It’s The Brooch, Stupid!

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As the seven-headed Royal Rota beast starts attacking itself at the news that TRH Duke & Duchess of Sussex have laid down the law, which definitely does not include them, they have elected to declare all out war!  Naturally, the American negro whom they spent every inch of broadsheet demonising, vilifying and mercilessly racially preying on, now had to be blamed and attacked.  Never having approved of the black, who ought to have been nothing more than a bit on the side, having married a blood royal prince, the first response comes from that pussy-faced bigot extraordinaire screaming like the closeted cocksucker that he is, ‘Take away their HRH titles!.’  Revoking the Sussexes titles is as good as divorce and finally the royal rota and the majority of racists can have a marriage annulled that they never thought should have occurred.  Too, all of a sudden, they are concerned about the frailty of the indomitable monarch, HM Queen Elizabeth II. 

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By the time that HRH Princess Michael of Kent wore her blackamoor brooch to the 2017 Queen’s Lunch at Buckingham Palace, Meghan, HRH Duchess of Sussex would have regularly been subjected to open racial animus from all quarters within the BRF and the royal households.  Naturally, the ubiquitous garden variety bigots were all emboldened by the race-baiting narrative being driven by the bemused royal rota.  What is their defense for the brooch – Meghan had gifted it to the no-calved freak and insisted that she wear it?  Meghan, HRH Duchess of Sussex makes her Buckingham Palace balcony debut at 2018 Trooping the Colour and she is cunningly eclipsed when it is decided that the four royal colonels who had ridden by horse to and from the palace: HRH Princess Anne, Princess Royal, HRH Prince Andrew, Duke of York, HRH Prince Charles, Prince of Wales and HRH Prince William, Duke of Cambridge are to stand alongside HM The Queen.  

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In the following year, again, the four royal colonels were staged, rather than the protocol of precedence, such that TRH Duke & Duchess of Sussex were again in the back and eclipsed.  More importantly, in 2019, TRH Duke & Duchess of Cambridge were as far away from the Sussexes as possible; this, of course, would only validate the tensions between both of Diana, Princess of Wales’s descendant families.  

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As whites are always readily indignant when denying the existence of racism, the current feverish quarterbacking, addressing every possible reason for the Sussexes’ decision to forge their own future, covers everything except the obvious – the stinking racism within the BRF and the royal households… to say nothing within the royal rota and British society at large.  The obvious assumption is that we owned you people for 400 years.  Of course, we damn well have a right to openly hate you, racially prey on you because we damn well can and are damn well right in our perceptions… most of all, our heritage is above reproach. 

Copping hauteur and curling one’s hideous, thin lizard upper lip aside, selectively and romanticising the past is all well and fine but the reason for damn well hating Meghan and what she represents, is precisely because were it not for those 400 years of making you fabulously wealthy, Britons would be no better off than Albanians.  You can never possibly begin to fathom the degree to which blacks have long ago figured out your own special brand of crazy.  Though superiorly armed; crazy the fuck is crazy.  

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The Sussexes are in the power position, HM The Queen cannot afford the fallout of having the bride of the Commonwealth Youth Ambassador of the predominantly black Commonwealth banished, stripped of royal titles and also removed from her Commonwealth position.  Not only does one run the real risk of many of those predominantly black Commonwealth countries leaving, more serious is the threat of the Sussexes doing a sit-down interview with that other Queen, Oprah Winfrey.  As it is, Britons come off as the ugly racist boors that sadly they are.  Also, if stripped of titles, Meghan HRH Duchess of Sussex would be seen as an admirable American who refused to toe the line and scrape and bow to persons who are bigoted boors, in particular TRH Duke & Duchess of Cambridge.  Meghan does not have to respect Catherine, she did nothing but traipse after/stalk the oaf with limited communication/body language/emotional intelligence until she got the ring and promptly laid down the law whilst rowing and dismissing him during her first appearance on the balcony at Buckingham Palace on the day of their wedding.  

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The fact remains that if HRH Prince Henry, Duke of Sussex had taken a Japanese, Muslim, Chinese, Korean, East Indian or Burmese wife, the royal rota and the British public would not have been so feral with open animus towards any such non-white wife.  To those owed karma, one is always most resently, hateful and obsessed.  Meghan, HRH Duchess of Sussex has been a crucible for that hatred/fear but at the end of the day, the Tudor matriarch did not come back to suffer immolation by rabid racial predators.  Where’s the thriving in that?  And, as she articulately laid bare in her engagement interview, this woman is stratospherically more emotionally intelligent than certainly the Cambridges and all the other members of the BRF, to say nothing of the royal households, combined. 

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It isn’t just enough to be a goddamn token; this is not the frigging 1960s.  Being brayed at and water-hosed by the royal rota, who are now hand-wringing and assuming zero fuck-all culpability, is no way to live.  As Jessica Mulroney so deftly shared on her IG account, “a strong woman looks a challenge in the eye and gives it a wink.”  I will go one further; She winks, smiles then speed dials Oprah.  No one played Margaret Beaufort and no one plays TRH Duke & Duchess of Sussex.  Going forward, no matter what the senior royals do, this is the end result of their racially hostile response to Meghan in their midst…. they know who they are and their actions have betrayed their culpability.  Positively nothing was done as this woman was being lynched; instead, the royal rota and them decided to play central casting and turn Catherine into a star.  Not a damn soul at the Gersh Agency would represent that mousy drab bore.  Once the royal rota get over having been emasculated and eviscerated by TRH Duke & Duchess of Sussex, they can finally go feed on the ruined façade that’s left of the Cambridges’ marriage. 

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TRH Duke & Duchess of Sussex simply did what no one within the BRF had the balls to do: deal with the royal rota’s out-of-control vigilantism.  The royal rota and their legal team have looked at the Sussexes’ declaration and see lawsuits that they can never win and a loss of power, which frankly they should never have acquired.  On the day of their glorious wedding, commentators asked how was Meghan going to change the BRF… not being the royal rota’s bitch is damn well how one modernises the BRF.  You cannot use the royal rota, as the Cambridges have, to wage a grudge match with the more stylish and popular though less senior royals, the Sussexes.  Again, if you are going to play your cunning games via the royal rota, do so at your peril when dealing with an American.  

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The Royal Rota behaved as they did because they knew damn well that there was little acceptance of the black American within the senior royals’ midst.  On the eve of the 2019 Remembrance Service in Whitehall, there were TRH Duke & Duchess of Sussex alone minus Camilla, HRH #Duchess of Cornwall who was a no-show, claiming being under the weather.  The next day, however, there she was on the balcony in Whitehall on HM The Queen’s immediate right, showing no signs of illness.  Just as when she did not want to, Camilla hosted an event in Scotland, rather than attend HRH Princess Eugenie of York’s wedding in October 2018.  

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No other faction would have exerted more pressure on HRH Prince Charles, Prince of Wales to alienate the black American than HRH Prince William, Duke of Cambridge.  He has never his life long, unlike his brother, betrayed being at ease around blacks.  He, along with his inarticulate, insecure wife, went out of their way to make HRH Prince Henry, Duke of Sussex’s wife feel unwanted.  Both possessed of 9s in their numerological makeup, proved themselves petty, grudging and prejudicial in the negative manifestations of the immensely difficult to master number 9.  

So threatened were they by articulate, accomplished, self-made and emotionally centred Meghan, HRH Duchess of Sussex that never once was she allowed to attend a state dinner where she would be expected to wear a crown.  Once and only once did she go on an outing with HM The Queen.  On the official BRF YouTube channel, Meghan’s rather articulate speech whilst attending the 2018 British Fashion Awards was edited to her making the introduction and being thanked by Claire Waight Keller; the entire Internet has been scrubbed clean of her entire speech.  By virtue of the Cambridges’ pettiness, all of a sudden in the past year, Catherine, HRH Duchess of Cambridge has been shoved forward, making speeches and deigning to appear remotely human and speaking to the media.  All indicators are there in plain view, Meghan, HRH Duchess of Sussex has been horribly treated by senior and minor royals alike along with the royal households and none of it was clearly ever challenged by HRH Prince Charles, Prince of Wales who obviously is Prince Regent in all but name.  Bullying Charles, his father, to pose with granny and his darling little twinkle toes, the clearly pussy-whipped, oafish William assumed that Meghan, HRH Duchess of Sussex was prepared to endure a lifetime of BS from the likes of someone whom she obviously dismisses as an idiot.   

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A proud black woman, under no circumstances is Meghan prepared to have her son, Archie Harrison, treated as she has been treated by any royal or hideously racist members of the royal households in an echo of her upbringing around shitty excuses for human beings like Samantha and Thomas Jr. did during her childhood and the moment she became engaged to HRH Prince Henry, Duke of Sussex.  HM The Queen, knew the importance in Meghan, HRH Duchess of Sussex being wedded to a senior royal; it cemented the love and respect the blacks across the Commonwealth bear her.  Be that as it may, as HRH Prince William, Duke of Cambridge could not care less what ‘granny’ wants, he would just as readily dispense with the undesirable ‘negro’ in his family as he would all those blacks in the Commonwealth.  I am sure that he would consider it a good thing if with the Duchess of Sussex’s treatment and ouster, some predominantly black Commonwealth member states were to pull out.  He has never visited any such country and likely never will.  

Everything is a damn choice.  Meghan, HRH Duchess of Sussex clearly sees little difference between TRH Duke & Duchess of Cambridge and Samantha Grant & Thomas Markle Jr., they are bigots not worth associating with.  Of one thing you can be certain, Meghan, HRH Duchess of Sussex will never allow Archie to have contact with his cousins.   HRH Prince Henry, Duke of Sussex never treated Catherine, HRH Duchess of Cambridge differently either before or after she joined the BRF.  I ceased following Amelia Windsor on Instagram when that little half-wit of dubious beauty on attending the 2018 British Fashion Awards failed to acknowledge Meghan’s presence there in her insta-stories, though there were many other highlights of Amelia’s night at the awards. 

With Meghan and Harry’s departure and with the royal rota no longer having direct access to them, it is time for them to start covering the real story in the House of Windsor, TRH Duke & Duchess of Cambridge’s disintegrating marriage.  

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©2013-2022 Arvin da Brgha.  All Rights Reserved.  

Charles & Diana: La Deuxième Partie (Like Father, Like Son).

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A few weeks back as I pored through IG (Instagram) that day, I kept noticing that the latest viral storm involved the worlds of dance and the royals.  As the story unfolded, I became increasingly ticked off.  Here was everyone, mostly dancers across the globe, whom I religiously follow, feigning indignation at Lara Spencer’s bullying of HRH Prince George of Cambridge because he studies ballet at the age of six.  

I soon sought out the clip in question and quietly awaited how the usual defenders of the royals would react.  Firstly, I do not believe for a second that Ms Spencer’s intended to bully as its been alleged that she did.  She was presenting a light entertaining piece about the royals, about whom the American audience at large know precious little.  Indeed, had an American, Meghan, HRH Duchess of Sussex not married HRH Prince Henry, Duke of Sussex in May 2018, it is highly improbable that Good Morning America would have run the story about Prince George also taking ballet classes at his school in Battersea.  

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There was no malicious intent on Ms. Spencer’s part; however, she was being sexist and classist in trying to make the royals somewhat relatable to an American audience.  It was an entertainment news item, in an American breakfast show when there is no time for getting too deep into any given subject and certainly not an entertainment story.  Nonetheless, there was she being tarred and feathered with dancers partout, calling for her to be fired and demanding that she issue an apology toute de suite.  

There is a damn good reason why dancers do not speak when onstage and that damn well ought to apply more often when offstage.  Not once did the optics of their outrage at Ms. Spencer, occur to any of these solipsistic bunheads.  Honest to god, here are they up in arms in defence of a royal whilst having remained perfectly mute as when onstage about the racially predatory abuse and bullying of another royal, Meghan, HRH Duchess of Sussex.  Of course, in having chosen to not hold their tongues as previously and consistently they have as the Duchess of Sussex has been abused, more speaks volumes about them than not.  

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For never once having said anything in protest of Meghan, HRH Duchess of Sussex’s bullying and abuse at the hands of Piers Morgan, Lady Colin Campbell, Amanda Plattel, Janet Street-Porter shows the entrenched apathy the world over at racism towards blacks.  All of the aforementioned have all fallen silent and written not a single article in defence of Prince George being bullied by that uncivilised American, Lara Spencer.  Naturally, so huge was the backlash that Lara Spencer had to swiftly issue an apology.  Again, at no time did any of the DailyMail gang of racially predatory Meghan-hating, race-baiting, click-baiting detractors show their cowardly faces. 

How could they have?  By far, they are the biggest bullies.  Unlike Ms. Spencer, her remarks were a one-off, I do not believe she intended to report on the Cambridge’s children on a weekly basis and in a disparaging manner.  American six-year-olds do not take ballet classes as part of their curriculum; that is why Ms. Spencer was going for a light, easy laugh.  She was showing to the American audience how removed from their reality, the royals are.  

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Each day with Jeffrey Epstein’s all too convenient death – that was definitely not a suicide, the racially predatory ghouls in English print media have remained conspicuously silent.  Truly if Lady Colin Campbell, Piers Morgan et al cared about the monarchy, why are they not up in arms and castigating HRH Prince Andrew, Duke of York of having been a dark and bothersome thorn for the crown?  Where is their outrage?  Where are the multiple daily articles wherein Prince Andrew is taken to task for proving himself not fit to be counted a royal?  

Don’t these idiots realise that in remaining in hiding and mum through the tsunami of Epstein’s resurgence and death, they come off as having been purely racist and malicious in their attacks on the Duchess of Sussex.  The longer they remain silent and cease their attack articles on Meghan, HRH Duchess of Sussex, reveal how purely malicious, personal and racist their coverage has been.  They have now got zero credibility.  

Naturally, as the braying against Prince Andrew grew louder and there were more daring calls for him to face justice, the loyal defenders of the RF sat back and said nothing.  When finally the Lara Spencer controversy blew over, Piers Morgan re-emerged and went right back to feeding on TRH Duke & Duchess of Sussex.  The new attack word is hypocrite; naturally, the Sussexes are hypocrites for flying by private jet.  After the fact, it would emerge that the Sussexes likely travelled to be at Elton John’s French estate, following the suicide of an energetic, charismatic colleague of Prince Harry’s on August 5, 2019.  

In this exquisite clip, we get a prime example of the true hypocrisy; here is Piers Morgan caterwauling as per usual, defending his right to bully and prey on Meghan, HRH Duchess of Sussex and like every racist boor, he is shrill in denying that it has anything to do with race.  As the future Countess of Sandwich, Julie Montagu, Viscountess Hinchingbrooke and fellow American alludes, the reason for the Sussexes travelling by private jets may be down to serious and valid threats that they may be subjected to, owing to Meghan being black.  Naturally, straight away as he race-baits and gleefully so, Piers states that it has nothing to do race; he refuses to concede that much of the hatred towards the Sussexes could be rooted in racism and that there couldn’t possibly be death threats aplenty against the Sussexes.  

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Julie Montagu, Viscountess Hinchingbrooke.

Rather, the tone deaf racist boor counters by stating that Diana was infinitely more famous than Meghan is; granted but he fails to realise that Diana was white and would have receive not a single death threat for being white.  The fact that Meghan is black and the first black to marry a senior royal are grounds enough for violent racists to be boldly making death threats against the Sussexes.  

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This is to what Julie Montagu was referring, instead, in a defence of his right to maintain his shrill racially predatory attack campaign, Piers Morgan shrilly states more nonsense.  Piers even becomes incandescent with rage at Julie Montagu’s suggestion that Meghan will do things in an American way.  Naturally, Piers protests and, in essence, says that Britons will not be overrun by Americans.  The past month has revealed the real hypocrisy of the English print medium, just as with the Lara Spencer scandal, which they could not criticise as it reflected their own bullying, Piers Morgan et al fell silent with the avalanche of details that have surfaced with Jeffrey Epstein’s death; murder, suicide… you decide.  

The glaring refusal of Piers Morgan and the rest of DM’s gaggle of shrill racists to so much as once mention Prince Andrew, has rather unwittingly cast a very harsh light on that other source of royal scandal, HRH Prince William, Duke of Cambridge.  Of course, this was never their intention – they aren’t that intellectually sophisticated.  Rather than pounce on the Andrew angle, if they are so keen on hurling mud at royals, they remained mum.  This has only given rise to questions of what exactly has been going on in the Cambridges’ marriage.  There was William shaking arse with his bottom boy, Thomas van Straubenzee in Verbier whilst also playing the field and hooking up on the dance floor with a woman who definitely was not Catherine, HRH Duchess of Cambridge.  

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This is the same Prince William who earlier in 2019 met with the editorial board at the DailyMail,  Like the scarf incident at Christmas 2018, more and more this is not about Wallis Simpson and King Edward VIII; however, it most definitely is matter of history repeating itself within the British royal family by way of HRH Prince Charles, Prince of Wales’ jealousy and the very real threat that he saw Diana, Princess of Wales posing early in their marriage.  For Charles, Diana was a complete enigma.  Not only did he not love her but how could the public be so obsessed with her?  How is it that he who was born to be king, be eclipsed by someone who was not even a blood princess?  

This dynamic is now repeating a generation later as desperate to rein Meghan, HRH Duchess of Sussex in, HRH Prince William, Duke of Cambridge met with the DailyMail’s editorial board.  For William, just like Charles, he is threatened by Meghan, HRH Duchess of Sussex’s star power.  Meghan shines brighter than both Catherine, HRH Duchess of Cambridge and himself, the future Prince of Wales.  Naturally, all along, HRH Prince Henry was dismissed as being second fiddle; William was deferred to and it was expected by William that Harry would know his role and keep his place.  

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Yet, there she is, Meghan, HRH Duchess of Sussex with more glamour and star power than both Cambridges combined.  It is in the nature of scholar souls to engage in dirty pool and set about to ruin someone by doing so in the background.  History repeats itself in that, like his father before him, William has been blindsided and thrown by the public’s reaction to someone not a blood royal.  It isn’t just that Meghan, HRH Duchess of Sussex is black, rather, William has been groomed from birth to expect everyone to be less revered than himself in the dynastic hierarchy.  That assumption, as are all assumptions, is untenable.  For all kinds of reasons, Meghan is far more popular than either William or Catherine – to say nothing of both combined.  

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Misha Nonoo-Hess & Meghan, HRH Duchess of Sussex.  

William for being a scholar soul and with his astrological, numerological and overleaves chosen would never choose a wife who could prove more popular than himself,  Shrewdly persevering, Catherine a warrior’s warrior would never go in for being showy as is an artisan or sage’s wont.  Artisans are simply far too complex for mere scholars to fathom.  The fact that artisans input on five channels where kings, warrior and scholars merely input on a single channel, would lead to unease on the part of a scholar who has been groomed from birth to be deferred to and groomed to be most popular.  That Meghan, has been one of the most shrewd and accomplished women in English history – she is the reincarnated Margaret Beaufort matriarch of the Tudor dynasty – is all the more reason why one cannot expect her to turn up playing wallflower here and now.  

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For Meghan, William is as interesting as a mastered rubric’s cube; he is flat, one-dimensional and bland.  The fact that Meghan’s task companion is a warrior and that she, Meghan, is married to a warrior, HRH Prince Henry, Duke of Sussex, her father-in-law HRH Prince Charles Prince of Wales and Catherine, HRH Duchess of Cambridge, her sister-in-law are also warrior souls, gives her an edge in understanding and knowing just what to expect from the Cambridges.  It is no coincidence that Charles’ second wife would turn out to be a scholar, Camilla, HRH Duchess of Cornwall and as such, someone who would not prove the egotistical challenge that Diana, Princess of Wales proved for being an artisan with star power.  

Indeed, like father like son as William a scholar would marry a warrior soul, Catherine, HRH Duchess of Cambridge who also happens to be his task companion.  Meghan and her forthrightness and singleness of purpose, with her healthy star power has proven a threat for William.  Meghan has also proven a jolt of energy for the Cambridges; they have finally had to get off their arses and stop playing house and do something that is more than simply turning up, grinning, shaking hands then bolting.  This is what the revival of the King’s Cup Regatta as a means of fundraising for some of their charities represents.  Meghan has shown with her ventures, the Together cookbook and Smart Works fashion collection that like the Prince Charles’ Prince’s Trust, she is all about raising money.  She gets it – the monarchy is a business.  

No amount of meetings with the DailyMail‘s editorial board is going to change the fact that Meghan’s star power is rooted in history.  How this has manifested itself here, is her expert command of stagecraft.  She is commanding of an audience in a manner that neither William nor Catherine is.  All this recent rubbish on the part of the DailyMail talking about Catherine has found her voice… all of 8 years on; indeed, it is a voice that she has been forced to suddenly find with little mastery simply because the very real threat and presence of Meghan behoves the Cambridges to do more than breed.  As compared to the Sussexes, the Cambridges are rather bone idle, truth be told.  Just as Charles was threatened by Diana’s greater popularity, so too is William threatened by Meghan’s greater worldliness, star power and commanding stage presence.  

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This is precisely why Meghan, HRH Duchess of Sussex’s stellar stage command at the 2018 British Fashion Awards has been scrubbed from the internet.  At the end of the day, the very shrewd Meghan, HRH Duchess of Sussex – which artisan soul is not both shrewd and complex – is confident of one fact: intellect is the most powerful asset to possess when incarnate.  Meghan is better educated than both Cambridges and she is vastly more worldly and articulate and displays greater intellect and emotional intelligence than Catherine, HRH Duchess of Cambridge hands down.  Charles does not call Meghan Tungsten for no reason…. besides just as Charles is rather shrewdly aware, William, though not inconsequential, is nonetheless stupid.  

No matter how William colludes, conspires and sabotages from behind the scenes, it is as futile as trying to sabotage and undo the work that Margaret Beaufort did back there in time… impossible.  For both Charles and William both Diana and Meghan would prove both enigmatic and difficult.  Both men for being warrior and scholar souls respectively input solely on one channel.  Both Diana and Meghan for being artisan souls input on five channels.  We artisans are the most complex creatures, who are not readily understood and are usually dismissed as unstable, too wilful, undisciplined, crazy, lunatic, artsy-fartsy et al.  Where artisans and sages are at home in the arts or looking like the contestants on Rupaul’s Drag Race, warrior and scholars are anything but, unless of course they are a scholar or warrior with sage or artisan task companion and with lots of sage or artisan influences in their casting.  

Where Charles differs from William is that his task companion is a priest which means that he, like all priests, would be given to serving a higher ideal which in Charles’ case has to to do with stewardship of the environment and not just the realm to which he is destined to govern.  Again, I cannot strongly enough state how much scholars are given to being shit-disturbers, fault-finding and given to being stubborn and categorising everyone and everything into its own neat little box/list as deemed by scholar arrogance to be correct.  In William, this is even more pronounced as his being born to be king, has heightened this innate scholar arrogance; furthermore, his attitude of 9 in its negative manifestation leaves him being prejudicial to all that is other and not like oneself.  

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(HRH Prince Henry, Duke of Sussex at the wedding of Michael Hess and Misha Nonoo.  What I love about this photograph is the more than passing resemblance between Henry and Roman Abramovitch.  About a dozen years ago, I had the most lucid dream of both men deep in conversation and I was struck then how much they looked alike; this is the first photo that captures this similitude in the look of their eyes.  I think that they are, perhaps, connected at the level of soul either entity mates or cadre mates.)  

The long and short of it all is that William met with the editorial board of the DailyMail in his campaign to demonise and eliminate the affront that Meghan, HRH Duchess of Sussex represents to his prejudicial scholarly sensibilities.  Still, he has yet to go tour a predominantly black Commonwealth Nation; unlike his brother, HRH Prince Henry, Duke of Sussex who through Sentebale has kept in touch with his black roots in his immediate past life.  Regardless of how much he and Catherine, run around making speeches all of a sudden, they can never eclipse the cool sophistication of Meghan, HRH Duchess of Sussex’s commanding stagecraft.  

Apart from being task companions, William and Catherine are a formidable force to reckon with… and it is all in the numbers.  Catherine is born 9.1.82 = 9.1.3 = 4.  William is born 21.6.82 = 3.9.2 = 5.  For any pairing to smoothly, harmoniously work, one must have at least two numbers in common.  The Cambridges have 9 and 3 in common.  I have spoken in the past of how debilitating William’s attitude of 9 leaves him hamstrung by prejudice, which clearly leaves him ill at ease or disfavouring blacks – hence the meeting with the DailyMail’s editorial board.  In Catherine’s case, the 9 is in the energy body.  9s are perfectionists who readily dismiss and banish anyone and everyone who comes near them who by their personal standers do not measure up and are deemed imperfect in some way.  

Again, Warriors (Catherine/Henry & Charles also Philip) are the dominant partner in any relationship.  For that reason, Catherine is rather threatened by Meghan’s forthrightness, American boldness, most of all, she is grossly threatened by Meghan’s commanding stage presence and the fact that Meghan, like every performer before her who is an artisan soul sets the tone and captures one’s attention like no warrior ever can, would prove disquieting for Catherine; in Meghan, Catherine is made readily aware that she is imperfect in some way.  Diana was the quintessential artisan soul with star power, she was also like another artisan of commanding star power in the 20th century, Marilyn Monroe.  Diana’s body type was Lunar/Mercury – she was luminous, empathetic, fluid, changeable, unpredictable.  With Marilyn Monroe, there was also Lunar energy; however, that artisan soul was Venus/Lunar… you could not get more bewitchingly famous than that.  In other words, she was gorgeously voluptuous – as we well know – but could cast a spell on anyone… and did.  

Also, an artisan, Meghan incidentally, is the same soul age as was Marilyn Monroe.  Meghan, however, has a Venus/Solar body type.  No surprise then that the very powerful Tudor matriarch, Margaret Beaufort would reincarnate with a body type that has the most spiritually senior royal, HRH Prince Charles, Prince of Wales referring to her as Tungsten.  Not only is she winningly appealing but Meghan’s body type of Venus/Solar suggests someone who is inordinately ambitious and also fully in control and is more shrewd than Diana ever was.  Both William and Catherine are deeply intimidated by Meghan.  Catherine’s body type is Saturn/Mercury/Venus.  That saturnine energy only accentuates that 9 energy in her makeup.  She is steely, guarded and like every warrior who ever lived fiercely competitive.  She is the dominant partner in that marriage – I should think that this does cause William a great deal of stress.  William, of course, is a lot like his mum, he is Lunar/Mars/Saturn.  At the end of the day, like Diana, he is not always ‘there’ and is not someone whom one would ever think of as an intellect… spacey is more to the point; this is why he cluelessly sat with his back to the horses on entering the 1902 state landau on his wedding day outside Westminster Abbey.  

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No matter how the Cambridges are threatened by Meghan and engage in a campaign to rein her in and sabotage her star power, as the Kingdom Choir sang so jubilantly, Meghan’s light will ever shine uneclipsed regardless of what prejudicial William and tightwad, faultfinding Catherine think or do.  It is really risible watching them try and rebrand Catherine as a public speaker.  Catherine can never walk onto any stage anywhere and have the audience be wowed and react so beautifully as the heavily artisan and sage-souled audience at the 2018 British Fashion Awards did to her surprise appearance.  Meghan proved her mettle in giving the world the greatest bit of theatre as she walked up the west steps at St. George’s Chapel, Windsor Castle on her wedding day, walking up the aisle like no royal bride ever had; she was declaring loudly and clearly, “I’m back!” as at the core of her being, the soul which previously had been Margaret Beaufort, entered the chapel alone beneath the stain glass windows at the west door with a tribute to her son in that past life, HM King Henry VII, then walked whilst escorted by HRH Prince Charles, Prince of Wales, across the tomb of HM King Henry VIII whom she mentored and for whom, she Meghan, then Margaret Beaufort was his greatest mentor.  

Meghan with every speech eclipses and exposes the flawed campaign of the Cambridges to try and make her a laughing stock, banished and inconsequential.  For crying out loud, Meghan is an artisan, not a self-restraining warrior nor a dull blithering scholar who was openly dismissed whilst on the balcony on his wedding day by his new wife.  Catherine for 8 years never once thought to start speaking publicly, yet, all of a sudden, there she is, comparably making an arse of herself.  She has been a deeply self-absorbed controlling element in her husband’s life, given to smoking, dieting all in hopes of being praying mantis and boyishly androgynous, the way a good public school-groomed husbands like those cherished proclivities sustained.  

Numerologically, the Cambridges are better suited elsewhere on the Timeline than here.  They are both not remotely adept at living in a world where being media savvy  is mandatory.  Saturnine, smug and colonial in their sensibilities, it is hard to fathom how they have managed to do little to nothing until the arrival of Meghan on the scene to cause them to suddenly become eager to engage and undertake royal engagements as well as raising funds for charities.  Since 2011, they went to Hollywood, wowed no one and have not been invited back since.  

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Truly, all that Catherine in her whimpering speeches can do is address childhood issues rather than commanding the respect and attention of adults as with Meghan at the 2018 British Fashion Awards which have been conveniently scrubbed from the internet as it is puts into relief the commanding force which Meghan represents.  Artisans, like Meghan, Marilyn Monroe, Diana, Princess of Wales and countless others bring the magic by merely being, especially so when on stage… this is an innate gift that neither Catherine nor William possess in the slightest.  

For sporty Catherine to be suddenly thrust out there to be making speeches only further highlights how desperately the Cambridges are threatened by the appearance of Meghan in their midst.  Just listen to this god-awful boldfaced sophistry!  She has not found any voice anywhere. 

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You cannot find what you never had to lose in the first place.  She is a mousy little thing who looks like a chain-smoking, eating disorder mess which would be in keeping with the 9 numerology obsession with perfection.  This You Magazine insert in the Mail on Sunday is the result of the Cambridges meeting with the editorial board of the DailyMail. 

It changes nothing because as earlier in the week proved as TRH Duke & Duchess of Sussex demonstrated when presenting four-month old Archie Mountbatten-Windsor to Archbishop emeritus, Desmond Tutu and the eagerly awaiting world, the Cambridges by comparison are like week-old lettuce…  limp.  Just look at that exquisitely shaped African skull on Archie…  it readily conjures images of family gatherings where every black aunt, cousin and mother want to gently, lovingly massage the uniquely large skull with its rear extension, their long melanin-rich fingers massaging love and pride deep into the very DNA of yet another handsome son of Africa. 

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Archie is such a beautiful, well-aware, engaged youngster.  Indeed, in spades, he demonstrated at all of four months that he is indeed an older soul as his mum, Meghan, HRH Duchess of Sussex stated whilst visiting with the Tutus.  Truth be told, Archie is the oldest soul senior royal.  He is the same age as HRH Prince Charles, Prince of Wales – both 7th level Mature souls; however, Archie is a priest soul and more cardinally cast than warrior soul, Charles.  

One thing that the Sussexes tour of Africa has proven, is that though the campaign waged by the British media, especially so the DailyMail has been damning, it changes nothing.  There hatred does not encompass how the world perceives the Sussexes; they are lovely couple, truly in love and parents to the most awesomely spiritually evolved child, Archie Harrison Mountbatten-Windsor.  

*I should point out, however, that I have not done the overleaves for prince Louis of Cambridge or his sister princess Charlotte of Cambridge.  Thus, of the senior royals channelled at this stage, Archie is the oldest soul, though, he may well not be based on the other senior royals whose overleaves I have not done.  END.  

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©2013-2022 Arvin da Brgha.  All Rights Reserved.  

The Fawn… It Definitely Was A Miracle.

Merlin Christmas 88

On this the eve of what would have proven Merlin’s 72nd birthday, I share these rather totemic dreams.  This November 18, 2019 marks the 30th anniversary of Merlin’s passing of full-blown AIDS, on a cold November Saturday morning when icy snowflakes aimlessly drifted across the city streets.  Whilst at dinner recently, a dear friend asked if I am never saddened at the loss of Merlin and if I ever do miss him. Of course, as I write this blog, I am warmed by the fact that on December 2, 2006 – almost 13 years ago, Merlin was reincarnated in a canalled northern European city.  Merlin is now female and the third of three children – two older brothers. 

What’s more, Merlin reborn has eyes that would now be even more phenomenal than when last I gazed besotted and rhapsodic into those large, soulful hazel eyes.  Whereas Merlin was on his sixth life as a seventh level mature scholar soul, now reincarnated and female that soul is now living its first incarnation as a first level old scholar. These next dreams were dreamt in May, 1989 when Merlin was then still incarnate and at that point, he daily listened to the audiocassette recording of my dreams.  This he did because they fascinated him; more than that, he did so because ever the director, he was keen to give insight and direction. 

“Come on, Arvin, you have to be more descriptive.  I have no idea if the car was blue, green, for that matter a convertible and was it a tan or white leather interior?” 

Certainly, it can never be underestimated the pivotal role that Merlin played in the depth and thoroughness of the audiocassette recorded dreams.  He was ever a loving but tough taskmaster and happy am I to have had his loving input and direction. After having listened to the recorded dream being now shared herein, Merlin came to dinner at our 20 Amelia Street home and declared, “Well, let’s not get too caught up in trying to interpret and figure out the symbolism of those dreams.”  After, he winked, we softly kissed; his lips as ever warm and full as internally an unrelenting disease determinedly consumed his body… but never alas his spirit. 

These were potent, lucid astral plane dreams.  To say that they were totemic would be understating fact.  The dreams were a glimpse beyond the veil as Merlin shamanically wound down another incarnation and got ready to put to rest another life. Ever focussed on my spiritual maturation, I am immensely proud to have survived so long after Merlin’s passing.  Had anyone wagered that I would be still in the game 30 years later, I would have said, “You are reading the wrong tea leaves.”  

Well, here I am still shaking arse and the Rathore to the core.  These totemic dreams were dreamt on Monday, May 22, 1989, audiocassette recorded on tape IX of the 250 audiocassette recording of my dreams and yet to be found in Volume one the 25 Volume dream opus. Too, at the time, the Moon then transited both Sagittarius and my seventh house – wherein my natal Moon is posited.  Truly few are they who are brave enough to drink from the chalice that is life. 

Your support and choice to be focussed herein are both humbling and a source of inordinate pride.  I am immensely grateful. Sweet dreams and as ever do remember, death is just a shift in focus; one is merely focussed at a different frequency.  Besides, as one rather beguiling astral plane habituée put it, “Trust me, death is not wasted on the living.”  

Dreams serve as the most expedient conduit for sustaining the bonds and communion of souls between persons who are no longer focussed in the physical plane but refocussed on the astral plane between lives as astral plane habitués whilst resting, reviewing and weaving the tapestry of future incarnations.  So, drink and live in the moment.  Take a deep breath, open your eyes within – don’t be afraid – and there within the silken folds of self is the massive beauty which is spirit.. go on explore and discover the true you.  I love you more. 

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Montpelier Plantation Nevis

The first dream found me posited on a hilltop looking down into a valley which then rose up into a lower hill.  From the vantage of the mountains in Sandy Point, St. Kitts or Nevis, the view was of being down towards the ocean.  Topographically, it seemed more like St. Kitts – however, this was definitely set in Nevis.  I looked out and what did I see but a house on this hill; it was a very huge and lovely house.

Down from the sky, before the house on the rolling plains, fell a column of white light that shimmered.  The manifesting light had the power of a tornado and it was a force that moved… it undulated.  Truth be told, this was a liquefied white light – not unlike a waterspout.  As compared to the left and right sides of the shaft, it was as though the centre of the light was faded.  The centre of the column of light seemed invisible but it wasn’t.  As a matter of fact, it was sort of greyish-coloured.  

*A very fleeting dream this was but it was one that was potent.  The sky overhead was ominously dark as though the cloud cover was simply to mask something else.  There was no getting around the fact that the light was used as some sort of transport or conveyance.  The light was being used for the relay of energies between the house’s occupants, if there were any, and whatever was beyond the clouds.

The dream seemed to have abruptly collapsed because I had happened on the scene.  There was no one else about.  Too, it was the only house on the landscape.  I felt as though I had been ejected, from the dream, for having been there and witnessed what I wasn’t supposed to have been privy to.  The dream collapsed around me; I was deprived any further knowledge of what was going on.  In light of the dream that would follow, it became fairly obvious that the light column was channelling.

Eventually, the astra-human soul quality of Merlin’s would quite potently manifest.  Of course, just as in the dream of Thursday, July 7, 1988VI, again, there was a lone house on the landscape.  As will become evident, in later moments of the dreams, Merlin’s soul quality would manifest.  END.

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Satiro de Aaron Sims

The next dream immediately found me in bed with Merlin.  He got up and he looked very old.  Looking very tired and old, he turned around to me then went out into the hallway.  He turned around and asked me, “When are you going to start moving on because I’d like to die by the end of this year?  When are you going to go back to school?  I’m really tired of this; I’m tired of this illness… I just want to move on.”

He was terribly impatient.  Indeed, Merlin here was very forceful.  That was when he began shapeshifting; Merlin underwent a metamorphosis before my eyes.  He became, as he spoke, more impatient.  I watched spellbound as his physiology morphed into the very astral-looking faun – though elfin-looking, he was taller than his known humanoid self; Merlin became the archetypal Chiron.  I started crying sounding real childlike and said, “No… no!  Please, please don’t!”

His face then became part of the pink walls, thus his transformed face was flesh-toned.  Here his face looked faunlike; his eyes were on the sides.  He had the face of a faun and I only ever saw the right eye.  The eye was black-within-black.  The eye looked down at me because the head – which was the only thing visible when mounted – was up on the wall.  Shapeshifted, Merlin’s was a very hard-looking eye.

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Merlin’s eye rapaciously looked right into the soul.  An ancient eye it was.  I caressed the softness of the fur-like skin and pleaded with him and said, “Please, I can’t live without you.  I couldn’t go on.  Please don’t lose your strength and get ill,” I pleaded with the shapeshifted Merlin and cried.  I was aware of being here in bed asleep whilst dreaming and that my body was going through the motions of crying and being pained.  Merlin did not hear me, although, I thought that as I slept that I was talking aloud in my sleep.

*This was an intensely upsetting dream because it dramatised how Merlin wished to be allowed to move on.  He no longer cared to be focussed in the life.  Though it was obvious that he could have soldiered on for months more, he simply lost the desire to go on being focussed.  Clearly, this was owing to the bilious discord created by Tytanikka and Oleg’s betrayal.

Though he never physiologically resembled the classic centaur, Merlin’s face not only further morphed becoming like a fawn’s, more accurately, his head and face did have the eventual shape of a young bison’s – very Taurean, strong and potent.

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On preparing for the video to celebrate the 70th anniversary of Merlin’s birth back in 2017, I decided then to head off to the costumer, Malabar on McCaul Street where artist and lover George Hawken lived in the late 80s to early 90s.  Inspired by the first dream of Merlin had 41 years ago in July 1978, I decided to get a cowl as a tribute to the cowl Merlin wore in the inaugural dream encounter with him, four years before having met on Friday, October 1, 1982 in New York City.  So, there was I at Mount Pleasant Cemetery on Saturday, July 15, 2017 in my cowl and the panama hat purchased at Versailles to escape the heat.  I thought it fitting as Merlin always loved wearing panama hats.

My trusty friend, J.J. who happens to be an artisan entity mate whom I have known in 20 past lives –- which is a high incidence of contact -– was the director.  Initially, I had hoped to throw a white party on the lawn to the southwest of the chapel at Mount Pleasant Cemetery and have a drone film the event where a gathering of friends would raise a glass to Merlin on the anniversary of his ennobled birth.  Merlin always threw a white party each year for his birthday at his parents’ stunning backyard in north Toronto’s Servington Crescent.

The plan was not approved by the cemetery and thus, one had to improvise.  I got my panama hat and my cowl and together, we proceeded with a dozen long-stem white roses to visit Merlin’s resting place.  I had a pretty good idea what I was after.  With the matching white cowl, I wanted to evoke the magic of meeting Merlin in that initial dream which is shared in volume one of the dream memoirs, which is already published: Merlin and Arvin: A Shamanic Dream Odyssey.  

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Get your copy!  Thanks as ever for your support!

In the hardcover edition of human civilisation’s first dream memoirs, the initial dream encounter with Merlin is shared.  The dream begins on page 110 in the hardcover edition.  I wanted the same sense of wonderment and magic that I felt for having met Merlin in that first dream four years prior to having met reflected in the video.  In that dream, Merlin’s appearance was preceded by a white totemic creature which seemed, in its astral plane outréness, to be part Russian wolfhound, part alpaca, part dog.  

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So, moving to the lawn, having descended the steps of the chapel, I began walking across the open lawn towards the statuesque lion-festooned mausoleum with the five remaining white long-stem white roses.  Seven roses, of course, were left at Merlin’s grave -– one rose for each of our seven glorious years together.  As I stepped onto the lawn, it seemed magical… timeless even.  Slowly, confidently as I approached the filmmaker at the other end of the lawn, I thought of Merlin and that initial dream.  

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Just then, I very distinctly thought of Merlin greeting me by purring, “Hello Lambs.”  As if right on cue, from off stage left, an adult deer came from behind the bushes and tombstones that line the far edges of the open lawn.  Never before had I seen a deer at Mount Pleasant Cemetery.  Indeed, the good burghers of Forest Hill who clearly regularly jogged in the park-like setting stopped and were overheard remarking that they had never seen a deer in the cemetery before.  All that I could do was tear up and continue walking as the deer then bolted and ran from stage left to right as I continued my stride uninterrupted –- unfazed by the appearance of an adult deer on the grounds of the cemetery.  What is more astounding, is that J.J. at the time was filming my walk; at the last minute, I decided against a run-through as I was concerned about the natural light possibly changing if we were to rehearse the shot.  

Unbeknownst to me, the deer after having made it to stage right, then returned to the centre of the lawn and stood there perfectly still whilst observing my progression across the lawn.  J.J. who was astounded by the occurrence remarked that he had just witnessed a miracle.   There is no doubt in my mind as I tried to recapture the magic of that initial dream encounter that there was a subtle validation of that dream from the magical shaman himself on the other side by having had Merlin’s spirit step in as director emeritus and had the deer enter the shot as validation and a token of his appreciation of the love that we shared and my steadfast loyalty to him.  After crossing the lawn and turning to watch the deer stand there, looking down the lawn at me, I felt such utter peacefulness and abandonment of spirit — just as when alone and intimate in the dark with Merlin.  

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Yes, I believe in magic as did Merlin and as though an appreciation of having stridently done everything to fulfil his mandate to me, Merlin’s astral body conjure up the same magic here and now as he had in July 1978 –- four years before slipping inside a Hell’s Kitchen walk-up and readily winning me over with his sexy elfin charm, magic and sex that proved the most grounding shamanic passion… every time.  Standing there, I was reminded, too, of that dream in 1989 before Merlin passed wherein he shape-shifted and became a fawn-like creature who morphed and became one with the wall in our Cabbagetown home.  

All the music chosen for this 13-minute video is music that Merlin loved whilst incarnate and to which he returned time and again -– whether at Joe Morton’s tiny Upper West Side apartment in autumn of 1983, Toronto’s 20 Amelia Street in tony Cabbagetown.  From Glenn Gould’s mastery of Johann Sebastian Bach’s Goldberg Variations, to Elton John, Stevie Wonder, Gladys Knight and Dionne Warwick singing That’s What Friends Are For –- in that segment of the video, I included friends whom Merlin valued: Kareem Benezra, myself, Wayne Robson and his oldest and most loyal friend, the ever-gracious, Maxime Gascoigne-de Montigny.

Of course, for Stevie Wonder’s Isn’t She Lovely, I exclusively included photos of Merlin and his very handsome and gracious father, David Ben-Daniel.  Whereas I favoured Sir Paul McCartney’s Hey Jude, Merlin ever loved George Harrison and especially My Sweet Lord.  Of course, one Saturday, whilst staying at actor, Joe Morton’s Manhattan apartment, when Merlin and I secretly committed to being together, we slow-danced to Supertramp and Roger Hodgson’s unmatched magical vocals on Supertramp’s Breakfast In America.

Additionally, Jeffrey Osborne’s On the Wings of Love which was one of Merlin’s favourite ballads is also included.  Merlin loved Black male soul singers: Otis Redding, Marvin Gaye, Jeffrey Osborne –- most especially –- George Benson, Al Green, Teddy Pendergrass, Donny Hathaway, Barry White.  Most of all, I am especially proud of the video that J.J. and I have created; I think that it masterfully captures the depth of my love and fealty to the most fabulously magical shaman encountered on this incarnation’s spiritual odyssey.

Naturally, before having left for Mount Pleasant Cemetery, I had flooded my apartment with the music that appears in the video.  Perhaps, unwittingly by so doing, I was invoking Merlin’s spirit, which later joined us when he played ultimate director and pulled off the most magical bit of stage direction –- an adult deer in the middle of a cemetery in the heart of mid-town Toronto.  Lastly, I played the sublimely soulful Shirley Horn’s interpretation of, Here’s to Life!  Whilst raising a glass of coconut water, I had forgotten to pick up some champagne the evening prior and it was too early in the morning to find champagne anywhere –- the lighting was way too good.  Besides who knows if that magical deer would have been anywhere about.

Here’s to life… most of all, here’s to Merlin… here’s to dream shamans everywhere!

Merlin & Arvin 1987

Merlin’s mandate to me ever remains:

“Please my darling, I want you to write about our lives together.  I promise you, however possible, I am going to send you dreams to include in the story of our love… our lives together.”

Of course, there is my Instagram account:  Instagram Arvin da Brgha

The YouTube channel is:  Arvin da Brgha YouTube

For now, here’s to life, here’s to you and thanks so much for your ongoing support all these years!

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©2013-2022 Arvin da Brgha.  All Rights Reserved.

The Markle Sparkle.

The duke and duchess were two hours late for their welcoming ceremony due to the knock-on effect of an earlier delay to their scheduled air service

Meghan, HRH Duchess of Sussex in Valentino Haute Couture in Morocco.  

Many moons ago, in the 80s when living next-door to designer, Alfred Sung on Cabbagetown’s Amelia Street, I was more obsessed with fashion than I now am.  Back then, lots of friends used to bemoan the paucity of black models appearing on catwalks of major house, in particular, Armani.  

In this 1992 Fashion Television feature portrait by Jeanne Beker, the thinking model, Veronica Webb makes passing reference to the paucity of black models in ad campaigns and even walking the catwalks of some houses.  

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Then along came a picture-perfect day in Berkshire when Sol shone with rays that sparkled as though laced with diamonds and platinum.  This phenomenal woman, this soul who had previously been Margaret Beaufort, she with an unparallelled sense of theatre, with poise, self-absorption and awareness in the space of a couple of hours proved herself a game changer.  That poise, elegance and revolutionary arrival onto the world stage got everyone to sit up and take notice.  Certainly, Pierpaolo Piccioli took notice.  He clearly thought that if Meghan, HRH Duchess of Sussex were going to favour haute couture in choosing Givenchy for the elegantly minimalist wedding gown then Maison Valentino had to step up and court the Duchess.  

Bored out of my mind, one day, I happened to be tune into a live event on Eva Chen’s IG @evachen212.  It was the Spring/Summer 2019 Maison Valentino Haute Couture show and as Eva shouted and praised the models and creations as they walked, I began crying.  Never had I seen so many black models walking in a show.  Then Naomi Campbell appeared, closing the show and I was simply floored.  Never had Ms. Campbell looked more radiant when walking the catwalk.  There was so much tangible love in the air, in that room.  This was a moment like no other.  There was no denying that Piccioli was courting Meghan, HRH Duchess of Sussex with that show, not just the ubiquity of black models but the number of creations that featured a bateau neckline were clear homage to the latest duchess of the House of Windsor.  

Listen to what Naomi has to say, near the end of the video, when speaking to British Vogue Editor, Edward Enninful.  There was nothing more overwhelming that seeing the response in that salon, from Naomi crying, to the adorably eccentric Reine de Charlemagne, Céline Dion, crying her eyes out whilst sitting FROW along with Mr. Valentino himself, Valentino Garavani.  

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Campbell, Naomi 22/5/1970 London, England

Michael: This fragment is a second-level mature artisan — third life thereat.  Naomi is in the caution mode with a goal of rejection.  A realist, Naomi is in the moving part of emotional centre. 

Naomi’s body type is Saturn/Mercury. 

Naomi’s primary chief feature is arrogance and the secondary stubbornness. 

The fragment Naomi is fifth-cast in the sixth cadence; she is a fragment of greater cadence four.  Naomi’s entity is two, cadre four, greater cadre 7, pod 414. 

Naomi’s essence twin is an artisan and her task companion is a sage. 

Naomi’s primary needs are exchange, expression and freedom. 

There are 6 past-life associations with Arvin and 4 with Merlin. 

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Valentino : Runway - Paris Fashion Week - Haute Couture Spring Summer 2019

Naomi epitomises what someone in the positive pole of discrimination looks like.  Of course, she is an artisan soul, which gives her that kaleidoscopic, chameleonesque mystique.  She also happens to be an entity mate of both John Hirsch and George Hawken; this is why George was always left speechless when she appeared on television.  He was bewitched and fascinated by her, which was rare for him where adoring famous persons was concerned.  As the recent trip by TRH Duke & Duchess of Sussex to Morocco revealed, Meghan, HRH Duchess of Sussex certainly took notice of Pierpaolo Piccioli’s homage to her discriminating  sense of fashion and design.  

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As ever, I would be remiss if I did not take this time to state how deeply appreciative of your support all these years I am… thank you.  Here’s to life.   Here’s to you dreaming the most lucid of flying dreams… cause you can!  

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©2013-2022 Arvin da Brgha.  All Rights Reserved. 

Now there was a night in the theatre.

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Whilst Lucian Mann-Chomedy took in the pre-opera lecture, I sat on a bench in the middle of University Avenue, enjoying a rather exquisite four-cheese macaroni and cheese baked to perfection as I read a very good biography of Tudor matriarch, Margaret Beaufort. Before me was the glass palace to the city’s high arts, beautifully lit. There were no doubt in my mind that I was shortly going to be enjoying a beautiful night at the theatre.

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Once inside, I got situated next to Lucian who chatted away in that way that scholar souls tend to drone on about all manner of data that others may find tedious at best but, for having a scholar task companion (Merlin), I have grown comfortably accustomed. Close by, a tall silver-haired man kept on admiring me, even none too discreetly making bodily contact as legs relaxed and splayed open wide; in years past, I would gladly have explored and indulged.

After having made the obligatory Instagram post, I turned off the phone as the house lights faded into nothingness and the magic was begun. Tchaikovsky, you say, how could one go wrong there. The curtain ascended and the most glorious lucid dream this side of the dreamtime then unfolded. The sparse set design courtesy of Michel Levin’s creative genius was both stark and beautiful. Just the right lighting and the desired mood readily effected.

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Leaves leaves leaves everywhere, the lighting of which matched the set and costumes. Last week’s production lacked melody, apart from the fact that Tchaikovsky’s music was well-known, there was nothing to that soulless, dissonant affair that drew you in or proved memorable – save it was really god-awfully bad.

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During intermission, I stepped outdoors into the cool autumn air to return a couple of calls and pre-order an Uber meal. On my return, Lucian rightly so remarked on what a changed vibe there was in the house to the week prior. Indeed, there was stillness that hung in the air after each aria before the house would break into applause.

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The prince’s aria was especially sublime a performance. The familiarity of glorious Tchaikovsky music, melodies long associated with the world of dance were welcome in the world of opera as Alexander Pushkin’s vision was handsomely realised.

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After intermission the stark scene was beautifully animated as chairs, costumes and dancing ruled during the ball scene. The ball scene was dominated by classic Tchaikovsky music that choreographers the past century have relished celebrating in dance.

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In the final act, one of things that struck me was how void of emotion the opera, Hadrian, the week prior was. Watching Onegin’s love finally profess her love for him after all these years, yet, insisting that she had to carry on with her life, her comfortable life and not leave it all for the man who pined for her was truly captivating. Ahead of me, two rows, were a couple of ladies who during that duet looked at each other, one even wiped her eyes.

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This duet totally captured the human condition; it was about love, passion, longing, loss and dashed dreams. We could all relate to it. The passion and emotion tugged at your heart centre. Last week, not only was the music the most irritatingly banal but there was emperor Hadrian seemingly love struck, yet there was never any passion and emotion in scenes between him and Antinous. If you had no clue that this was one of the greatest love stories in gay history, you could be forgiven in assuming that it was an emperor bereft at the loss of his only son and heir, leaving him without the will to carry on. There simply was no connection, between them and by extension the audience… no passion whatsoever. Regardless their homoerotic love, the opera failed to have aroused emotion, passion and thereby causing you to lose yourself and identify completely with Hadrian, Antinous… or both.

That’s what one goes to the theatre for. At curtain call, rather than jump up and flee the theatre horrified as last week, I shot to my feet, clapped and howled my face off. Everyone leaving the theatre was enrobed in warmth and had been inspired to believe anew in love… that’s what great art does. What a truly memorable night in the theatre, this beautiful, passionate opera is with great melodies to spirit you along, long after you headed out into the world in the cool autumnal night air.

As ever, dream with the greatest passion for it is a true love affair indulged with self each and every day. Love yourself with new abandon and push off and start flying because you really are a truly spectacular work of art. As ever, thanks for your ongoing support. I love you more than you know.

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©2013-2022 Arvin da Brgha. All Rights Reserved.

Two Weddings, A Baby, A Gaggle of Racial Predators and Hadrian’s frightful ghost.

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The recent wedding of the Duke of Huescar to his handsome bride was a stunning bit of theatre. He is, of course, the future Duke of Alba, grandson of one of the grandest nobles of the last century, the inimitable Duchess of Alba.

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The cut and design of the bridge’s dress is truly elegant; apparently, it was designed by her creatively gifted mother herself. They make a truly handsome couple.

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At this juncture, I have not yet found any video of their nuptials on the Internet; perhaps, it will surface at a later date. The sublime elegance of her dress deftly reflects the undeniable harmony between this couple. So good it is to see a couple of souls who after having suffered lost through death in recent times, return to find each other anew, to further explore their loving bond.

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Whilst awaiting the second royal wedding, I passed much time reviewing the coverage of the royal wedding of TRH Duke & Duchess of Sussex last May. I was ever intrigued at the notion of an even larger guest list for the marriage of Jack Brooksbank and HRH Princess Eugenie of York.

Princess Eugenie Of York Marries Mr. Jack Brooksbank

A simple wedding, I was moved by how vastly different it was to that of TRH Duke & Duchess of Sussex’s months earlier. The most obvious difference in both ceremonies being the latter’s carriage ride; a rather simple affair. This, of course, was an affair filled with aristocrats – some of whom had attended the earlier wedding last May.

Sophia Wellesley & James Blunt

Along with Tom & Lara Inskip and Guy Pelly with a wife more noticeably pregnant, there was the ever stylish Sofia Wellesley, this time equally stunning in a Dolce & Gabbana dress.

Tom & Lara Inskip

Tom & Lara Inskip processing towards the Lower Ward and St. George’s Chapel.

Guy Pelly

Guy Pelly attending the second royal wedding of the year.

Elizabeth Pelly & Astrid Harbord

Guy’s expectant wife, Elizabeth Pelly accompanied by Astrid Harbord.

Zoe & Jake Warren

Also, attending their second royal wedding for the year, Zoe & Jake Warren.

The wedding of Princess Eugenie and Jack Brooksbank, Pre-Ceremony, Windsor, Berkshire, UK -  12 Oct 2018

Back for more, Pippa Matthews with her younger brother James Middleton with that Tsar Nicholas thing going on with his look. For me, a woman is most beautiful when expectant – fecund, voluptuous, primal she is then most powerful; she is then truly the creator of life. How beautiful is that Kelly green?

Chelsy Davy

Perennial favourite Chelsy Davy with Melissa Percy, who wasted little time in saying, this mum don’t babysit and there went Tom van Straubenzee. Gorgeous periwinkle dress.

Cressida Bonas

Cressida Bonas radiating the light magical essence of artisan souls everywhere.

Franz Albrecht & Cleopatra zu Oettingen-Spielberg, young Bavarian royals attending their second royal wedding at Windsor Chapel this year.

Holly Candy

Holly Candy – hands down, the best dressed lady at this royal wedding. Those matching pink bow gloves took her outfit stratospherically to the next level of |über soignée. I really did not think that Amal Clooney deserved that honour at the royal wedding of TRH Duke & Duchess; for one thing, her hat was worn on the wrong side of the head – always on the right side!

Naomi Campbell

Coming on strong in second place, like Secretariat was phenomenon, Naomi Campbell. Readily, so many people were carping on about what is she doing at the royal wedding; hello, how many times has Sarah, Duchess of York not been a guest of Ms. Campbell’s whilst holidaying on some yacht or other in the Mediterranean. I love the way that Ms. Campbell feigned disbelief when asked by an attendant to leave the seat in the front row of the royals’ side of the quire where she sat speaking with Crown Prince Pavlos of Greece and his family.

Emiily and Oliver Proudlock

Made in Chelsea star, Oliver Proudlock and his fiancée Emma proved among a couple of the best-dressed men.

Tracey Emin & Alexnder Gilkes

Admittedly, though, not the best photograph, the urbane Alexander Gilkes, Paddle8 CEO, arrived in the company of artist Tracey Emin.

Cara Delevigne & Derek Blasberg

Cara Delevigne – another dead-ringer for magical artisan soul with the planet’s most ubiquitous plus-one, Derek Blasberg.

Princess Eugenie Of York Marries Mr. Jack Brooksbank

Kate & Lila Moss bringing the glamour.

Poppy Delevigne

Poppy Delevigne sporting one of the best fascinators at the royal wedding of Jack Brooksbank and HRH Princess Eugenie of York.

Marie-Chantal Pavlos Maria-Olympia

Other notable royals in attendance, Princess Marie-Chantal, Crown Prince Pavlos and their daughter, Princess Maria-Olympia of Greece. Also, the Crown Prince’s younger brother, Prince Philippos of Greece attended.

Gabriella Windsor & Thomas Kingston

Lady Gabriella Windsor and her fiancé Timothy Kingston; yet another royal wedding is on the horizon. By far, the most statuesque of the Windsor ladies.

Lady Helen & Timothy Taylor

Lady Helen & Timothy Taylor; the minor royals whom we never see enough of. Love her dress.

Jwan Yosef & Ricky Martin

Ricky Martin and his artist husband.

Stephen Fry & Elliott Smith

The always witty thespian, Stephen Fry and his husband, Elliott Smith.

Holly Branson

Holly Branson coming through.

Sam Branson

And her brother Sam Branson

Princess Eugenie Of York Marries Mr. Jack Brooksbank

The irrepressible mother of the bride, Sarah, Duchess of York and her firstborn who seems resigned to the fact that there is always an opening for spinster lady-in-waiting. Back in the 80s when Merlin was then incarnate, I shared with him a dream had that night of ‘Fergie’. Set somewhere in east Africa, she was riding atop the roof of a Land-Rover with several others… it was a dusty, tree-lined road and they were loud, happy persons all – her husband, Lord Porchester’s offspring was not present in the dream. As the vehicle hit a bump in the road, Fergie went flying from atop the vehicle’s roof and landed on her head; it was the most startling affair – we all screamed.

There was deathly silence as her khaki-clad body remained motionless for what seemed an eternity. Suddenly, as though jolted by lightning, much as a ginger cat with a few lives yet, Fergie shot to her feet, ramrod straight then began rushing about from one side to the other of the parked Land-Rover, mugging and waving to the perfectly immobile and non-human trees. I awoke from the dream laughing, the image was so bizarre. Seated across the Cabbagetown breakfast table from me, Merlin casually declared whilst remaining focussed on the Globe and Mail in hand, “So that’s how she became unhinged…” Yet again, I was reminded of that dream as Sarah, Duchess of York bounded from the Rolls Royce and made a mad dash, mouth ajar, mugging and waving to god-only-knows whom at the foot of St. George’s Chapel’s west door the day her daughter took possession of her man. This eccentric behaviour, much as in that dream, was on display as she entered the quire at St. George Chapel at the wedding of TRH Duke & Duchess of Sussex on seeing Misha Nonoo and her date, oil heir Michael Hess. These days, she always seems only too happy that she has not ended up like Diana, Princess of Wales.

Another soul who seemed spooked to be at the ball was the groom’s gin-blossomed father whose daft expression throughout was more than a tad distracting. One was reminded of how odd Thomas Markle would have looked, had he been allowed to attend the Sussexes’ nuptials.

Jack Brooksbank & HRH Princess Eugenie of York3

Here’s to the lovely young couple; here’s to life indeed. Happy for them that they have found each other anew in this life experience. To paraphrase Prince Seeiso of Lesotho when speaking of the Sussexes, I wish them buckets and buckets of healthy, happy children.

Sussexes

Even more glorious than their beautiful wedding was the recent announcement of the pregnancy of Meghan, HRH Duchess of Sussex. You cannot begin to fully fathom how excited this makes me for HRH Prince Henry, Duke of Sussex. He has always seemed so alone, so vulnerable and emotionally fragile for having suffered the tragic, violent and sudden loss of his fantastic mum at age 12. So happy to know that they will be parents, and so quickly, and am fully confident that they will make the most fantastic parents. What more than two parents truly in love does a child need on coming into this world… again.

DoS pregnant

In all of this, what has not been cool, has been watching her racially predatory white relatives act as though she is nothing but a runaway slave. There is no doubt in my mind that were the Markles a wealthy family with a net worth of more than 200$m, would any of this acrimonious dreck be taking place. How dare she, the otiose, racially impure step-sibling, Meghan, end up doing better than them in life? Not only had this runaway slave managed to have escaped capture but she had gone and married the scion at an even more wealthy plantation.

Alas, nothing was more abhorrent than having to watch the most venal racial predator interject herself into the Sussexes/Markles’ “drama” as she opined on the ABC TV documentary, The Story of the Royals. So what if a twelve-year-old Meghan Markle wrote to you about a dish detergent ad; she also did same to then First Lady, Hillary Clinton. Straight away, the puppet-master orchestrating the Markle step-family’s media campaign of slander, grudge and none-too-succinct racial predation became fully focussed. Who else but this vile racial predator, who uses the U. S. justice system to wage personal racially predatory campaigns, against blacks with heretofore impeccably clean public personae, seated there in its invisible grand wizard Klansman’s hooded costume, could be directing this media putsch to sabotage the Sussexes’ marriage? Well near the end of the 9th decade of racially obsessing over blacks, you would think that having finished off Michael Jackson, made a joke of Tiger Woods and a jailbird of Bill Cosby would be enough; no thank you, there is bigger game to prey on. Clearly, the clown knows nothing of the BRF.

Enough about those who truly do not matter.

Hogtown2

Hier soir, as I live an almost exclusively nocturnal existence, I got into a compensatorily parfumé Uber, driven by a recent Dravidian arrival with rather pleasant overleaves. I was stunned by how much traffic gridlock there was at pushing six in an already dark, autumnal and cool, too, evening. The driver could not figure out why traffic was so bad in Toronto and as I have always been a most vocal backseat driver, I soon began educating him on why Hogtown is the only major North American city without exclusive one-way streets in the downtown core. Back in the 60s through 70s when streetcars were being removed from streets like Avenue Road, Bloor Street, Sherbourne, Parliament, the city’s old WASP guard decided that for nostalgia’s sake some streetcar lines ought to be maintained a little while longer.

Well in excess of 40 years, the city still only has the two subway lines, two million more citizens and what seems like the fungal viral growth of condos. Naturally, the city’s constabulary and the TTC (Toronto Transit Commmission) made an unwritten alliance to keep themselves gainfully profitable by maintaining the streetcar lines that were left. Hence, each summer, kilometres of tracks are ripped up and replaced with the necessity for TTC outdoor workers and police staff on hand to maintain traffic. Well into the 21st century, a woefully inadequate 19th century technology clanks away, holding up traffic and as recently was the case this past monsoon season – climate change is truly upon us – the new streetcars were caught in feet of flooded water with faecal matter afloat their flooded interiors. All this so we never end up with new subway lines, one way streets with the discontinuation of streetcars. At least, Montréal can be commended for having owned up to the crippling corruption at the municipal level of government.

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Finally, after directing him along streets that he didn’t even know existed, I got to the southwest corner of University and Queen Street West, hopped out, crossed the city’s widest boulevard and made it into the lobby of the Four Season’s Centre for the Performing Arts at 1831. Lucian Mann-Chomedy who happens to be a scholar in my entity and a professor emeritus at University of Toronto, who also happens to be an unrivalled Voltaire scholar glowed as I dashed inside. We hugged and kissed and it was good to see his eyes light up; he does have more than a passing resemblance to Merlin… vibrationally. Gave him his ticket to the first opera of the season that we’ll be seeing, Hadrian. Whilst he took to the amphitheatre for the pre-opera lecture, I swiftly made it west along Queen Street West and got myself some very deliciously spiced beef teriyaki washed down with a dash of prosecco.

Returned to the theatre, Lucian shared that he found the lecture rather stimulating; heaven only knows what that meant, I was though too busy creating a post of the evening for my Instagram. What then unfolded was the most god-awful unmitigated bullshit conceivable. Look this was nothing more than effete poseurs of Toronto’s gay mafia, throwing government money around to keep their friends afloat. Watching this bit of bold-faced arts larceny was at times cruelly embarrassing. Of course, it was staged by consummate professionals, thus there were truly sublime moments when the production was marvellously realised. However, I was reminded of all those downright dogfests at Toronto Dance Theatre in the 80s – do they even exist anymore – where god-awful retro-Neanderthal movement was set to, of all things, J. S. Bach.

Hadrian

Act I opened with vaguely lissom dancers upstage posing overlong as Roman statuary. Naturally, they were lit such that when they finally began moving downstage on the diagonal, in movement that had been first realised by Vaslav Nijinsky (he is a mature sage, in my entity and currently reincarnated and an actor on the Portuguese stage) a century earlier, you really had to squint and try to make out if they were truly nude. Naturally, there was no such luck. That was just as lame as the opening of Act III after an intermission where there was much cruel laughter at what a dog’s breakfast we were having to slug our way through. There was the none-too-fey/verile or lissom-looking Antinous cavorting on a bed that was reminiscent of a couch I frequented in the late 70s where the city’s only queer psychiatrist and I had an ongoing affair. This bit of uninspired staging in the post-AIDS paradigm was as lame as having to watch two bored manatees going at it. Goddamn, where is the frottage! They seemed to be sleepy hobos, trying to make out which side of the bed they wanted to sleep on rather than obsessed lovers engaging in the gay world’s paedophiliacal obsession – let’s not go there just now.

Well, if you can’t hack a pop career in these parts, the next best thing is, go compose an opera. Lord Jesus… why? I am only too grateful that he didn’t set his sights on appropriating black high art and opting for a Jazz career. Last evening, Tuesday, October 23, 2018 proved without doubt that the kinder of minor Canadian celebrity should never be indulged when they elect to pursue whatever line of work mama or papa pursued. I am reminded of “Bathhouse Pierrette” as he is charitably dismissed, playing party leader in these parts and forever looking gripped by stage fright. I was much humoured this past summer as he followed the future Duke of Sussex about Buckingham Palace at the Commonwealth banquet desperately trying to score an invite to the royal wedding and being clearly snubbed by HRH Prince Henry of Wales who was gruffly dismissive of his attempts to score a pair of tickets – in the 11th hour – for him and his insufferable fag hag wife.

Hadrian2

There were points where persons in back of Lucian and me were laughing at how embarrassingly bad the opera was. Small-time, one guy to my rear readily dismissed. Goodness, if there was one more unpleasant reference to “the Jews” in this horrid farce, I was ready to get up and walk out. The opera was frankly a reflection of the archly conservative and frankly sphinctered worldview of Toronto’s incestuous gay elites – many of whom I went through in the 70s through early 80s and who then were just as smegmaed as a can of freshly opened corned beef – those, indeed, were the pre-plague years.

Getting on the elevator to make it to the basement where I collected my pea coat, I remarked, to one woman who asked my verdict, “You know, it would truly have been great theatre if that strobe light in Act IV had suddenly flashed brighter and erased this entire madness from memory. Trust me, dreams are never this bad!” You can fool those of your tightly incestuous social crowd all of the time but never those too shrewd to give a damn about you and your BS.

As ever my darlings, dream like you’ve never dreamt before and by all means, push off and start flying for at least there, you can readily escape the madness that’s got this paradigm saturated to the gills with BS. Thanks so much for your ongoing support, I love you more!  

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©2013-2022 Arvin da Brgha. All Rights Reserved.

President & First Lady Obama.

President Obama

Oil on Canvas

©2018 Kehinde Wiley

Provenance: National Portrait Gallery, Smithsonian Institution.  

first-lady-michelle-obama-portrait2

Oil on Linen

©2018 Amy Sherald

Provenance:  National Portrait Gallery, Smithsonian Institution.  

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Beautifully exquisite!  Happy Black history month.   Love the fact that Mr. Wiley captures the essential warmth of President Obama as reflected by the glowing light of the President’s left eye.  Both artists, Amy Sherald and Kehinde Wiley masterfully used the medium in which they chose to work, linen and canvas respectively.  First Lady Michelle Obama is wearing a design by fashion designer, Michelle Smith @MILLY on Instagram.  I cannot wait to see both in person.  Thanks again for your ongoing support and as ever, sweet dreams.  

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©2013-2022 Arvin da Brgha.  All Rights Reserved. 

Here’s to Life! A celebration of the 70th anniversary of Merlin’s birth.

On this the eve of the July 21, 2017, 70th anniversary of Merlin’s birth, I am still over the moon and greatly inspired for having travelled to London, England, Paris and Versailles France and Amsterdam, the Netherlands in June.  I wanted to take in the pomp and pageantry of trooping the colour, revisit the National Gallery in Trafalgar Square, the British Museum, the National Portrait Gallery, Tate Britain, Tate Modern… and did!  I really loved my visit to the new wing of the Tate Modern and the beautiful panoramic views that it affords of the north bank across River Thames.

Staying in the beautiful SW10, I had a great place to stay and had a marvellous time.  Great it was to revisit Westminster Abbey, feeling the sense of history and the grandeur of the abbey.  Every moment of being in London was sheer magic.  This city, more than any other, readily evokes a sense of home –- somehow, in its magical agedness, there vibrationally is something perfectly harmonised about London with aspects of the West Indies into which I chose to reincarnate and where my sense of ‘home’ is grounded.

The LGBT exhibition at Tate Britain was a bit underwhelming; however, I enjoyed being exposed to the many female artists and their Lesbian-themed art, which heretofore I was not cognisant of.  Naturally, the male perspective has always been prominent in homoerotic art.  Without doubt, the best exhibition was at the Queen’s Gallery at Buckingham Palace and the Crown’s exhibition of aspects of the Canaletto collection.  Naturally, I did have to return to the National Gallery to take in my favourite Sir Anthony van Dycks in their collection; among them, that ode to sage essence grandeur, King Charles I’s Equestrian Portrait of Charles I.  The Rotunda at Ranelagh remains my favourite and most moving Canaletto; of course, it did prominently feature at the end of a flying dream, during early pubescence, that had me dreamquest to a past life in London, England.

That past-life was shared with Merlin when we were musicians at court in late 18th century London.  During that lifetime, we knew 1st Duke of Brontë, Vice-Admiral Horatio Nelson.  Apparently, Viscount Nelson was a great raconteur and it was likely his tales of his love of Nevis which proved the seed that eventually led to my choice at the level of soul to have reincarnated into Nevis –- which incidentally Canadians are wont to mispronounce as Knévis…  Sorry, the third world natives are not wrong; besides no one in London would ever think to say, Knévis.  The correct pronunciation is Kneevis… Knévis is no more correct than is Kanarda the correct pronunciation of Canada.  Enough about the risible ignorance of elitist petit bourgeois Canadians and their need to forever condescend.

So, there was I arrived in London with umbrella, pea coat, raincoat and it was all hotter-than-hell climes for the two weeks!  After trooping the colour, I decided to escape the heat of London and decamp à Paris… what was I thinking; goodness, it was at least 5 degrees hotter there!  Alas, Paris has become an armed camp -– I suppose this is what Paris during the Nazi occupation in WWII was like.  Either way, I could not wait to hightail it out of there.  Firstly, though, I had to head off to Versailles where previously I had not been.  Goodness, what grandeur -– the scales are truly phenomenal.  If I had ever had a dream set on the grounds of Versailles, it is highly likely that I would have awakened and assumed that I had just dreamquested to a marvellous world where the architectural scales surpass anything witnessed here on Earth.

In all that heat, I was told it was just a stroll away from the entry gates of Versailles to Grand Trianon to take in the Pierre Le Grand exhibition celebrating the 300th anniversary of Peter the Great’s trip to Paris.  Finally, after 50 minutes in my brand-new Crockett & Jones wellingtons, I arrived to what was not an especially impressive show.  However, the last piece — a beautiful bust of the Tsar — made my sweaty and blistered foot ordeal worthwhile.

After having been quite underwhelmed by Paris –- save of course my visit to Père Lachaise cemetery where I left pine cone tributes to Marcel Proust, Chopin, Oscar Wilde and Honoré de Balzac –- it was off to Amsterdam.  Finally, I had escaped hellish climes!  Amsterdam proved the most gloriously idyllic experience.  With a cool welcome breeze off the North Sea, the temps were in the low 20s and, of course, everywhere just about everyone rode a bike.  As I made the pilgrimage to the Rijksmuseum to be richly inspired, I was warmed as passing cyclists called out to me in my white panama hat that I purchased at Chateau de Versailles to beat the heat, “Hello!”  “Hi there!”  “Hi ya!”  This excursion to Amsterdam was truly soul-warming.  Nothing was more glorious than entering that salon and seeing Night Watch and the Meager Company.

Whilst browsing, I thought of George Hawken and wondered if ever he had made it to Amsterdam.  Just like that, on coming around the corner, the first painting I noticed in the salon which contains Jan Vermeer’s The Milkmaid, was an exquisite, stunning still-life of white asparagus.  The one legume that George considered the perfect signature to a fine meal -– cooked by himself -– was asparagus.  His most memorable meals ever featured asparagus coated in the most sublime sauces made from scratch.  I was truly warmed on seeing the still-life seconds after nostalgically thinking of him.  Yet another moment of synchronicity.

On preparing for the video to celebrate the 70th anniversary of Merlin’s birth, I decided last week to head off the costumer, Malabar on McCaul Street where George lived in the late 80s to early 90s.  Inspired by the first dream of Merlin had 39 years ago in July 1978, I decided to get a cowl as a tribute to the cowl Merlin wore in the inaugural dream encounter with him, four years before having met on Friday, October 1, 1982 in New York City.  So, there was I at Mount Pleasant Cemetery last Saturday, July 15, 2017 in my cowl and the panama hat purchased at Versailles to escape the heat.  I thought it fitting as Merlin always loved wearing panama hats.

My trusty friend, J.J. who happens to be an artisan entity mate whom I have known in 20 past lives –- which is a high incidence of contact -– was the director.  Initially, I had hoped to throw a white party on the lawn to the southwest of the chapel at Mount Pleasant Cemetery and have a drone film the event where a gathering of friends would raise a glass to Merlin on the anniversary of his ennobled birth.  Merlin always threw a white party each year for his birthday at his parents stunning backyard in north Toronto’s Servington Crescent.

The plan was not approved by the cemetery and thus, one had to improvise.  I got my panama hat and my cowl and together, we proceeded with a dozen long-stem white roses to visit Merlin’s resting place.  I had a pretty good idea what I was after.  With the matching white cowl, I wanted to evoke the magic of meeting Merlin in that initial dream which is shared in volume one of the dream memoirs which is already published: Merlin and Arvin: A Shamanic Dream Odyssey.

Get your copy!  Thanks as ever for your support!

In the hardcover edition of human civilisation’s first dream memoirs, the initial dream encounter with Merlin is shared.  The dream begins on page 110 in the hardcover edition.  I wanted the same sense of wonderment and magic that I felt for having met Merlin in that first dream four years prior to having met reflected in the video.  In that dream, Merlin’s appearance was preceded by a white totemic creature which seemed, in its astral plane outréness, to be part Russian wolfhound, part alpaca, part dog.

So, moving to the lawn, having descended the steps of the chapel, I began walking across the open lawn towards the statuesque lion festooned mausoleum with the five remaining white long-stem white roses.  Seven roses, of course, were left at Merlin’s grave -– one rose for each of our seven glorious years together.  As I stepped onto the lawn, it seemed magical… timeless even.  Slowly, confidently as I approached the filmmaker at the other end of the lawn, I thought of Merlin and that initial dream.

Just then, I very distinctly thought of Merlin greeting me by purring, “Hello Lambs.”  As if right on cue, from off stage left, an adult deer came from behind the bushes and tombstones that line the far edges of the open lawn.  Never before had I seen a deer at Mount Pleasant Cemetery.  Indeed, the good burghers of Forest Hill who clearly regularly jogged in the park-like setting stopped and were overheard remarking that they had never seen a deer in the cemetery before.  All that I could do was tear up and continue walking as the deer then bolted and ran from stage left to right as I continued my stride uninterrupted –- unfazed by the appearance of an adult deer on the grounds of the cemetery.  What is more astounding, is that J.J. at the time was filming my walk; at the last minute, I decided against a run-through as I was concerned about the natural light possibly changing if we were to rehearse the shot.

Unbeknownst to me, the deer after having made it to stage right, then returned to the centre of the lawn and stood there perfectly still whilst observing my progression across the lawn.  J.J. who was astounded by the occurrence remarked that he had just witnessed a miracle.   There is no doubt in my mind as I tried to recapture the magic of that initial dream encounter that there was a subtle validation of that dream from the magical shaman himself on the other side by having had Merlin’s spirit step in as director emeritus and had the deer enter the shot as validation and a token of his appreciation of the love that we shared and my steadfast loyalty to him.  After crossing the lawn and turning to watch the deer stand there, looking down the lawn at me, I felt such utter peacefulness and abandonment of spirit — just as when alone and intimate in the dark with Merlin.

Yes, I believe in magic as did Merlin and as though an appreciation of having stridently done everything to fulfil his mandate to me, Merlin’s astral body conjure up the same magic here and now as he had in July 1978 –- four years before slipping inside a Hell’s Kitchen walk-up and readily winning me over with his sexy elfin charm, magic and sex that proved the most grounding shamanic passion… every time.

All the music chosen for this 13-minute video is music that Merlin loved whilst incarnate and to which he returned time and again -– whether at Joe Morton’s tiny Upper West Side apartment in autumn of 1983, Toronto’s 20 Amelia Street in tony Cabbagetown.  From Glenn Gould’s mastery of Johann Sebastian Bach’s Goldberg Variations, to Elton John, Stevie Wonder, Gladys Knight and Dionne Warwick singing That’s What Friends Are For –- in that segment of the video, I included friends whom Merlin valued: Kareem Benezra, myself, Wayne Robson and his oldest and most loyal friend, the ever-gracious, Maxime Gascoigne-de Montigny.

Of course, for Stevie Wonder’s Isn’t She Lovely, I exclusively included photos of Merlin and his very handsome and gracious father, David Ben-Daniel.  Whereas I favoured Sir Paul McCartney’s Hey Jude, Merlin ever loved George Harrison and especially My Sweet Lord.  Of course, one Saturday, whilst staying at actor, Joe Morton’s Manhattan apartment, when Merlin and I secretly committed to being together, we slow-danced to Supertramp and Roger Hodgson’s unmatched magical vocals on Supertramp’s Breakfast In America.

Additionally, Jeffrey Osborne’s On the Wings of Love which was one of Merlin’s favourite ballads is also included.  Merlin loved Black male soul singers: Otis Redding, Marvin Gaye, Jeffrey Osborne –- most especially –- George Benson, Al Green, Teddy Pendergrass, Donny Hathaway, Barry White.  Most of all, I am especially proud of the video that J.J. and I have created; I think that it masterfully captures the depth of my love and fealty to the most fabulously magical shaman encountered on this incarnation’s spiritual odyssey.

Naturally, before having left for Mount Pleasant Cemetery, I had flooded my apartment with the music that appears in the video.  Perhaps, unwittingly by so doing, I was evoking Merlin’s spirit which later joined us when he played ultimate director and pulled off the most magical bit of stage direction –- an adult deer in the middle of a cemetery in the heart of mid-town Toronto.  Lastly, I played the sublimely soulful Shirley Horn’s interpretation of, Here’s to Life!  Whilst raising a glass of coconut water, I had forgotten to pick up some champagne the evening prior and it was too early in the morning to find champagne anywhere –- the lighting was way too good.  Besides who knows if that magical deer would have been anywhere about.

Here’s to life… most of all, here’s to Merlin… here’s to dream shamans everywhere!

Merlin & Arvin 1987

In coming weeks, there will also be other tokens of this celebration of Merlin and his mandate to me:

“Please my darling, I want you to write about our lives together.  I promise you, however possible, I am going to send you dreams to include in the story of our love… our lives together.”

Of course, there is my Instagram account:  Instagram Arvin da Brgha

The YouTube channel is:  Arvin da Brgha YouTube

Do please be patient and stay tuned as there will be a site where one can purchase merchandise that’ll greatly assist with the costs of having overleaves channelled that will yet appear in the five volumes of human civilisation’s first dream memoirs to come.  Also, there will be a podcast link.

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For now, here’s to life, here’s to you and thanks so much for your ongoing support all these years!

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©2013-2022 Arvin da Brgha.  All Rights Reserved.  

Happy Birthday Frida!

Frida Kahlo Bradley Theodore

Frida Kahlo

Oil Painting

©2016 Bradley Theodore.

Sourced: Maddox Gallery, London, England.

https://www.instagram.com/maddoxgallery/

Bradley Theodore.

https://www.instagram.com/bradleytheodore/

et moi!:

https://www.instagram.com/arvin_da_brgha/

Happy birthday Shaman!  Gosh I love Bradley Theodore’s passionate attack!

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©2013-2022 Arvin da Brgha.  All Rights Reserved.

Diana…

Diana Vreeland Bradley Theodore 2013

Diana Vreeland

Acrylic & Oil sticks

©2013  Bradley Theodore.

https://maddoxgallery.co.uk/artist/bradley-theodore/

https://www.instagram.com/bradleytheodore/?hl=en

http://www.bradleytheodore.com/

Love it.  Love him.  Let there ever be art!

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©2013-2022 Arvin da Brgha.  All Rights Reserved.