The Scarf… There’s the Culprit.

Scarf moment 2018

Without doubt, though the most reviled black woman on the planet, I knew that though cited as the instigator in the tabloid media, Meghan, HRH Duchess of Sussex could not have been the cause of the obvious rift between Diana, Princess of Wales’ sons: HRH Prince William, Duke of Cambridge and HRH Prince Henry, Duke of Sussex.  When someone is guilty of having wronged, denigrated or slandered another, that guilty party is always acutely uncomfortable in the presence of the subject of their animus.  This past Christmas church service at Sandringham, HRH Prince William unwittingly unmasked himself as the guilty party.  I never for a moment believed that Catherine, HRH Duchess of Cambridge was the instigator.  

george-prince-william

In September 2017 when HRH Prince George of Cambridge was widely photographed attending his first day of school in Battersea, one thing stood out in the reporting at the time: his father’s very close friend and cousin, Lord Frederick Windsor’s daughter Maud by actor wife, Sophie Winkleman also attends the same school.  This is the same cousin whose cocaine addiction had caused HRH Prince Charles, Prince of Wales to put an end to the close relations his sons enjoyed with their cousin; however, HRH Prince William remained close to this cousin.  

Engagement photo

One of the things that struck me is the interviews given after their engagement was announced in late November 2017.  

Camilla, HRH Duchess of Cornwall was her usual adroit, eloquent self, and her husband, 

HRH Prince Charles, Prince of Wales was the second most upbeat.  

At the time, HRH Prince William, Duke of Cambridge was less upbeat, did not mention Meghan, HRH Duchess of Sussex; rather, he essentially characterised his brother as a thief.  

 

Similarly, Catherine, HRH Duchess of Cambridge spoke of their happiness but never mentioned Ms. Markle and this came a day later after her husband; indeed, it was as though, Catherine, HRH Duchess of Cambridge had been tasked with doing damage control after William’s snub of Meghan by not mentioning her name; however, neither did Catherine as if to drive home the point of not welcoming Meghan into the fold.  

Princess Michael of Kent with the blackamoor brooch

A month after the engagement announcement, though not yet a royal bride, Meghan Markle was invited to attend HM The Queen’s traditional Christmas lunch with her especially enamoured fiancé, HRH Prince Henry of Wales.  So as not to be mistaken, the continental put-on wore a starkly white coat as her blackamoor brooch would not be properly photographed on a dark coat.  At the time, there was justifiable furore in the press and the narcissistic twit was made to issue a rather disingenuous-sounding mea culpa.  Clearly, she could never in a million years have acted on her own.  

Xmas 2017

Later that month, Christmas Day, 2017, again Meghan not being from Britain was invited – though not yet a royal spouse – to HM The Queen’s Christmas Church Service at Sandringham.  On looking at the video, it was clear that there was tensions between the two senior royal couples.  By that point, there was widespread open animus towards Ms. Markle and though it was never directly addressed and always vehemently denied, her race was the source of the vitriol.  Whilst entering the church, there was smugness from HRH Prince William, Duke of Cambridge towards Ms. Markle.  As they left the church, there was no denying HRH Prince Charles, Prince of Wales’ open affection for Ms. Markle and in the above photograph, he is beaming directly at Ms. Markle, making her feel welcome whilst the keenly onlooking HRH Prince William in the rear was tense-looking.  

William, Kate, Harry and Meghan at the Royal Foundation Forum

A couple of months later, when appearing as the ‘Fab Four’ charter members of the Royal Foundation, HRH Prince William, Duke of Cambridge spent most of his time crouched forward; his posture was predatory and he was keenly eagle-eyed as he monitored Ms. Markle’s performance.  As ever, HRH Prince Henry of Wales looked nervous, Ms. Markle was poised though her chief feature tended at times to get the better of her – more on that later.  I shall do a thorough overview of these major royals’ Michael Overleaves, which were channelled by two authentic Michael channellers and by none of the ever burgeoning scores of two-bit charlatans.  

William cruising Ben Mulroney

Finally, the big day arrived for Diana’s younger son; and what a wedding it would prove.  There sat HRH Prince William displaying those urges for which a life at public school leaves one possessed of certain proclivities.  In the above photograph, William is eyeing Ben Mulroney – well, because he can – at the time neither of his inner circle chums (Thomas & Charlie van Straubenzee) were present in the quire.  At least on two other occasions, William openly coveted Mr. Mulroney during his brother’s nuptials.  

the betrayer

On her arrival to the altar to join her husband, Meghan looking more confident and radiant than most brides was being suspiciously eyed by her brother-in-law in his role of disproving, to say nothing of delusional, final arbiter.  

no wave william

As the newlywed TRH Duke & Duchess of Sussex departed St. George’s Chapel in the Ascot Landau, all the members of the Cambridge family at the top of the west steps waved off the couple save, of course, HRH Prince William, Duke of Cambridge.  He kept holding George’s hand and the order of service in the other.  

 Senior members of the Royal Family appeared impressed as the array of aircraft flew over Buckingham Palace

Windsor, HRH Prince William, Duke of Cambridge 21/6/1982 London, England

Michael: This fragment is sixth-level mature scholar – third life thereat.  William is in the observation mode with a goal of acceptance.  A pragmatist, he is in the intellectual part of moving centre. 

Body type is Lunar/Mars/Saturn. 

William’s primary chief feature is stubbornness – death of his mother, Diana, Princess of Wales, was the triggering event and the secondary arrogance. 

The fragment William is third-cast in sixth cadence; he is a member of greater cadence seven.  William’s entity is four, cadre one, greater cadre 6, pod 208. 

William’s essence twin is a scholar and he has a warrior task companion to whom he is married, Catherine, HRH Duchess of Cambridge. 

William’s primary needs are: exchange, freedom and security. 

There are 6 past-life associations with Arvin and 3 with Merlin. 

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Windsor, Catherine HRH Duchess of Cambridge 9/1/1982

Michael: This fragment is a fifth-level mature warrior – third life thereat.  Catherine is in the perseveration mode with a goal of growth.  A pragmatist, Catherine is in the moving part of intellectual centre. 

Catherine’s body type is Saturn/Mercury/Venus. 

Catherine’s primary chief feature is stubbornness and the secondary, arrogance. 

The fragment Catherine is fourth-cast in the sixth cadence.  Catherine is a member of greater cadence one.  Catherine’s entity is four, cadre one, greater cadre 6 pod 208. 

Catherine’s essence twin is a warrior and the task companion a scholar, her husband, HRH Prince William, Duke of Cambridge. 

Catherine’s three primary needs are: expansion, power and expression. 

There are 10 past-life associations with Arvin and 8 with Merlin.  ­­­­­­­­­­­­­­­

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Windsor, HRH Prince Henry, Duke of Sussex 15/9/1984 London, England

Michael: This feisty fragment is a fifth-level mature warrior -– fourth life thereat – to his sixth-level mature brother, William.  Henry is in the power mode with a goal of growth.  A sceptic, he is in the moving part of intellectual centre. 

Body type is Mars/Saturn. 

Henry’s primary chief feature is arrogance and the secondary stubbornness. 

The fragment Henry is first-cast in second cadence; he is a fragment of greater cadence three.  Henry’s entity is one, cadre six, greater cadre 7, pod 418 – Henry is an entity mate of his paternal grandmother, HM Queen Elizabeth II. 

Henry’s essence twin is a warrior and he has a scholar task companion. 

Henry’s primary needs are: freedom, adventure and exchange. 

There are 9 past-life associations with Arvin and 5 with Merlin. 

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Windsor, Meghan, HRH Duchess of Sussex 4/8/1981

Michael: This fragment is a mid-cycle mature artisan in the tradition of the deceased mother fragment who was Diana, Princess of Wales — third life thereat.  Meghan is in the observation mode with a goal of acceptance.  An idealist, Meghan is in the moving part of emotional centre. 

Meghan’s body type is Venus/Solar. 

Meghan’s primary chief feature is self-deprecation and the secondary of mild impatience. 

The fragment Meghan is fourth-cast in the fifth cadence.  Meghan is a member of greater cadence four.  Meghan is a member of entity one, cadre six, greater cadre 7, pod 418 — she is an entity mate of both her spouse, HRH Prince Henry of Wales with whom she shares 20 past lives and also an obvious entity mate of Her Majesty, The Queen. 

Meghan’s essence twin is an artisan and the task companion a warrior. 

Meghan’s three primary needs are: expression, acceptance and expansion.

There are 4 past-life associations with Arvin and 6 with Merlin. 

Incidentally, this artisan has been a member of the British royal family twice before.

Firstly, as Margaret Beaufort, Countess of Richmond and Derby, she was the cousin of King Henry VI and mother of King Henry VII.  As such she was the matriarch of the House of Tudor.  Her grandson was Henry VIII and her great-granddaughter, Elizabeth I. 

This artisan in that lifetime was involved in the sacraments of the church being included in the newly established college system.  She founded Christ College, Cambridge and was instrumental with the founding of St. John’s College as well. 

Secondly, she was HRH Prince Edward, Duke of York and Albany and younger brother to George III, whose father the Prince of Wales, HRH Prince Frederick died before ascending the throne after George II.  In that lifetime, the artisan (now Meghan, HRH Duchess of Sussex) was interested in military structure.  He, of course, died young of a then unknown illness but which had to do with dysentery. 

Incidentally, in the current incarnation, Meghan, HRH Duchess of Sussex has suffered from gastroenteritis, which is related to the last-life health issues – this is the immediate past life and not that in 18th century when the artisan died aged 28.  

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Windsor, HM Queen Elizabeth II 21/4/1926 London, England

Michael: This fragment is third-level mature slave –- second life thereat.  Elizabeth is in the perseveration mode with a goal of dominance.  A realist, she is in the moving part of intellectual centre. 

Body type is Venus/Lunar. 

Elizabeth’s primary chief feature is stubbornness and the secondary self-deprecation. 

The fragment Elizabeth is fourth-cast in fifth cadence; she is a fragment of greater cadence six.  Elizabeth’s entity is one, cadre six, greater cadre 7, pod 418. 

Elizabeth’s essence twin is a slave and the task companion is a priest. 

Elizabeth’s three primary needs are: security, adventure and exchange. 

There are 6 past-life associations with Arvin and 4 with Merlin. 

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Mountbatten, Prince Philip HRH Duke of Edinburgh 10/6/1921 Greece

Michael: This fragment is fourth-level mature warrior – second life thereat.  Philip is in the observation mode with a goal of preferred dominance.  A sceptic, he is in the moving part of intellectual centre. 

Body type is Saturn/Mars. 

Philip’s primary chief feature is stubbornness – due to early death of a family member and the secondary subdued impatience. 

The fragment Philip is seventh-cast in first cadence; he is a member of greater cadence six.  Philip’s entity is one, cadre six, greater cadre 7, pod 408. 

Philip’s essence twin is a warrior and he has a scholar task companion who is known to him. 

Philip’s primary needs are: exchange, acceptance and power. 

There are 14 past-life associations with Arvin and 6 with Merlin. 

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Frances, Diana, Princess of Wales  July 1/1961<O>August 31/1997.

Michael: The fragment who was Diana Frances is a second-level mature artisan and was in the passion mode with a goal of acceptance, a pragmatist in the moving part of emotional centre. 

She had a Lunar/Mercury body type. 

Diana’s primary chief feature was stubbornness with a secondary, not of self-destruction but of self-deprecation. 

Diana Frances was first-cast in her cadence and her cadence is fifth in the greater cadence.  She is a member of entity one, cadre six, greater cadre 48, pod/node 380. 

This fragment’s essence twin is a discarnate artisan and her task companion is a discarnate sage, both of whom are staying near her, waiting for her to become oriented to her situation. 

Here, we had an artisan with drama in her casting but also with a very deep need to serve both the common and the higher good, which she did with grace, charm and a good deal of conviction. 

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Windsor, HRH Prince Charles, Prince of Wales 14/11/48 London

Charles Windsor is a seventh-level mature second-cast warrior.  Charles Windsor is in observation mode, with a goal of acceptance, and attitude of pragmatist, moving part of intellectual centre.  

Charles’s body type is Mercury-Saturn. 

Charles’ primary chief feature is stubbornness, secondary is self-deprecation. 

He has an incarnate warrior essence twin with no plans to meet and a discarnate priest task companion, who exerts considerable influence on him. 

His casting is virtually the same as Robert Bateman’s: entity two, cadre four, greater cadre 16, pod/node 404 but he is a second-cast in a fourth cadence, entity four, cadre four, greater cadre 16, pod/node 404. 

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Windsor, Camilla, HRH Duchess of Cornwall 17/7/1947 London, England

Michael: Yes, this scholar is at the mid-level of the mature soul cycle — third life thereat.  Camilla is in caution mode with a goal of growth.  A pragmatist, Camilla is in the moving part of intellectual centre.

Body type is Lunar/Venus.

Camilla‘s primary chief feature is impatience and the secondary arrogance.

The fragment Camilla is third-cast in sixth cadence; Camilla is a fragment of greater cadence seven.  Camilla‘s entity is five, cadre six, greater cadre 7, pod 129.

Camilla’s essence twin is a scholar and the task companion is a warrior.

Camilla’s primary needs are: exchange, freedom and power.

There are 10 past-life associations with Arvin and 6 with Merlin.

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Now for the esoteric Michaelese breakdown of what all this means.  All told, there are 9 major players chosen here; of them warrior souls predominate with four such persons: Catherine, Henry, Philip and Charles.  Two scholars: William and Camilla.  Similarly, there are two artisans, Diana and Meghan.  Lastly, there is but one slave, HM The Queen, who happens to have the strongest overleaves of them all.  As HRH Prince William is the subject of this blog, I shall explore his overleaves lastly.  

First and foremost, there are only two ways to approach all of life, either from a place of fear or a place of love.  That having been said, there are both positive and negative poles of all overleaves.  Similarly, just because an individual is an older soul does not mean that they are a more evolved human being and is all good.  Of all these 9 royals, HRH Prince Charles, Prince of Wales, is the oldest souled member with Diana, Princess of Wales having been the youngest soul among them.  Bear in mind, too, that some of these persons are if not entity or cadre mates, at the very least are pod mates.  I am going to go through these nine souls in order of soul age and though Charles is the oldest of the group, I will discuss William’s last even though he is the second oldest soul.  

Diana

Diana: Second-level mature artisan; she lived the charmed life, great overleaves.  She had the great goal of acceptance, which incidentally so too do William, Charles and Meghan.  There was considerable Maya involved and she created a ton of drama out of sheer boredom and also as a way of fighting back when realising that she was in a loveless marriage and nothing but a pawn.  No idea, if she is yet reincarnated.  

elizabeth12

HM The Queen: A third-level mature slave soul, she is on her second life at that level and is in dominance.  This is as close to perfect and positively manifested the overleaves of anyone within that family or elsewhere.  These are great overleaves, which are positively manifested.  

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Camilla: She is a mid-cycle mature scholar soul and a pragmatist in growth.  This woman is a solid and as gracious a scholar as you can find.  No surprise that she focusses on literary charities and organisations and hosts the annual Man Booker Prize awards.  She is a scholar’s scholar and does not do drama.  Camilla is another BRF (British Royal Family) member who gets it right and is manifesting in the positive pole of her overleaves like HM The Queen.  

Meghan: Like Camilla, the Duchess of Sussex is also mid-cycle mature; however, like Diana, Princess of Wales she is an artisan.  As is obvious from her overleaves, she chose to reincarnate to do something.  Where she is is precisely where she is supposed to be.  One does not end up with body-type of Venus-Solar and do nothing and does not become a major player on the global stage.  Incidentally, usually only one life is passed at mid-cycle mature; it is a bridge lifetime between third mature and fourth mature and it is the only soul age where this occurs – there are exceptions to everything as this is Meghan’s soul’s third life as mid-cycle mature.  At the end of fourth mature, more of the brain is used going forward and there is greater complexity to the persona.  Meghan, having been Margaret Beaufort in a past life when she was the most pivotal Lancastrian woman during the War of the Roses, matriarch of the Tudor Dynasty, cousin of King Henry VI, mother of King Henry VII, beloved grandmother and mentor of King Henry VIII and great-grandmother to HM Queen Elizabeth I.  Furthermore, Meghan is an entity mate of both HM The Queen and her husband HRH Prince Henry, Duke of Sussex.  They form a troika that is unshakeable.  She is an idealist in acceptance; she will always be emotionally and empathetically open and mature.   Sadly, though, the fact that this soul chose to be black in this lifetime has meant that she has become the most reviled black woman on the planet for having married into the BRF and its most loved prince.  Incidentally, her husband, HRH Prince Henry was black in his immediate past life.  Meghan’s primary chief feature is that of self-deprecation which is never attractive and this leaves her copping the shy smile routine and in particular placing her hand over her mouth.  Your chief feature is a cactus never to be cradled… that said, this soul who as Margaret was first wedded before the age of two and had four husbands will be striking it out of the park in this lifetime again.  

HRH Prince Philip Duke of Edinburgh

Philip: Fourth mature warrior in dominance, this is an equally solid soul as is his wife, HM The Queen.  A warrior’s warrior to the core.  

Prince Harry

Henry: A fifth-level mature warrior; this man is the most interesting and underrated royal.  First of all, at fifth-level mature, he is more complex than any of the other royals thus far; he is also a sceptic and the only other of the nine being the rather shrewd Prince Philip.  This means that he is all 9 parts intellect, sees straight through everything and is able to think outside the box.  Fifth-level is also synonymous with the goal of acceptance; therefore, this man will always have great appeal within a group dynamic.  He is also thoroughly unpretentious and in growth.  As a warrior, he inputs on one channel as do scholars and kings.  Similarly, as a warrior, Henry will never forgive disloyalty of any kind; a betrayal of any kind is unforgivable.  

Catherine Duchess of Cambridge

Catherine: Like Henry, Catherine is not only also a warrior but she is also fifth-level mature.  These two are rather simpatico and there is no way that they would never get along; there would be nothing but mutual respect and understanding.  Fifth-level mature is also a time of incredible creativity, especially among warrior souls; Catherine is greatly fulfilled for having art history and photography is creatively rewarding for her at the level of soul.  Catherine also happens to be not just an entity mate of her husband’s, William, but they are also task companions, which is as close a relationship at the level of soul that you can have as is possible.  Task companions are like oxen sharing the same yoke; they get things done and Catherine also has a goal of growth like her brother-in-law, Henry but she is in perseveration mode.  Catherine is all steel and will endure much and scale any mountain to get the job done.  Admirable lady; however, she does have a personal need of power – without exception power absolutely corrupts all such focussed persons.  

Prince Charles

Charles: the fourth of the warriors, he is also the oldest soul of the senior royals.  Dream encounters with this man are truly evolved.  Naturally, as a seventh-level mature warrior issues of stewardship of the planet would be paramount among his concerns.  He is also a warrior in acceptance and lives a life that is truly a positive expression of his overleaves.  Kind and inclusive, he is understanding and truly accepting.  Like every warrior there ever was, he does not forget or forgive disloyalty.  

Prince William

William: He is the second scholar soul and also the second oldest soul of the group.  Sixth-level mature, William is at that all unforgiving sixth-level where those lives are all about paying back karma and having to work in the larger arenas of life and providing stewardship.  William, born on the summer solstice, was also born with a stellium in his astrological chart, which among other things means that he is prone to being very narrow in his focus; more importantly, it indicates someone who cannot see the forest for the trees when expressed negatively.  

Though William has a goal of acceptance, he also has a chief feature – no chief feature is ever positive – of stubbornness, which means that he is rarely regardless of his perfected persona ever either at ease or accepting of anyone.  Moreover, when a scholar is not in the positive pole of its role – as Camilla is – then that scholar will be an obstinate (stubbornness) negative and prejudicial (acceptance’s polar opposite rejection goal). 

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This is why it is almost 100% likely that William not only knew of HRH Princess Michael of Kent’s intention of wearing the blackamoor brooch, to the 2017 Christmas Lunch at Buckingham Palace, but he likely was the one to have sanctioned it.  William is very close with Frederick, who with his Jewish actor wife spend lots of time in Los Angeles where there is inordinate racial animus towards blacks.  

Wearing the blackamoor brooch to HM The Queen’s Christmas Lunch was tantamount to wearing a swastika to said lunch the first year that Sophie Winkleman attended, knowing fully well that Lord Frederick Windsor’s wife is Jewish.  The idea that somehow Meghan, HRH Duchess of Sussex is behind a rift between both princely brothers or is contentious with Catherine, HRH Duchess of Cambridge – who as a warrior is more likely to be openly hostile towards Meghan than the other way around – couldn’t be further from the truth. 

James Middleton roasts Tom Bradby

I think that it is safe to say that the Middletons have become rather high and mighty with themselves as evidenced when James Middleton was seen being socially hostile towards ITV’s royal correspondent, Tom Bradby outside St. George’s Chapel at the royal wedding of TRH Duke & Duchess of Sussex.  

Here are further examples of HRH Prince William being rejecting, obstinate and plain rude.  William and not Meghan refused to have Sarah, Duchess of York attend his wedding.  William and not Meghan sat in the Chapel at St. George’s Chapel and openly ridiculed Reverend Curry to his father, HRH Prince Charles.  It was William and not Meghan who decided after the birth of HRH Prince George of Cambridge that the infant’s paternal grandparent would not be afforded access to his first grandchild.  William rather than Meghan told Dave Clark that he was not desirable as a husband for his cousin, HRH Princess Beatrice, thereby putting an end to a relationship that was no business of his.  

One of the most disarming things to know about HRH Prince William, Duke of Cambridge is that he is basically stupid and lacks awareness.  This is how he always comes off in very lucid dream encounters.  Furthermore, like all scholars in the negative pole of their soul/role, he is given to being discriminatory and readily judgmental.  As a scholar with a chief feature of stubbornness, William is not given to being open to change and has an inordinately corrupted, almost delusional, sense of self.  There is high conceit when dealing with this man.  Indeed, he has taken  his brother Henry, with an attitude of sceptic, none too seriously and definitely not as an equal; however, HRH Prince Henry does not – for being a sceptic – take this man too seriously nor does he take personally his hyper-inflated sense of self.  

engagement interview 2010

During their engagement interview, Catherine sat on the edge of the sofa; only once did they touch and it was her initiating.  William during the interview self-congratulatorily referred to his great sense of humour – blind conceit.  Catherine’s hair almost covers her eyes so that she can remain tunnelled in focus and not become overwhelm by William’s intimidating nature.  Catherine’s mouth is pursed and turned down at the corners, betraying her discomfiture for being in William’s presence; this suggests an unpredictable nature and a violent temper.  Frankly, Catherine looks as though she fully expects to be slapped at any moment and with some regularity.  

Catherine enters Abbey

Catherine as she appeared on entering Westminster Abbey and being greeted by the Dean of Westminster.  Her smile is warm, relaxed and she radiates her inner beauty; indeed, it is uneclipsed.  

Vows2

Catherine, now in the presence of William becomes clenched, clipped and her radiance lacks its lustre.  All this because of the unpredictable nature of the man she is about to marry.  This very man is also her task companion; however, his perfectly good overleaves have become corrupted and are not positively expressed in the least.  

gloves

William the none-too-bright finally figures out how to properly fasten his gloves.  

carriage entry

William enters the carriage and sits with his back to the horses drawing the carriage; he had even looked back over his shoulder to the horses, yet still sat down in the improper position in the carriage.  

readjusted

William in this photograph has now changed seats after having been instructed to do so by the footman, wearing the white-plumed hat; the footman did so under his breath.  

footman &amp; pipa

In this shot, after having told William to properly sit, facing the front and not the back of the carriage, the footman could be seen looking at Pippa Middleton and she looks at him with a knowing and dismissive look and smile.  This interchange between both the footman and Pippa indicates that it is common knowledge by those in the know that William basically is stupid.  

Observant Henry

A keenly observant HRH Prince Henry on entering Westminster Abbey with his older brother on the day of William’s wedding.  This is the look of someone with an attitude of sceptic.  He knows that he has to hang back and take everything with a grain of salt as basically, his brother William is dense and unaware. 

Dismissing Henry

While being hosted by the dean of Westminster, Henry ventures a comment and like a scholar in stubbornness and who has been groomed to always be deferred to, William in essence tells his brother to shut up with a dismissive remark.  At all times, like a person in stubbornness, William’s body language is rigid and controlling with his hands ever clasped, the same few remarks and the same loud vacuous laughter and of course that ever present smile that is evocative of his mother Diana, Princess of Wales.  

fighting

Scholars in the negative pole of their role/soul can be the biggest bores; ever, they are a font of useless information and often unsolicited.  Here the newlyweds ride up the Mall to Buckingham Place; at least three times on the ride from Westminster Abbey, William became impatient with Catherine and they rowed.  Here, he is shouting at her and telling her to be observant; she like the warrior she is, anywhere and anytime, she will sound off and protest without so much as thinking twice.  Love her!  

rowing on the mall

Do not be fooled by Catherine’s smile; he is grilling her and she is fighting back.  This, of course, is a healthy part of their relationship as long-term lovers and also for that matter for being task companions. 

Catherine truce

After the harsh words, naturally, William was a sulky petulant bore.  Warrior to the core, Catherine leans in and nudges him with her left shoulder and gets him to get out of his funk.  Catherine is one of the strongest royal women going.  

balcony deflection

Once on the balcony, William becomes a right bore with the endless drivelfest of observations.  On more than one occasion, one captured above, Catherine simply dismisses the ennui that is William by pointing instead towards the Canada Gates whilst he was directing her to look down the mall towards the approaching planes taking part in the flypast.  And at all times, Catherine maintains equilibrium with that Cheshire cat grin.  

William simply assumes because he is destined to be king and is never challenged, he could do as he pleases and attack his brother’s lover without there being the slightest repercussions.  

engagement interview 2017

Newly engaged, Henry and Meghan openly displaying their love for each other and both possessed of emotional intelligence that speaks to their reincarnational history, their being entity mates and the fact that as a yogi who has mastered the kamsutra, Henry is a happy camper.  Xerxes, a seventh-level mature warrior friend sums up the warrior’s motto thusly: feed me, fuck me but do not annoy me.  

Henry winks

Here, Henry on taking his vows and slipping the ring on Meghan’s finger with the most sexually suggestive intimacy, then winks at her.  This is a couple completely and thoroughly besotted, in love and passionately consumed with each other.  

Now there is a happy warrior; Henry deplanes when on first tour of the Commonwealth with his serenely pregnant wife, whilst sporting a chubby.  

the kiss

William, who is inordinately so a control freak, is threatened by his brother’s wife who is not a controlled, plus one and subservient wife.  Meghan has style and is not a blank foil to allow the blood royal spouse and only the blood royal spouse to shine at all times.  I don’t, though, agree with Meghan’s inability to strictly follow royal protocol and walk behind her blood royal spouse.  

meghan-markle-royal-wedding-dress-1526730077gallery_5_3 (1)Sussexes

Henry made sure to have a wife who would be for him what his father never was for his mother; a lover, companion and equal team member.  Meghan is forthright, articulate.  Like every artisan soul, Meghan, HRH Duchess of Sussex inputs on five channels (the most of all the seven soul types) which means she can evoke mood and inject that certain “je ne sais quoi” into what she wears.  Artisans are said to be atmospheric; just slipping into an item of clothing and it is as though we shift personae and become as well as project the right mood into the environment.  Artisans are atmospheric; we set the mood by just being.  

Most of all, this appearance by Meghan, HRH Duchess of Sussex at the 2018 British Fashion Awards is why William fears her.  Hatred is nothing but fear and to be obstinate and conspire with the Kents for Frederick Windsor’s mother to wear the blackamoor brooch only points to how much William fears his brother’s wife; to fear someone is to readily reveal how miserably you have no power over that someone.  Onto that stage, Meghan, HRH Duchess of Sussex walked and had the room in the palm of her hand.  William knows that Catherine his wife could never have that command of an audience; what’s more, Catherine is a whimpering mousy little thing as compared to eloquent, confident trained thespian, Meghan. 

In the 21st century, Brand Windsor needs an ambassador who is media savvy and can walk out onto a stage and deliver like only Meghan, HRH Duchess of Sussex does.  That awards ceremony at Royal Albert Hall would have been a room with more than 60 per cent artisan souls whereas artisans make up 22 percent of the population of souls cosmically.  In Meghan, the fashion worlds of couture, design and jewellery have one of their own – she is akin to a patron saint.  This was the same effect that Diana, Princess of Wales also had for being an artisan soul. 

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In Meghan, William is having to endure some self-karmic issues; you own no one and cannot push around anyone as you please.  Thus far, he has irreparably damaged his relations with two strong warriors – his father and brother.  Long before Meghan arrived he had sabotaged his relationship with Charles for not approving of Camilla, blaming his father for his mother’s death and denying his father access to his first grandchild.  With regards Henry, he has done Meghan a big favour for with his open animus and hideous bigotry vis-à-vis the blackamoor incident, William has lost Henry’s trust and it will only forge the love and loyalty between him and Meghan.  

Duchess Kate and Prince William's togetherness was discreetly on show as she placed her hand on her husband's leg at an official welcoming ceremony on day one of their 2016 royal tour of Canada. Photo: Karwai Tang/WireImage

Thus far, William and his family have twice been to Canada on royal tours; they have also been to the U.S., Singapore, Australia, New Zealand and the Pacific Commonwealth nations and India; however, William and his family have yet to set foot in a predominantly black Commonwealth nation.  There are no coincidences.  Persons in stubbornness are the most difficult people to deal with as they are pigheaded in the extreme and relish being difficult.  As he clearly has no interest in being on tour in a predominantly black Commonwealth nation, this is why TRH Duke & Duchess of Sussex were appointed as Commonwealth Youth Ambassadors.  Far be it for William to become Sovereign where more than half the countries in the Commonwealth are peopled by blacks.  As ever, tabloid media will blame Meghan the unsuitable black woman for the rift; truly, one need look no further than William, who is not in the positive pole of acceptance; rather he is in the negative pole of its opposite, rejection, which makes for the scarf incident, the blackamoor incident and all the other deplorable things he’s gotten up to: Sarah not at his wedding, Charles having little to no access to newborn George, froideur towards Camilla and now Meghan.   Too bad for his scheming, though, because within a year of marriage, Meghan, HRH Duchess of Sussex will be mother to a royal child which further solidifies her staying power.  

As ever, don’t let fear and chief feature get the better of you as so clearly it has HRH Prince William, Duke of Cambridge.  Just straighten up and fly right… especially when lucidly awakened in the dreamtime.  For your ongoing support, I am inordinately grateful.  Happy New Year and here’s to the very best in 2019.  

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©2013-2022.  Arvin da Brgha.  All Rights Reserved.  

Pilgrimage to Windsor… that dress!

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Aerial view: Windsor Castle, Berkshire.  

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In the mad dash to board the train from King’s Cross/St. Pancras Station to Paddington Station, I boarded the wrong train and ended up losing almost of hour of valuable time.  Nonetheless to Windsor with me, indeed.  

The ride to Windsor was lovely and it was still well before before 1000 when I got into town.  So nice to know that a flash of the London Pass gets one into the Castle, plus to see the exhibition of TRH Duke & Duchess of Sussex’s wedding finery plus the outfits worn by pageboy, HRH Prince George of Cambridge and the always ‘on’ HRH Princess Charlotte of Cambridge.  

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Next, through the hurdle of being scoured by the most thorough security detail; and with good reason too.  

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The mélange of Chinese, Japanese and Korean dialects made for an interesting symphony of sounds as I made my way past security and onto castle grounds.  

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I am reminded of Vancouver Island by the hearty vegetation down below.  

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Nothing is more refreshing than the smell of moss in cooler weather.  The air is so fresh here in Berkshire.  

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The view from the Middle Ward down to St. George’s Chapel; but that’ll come after touring the castle’s state apartments.  

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The glorious view north across the River Thames to Eton College Chapel… Nothing beats being out on the terrace and looking out to the landscape below.  

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The view along the terrace towards the entrance to the castle. 

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Once inside, of course, photography is not allowed.  This, understandably, is for security reasons; it is after all the Sovereign’s main residence.  Formidable, an entrance indeed.  Touring the state apartments, the progression’s starting point was different to previous visits.  

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Without doubt, I knew that the wedding outfits worn by TRH Duke & Duchess of Sussex would not be on display in the castle’s Green Drawing Room; there is only one door into said room for the public and the other at the opposite end, leads directly into the Sovereign’s private apartments. 

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Furthermore, that single door is too narrow to accommodate persons going and coming into the Green Drawing Room, if they were to enter and exit by said door.  

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Similarly, I knew that the exhibition, A Royal Wedding: The Duke and Duchess of Sussex could not have been held in St. George’s Hall above.  There is simply too much natural light which floods the space; this could actually prove more harm than good – even though it would be best to see the dress in natural light.  Moreover, I did not expect that it would be held there as the space is too large and, frankly, with the amount of racially charged animus towards this marriage, it would likely not draw as large a crowd to warrant being staged there.  Truth be told, there were no Caucasians viewing the exhibit when I moved through it, than there were East Asian and blacks combined.  

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I will never forget my confusion on first experiencing The Waterloo Chamber in this lifetime.  I just felt as though, perhaps, my sense that I had been to Windsor Castle in prior lives or a lifetime was off.  Of course, I would learn that this marvellous salon was installed during HM King George IV’s reign, at which time, I had reincarnated into Barbados, after having been a countertenor at the court of HM King George III and during the early years of his son’s Regency.  

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Then again, those high-placed windows in the Waterloo Chamber would preclude its assignation as the setting for the exhibition, A Royal Wedding: The Duke and Duchess of Sussex.  

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Though noted for its stunning portraits of both HM Queen Elizabeth, The Queen Mother and HM King George VI, this room much like St. George’s Hall has too much light exposure.  

On entering the long narrow hallway with large windows that look out onto the terrace, the River Thames and the north shore beyond, one happens on a wall of linen panels which cover the floor to ceiling cabinets with priceless china from the Royal Collection.  

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Imagine all these iconic moments from the wedding of TRH Duke & Duchess of Sussex on hanging linen panels of more than 8 or more feet tall.  The effect is warm, enveloping and their size deftly impress on one, the uneclipsed love between these two star-crossed lovers.  

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Next, into the grandeur of the Grand Reception Room one slips and with the heavy red curtains drawn, the effect is even more stunning.  The large chandeliers are softly dimmed and handsomely display the bridal garments of the wedding party.  

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The embroidery on HRH Prince Henry, Duke of Sussex’s uniform, to the Queen Mary Diamond Bandeau tiara when seen in intimate detail proved more breathtaking than I had anticipated.  Goodness, even the shoes worn by Meghan, HRH Duchess of Sussex were exquisite.  

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What I found most interesting about the dress was its sheer simplicity.  The dress serves as a foil for the intricacy of the five metre veil entwined with the fifty-three flowers of the Commonwealth nations, along with the state flower for Meghan, HRH Duchess of Sussex’s home state of California.  Not until in the presence of the dress did its simplicity make sense; the dress is masterfully constructed such that its simplicity reminds one that only the expert craftsmanship of a couturier could have designed and manufactured the dress. 

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Yet, there was more to the simplicity of this Clare Waight Keller dress for Givenchy and it was not until moving around it a second time that it struck me; the simplicity of the dress speaks to the recent past of Ms. Markle’s African heritage.  Its simplicity speaks of the history of a people which was erased, wiped out by the terror of having been robbed and enslaved.  

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Yet like the simplicity which belies the masterful craftsmanship of the couturiers who created this stunning dress, there is also greatness to a people though reviled, socio-economically oppressed, criminalised, marginalised and made to feel inferior… the same people whose greatness shrines through in Jazz, for one.  Remarkably, the simplicity of the dress, is like the sheer eloquence with which HRH Prince Charles, Prince of Wales sincerely both acknowledged and apologised for the past, which his society and family had contributed to in the immense suffering of Africans; this he did this past autumn when touring West Africa on behalf of HM The Queen.  

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This was not only not a heavily attended exhibition but, at the time that I moved through it, there was not a single Caucasian viewing the wedding garments.  Though many would like to have you believe that there is no basis in race why they dislike Meghan, HRH Duchess of Sussex, that is just a damn lie.  Naturally, neither medicine nor academia acknowledges the existence of the racial predator as ‘No’ is the most powerful word when dealing with blacks.  Indeed, not until going to St. George’s Chapel after the tour of the castle was concluded, did one see Caucasians in numbers that reflect their proportions in the society.  Indeed, unlike previously, one was being fixed with looks that were charged with racial animus.  

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Though she is now the most reviled black woman on the planet, truth is that the soul who is now Meghan, HRH Duchess of Sussex was Margaret Beaufort, Tudor Matriarch: key figure in the War of the Roses, cousin of HM King Henry VI, mother of HM King Henry VII, mentor, counsel and favourite of her grandson, HM King Henry VIII who was much impressed by her focussed untrammelled ambition, great-grandmother of HM Queen Elizabeth I. 

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Without her drive and singleness of purpose, England may still be a Catholic nation and its language may well be French.  Nonetheless, such is the rabid, irrational tribalism that is racism; her true nature cannot be perceived by the blind who can never see either the links to the past or the bigger picture.  

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In the end, I was much inspired for having made this pilgrimage to see this dress, which in its simplicity symbolised hope, atonement and the love of two entity mates who have known each other in twenty prior lifetimes.  The simplicity of this dress proved an epiphany.  

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Statue of HM King Charles II without whose drive, there would have been no Restoration.  

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View of the round tower on exiting the State Apartments and at the edge of the Quadrangle.  

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Details of St. George’s Chapel.  

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Details… and more details.  

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Even more interesting details…

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Sadly, photography is not allowed inside the chapel.  

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Despite the general seething that being black elicited from most persons here – thanks to HRH Prince Henry, Duke of Sussex having married the black woman, I rather enjoyed revisiting the spiritual home of the Knights of the Garter.  There is a certain warmth and intimacy to the quire’s dark woods that I favour.  

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And like that, another day of adventure was completed.  

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As the train sped back to London, I spotted this queer, though, appealing architectural gem.  

As ever, thanks so much for your ongoing support and always remember to become awake when asleep into the magical realm of dreams.  

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©2013-20222 Arvin da Brgha.  All Rights Reserved.  

Gosh that Was Fun!

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Thanks to World Ballet Day, there was positively nothing or no one that was going to dissuade me from hitting London town.  Armistice Day and La Bayadère, you say… ha!

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Naturally, I returned to London, in my ongoing research/quest for more connections to the past as it pertains to the six-volume dream memoirs.  Though I had hoped to publish volume three this year, 2018, ongoing research has meant its delay until Spring 2019.  

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After dropping luggage at the hotel in Russell Square, it was a quick dash on the Piccadilly Line to Leicester Square Station where the 10-day London Pass with Oyster card was collected.  On this gloriously mild Saturday morning, I took a quick snap of St. Martin-in-the-Fields across Charing Cross, before slipping into the National Portrait Gallery.  

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Before having found what I went looking for, I first took a detour through the Tudor Gallery where, alas, there were no portraits of Margaret Beaufort.  That done, I moved down to the open space where the exhibition: Black is the new Black was housed.  

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Stunning portraits, I love the blue-blackened soulfulness of the portraits; these are all eyes that are thoroughly ensouled and lived-in.  Next, it was off to the salon where what I went looking for was handsomely displayed.  

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Enraptured, I passed long forevers fully engrossed by National Portrait Gallery’s recent acquisition of Wim Heldens’ oil masterpiece – portrait of the art collector and benefactor couple, Harry and Carol Ann Djanogly.  The oil on canvas is handsomely hung in salon 38 and was painted in 2017 by Wim.  Wim, I met in NYC at Manhattan cabaret singer, Frans Bloem’s West Village townhouse when we went out back in the early 1990s.  I had been in town visiting with Frans from Vancouver; we met when I then lived in Toronto and finally, the relationship ran its course on my relocation to the west coast and not to be overlooked but sex with Frans was as meh as warm, runny vanilla ice cream.  Of course, by the time that I was visiting Frans and he was out of town, I met Wim; the latter was sick in bed and I looked in on him between going to the theatre and galleries in the city.  Apart from godawful sex, Frans was a little too obsessed with Diana Ross for my liking – it all seemed too sissy-queer-boy, clichéd and banal. 

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Besides, by the visit where I met Wim, who was the warmest of souls – Wim is an old-souled scholar and it shows in spades in his works – I had long discovered the raunchy funk of hot sex deep into the woods of Vancouver’s Stanley Park where the world’s largest city park (1000 acres) is ever ten degrees warmer than elsewhere in the city during the sodden wintry months as the half millennium-aged sitkas keep the place comfortably warm.  There was no need for the ennui of sex with Frans after tying raunchy fuckers to a sitka and whipping them; besides, positively nothing beats fucking in nature – truly, it is the most empowering, grounding experience.  

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On leaving the National Portrait Gallery, I ambled down Charing Cross, took the time to admire the bronze springbok that lords over the entrance to the Republic of South Africa’s embassy with the maple leaf-festooned Canadian Embassy to the west across Trafalgar Square.  

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Down into the bowels of Charing Cross station, I then skipped and hopped the Bakerloo Line to Lambeth North Station.  There on a gloriously temperate and sunny Saturday afternoon, I made my way to the Imperial War Museum and was rather moved by the beauty of the metallic poppies that tearfully bled from a bathysphere-styled window at the museum’s domed rotunda.  This glorious display was part of the centenary celebrations of Armistice Day 100 years earlier which marked the close of World War I.  

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Standing in the atrium of the museum, I was reminded how geography does determine the scale of architecture.  Relative to the Smithsonian Museum in Washington D. C., there is no way that the relative limitless wide-open spaces of America would find military gear in such close cramped quarters as at the Imperial War Museum’s atrium. 

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I was there to take in the exhibition, Mimesis, which honoured, on the 100th anniversary of the close of WWI, the contributions of blacks from across the Commonwealth.  Turns out, it was not a photographic exhibition; rather, it was a most evocative of films.  

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From South Bank, it was back to Embankment Station and onto the Circle Line to Tower Hill Station.  There, emerging into the sparkling and relatively warm daylight, one was readily reminded of Vancouver temperatures at this time of year.  Into the perpetual queues one headed for a chance to gaze on the Crown Jewels at Tower of London.  

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Going in, the ravens were keeping a watchful eye… as is their wont and the tourists here were predominantly East Asian.  

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Seeing these metallic simians, I was reminded how good London’s fortune is not to be inundated by predatory monkeys… as is the case in both St. Kitts and Nevis.  

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After having viewed the Crown Jewels, this photo of Tower Bridge, suggested that the fast-moving clouds, though stormy-looking, would not break just yet.  

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About half an hour later, the vista to the west looked dramatically foreboding.  I tried to negotiate and decided that these clouds did not look all that fast-moving, besides they were considerably to the west.  

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Into one of the city’s ubiquitous and thoroughly indispensable Pret A Manger joints I slipped.  There, I dined on a hearty sandwich and had one of way too many raspberry smoothies.  

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Each day, wherever I travelled, there was always one in each pocket.  

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This little rocket was the must-have.  Always, there was one handily tucked away deep inside my black Dorothy Grant messenger bag as I darted about my favourite town, on my favourite West Indian isle – it really does vibrationally feel as though in the West Indies, besotting my insatiable soul with culture, art and more high-end inspiring fare.  

After having interminably waited out the rains, along came 1700 and time for the second to last day of the torch light ceremony at the Tower of London in honour of the centenary of WWI’s conclusion.  And so, of deference one waited out the rains, which rolled through in waves – waves they were which seemed increasingly more monsoon.  Finally, the show was begun and after having been soaked sans parapluie and too many souls – I do not like crowds, I opted to make this short clip as I could not see a damn torch on the ground and headed for the warmth of a hotel suite in Bloomsbury.  

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After being soaked to the gills to get into Tower Hill Station, no sooner than being on the platform and headed towards King’s Cross St. Pancras, along came the announcement that the station was now closed as there were too many souls on the platform to assure everyone’s safety.  Back out into the torrential downpour, we all grumbled, huddled and shivered; this downpour was seriously fierce.  

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After much aimlessly darting about the crowded and flooded streets of the city, two-plus hours later, finally a cab was dispatched and into a very cool hotel suite I arrived.  Somehow, in spite being soaked to the bones and frigidly cold, I managed not to have come down with the sniffles, a cough or runny nose. 

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Soon, wakefulness gave way to sleep and I was readily awakened into a plethora of dreams, which are always thrillingly, lucidly awakened in this favourite city of my well-travelled soul.  A day filled with adventure lay ahead; it was Armistice Day 2018 and I would manage to be captured on ITV film of the ceremony at the Cenotaph in Whitehall.  

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As ever, thanks for your ongoing support and sweet dreams.  

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©2013-2022  Arvin da Brgha.  All Rights Reserved.  

Now there was a night in the theatre.

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Whilst Lucian Mann-Chomedy took in the pre-opera lecture, I sat on a bench in the middle of University Avenue, enjoying a rather exquisite four-cheese macaroni and cheese baked to perfection as I read a very good biography of Tudor matriarch, Margaret Beaufort. Before me was the glass palace to the city’s high arts, beautifully lit. There were no doubt in my mind that I was shortly going to be enjoying a beautiful night at the theatre.

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Once inside, I got situated next to Lucian who chatted away in that way that scholar souls tend to drone on about all manner of data that others may find tedious at best but, for having a scholar task companion (Merlin), I have grown comfortably accustomed. Close by, a tall silver-haired man kept on admiring me, even none too discreetly making bodily contact as legs relaxed and splayed open wide; in years past, I would gladly have explored and indulged.

After having made the obligatory Instagram post, I turned off the phone as the house lights faded into nothingness and the magic was begun. Tchaikovsky, you say, how could one go wrong there. The curtain ascended and the most glorious lucid dream this side of the dreamtime then unfolded. The sparse set design courtesy of Michel Levin’s creative genius was both stark and beautiful. Just the right lighting and the desired mood readily effected.

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Leaves leaves leaves everywhere, the lighting of which matched the set and costumes. Last week’s production lacked melody, apart from the fact that Tchaikovsky’s music was well-known, there was nothing to that soulless, dissonant affair that drew you in or proved memorable – save it was really god-awfully bad.

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During intermission, I stepped outdoors into the cool autumn air to return a couple of calls and pre-order an Uber meal. On my return, Lucian rightly so remarked on what a changed vibe there was in the house to the week prior. Indeed, there was stillness that hung in the air after each aria before the house would break into applause.

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The prince’s aria was especially sublime a performance. The familiarity of glorious Tchaikovsky music, melodies long associated with the world of dance were welcome in the world of opera as Alexander Pushkin’s vision was handsomely realised.

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After intermission the stark scene was beautifully animated as chairs, costumes and dancing ruled during the ball scene. The ball scene was dominated by classic Tchaikovsky music that choreographers the past century have relished celebrating in dance.

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In the final act, one of things that struck me was how void of emotion the opera, Hadrian, the week prior was. Watching Onegin’s love finally profess her love for him after all these years, yet, insisting that she had to carry on with her life, her comfortable life and not leave it all for the man who pined for her was truly captivating. Ahead of me, two rows, were a couple of ladies who during that duet looked at each other, one even wiped her eyes.

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This duet totally captured the human condition; it was about love, passion, longing, loss and dashed dreams. We could all relate to it. The passion and emotion tugged at your heart centre. Last week, not only was the music the most irritatingly banal but there was emperor Hadrian seemingly love struck, yet there was never any passion and emotion in scenes between him and Antinous. If you had no clue that this was one of the greatest love stories in gay history, you could be forgiven in assuming that it was an emperor bereft at the loss of his only son and heir, leaving him without the will to carry on. There simply was no connection, between them and by extension the audience… no passion whatsoever. Regardless their homoerotic love, the opera failed to have aroused emotion, passion and thereby causing you to lose yourself and identify completely with Hadrian, Antinous… or both.

That’s what one goes to the theatre for. At curtain call, rather than jump up and flee the theatre horrified as last week, I shot to my feet, clapped and howled my face off. Everyone leaving the theatre was enrobed in warmth and had been inspired to believe anew in love… that’s what great art does. What a truly memorable night in the theatre, this beautiful, passionate opera is with great melodies to spirit you along, long after you headed out into the world in the cool autumnal night air.

As ever, dream with the greatest passion for it is a true love affair indulged with self each and every day. Love yourself with new abandon and push off and start flying because you really are a truly spectacular work of art. As ever, thanks for your ongoing support. I love you more than you know.

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©2013-2022 Arvin da Brgha. All Rights Reserved.