#BestDespinaEver!

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Opening nights are always such fun… Tuesday night past, I was reminded of all the opening nights that I would attend with a slightly neurotic Merlin as some show or other that he had directed was being presented to the world… As ever, it was great to see my plus one, Lucian Mann-Chomedy as the ideal partner for these occasions. Always reserved, pleasant and just the right amount of chatter and wit.

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Whilst Lucian enjoyed the pre-show lecture in the Four Seasons Centre Amphitheatre, I slipped next door into the warmth of the Sheraton Centre Hotel and warmed myself on a glass of sherry whilst finishing off 2018’s Scotiabank Giller Prize winner on my KOBO.

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What an utterly stunning tour de force. It was a moment to reflect, this Black History Month on just where we blacks are in the scheme of things. God only knows, it has been bruising to watch Meghan, HRH Duchess of Sussex become the print media’s most reviled and hunted fugitive from justice of that most vile creature, the racial predator.

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I was still smarting at the events of a week earlier during the winter season’s first major snowstorm. I had been recalling to friends how strange it now was, compared to my first winter in Canada. December 1, 1974 and it snowed that day more than 8 inches. Back then it generally was guaranteed to snow once if not twice weekly. Now at end of January, 2019 and we were finally having our first major snow. This was not like snow from years past… Now it was a dirty, sooty-looking hard mess that lingered, largely in part because the city has contracted out its snow removal services.

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As there are no windows in my apartment – Sol’s too damn bright by far and besides, boarded up windows afford me more art-hanging space – I got down in the early afternoon that Monday with my bike, only to be met by falling snow and several accumulated inches. Back up I went, retired the trusty chrome steed and returned and hopped into a snazzy Audi A6 Uber ride with a Macedonian whose spirit was as smooth and elegant as matchingly was his car. The mood set the tone for my day. As I am known to work 16-hr days, I called another Uber at the end of gig one whilst hoping to get to gig 2 in good time. The snow was still coming down; it was also bitterly cold and windy.

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When finally, Uber #2 arrived, cold and dark with icy pellets mixed in with the snow, the driver rolled down his passenger side window and declared, “Sorry Buddy but I am going to have to cancel this ride…” Already running late, with my wheeled suitcase at the ready, he edged along as I tried to open the door and raised his voice, his eyes almost feral-looking beneath his turbanned, narrow skull. “I said I am cancelling you. One: I never take people like you in my car. Two: you have a shitty rating… Sorry, not sorry. Fuck you Buddy.” With that, he stepped on the gas and I had to swiftly haul me and suitcase out of the way as the rear of his red older model car whose interior did have that blasted malodorous melange of curry, dirty armpit, dirty arse, smegma and whatever the fuck else that passes for immigrants of choice these days. Finally, after having struggled out onto a still-not-ploughed Bay Street, I managed to hail the fourth cab whose West African driver insisted that I call Uber and report him… Days later, I was afforded assurances that the racist Dravidian was no longer part of Uber’s fleet. Similarly, when calling a Beck Taxi with a fairly generic name as Arvin, on coming downstairs the Indo-Canadian drivers on several occasions as though staying on script would feign obsequiousness and state that they were deeply sorry but owing to a family emergency, they were having to take the cab out of service. No sooner than having refused me a ride, they would then be observed heading out to Wellesley, turning on their unoccupied light and picking up a fare off the road. As if the blasted motherfuck, the likes of your overbred arse invented Jazz.

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Each and every time that one experiences racial animus, is preyed on racially, it always harks back to that first winter in Toronto. My best mate from two summers earlier, when I would come to Canada to visit with my dad during school break, had been sick. After Sunday church service at Knox Presbyterian at Harbord and Spadina before returning to our beautiful home at 122 Mortimer Avenue, I would visit – my dad and I – with Tommy who was holding up at Toronto Sick Kids Hospital on University Avenue. My father explained that Tommy was sick with the winter flu, which sometimes could last for months and well beyond winter. I was a scrawny little fourteen-year-old who looked like most ten-year-old Canadian kids as I crawled the halls at Harbord Collegiate where among my mostly Italian-Canadian chums was future lawyer, Rocco Galati. As Tommy, who was a couple of years older than me, had gladly shared books with me the two summers prior that I would take to Knox summer camp and read then have a good stroke off, lusting after my inamorato, Tommy, I readily agreed to do his newspaper route for him until he came home. My first Saturday, the cart was overflowing with the thick Toronto Star newspaper and there was a good foot of snow everywhere. It was hellish but for Tommy, I was game to go the distance – who knows what hot frottage, docking and more was in the offing for having done his route for him! When I got to the northeast corner of Floyd and Bater Avenues that first Saturday to collect the funds, the door opened to a woman whose response to me was the most hideous display of the displaced madness that is white bigotry. Screaming at the top of her lungs, the woman in her upper seventies, vituperatively cursed my black bugger arse off and laid down the law. Never again, “you dirty little nigger” was I to set foot on her verandah.., I was to put the paper between her screen and front doors, knock then return to the top of her steps and wait for her to pay the bill. That first Saturday, she ripped the paper from my hand, flung the money at me. She was terrifying, in her faded blue A-line dress, black spectacles that had those upturned pointed edges at the sides; she wore faux pearls. Most of all, she wore the most hideously terrifying eyes. I remember how much they looked like eyes of a rooster, especially so for being such puffy eyes. Like the evolved, winged and feathered reptilians that roosters are, her eyes truly did look not the least bit human. She was so consumed with racial animus that it was truly frightening. By the time I made it home, I found myself regurgitating. Thereafter, every Saturday, I would take my spot at the top of the steps and consistently she would hurl out pennies mostly at me rather than the verandah where that first winter I had to suffer the indignity of picking through inches of snow on the verandah, steps and lawn to collect my money. Naturally, without fail she called most Saturdays to the Toronto Star, complaining of either not having received her paper on time or that it was missing altogether. This would mean having to buy her a replacement at the corner store, take it and only to be fed on by the hideous-of-spirit racial predator. Like a true cockhound many an indignity I suffered in hopes of my spectacled, full-lipped and scholarly inamorato, Tommy hooking up with me for having been so loyal to him. The summer prior, I had ventured to the public pool on Broadview at Riverdale Park with him and a couple of others and thrilled beyond belief was I to spy his large pendulous balls and that hammer-headed girthsome salami that pummelled his bikinis. Indeed, for Tommy I would suffer much indignity. There was a low-rise apartment building at 1111 Broadview where on the ground floor, there was another predator, this one equally septuagenarian who lived alone, smoked incessantly and always answered the door in various stages of undress, mostly ever only wearing a soiled merino. He was always a generous tipper; a whole 2$ bill in 1974/75 was serious cash. Naturally, in the pre-Ciaslis epoch old anorexic, drunken paunched predator would sometimes tug on the old bulbous semi-flaccid/semi-tumescent, though, pendulous but perfectly useless appendage, trying to lure me in. Sitting there in all that squalor and acting as though he was sugar daddy material… indeed. He was always keen on trying to grab me when giving me the “tip” and I was ever sly and crafty enough to get away from him each time. He, too, lead me to regurgitate, which I had not done since age nine and suffering my first racial attack. Of course, to this day, neither academia nor medicine will concede that there is any such a thing as the racial predator and the effects it has on those preyed on – mostly blacks – and the psyche/mental illness of those who prey on others chiefly non-blacks in varying degrees of severity based on otherness.

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Finally, the house lights went down and I was met by the whimsical vista of the COC’s production of W. A. Mozart’s glorious opera, Cosi Fan Tutte. Previously, I had caught productions of this Mozart gem in Chicago, Montréal and New York City. I was not expecting much at this rate. The Frida Kahlo connection was a bit of a stretch but the butterflies fast won me over.

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From the moment that she stepped onto stage, my spirit soared aloft higher than Mozart’s glorious music to that point had spirited me. Never before had there been so captivating a Despina. My eyes teared up and I was ever on the cusp of explosive giggles. Then what made me truly come undone was the moment Tracy Dahl took to the stage as the notary… by now, I was losing tears and beginning to emit choked snorted chuckles. Each Saturday back in 1974/75 when doing Tommy’s newspaper route, I would end off taking the Saturday Star to Giovanna an octogenarian Italian, who was plump, charming and more adorable than any mere mortal ought to be. Soon, we were fast lovers and she loved fussing over me, baking me each Saturday nice, warm, oven-fresh biscotti washed down with a glass of ice-cold “gingah raleh”… her thick Italian accent was part of her charm. Hers was a large black and white cat, simply known as pussy gatto, who always sat nesting on the armchair. Each week, Giovanna sat transfixed as I read her the newspaper; her vision was to that point fairly deteriorated. As a way of better forging our bond and because most of my mates at Harbord were Italian, for three years, I studied Italian and that really impressed Giovanna, who was simply known as “Mama Mia.”

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As the opera progressed, Ms. Dahl as the notary, dashed and took cover beneath the table at which point, I buried my face in the program with explosive laughter. Straight away, I was reminded of each Saturday when the ever silent pussy gatto would bolt from the armchair and take cover beneath the sofa where I sat as Giovanna began an explosion of long-winded farts. Even the singer’s voice sounded much like Giovanna’s as she sang the role of notary. Remarkably, it was as though she was channelling Giovanna. In that moment, I was healed of the bile, which the recent Uber incident had caused to surface, bile that dated as far back as 1974.

In the end, Tommy’s parents sold their house and it was not until a couple years later that I discovered from the neighbour next-door that Tommy, who had never returned to their Mortimer and Logan home, had died of Leukaemia. Indeed, the winter flu was my dad’s way of protecting me from the callousness of having to lose a friend so early in life.

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Apart from the catharsis that Tracy Dahl’s performance personally effected, I don’t think that it would be biased of me to state that hers was the runaway performance in the COC’s fantastic, and fast-paced I might add, production of Cosi Fan Tutte.

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As ever, mischievously push down and melt with laughter in celebration of the joy that is life and start having yourselves a most glorious of flying dreams. Thanks for your ongoing support of this happening astral joint on this side of the astral plane. I love you more.

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©2013-2026 Arvin da Brgha. All Rights Reserved.

Sing It George!

Benson, George 22/3/1943 Pittsburg, Pennsylvania

Michael: This fragment is a fifth level mature artisan – second life thereat.  George is in the power mode with a goal of growth.  An idealist, he is in the moving part of intellectual centre.

Body type is Venus/Mars.

George’s primary chief feature is subdued arrogance and the secondary impatience.

The fragment George is fifth-cast in third cadence; he is a member of greater cadence four.  George’s entity is five, cadre one, greater cadre 7, pod 414 – this is a cadre mate of Arvin’s and Merlin’s.

George’s essence twin is also an artisan and he has a sage task companion.

George’s primary needs are: expression, communion and power.

There are 10 past-life associations with Arvin and 14 with Merlin.

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Music is a language and Jazz is the language of a people; it speaks to no one else like it does us.  No other music readily restores one’s humanity and sense of self like Jazz does.  Interestingly, when a student at ballet school, I lived the most famous quote uttered by Diana, Princess of Wales in that Panorama interview that she gave to Martin Bashir: “There is no better way to dismantle a personality than to isolate it.” 

That is why during my two hellish years in Winnipeg, the music of Jazz is what saved me.  Interestingly enough, three musicians I looked to during that time more than any others; years later, I would discover that they are all cadre mates: Natalie Cole, John Coltrane and George Benson.  

With the passing of cadre mates Natalie Cole and Roy Hargrove, it is high time to celebrate and pay homage to George Benson while he remains focussed here and now.  

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Keep on flying right whether in the most blissful of dreams or the waking state’s unforgiving grittiness… then again, it is also maddeningly beautiful!  

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©2013-2026 Arvin da Brgha.  All Rights Reserved.  

Roy Hargrove 16/10/1969 ]-O-[ 2/11/2018

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Hargrove, Roy 16/10/1969<O>2/11/2018

Michael: This fragment was a fifth-level mature scholar – 2nd life thereat.  Roy was in the perseveration mode with a goal of growth.  Roy was a realist who was in the intellectual part of moving centre.

Roy’s primary chief feature was arrogance and his secondary was impatience.

Roy’s body type was Mercury/Lunar.

The fragment Roy is second-cast in the fifth cadence; the fragment is in the first greater cadence.  Roy is a member of entity six, cadre one, greater cadre 7, pod 414 – here we have another entity mate of both Arvin’s and Merlin’s.

Roy’s essence twin is a scholar and the task companion is a sage.

Roy’s three primary needs were: expression, adventure and security.

There are 9 past-life associations between Roy and Arvin and 14 between him and Merlin.

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I have always exquisitely found centre for listening to this recording.  Time seems to drift away and ideas flow with greater ease… indeed, how sweet it is to be richly inspired by an entity mate.  

“I’m in service.  I am here to touch people and make them feel better through music.” – Roy Hargrove.  

Well if that is not validation of being a member of an entity six of a cadre one, I don’t know what it.  

I always good for long days after a concert of his.  A beautiful human being.  

Sweet and blissful dreams be yours dear ennobled entity mate.  

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©2013-2026 Arvin da Brgha.  All Rights Reserved.  

Stephen Hawking’s Supernova

Stephen Hawking

Hawking, Stephen 8/1/42<O>14/3/18

Michael: What you are seeing in the fragment who is now Stephen is a seventh level old Scholar in the observation mode, with a goal of growth, a sceptic. 

This is his first life in the last of the physical cycles but we note that there has been tremendous progress here in that this fragment is for the most part transcendent in his ability to leave the body at will and travel through the limitless leaves of the Tao. 

Yes, of course he chose to have a frail unworkable body.  He did not specifically choose amyotrophic lateral sclerosis.  The choices are not that limiting but he did choose not to have to be bothered with the physical body, so that he could finish what he needed to do intellectually. 

We did not give a centring here because this fragment spends a great deal of time in touch with higher centres, although he is, as you might suppose pretty much centred in the Intellectual part of Intellectual Centre but is able to use the Higher Emotional Centre at will. 

This fragment is lively, bright, fairly happy and although aware of his severe limitations, not in the least sorry for himself.  This fragment has been literate over fifty times.  He was nine times the tutor to royal children.  He was an inscribing monk and did beautiful illuminations during five lifetimes. 

He was a scribe to the fragment who was Julius Caesar.  He was a lector for the emperor Marcus Aurelius.  He was a Grecian scholar on the Isle of Rhodes, during the height of the golden age of Greece. 

He was an Arabian mathematician and was instrumental in giving the world the zero to work with, which greatly improved and facilitated the study of higher mathematics.  He was a geographer twice. 

So, this fragment is no stranger to the world of study, however, this is the life he chose to make his greatest contributions.  Many of you could speak with Stephen in the dream state, for he is very accessible.  This fragment has many things he could teach all of you. 

He has a great deal of recall that he puts to good use in this life.  The age of this fragment’s soul accounts for his ability to detach from the physical body.  A younger soul could not do this with such élan. 

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At the time of Diana, Princess of Wales’ death (August, 1997) Sarah J. Chambers, channeller of the original Michael Group, shared Dr. Hawking’s overleaves with me, along with those of HRH Prince Charles Prince of Wales, Madonna Ciccone, Prince and Michael Jackson.  Though it is not listed in the overleaves, Sarah stated in an email communiqué that this would be Stephen’s final life; his soul would no longer reincarnate at the conclusion of this life, which would occur near 21 years later.  

Interestingly, as it was his final life, Stephen Hawking in a wrap up of having downloaded his vast intellectual awareness as the ultimate scholar soul would pass or, more appropriately, supernova at the time of the most intense solar storm in long years… there are no coincidences.  I was once guided in a dream and told that the Sun and all stars are the portal through which all sentient and reincarnating souls pass between the planes on reincarnating and passing.  Obviously, there was a great celebratory event as Stephen Hawking at the conclusion of his reincarnation cycle returned to his entity one last time — hence he was facilitated via the solar storm.  

Back on Monday, March 5, 2018, I went to see Darkest Hour with Gary Oldman at the Vue Cinemas in London’s Leicester Square.  Comfortably seated in theatre 8, about halfway into the film, I began witnessing a fair bit of paranormal activity.  I sat in the back row between two English couples, neither of whom were amorous.  From time to time, when actors on screen were in closeup, their eyes would suddenly become black-within-black with fully dilated pupils.  There were times, when I was able to make out Kristin Scott-Thomas’ aura — I found her performance exacting and intense.  More than that, I witnessed foggy, grey-white tall humanoid forms simply getting up from the seats in multiple rows ahead of me, turn either right or left then simply walk through the dark walls of the mid-sized theatre.  

I chose to remain composed because having a fearful response, is all about losing control and homie never plays that.  As the experience unfolded for about 20 per cent of the film, it next ventured into territory with which I had long grown familiar.  Off to the right corner of the theatre and at the ceiling, there was an aperture of light which opened.  Slowly, the light expanded and began a portal of the same soft-focussed yellow/golden light.  I have seen this many time before.  Next, a series of light beings, say the size of a raven began manifesting.  These light beings are illumined from within and have large gossamer, illumined wings which are two-thirds the size of their tiny bodies; the wings also flap about not unlike an elephant’s ears do. 

These creatures arose from the seats before me and progressed from left to right and up and into the light which radiated from the portal.  Soon enough, I was keenly aware that I was the only person experiencing this; I was never fearful.  I did, though, remind myself that personal truth is the only valid reality — at least at moments such as this.  Previously, I have experienced this manifestation when persons close to me are about to pass; this can manifest either at the point of their departure or as early as up to two weeks in advance.  This has never occurred after the actual passing and never more than two weeks out from the actual passing.  What I have learnt, for having done as many overleaves as I have, is that these persons are with few exceptions either entity or cadre mates.  

Where they have not been thusly related to me, they have been famous persons on the global stage.  The last time that this had occurred was at Nelson Mandela’s passing.  This, by the way, I did not experience when the 20th century’s most famous woman, Diana, Princess of Wales, passed.  

With regards to Stephen Hawking, I feel that for being in London and 9 days out from his passing, I was being attuned to his preparations to cycle off his final incarnation.  The movement of the levitating illumined, winged tiny beings towards the portal of soft-focussed light is always a slow, languorous adage that seems to occur within an aqueous medium.  Also, at the time that the overleaves were shared, in a subsequent email, Sarah had shared that he was in greater cadre 4 of pod 129 — the rest of his casting I do not know.  

I have known two persons who passed of ALS, which Stephen Hawking had for decades.  Both persons, as is customary with ALS, passed within a year of being diagnosed.  In the case of one female co-worker, she simply became all-consumed and grew fear-shrouded and cocooned.  There was so much fear readily discernible in her eyes.  Incidentally, when she passed, I had the exact same aforementioned paranormal manifestation.  I have not yet done her overleaves but would not be surprised if she comes back as an entity or cadre mate.  Also, after her passing, she appeared to me, in the most intensely lucid dream, very radiantly and thanked me for my support and assured me that she was now at peace with where she was.  Obviously, she was aware that I was distressed at how fearful she seemed at the prognosis of imminent death.  

Clearly, one can’t claim to know what she must have felt at the time; she, however, had simply become straight-jacketed by the fear of death and her own mortality.  Stephen Hawking endured for decades with ALS, likely the first such documented case in medicine, because he had conquered the fear of death.  He was totally at peace with his reality; moreover, he was more focussed on being in the now and completing his task of disseminating as much of the knowledge that he had acquired during the course of his reincarnational cycle.  There was nothing to fear.  Indeed, his overleaves of being a seventh level old scholar soul on his final life was thusly validated as he could not have cared less.  Death he had conquered long ago; the body and obsession therewith served no purpose for him.  He just wanted to get on with the task in hand of sharing his intellectual gifts with humanity.  

More than any other human being of the last two millennia, Stephen Hawking will be remembered and celebrated two millennia hence.  Sweet and blissful dreams and it was good to have been illumined by the stellar light of your accumulated intellectual gifts.  

As ever, thanks for your ongoing support and sweet dreams!   

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©2013-2026 Arvin da Brgha.  All Rights Reserved.

In Celebration of Merlin!

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Earlier this week, in celebration of the anniversary today of Merlin’s passing, I attended two performances of the Berliner Philharmoniker at Toronto’s Roy Thomson Hall.  On Tuesday evening, the mixed programme concluded with Gustav Mahler’s Symphony No. 7, E Minor – a truly glorious experience.  Moreover, it was good to have experienced Sir Simon Rattle at the helm of an orchestral performance.  

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The following night, this past Wednesday, November 16, 2016, I returned to Roy Thomson Hall for night two of the Berliner Philharmoniker’s tour of performances.  Always a favourite, the mixed programme concluded with Johannes Brahms’ Symphony No. 2. D Major, Op 73.  In no way was Brahms’ symphony comparable to Mahler’s symphony of the night before, nonetheless, it was a rousing way to have finished off the week of celebration which began at the weekend prior with a quick trip to Montréal. 

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I went there for two reasons, firstly to fortify my body, spirit and mind at the glorious Spa Ovarium: www.ovariumspa.com – as ever the experience was transcendent.  Previously, I had spent the morning into afternoon at the Musée des Beaux-Arts de Montréal on rue Sherbrooke to take in the Robert Mapplethorpe exhibition.  The show was spectacular. 

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Back in early 1983 whilst Merlin was in Toronto working with Jim Henson on Fraggle Rock, I was staying at the Trocadero Loft which Merlin had sublet whilst the dynamic duo who headed Les Ballets Trockadero de Monte Carlo were on tour.  Most evenings, Attila Isaksen would drop by and we would hang out, have great sex, watch TV or crawl about Chelsea and get up to no end of trouble.  Merlin had sublet the loft which sat across the street from the block long grand building at 684 Sixth Avenue between 20th and 21st Streets West.  The floor above was owned by a Gay professional couple who were heavily into S&M.  One evening after we had been out crawling the clubs – Attila who had transitioned from a life as a dancer was now painting and showing in galleries in Soho and elsewhere – we came home with someone that he had picked up. 

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That someone turned out to have been Robert Mapplethorpe who proved a very intense bottom and a very memorable fuck.  He was intense and as equally ravenous a bottom as was Attila.  Attila was acquainted with him through the art world and picked him up at the bar we were hanging out in a couple of blocks south of my place at the Trockadero loft late one Thursday evening.   We came back to the loft and they smoked ganja, a cigar, did a ton of poppers which I never found remotely appealing, then cigarettes after our wild fuck.  I do though recall Robert’s arse being a rather loose affair.  I might also add as both he and Attila took turns bottoming for me that he was an especially good kisser. 

Robert Mapplethorpe

I quite enjoyed the show and Montréal was a great blast.  Wonderful it was to have been there and seen so many Blacks as here in Toronto Blacks seem to have been eradicated, marginalised, replaced by the White tribe’s buffer races – those who did so nicely for themselves and saw nothing remotely wrong with Apartheid whilst it profited them – who in this town are now the darlings of obsessive Canadians with Black culture as their latest agendum is pushing that most absurd notion, Indo-Jazz.  You know if you are never going to respect Blacks, you certainly can’t be hogging the culture as you so hideously do. 

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This brings me to the matter of the recent American elections; I am so glad that Donald Trump was elected because he will be the shot of adrenalin that Black Americans have so sorely needed.  I would not be the least bit surprised if President Trump does not turn around and have President Obama arrested and imprisoned for being an alien, not an American but of foreign birth and a Muslim to boot. 

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Regardless what happens, the election of President Barack H. Obama has deftly illustrated that we Blacks are not paranoid, not sensitive; racism is real and the White tribal obsession with hating Blacks is at feverish mass extinction levels.  Truly phenomenal it has been to watch these past 8 years evolve.  Amazingly, it is uncanny how some Whites can fabricate lies and for hatefully perpetuating lies as they did with President Obama, these lies soon become accepted as gospel truth. 

Alas, people always get what they deserve and Trump with his wall, I rather suspect, will prove more of a monster than far too many Whites and non-Blacks perceived President Obama to have been.  Racially predatory grudge of Blacks is truly the biggest cancer on human civilisation as it is not exclusively the obsession of Whites.  The entire election boiled down to the perpetuation of the five deadly isms being allow to riotously flower: lookism, ageism, classism, racism and sexism. 

Speaking of racially predatory behaviour, one of the dreams herein involved Damita Soud with whom I worked in the early 90s.  She was the most vile and hideous displacement of the human spirit; frankly, I knew her then because coming off my relationship with Merlin many were the persons like Damita whom I had encountered in the showbiz crowd. 

I do believe that Damita served to have reminded me and to have prompted me to have put persons like this well behind me where they damn well belong.  Also, as it is the anniversary of Merlin’s passing, there was a beautiful dream with a delightful Eurasian boy in London, England whom I assumed was my task companion Merlin reincarnated.  Of course, since this dream which was dreamt in early-August, 1991, Merlin has reincarnated in December, 2006 and is female in Holland. 

Also since that dream, my essence twin, whom I never met during this lifetime, was reborn in the mid-to-late 1990s into Germany is of Japanese/German ethnicity and will likely be a writer in this lifetime.  The Eurasian in the dream was likely an astral plane encounter with my essence twin as my reincarnated essence twin is not only Eurasian but is also male in this lifetime. 

Thanks so much for your continued patronage and ever, I implore you, always remember to push off and start flying because you’ve earned it.  Sweet dreams as ever. 

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Whilst focussed in this the first dream, I got aboard a bus and intuitively knew that I was in London, England.  I headed somewhere of which I am not certain.  Racily, I had jumped onto the bus whilst it was travelling and it was quite fun.  The double-decker London bus was painted violet.  I went to one of the circuses.  Getting there, I got off and began walking behind a teenaged punk rocker.  She had her hairdo done with it sticking out in clumps that were pointy.  She was blonde but it had spots on it like a leopard’s and it was definitely not a wig.

Her hair stuck out like a porcupine’s quills and was very long like about eight inches each.  The spikes of hair conically came in to a fine point.  She wore a black mini, black stockings and black Bull Dog boots.  She had fat, flat non-extant calves.  She wore a cream-coloured merino which had no sleeves.  She was quite long-limbed; both her legs and arms were beautifully proportioned.  I admiringly walked after her as she had a very strong forceful stride.  People were conservatively looking at her; they were being judgmental of her.

I quite enjoyed her energies as I walked after her.  She was a true Demolition Man.  The bus that I was on was getting ready to take off again.  There was one girl who had come out of a building with some long pieces of wood and steel rods.  The building from whence she came clearly was being repaired.  I thought to hustle back to get aboard the bus; as I did so, other people were doing the same thing but through the rear doors.  We were soon enough travelling again.  As we went past, I noticed an Oriental man outside the bus who was asking me how to get somewhere.

He was tall, very handsome and very erudite.  He had two children one on either side of him.  The boy on his left was Oriental but he was mixed; he was Eurasian with freckles and had natural brown hues to his hair.  I assumed that his White parent was the mother from the fairness of his complexion.  Goodness, was this boy incredibly handsome?  I never did see his eyes because I was on the bus as it was passing them on the street.  Afterwards, when I had gotten off the bus, I had seen them again.  However, once again, he had never made eye contact with me.

His lids were deliberately inclined downwards because he knew that I knew who he was and wanted to verify it by seeing his eyes.  I can bet you anything that these would have been Merlin’s, if he had once looked up at mine.  Regardless, his little shy act, I knew those energies; they were more familiar than any energies that I had ever reincarnationally encountered.  The other boy to the man’s right was purely Oriental and older than the reincarnated Merlin.  Goodness, it was so very wonderful to have encountered their energies.  As they walked on a female Londoner had given them directions and had long black hair.  She was a very, very handsome woman with a very spiritually noble quality to her; this woman could even have been the Eurasian son’s mother.  She had directed them to this museum to which they were trying to get.

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london-plane-trees-paris

Antinous Brilman and I were alone, in what proved the third dream, intimate and talking.  We were talking about all these trees that were around us.  For some strange reason, there were all these London Plane trees which were diseased.  They were all dying out as a genus.  I was stunned really and could not think of any disease that they could possibly have.  “They were quite healthy and alive in both Paris and London, when I visited,” that had been a comment that I made.   I could not quite conceive of them going extinct; this, though, certainly seemed to have been the case here in this dream.  At the time, it was quite sunny out and the trees that were healthy were quite nice; those trees zinged with great vitality.

They beautifully reflected the light off their leaves.  Being in their presence was rather nice and uplifting.

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oleta-adams

Here, in the sixth dream, there was a Black woman singing and boy she had a voice on her.  She had a beautiful, beautiful voice; hers was a very soulful voice.  She was an up and coming singer, like Oleta Adams, but it was not Oleta.  She came and stood by a microphone that was from the 1930s; the mic was very Deco.  In particular, the mic is that one that is called a zephyr or a zeppelin – zephyr is correct.  She sang away with her beautiful African head tied up in a turban.  When she sang, she was in a medium that was bluish and slow-moving; in point of fact, the medium was not unlike water.  When she swayed her arms about her, the aqueous medium visibly also swirled about her.

This woman opened her mouth and hit some high notes that were electrifyingly astral.  I shouted, “You go girl.  Go ‘head!  Sing it!” I truly was ecstatic.  What she could do with this otherworldly music quite simply was incredible.  In that sense, it was not unlike a music video; except, it was as if holographic to the extent that one was inside the experience.  In the true sense, it was a virtual reality that I was experienced.

How she appeared was interesting because it was as though simultaneously otherworldly.  I had been singing and there had been these Whites about; naturally, they began throwing shade, “Yeah, yeah, great voice but not the look.”  “Oh shut up and sit down,” these were the sorts of crass remarks that they were making.

*It is always amazing to me how, for being so racially obsessed with Blacks, Whites will feel themselves possessed of some absurd right – which certainly does not exist – to go opening their fucking hideous-spirited mouths and spewing their venomous hatefulness in Blacks’ direction.  END.

I was totally impervious of their bullshit because it was nothing more than small-minded jealousy.  I saw these people who were coming and going.  As well, there were these young Whites who were as if models or model wannabes.  There was a very young-souled approach to their energies.  In any event, there was a party going on across the street and goodness, it was jumping.  There were a ton of people queued to get in.  I was there singing whilst playing a piano when my voice started carrying to the party across the street.  I was technically soaring very high.

Then everyone began clapping in unison.  Antinous was with me and getting ready to go across the street to check out the party.  Though, he had no invitation that did not deter him.  We were going to go crash it but it seemed very much so to be a wedding party.  The party was quite nice and the energies were riotously on.  Here, the atmosphere was great; it was wonderful.  This was the point that the young Black singer had appeared.  She was short and stouter than Oleta Adams.

She was very dark-skinned with very rich teeth.  She had very large teeth that were compacted just like Oleta Adams’.  Perhaps, it was Ms. Adams.  I do not, though, suspect that it was her.  When she sang, she could hold a note whilst adding cadence and timbre to it that was not humanly possible; at least this was only possible on this side of the waking state.  She quite moved me because as she sang, the water appeared and as if created and exuded by her.  Pretty much, it was as though one were seeing her aura as it gushed outwards.  One was being tuned into her vibration; except, this was an aura that was clearly aqueous and simultaneously filled with light.

Her unusual aura was heavy gelatinous water.  As she made the notes go higher, the water kept on changing.  Initially, the aqueous aura started out being light blue but it then shifted to a Kelly green.  Also, as the notes got higher, it became a yellowish-orange whilst transforming into red.  Below her at her feet, the water was still swirling with rich bubbles of varying sizes that rose up and above her head.  She slowly turned around on herself; this was so that she could have affected even greater acoustic depth.  My goodness, it is hard to relate here how incredibly elevated this music was.  I was greatly inspired by it.

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black-cat

I was upstairs in the kitchen, in what proved the eight dream, of an apartment with Damita Soud.  We were preparing a meal and washing some dishes.  In any event, she was talking and I just did not like her energies and did not want to be with her at all.  I then heard Whoopi cry out and I went running to look out the second floor window.  She was on her back and being gnawed in her neck area by another cat that reminded of Damita’s cat Spooky; Spooky, of course, is a little black cat which for being Damita’s would have a name like that.  This so mirrored the kind of unhealthy relationship that knowing this woman has developed into.  This dream interlude so reflected the constant non-too-veiled negativity from Damita towards me; it is an approach that I do not in any way appreciate.  I shrieked out the window at them whilst calling out to Whoopi truly horrified, “Whoopi use your hind legs and beat her up… beat her off you.

“Fight back, fight back!”  I could not get down because, somehow, I had this tether which was an orange-coloured coil.  The coil was wrapped around my waist.  More to the point, this coil was coming away from my umbilical area.  Furthermore, it was so hard to break the bonds to and from this thing.  Such an incredible graphic metaphor this dream’s every symbol.  I was most upset really.  I decided that this just could not go on for very much longer.

Somehow, Whoopi had gotten up and ran away towards an opening in the backyard’s fence; nonetheless, the cat was still on her.  I kept on yelling at Whoopi to fight back.  If only there was something that I could pick up at hand and throw out the window to strike Spooky.  Needless to say, throughout all this Damita remained perfectly mute.  Clearly, the animals, our animas, were engaged thanks to Damita’s decidedly negative focussed will.

*Damita is the perfect White female racial predator.  She is a so hideously perpetually racist; she is perpetually uttering some sotto voce racist remark.  These White racial predators forever  live their every day consumed with racially predatory thoughts on which they do not fail to act, truth be told, towards and on Blacks.  END.

I got this heavy thing but did not want to use it.  Obviously, it was quite likely to end up striking Whoopi in the process.  As it was, she was in enough shock.  Then and there, I decided that the time had long passed for me to put an end to knowing Damita.  Moreover, it personally was too callous a reminder of knowing Elektra Munk-Ejoohoè’s dysfunctional pernicious energies.  This was just not a healthy relationship and I did not want to know this person at all.  Indeed, it was high time that I put an end to knowing her.

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sareed-headscarf

I was in this place, whilst focussed in the ninth dream, where there was an airplane on an airfield.  I reminded me of the Recreations Grounds in Sandy Point, St. Kitts for being focussed in this dream.  The plane was parked in front of the pavilion.  These planes could come in and land on a field as small as the Recreation Grounds without having to do much taxiing.  Much like a Harrier jet, they had the ability to vertically land and take off.  However, this was a passenger jetliner.  Its colour schemata were like that presently of Canadian Airlines international: silver and blue.  However, it could just as easily have been a British airways jetliner.

The bodies of the jets were sleek and black and this airplane was one of the new Boeing 737-300 series.  Then again, it may not have been because I was looking at the single engine on the tail like a DC-10 or a Boeing 727.  Much like a Concorde, the jet was also unusually elevated off the ground.  Unusually, it had large windows like a Greyhound coach bus does; its windows were not the standard singular oval-shaped ones.  So, on looking inside each window, you would see three, sometimes four window seats at a time.  This jet had only two such windows and then you got to the tail of the craft.  There was a door by the tail and one just back of the cockpit.  So, it was a very small plane which had six to eight rows of seats.

There was a small window that did cover two seats in between the two larger windows.  A much wider-bodied plane than a Boeing 757, it also was elevated off the ground much like the Boeing 757.  I could not, though, quite figure out what was going down.  I wondered what exactly could this all mean?  Soon enough, I saw airplanes passing in the sky whilst coming into land.  They descended very slowly, away from the terminal, then on landing slowly taxied up to their designated gate.  There were persons on the plane waiting who had not gotten off because this stop was not their destination.  Some had, of course, gotten off.

I then noticed that there was a large road; this road was close to where the sea is in Sandy Point, St. Kitts.  There were all these beautiful Mercedes-Benzes which were coming into the airport.  One of them was very large, heavy-looking and black and in it rode a woman.  There was so much window space to the car that it seemed more like a rather stately Bentley.  She was East Indian and wore shades and much reminded me of Benazir Bhutto.  She was very proud, sitting very straight-backed and had a strong, prominent nose.  Her head was covered in a fine scarf which, of course, was part of her saree.  A white saree it had horizontal blue stripes.

She was immensely regal-looking.  As she got from the car, I kept looking at her from the area in which I waited; I was being very observant of her actions.  There were tons of East Indians about.  This locale was close to a shoreline.  The persons here were as if the untouchables – the lower caste people.  They were just lying there and many were coupled off.  There was a lone man lying there who was wrapped in his sleeping gear which presently covered his head.  He was close to the plane on the tarmac.

Up approached the woman to the man and bent down to him.  She was very animated greeting him, “Oh I’m so happy to see you.”  They were kissing and she was very genuinely affectionate towards him.  He was a wise old creature.  I could not, though, figure out why she was with such a lower caste person; it just did not make sense.  She was, definitely, the cardinal member of their relationship.  He was very soft-spoken.  The couple next to them began making love because this was their life; they had no home and privacy was not a luxury they even fantasised about.

They were kissing very deeply then he took out his cock and pushed it inside her wet and hungry pussy.  Quite rapidly they made love; it was a very hungry, rushed affair.  They were on their sides and quite tightly embraced.  Then when it was his turn to enter this woman, who was a great deal like Benazir Bhutto and still wore her shades throughout their tryst, he kept on masturbating before entering her.  She was quite hungry for his cock which was very unusually long and soft-looking though hard.  Interestingly enough, his cock had tapered to a pencil-like head.  There were about six or eight couples and all these men had the same classical Dravidian long slender schlong.  All of them on awakening got right down to the business of making love.

He entered her but was not going in all the way.  She was getting impatient with him because of his delaying tactics.  This then triggered what was an obvious recurrent argument between them.  Seems that he had studied to be a doctor but was not practicing.  He did not want to; he wanted only to live next to nature.  He was quite disenfranchised with civilisation.  He said that he had no desire to get caught up in Maya… with materialism.  She fervently argued nonetheless, saying, “But you have to be strong.

“If you are going to be my partner and be in my life, you’ll just have to do better than this.”  They were having this sort of argument.  Basically, he could not participate in the game because he was frankly too old a soul; he just did not find the rat race remotely interesting.  Materialism had no appeal for him.  Though it was clear that the ardent sensualist and lover did so love her, and passionately too, he had no desire to play at the game.  So, at that, I decided to move along and leave them there on the shore.  Here in this place, it was very futuristic.  Even though it seemed in parts the Indian Subcontinent and there was still the abject poverty of the caste system, it was as if set in the late 22nd to early 23rd centuries.

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In early-August, 1991, I awoke from these dreams at my Queen Street East, Beaches apartment and was rather inspired.  After having audiocassette-recorded the dreams with a loudly purring Whoopi next to me in bed, I got about the task of letting her outside to play.  I then got about the business of flowering my life with music to begin in earnest the waking state part of my life.  Thus it was that I began playing Oleta Adams’ 1990 studio album, Circle of One.  Naturally, the choice song that day was her hit single, Get Here, which was an especial favourite of Penina da Braga’s.  Standing in the middle of my living room, I kept my lids shut and swirled my arms about reminiscent of Ms. Adams’ shamanic turn as she weaved her beautiful magic in the dreams just had. 

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Photo Credit: Merlin 1970s in Montréal

Programmes Nov 15 & 16 2016 Berliner Philharmoniker at Roy Thomson Hall

Spa Ovarium at Beaubien & St. Denis in Montréal

Musée des Beaux-Arts de Montréal

Paloma Picasso Gelatin Silver Print 1980 Robert Mapplethorpe

Ken Moody & Robert Sherman 1984 Robert Mapplethorpe

Louise Nevelson Gelatin Silver Print 1990 Robert Mapplethorpe

Gong 96 Acrylic on Canvas 1966 Claude Tousignant

Piccadilly Circus, London, England

London Plane Trees in Paris, France

Oleta Adams – singer

Black cat domestic short hair

Headscarf and sareed Indian beauty.

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©2013-2026 Arvin da Brgha.  All Rights Reserved.

I Love You Ollie! Happy Birthday!

oliver-jones

Hymn To Freedom

Oscar Peterson & Oliver Jones at Festival International de Jazz de Montréal, 2004.  

Happy Birthday Oliver…  I have got no end of mad love for you, Sir!  

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©2013-2026 Arvin da Brgha.  All Rights Reserved.

Prince.

Prince3

Prince  7/6/58<O>21/4/2016

The fragment who is most commonly known simply as Prince has also had an illustrious past as a performing artist.  However, his first life in the music world was as one of the many children of Johann and Barbara Bach.

This child was female and did not become a musician but was surrounded by the musical life.  She was particularly close to her brother, Carl Philipp Emanuel, and this started the fragment’s interest in music as a vehicle through which one could perform.

Although this fragment has enjoyed many stellar performances as an actor, a dancer and a singer of opera, it is this fragment’s immediate past life that is most pivotal to his current endeavours.

As the composer/pianist Scott Joplin, this fragment popularised ragtime as an art form that did not have its foundations in European music and was uniquely American.

Prince is a fifth level mature sage in the passion mode, with a goal of rejection, mostly functioning in the positive pole of discrimination, a sceptic in the moving part of emotional centre.

He has a Mercury/Saturn body type.

Prince’s primary chief feature is that of impatience, with a strong secondary of arrogance.

He was sixth-cast in his cadence and his cadence is fifth in the greater cadence.  He is a member of entity two, cadre four, greater cadre 43, pod/node 414.

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prince

File photo of singer Prince performing during "American Idol" finale at Kodak Theater in Hollywood

Prince4

Singing star Prince shown in this undated photo.  (AP Photo)

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©2013-2026 Arvin da Brgha.  All Rights Reserved.

One.

ESpalding white image©TomAllen

What a lovely drink for the dreamquesting soul…

Yesterday, I caught Don Cheadle’s, Miles Ahead, with an old friend from Montréal.  We both thoroughly loved the film.  The concert at the end of the film was phenomenal and it was good to see Esperanza Spalding joining Herbie Hancock, Wayne Shorter and Robert Glasper and Don Cheadle for, What’s Wrong with That.

More than that, I lost a tear when seeing this at the end of the film: May 26, 1926 –  .  Yes, indeed, Miles’ genius has no ending.

Life without Jazz is hardly living…

Photo: Esperanza Spalding ©Tom Allen

Video: One.  Esperanza Spalding: Emily’s D + Evolution ©2015-2016.

Video: Blue Haze Miles Davis ©1954-2016

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©2013-2026 Arvin da Brgha.  All Rights Reserved.

On The Sunny Side of The Street, It’s Black History Month!

Happy Black History Month!  Who cares about the Oscars?  The most important point of power in all situations is being able to see through to the structure of anything.  Those who cannot manipulate real time events to show themselves, chosen, entitled, special, ‘genius’ and all that nonsense will ever cheat, lie and steal.  Please do tell in in what other universe would there be a tie between Katherine Hepburn and Barbra Streisand for Best Actress but in this one where the most venal racists run the show and everyone looks like another variation on Jackie ‘blasted god-fugly’ Stallone.

Go on, give each other awards; what does it finally matter when you know nothing of being cool and sophisticated as in those whom you so revile, vilify, loathe, incite others to hate – all the while crying of being victimised.  You know… those marvellous people whose spirit you will  never crush, despite the attempts of Orly Taitz and the returned de Torquemada – now no less fugly got up in reincarnational drag – Jackson, Woods and Cosby and you just know that the swine has only just begun.  They, those marvellous people, who like dreams – wherein only truth and beauty exist – are the ones to have invented Jazz and whose spirit will never be eclipsed by your god-fugly ugliness.  Yes, them… they who don’t need awards to show how special, chosen and what marvellous geniuses one so over-compensatorily is not!

Alas, for the truly marvellous people every day of the year is awards season; despite your alarming ugliness, you have positively no power over any of us when we set feet into our homes.  There, despite your lunacy, we affirm our creaturehood, our beauty or phenomenalness and we turn on some Jazz which can speak to no one else as it speaks to every last one of us – not you!  So while you infest the culture, like some fetid mould – which thankfully are never lasting – just know that the ugliness of your lies can in no way invalidate the beauty of Miles Davis, Duke Ellington, Ella Fitzgerald, Betty Carter, Lena Horne, Anita Baker, Sarah Vaughan, Diana Ross, Natalie Cole… and countless others.

So go on and speciously raise your rear right leg and take to the airwaves claiming, “Jazz has its roots in Klezmer!”  Just remember this: forgiveness is the price a damn fool would gladly pay to forget anything.  Clearly, you do not know Black people and come November, we won’t collectively have taken leave of senses and do as you would wish… not after Orly…  Who cares about the Oscar vote?  Our vote is the one that truly matters…  Remember eight years ago… “I’m Voting For Her!”  We do not forget… where is that displaced haus frau anyway?  You know, the one who was partout on TV demanding that the unchosen sheeple, “Vote For Hillary!” followed by that demented laugh of hers… perhaps, she is too distracted these days trying to recall with which hand she ate last night.

Truly empowered are they who always say what the fuck they mean and never leave any doubt as to their resolve.

Incidentally, all the Jazz artists mentioned in this blog, I have to date done their Michael Overleaves.  Some are listed in the Michael Overleaves Appendix page those which aren’t were only recently channelled; they are… Natalie Cole, Anita Baker and Lena Horne.  Not in the least surprised was I to have found that Natalie Cole is an entity mate.  Every time I hear her voice, I am instantaneously catapulted to a groove that I can only call a soul high…  So then here are her Michael Overleaves with one of my favourite video performances of hers.  Every idiosyncrasy of hers resonates to the very core of my being… God she could represent!

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*Richard is New York City academician whom Merlin met during the final couple of years of his life.  This man had the most uncanny resemblance energetically to Merlin and I only met him a week after Merlin’s passing as he ventured to Toronto; he had previously planned to, to bid Merlin farewell.  Alas, unlike Joe Morton who flew in from Los Angeles for 24 hours to be with Merlin, Richard  had been too late but came nonetheless; the gesture was truly noble of spirit and was greatly appreciated.

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©2013-2026 Arvin da Brgha.  All Rights Reserved.

Ugly Beauty.

Album:  Underground (1968)

Label:  Columbia

Piano:  Thelonious Monk

Tenor Saxophone:  Charlie Rouse

Bass:  Larry Gales

Drums:  Ben Riley.

Because every day is a Thelonious Monk day!

This brings back such sweet lazy memories of raining days – more like four days straight – in November in Vancouver!

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©2013-2026 Arvin da Brgha.  All Rights Reserved.