Skater.

Skater (1964). Skater — painting by Alex Colville. Skater 1964. Acrylic polymer emulsion on hardboard 113 x 69.8 cm.

Acrylic polymer emulsion on Hardboard

113 x 69.8 cm.

© 1964 Alex Colville.

Provenance: Museum of Modern Art, New York City.

About Alex Colville

Without doubt, one of my favourite Alex Colville.

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© 2013-2023 Arvin da Brgha.  All Rights Reserved.

Portrait No. 3.

i2852-wd

Oil on canvas

© 2005 Li Dafang.

Provenance: Uli Sigg Collection, Switzerland.

Sadly, I couldn’t find the dimensions of this exquisite gem anywhere on all that is Google…  I oftentimes reflect on how bedazzled Merlin would be, had he lived, to be in the age of eBooks, Google et al… scholar soul to the core as he was/is.  Naturally, as he read multiple books daily, I am sure he would have owned a Nook, Kindle, KOBO, of course, and others.

Then again, I do believe that he would also want to have the tactile bond that actual books represent: the smell, the weight – the way he would slightly squint when getting ready to lick index finger to turn the page.  There is a certain ritual to having a book in hand.  Too, I remember, even now, how he would peer over the rim of his gold-rimmed spectacles to leer at my seductively writhing body…

I love the artist’s use of light and colour; too, the muse’s cool gaze as it pierces straight through to the soul of the observer… masterful.

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© 2013-2023 Arvin da Brgha.  All Rights Reserved.

Moon and Cow.

Moon and cow 1963

oil and synthetic resin

68.5 x 91.4 cm

© 1963 Alex Colville

Provenance: Collection of Donnelley Erdman, Aspen Colorado

This marvellous super Moon night, I thought it appropriate to again share Alex Colville’s sublime genius.

http://www.ago.net/alex-colville

http://alexcolville.ca/

http://en.wikipedia.org/wiki/Alex_Colville

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© 2013-2023 Arvin da Brgha.  All Rights Reserved.

Pink Chair II.

dwight6

Conté Drawing

3.5 x 4.0 Feet

© 1992 George Hawken

Provenance: Artist’s private collection.

Though this drawing of me was completed before I left Toronto for Vancouver in 1994, I never did see it until returning to living in Toronto, from Montréal, in 2004.  I loved it and still do.  The work is my favourite George Hawken and, of course, as it is a one-of-a-kind and not in my possession; this, of course, makes it that much more covetous!

What I especially love about it is that whilst living in New York City in 1983, I dreamt of the drawing and didn’t, at the time, realise that it was me; the eye-colour in the drawing is the same as a very exotic-looking female past-life of mine about whom I often dreamt back then – especially when studying classical dance in Winnipeg prior to that (1980-82).

At the time of that dream of this drawing which was yet to be – I had not even yet met George Hawken, Merlin and I were staying in the Chelsea loft of Natch and Zammy, the Artistic Director and his dancer lover, who since passed of AIDS, of Les Ballets Trockadero de Monte Carlo.

Of course, prior to leaving for Vancouver, I was happily ensconced in relationships with Daryll Newcombe, Gustavo Vadim – the masochistic art thief in Washington D.C. and Manhattan cabaret singer, Frans Bloem… plus a few others.

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© 2013-2023 Arvin da Brgha.  All Rights Reserved.

Ball Game.

Ball-Game

Oil on Canvas

36 x 36 Inches

© 2013 Wim Heldens

Provenance: Private collection

http://www.wimheldens.com/

Love Wim’s masterful sensual use of light and colour.

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Twenty years ago, when flying in to Manhattan from Vancouver to be with then lover, Mahattan cabaret singer, Frans Bloem, I would meet Wim.  As all I ever do is sense energy and think of anyone encountered as a Michael Overleaves puzzle – is this a warrior or just a cynic? – I knew without a doubt that he was an old soul.  Like every other old soul encountered whose overleaves I have done, I felt a sense of home, acceptance and harmony for being in his presence.

At the time, Wim was sick in bed with the flu and so I went out shopping and got him some Campbell’s soup – what  do I know about making homemade soup? –  and spent part of an evening hanging with him.  The interlude was truly memorable; it was like being in a dream which, incidentally, is also another hallmark for me of being in the presence of an old soul.

Wim truly is a great human.

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© 2013-2023 Arvin da Brgha.  All Rights Reserved.