, Penelope is almost mannish in her domineering energy body and would prove vastly intimidating for the late Queen Elizabeth II, who already had a secondary chief feature of self-deprecation which means that she would have serious self-esteem issues. Energy body of 7 and born in the year of the snake, the late Queen Elizabeth II was no match for this woman.

The role would have been better served if the actor, Gillian Anderson, who capably showed her mettle were to have been cast as Penelope. Ms. Anderson ensouled the very essence of the persona of Baroness Thatcher. A snake female, Penelope, with an energy body of 7, is the kind of customer who would take a riding crop and beat to death a mere mortal and get away with it; she would also not ever once think about the incident thereafter. All snake women possessed of an energy body of 7 are true courtesans; they are supremely amoral. Gillian would have the right steely comportment to deftly portrait the real Penelope, which may have positively nothing to do with the persona the public sees; and isn’t this almost always the case for famous persons?

Well, hold on tightly duckies, there is lots more to come. Season 6 of the Crown promises Diana’s murder. More than that, it should have flashbacks to the marriage of the Duke & Duchess of York as in penultimate seasons 7 & 8, the fallout of paedophilia allegations for associating with Jeffrey Epstein will see his cancer-stricken mother come undone. Of course, HM The Queen died aged 96; more importantly, she died 25 years after Diana, Princess of Wales’s murder. It takes 24 years for a grand Solar cycle to unfold and all self-karma, created when a karmic debt is initiated as in Diana’s murder, leads to the debtor’s self-immolation. Philip and Elizabeth slowly immolated as the avenging of Diana’s murder took its toll, Philip at exactly 24 years and Elizabeth II a year later. There are no coincidences and Time reveals all truth.

There can be no mistaking the fact that the structural racism, the case for which was made by HRH Princess Michael of Kent’s blackamoor brooch incident and Prince Harry’s memoir SPARE, nicely serve as ample source material for seasons 7 & 8. By then, all the tea with regards Catherine and Ben Ainslie, William’s Tampax moment, which has left him #PrinceofPegging to say nothing of Charles and his teddies one 70 plus years old and other other a virile furry equerry. Let’s also not forget Rose and her come-back pussy, which resulted in the then Cambridges being banished to Adelaide Cottage from Anmer Hall. Also, Camilla’s obvious racism should be highlighted by her need for a parapluie when touring the amongst the ‘darkies’ so that she doesn’t have to shake their hands, which explains why she did not go to the night time declaration of statehood in Barbados and her recent touching a Black girl’s sleeve rather than hold her hand. Then, too, there is the banishment and exodus of the Sussexes to America to successfully escape the hideous spitefulness of the next generation Waleses.

Brendel, Alfred 5/1/1931 Czech Republic

Michael: This fragment is a first level old scholar – second life thereat.  Alfred is in the perseverance mode with a goal of dominance.  A pragmatist, he is in the moving part of intellectual centre. 

Body type is Lunar/Mars /Mercury. 

Alfred’s primary chief feature is self-deprecation and the secondary stubbornness. 

The fragment Alfred is fourth-cast in first cadence, he is a member of greater cadence two.  Alfred’s entity is two, cadre five, greater cadre 6, pod 208. 

Alfred’s essence twin is a scholar and his warrior task companion is known to him. 

Alfred’s three primary needs are: exchange, communion and security. 

There are 6 past-life associations with Arvin and 4 with Merlin. 

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Haiti, Josephine Baker – Cécile McLorin Salvant & Wynton Marsalis and the Jazz at Lincoln Center Orchestra

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As ever, Life is like a flying dream; if you look down, you’re fucked. Enjoy the ride and fear no one!

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