The Black Queen: Racism and the British Royals.

Catherine, HRH Duchess of Cambridge: The Black Queen |

Windsor, Catherine, HRH Duchess of Cambridge 9/1/1982

Michael: This fragment is a fifth-level mature warrior – third life thereat.  Catherine is in the perseveration mode with a goal of growth.  A pragmatist, Catherine is in the moving part of intellectual centre. 

Catherine’s primary chief feature is stubbornness and the secondary, arrogance. 

Catherine’s body type is Saturn/Mercury/Venus. 

The fragment Catherine is fourth-cast in the sixth cadence.  Catherine is a member of greater cadence one.  Catherine’s entity is four, cadre one, greater cadre 6 pod 208. 

Catherine’s essence twin is a warrior and the task companion a scholar, her husband, HRH Prince William Duke of Cambridge. 

Catherine’s three primary needs are: expansion, power and expression. 

There are 10 past-life associations with Arvin and 8 with Merlin.  ­­­­­­­­­­­­­­­ _____________________________________________

Reputed to have the largest collection of tiaras, odd isn’t it that prior to having attended HM The Queen’s 2017 Christmas Lunch at Buckingham Palace when HRH Prince Henry’s affianced Meghan Markle made her inaugural attendance, never before had HRH Princess Michael of Kent worn this brooch. A brooch it is that is decidedly offensive in its racially focussed animus towards blacks. How does one account for this bold, racist display, if one did not have the sanction of those who matter?

HRH Princess Michael of Kent 15/1/1945 Monkey 6.7.8 = 3

For, HRH Princess Michael of Kent, the person who matters is not HM The Queen – we have no idea how HM The Queen is perceived by senior royals, though, there are obvious factions who see HM The Queen as having overstayed her tenure. Who could HRH Princess Michael of Kent have been sucking up to by wearing that brooch? Who were the puppet masters of that emboldened display of venal bigotry? Who was “Princess Pushy,” HRH Princess Michael of Kent taking orders from?

Lord Frederick Windsor, 6/4/1979 Goat 6.1.9 = 7

The male royal with closest connection to HRH Prince William, Duke of Cambridge is HRH Princess Michael of Kent’s only son, Lord Frederick Windsor. Indeed, Freddie & William are so close that it was to Frederick’s daughter, Maud’s, school in Battersea that the Cambridges’ firstborn, HRH Prince George of Cambridge, began his schooling. Why are they so close – apart from a possible soul connection (entity, cadre, pod) and past-life connections, Frederick Windsor, William and Catherine, The Black Queen all have 9 in their numerological makeup. The hallmark of persons with 9, is that they are all shit-disturbers and love plotting, scheming and sabotaging persons of whom they do not approve. No 9 person ever misses an opportunity to fuck with someone… anyone. 9 persons are incredibly insecure.

HRH Prince Michael of Kent 4/7/1942 Horse 4.2.9 = 6

Though these persons do not see themselves as being racially prejudiced – they simply are defending their way of life and how they perceive that their way of life ought to look – its makeup and exclusivity. Also possessed of 9, Frederick would have been much informed by his father’s worldview and perception of reality. All four persons being 9s, would willingly support William and Catherine, The Black Queen’s edict not to have to countenance blacks being deserving of being in their midst, indeed, being socially acceptable in their midst. The impact that this would have had on the royal households cannot be overlooked. This bold racist slight against Meghan, Duchess of Sussex would have left much of the royal householders at Kensington Palace feeling themselves fully entitled to be openly racist towards both Harry & Meghan. Without doubt, this toxic environment would be a significant factor for the Sussexes not to have moved in to the newly renovated apartment next-door at Kensington Palace to the Cambridges, rather they would end up setting up their household at Frogmore Cottage.

Catherine, HRH Duchess of Cambridge 9/1/1982 Rooster 9.1.3 = 4

HRH Prince William, Duke of Cambridge 21/6/1982 Dog 3.9.2 = 5

Lord Frederick Windsor’s close friend, the future sovereign, William, the Duke of Cambridge is also – along with his wife, Catherine, The Black Queen – possessed of 9 in his numerological makeup. Above all else, William is noted to be a petty, fault-finding, toxic (like all 9s) intensely discriminating, stubborn man who is also inordinately dense and unaware.

HRH Prince Henry of Wales & Meghan Markle December, 2017.

Be that as it may, both the royal rota journalists and their racist hateful fans would readily conclude that in a bid to garner sympathy, Meghan actually presented the brooch to HRH Princess Michael of Kent and asked her to wear it to HM The Queen’s 2017 Buckingham Palace lunch, with the senior Kent princess not having any idea of the brooch’s racially offensive symbology. Indeed, both the print media and Meghan racist detractors have simply glossed over that pivotal episode, which signalled the declaration of a warring campaign of harassment, racism and bullying that would be focussed on both Henry & Meghan and coming chiefly from the Cambridges and all their cronies, the Kents and royal households alike.

TRH Duke & Duchess of Cambridge with HRH Prince Henry of Wales.

When was HRH Prince Henry ever reported to have been rude and disproving of Catherine Middleton because she was not a suitable spousal candidate for a royal and his much-loved brother?

William is carefully studied and great at slight of hand; at least, this is the case when he is making tightly choreographed appearances, which do not allow for moments of spontaneity. He enters, hands clasped, he makes a speech with a joke that displays the same saccharine, clipped laughter. In the above GIF, Catherine, The Black Queen, is seen brushing off her husband, the future sovereign, HRH Prince William. This quintessentially is the response of someone (Catherine, The Black Queen) possessed of a first number of 9. They are rude, dismissive and never mask their true feelings. William is truly beneath the thumb of his wife, Catherine, The Black Queen. Look at the way that William ducks down, neurotically rubs his arm and then looks to see if anyone has caught the behaviour, which clearly is never supposed to be observed beyond the walls of either Amner Hall or Kensington Palace.

Royal Wedding HRH Prince William & Catherine Middleton, 29.4.2011

Though there were multiple examples of William’s lack of awareness and his inability to mask his appalling lack of sophistication when in spontaneous live events, as at his wedding in April, 2011, a prime example of his behaviour on leaving Westminster Abbey with his new bride. At the second hour and 9th minute of the above video, [02.09.25] and the next two minutes William is totally self-absorbed and completely unaware of his new wife, Catherine, The Black Queen. He fidgets and is unable to properly put on his white gloves. Next, he gets into the Imperial State Landau and sits with his back to the horses; he, as it were, was sat such that his back potentially was to the crowds during procession. When finally he was directed aright by the footman, who knowingly looked at Pippa Middleton whose response validated that it was common knowledge that William is a fool, he then shifted to correctly sit, facing to the back of the horses. Naturally, totally unaware, he simply shifted from one seat to the other and remained seated as his new wife entered the landau. Selfishly, he is then observed shoving Catherine, The Black Queen‘s, beautiful Alexander McQueen gown out of the way and off his uniform.

Royal Wedding HRH Prince Henry & Meghan Markle, 18.5.2018.

At the fourth hour and 7th minute [04.07.00] of The Royal Wedding of HRH Prince Henry and Meghan Markle, Harry takes the time to speak to his new wife and then puts on his hat and gloves.

Windsor, HRH Prince Henry, Duke of Sussex 15/9/1984 London, England

Michael: This feisty fragment is a fifth-level mature warrior -– fourth life thereat – to his sixth-level mature brother, William.  Henry is in the power mode with a goal of growth.  A sceptic, he is in the moving part of intellectual centre. 

Body type is Mars/Saturn. 

Henry’s primary chief feature is arrogance and the secondary stubbornness. 

The fragment Henry is first-cast in second cadence; he is a fragment of greater cadence three.  Henry’s entity is one, cadre six, greater cadre 7, pod 418 – Henry is an entity mate of his paternal grandmother, HM Queen Elizabeth II. 

Henry’s essence twin is a warrior and he has a scholar task companion. 

Henry’s primary needs are: freedom, adventure and exchange. 

There are 9 past-life associations with Arvin and 5 with Merlin.  ___________________________________________

Henry, infinitely more aware than his brother, then gets into the Ascot Landau and does what his brother never did. Throughout, he remained standing in the Ascot landau, gave his new wife a hand inside then after she was comfortable sat, like a true gentleman, he then sat besides his wife. Their father, HRH Prince Charles, Prince of Wales also did the honourable thing and stood whilst his new bride, Diana, Princess of Wales stepped into the Imperial State landau and was comfortably sat at the foot of the steps at St. Paul’s Cathedral one glorious July day in 1981 whilst I then lived in Winnipeg during my studies at the Royal Winnipeg Ballet’s school.

Duchess of Sussex, Endeavour Fund Awards 2020, Mansion House.

What Meghan possesses in spades is intellect and emotional intelligence, which eclipsed and served as so glaring a foil that Catherine, The Black Queen, would not have been human if she would not have felt threatened by Meghan. Unlike Catherine, The Black Queen & William, Meghan is a keen strategist because like her mother-in-law, Diana, Princess of Wales, she is an artisan soul. As Diana deftly illustrated during her interview with Martin Bashir, she was not an airhead and clueless lost soul as she was mistakenly perceived. This is not uncommon a response to artisans; however, what all artisans possess, is the ability to see through to the heart of anything and anyone. When you know the structure of anything, right down to the subatomic level, you can never be threatened by it.

Diana, Princess of Wales.

One of the most powerful women in the 20th century lets her mask down and reveals how deeply misunderstood she was. What you are looking at, is an artisan soul in essence, being fully lived in and fully in control. Diana, Princess of Wales was always three steps ahead of any of the sharks with whom she swam. The parallels between Diana and Meghan are not coincidental. Both women are artisan souls who whilst within the Firm were feared and great pressure was exerted to impede the progress of both feared women.

That there were no doubts that Meghan wanted to send a message as to who was the architect of the racist campaign against her and her husband, HRH Prince Henry, Duke of Sussex and also why she would choose never to have her black son brought up amongst such persons, is revealed by the choice made to announce their stepping back as senior royals; the announcement to step down as senior royals was done on the eve of Catherine, The Black Queen’s 38th birthday – thus, she sent a parting shot, making it perfectly obvious who needed to be wiped arse with on Meghan’s departure. Meghan is an infinitely more shrewd and complex artisan soul than was Diana, Princess of Wales. Meghan has master numbers of 11 – such persons will always leave their detractors dazed and unaware; they are visionary, bold and decisive… as is Meghan. Unlike Diana, Princess of Wales, Meghan did not feel that all she had was the comfort of the Firm; a self-made woman, Meghan knew that she could walk out the racially predatory and suffocating confines of the Cambridges’ court and not just survive but thrive.

Catherine, HRH Duchess of Cambridge, The Black Queen.

Catherine, The Black Queen, is a scorned wife and a mousy, jealous, petty, small-minded boor, who was perfectly at ease with the blackamoor brooch being used. Catherine, The Black Queen’s husband, HRH Prince William, Duke of Cambridge is moving centred. All such persons are inordinately high-sexed individuals. Not only are they physically active persons but they have a voraciously engaged sexual appetite. As a warrior, Catherine, The Black Queen, is amply able to fulfil such needs of her husband’s. Nonetheless, as a moving centred individual, who also happens to be both male and a scholar soul, it is virtually impossible for William not to have a roving eye and to act on those urges… always.

Catherine, The Black Queen’s behaviour on taking a seat, along with her task companion, that equally dense plank, William, at Westminster Abbey at the 2020 Commonwealth Day Service, betrays what a crass boor, the perpetually fake-grinning, inarticulate, mousy pretentious toff she truly is. Look at the Cambridges from the 6th through 9th minutes. They are clipped and William makes a point to mask Catherine as they take their seats so that Catherine, The Black Queen will not have to acknowledge Meghan. When sat, Catherine, The Black Queen makes a point of turning directly to speak with Sophie, the Countess of Wessex behind her whilst being sure to never look in the Sussexes’ direction.

What 21st century woman would go trotting out a pre-mid-twentieth century pram but an aspirant, insecure lower class Briton ever intent on impressing her overlords. Both of them, the Cambridges, are so frighteningly pretentious; just one look at that photograph and how possibly could Meghan not have been scoffed at by such starchy, uptight, mean-spirited perpetually fault-finding persons both numerologically possessed of 9. They, the Cambridges, were prepared to racially attack with their royal household gang of low-browed bigots, Harry’s wife as it was pure sport; it is always sport to racially prey on blacks. Indeed, how better to make that lazy broodmare, Catherine, The Black Queen have to work and go tour the predominantly black Commonwealth nations than by stepping down?

Look at William at the 04.00.00 mark on and his interactions with his father, whom he does not even realise, is embarrassed by his behaviour as before all the world’s 2 billion persons onlooking, he openly ridicules the preacher and by extension his brother, his brother’s new wife and her people and culture. This is the same little kiss-arse who ran to Israel to solemnly place his hand on a millennia-old wall, which no one on Haida Gwai could give a living shit about.

Windsor, HRH Prince William, Duke of Cambridge 21/6/1982 London.

Michael: This fragment is sixth-level mature scholar – third life thereat.  William is in the observation mode with a goal of acceptance.  A pragmatist, he is in the intellectual part of moving centre. 

Body type is Lunar/Mars/Saturn. 

William’s primary chief feature is stubbornness – death of his mother, Diana, Princess of Wales, was the triggering event and the secondary arrogance. 

The fragment William is third-cast in sixth cadence; he is a member of greater cadence seven.  William’s entity is four, cadre one, greater cadre 6, pod 208. 

William’s essence twin is a scholar and he has a warrior task companion to whom he is married, Catherine, HRH Duchess of Cambridge. 

William’s primary needs are: exchange, freedom and security. 

There are 6 past-life associations with Arvin and 3 with Merlin. 

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William lacks sophistication and by his every action, he betrays what a small-minded bigot he is and thereby reveals himself working in tandem with his task companion that listless Edward Gorey somnambulist of zero spontaneity, zero stage presence and who is incapable of speaking articulately, eloquently and convincingly. In short, Catherine is just someone who after having persevered and ingratiated her way well beyond her class, ended up being settled on when Cressida Bonas’ sister saw no winning hand in having to pass a life, babysitting a boor, adulterer… to say nothing of bore. All Catherine, The Black Queen is capable of doing, in her glaring emotional immaturity, is focus on working with children and early this and early that developmental mental health psycho twaddle all of which has positively nothing to do with frig all anything.

A family void spontaneity… always on… always staged. This on the heels of William’s latest adulterous dalliance. Both on either side of that path with the kids divided between them. What is Catherine, The Black Queen to do but be a saccharine, utterly transparent dolt in her response.

Both Diana, Princess of Wales and Meghan, Duchess of Sussex are artisan souls, who proved unfathomable women, women who proved too powerful to not be threatening. Look at them both, where did they get this power from? Where did they intend to use this power and why do they want for change? In the case of Diana, hers was a fairy story in which both the media and public were vastly invested. With Meghan, however, hers was a fairy story that simply could not be tolerated. In every way, the affront of a black duchess, a black royal simply had to be challenged at every turn, in every way… every day. Both the media and public were hellbent on invalidating, obstructing and destroying the marriage of Henry & Meghan, if alas they could not have prevented their wedding.

Windsor, Diana Princess of Wales July 1/1961<O>August 31/1997.

Michael: The fragment who was Diana Frances is a second-level mature artisan and was in the passion mode with a goal of acceptance, a pragmatist in the moving part of emotional centre. 

She had a Lunar/Mercury body type. 

Diana’s primary chief feature was stubbornness with a secondary, not of self-destruction but of self-deprecation. 

Diana Frances was first-cast in her cadence and her cadence is fifth in the greater cadence.  She is a member of entity one, cadre six, greater cadre 48, pod/node 380. 

This fragment’s essence twin is a discarnate artisan and her task companion is a discarnate sage, both of whom are staying near her, waiting for her to become oriented to her situation. 

Here we had an artisan with drama in her casting but also with a very deep need to serve both the common and the higher good, which she did with grace, charm and a good deal of conviction. 

*These Michael Overleaves were channelled in early September, 1997 just after Diana’s death by Sarah J. Chambers who was part of the original Michael group and part of the composite Jessica Lansing in the Chelsea Quinn-Yarbro Michael Teachings books. END.

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Windsor, Meghan HRH Duchess of Sussex 4/8/1981

Michael: This fragment is a mid-cycle mature artisan in the tradition of the deceased mother-in-law fragment who was Diana, Princess of Wales — third life thereat.  Meghan is in the observation mode with a goal of acceptance.  An idealist, Meghan is in the moving part of emotional centre. 

Meghan’s primary chief feature is self-deprecation and the secondary of mild impatience. 

Meghan’s body type is Venus/Solar. 

The fragment Meghan is fourth-cast in the fifth cadence.  Meghan is a member of greater cadence four.  Meghan is a member of entity one, cadre six, greater cadre 7, pod 418 — she is an entity mate of both her spouse, HRH Prince Henry of Wales with whom she shares 20 past lives and also an obvious entity mate of Her Majesty, The Queen. 

Meghan’s essence twin is an artisan and the task companion a warrior. 

Meghan’s three primary needs are: expression, acceptance and expansion.

There are 4 past-life associations with Arvin and 6 with Merlin. 

Incidentally, this artisan has been a member of the British royal family twice before.  Firstly, as Margaret Beaufort, Countess of Richmond and Derby, she was the cousin of King Henry VI and mother of King Henry VII.  As such, she was the matriarch of the House of Tudor.  Her grandson was Henry VIII and her great-granddaughter, Queen Elizabeth I. 

This artisan in that lifetime was involved in the sacraments of the church being included in the newly established college system.  She founded Christ College, Cambridge and was instrumental with the founding of St. John’s College as well. 

Secondly, she was HRH Prince Edward, Duke of York and Albany and younger brother to George III, whose father the Prince of Wales, HRH Prince Frederick died before ascending the throne after George II.  In that lifetime, the artisan (now Meghan, HRH Duchess of Sussex) was interested in military structure.  He, of course, died young of a then unknown illness but which had to do with dysentery. 

Incidentally, in the current incarnation, Meghan, HRH Duchess of Sussex has suffered from gastroenteritis, which is related to the last-life health issues – this is the immediate past life and not that in 18th century when the artisan died aged 28.  

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Without reason, even when it was obvious that Diana was no saint, however, so strong was the investment in that fair story that both the media and public were prepared to turn a blind eye. Diana like every artisan was a shrewd strategist who was always three steps ahead of her enemy.

Diana was at war with Camilla Parker-Bowles – interestingly, the media never refer to the latter as such, yet going on a decade after her marriage, they continue referring to Catherine, HRH Duchess of Cambridge as Kate Middleton, so strong is the need to be classist boors in British society – and unlike any royal bride before her, Diana aired her linen in public with the Andrew Morton 1992 biography. Only an artisan soul would have had the balls and vision to pull that off, knowing that by so doing, she would win public support.

Windsor, Camilla HRH Duchess of Cornwall 17/7/1947.

Michael: Yes, this scholar is at the mid-level of the mature soul cycle — third life thereat.  Camilla is in caution mode with a goal of growth.  A pragmatist, Camilla is in the moving part of intellectual centre. 

Body type is Lunar/Venus. 

Camilla‘s primary chief feature is impatience and the secondary arrogance. 

The fragment Camilla is third-cast in sixth cadence; Camilla is a fragment of greater cadence seven.  Camilla‘s entity is five, cadre six, greater cadre 7, pod 129. 

Camilla’s essence twin is a scholar and the task companion is a warrior. 

Camilla’s primary needs are: exchange, freedom and power. 

There are 10 past-life associations with Arvin and 6 with Merlin.  (July, 2017).

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An older soul than Diana, Princess of Wales, Camilla, HRH Duchess of Cornwall is better suited to be HRH Prince Charles, Prince of Wales’ spouse. In general, Warriors and Scholars make better companions and, of course, in such pairings, the warrior is always the dominant partner. This is why no matter how you cut it, Catherine, The Black Duchess is the dominant partner in the Cambridges’ marriage – they, of course, also happen to be task companions, which only adds more texture and complexity to their bond, which is rigid in terms of who gets into their inner circle – they both do have a primary chief feature of stubbornness.

The Cambridges in their every outing with Meghan and Harry wasted no time in telegraphing just exactly their displeasure at having her in their midst. Meghan was a welcome addition to the monarchy and the royal family as a senior royal for as HM The Queen saw it, in a Commonwealth whose member states are predominantly black, having a Commonwealth Youth Ambassador’s wife be black was a masterful move and one which would assure The Queen’s legacy as she comes to the end of her life. However, William and, more importantly, Catherine, The Black Queen could not give a damn; they are the imminent future of the monarchy and they do not care about Meghan or anyone who looks like Meghan. Again, this is a couple who have chosen not to tour any predominantly black Commonwealth nation since being wedded nine years ago. There is no such thing as happenstance. Both William and Catherine, The Black Queen have a chief feature of stubbornness and such persons never change and are never open to change or deviation from the norm and their position on any subject. They – persons with a primary chief feature of stubbornness – are difficult, intransigent persons and both the Cambridges’ 9s only add to their difficult nature.

In the Cambridge’s world, they want a realm that is Brahmanistic as per their worldview: Whites, Asians and blacks somewhere comfortably distant with the rest of the uncivilised teeming humanity. They are no different to the average white of their generation – they are alarmingly racist; however, their brand of racism is so sophisticated that one never ever discusses race. Why would they? That would be giving away the power enjoyed by those who thrive on racism. Their realm is mirrored by the teeming trolls who in the tens of thousands flock to tabloid online outlets to spew their vitriol at this fairy story that should never have been that they, the print media and the Cambridges will stop at nothing to nullify. Now that they have succeeded in banishing that black bitch from the realm, their current focus is on divorce watch.

At every turn that goddamn black bitch was to be lynched, unrelentingly vilified and ostracised in no uncertain terms. At the core of it all are the Cambridges, who have smugly, idly sat back and watched their scheme unfold. Of course, like HRH Prince Andrew, Duke of York, the Cambridges’ have failed to realise that they do not have absolute power to have things turn out as they would wish them to.

At their core, all racialised persons are cowards. Indeed, how cowardly have the Cambridges proven themselves as they have fled to Amner Hall yet try and remain relevant with these PR outings that only highlight the source of Catherine, The Black Queen’s grudge of Meghan. Listen to Catherine, The Black Queen speak; she is a weak, mousy, inarticulate bore who no doubt is bullied by the boor next to her for being such a dense, listless plank. Catherine, The Black Queen is as wooden as HM Queen Mary was a dour, starchy-looking, mean-spirited boor.

In two short years, the Cambridges managed to have reset the fairy story to better reflect their sense of what a fairy story should be. How like all the childless, spinster white females for whom the fairy story of being rescued by a prince, like Harry, the Cambridges had to wage war to restore order to the realm. Not only is it an attack on an individual; it is also an attack on an entire people. The Cambridges have decided that you do not belong; you are not welcome within upper echelons of the epitome of civilised, classist society.

If for a nanosecond you think that race has nothing to do with how Meghan was treated within the royal households, the print media and British society at large then you sadly have failed to realise that fairy stories are not real. The callous truth is that if HRH Prince Henry, Duke of Sussex had taken a Jewish, East Indian, East Asian or Muslim wife, there is positively no way in high hell that such a wife would have been meted out the same treatment in general and especially in the print media’s tabloid cesspool as has so racially predatorily been meted out to Meghan… and Harry. There is no way, had Harry married a Jew, East Indian, East Asian or Muslim, that one would want to give offence to Jews, East Indians are way too favoured to be openly ridiculed and discriminated against and god only knows, the very real threat of retaliatory violence from radicalised Muslims, would have Britons making of such a marriage a fairy story like no other and proof that they were no longer a stuffy classist society; rather, as per a marriage by Harry to a Jew, East Indian, East Asian or Muslim, the United Kingdom was truly an inclusive, modern society.

After the blackamoor brooch incident, seven months earlier, you can bet that Meghan did not want that vile, flat-arsed woman, HRH Princess Michael of Kent, at her wedding. Clearly, though, she was overruled. Just imagine if Meghan were Jewish and HRH Princess Michael of Kent had shown up wearing a swastika to The Queen’s Christmas Lunch in 2017 at Buckingham Palace; there would have been outrage across the globe and there is positively no way that she would not have been banned from the wedding. Even if Meghan were to have objected to her presence, she would clearly have been overruled and was.

Much of the decision to step away, is due in part to the Cambridges; however, HM The Queen has to take some ownership of this turn of events. This has always been her MO. Perhaps, it is because she takes seriously her role as supreme governor of the Church of England; however, HM The Queen has one weak spot and it played out with the Sussexes treatment in the media as has previously occurred. The Queen simply does not become involved; instead, she would rather that things play themselves out.

Previously, this was the same response that Her Majesty employed during her sister, HRH Princess Margaret’s life when tormented by the politics of whom she had fallen in love with. Rather than get involved, The Queen was cold and resolute in not getting involved and letting the thing play itself out – much to the detriment of her own sister.

Again, with Diana, Princess of Wales, The Queen was cool, indifferent and just hung back and let the thing play itself out. There was a great deal that HM The Queen could have done; she could better have protected Diana, Princess of Wales when she clearly knew that the young bride was but a lamb to the slaughter – look at HM The Queen’s indifference to Earl Spencer on the carriage ride back from St. Paul’s Cathedral to Buckingham Palace after her heir had just wedded a woman whom she, HM The Queen, knew her son, HRH Prince Charles, Princes of Wales, did not love. Look at the HM The Queen riding back from St. Paul’s Cathedreal with Earl Spencer; she clearly could not have cared less about him and his soused babbling.

Catherine, HRH Duchess of Cambridge, The Black Queen has been the architect of all this vicious vendetta against the Sussexes. Back in November 2016, HRH Prince Henry of Wales, released a scathing attack on the print media for their focussed agendum of vilifying, demonising and character assassinating his then finacée, Meghan Markle. Months later, in May 2017, though, it was an established fact that HRH Prince Henry was committed to and in love with Ms. Markle, Catherine, The Black Queen and her family banned Meghan from attending, Pippa Middleton’s marriage to James Matthews; Meghan was, however, permitted to attend the wedding reception. This act betrayed Catherine, The Black Queen’s petty, mean-spirited persona. She is possessed of a 9 energy body and like females with 9 energy body, Catherine, The Black Queen is possessed of a spiteful, malicious, sadistic disposition. Catherine, The Black Queen has always been the dominant partner in her marriage to the hapless, dolt, HRH Prince William, Duke of Cambridge, who is an emotionally juvenile, spiteful boor as a result of his parents’ loveless marriage and divorce; William has also never recovered from his mother’s death, which he considers murder. As with Catherine, The Black Queen’s rude dismissal of her husband, the future sovereign, during the taping of the BBC’s A Berry Royal Christmas in 2019, this woman, Catherine, The Black Queen, simply does not give a damn. She has had a tough go of it not being of aristocratic birth as with all past Queen Consorts; she suffered mightily in the cutthroat world of Britain’s rigid class system and damned if it did not leave her scarred and compensatorily arrogant, discriminating and a vulgar boor.

No matter how the print media try and paint this woman as elegant, stylish and the epitome of class – all of which are just non-too-veiled racialised language – she is an inarticulate, bland, sadistic boor who for being a warrior soul – in perseverance mode no less – would compete with Meghan or any other woman who married her brother-in-law. Even if HRH Prince Henry of Wales had wedded Cressida Bonas, Catherine, The Black Queen’s reaction to her would have been the same. Catherine, The Black Queen would have been less favoured by the public than blonde Cressida and for that, there would be nothing but misery meted out by Cressida by Catherine, The Black Queen behind the scenes. The fact that racism is so rife in classist Britain, gave Catherine, The Black Queen the upper hand against the threat of her brother-in-law’s wife.

Added to all that, Catherine, The Black Queen a warrior – all warriors make the most formidable foes – is in perseverance mode, which means that she would stop at nothing to see that Meghan was literally driven out of the kingdom. It does not matter that like a disproportionate number of Caucasian persons born after the mid-1970s, Catherine, The Black Queen is averse to being around blacks, thus it would have been to Catherine, The Black Queen’s advantage as HM The Queen deemed having the black duchess, Meghan, Duchess of Sussex going on those Commonwealth tours to predominantly black Commonwealth nations which she, Catherine, The Black Queen, still cannot bring herself to undertaking. No matter how prejudicial HRH Prince William, Duke of Cambridge is, he is ruled by a wife who is more prejudicial and sadistic than he is. Anyone who intimately knows Catherine, HRH Duchess of Cambridge would readily admit that hers is a bitchy, biting, sarcastic sense of humour that is given to being vengeful, mean-spirited and adversarial.

Here in the 02:14:00 minute mark Catherine, The Black Queen on her wedding day is supremely in control. Of one thing she is assured, she is now to be the mother of a future sovereign and in time Queen Mother. She has a confidence which befits her knowledge of her place in dynastic history but she also has a focus which betrays her being a warrior soul in perseverance mode.

From the 04:20:00 minute mark, Meghan proves a contrast and validation of her role in essence. As an artisan soul, she becomes almost manic-euphoric as her multiplicity of channels become engaged and she becomes caught up in fantasy merging with reality – the same artisan soul euphoria was evidenced as newlywedded Diana, Princess of Wales walked down the aisle at St. Paul’s Cathedral in July, 1981. A warrior would never do this and certainly, Catherine who had focussed on becoming Queen Consort for years and also a warrior in perseverance, was singly focussed on being poised, regal and glossily plastic.

By the time that Meghan came along, Catherine, The Black Queen had morphed into the unpleasant aspects of her nineness and comfortably secured in her role in history and within the Windsor dynasty as future Queen Consort and future Queen Mother to HRH Prince George – should William predecease her. Warrior souls compete with everyone and everything and where Catherine, The Black Queen is most admirable is as Sporty Kate. Her athleticism is truly admirable – I often wonder what she must be like racing on horseback. However, in all other areas of her life, she is surpassed by Meghan. Catherine, The Black Queen lacks the stage presence, she is inordinately inarticulate all by herself, to say nothing to being compared to trained thespian Meghan who excels at being centre stage. Meghan can command one’s attention where Catherine, The Black Queen never can.

Catherine, The Black Queen has a power which befits her role as a warrior in essence. Catherine, The Black Queen is supremely confident in the fact that not only is she a future Queen Consort, she also is very likely to be Queen Mother; this is a role which Camilla will never fulfil as she did not give birth to any blood royal child. Until Meghan came along, all that Catherine, The Black Queen had in the way of competition was Camilla – she who would never be mother of a future sovereign; indeed, where is the threat to Catherine, The Black Queen from Camilla? This awareness of her place and power had Catherine withdraw to the Middleton seat in Bucklebury, Berkshire rather than visit with her father-in-law HRH Prince Charles and his wife, Camilla with whom he has no heirs after HRH Prince George of Cambridge was born and for months thereafter.

Thus, Camilla is no threat to Catherine, The Black Queen. Indeed, both Camilla and Catherine, The Black Queen are comrades-in-arms as they both are solid, single-channel roles which preyed on artisan soul threats to their power. Artisan Diana, Princess of Wales was bullied and driven to divorce by Camilla, who considered Diana a nuisance and a threat. Similarly, Catherine, The Black Queen has considered Meghan, also an artisan soul like Diana, a threat to her power. What Diana & Meghan possess is the artisan’s inability to remain singly focussed on the task in hand. Also, both Diana & Meghan were/are emotionally centred artisan souls who would have found it virtually impossible to stay the course when subjected to the campaigns that each uniquely met in the way of Camilla and Diana, and now Meghan and Catherine, The Black Queen.

Look at Catherine, The Black Queen in action; she hangs back and says positively little to nothing, allowing Meghan to shine… or does Meghan actually shine? Of course, in the tradition of a nine energy-bodied female, she hangs back because in the tradition of being a snide, snarky passive-aggressive, condescending Caucasian who traditionally fault-finds, criticises and is negative in response to everything about someone black, Catherine, The Black Queen, knows that to hang back wins her favour throughout the realm. Catherine, The Black Queen, hangs back grinning like a Cheshire cat as she knows that she has the non-blacks of the realm in her palm; she knows that the more Meghan speaks, the more she will be resented. This is good for Catherine, The Black Queen because she simply cannot speak whilst sharing the same stage with Meghan; however, in a society and world where race is everything, Catherine, The Black Queen’s liability proves an asset.

True to her role in essence, warrior soul, for Catherine, The Black Queen, clothes are uniform. Indeed, the future Queen Consort, like the sovereign, is at the apex of the United Kingdom’s Armed Forces. With a chiefly Saturn body type, Catherine, The Black Queen, is tall, angular, steely and given to being power-focussed and competitive. Another reason where both Camilla and Catherine, The Black Queen were destined to succeed in their campaigns against their perceived biggest threats is seen in all four royal women’s body-types, their centreing plus primary needs.

Both Camilla & Diana though rivals had the same body types: Lunar/Venus; however, as they are very different soul types Diana (artisan), Camilla (scholar) their use of those energies, especially the lunar energy, would be markedly different. Catherine, The Black Queen is Saturn/Mercury/Venus body-type whereas Meghan is Venus/Solar body-type. For an artisan soul, this puts Meghan in a league stratospherically above and beyond Catherine, The Black Queen and she would always have greater mass appeal than Catherine, The Black Queen, as a result.

How could Catherine, The Black Queen, not be jealous of Meghan; moreover, what tempers that friction is that Catherine, The Black Queen, is focussed in the intellectual centre as compared to Meghan in the emotional centre. This is precisely why in her interview with ITV’s Tom Bradby, Meghan focussed on how she was feeling and how no one took the time to ask how she was doing? Both Camilla and Catherine, The Black Queen are focussed in the intellectual centre and similarly, as with Meghan, Diana was focussed in the emotional centre. Both Camilla and Catherine, The Black Queen would perceive their rivals, Diana and Meghan respectively as weak and a nuisance for being focussed in the emotional centre.

Anna the protagonist of the TV series V is a perfect embodiment of Catherine, HRH Duchess of Cambridge: The Black Queen’s true persona.

Not only is Catherine, The Black Queen, a warrior in perseverance mode, which is as devastating a foe as one can encounter, she also has power as one of her three primary needs. The woman is bad-ass maniacal when threatened and to top it off, she has a task companion, William her husband, who is moving centred. Everything she utters in her scheming pillow talk, like an attack dog en chaleur, William would unfailingly execute.

Catherine, The Black Queen: Warrior, perseverance, power, intellectual centre.

The Black Queen, Catherine, HRH Duchess of Cambridge with a nine energy body with primary need of power does cast quite a long sadistic shadow. Like Anna in V in the clip above, the Cambridges with their 9 numerological makeup, wanted not to have their dynasty diluted/sullied by the presence of Meghan; she is not fit to be within their realm. In her campaign to dispense with the threat of Meghan, Duchess of Sussex, Catherine, The Black Queen, needed the obsequious sado-masochistic loyalty of persons, also numerologically possessed of 9, in the media.

Lady Colin Campbell 17.8.1949 Ox 8.7.3 = 9.

Pay close attention to minutes 1:14 through 2:05. Listen to that laugh; if that is not a likkle Trenchtown skekkle, I don’t know what is. So goddamn fake, you can almost smell the formaldehyde. More than that, like Thomas Markle Sr., TRH Duke & Duchess of Cambridge, HRH Prince Michael of Kent, Lord Frederick Windsor, the failed fluid-gendered, old bat has got that archly toxic and bigoted 9 in her makeup. She is no more aristocratic than the paucity of nacre sliding down her orangutan breasts are decidedly Poundland fare. A true pity that Lily Safra pulped the wrong work of fiction.

Piers Morgan 30.3.1965 Sheep 3.6.9 = 9 Double 9s.

Double the toxicity from the drunken, racist eunuch, who as can be expected, sees nothing remotely racist in his and other media Brits’ lynching of Meghan, Duchess of Sussex. No matter how Piers et al try turning their stale piss into wine, Catherine, The Black Queen, has not found her voice – you cannot find what you never had to lose, is not the epitome of class, style and royalty. Catherine is The Black Queen, a paragon of 9 toxicity grown rabid with power; the media and Britons at large still have yet to address her rude dismissal of their future sovereign during BBC’s A Berry Royal Christmas. Catherine, The Black Queen, is, like Anna, the usurper Queen in the American TV series V – there can be but one queen and Diana her mother on the TV series V had to be slain. Just as these venal 9s in media refuse to expose or fixate on HRH Prince Andrew, Duke of York’s sexually predatory behaviour and paedophilia, is precisely why they have yet to expose Catherine, The Black Queen, for precisely what she is. Both the paedophile and racial predator are white; besides, perpetuating racial animus towards blacks is the most lucrative business venture in media.

James Matthews, Pippa Middleton & Catherine, HRH Duchess of Cambridge
Piappa Middleton 6/9/1983 Pig 6.6.9 = 3.

Fact is, if Meghan were difficult and given to being a toxic diva, there would have been reports from ‘sources’ advantageously leaked, of course, by Catherine, The Black Queen, that Meghan refused to attend Pippa Middleton’s wedding because she was not a royal. Indeed, if Meghan were truly difficult, after having been excluded from the church ceremony, clearly by Catherine, The Black Queen, and by extension William, Meghan would then have insisted to Harry that she was not going to attend the reception – especially the reception of a non-royal. That is how a diva would have responded.

Nonetheless, in keeping with the media narrative, in collusion with the Cambridges, of vilifying, demonising and racially preying on the black duchess who does not belong, as soon as the royal wedding of TRH Duke & Duchess of Sussex was concluded, the divorce watch was on – a media blitzkrieg against the Duchess of Sussex was begun with every effort made never ever to mention her race as Meghan, Duchess of Sussex fast became the most famous lynched black woman in history.

Well, there you have it. Go think twice if you believe that the Duke & Duchess of Sussex are going to be suffering for leaving the royal fold and being successfully driven out of Britain by Catherine, The Black Queen and her pussy-whipped dolt, William, in collusion with the royal households and the media spinning lies in place of the truth.

Catherine, HRH Duchess of Cambridge Oil on Canvas Paul Emsley National Portrait Gallery. The Back Queen perfectly captured.

My first reaction on seeing this masterful portrait of Catherine, HRH Duchess of Cambridge during my visit in 2017 to London’s National Portrait Gallery was visceral. Straight away, I was reminded of all the times to that point – once every weekend for at least the first 18 months after their marriage, you simply cannot capture everything on one viewing – that I had looked at the Royal Wedding of TRH Duke & Duchess of Cambridge and how much they rowed on the way back to Buckingham Palace during the imperial state landau carriage ride, as well as how utterly dismissive of him Catherine, The Black Queen, was whilst standing on the palace balcony. This portrait perfectly captures Catherine, The Black Queen’s false personality, her sadistic/Saturn body type and primary need for power. Most of all, this is the portrait of a woman whose first number – her energy body – is 9.

The Five Sovereigns Portrait: HM The Queen, HM King George VI, future sovereigns, HRH Prince Charles, Prince of Wales, HRH Prince William, Duke of Cambridge & HRH Prince George of Cambridge.

After having been successfully lynched in the British tabloid media, Catherine, HRH Duchess of Cambridge, The Black Queen went one better and made her point by having her place as mother of future sovereign, Queen Consort and future Queen mother solidified against the threat of the abundantly more popular Meghan, Duchess of Sussex. Just as she had stood, grinning sarcastically at Royal Ascot sticking her tongue out whilst being regaled by senior royals, Catherine, The Black Queen had her campaign of banishing the otiose black threat magnified by tearing her arse in Meghan and Harry’s faces with the 2019 Queen’s Christmas message where the photos on display eclipsed and banished the Sussexes’ existence by including sovereigns and their direct heirs.

Alas, history is the most callous of whores and she is never economical with the truth. In time, history will reveal Catherine, The Black Queen as truly unsavoury fare, who was the architect of all that transpired in the Sussexes’ banishment from court. Actions ever betray the truth and it is not happenstance that Catherine, The Black Queen has refused to undertake a tour of any predominantly black Commonwealth nation 9 years into what is not the most loved up or blissful of royal marriages. Her 9 betrays her true nature. More than that, that Catherine, The Black Queen was not of aristocratic birth is precisely why this hideous racism has blossomed within the royal family, royal households and media. You most certainly cannot accuse aristocratic persons like Ashley & India Hicks of being racist boors as has episodically manifested with Catherine, The Black Queen being a warrior with need for power and the most powerful royal at court at present. More than any other royal, Catherine, The Black Queen, is the most powerful royal at present. HM The Queen is at the end of her reign. Charles has no power as his Queen Consort will never be loved as long as the memory of Diana, Princess of Wales survives. More than that, Camilla also has no power as she will never be Queen Mother and no issue of hers will ever be sovereign. William is weak, unaware and bullied by his wife, Catherine, The Black Queen. Catherine, The Black Queen is the most powerful royal, especially since she does have a primary need of power in dynastic Britain. When HM The Queen passes, Catherine, The Black Queen will set about cutting adrift the predominantly black Commonwealth nations with the same disregard as her campaign to banish the threat represented by the blackamoor brooch – Meghan, the self-made vastly more articulate, charismatic American outsider and black to boot.

Most of all, what Catherine, The Black Queen has unleashed with her grudging campaign against Meghan has taken on a life of its own, which as with HRH Prince Andrew, Duke of York, she could not have fathom. Catherine, The Black Queen, in collusion with William, the royal households, the tabloid media engaged in the deliciously indulgent game of racist bullying which has seen an explosion of racist attacks against the Sussexes and by extension the British Royal Family. This is not to be taken lightly and one of the chief reason for the Sussexes having removed themselves from the cesspool that is Britain is the very real threat that they faced for being in Britain. This all began with a scheming, jealous, bigoted nine-energy body insecure woman who has never fully gotten over her being not of aristocratic birth into a world where she now finds herself at the apex of power. Of course, just as with Camilla, Duchess of Cornwall who for causing Diana, Princess of Wales to experience sheer hell, Catherine, The Black Queen will also – for not being of aristocratic birth – always be insecure and Meghan’s ascendancy only heightened how woefully ill-equipped Catherine, The Black Queen ever will be. All of that was assured, when Catherine, The Black Queen chose to be racially predatory towards Meghan – by extension Harry and everyone else – thereby revealing her true nature to all who are not blind. History will be callously ruthless to Catherine, The Black Queen; indeed, how utterly prophetic Paul Emsley’s portrait of Catherine, The Black Queen has proven. Remarkably, that portrait will stand the test of time to best illumine the dark, sinister and sadistic persona which lies beneath the façade of Catherine, The Black Queen as she beguiles the blind in the here and now.

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Please visit my other site: https://theblackduchess.com/

©2013-2022 Arvin da Brgha. All Rights Reserved.

Finally, The Mouse Has Fucking Roared!

What did I tell you?  I done been sermonising up in here all these long months and then the coalminer’s kinder done let it all hang out.  Getting hot under the collar in the kitchen indeed.  

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Now you know, with that one move, all god’s coloured queens done sprained their wrists, hyper-fanning themselves and blew their just-so fascinators clear off their weaved heads, on seeing the crypt-dwelling, muggled mouse-cum-rat roar back.  Twas bound to happen; sooner or later, every rat will resort to cannibalism.  

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Did you not think it weird that Catherine went and sat her post-partum steely self between Lord Porchie’s minor meat-loving dolt and Camilla – the coolest older royal after The Princess Royal.  As William would have had to get up to bear the rings, it is only natural that Catherine ought to have sat to HRH Prince Charles, Duke of Cornwall’s immediate right, rather than two to his left just beyond his wife, Camilla, HRH Duchess of Cornwall despite what protocol dictates.  

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Catherine is both a warrior soul and a 9 energy body to the core.  What’s more, she is a fifth-level mature soul and as there is drama at the mature soul age, it is most pronounced when one is fifth-level mature as that level is synonymous with the fifth role in essence, the sage.  Drama is the hallmark of sages, fifthness brings you drama.  Finally, the little squeaking mouse had had enough of playing nice, metamorphosed, becoming a rabid rat who readily roared.  

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Jo Elvin, Alexandra Shulman, Janet Street-Porter, Lady Colin Campbell, Piers Morgan & Stephanie Powers.  

Whatever shall those silly, ninny-arsed fools do now as they have spent the past year, trying to make you and I see nacre where there was none, in what is clearly nothing but faux pearls from Target!  No matter how the persons above slander Meghan, HRH Duchess of Sussex in their bid to suddenly anoint Catherine, HRH Duchess of Cambridge as stylish, having found a voice that she never had to lose in the first place, to being future Queen consort et tout ça; it is all frigging lies, which were shattered with Catherine, HRH Duchess of Cambridge dismissing HRH Prince William, Duke of Cambridge much as she did on the balcony at Buckingham Palace within mere hours of having been wedded on April 29, 2011. 

Numbers do not lie and 9 energy-bodied women are all shrewd, rudely dismissive and crass when it comes to letting you know just where they stand; and for being human, there is no reason why Catherine, HRH Duchess of Cambridge would act any differently. 

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These blasted clowns acting as though we have all been somnambulant these past 8 years.  I don’t care if you want to rebrand her as being able to turn her piss into wine, she, as her numbers dictate and as she indisputably chose to lay bare during Mary Berry’s Christmas TV special, BBC’s A Berry Royal Christmas – which only came about because palace mandarins decided that since that American, Straight Outta Compton wrote the foreword to the Grenfell cookbook Together then a cooking special for the TV masses it is – is no such thing. 

True to her numbers, Catherine just had to let there be no doubt that she ain’t nothing but a damn river rat in true Edward Gorey fashion.  And there were her revisionist enablers, thinking that this Christmas TV special, BBC’s A Berry Royal Christmas, will really show up the object of their vilifying campaign, Meghan, HRH Duchess of Sussex as so passé.  And boy did they ever show her up… Catherine that is!   

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That’s right Monty, that’ll be two sugars with my Countess Grey.  

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Regardless, Diana, Princess of Wales’ deeply lonely, all scholar souls ever are, emotionally stunted son, HRH Prince William, Duke of Cambridge, does not deserve to be bullied and disrespected.  As has been painfully obvious, this will ever cause him to roam as every emasculating woman has caused her partner to do.  

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Like Vladimir Horowitz and Wanda Toscanini, who were also task companions, this pair of task companions must also get up to the most vicious nagging and rows imaginable.  You can fool no one, most especially older souls than you!

With Meghan, HRH Duchess of Sussex’s appearance at court, Catherine, HRH Duchess of Cambridge has got reason to live.  Life is all competition for warriors; hell Catherine would compete with a damn fly but not before first plucking one of its wings off.  That maniacal angst of Catherine’s is why the soul who was Tudor matriarch, Margaret Beaufort, later HRH Prince Edward, Duke of York & Albany and now Meghan, Duchess of Sussex chose to have nothing to do with the fire-breathing, ape-bat shit psycho holding court at Kensington Palace; instead, Meghan et famille quite rightly so decamped at Windsor Castle’s Frogmore Cottage.  

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Look at the two older children; they are growing up in a household where there is clearly massive strain in their parents’ marriage.  There is a lot of discord and rowing afoot and that is readily discernible in the two older children’s faces.  

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Wanda Toscanini & Vladimir Horowitz.

Horowitz, Vladimir 1/10/03 Kiev<O>5/11/89, NYC

Michael: This fragment was, in his immediate past life, a mid-cycle mature scholar in passion mode, with a goal of growth, a pragmatist in the moving part of emotional centre. 

Vladimir had a Mercury/Lunar body type. 

Vladimir’s was a strong primary chief feature of arrogance and a weaker secondary of stubbornness. 

This fragment was second-cast in his cadence and his cadence is fifth in the greater cadence.   He is a member of entity five, cadre two, greater cadre 14, pod/node 449. 

He and the fragment who was Wanda Toscanini are task companions, both now discarnate.   The fragment who was Wanda was a fifth level mature warrior. 

Vladimir’s essence twin is a scholar and is incarnate on the physical plane, is female, age seven years.  There are plans for them to complete the mother/son monad in Vladimir’s next incarnation, which will probably occur during the third decade of the next millennium. 

So here was an artisan-cast scholar with a great deal of sage energy, most of which was expended in his personal life.  This fragment’s relationship with his task companion was passionate, explosive and mutually satisfying. 

This scholar’s demeanour in public contrasted greatly with his behaviour in his private life. 

It is interesting to note that this fragment has had only one other life as a practicing musician and that was as an organist at the Chartres Cathedral in the early part of the nineteenth century. 

However, this fragment has a long stage history, beginning in Greece during its Golden Age. 

This fragment also built harpsichords during the latter part of the eighteenth century and actually built one for Leopold Mozart. 

As a highland warrior in the latter part of the seventeenth century, this fragment distinguished himself both on the battlefield and in fashioning bagpipes. 

He was an exemplary soldier in many lives and many guises. 

However, the place where this fragment was most at home was on the stage or behind the scenes. 

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Like Catherine & William, Vladimir & Wanda were also task companions and also the same mix of Scholar and Warrior souls.  Both women were/are fifth-level mature warrior souls.  I knew a classical musician in NYC in the 1980s and he knew the couple and said they were the most passionate, loud, argumentative and frankly abusive towards each other couple he had ever known.  This is not uncommon territory for task companions; by its very nature, the relationship is about spurring the other into action.  Warrior females in a relationship where they feel themselves not in control, will engage in bullying to assume power of some sort or power as they so deem it.  Catherine, HRH Duchess of Cambridge’s uncouth display, in public no less, during the Mary Berry Christmas TV special, BBC’s A Berry Royal Christmas, speaks to the great stress that William endures and that Catherine has exercised in her bid to gain control in a position which she clearly perceives as tenuous at best.  

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Recently, I got taken to task about my observation that TRH Duke & Duchess of Cambridge refuse to tour predominantly black Commonwealth countries.  They have recently been to Pakistan and have also to date visited India.  Along with that, they have visited Singapore and elsewhere.  The argument was from my dinner partners that, perhaps, the Cambridges do not tour such countries because they are poorer et al.  If only that were true.  Nigeria is the third most populous Commonwealth nation after India and Pakistan and though Nigeria’s GDP is higher than that of Pakistan’s, the argument that they don’t do poorer Commonwealth nations do not hold up, when they have hopscotched over Nigeria and toured less populous Singapore whose GDP is also less than that of Nigeria’s.  Again, I hang tough, their combined numerological 9s, are precisely why the Cambridges have to date chosen not to tour any predominantly black Commonwealth nation.  That certainly does speak volumes about them and in particular William and his enabler in that regard, Catherine.   

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Demonise TRH Duke & Duchess of Sussex and their family all they want, whilst portraying the Cambridges as the embodiment of wholesomeness and regal class.  Be that as it may, the Cambridges have been fractious where the Sussexes never have been.  No matter how the print medium race-bait the public into loathing the Sussexes, theirs comparably is a happy marriage and that at the end of the day, is why Catherine, rather than Meghan, seethes at having to be touched by her spouse.  Catherine is a toxic 9 writ large and no amount of sugar-coating ya-ya from the DailyMail and its racist trolls will ever be able to gloss over the froideur Catherine exhibited at Mary Berry Christmas TV special, BBC’s A Berry Royal Christmas, towards HRH Prince William, Duke of Cambridge.  

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That is no mouse, it is a damn river rat! So you know, two rats will have a million offspring in a mere 18 months, most of which will be cannibalised to keep themselves fed and nourished.  So very wise of the Sussexes to stay clear of that rabid, to say nothing of haunted, toxic and dense-energied lair where the Cambridges hold court, Kensington Palace.  

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©2013-2022 Arvin da Brgha.  All Rights Reserved.  

Bullocks! That Is Not A Fucking Clit!

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Game show host: Famous Quotes.  “Bullocks!  That is not a fucking clit!” 

Game show host: Contestant, respond either A or B to which you think is the correct answer.  Who was this said about when seen naked for the first time by her future husband, was it A. Vicereen Bianca of Trenchtown or B. Meghan, HRH Duchess of Sussex? 

Contestant: A! 

Game show host: Right, you are!  

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From Alanna Plattapuss, to Pierre-Karol Gorgon, all week long they and the OTT vicereen – she of none-too-dubious gender and the likely need for a surrogate’s services, carped on with their usual vitriol against, Meghan, HRH Duchess of Sussex.  Just imagine the temerity of the Trenchtown sketel, likkle jagabat rass, carping on about Meghan not being royal and a hustler who needs a new act and all that, commandingly boomed with the rolling vowels and vulgar cocksucker mouth to boot.  Then by the end of that week, along rolls the weekend full of karmic retribution et voilà Lord Porchester’s sprog was back in the news for those proclivities of his that has him favouring veal and other minor fare.  

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Diana, Princess of Wales gave good face; she went in, shook hands, did the doe-eyed routine and sold millions of copies to say nothing of raising funds.  I was in London’s Chelsea the night in June 2017, having just returned from Covent Garden where I discovered, Natalia Osipova, when what sounded like several fire trucks, raced through the streets of West London. 

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The next morning as Grenfell dominated news everywhere on the tube, I watched as first HRH Prince William, Duke of Cambridge followed after by HM The Queen, visited the site of the horrific towering inferno.  Soon enough, having done their duty, they were gone.  

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Will someone please ask that blasted cross-dresser, masquerading as a woman, toff or god forbid royal, what is not admirable, to say nothing of royal about Meghan, Duchess of Sussex?  First order of business, after having so handsomely given good theatre as she commandingly ascended the west steps of St. George’s Chapel, Windsor Castle to join her warrior-souled entity mate, HRH Prince Henry, Duke of Sussex with whom she has enjoyed relations in 20 past lives, Meghan goes and meets with the victims of the Grenfell Tower tragedy. 

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Now, here is where she goes one better and is the true evolution of all that Diana, Princess of Wales represented, she not only meets with them, however, she devises a scheme whereby those victims can experience a continued sense of community and in the process, she created a cookbook which as part of her charitable endeavours, has greatly assisted these victims in need.  Say what you want, but Diana, Princess of Wales never did any such thing.  A copy of said cookbook has repeatedly sat on my kitchen counter as I have prepared meals from those recipes.  

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Yet, there is that blasted jagabat, Vicereen Bianca as pompous and full of shit as they come, hopping on the bandwagon in hopes of earning a few more pence so she can go shopping at Poundland to fill Castle Chav, for which she plays chatelaine whom no one on Avenue Foch to say nothing of Kensington Palace Gardens could care less about.  With that cookbook, Meghan, HRH Duchess of Sussex did something that Diana, Princess of Wales and no other royal before her had pulled off or could, she effectively greatly humanised and endeared the royals to not just the Muslims of the Commonwealth but to the 2.5 billion Muslims the world over.  Too, it matters with her biracial ambiguity that Meghan, HRH Duchess of Sussex is able to fluidly straddle ethnic, racial and religious lines where others in the royal family cannot.  

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Someone please remind Vicereen Bianca, Monsieur Gorgon et al who are so quick to racially foam at the mouth that after having been booed at Royal Albert Hall and Princess Michael of Kent, having sported the blackamoor brooch to The Queen’s Buckingham Palace Christmas lunch in 2017, all the more reason why Meghan, HRH Duchess of Sussex would require being sat alone with her two friends at Winbledon without having persons close to them so that she can enjoy a social situation without having the average garden variety bigot make cutting, racially predatory remarks about her for being within earshot.  If you think that this is something which every black does not endure on a daily basis then you are free to go outside and see the Virgin Mother in the next cloud formations – funny how these delusional people never see comeback pussy when cloud-gazing,  

Never once have Gorgon, Vicereen Bianca, Plattapuss et al made mention of that outright racist attack on the part of Princess Michael of Kent.  First of all, for her deliberate racist action, she should not have been suffered at what also happened to have been a black wedding on May 19, 2018.  Not only did she not represent, by her racist attack, HM The Queen, HRH Prince Charles, Prince of Wales, HRH Princess Anne, Princess Royal but she did not represent her husband, HRH Prince Michael of Kent and his mother, Princess Marina and her family the Greek and Yugoslav royals.  For god sake, stop claiming to know what Diana, Princess of Wales would have thought or how she would have gotten on with Meghan, HRH Duchess of Sussex when she, Vicereen Bianca cannot produce a single photograph of herself and the late Diana, whose son, Meghan’s loving husband, ought damn well to know more than the fabulist royal, to say nothing of arch-fantasist, or any other racially predatory, vile, obsessed arsehat.  

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With Jeffrey Epstein once again white hot in the media, far be it from Vicereen Bianca of Trenchtown, Alanna Plattapuss and snivelling pompous racial predator par excellence, Pierre-Karol Gorgon who has conspicuously fallen catatonic with revelations of rather unseemly behaviour becoming of royals from the Earl Porchester’s minor proclivities and the minor royals’ being pimped out by crass parvenu fare from the Far East.  Just imagine the field day these clowns would have if it were Harry & Meghan?  Funny how they have all fallen silent.  What a shame that Madame Safra did not expediently have Vicereen Bianca dispense with as so resoundingly Mr. Epstein has been.  Alas, why should Madame Safra have when the Vicereen Bianca herself is fucking nobody…. let her live and suffer… indeed, a fate far worse than Epstein’s…. Poor, pompous miserable-arsed Vicereen Bianca über poseur (definitely not poseuse) having to drag arse through life in search of that can’t-come-soon-enough casket of hers.  

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All their racially predatory braying, regardless how much they protest it having anything to do with race – the cowards never concede the obvious, this has all been seen before.  The same mass hysteria Doria Ragland was familiar with in the 70s as the racial predators foamed and raged at bussing in Massachusetts.  Earlier, too, in the 60s, just as now with Meghan, HRH Duchess of Sussex, Doria would remember the water canons and dogs in George Wallace’s gallant South.  

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Just know this, no matter how much you vilify, demonise and slander Meghan, HRH Duchess of Sussex, she is going nowhere.  Social media and the amount of open racist animus that is directed Meghan, HRH Duchess of Sussex’s way is not in the least surprising.  Social media is merely an evolution of behaviour on the part of non-blacks when privately looking at television.  One of the things I realised and it was something that Merlin actually pointed out to me when we were in the early days of our relationship in Manhattan: when whites are looking at television and someone black appears on the screen, their response will 9 of 10 times be negative.  This can run from simply turning the channel, leaving the room or simply engaging in conversation and ignoring the television such that the black person on screen simply is not heard.  There is nothing more infuriating than trying to look at a live television concert or event, like an awards show and the moment someone black walks out on stage, the negative noise pollution starts up.  At one dinner party, on the Upper West Side, Merlin had invited Frederick Jones to come along as Merlin met with a set designer friend of his.  Every time that someone black appeared on screen, the character assassination would kick off.  Of course, it did not take too long before gifted milliner, Frederick Jones simply got up and walked out as more yapping ensued when Gladys Knight and the Pips began singing.  At this point in life, I never look at television, when rarely I do, in the company of non-blacks; it is simply not worth the ghettoised racialised response, which manifests each time.  

She, Meghan, and more importantly her soul when incarnate as Margaret Beaufort, not you Vicereen Bianca of Trenchtown, Pierre-Karol Gorgon et al made possible Christ’s College Cambridge and St. John’s College Cambridge as a result of her soul’s effort in a past life.  For being a fierce feminist in that illustrious past life as Tudor matriarch, mother of King Henry VII, grandmother of King Henry VIII and great-grandmother of Queen Elizabeth I, has a women’s college, Lady Margaret College, Oxford in her honour been established.  Nothing you do here and now can invalidate that soul’s past accomplishments, no more than it can prevent her soul’s agendum in this lifetime.  

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Of course, it is understandable that with the discovery of King Richard III’s remains in 2012 with their reburial at Leicester Cathedral in 2015, we would discover that William Shakespeare’s portrayal of Richard III as the hunchback monster was misguided.  Indeed, it is not coincidental that Richard III would resurface within a couple of years of Meghan Markle’s ascendancy.  Meghan’s soul, then Margaret Beaufort in her bid to secure the supremacy of the Tudor claim, had Richard III demonised.  Now returned, and also mid-cycle mature-souled, Meghan finds herself beset with open animus.  As much as this is in part due to rabid open racial animus, let’s not avoid facts, it is also because mid-cycle mature lives tend to come with a bit of self-karmic drama and some degree of infamy.  

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For having slandered Richard III, returned here Margaret Beaufort’s reincarnated soul, who is now now Meghan, HRH Duchess of Sussex, finds herself despite her considerable accomplishments when Margaret Beaufort, opposed and rejected.  Nonetheless, she is possessed of a Venus/Solar body type, which means that she will, in time, transcend the current open animus and prove immensely popular and well-loved.  Moreover, another mid-cycle mature-souled member of the House of Windsor happens to be Camilla, HRH Duchess of Cornwall.  She too, owing to whatever went down in past lives, relative to this one, has seen her tried by fire, vilified and demonised; yet, she has handsomely weathered the storm of rabid gutter snipes being bitter bitches to emerge as one of the most loved, warm, august-souled royals.  What’s not to love, she champions literacy, literature and hands out the Man Booker Prize each year!  

All that aside, no matter how these race-baiting agitators vent, rant and instigate, they will change nothing.  Their campaign has been so doggedly juvenile and at every turn, they fail.  It all began with the Straight outta Compton missive and it has been one racially charged attack, assumption, innuendo-filled report after another.  All have been transparently specious: There will never be an engagement; The Queen would never allow it.  Then, indeed, when it happened, HM The Queen was dismissed as clearly demented.  Meghan is not fit to be a royal.  She has been married three times before.  She is actually 41.  Samantha is secretly raising her bastard child.  She is just a z-list actress.  She is a yacht girl,  She was not properly vetted.  She is a narcissist.  She is vile; how could she not speak to her father?  Doria is a felon and was imprisoned.  She abandoned her dogs.  She was living with Corey and seeing Prince Harry.  I hate Prince Harry.  Oh Harry what have you done?  All that The Queen has worked for!  That was not a royal wedding.  All that gospel crap and all the celebrities; it made a mock of royal weddings.  There was clearly tension in the marriage when Meghan brushed off Harry whilst sat in the quire at HRH Princess Eugenie’s marriage.  Eugenie’s was a real royal wedding.  Meghan’s dress was a disgrace and it did not fit.  

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Days after having decided that there was trouble in the Sussexes’ marriage, there was the announcement of the pregnancy; this was readily followed by Meghan being attacked: she is selfish and narcissistic, for having announced the pregnancy at Eugenie’s wedding; this of course when they had no idea when the rest of the Royal family was informed of the pregnancy.  She bleaches her skin.  None of those celebrities at her wedding know her.  It was the worse wedding ever; definitely, it was not a royal wedding.  All that money on clothes and she never looks good; they are all ill-fitting clothes.  Thank god, she is such a terror that the queen has banished her to Frogmore Cottage, right next to Wallis Simpson’s grave.  Prince William can see through her.  She has caused nothing but trouble in the royal family.  They need to be banished.  She is Wallis Simpson reincarnated (never mind that you first have to die before reincarnating; Wallis died in 1986, five years after Meghan’s birth.  Moreover, there is usually anywhere from 15 to 30 years, roughly twenty before most souls reincarnate).  Harry doesn’t smile anymore.  Harry is lost.  Harry is pussy-whipped.  She is not pregnant.  Pillow gate.  Stop clutching that bump.  There is a pillow, see how it moves.  She is not pregnant.  She is definitely using a surrogate.  Oh my god, she is writing notes on the bananas, who does that?  Who does she think she is?  Thank god William was born first.  Kate is a real princess.  Catherine is pure class; never puts a foot wrong.  

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This campaign of race-baiting and hatred is but a macrocosm of the microcosmic dynamic which is acted out in families all too often.  A perfectly balanced child is projected onto and bullied into fitting into some ascribed persona within the family’s iconographic dictates.  Bob the little devil or Miranda the little Lolita when in fact, these archetypes have nothing to do with the subject of the projection.  Daily attack articles and specious speculative articles in the print medium to further incite the public to hatred changes nothing.  Meghan, HRH Duchess of Sussex is phenomenally popular across the Commonwealth, in particular amongst blacks.  This need to vilify Meghan is rooted in the collective psyche of white tribalism, which feels itself tasked with having to remain top baboon as it were as the white population in Western Europe contracts and is further stressed by the burgeoning Islamic population in its midst.  This need to play soap opera with the royals is part and parcel of that dynamic need to be on top… and always winning,  One must ever be in control and be first, better than and all that maya.  This is why Simon Cowell has become phenomenally wealthy; he is simply tapping into the tribal zeitgeist.   Cowell knows damn well that regardless how good a singer is, he can depend on the predominantly white audience be it in America or the UK to choose a white contestant over a non-white any and every time.  This phenomenon precisely is why Jennifer Hudson did not win during the year that she appeared on American Idol.  There is a grudging need to bar, hamper and eclipse the non-white other, in favour of one’s own.  If this truly racialised paradigm existed in the 1960s, there would have been no Aretha Franklin, no Patti Labelle, Chaka Khan et al – simply too black.  Indeed, in this racialised caste system, the global paradigm does exist just as much as the current environmental collapse such that were Henry to have chosen a Chinese, East Indian or Jewish bride, though, there would have been pockets of disapproval, it would have been comparably muted at best and nowhere near the lynch mob intensity that animus towards Meghan, HRH Duchess of Sussex has become, thanks in large part to the orchestrated propaganda produced by racially predatory boors like Pierre-Karl Gorgon, Alanna Plattapuss and Vicereen Bianca of Trenchtown.  

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Of course, in all of this, they keep focussing on Meghan as they are so perplexed by the rumbling tectonics in the Cambridges’ marriage.  Recently at the revived King’s Cup Regatta 2019 at the Isle of Wight, there was Catherine being her steely warrior-spirited self.  After receiving her wooden spoon for placing last, the female who placed second along with William her husband, took to the stage and on receiving her champagne tried to get next to William and in a move that was pure warrior canny, Catherine shimmied with lightning ease into place and thereby blocked the woman from getting close to ‘her’ man.  Throughout their stay on the stage William made no mistake about telegraphing how utterly disinterested and fed up he is, having to be stuck with Catherine.  Naturally, none of this will ever be reported by the likes of Pierre-Karol Gorgon, Alanna Plattapuss, nor will there be another shrill blast from the pompous ass, Vicereen Bianca of Trenchtown herself (himself).  Every warrior is the dominant partner in any relationship and Catherine, HRH Duchess of Cambridge is no exception that is why I am fully confident that she will fare better than Diana, Princess of Wales did; moreover, Diana an artisan was doing battle with her warrior partner, HRH Prince Charles, Prince of Wales. 

William is immensely innately arrogant for being a scholar and his astrological stellium and his attitude number of 9 are precisely why in the above clip, he does not bow to HM The Queen.  He sees himself as a Sovereign – as in all time is present; since he will be sovereign in the future, simultaneously he is sovereign in the past since birth and now.  William with an attitude of 9 is incapable of not holding grudges and he very likely regards both his father and paternal grandmother as having been complicit in his mother’s demise.  

William like every scholar incarnate will wander but he will always be miserable being with Catherine because she will suffer no Camilla, HRH Duchess of Cornwall – herself a scholar soul.   This is why though things got a little too chummy at Houghton Hall, it will only ever be whispered about; the chatelaine of Houghton Hall will never displace Catherine as future Princess of Wales.  Try coming between task companions and good luck with trying to displace that task companion, who happens to be a warrior – not happening.  

In the meantime, William will just have to merrily go roving along as is his scholarly and princely wont to find other prey.  Just as Melissa Percy had no intention of sharing either her man or her bed, so, too, strong-willed, warrior Catherine, HRH Duchess of Cambridge will never be dislodged by another.  Thus Thomas van Straubenzee is on to marriage number two, which will no doubt leave William with continued full access to both his loyal public school special chum and Thomas’ blissfully unaware blonde walker.  

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Fascinatingly enough, as the days drift by after Jeffrey Epstein convenient expiration, there is a gnawing, burgeoning silence as that vile, toxic bigot remains conspicuously silent, News of the World vile snob and bigot, Gorgon.  Please dear god, let his name appear just once somewhere in association with Jeffrey Epstein,  The Trump-loving, nasty racist parasite… just one photograph; that is all it takes to have the tables turn on that fucking nez brun, snivelling twat, Pierre-Karol Gorgon.  These racial predators who use the print medium to race-bait as they know law number one being, familiarity breeds contempt.  Yes, indeed, every day multiple scathing articles against Meghan, HRH Duchess of Sussex.  

What more proof does one need that these gutter snipes are purely racially focussed in their agendum of attacking Meghan, HRH Duchess of Sussex?  Somehow, the very real spectre of paedophilia raises its can’t- shake head and not a peep out of these persons, who so claim to love their venerable institution, the Monarchy.  How or when pray tell has Meghan been a paedophile or when did she take funds from crass, foreign parvenu fare?  No indeed, not a single winded turn, grandstanding with faux indignation of Meghan being unsuitably common and a dark blemish on royalty that must not be suffered overlong.  

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Indeed, this is a civilisation where one does not have to think; you are simply groomed to form opinions on anything.  Naturally, it is a culture that prides itself on being negative; one sees being negative as a good thing.  After 60 years of television, the same negative, readily racially predatory animus towards blacks had a new outlet in being able to comment, anonymously no less, on the internet – just as one has done for 7 decades in the privacy of one’s home when looking at television.  With Meghan, HRH Duchess of Sussex, we have reached a new plateau in mob rule… Indeed, it is a new form of lynching wherein Meghan, HRH Duchess of Sussex has become surrounded by a forest of burning crosses as these non-blacks in their lust for blood and addiction to hate have never been more ecstatic.  And everyone of these people will let you know that it has nothing to do with race and they all, for one being black, have to mention out of the blue how, they can’t stand or they just hate that Meghan. 

Who has time for anything but apathy when seeing Notre Dame Cathedral ablaze indeed.  Enough of giving a damn; no more of this Pray for Paris fare on social media… just not worth it.  The week following the Jeffrey Epstein suicide, homicide – you decide – old Gorgon goes into hiding and is conveniently on a break – goodness knows, unless he is in hibernation en route to Mars, there is no reason why News of the World potty-mouth should not be foaming at the mouth about unroyal-like conduct.  Alas, there is more acrimony against the Sussexes, while the Cambridge’s privately jet to Mustique and they to Spain, though, the Sussex’s trip is less taxing on the environment, the Sussexes are labelled eco-hypocrites.  

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Then to top off the week, new polling numbers show that Catherine is now more popular than Meghan and even Harry, thanks to Meghan’s negative impact has slipped in popularity.  Well guess what Einsteins, Diana Krall was more popular than Natalie Cole, Shirley Horn, Nancy Wilson and Betty Carter combined.  Simply put, tribalism is more pronounced with Caucasians than any other group.  They will ever hate, hiss and boo Meghan, HRH Duchess of Sussex in the United Kingdom; indeed, no predominantly non-black Commonwealth nation has yet extended the Sussexes an invitation, though, HM The Queen, appointed them Commonwealth Youth Ambassadors – a title which was largely due in part because HRH Prince William, Duke of Cambridge has yet to tour any predominantly black Commonwealth nation and with an attitude number of 9, numerologically, nothing would get him to budge on touring such countries.  Naturally, with the marriage of Henry & Meghan, though, he has previously toured those countries, predominently non-white, non-black Commonwealth Singapore and Malaysia have invited the Cambridges to tour autumn 2019, in an obvious move to show their disfavour at Henry having married the black woman.  

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What would move Elton John to make this impassioned post to his Instagram account about the racially predatory abuse that TRH Duke & Duchess of Sussex are being subjected to?  Elton John like model, Lauren Hutton, James Middleton, Madonna and every gap-toothed adult Caucasian was in his immediate past life black.  Not surprisingly, Elton was the only non-black on the AIDS charity anthem of 1985, That’s What Friends Are For.  The abuse has gone way beyond the line and one can no longer idly stand by and say nothing.  

There she is Madonna and if ever one needed validation that this is someone who is completely at ease and accepting of blacks’ humanity, you need no further proof.  There are people the world over, not least Hollywood, who would find it extremely uncomfortable being in the same room as someone black.  Madonna’s extended family and the love between her and David Banda as well as all her other children is all the validation one needs that in her immediate past life she was Bessie Smith and prior to that, a few lifetimes before, 17th century Italian composer, Claudio Monteverdi.  

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“Race is everything and yet it is nothing…” a phrase Merlin often repeated during our seven years together at the incidences of racism which he witnessed for being my lover.  Naturally, Canada has yet to invite the Sussexes on a tour – though, one can hardly be surprised at that.  70 million Britons may hate Meghan’s guts but there are close to a billion blacks in the Commonwealth for whom the Sussexes will always matter.  Meanwhile, there were no body language experts waxing overlong about William’s aloofness at the King’s Cup Regatta.  The fact that Gorgon, Bianca et al are not writing about the obvious problems in the Cambridges’ marriage does not mean that it does not exist.  Goodness, they have just spent a whole week in the 24/7 news cycle of 21st century online news media, making positively no mention of Jeff Epstein and the troubling connections that the Earl Porchester clearly had with the conveniently deceased paedophile whose autopsy showed from the broken neck vertebrae that he was a likely murder rather than suicide.  

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150 years hence, historians will look back at the Cambridge’s marriage and point to whatever drama unfolds between now and then and point to their rowing en route to Buckingham Palace from Westminster Abbey and Catherine’s rude dismissal of William whilst they stood on the balcony being celebrated and William’s fate was being sealed.  Who cares how adored you are by outsiders, being trapped in a miserable marriage must be sheer hell.  No need to gloat about how more popular Catherine is than Meghan, which would not be the case had Henry married blonde Chelsy Davy or Cressida Bonas.  Indeed, if Henry had married a Chinese, East Indian or Jew, though, there would doubtless be resentment, it would by no means be so rabid and unrelentingly feral. 

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The fact remains, when and where it matters most, it is a public role and all the scathing, derogatory, race-baiting articles notwithstanding, Meghan’s commanding performance at the 2018 British Fashion Awards was a salvo which illustrated why she has more star power than Catherine and no amount of hatred is going to change that.  It has been cruel to watch how Catherine is being jousted to get out there and suddenly make speeches. 

God lord, the poor woman is not then and never will be in her element; she is glorious at being Catherine, future Queen Consort, sporty and ever steely but being speech-giver is no forte of hers – never has been, never will be.  The sad thing about Meghan’s speech at the 2018 British Fashion Awards is that it has been heavily edited and only now carried by the Royal Family’s YouTube channel.  It is almost as if, Meghan cannot to be seen to be outshining Catherine, HRH Duchess of Cambridge; moreover, I think that palace mandarins may have deemed Meghan, HRH Duchess of Sussex’s speech too political. 

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One should never forget the song which the Kingdom Choir sung as the newly wedded TRH Duke & Duchess of Sussex departed St. George’s Chapel Windsor Castle, This Little Light of Mine.  No amount of racial animus or hatred will ever be able to eclipse the light of the soul which, when previously incarnate, was the Tudor Matriarch, Queen Mother to Henry VII, grandmother and favourite adviser to Henry VIII and great-grandmother to HM Queen Elizabeth I.  

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Good god!  Talk about true hypocrisy!  Where in the hell are Vicereen Bianca of Trenchtown and that louche bigot whose unsavoury deeds precipitated News of the World’s demise, Pierre-Karol Gorgon?  That’s right, not a peep out of them.  This is the same royalty that they have been defending against the likes of the descendant of enslaved Africa and a hustler to boot, being deemed not fit to be royal.  Imagine that, the black woman excoriated with coded language like hustler well at least she is not a blasted paedophile!  There is damn value in Meghan, HRH Duchess of Sussex being welcome as she was by HM The Queen and her gracious father-in-law, HRH Prince Charles, Prince of Wales, she is articulate, intelligent, strong-willed and has commanding stage presence; she is indeed the beau idéal when one wants to address and engage the Commonwealth, which is predominantly brown and black.  

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Well at long last Pierre-Karol Gorgon has come out of hiding!  What does the no-balled fucker do, he blithely goes back to excoriating TRH Duke & Duchess of Sussex and pretending as though the biggest story in the House of Windsor has not reared its ugly head yet again.  Yes, clueless, dickless one, keep caterwauling like the true castrato that you are but ignoring the elephant in the room, does not make it go away.  There you go, karma has served up Epstein’s corpse go on carrion, no need to be bashful, go ahead and start feasting on the real story to be writing about and growing incandescent with rage.  Fucking no-balled racial predator, you try convincing the rest of us that Meghan is not royal enough and your animus is not in the least rooted in racial hatred.  

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Your racial animus towards HRH Prince Henry, Duke of Sussex for having married the black woman notwithstanding, do be very careful what you wish for.  All this talk about: I cannot support this royal family anymore, they are nothing but hypocrites, nothing but scroungers. as soon as HM The Queen dies we need a referendum on the monarchy; we need to become a republic.  In case you have not noticed, your marvellous empire Britannia is no longer a realm of white tribal homogeneity.  Within your midst are persons who will never assimilate and within a generation of having declared a republic, you will end up with a succession of presidents, who will not look like you and who will want their religious laws, and get their religious laws become the law of the land.  These presidents will have been groomed from birth to perceive you as the enemy who must be vanquished… go on keep being blinded by hatred of the black woman and see where it gets you.  

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But enough about bothering with blasted racial predators, who as karma would have it, has backhanded them good and hard with Jeffrey Epstein’s convenient, though by no means ended, demise.  Now the drama royal, truly gets underway in coming months.  Go on, likkle jagabat, let’s see your cocksucker mouth gag with indignation, feigned or otherwise, about the bold audacity to have mere paedophiles in one’s regal realm.  Go on, we know you can’t afford to go grouse-hunting, time to eat crow… blasted fraud.  

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In the meantime, I have pre-ordered my very own copy of Master Andrew Lownie’s deliciously indulgent exposé about one of my favourite rats, Earl Louis Mountbatten… Oh Louella darling, clutch your pearls, lick your lips, it’s going to prove a true bibliophilic gourmand’s wet dream… and infinitely better fare than that trifling garbage that ought rightly to have been pulped!  I cannot wait to read this book!  When Merlin was first hospitalised with full-blown AIDS, at Toronto’s St. Michael’s Hospital in January 1988, he began ferociously re-reading every book that had brought him the greatest pleasure; this is someone who concluded reading a book each day.  One of the books he shared with me as he knew what books I most loved, was this wonderful book about Mahatma Gandhi’s life; of course, one of the first films we saw together was Gandhi at the Ziegfeld in Midtown Manhattan way after midnight, after we had been to dinner, fucked like rottweilers then headed off into the night, holding hands – a thing which back in 1982, you most definitely could not then have done in Toronto, and saw a film that moved us to tears.  There within the covers of that biography, I discovered the most ravishingly fascinating couple, Louis & Edwina Mountbatten.  Now, there was a true vicereen!  

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©2013-2022 Arvin da Brgha.  All Rights Reserved.  

An Incredible Baby Boy!

HRH Prince Henry, Duke of Sussex announces the birth of his son.  

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Lips trembled and I came undone whilst watching this beautiful spirit revealing his sheer delight at becoming a father.  As a last-born, I always more readily identified with this man rather than his brother.  

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Archie Harrison Mountbatten-Windsor being introduced to his great-grandmother HM Queen Elizabeth II whilst his grandmother, Doria Ragland, his great-grandfather HRH Prince Philip, Duke of Edinburgh by his enraptured parents, TRH Duke & Duchess of Sussex.  

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Doria Ragland, grandmother of Archie Harrison Mountbatten-Windsor, Earl of Dumbarton.  This woman has the most exquisitely beautiful papaya-seed succulent, ensouled eyes.  

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Meghan Markle en route to be wedded and pronounced, Meghan, HRH Duchess of Sussex.  

There is a reason why there was so much beauty and love overflowing at the marriage of TRH Duke & Duchess of Sussex, for less than a year later they would give birth to a most remarkable older soul.  Before getting to that, I still think that the best dressed woman at their nuptials was the dowager Duchess of Westminster who looked for all the world as though she were merely traipsing about her lair in her favourite muumuu.  There was something so disarmingly unpretentious yet elegant about the look and air she projected.  

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At once delicate and vulnerable; it is so immensely satisfying to see this young man flower into the true essence of his being.  

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As Meghan possessed of a true sense of theatre, she who was formerly Margaret Beaufort, entered and strode the knave of St. George’s Chapel alone… a Queen returned, she joined her lover and invited us in to share in a love that was tangible, real and undeniable.  

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Less than a year later, the love blossomed into the most beautiful, magical flower.  

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There he is, Archie Harrison Mountbatten-Windsor, of all the senior royals he would prove the oldest soul.  This young man will prove a most uplifting member of the British Royal family.  

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Michael: This young fragment is a seventh-level mature priest – second life thereat.  Archie is in the perseveration mode with a goal of stagnation.  A, realist Archie does not yet have a centre. 

Archie’s, as can be expected, does not have chief features. 

Archie’s body type is Venus/Mercury/Mars. 

The fragment Archie is second-cast in the second cadence.  Archie is a member of greater cadence four.  Archie’s entity is five, cadre six, greater cadre 7 pod 418. 

Archie’s essence twin is a priest and the slave task companion is likely to be known at a later date. 

Archie’s three primary needs are: exchange, acceptance and communion. 

There are 6 past-life associations with Arvin and 7 with Merlin.  ­­­­­­­­­­­­­­­

This fragment does have a facilitating agreement with the father, HRH Prince Henry, Duke of Sussex to be his son; he also has one with the artisan, his mother Meghan, HRH Duchess of Sussex and it is that of parent/child.  All three, along with HM, The Queen are of course cadre mates. 

We would say that this inspirational fragment is likely to have some notoriety as would be expected and can serve to inspire others to cross perceived boundaries. 

The higher ideal has to do with unification. 

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HRH Prince Charles, Prince of Wales his paternal grandfather has to date been the oldest-souled senior royal.  Like HRH Prince Charles, Archie is a seventh-level mature soul; however, whereas Charles a warrior soul is an ordinal fragment, his grandson, Archie is an exalted fragment for being a priest.  Priests are the feel-good great souls.  I rather suspect that this man will go on to have the same inspirational effect as have Barack H. Obama, Nelson Mandela and Martin Luther King Jr. all of whom are priest souls.  

Of course, President Obama is a young-souled priest, whereas both Martin Luther King Jr. and Nelson Mandela were both sixth mature priest souls.  Archie is an older soul than the latter two mature-souled priests and like both, his role will prove rather uplifting and inspirational to blacks globally.  Indeed, there is no happenstance that as TRH Duke & Duchess of Sussex departed St. George’s Chapel in the Ascot landau, after their nuptials, the Kingdom Choir sang, This Little Light of Mine.  

All priests have one thing in common; they have the most radiant, magnetic eyes.  You never forget their eyes; indeed, their inner beauty of spirit is more readily reflected in their eyes than with any other role – at least, that has been my experience of priest souls.  Priests constitute roughly eight percent of all souls in the cosmos.  They are greatly motivated by a sense of justice and are in the world to both inspire and promote harmony.  With his father’s double sixness, Archie, born a six day, is well equipped to inspire and empathise with the needs of many.  He is, like his father, greatly gifted with the ability to inspire others.  Archie also happens to be a cadre mate of both his parents TRH Duke & Duchess of Sussex, plus his paternal great-grandmother, HM The Queen.  

One thing is guaranteed, as the only priest soul who is a senior royal*, Archie is going to be a standout like no other.  This is a family of slaves, scholars, warriors and artisans.  I think that his parents’ open and abiding love speaks to them serving as parents to this rare soul being born into the BRF.  In a way, he is the perfect maturation of the qualities that his paternal grandmother embodied; Diana, Princess of Wales with her inordinate empathy and compassion gave birth to a deeply empathetic warrior, HRH Prince Henry, Duke of Sussex, who in turn has fathered the very embodiment of all the higher ideals that both mother (Diana) and son (Harry) have represented.  

*As I have not had channelled the Michael Overleaves of the other two children of TRH Duke & Duchess – HRH Prince George of Cambridge; George is an early mature king soul and an entity mate of Archie’s, HRH Princess Charlotte of Cambridge and HRH Prince Louis of Cambridge, I do not know if any of them are older souled than HRH Prince Charles or Archie.  I also do not know if either of them is an exalted role – King, Priest or Sage, though, neither of them strike me as any of those three roles.  

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Mr. &amp; Mrs. Thomas Kingston

Third royal wedding in twelve months, featured the handsome Lady Gabriella Windsor – look at that neck! As always, one looks for the notable sartorial moments.  

Middletons

Carole Middleton wearing the best hat and outfit that easily surpassed the Catherine Walker ensemble which she wore to her daughter, Catherine, HRH Duchess of Cambridge’s wedding and her outfit at the royal wedding of TRH Duke & Duchess of Sussex last year.  

TRH Prince &amp; Princess Michael of Kent

Look, as we West Indians always say, ‘there is always a but’ her blackamoor brooch notwithstanding, I am always a sucker for a woman with a prominent forehead and HRH Princess Michael of Kent has always been a favourite of mine.  

mother &amp; daughter

I definitely did not like her lilac outfit at the wedding; the mother of the bride looked infinitely more elegant in what she wore later to the reception.  

HRH Princess Anne The Princess Royal Lady Frederick Windsor HRH Prince Henry Duke of Sussex

HRH Princess Anne, The Princess Royal, Lady Frederick Windsor and HRH Prince Henry, Duke of Sussex.  

Hands down, Lady Frederick Windsor was the best-dressed lady at the recent royal wedding – that hat, those feathers that soothing blue… perfection.  

TRH Duke &amp; Duchess of Kent

HRH Princess Marina, HRH Prince George TRH Duke & Duchess of Kent.  

Without doubt, the most handsome Windsor male of the past century.  Of course, that tiara was worn this past weekend at the royal wedding of the Mr. & Mrs. Kingston. 

HM The Queen

HM The Queen at Lady Gabriella Winndsor’s wedding.  

HRH Prince Philip Duke of Edinburgh

HRH Prince Philip, Duke of Edinburgh at Lady Gabriella Windsor’s wedding.  

James Middletonx

James Middleton attending the recent royal wedding at St. George’s Chapel, Windsor Castle, Berkshire.  

james middleton

There is no stronger validation for the fact that all gap-toothed Caucasians having been black in their immediate past life than this photograph of James Middleton.  James is a spitting image of a black Haitian former co*worker in Montréal.  Same vibe, same eyes and the exact same teeth.   Jean-Yves was a pretty laid back man, who loved fishing and riding donkeys in his native Haiti.  One gets the same vibe of James; his is a look that I have seen many times throughout the West Indian community – laid back men with the same gap-toothed smile.  Moreover, his smile is exactly like that of a voluptuous woman who lived in Sandy Point, St. Kitts when I was a child; who knows, perhaps, James is her reborn.  

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Here’s to love!  Here’s to this beautiful dream called life.  Here’s to HM The Queen.  God Save the Queen!  

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Most of all, thank you for your ongoing support, happy to have you vicariously along for this most lucid of flying dreams.  Be well as ever, and don’t forget to push off and start flying for magic is the stuff of the sweetest dreams.  I love you more.  

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©2013-2022 Arvin da Brgha.  All Rights Reserved.  

The Markle Sparkle.

The duke and duchess were two hours late for their welcoming ceremony due to the knock-on effect of an earlier delay to their scheduled air service

Meghan, HRH Duchess of Sussex in Valentino Haute Couture in Morocco.  

Many moons ago, in the 80s when living next-door to designer, Alfred Sung on Cabbagetown’s Amelia Street, I was more obsessed with fashion than I now am.  Back then, lots of friends used to bemoan the paucity of black models appearing on catwalks of major house, in particular, Armani.  

In this 1992 Fashion Television feature portrait by Jeanne Beker, the thinking model, Veronica Webb makes passing reference to the paucity of black models in ad campaigns and even walking the catwalks of some houses.  

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Then along came a picture-perfect day in Berkshire when Sol shone with rays that sparkled as though laced with diamonds and platinum.  This phenomenal woman, this soul who had previously been Margaret Beaufort, she with an unparallelled sense of theatre, with poise, self-absorption and awareness in the space of a couple of hours proved herself a game changer.  That poise, elegance and revolutionary arrival onto the world stage got everyone to sit up and take notice.  Certainly, Pierpaolo Piccioli took notice.  He clearly thought that if Meghan, HRH Duchess of Sussex were going to favour haute couture in choosing Givenchy for the elegantly minimalist wedding gown then Maison Valentino had to step up and court the Duchess.  

Bored out of my mind, one day, I happened to be tune into a live event on Eva Chen’s IG @evachen212.  It was the Spring/Summer 2019 Maison Valentino Haute Couture show and as Eva shouted and praised the models and creations as they walked, I began crying.  Never had I seen so many black models walking in a show.  Then Naomi Campbell appeared, closing the show and I was simply floored.  Never had Ms. Campbell looked more radiant when walking the catwalk.  There was so much tangible love in the air, in that room.  This was a moment like no other.  There was no denying that Piccioli was courting Meghan, HRH Duchess of Sussex with that show, not just the ubiquity of black models but the number of creations that featured a bateau neckline were clear homage to the latest duchess of the House of Windsor.  

Listen to what Naomi has to say, near the end of the video, when speaking to British Vogue Editor, Edward Enninful.  There was nothing more overwhelming that seeing the response in that salon, from Naomi crying, to the adorably eccentric Reine de Charlemagne, Céline Dion, crying her eyes out whilst sitting FROW along with Mr. Valentino himself, Valentino Garavani.  

Related image

Campbell, Naomi 22/5/1970 London, England

Michael: This fragment is a second-level mature artisan — third life thereat.  Naomi is in the caution mode with a goal of rejection.  A realist, Naomi is in the moving part of emotional centre. 

Naomi’s body type is Saturn/Mercury. 

Naomi’s primary chief feature is arrogance and the secondary stubbornness. 

The fragment Naomi is fifth-cast in the sixth cadence; she is a fragment of greater cadence four.  Naomi’s entity is two, cadre four, greater cadre 7, pod 414. 

Naomi’s essence twin is an artisan and her task companion is a sage. 

Naomi’s primary needs are exchange, expression and freedom. 

There are 6 past-life associations with Arvin and 4 with Merlin. 

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Valentino : Runway - Paris Fashion Week - Haute Couture Spring Summer 2019

Naomi epitomises what someone in the positive pole of discrimination looks like.  Of course, she is an artisan soul, which gives her that kaleidoscopic, chameleonesque mystique.  She also happens to be an entity mate of both John Hirsch and George Hawken; this is why George was always left speechless when she appeared on television.  He was bewitched and fascinated by her, which was rare for him where adoring famous persons was concerned.  As the recent trip by TRH Duke & Duchess of Sussex to Morocco revealed, Meghan, HRH Duchess of Sussex certainly took notice of Pierpaolo Piccioli’s homage to her discriminating  sense of fashion and design.  

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As ever, I would be remiss if I did not take this time to state how deeply appreciative of your support all these years I am… thank you.  Here’s to life.   Here’s to you dreaming the most lucid of flying dreams… cause you can!  

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©2013-2022 Arvin da Brgha.  All Rights Reserved. 

Past-life Dream Set at Spencer House.

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These dreams are from the upcoming third volume of my dream memoirs.  I share them here and now as within there is at least one dream which is set at Spencer House, which I finally visited in this lifetime on the occasion of the 29th anniversary of Merlin’s passing.  

The dreams were recorded on audiocassettes over the course of a decade following Merlin’s passing as he had requested that I stay tuned on his passing as he intended however possible to get through to me from the other side.  250 audiocassette tapes later, at the end of that decade in among them were the most glorious dream encounters with Merlin on his passing.  These dreams in their rich pandimensioality were dreamt in lucid astral plane realism in late October 1991.  

As this is an excerpt from the as-yet published third volume all the dreams are in italics and everything else in normal script.  Observations after the fact about dreams are not in italics and conclude with END at the end thereof.  At the time, though I did not know it, the dream was set at Spencer House.  

great_room_primary

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Before ecstatically flying off in search of lives up ahead, it is oftentimes good to know where one has been.  These next dreams occurred during the second or ‘B’ cycle of sleep and dreamtime that day.  Prior to sleep, I had been meditating with crystals in the pyramid and was inordinately focussed in my intention.  After having adequately fortified myself, I was clear in my intentions to dreamquest in search of past lives.  Thus, I would vicariously revisit two past lives which were complementary.  During the first life in question, I was male and Merlin was then present with me and female.  We were musicians at the court of King George III where also present was the Prince Regent and future King George IV.  The second life seemed to have been longer-lived and in that one I was female.

The dreams of both lives overlapped and it was good to have acquired the past-life information of those lives through Michael channeller, Sarah J. Chambers.  Of course, there was a dream of a third past life, it was that of my immediate past life.

painted_room

This having been the first dream, it was an extremely involved odyssey.  A dream it was in which I had gone off to a performance, at nighttime of course, but it was as though it had been onscreen.  Before the performance had begun, there had been a comedian onstage.  There had been many wings to this performance because it had been set in a house.  In fact, it was a period piece.  The people who had been watching this had been, as it were, very much so out of time.  This was set in the late eighteenth century.  There had been a very nasty racist, in fact, send-up of ‘the savages in the jungle’. 

This was all in British accents and very eighteenth century language. 

*As I had meditated before sleep, I had opened myself up to experiencing insights into past-life reincarnational monads.  As it had turned out, I would end up gaining much insight to my reincarnational past.  This was set in the parlour of a very affluent Georgian residence.  There was a white comic onstage, not unlike Tom Kneebone — who was possibly one of the most loathsome pieces of bigoted shits that I have ever met.  Otto Dix arsehole that he is; Tom was a vile, pinched, sphinctered nobody-arsed faggot.  Whilst looking at the comic onstage, I realised that one of the reasons why I loathed Tom Kneebone — on meeting him — was because he bore such strong resonance to the past.  The comic was uncannily like Tom Kneebone.  By that I mean that my visceral connection to the very racist performer was because, he was me in a former life in Britain — lived at court as a white male performer.

Of course, it was not Tom Kneebone but he had the same racist, pinched, WASP lack of tolerance and awareness as the Otto Dix arsehole — such an ill-evolved piece of shit that one.  END.

The comic was entertaining the guests in this salon.  He was doing this whole thing about, ‘the Pickaninnies’, ‘the darkies’.  Also, he had had to have an accompanist to show the ‘natives’ and their gargantuan, elephantine dicks.  Clearly, from the way that he had been holding it, the cock had not even been yet erect.  He was all bulging eyes that had rolled with wide-opened mouth.  Everyone was just spellbindingly charmed by his wicked witticism.  I, however, had not been in the least entertained by it.  In fact, I had felt greatly embarrassed to have seen him. 

This was like having to have faced embarrassing skeletons in one’s reincarnational closet.  After his routine, it then led into this performance that they had been putting on.  In point of fact, the performance actually was quite funny.  Everyone would leave the salon and then come back in but they would all have on Regency dress and wore makeup specific to that era.  At one point, all the women had come back in.  From where I had seen the performance, through an open door, there were people off to the left in a smaller room who were not performing.  They were crowded around on divans.  There was a large open space on the floor where the exquisite rug sat. 

There was one woman there who had had a bad sniffle; she had kept on sniffling and was near consumptive.  Why does she not just get up and get lost?  I was quite impatient with her.  At the time, I was closer to the main players.  These were people who had been sitting in the salon in front of me.  There was a whole cluster of them immediately before me and to the immediate right of the large white doors that led you from room to room.  Exiting that particular room into which I had looked, where the performance was taking place, were more doors.  The door half, which was close to us, was open and served as the wings to the stage. 

Up in front of the mantelpiece was where the performers had come on to perform their scenes.  They were quite funny.  There were parapluies that had wonderful little floral designs on them.  The performers were made-up in such a way that their faces looked like bouquets that resembled large English white and faded yellow roses — very oversized roses.  The faces of the persons were very much in keeping with the zeitgeist of the late-Georgian era.  This was the look that was proper in that time.  As a result, the souls that had been incarnate at that time, were wearing those faces.  At two separate occasions, everybody seated in the salons had had to get up and leave then come back in. 

The last time that they had come back in, all the women were dressed in long, flowing tangerine-coloured dresses that had dragged on the floor.  All the dresses had little flowers on them.  The tangerine colour was muted by a sheer fabric of white silk overtop the tangerine bodice.  The silk had left it a seemingly faded colour.  All along the grid patchwork were these tiny roses that were the colour of the fabric underneath the tangerine-coloured material.  The look was very beautiful.  As they had spoken, there was wonderful repartee going around the room.  This one woman was croaking away, saying, “Oh why don’t they go to church, anymore? 

“Doesn’t anybody go to church anymore?”  She had gotten up, going around the room, to make the point.  She had then come back and sat down on the arm of the chair.  Her husband was very stout and he had remained seated there in an armchair.  One chap, who was on one of the chaise longues where some of the other spectators were seated, was bantering away.  He was very dynamic, in a sage-souled sort of way.  The costume changes between sets went on almost forever; at such times, the salon would become abuzz with lively discussions about whatever socially or politically was au courrant.  Of course, that had meant anything that was superficial and that they, at their level of society, had found très amusant. 

This particular costume change was quite long and some of the players, who were going to have been participating in the next piece, were seated on that particular chaise longue.  They were talking, amongst themselves, when this one man had said, “Well, I certainly hope that you don’t go, looking like that…”  His was a very cutting double entendre because, though the dowager was quite the frump, it was really a comment on her horrid-looking face; this, in an age, long before plastic surgery could have come to the assistance of women of her class.  The woman’s face was very puffy and dowdy and, also, full of makeup. 

She, so without a clue, had replied, “Well, what’s wrong with me going like this?” 

“In a dress, there is certainly something wrong going like that.”  This was very, very witty racy banter and much filled with double entendres. 

The poor frump was daft and had not quite gotten it.  She was wonderfully being sent up by everyone.  “Oh dear me, I never quite seem to know what to wear.  The fashions changing all the time, I can hardly ever keep up…” 

This had only made for more cutting, though hushed, laughter.  I do not even know but it was at this point, as she had spoken, that I had seen her in close-up.  I had wondered if, perhaps, she were not Francesca — the name of a past-life of mine lived in Georgian England.  Just as in that last dream encounter with Francesca, during the onset of menopause, I experienced the same visceral connection with the subject.  Then, as now, I was seeing her face in keen close-up.  Now, I was experiencing her at a much later stage in her life.  She was a late septuagenarian.  Still, though, she was very much so into the heavy makeup but at this point, she had suffered from senility and was pronouncedly neurotic. 

Afterwards, everybody had looked out at me and asked me if I had ever seen the performance presented like this before.  One of the things that they were talking about was an expedition that had just returned from, ‘Deepest, darkest, Africa, in the Jungles.’  This was, in fact, a production of Romeo and Juliet that had been set in colonial Africa.  They had openly wondered, specifically of me, if I had ever seen so racy a production.  All these people were very sophisticated, sagely persons, of whom it was safe to say, they were all very much so artisan-like — in essence, they were the glitterati.  More to the point, they possessed goals of discrimination and predominantly were in repression mode. 

“Well actually, I had seen the original classic production.” 

“Yes but have you seen any modern updates of it?” she had asked, by which she meant a production from the Georgian era. 

“Well, no.  Well I did but it was when I was at school, in Sandy Point.” 

Of course, they did not get it at all and found my accent far too queer for words.  Besides, it was all very post-modern as far as they were concerned.  At that point, the lights in the salon went down, in this beautiful, large high-ceilinged place.  A movie screen then appeared and Diana Ross was going to be the mother to Juliet and the Juliet was a beautiful, beautiful, long-haired High-Yellow heroine.  She had seemed East Indian but was not.  She had gotten up and gone running to the window because Romeo was calling her.  Clearly, it was a filmed version.  She was wearing a black and white checkered dress that had no sleeves. 

The dress really was more like a jumper — an A-line dress.  She was so gorgeous; the young actress was stupendously radiant.  Presently, she was praying and the camera was a slow, sweeping crane shot that had kept on rising up and away from her left profile.  Filled with so much earnestness in her face, she was quite beautiful.  A teenager, she was quite the stunning little actor.  The actress was not Diana Ross‘s daughter, Tracee Ellis Ross but someone who had a stunning High-Yellow resemblance to Diana Ross with those stunning eyes and with very, very gorgeous long, long wavy hair.  To just above her arse, her hair was thick and beautifully cascaded down.  She was very gorgeous. 

When she had run to the window, she was as if a ballerina by the way that she had held out that beautiful, delicate tiny face.  An exquisitely beautiful face it was that sat on that long neck of hers.  Looking out the window, she had dreamily called down, “Oh Romeo.  Romeo.  Romeo.”  Truly, it was sheer spellbinding magic. 

A Brimstone Hill Sandy Point Panorama                                       

In this the second dream, I had gone off and was walking in Crab Hill, Sandy Point.  Whilst there, I had seen these unfamiliar persons.  One of them had had one of the most interesting faces.  She had a very unusually large face and very beautiful teeth that were somewhat compacted.  She was very lovingly dark-skinned.  She was unusual-bodied; her head was very, very large and her body, in comparison, very squat – unusually so.  To be precise, her body was like a dwarf’s.  Her legs were very stubby and bulky. 

My goodness, this woman could run.  She had had a great deal of physical power.  A lot of Earth planets that were fixed, to be sure, were part of her makeup.  I found it very, very interesting to have watched her.  On having passed her, I had said hello and noticed that she had shut her eyes.  That was when I had realised that this woman had almost never looked at anyone.  Then, finally, I had commanded her attention and directly looked into her eyes.  To have looked into her eyes was tantamount to looking into her soul. 

Her eyes were so large.  Hers were as if seeing, up close, the eyes of a giant cetacean.  Yet, these stellar eyes were on a human face.  These eyes were extremely large with the lids half-collapsed over them.  The brown of the eyes was dappled and mixed in with some blues with little streaks in the blues.  Talk about beauty.  Nonetheless, they were very, very old-souled and very, very powerful eyes.  At the time, I had thought of how much they reminded me of the eyes on the totemic cranes that I have seen throughout my life. 

She had just laughed and turned her head away.  She was a woman of substance and great grace; not unlike Jessye Norman°, in that sense, was she.  I had specifically focussed on her right eye.  Hers were not unlike the dappled blue-green colour that Owen Hawksmoor°‘s eyes take on, of course, when he is wearing his coloured contact lenses.  However, her eyes were quite gorgeous.  Predominantly brown but there were lots of brown and red streaks in the white of the eyes.  These were from very large bulbous blood vessels.  The whites of them were very white, almost caramel-coloured on closer inspection, from the timeworn passage of their agedness. 

Boy, this woman had a lot of strength of character in that body.  Hers was a solid, solid body.  Following after this guy, I had then come back over this little barbwire fence.  We clearly, I realised, cannot go getting ourselves scraped.  As we had been passing, there had been a window to our right that had looked into a house.  Whilst looking at the screen, on which Romeo and Julie was supposed to have been playing, we had gone and sat down.  Protesting, I had said that this could not have been the case because it would only have meant that I had missed so much of the performance.  In all this time, of having gone and wandered off, one would have missed too much of the production. 

At that point, there had been someone on the screen performing a Shakespearean soliloquy.  This clearly was an updated version of the text.  I had started watching it and got back into the film.  The one thing that I had not liked about it, was that there had been lots of flies on the set.  After having been made uneasy by the bugs, I had gotten up and walked about for a while.  When I had gotten back into looking at the production again, it was as if looking at it from the Georgian salon again.  However, now it was slightly different.  To myself, I had remarked that it had seemed so much like Toronto. 

That was because this production, like Toronto does in summertime, had all these damn flies.  All the people around me in the Georgian salon had not gotten what Toronto had meant at all.  As well they understandably would not have, they had looked at me very strangely.  There were flies in the air which I had kept on swatting out of the air.  There was a whole scene in progress, when I had decided that I would just have to have seen the production again or, perhaps, get it on videocassette.  At that point, I had simply missed too much of the production.  I had realised, too, that I could easily have seen it when it made it to the Revue second-run cinemas about Toronto.  At that point, I had turned and left. 

*This heavy-lidded young girl could well have been me, Theresa, in my immediate past life.  That life was lived in Brazil and I had a goal of dominance.  Of course, on Tuesday, September 17, 1991(39), I would dream of Theresa in her adult years.  Similarly, she also could have been Merlin reincarnated.  In December 2006, Merlin was reborn female in the Netherlands; however, at the time of the channelled session, the female reborn Merlin’s ethnicity was not shared.  Thus, this could well be Merlin reborn in early 21st century Netherlands about whom I was dreaming.  END.

I had next, in this the third dream, been up on this rise with Isha where she and I had been doing something.  We had discussed the fact that I had needed more money.  I had told her that my PIN number, for some bank card that I had had, was 8411.  She had called up the bank and was being pushy with them.  Isha was telling them that she had been very ill and incapacitated.  For being bedridden, they would therefore have to let her have the money in cash with me acting on her behalf.  She had assured them that I would be right over and to let me have the funds.  As she had spoken on the phone, this black woman and her white husband had come by. 

The man wore glasses and they were, very much so in love, embracing each other.  There was a little girl with them to whom I had meltingly said, “Come here sweetheart.  My goodness!  You have American money and you have a 10.00$ Canadian note there, I see and a 20.00$ too.  Why don’t you let me have an American bill?  And some of those Canadian bills because you’re not going to need the Canadian bill.” 

“Why?  It’s my money.” 

“Okay then, fine.  Come on over here and give me some sugar,” I tried charming her as she had been off to my left.  On having wrapped my left arm around her, I had kissed her on the cheek saying, “Return the kiss, please.”  We had kissed and had done so, on both cheeks, in the French style.  I had looked down at her parents and they were quite sweet and in love.  At the time, I had been thinking of Pandora.  I could not, though, have made out the mother’s face all that well from the table; I had been seated there with Isha.  A square, black metallic affair with a glass top the table proved. 

As a result, the table was covering the face of the woman and I could not make out who she was.  At the time, I had thought of Pandora and her present beau.  This child had then appeared but it was like a doll; she was so tiny and was, in fact, as if a pygmy.  She proved to be Barry Thomas‘ younger sister.  Every time that she had bawled, her neck had extended and craned up into the air and was pinkish-coloured like a white doll.  She, though, was actually a black baby — you could tell from her facial features.  She was very much so alive but she was in this rubbery body that was like a doll’s.  I had put her up on a mantelpiece to sit because she had been so damn noisy and obstreperous.  

Penina had come and disputatiously confronted me about what I had done to the poor little girl.  Whilst Isha had been on the phone, I had gotten up and gone to take a pee.  On entering into the bathroom, I had been shocked and horrified.  On looking in the mirror, I had noticed that Isha had cut my hair.  I had let out the most enraged scream, “Isha!  How could you do this to me?”  What had happened, was because of the way that I had been lying on my back, she had managed to cut off all the hair on the side of my head up to the top and on the other side as well.  This was the most ludicrous haircut. 

In the back, leaving the length in place, my hair was still long.  “I don’t want my hair looking like some bloody Mohawk warrior’s,” I shrieked.  To have seen the roots of my hair, which were unpermed, I was truly pissed off.  Having my hair chopped off, was not something that I had wanted and I definitely did not want this frigging fascistic cunt fucking with me.  I had been truly incensed at her.  Truly enraged, I returned to confront her and found her lying down in bed.  Immediately, she went on the blind defensive, “I don’t see anything wrong with it.  Besides it’s already done and you might as well cut off the rest,” she had laughingly dismissed me. 

“Isha how could you do this?  This is exactly like when you destroyed my writings.” 

Impatient with her indifference, I had launched through the air at her and begun beating the living shit out of her: hitting, slapping and kicking her.  Grabbing anything that I could find, I had beaten her with it.  All the rage that I had felt at her, for destroying my writings back in the mid-eighties, had come flooding out. 

*Back then, when she had been confronted, she had launched into a clawing defensive attack on me as we rode home in a blinding rainstorm from Solomon King‘s wedding in Rochester, New York.  END.

Earlier, I had gone to get my brush, to brush my hair and, on not having found it, had borrowed hers.  On brushing my hair, I had noticed that the brush was really scraping my scalp.  On having looked at things in the bathroom mirror, I had been left horror-struck.  On seeing what she had done, I had sucked my teeth and decided then and there to kick her arse.  I had known then and there that this would not have happened had I taken her to task, blow-for-blow, back in 1985.  Also, I had seen this brown bag, a large, black canvas bag and a shoulder bag — they were all mine.  In the travelling bag were these two tickets because I was going to be travelling.  I had really been upset and pissed off at Isha as she had laid there under green sheets. 

Penina had come into the room and tried intervening on Isha‘s behalf.  Penina had tried to get me to accept the fact that what had been done, was final and to just get on with things.  That had only more infuriated me.  Turning on her, I had screamed, “Oh Penina, why don’t you shut up?  You’re so damn stupid!  Of course, you would agree anyway.” 

This woman had then shown up who was Jewish and it had turned out to have been, Ariel Gothberg.  She had worn this dark purple turtleneck bodysuit — over that, she had worn a brown very, very thick, woollen jacket.  The jacket had lots of gold zippers that showed down the front and the length of it.  The jacket had no collar.  On either side of the sleeves, there were gold zippers that went midway up the arm.  There were two on the breast, one zipper each, over each breast for pockets.  They had little golden tassels that held the zipper.  The outfit was quite nice and was in brown and black. 

Ariel Gothberg had looked quite smart.  I had asked her what she had thought of my hair looking like that.  “Well it’s your hair and it’s natural.  I think the natural version looks kind of nice, anyway.  Well, you’ll decide what you have to do with it,” she had then gone off, up these stairs.  Yeah, right; fuck you, you bitch, I rudely dismissed the thought of her.  Whilst there, she had joined two or three other smartly dressed persons.  I had come around and begun leaving then went out into the outdoors.  There, I had stood by a shed whilst talking with somebody about things in St. Croix, U. S. Virgin Islands.  Just then, a large plane had gone by directly overhead. 

At the time, I had thought this plane too unusually close to the ground.  We also were close to the ocean.  The building was a long white shed, like a greenhouse, beyond a sandy slope.  Generous clumps of long grass held the sand from drifting too much.  We were standing just beyond a stand of palm and sea dates trees.  The ocean was rather tranquil and gently breaking.  The ambiance here was rather beautiful.  I had then seen a large plane come by that was like an American Airlines plane; except, on the back of it, it had had this large caboose. 

This was a large unusual extension that had flared out.  To say the least, this was most unusual and there seemed to have been no exhaust.  The bottom of the craft was very silver.  Also, there were the red and blue stripes along the sides like an American Airlines carrier would bear.  However, nowhere were there any demarcations, indicating that it was an American Airlines craft.  Unusually so, the craft was very long.  Long and sleek, like a Boeing 727, except that it had had no mid-fuselage wings;  way at the back of the plane, there were some smaller wings.  As it effortlessly sailed through the air, I figured, oh dear no, it is going to crash.   

As it had flown by, it had bizarrely veered off to the left and head first.  Next, it had shot up into the air and then come down.  I had screamed aloud, horrified for the passengers aboard.  Immediately, of curiosity, people had begun running towards its obvious crash site.  To check things out, I had gone running around the corner of the building.  There was smoke in the air but it was general pollution from the community; also, there had been no smoky fireball as with an obvious crash. 

“Oh dear.  I think it crashed…” I had helplessly said to a man who had reminded me much of my uncle Michel King, rather than his brother Marcel King°

 “No, it didn’t,” he had confidently said.  Another plane had then come in and that was when I had suddenly remembered that I had had a flight to catch.  At that, I had gone running, hurrying out of there, and gone around the building.  This was a wonderful large hangar-like building.  In this building, there were many persons.  I had seen several travellers there.  Once outside, I had had to go up an immensely long flight of stairs to have gotten up to where the plane was.  On the outside, it was a pure white aircraft with two propeller engines on each its wing; the propeller engines were running at the time that I had arrived. 

The wings were extended; they were actually quite long.  I had demanded that they cut out the engines so that I could safely make my way to the man who had been at the gate.  He was an older, dark-skinned man in uniform.  He could have been Egyptian, Hispanic, East Indian or Arabic.  I had had to pay him to get aboard the plane and it had come to 14.00$ for the flight.  Incidentally, as he told me that, I had recalled that the PIN number was 8411, which coincidentally does add up to 14.  I had given him a 20.00$ bill.  He had told me not to worry, that it was already running late, and assured me that I could get my change on board the flight.  I had boarded the plane which, oddly enough, was unusually low to the ground.  On having entered inside the plane, it was as though you were outside again and had to go up a further flight of stairs — just like the ones that had earlier gotten me to the tarmac. 

A truly dream surreal moment this proved.  Penina had been concerned because, on this flight that had just come in, there was supposed to have been a little boy that we were supposed to have met.  He had been coming from Nevis.  I had told her that I still was really frigging pissed off — at having had my hair cut off by Isha — and could not have cared less about any little boy.  So we had gotten into the plane and it was again unusually interiored.  There was a wide enough single aisle with all the passengers in seats that had faced each other.  This had immediately reminded me of when I was a child, prior to having taken my first flight, I had always envisioned the seating arrangement on board an aircraft to be like this.  There are, of course, no such seating arrangements in conventional aircraft. 

As we had moved down the aisle, we had passed a number of little boys.  There was a little boy on the right of the aisle and I had thought that, perhaps, that was him.  However, we had gone down with Penina having followed after me.  There were, incidentally, lots of potted plants here on board the highly unconventional aircraft.  The aircraft was white-interiored, as outside, and there was a lot of sunlight coming through the top of the aircraft which was completely glass-topped.  The ceiling was really like a long trough in a greenhouse because there was a drain in the ceiling that had run the length of the aisle.  Lord knows, we were definitely well beyond the Kansas City city limits.  Also, it had been very humid inside the craft. 

Many, many potted hibiscuses were present and some of them were in bloom.  Just where the stem had exited from the pot, one plant had fallen over and broken.  On righting the pot, I had felt for it.  The plant had sadly kept on dangling over.  I had called the boy’s name which was something like, ‘Orello’, to which he had immediately answered an alert yes.  He had been way in the back.  I had pointed him out to Penina and told her to go and take care of him.  Furthermore, I had told her to get off the plane with him because she was not supposed to have been travelling anyway. 

I had then gone up to the front of the craft and there I noticed that there was a large opening.  Here at the front of the craft, it was as though one was in a hangar or large indoor room.  Whilst other people were lost in reading, what had clearly been scripts, there was a girl doing some homework.  The studious girl was very stout and wore a school uniform.  Early teenaged and definitely black, she was very light-complected.  A tall, gangly white male had come in; this man was very much so old.  He was incredibly gentle and soul-soothingly so.  He was as if a gardener or caretaker. 

He had sat next to me and warmed me further when he asked, “Do you have piece of paper, please?  Just something to write on.” 

“Well, I don’t even know…” I had really wanted to help him out and been of service to him.  He was so sweet-spirited like Catherine Angelica (‘Lica)  or as Elizabeth Bowes-Lyon°, Queen Elizabeth, The Queen Mother seems — that kind of evolved grace of spirit.  I could not immediately find anything and, in the meantime, the girl had not been prepared to part with any of her school paper.  There, I had told him, pointing in front of me to a little desk on which were some clothes and my bag.  I had gotten out my bag and started talking to him.  He was very, very wonderful and very old-souled in feel.  He was very healing to have been around.  He had reminded me of James Tramble or Merlin’s guide as I had seen in those dreams — the tall shaman. 

He had commenced writing on this piece of paper and he had asked me my name to which I had replied, “Arvin da Braga.” 

“Oh really?” he good-naturedly replied.   

I had then given him my statistics.  Continuing on, told him that I was born on August second, nineteen sixty.  We had talked on some more and then he had asked, “And what about your friend?” 

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“Oh Merlin?  Merlin Ben-Daniel.  Merlin B.”  When he had asked me my name, I had initially said, “Arvin M.  M, as in Merlin, spelt ‘lin’ not ‘lyn’ and which, incidentally, was my lover’s name.  Merlin; spelt the same as my middle name.”  As we had spoken, I had grown more and more intensely lucid and light-headed; it was as though I was channelling.  “Merlin B.  B, as in Bechbache, which is his mother’s family name.”  We were talking about Merlin and he was doing this write-up about Merlin and me. 

He had then turned to me and said, “Well anyway, I’m leaving you now and I want you to write this down.” 

“Is it a number you’re giving me?” 

“Just some important information.  But you must remember it and you must never forget it.”  What he had said was, “Proper posture leads to purpose and prosperity in time.”  He had said it with the greatest enunciation and slowness. 

There was a woman who had stood out in my mind as he had spoken.  She was very much so like Francesca who was down below and outside an opening in the airplane.  She was inside the building at a window, looking up at me and saying, “I will be with you, don’t worry.  And I’ve remembered it.  I’ve recorded it.  And I’ll keep reciting it to you if you need me to.” 

The gracious gentleman had then left.  His was not unlike the yogic centred serenity of Yehudi Menuhin.  At that, I had had a sense of motion and that we had travelled.  The sensation was not for very long but you just knew that we had covered massive distances in what had seemed a mere breath.  As I had watched him write with the greatest of care, he was right-handed.  At one point, he had stopped and disruptively said as I had spoken of Merlin and me, “You’ve a very distinctive accent and it’s so layered.  You can see so many languages in it.” 

“Well, yes that’s because I’ve lived all over the place, actually.  My upbringing was very middle class in the West Indies with maids, in fact.  I like speaking this way because it’s who I am.  It’s about intellect.” 

“Right you are,” he had said whilst warmly smiling. 

We had then gotten to where we were going but he was no longer with us.  We had deplaned and come down the flight of stairs.  Everybody had gathered about this courtyard and was walking around.  Most people who had deplaned had been white.  All the kids were in the rear and we were separated — the kids and I.  I had then left everybody and started walking ahead because I had wanted to go and get Penina.  She had shown up and was running to go and get Orello now that he had arrived.  She had on this long, floral-printed dress that had proven to be a jumpsuit that had turned into culottes. 

Her outfit was brown, yellow and green which were all one-inch slats of colour.  The jumpsuit was a predominantly off-white, faded yellow number that had these yellow, brown and green horizontal slats that were crammed together and haphazardly spaced.  They had created a wonderful motif on the fabric.  Somehow, it seemed that I was supposed to have been deplaning.  Seemingly, I had to get aboard a larger plane and continue on with my flight.  For having interacted with Penina, I had missed the connecting flight.  This had mightily upset me.  Initially, when she had come aboard the first flight with me, I had turned to her as we had progressed down the aisle and asked if she had remembered to get all my bags. 

A second flight, not unlike an American Airlines carrier, had come in through the air and landed.  This had proven my signal, to have started moving and get aboard the initial flight.  When I had deplaned, I was supposed to have gone to another flight.  For some strange reason, everybody was marching in a circuitous route.  They had gone down this street and turned off to the right; they then had gone down this wide boulevard into another courtyard.  That courtyard had contained another plane which one had to board.  A sareed, East Indian woman had looked back at me and energetically said, “Hurry, hurry, hurry because the engine has already started.” 

“Don’t worry…” I had evenly replied.  She was a really sweet gracious soul. 

You could have seen the engine and when it had started, the wing that had been turned horizontally then swivelled and turned to the vertical position.  This was set in a compound that was surrounded by a large white fence.  Going up to the courtyard, the steps were white and the interior of the building and all the low-lying buildings around were all pure white.  The look was that of permanent whitewash paint. 

“…I’m coming.  I’m supposed to be on this flight,” I had called out. 

When I was making my way there, there was a large wooden gate that had a glass in it.  One of the things that had kept me distracted, was that I had gone into this room, where Penina had been and wanted to look at the Romeo and Juliet drama again.  Instead of having been able to get it on television again, there was a video music station on.  The music video was set in a large room.  Irene Cara was singing a song in said music video.  Natalie Cole° was there, as well, as some other black entertainers.  She was in a living room in that segment of the video, which was for a love song.  Natalie Cole was participating in the video but not singing.  Irene Cara had worn a black tunic overtop black narrow-legged pants. 

Natalie Cole had worn black and white; they were very much so enjoying themselves.  Soon, I had caught myself when being distracted and had gone running out of the place.  I suddenly remembered the petite, beauteous East Indian woman; she had a striking resemblance to the author and socialite, Geeta Mehta.  She had been telling me that I was supposed to, in fact, have been getting onto the other flight.  So off I had gone, running down the road; it was a narrow stretch of earthen road.  Even though it had long been closed, I had opened the door to the craft.  The stewardess was slowly closing the door when I had leapt through the air and pulled it forcefully open.  At the time, the engines were already running — all of them. 

They had had to stop the engines so that I could make my way past them and safely get aboard the flight.  I had shown her my ticket and very cleverly said, “Here’s my ticket.  I’m supposed to be on board this flight; thank you very much.”  Again, the interior was much like a waiting area and a greenhouse at that.  There was a sense, once again, of light coming through the glass-topped ceiling of the craft.  The craft’s interior was all whitewashed.  There were lots of persons, mostly guys, standing about.  The first thing that I had noticed, was that they were all dressed in white and were dressed in clothing from another age. 

They were dressed as in the latter half of the eighteenth century — the age of Wolfgang A. Mozart§.  I had passed the flight attendants; they were off to my left and up towards the cockpit.  There was the familiar large open area, as well, off to the right of the skylight.  There was a narrow door that had gotten you back to the main cabin of the plane.  The 18th century persons were in the open, which had an earthen floor.  Here, it was very humid and damp.  These were all young and white males, who wore white clinging tunic that went down to just below the knees.  They wore tight breeches, really tight, with white stockings that came up to above the knees. 

They wore white shoes; large ones with white buckles.  Large-sleeved white shirts, most of them, although some wore shirts whose sleeves were those of the conventional style of the waking state.  They were, all of them, very young and very dark-haired.  These persons had the faces that were exactly peculiar to their age.  The hairstyles, the makeup and the expressionism; it exactly was what the aristocrats of late eighteenth century Vienna looked like.  On having entered this craft, I had immediately noticed that there were little rooms as in a salon in eighteenth century Vienna.  There were these white doors with glass panes for two-thirds of them.  There were little concert hall boxes that were set up; all this occurred inside the cabin of the plane no less. 

I could distinctly have heard the engines whirring away, outside the craft, whilst drinking in this most unconventional of plane interiors.  We were going to take this flight and whilst in flight, there would be a performance.  Everybody was an actor and like that man on the chaise longue, with the wicked tongue, also very much so sage-souled.  I then went and took my place.  There was a box where the performers would sit, as in an opera house, but it was on the ground.  This was not a Boeing 747 series type airliner.  The opera house-interiored craft had been lined with red carpeting and red velvet.  The seats were all one embankment and quite plush. 

There was a doorway there with a man who had been crouched down.  He was dark-haired and had a mole just below his left eye.  He was most handsome and looked like the soulfully august aristocrats, of the court of King Joseph II of Hapsburg-Lorraine, in the age of Wolfgang A. Mozart.  His face was very, very unusually large.  He had worn a ponytail that was tied back with a black ribbon.  Just inside the door to my right, he had been crouched down.  I had looked off and on having seen him, had smiled.  He had looked up at me and was quite smitten by me. 

I realised that I had found my place and had come in to the box to sit.  We were obviously about to witness a drama that was clearly Romeo and Juliet that was set, in the Mozartean era, in the city of Vienna, Austria.  I had gotten so energised for having been in the company of these people, whom clearly I had known at the level of soul, and thus had squealed and laughed aloud.  Also, my response was in anticipation of the great fun that we shortly would share.  At that, I awoke in bed. 

*I was not chagrined to have awakened at that point.  Already, I had been refamiliarised with all these persons.  There was something very much so familiar about the handsome-moled man.  We did look at each other as I took my seat and I was passingly reminded of Merlin.  Beyond the eighteenth century energetics that he wore in that life, he was familiar, intimate and a companion.  That was all I had needed of the very layered, very enriching and very, indeed, pandimensional aspects of this dreamquesting odyssey into a past life.  This was very real and I was very much so in my element.  That dream initially was definitely set in the Georgian era and the people there were all familiar.

They were all white and very much so alive.  I guess that this was an astral plane projection in time, to experiencing aspects of past lives.  I was able to have used the astral plane, to have transited the spiral arms of time and enter two different time frames in which I was clearly incarnate.  Also, it was very much so the eighteenth century and the height of the colonial era.  Here was someone who had just returned from an expedition to deepest, darkest Africa.  Down to the accent and the language as it existed then, they were very much so British.  The most important insight that I learned, for having revisited that lifetime, was the lasting effects of racism to which I was exposed, engaged in and was much informed by.  To say the least, in this life, I am truly repulsed by racism’s ubiquity and its effects.

This explains why I am so passionately impatient with and can see and understand, so clearly, my hypersensitivity to racism.  I see it for what it is and where it comes from.  The second flight’s exposé into Mozartean Austria was, I am certain, more about getting insights to a past life of either Merlin’s or someone with whom I share as strong a soul connection.  Perhaps, it was someone on the order of my essence twin.  I am not convinced that this was Merlin, in a past life, even though I did not see the eyes in close-up.  I knew them not to be his eyes.  The eyes are always the dead giveaway in these instances.  Though packaging changes from life to life, the eyes do not; except to change colour and grow older and softer with the reincarnational maturation of the soul, the eyes are always recognisable as self’s in past life dreams.

**Further insights that I would like to add at this time, I do believe that the latter dream of the Mozartean era, harkened back to when Merlin and I were incarnate together, again lovers, and were court musicians.  This, however, was during the court of one of the English rather than Austrian monarchs.  During the reign of George Hanover, King George III, which was during the 1700s to early 1800s, Merlin and I were then incarnate.  Also, the Prince Regent and later King George IV was also familiar to both of us.  The latter monarch would have been instrumental in the flourishing of the arts, which is why Merlin and I had creatively blossomed in that life.  King George IV, when the Prince Regent and during his brief reign, had been a great patron of the arts — life at court would have been artistically fulfilling and that it clearly was.  In any event, I also sang during that life.  Usually, my performances were to smaller audiences of aristocrats; Merlin, then female, played the harpsichord and was my accompanist.

I guess that the Francesca lifetime could have been a complement to that lived at court during King George III’s reign — whose father was rather German and caught up in the Austrian succession intrigues during the early 18th century.  There was a late Georgian to early Victorian sensibility to the first dream; it featured a septuagenarian Francesca who rather than me in a past life, was Merlin when a harpsichordist and my then lover.   These are insights gleaned from Michael Overleaves by Sarah J. Chambers who, prior to passing in 1999, channelled the Michael.  What’s more, at that time, also present and likely participant in this dream was the Duke of Bronté.  Of course, said duke was also the 1st Viscount Nelson, none other than Vice Admiral Horatio Nelson.  Naturally, in the late 18th century, Horatio Nelson had spent much time at court whilst trying to get  himself positioned after the American war of independence, which left the admiral and many others out of work.  At the time that he spent at court, both Merlin and I, knew and socialised with the young, dashing admiral – the 2nd Earl Spencer was the Lord of the Admiralty, which would have made him an invaluable contact to Earl Spencer and a frequent guest to Spencer House.  No doubt, it was his tales of his adventures and especially his time spent in Nevis that served as a source of wonderment for me.

As Merlin and I were then cohabiting as lovers and professional associates, it is likely that I then expressed some interest in going off to an exotic isle like Nevis.  Indeed, perhaps, the reference to deepest darkest Africa was really to the West Indies.  Either way, it is obvious that the fascinating Duke of Bronté, Vice Admiral Horatio Nelson planted a seed, which would lead to my choice to reincarnate three lifetimes later in Nevis.

***I should also think that the man with the extra-large head and the striking, large mole below his left eye, should have been more readily discerned.  Merlin’s dear friend, the actor, Joe Morton°, is the one who would fit this bill.  Indeed, Joe does have just such a large mole below his left eye.  The only difference between these two — Joe Morton and the moled actor in the dream — was their disparate races.  The white male’s in the dream was the exact same large mole at the exact same position as is Joe Morton’s.  Further, this Caucasian male’s teeth exactly were like Joe’s as they are in this lifetime.  Again, apart from their disparate races, there was one other difference between Joe Morton and his past-life counterpart.  Joe’s mouth and lips are bigger and fuller respectively and Joe’s comparably was, to say the least, a more elastic and expressive face.

To say the least, that was rather insightful a past-life dreamquest.  Joe, of course, is in the fifth/sage position in his cadence which not surprisingly would leave him inclined to being so sage-like and regal in essence.  Naturally, this regal energy is due to the power mode energy, which innately infuses all fifth-cast fragments, especially in cadences 1, 5 and 7.  Joe, of course, is in the first cadence in his greater cadence.

****I should also like to add here that the large-moled gentleman may well have been in London; at that the time of mid-to-late 18th century, there was a large Austro-German community in London.  King George III was, of course, German.  At that time that Merlin and I were then incarnate, we were rather familiar with one such German patron who happens also to be an entity mate, Arianna von Reinhard.  Wealthy, the German patron of the arts very likely could have funded a trip to Austria and German, during which time Merlin and I could have been on a concert tour to royal courts of those countries.  Who knows, perhaps, at that time, we even met and attended concerts for stellar creative genius, Wolfgang Amadeus Mozart§.  END.  

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At the conclusion of audiocassette-recording these dreamquests to past lives, in late October, 1991, I got about the business of choosing an appropriate musical complement.  Naturally, I would end up playing some Joseph Haydn° symphonies.  Back in 1987, whilst being a muse to Olaf Gamst, I was introduced to Joseph Haydn in great detail as he was a composer whom Olaf favoured.  When sitting for the artist, often were the times, when he would play selections from his formidable Haydn collection.  Without doubt, I would come to favour Haydn’s London Symphonies.  That is why, I had crawled through a couple of secondhand record shops in a bid to build my own Haydn collection.  To that end, I got out an old recording from 1977; it was still in fairly good condition.  Released on the Philips label, Neville Marriner conducted the Academy of St. Martin-in-the-Fields.  

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For the rest of the day, I repeatedly listened to Symphony No. 104 in D Major Op. 21 ‘Londoner’.  This symphony truly made my spirit soar and allowed me to remain resonant with the past-life to which I had so lucidly dreamquested.  

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As ever, thanks for your ongoing support, sweet dreams and my dream memoirs, the first in recorded human civilisation can be found online at Amazon and wherever discerning bibliophiles satisfy their insatiable need.  

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©2013-2022 Arvin da Brgha.  All Rights Reserved.  

Pilgrimage to Windsor… that dress!

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Aerial view: Windsor Castle, Berkshire.  

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In the mad dash to board the train from King’s Cross/St. Pancras Station to Paddington Station, I boarded the wrong train and ended up losing almost of hour of valuable time.  Nonetheless to Windsor with me, indeed.  

The ride to Windsor was lovely and it was still well before before 1000 when I got into town.  So nice to know that a flash of the London Pass gets one into the Castle, plus to see the exhibition of TRH Duke & Duchess of Sussex’s wedding finery plus the outfits worn by pageboy, HRH Prince George of Cambridge and the always ‘on’ HRH Princess Charlotte of Cambridge.  

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Next, through the hurdle of being scoured by the most thorough security detail; and with good reason too.  

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The mélange of Chinese, Japanese and Korean dialects made for an interesting symphony of sounds as I made my way past security and onto castle grounds.  

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I am reminded of Vancouver Island by the hearty vegetation down below.  

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Nothing is more refreshing than the smell of moss in cooler weather.  The air is so fresh here in Berkshire.  

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The view from the Middle Ward down to St. George’s Chapel; but that’ll come after touring the castle’s state apartments.  

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The glorious view north across the River Thames to Eton College Chapel… Nothing beats being out on the terrace and looking out to the landscape below.  

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The view along the terrace towards the entrance to the castle. 

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Once inside, of course, photography is not allowed.  This, understandably, is for security reasons; it is after all the Sovereign’s main residence.  Formidable, an entrance indeed.  Touring the state apartments, the progression’s starting point was different to previous visits.  

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Without doubt, I knew that the wedding outfits worn by TRH Duke & Duchess of Sussex would not be on display in the castle’s Green Drawing Room; there is only one door into said room for the public and the other at the opposite end, leads directly into the Sovereign’s private apartments. 

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Furthermore, that single door is too narrow to accommodate persons going and coming into the Green Drawing Room, if they were to enter and exit by said door.  

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Similarly, I knew that the exhibition, A Royal Wedding: The Duke and Duchess of Sussex could not have been held in St. George’s Hall above.  There is simply too much natural light which floods the space; this could actually prove more harm than good – even though it would be best to see the dress in natural light.  Moreover, I did not expect that it would be held there as the space is too large and, frankly, with the amount of racially charged animus towards this marriage, it would likely not draw as large a crowd to warrant being staged there.  Truth be told, there were no Caucasians viewing the exhibit when I moved through it, than there were East Asian and blacks combined.  

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I will never forget my confusion on first experiencing The Waterloo Chamber in this lifetime.  I just felt as though, perhaps, my sense that I had been to Windsor Castle in prior lives or a lifetime was off.  Of course, I would learn that this marvellous salon was installed during HM King George IV’s reign, at which time, I had reincarnated into Barbados, after having been a countertenor at the court of HM King George III and during the early years of his son’s Regency.  

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Then again, those high-placed windows in the Waterloo Chamber would preclude its assignation as the setting for the exhibition, A Royal Wedding: The Duke and Duchess of Sussex.  

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Though noted for its stunning portraits of both HM Queen Elizabeth, The Queen Mother and HM King George VI, this room much like St. George’s Hall has too much light exposure.  

On entering the long narrow hallway with large windows that look out onto the terrace, the River Thames and the north shore beyond, one happens on a wall of linen panels which cover the floor to ceiling cabinets with priceless china from the Royal Collection.  

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Imagine all these iconic moments from the wedding of TRH Duke & Duchess of Sussex on hanging linen panels of more than 8 or more feet tall.  The effect is warm, enveloping and their size deftly impress on one, the uneclipsed love between these two star-crossed lovers.  

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Next, into the grandeur of the Grand Reception Room one slips and with the heavy red curtains drawn, the effect is even more stunning.  The large chandeliers are softly dimmed and handsomely display the bridal garments of the wedding party.  

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The embroidery on HRH Prince Henry, Duke of Sussex’s uniform, to the Queen Mary Diamond Bandeau tiara when seen in intimate detail proved more breathtaking than I had anticipated.  Goodness, even the shoes worn by Meghan, HRH Duchess of Sussex were exquisite.  

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What I found most interesting about the dress was its sheer simplicity.  The dress serves as a foil for the intricacy of the five metre veil entwined with the fifty-three flowers of the Commonwealth nations, along with the state flower for Meghan, HRH Duchess of Sussex’s home state of California.  Not until in the presence of the dress did its simplicity make sense; the dress is masterfully constructed such that its simplicity reminds one that only the expert craftsmanship of a couturier could have designed and manufactured the dress. 

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Yet, there was more to the simplicity of this Clare Waight Keller dress for Givenchy and it was not until moving around it a second time that it struck me; the simplicity of the dress speaks to the recent past of Ms. Markle’s African heritage.  Its simplicity speaks of the history of a people which was erased, wiped out by the terror of having been robbed and enslaved.  

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Yet like the simplicity which belies the masterful craftsmanship of the couturiers who created this stunning dress, there is also greatness to a people though reviled, socio-economically oppressed, criminalised, marginalised and made to feel inferior… the same people whose greatness shrines through in Jazz, for one.  Remarkably, the simplicity of the dress, is like the sheer eloquence with which HRH Prince Charles, Prince of Wales sincerely both acknowledged and apologised for the past, which his society and family had contributed to in the immense suffering of Africans; this he did this past autumn when touring West Africa on behalf of HM The Queen.  

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This was not only not a heavily attended exhibition but, at the time that I moved through it, there was not a single Caucasian viewing the wedding garments.  Though many would like to have you believe that there is no basis in race why they dislike Meghan, HRH Duchess of Sussex, that is just a damn lie.  Naturally, neither medicine nor academia acknowledges the existence of the racial predator as ‘No’ is the most powerful word when dealing with blacks.  Indeed, not until going to St. George’s Chapel after the tour of the castle was concluded, did one see Caucasians in numbers that reflect their proportions in the society.  Indeed, unlike previously, one was being fixed with looks that were charged with racial animus.  

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Though she is now the most reviled black woman on the planet, truth is that the soul who is now Meghan, HRH Duchess of Sussex was Margaret Beaufort, Tudor Matriarch: key figure in the War of the Roses, cousin of HM King Henry VI, mother of HM King Henry VII, mentor, counsel and favourite of her grandson, HM King Henry VIII who was much impressed by her focussed untrammelled ambition, great-grandmother of HM Queen Elizabeth I. 

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Without her drive and singleness of purpose, England may still be a Catholic nation and its language may well be French.  Nonetheless, such is the rabid, irrational tribalism that is racism; her true nature cannot be perceived by the blind who can never see either the links to the past or the bigger picture.  

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In the end, I was much inspired for having made this pilgrimage to see this dress, which in its simplicity symbolised hope, atonement and the love of two entity mates who have known each other in twenty prior lifetimes.  The simplicity of this dress proved an epiphany.  

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Statue of HM King Charles II without whose drive, there would have been no Restoration.  

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View of the round tower on exiting the State Apartments and at the edge of the Quadrangle.  

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Details of St. George’s Chapel.  

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Details… and more details.  

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Even more interesting details…

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Sadly, photography is not allowed inside the chapel.  

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Despite the general seething that being black elicited from most persons here – thanks to HRH Prince Henry, Duke of Sussex having married the black woman, I rather enjoyed revisiting the spiritual home of the Knights of the Garter.  There is a certain warmth and intimacy to the quire’s dark woods that I favour.  

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And like that, another day of adventure was completed.  

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As the train sped back to London, I spotted this queer, though, appealing architectural gem.  

As ever, thanks so much for your ongoing support and always remember to become awake when asleep into the magical realm of dreams.  

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©2013-20222 Arvin da Brgha.  All Rights Reserved.  

@ROM

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Monday past, in a bid to escape the near-insufferable heat – why does it seem to be even hotter at nighttime? – I rode up onto the sidewalk from the bike lane in a bid to park my bike, I was accosted by yet another vile, little, arse-munching, lisping ninny. Why is it that white females and white gays are so quick to be animus-charged and spew so much hate… every frigging time. As you can well imagine, I was quick on the rebuttal with even more forceful vituperative-charged impatience.

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This past Pride parade, which I have never once attended, I was being invited to come to march in solidarity with the missing and murdered victims of Toronto’s gay serial killer. Without hesitation, I was almost violent in my refusal to do any such thing.

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Two years earlier, whilst returning home from a work gig, I had to cut through the remnants of that year’s pride parade on Wellesley Street East, when just east of Church Street en route home, I had a tall skinhead-looking guy with lots of tatts and no shirt on with rainbow-coloured open leather vest, start shoving my bike, which at the time I was walking rather than riding.

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Soon, he began taunting me: “Yeah Bud! All Lives Matter! Next someone in back of me shoved me into him and soon enough, I was being kicked in the arse, shoved, punched and my bike similarly abused. At the end of it, somehow, I managed my way home with bruised pride and a bike, which eventually had to be repaired. Later, when I got home, I discovered that earlier at the start of the pride parade, the Black Lives Matter group had been invited to participate in the march.

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Somehow, it was assumed that they had crashed the parade; either way, their presence was clearly not wanted because they were being verbally assaulted and also pelted with water bottles from accounts I learnt from persons, who had witnessed the episode on Bloor Street East at the start of the parade. At the time of the assault that I endured, during which not a single soul on the crowded street and sidewalk did anything to intervene, the attack made no sense; sure, I knew from personal experience that gays are the most racially hostile persons – still, it seemed a bit extreme to be attacked out of the blue.

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Like the true Rat that I am, having taken the lisping, arse-munching bigot to task, I slipped into the cool, airy sophistication of the ROM, which lords over that end of Yorkville. I had been intent on seeing the spider exhibition in B2; however, the elevators were not going there. So in the end, I opted go up to level 4 and take in the visionary fashion exhibitions by Iris van Herpen and Philip Beesley.

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As previously, I had been so underwhelmed by the Dior exhibition @ ROM, I went into this one expecting very little.

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Boy, was I wowed! This was like the most surreal, lucid dream imaginable. Two designs into the exhibition and I had to hightail it to the photograph and bio of the artist; I was readily impressed and warmed by her soulfulness.

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This was so phenomenally uplifting an exhibition that I soon turned on John Coltrane’s, who happens to be an entity mate of mine and Merlin’s, 1958 masterpiece, Blue Train.

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Those lines! Truly sublime and elegant.

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Truly visionary.

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Seeing these gorgeous fascinators, I was readily reminded of New York City milliner and friend of Merlin’s, Frederick Jones who – like so many black American friends of both mine and Merlin’s – perished of AIDS in the 1990s.

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The fascinators also reminded me of the gorgeous recent royal wedding, which for having looked at it several times to date, I have now noticed more persons than initially on the day of.

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What I found truly fascinating was that Charlie van Straubenzee has the exact same facial quirks as does Merlin’s oldest friend; the same shudder followed by mouth and nose-twitching.

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Well, after all that, I could not wait to cross to the other salon and discover Philip Beesley’s creative genius.

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By this point, I was certain that I would be just as equally wowed!

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I was completely besotted!

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For this visionary tour de force, I switched to Miles Davis’ 1959 gem, Kind of Blue.

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Blow that horn Miles!

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Notice the raptor-like birds staking their predatory claim to the fashion victim.

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This exhibition was so breathtakingly beautiful, I was left swaying and bobbing, pretty much like Baroness Fellowes to the gospel choir singing, This Little Light of Mine, as her nephew, HRH Prince Henry, Duke of Sussex got into the Ascot Landau carriage and the elegantly ravishing Meghan, HRH Duchess of Sussex wowed the world – I don’t think that I have ever seen a white dress so white; I have been referring to it as supernova white, the damn colour so fiercely popped.

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One of the most touching moments at the recent royal wedding was when designer Roland Mouret repeatedly kissed Victoria Beckham on the cheek with his sexually dynamic lover, James Webster, being the centre of my libidinally focussed and undivided attended.

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Some of Philip Beesley’s whimsical designs look like something that Isabella Blow would readily have favoured. So sad to have recently lost equally stylish, unique and creative fellow English eccentrics, Annabelle Neilson and Lucy Ferry-Birley.

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I really loved this dress.

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This masterpiece is truly iconic.

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This confection of autumnal oak leaves really moved me.

To truly be appreciated, these next marvellous creations had to have been filmed.

For this series of suspended installations, I listened next to Thelonious Monk’s 1958 masterpiece, Misterioso.

By far, this was one of the most enjoyable exhibitions ever mounted @ ROM.

This truly was amazing! Wow!

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As ever, thanks for your ongoing support and sweet dreams as ever.  

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©2013-2022 Arvin da Brgha. All Rights Reserved.