Hymn to Freedom.

© 1964 Oscar Peterson Trio Live in Denmark.

© 1962 Oscar Peterson – composition.

© 1963 Night Train – Verve Records.

Piano: Oscar Peterson

Bass: Ray Brown

Drums: Ed Thigpen

Heals the very soul every time!  When in Winnipeg at the school of the Royal Winnipeg Ballet, I was the only student not included in the mounting of Romeo and Juliet, the company’s first full-scale ballet since David Peregrine and Evelyn Hart had won the bronze prize in Varna, Bulgaria.

This music, this giant of a genius, this album literally saved my life.

I felt such shame at having been excluded; having been properly isolated and rendered invisible, one then had to proceed as though one’s exclusion was not the most hurtful rejection.  The only thing that spirited me away from the abyss of self-implosion was this music.

A beautiful, male Jamaican-born nurse had given it to me on the second weekend of my stay in the city.  He had played the album after his truly elephantine cock had just ravaged my soul and I did nothing but stay there in bed flying-without-moving – and he was a damn good cook too!

Years later, after Merlin’s passing, I sat in the corner curled up with sage entity mate, Daryll Newcombe – now dead of AIDS, at every performance of Oscar Peterson at the Bermuda Onion Jazz Club on Bloor Street between Bay Street and Avenue Road.

The Bermuda Onion had great atmosphere.  More than that, it proved the only Jazz club in Toronto where one’s race did not preclude entry therein.

I was truly healed for being at those performances; I had survived Winnipeg and gone on to meet Merlin.  I had to have attended each performance, for Oscar’s sheer genius had not only enriched but it had literally saved my life.  So it was that, in later years, I was grossly disappointed by his glaring humanity.

His self-karmic issues notwithstanding, this was one genius of towering, staggering magnitude.  Much of the beauty of this giant’s genius is how pure, simple and warmly enveloping it ever was.

Indeed, one has much to be fiercely proud of in celebrating Black History, Black culture, Jazz, because of shamanic healers of the soul like Oscar Peterson.

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© 2013-2026 Arvin da Brgha.  All Rights Reserved.

Epistrophy.

© 1942 Thelonius Monk and Kenny Clarke – composition

© 1957 Live at Carnegie Hall – Blue Note

Piano: Thelonius Monk

Tenor Saxophone: John Coltrane

Bass: Ahmed Abdul-Malik

Drums: Shadow Wilson

Genius is such a beautifully rare flower…  Genius always wears Black.

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© 2013-2026 Arvin da Brgha.  All Rights Reserved.

Django.

© 1955 John Lewis, Modern Jazz Quartet.

© 1956 Django: Modern Jazz Quartet (Album) – Prestige Records

Piano – John Lewis

Vibraphone – Milt Jackson

Bass – Percy Heath

Drums – Kenny Clarke

No better music for reflecting on awaking from a lucid flying dream.

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© 2013-2026 Arvin da Brgha.  All Rights Reserved.

Al Jarreau – Take Five.

© 1976 Live German Television

Piano/Rhodes – Tom Canning

Bass – Jerome Rimson

Drums – Nigel Wilkinson

© 1959 Take Five, Dave Brubeck, Dave Brubeck Quartet

Time Out:

Piano – Dave Brubeck

Alto Saxophone – Paul Desmond

Bass – Eugene Wright

Drums – Joe Morello

Home

http://www.davebrubeck.com/live/

#Black History Month

#BlackLivesMatter

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© 2013-2026 Arvin da Brgha.  All Rights Reserved.