Prosecuting the Past whilst at the Deathscape.

Jacqueline Kennedy Onassis3

Since having shared these dreams two years ago, I have been corrected by an authentic Michael Channeller as to Jacqueline Kennedy Onassis’ true role in essence; she is a young soul sage rather than young soul king – her first husband, John F. Kennedy was a young soul king and he was reborn to an aristocratic family in France and I do believe reborn male.  Contrary to the word on the faux-Michael ether, Jacqueline Kennedy Onassis – whom I encountered one glorious summer afternoon in 1983 after ballet class at Harkness House with David Peregrine and his lovely sweetheart and former classmate, Jackie Sloane – who both perished in the Canadian Rockies when he piloted some years later in 1989, Ms. Kennedy Onassis vibrationally seemed every bit the king soul.  Alas, that may well have been her well-fortified social persona and false personality then experienced.  Of course, it was at Harkness House where Rebekah Harkness’ cremains perpetually rotated in a golden urn designed by master surrealist himself, Salvador Dali.  

Since these dreams were shared, I have elected to have channelled the overleaves of the following persons: Salvador Dali and Maria Callas.  Too, I am adding here, Frederick Hinneault’s overleaves, though, they have been previously shared in this blog.  Frederick was a the most glorious Cree feather dancer who introduced me to the world of powwows in June 1994.  I met Frederick after having had the most lucidly awakened flying dream to a past-life whereat I witnessed a young shaman coming of age during initiation ceremonies.  Well, you can just bet that after so high a spiritual dream experience, I chose to do no such thing as time-waste in the presence of dense-energied, somnambulant and decidedly spiritually unsophisticated coworkers.  So off I went to Club Vancouver bathhouse on West Pender Street where there I met the genuine article, Frederick.  After having made a sweat lodge of his tiny room, we spent the rest of the summer holding hands and travelling about B.C. Alberta and Washington.  Firstly, though, he took me to a lookout point high above the Cypress Bowl lookout where in a bath of cloud-untrammelled sunlight, we laid naked side by side in the long grass, holding hands and he got out his whistle that called a majestic eagle; this was one of the most magical experiences of this incarnation.  

Frederick, at the time, was full blown with AIDS.  What was most revolutionary was being in the company of two-spirits.  This was the first time being in the company of Gays who were not possessed of racially predatory animus.  That first weekend, just past 1994’s summer solstice was my true arrival and connection with Canada and what she represents.  I finally felt no longer as an outsider.  I will always have the greatest respect for all First Nations peoples from Baffin Island to Patagonia.  

These were truly operatic dreams, drink anew of my chalice and may you, satiated and inspired, slip into lucidly awakened dreamquests of your own.  You’ve a wealth of knowledge and beauty which passively lie awaiting your inner focus deep within the aqueous folds of self.  

Sweet dreams you… ever, we will be kindred spirits – you and me – sharing this magical quest of self-discovery, self-actualisation and self-empowerment.  I am honoured by your continued support and for that, I love you more!  (August 2016)

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These next dreams occurred two days apart and dealt with the same individual.  I have recently written of her and shared a dream of her, Jacqueline Kennedy Onassis.  At the time of these dreams, which are currently being chronologically transcribed, Mrs. Kennedy Onassis was a recent astral plane habituée. 

As such, these dreams – and the last in particular – vicariously gave insights to her deathscape on becoming an arrivée astral plane habituée.  I dream it, I share it and pass no judgment on either self or the subject(s) of any dream ever had. 

As with all astral plane-focussed dreams, these were rather intense experiences.  Especially so was the fourth and final dream of the second day of dreams shared herein. 

The first dream was the only dream that day and it sets the mood for the nature of the second dream to come of Mrs. Kennedy-Onassis.  That dream occurred two days later and was more thorough and insightful.  At the time of the first dream, it was Saturday, July 9, 1994 and the Moon then transited both Cancer and my second house. 

Two days later, Monday, July 11, 1994, there were four dreams and as on the July 9, 1994, the fourth and final dream that day focussed on the deathscape for the arrivée astral plane habituée, Jacqueline Kennedy Onassis.  As is her wont, Luna had beguilingly slipped from Cancer to Leo and correspondingly from my second to third houses. 

The final was an intensely volatile dream that was all about emotionality and karmic dross.  Having passed near two months earlier, though I was not much-focussed on her life in the waking state, it is not surprising that one would vicariously tune in to the deathscape goings-on of one the century’s most iconic figures, Jacqueline Kennedy-Onassis. 

Sweet dreams as ever.  Rather than the standard one photograph per dream entry to this blog, the break between both days’ dreams will be a second photograph. 

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I was, in this the first dream, in a park like New York City’s Central Park with Pandora da Braga on my right.  From across the vast plain came a large steed from a low, heavy mist atop a knoll.

Here the light was rather diffused and potent.  The horse was a possessed powerful creature.  Rapt in focussed canter, it barrelled across the green grass towards us.

Atop it rode a large-boned woman who was a fierce warrior-spirited individual.  She turned out, no less, to have been Jacqueline Kennedy Onassis.

She rode in traditional riding gear: black cap, white riding breeches and black riding boots, all of which was topped off by a red riding jacket.  Her gloves were short and made of thick black leather.

This woman was arrestingly powerful.

Pandora and I were stunned into silence.  All the shrubs wore various-sized beautiful white blooms that simply zinged with life.

All was ordered and serene here and it clearly was a reflection of this woman’s afterlife passage – the deathscape.  The Earth simply quaked beneath the power and grandeur of both she and the steed.

I mentioned to Pandora, after she had ridden past, that I had seen her, back in the early 1980s, on two occasions in the Manhattan.  She was, to be sure, a very robust, dominance-goaled kind of person.

Hers was a very powerful warrior-energied complex.

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Diva - Maria Callas

Whilst speaking with a man, in this the first dream, I assured him that I could never bed Aaron Wookay because of his pheromones – body odour.

I do believe that it was, in fact, Aaron Wookay with whom I had been speaking at the time and made the slip of saying what I had.  There was certainly a glaringly pregnant pause at the end of it all.

As we spoke, in the middle of the late-afternoon street, a very tall warrior-spirited Karl Weller walked past with a guy on his left.  He was dressed all in black clothes and as I sped up after him, I said aloud to my companion,

“Now there is a man that I could bed…”

I intimated that I had already had an encounter with him in the waking state.  This was in fact true.  I then got him into a black limousine and together we headed for my place.

En route there, at night time, we stopped outside a Dairy Queen.  The store was tiny and right at the corner of one of the city’s intersections.  Getting out, on the left side of the car, I went inside where I ordered large slices of a white cheesecake with soft ice cream.

When I returned to the limousine, he was immediately in bed lying on his back on some blankets.  He took a bite of the food and, at that point, I began groaning.

His entire body then lapsed into an adrenalin quake as he had his first all-out experience.  He was full of nerves and caution.  Wanting to leave, Karl Weller then hurriedly got up; I was quite disappointed.

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In this the second dream, Isha da Braga insisted that I deposit some cash – 10$ or 12$ – into her account because I had owed her as much.  I was really pissed off because I knew that I had already paid her whatever monies that I had owed her.

En route to the bank, I stopped off at her condo to which I had a pair of keys.  Slowly, I stirred the pot of stew that she had started before heading to work.  The stew simmered on a low fire.

Soon, I encountered Pandora da Braga who also needed cash.  I then became an issue of how to move around cash, via cheques, from one or more of my little-funded accounts to get to float until the next payday.

With that, I headed off to the bank to begin my unscrupulous activity.

*This is something that I have never attempted and would never think to attempt in the waking state.  Why?  END.  

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Soon, in this the third dream, I got sidetracked.  I went off and had a hot encounter with a guy whom I now think was Frederick Hinneault.  We were, in an old building, writhing away on a table.

Splayed and utterly contorted, we were going at each other like there was no tomorrow.  Too, it was also hard to tell just who was fucking whom.

A tall Black security guard, whilst on duty, happened on us.  Pretty soon, he interrupted us and joined in when he oughtn’t to have done so.  He took off his thick, brown leather belt and began beating me with it.

I was truly incensed and let him know that I could damn well file suit against him for having struck me.  After all, it was not a part of his duties to have done so.

He was surprised at my response.  Seemingly, he was a novice in his crisp, brand new khaki uniform and hat.  He was rather handsome a fellow.  Nonetheless, I was still upset with him.

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I would, whilst focussed in this the fourth dream, have an encounter with Jacqueline Kennedy Onassis.  At the time, I was going along a corridor in a palatial residence.  Seemingly, this was an eighteenth century château.

Whilst she was dressed in clothing that was late 1950s-60s, A-line conservative and nothing flashy, I walked after Mrs. Kennedy-Onassis.  There were several other persons about.  Impatient, she was not at all in a very good mood.

Rushing back, I went to the off-white blue hallways to the other wing.  We were two to three storeys aboveground.  There, I saw a dark-haired, strong-featured woman and intuitively knew her to be Maria Callas.

Jacqueline Kennedy Onassis and Maria Callas were in the midst of a nasty feud.  Conversely, it turned out that to get her attention I would have to quickly act.

Pulling out a shotgun, I shot into the ceiling in order to wrestle her attention.  The gunfire stunned Maria Callas; at that point, I then bolted and went back to be with Jacqueline Kennedy Onassis.

Coming to her aid, I held Mrs. Kennedy-Onassis by the forearms as she was slumped in a chair.  She had been truly traumatised by the gunshot going off so close to her.

In light of what she had endured on November 22, 1963, in Dallas, Texas, her reaction was not surprising.  This soon served as a glimpse into who had really killed whom.

From what I learnt here, it turned out that not only did Jacqueline Kennedy Onassis get rid of Christina Onassis and Marilyn Monroe, she also used occult means to get rid of Maria Callas by way of literally bewitching Aristotle Onassis.

I was being told this by a voice which I heard speaking to me.  Interestingly enough, the voice sounded like a gruffer version of Jacqueline Kennedy Onassis’s famous breathy register.

This insight was all being telepathically shared with me.  However, this house was definitely on the astral plane in which Maria Callas was confronting Jacqueline Kennedy Onassis.  As it were, both astral plane habitués were prosecuting their relations in their respective immediate past lives.

There was no getting around the fact that Maria Callas had the upper hand here.  There was a sense that, try as she might, Jacqueline Kennedy Onassis simply could not get out of this confrontational drama; it was, as it were, fated based on who owed whom karma.

Maria Callas was truly operatic.  Not the kind of person that one would want to have as a foe was she.  For having predeceased Jacqueline Kennedy Onassis as well as Aristotle Onassis, there seemingly was much that she knew of what really happened whilst she was alive.

This woman, Maria Callas, was truly operatic.  Her rage was such that she seemed to create an emotional tornado.  Even when she spoke, her voice operatically boomed.

This was drama that was supra-Wagnerian.  The palatial, soothing blue-interiored dwelling’s walls violently quaked as Maria Callas fumed and berated Jacqueline Kennedy Onassis from her wing of the château.

Jacqueline Kennedy Onassis looked extremely spent, haggard and aged; she had been completely vanquished by Maria Callas’ rage.  If these karmic debts had really been incurred by Jacqueline Kennedy Onassis, it then stands to reason that on reflecting on her just-concluded life, there would be some degree of remorse and inner pain as part of her deathscape on becoming an arrivée astral plane habituée.

Jacqueline Kennedy Onassis was deeply troubled here.  Though she was every bit the lady in her own right, for having been wronged, there was a great impactful power that Maria Callas exhibited for having been wronged.

The whole affair had karmically left her completely in a funk.  All of these done-in women were strong-willed individuals who had, in some way, posed a threat to her sense of self.

Not only did she not suffer fools gladly but from the evidence here, Jacqueline Kennedy Onassis did not suffer threats to her power in any way.  Once so threatened, her only response was shrewd and calculating.

They were simply removed from the environment – struck down.  For Jacqueline Kennedy Onassis, with a Scorpio rising, it was all too possible that this sort of tactic would have been deemed a viable and appropriate response to such a threat.

Here in the dreamtime, for being alone with her, I came to understand what would have motivated her to have taken such actions.  This was the only way to stake her claim on history and not just near history but millennial history.

At all costs, a statuesque stalwart of power and regal dignity, she had to survive to the end.  To have been respectively displaced or denied by Marilyn Monroe or Maria Callas would have eclipsed her and made her but a footnote in history.

This is how she saw it.  Christina Onassis did nothing but try to have her displaced and dishonoured by way of a divorce; this, too, could not be suffered.  She won.  In all things, she won.

As that dream on July 9, 1994 attested, she was the born warrior-spirited leader who was never felled in battle.  Victorious to the end was ever her approach.

Indeed, coming through the mist of time, Jacqueline Kennedy Onassis will transcend Time for several millennial as one of the most pre-eminent leaders of the 20th century and not merely just an iconic woman.

Into the future and legend she will forever ride a valiant steed, though a dark one, a figure of power, strength and dignity.  Indeed, a bloody-talonned warrior this one.

Leaving her, I went running back through the halls saying that I had to get to the ministerial offices.  I wanted to get there at once, in order that the records may historically be set straight.

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Photo credits: Jacqueline Kennedy Onassis fox hunting in Virginia.

Opera diva, Maria Callas.

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© 2014-2026 Arvin da Brgha.  All Rights Reserved.

Diana… Vreeland

Diana Vreeland Bradley Theodore 2013

Diana Vreeland

Acrylic & Oil sticks

©2013  Bradley Theodore.

https://maddoxgallery.co.uk/artist/bradley-theodore/

https://www.instagram.com/bradleytheodore/?hl=en

http://www.bradleytheodore.com/

Love it.  Love him.  Let there ever be art!

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©2013-2026 Arvin da Brgha.  All Rights Reserved.

I Remember.

Michael by Warhol

Michael Jackson by Andy Warhol.  On this the anniversary of Michael Jackson’s birth, I thought to pay tribute to one of the most inspiring creative geniuses to have ever graced this world.  This is a work by Andy Warhol which is part of the Revolver Gallery’s Andy Warhol: Revisited – A Pop Art Exhibition in Yorkville at 77 Bloor Street West, Toronto.  One of the truly fantastic shows to have graced Toronto in long ages.

I finally got to attend a couple of weeks ago with my brother and my only nephew –  in town for the summer from the Bahamas.  We had a good visit and the show was the most spectacular show I have seen in long ages.  Beautifully curated and just intimate enough that it doesn’t end up being overwhelming or, more importantly, underwhelming.

https://warholrevisited.com/

Michael_Jackson_as_Captain_EO

Michael Jackson: August 29, 1958 [-O-] June 25, 2009.

Here’s a dream, previously shared in this unique and utterly unrivalled blog of mine, of Michael Jackson being his marvellously shamanic wonderful self.  I love you more, Michael – sweet and blissful dreams.

https://dreampoetica.com/2014/09/17/oh-what-joy/

https://www.youtube.com/embed/LeiFF0gvqcc“>http://

Remember The Time, Michael Jackson, © 1992 MJJ Productions Inc.

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© 2013-2026 Arvin da Brgha.  All Rights Reserved.

The Architects Home In The Ravine

The Artchitects Home In The Ravine 1991

Oil on Canvas

200 x 275 cm

1991, Peter Doig

Provenance: Private Collection; sold at auction in London, England, 2013 12$m.

http://peterdoig.mbam.qc.ca/en/

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How did I not know of this creative genius before?  Well, apart from not being awash in multiple millions… I have watched this painting for the past several weeks truly enraptured.  Of course, thanks to the schadenfreude that was Evan Solomon’s demise – goodness, if you sneezed, it’s very likely that you would have missed it – I have finally found Peter Doig.

Of course, I don’t look at TV so his departure from CBC would have been more readily noticed.  Moral of the story: do not ever try extorting money from the rich… and a lawyer to boot – Bruce Bailey.  Goodness, what could he possibly have been thinking?  The greedy twat… adieu!  Goodness, I have not laughed so hard in long ages.

As Sunday is my birthday, I am going to be shaking tail feathers – it’s also Caribana  or whatever it is now called – and being feted over the next couple of nights.  Happy summer, sweet dreams and my but I love this Peter Doig painting.

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© 2013-2026 Arvin da Brgha.  All Rights Reserved.

Gordon and Janet, In Their Garden.

Gordon and Janet, in their garden

Intaglio

30 x 22 Inches

© 2006 George Hawken

I decided to see what an intense observation of couples whom I know very well would produce. I trust my own process enough to know that if I allow it to unfold naturally, the results will have a certain integrity – which I think this series does. This portrait, of Janet and Gordon Belray in their garden, references their commitment to one another in the face of serious health issues, and the hope that comes from the garden – a metaphor of restoration and continuation. I feel that the intensity of their connection to one another and their hopes for their children are suspended in this simple examination. – George Hawken.

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Had a most lucid astral plane encounter with George last night.  We sat at a deuce visiting.  For me, I have come to realise that whenever thusly situated on the astral plane, the encounter will be languorously rhapsodic.  Our eye contact was intense and direct and we hardly said anything to each other which, incidentally, was always the case when visiting in person.

George and I were lovers, long ago, and as I was then his muse our passion inspired the lithograph, Pink Chair, which has been previously shared on this blog.  I love this piece and on my return from living in Montréal, the artist was then working on this series of portraits.  I had hoped to have been included in the series but alas it was not to be.

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© 2013-2026 Arvin da Brgha.  All Rights Reserved.

Oreo.

Oreo

Acrylic on Canvas

126 x 100.5 cm

© 1988 Jean-Michel Basquiat

Provenance:  Private Collection as of 2005.

One of my favourite pieces in the current Jean-Michel Basquiat exhibition at the AGO.  The reviewers in both the Globe and Mail and NOW magazine haven’t a fucking clue what they are talking about; certainly, in the case of the latter it is the sort of sly invidiousness that one can ever expect of Canadians in their cool animus towards Blacks and the Black artistic aesthetic.  Later for the likes of sphinctered, snow-driven dreck comme lui…

Of course, all that glorious fecund green serves as a good enough reason to say, Happy St. Patrick’s Day.  As James Joyce so deftly illustrated, we are all Irish for being possessed of imagination… we are all dreamers – I certainly am.  I love you more!

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© 2013-2026 Arvin da Brgha.  All Rights Reserved.

Exu.

Exu 1988

Acrylic, Oil Stick on Canvas

199.3 x 254 cm

© 1988 Jean-Michel Basquiat

Provenance: Private collection

Today, I shall see this show for the fifth time.

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© 2013-2026 Arvin da Brgha.  All Rights Reserved.

Apples and Lemons.

apples and lemons jmb & aw 1985

Jean-Michel Basquiat and Andy Warhol, Apples and Lemons, 1985
Acrylic, coloured oilsticks and synthetic polymer paint silkscreened on canvas.
206 x 268.5 cm
Collection of Thaddaeus Ropac
©The Estate of Jean-Michel Basquiat. Licensed by Artestar,New York
©The Andy Warhol Foundation for the Visual Arts, inc. / SODRAC (2014)

http://www.basquiatnow.com/focus/apples.html

http://www.ago.net/

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Today, I managed to have awaken from a long slumber of non-stop work shifts and multiple jobs and managed en route to another to slip into the Jean-Michel Basquiat show at the AGO.

I had missed the opening weekend and just did not want Black History month to end without having seen it at least once.

I was floored.  I had never before paid attention to his works because to see art reproduced in print and definitely online are quite another matter.  To have moved through this exhibition was the most lucid of flying dreams.

The Self-Portraits, Chinese New Year/Year of the Boar, Every Untitled work, the above collaborative work with Andy Warhol and most especially, Oreo, all provoked such wonder, and they each affected a deep soulful resonance.

What can one say, the man was an unparalleled genius and, most of all, he loved Jazz; he loved Charlie Parker!

I got on my Samsung Note 4 and texted everyone I know demanding that they haul arse toute de suite to be wowed.  My adorable sister will come to town on the weekend, to gaze and praise.  We’ll have a blast.

The sense of colour, attack and the unmistakable afrocentrism are what really moved me and above it all is this W. E. B. Du Bois quote which I had long forgotten; it sits beneath the description for the painting Black Soap 1981:

“It is a peculiar sensation, this double-consciousness, this sense of always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused contempt and pity.”

And how the lunatic racial predators love laughing their vapid skulls in seething grudge; indeed, Jazz has its roots in klezmer!

So very nice to see that the hunter has fast emerged in this millennium’s infancy as the prey.  Is it any wonder as their real and unwavering enemy rages terror on their civilisation that they turn around and grow even more resentful, spiteful, murderous towards us, thereby betraying their cowardice?

What can they do?  When for so long the racial predator has reigned supreme and unchallenged, along comes a genuine foe with an even greater sanguineous appetite for the hunt.

Keep whistling, you can’t possibly be preyed on.  Why should karma apply to the racial predator indeed?

This show has been a marvellous feast; it is one to which I will return and ravenously devour… time and again.

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© 2013-2026 Arvin da Brgha.  All Rights Reserved.

Madonna and Child.

Madonna and child

Black and red chalk, pen and brown ink on brownish paper

541 x 396 mm

© 1522-25 Michelangelo Buonarotti

Provenance: Casa Buonarotti, Firenze, Italia.

Today as the gallery is closed tomorrow, I biked to the AGO – Art Gallery of Ontario to see the Michelangelo Drawings show.  I had been really looking forward to this show as the video by Hugo Chapman of the British Museum was informative and engaging.  Perhaps, it was the setting – I really don’t see the point of having had Auguste Rodin works combined with the show.  Seriously, less is always more.

Frankly, I think that the works should have been contained in one salon with lots of seating and darker, more soulful colours for décor.  White walls are so dense-energied and negative…  The only salon that worked was the final one where there were dark soulful walls; however, that look was marred by the garish lighting and imposing Rodins which truthfully I paid little heed to.  Frankly, I was underwhelmed by the show; one needed to be able to sit and truly savor the works of art.  Going from salon to salon with the frenetic colour schemata was disruptive and precluded one being able to have a great time.  For an artisan mood is everything.

Too, as these were sketches, there were times that they were unimpressive.  I am certain that there are truly masterful Michelangelo drawings in private collections; those on exhibit at the AGO aren’t among them.  The only one that moved me is the final piece in the exhibit which for me saved the experience, Michelangelo’s Madonna and child.  After having been decidedly underwhelmed, I came downstairs and went past the galleries of objets d’art to the private salon, took a seat and soulfully drank of Sir Peter Paul Rubens’ Massacre of the Innocents.  I always go there because the décor of the salon is just right.  The mood is set by the soulful tone of the walls and the just-so lighting.  Both work to enhance the power and richness of tones in the painting which is worth every penny of the 117.5$m that Kenneth Thomson, 2nd Baron of Fleet paid in 2002 at Sotheby’s auction.

Of course, I also take the time to give thanks when visiting the salon – it is akin to going to church for me… a think that I last did at my father’s funeral in August 2008.  Today, I sat there for about 45 minutes enjoying the Rubens masterpiece and was ever mindful that this creative genius is in entity two of my cadre – one of greater cadre 7, pod 414.

Merlin and I as task companions are in entity six of said cadre whilst in entity one of same cadre is Jim Henson who has since reincarnated and is female, London-born and plans a life on the London stage.  Too, that entity, 1, is host to Sir Anthony van Dyck who is currently incarnate my oldest friend and resident in British Columbia though Dutch-born.

Don’t know his casting as such things were not shared in the Chelsea Quinn Yabro book, Messages from Michael, but Michelangelo Buonarotti’s Overleaves are as follows:

A fourth level mature artisan in the passion mode with a goal of growth, an idealist in the emotional part of intellectual centre with a chief feature of arrogance.  

Happy New Year and the best in 2015.  I am grateful for your continued support and patronage.  Spread the word far and wide – this right here is the most inspiring, uplifting ode to shamanic realism of a joint on WordPress.  Sweet dreams you, you are more magical and beautiful than you know.  I love you more.

Interestingly enough, when I first began this blog, back in February 2013, I knew that there were dreams like those of Won’t Take the A Train and Cicada Principle that I wanted to share… that I have actually remained focussed this long and have had as many interesting dreams to share herein with you has served to make me realise how awesome this man Merlin was.

Merlin it was who said one night as he cuddled in bed at 20 Amelia Street in tony Cabbagetown,

“My darling, you are quite talented and this is quite the gift you’ve got… don’t ever forget that.”

At the time, we were speaking on the cusp of his final hospitalisation of his intention of doing whatever possible to send me dreams from beyond after his passing as he wanted me to write of him and me.  This coming year, I plan on spending less time on this blog as I put the finishing touches to said work; the story of shamanic Merlin and me interspersed with dreams aplenty many of which have not been shared in this blog.

Too, I plan on being very detailed on this blog in my recounting of my experiences with a former employer because falling prey to the racial predator is not something that one should be ashamed of or live in denial of.  This has been the one empowering takeaway from the Jian Ghomeshi scandal – I always thought him an absolute fraud.

http://www.casabuonarroti.it/it/

http://www.ago.net/

http://www.rodinmuseum.org/collections/collectiontheme/6.html

http://www.britishmuseum.org/

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© 2013-2026 Arvin da Brgha.  All Rights Reserved.